Monthly Archives: February 2014

172. British Comedy: Peter Cook & Dudley Moore

Listen to two comedy sketches from the 1960s, learn some popular cultural history, pick up some vocabulary and hear some posh English accents.

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I highly recommend that you purchase this BBC DVD of The Best of Peter Cook & Dudley Moore. It’s really funny!

Introduction (with transcript)

Hello everyone, welcome to the podcast.
In this episode we’re going to listen to a sketch from a comedy show called “Not only.. but also”, which was first broadcast on the BBC back in the sixties, when TV was in black and white and there were only 3 channels.

I’d love to tell you all about this show, and the people who made it. Peter Cook and Dudley Moore are basically the fathers of modern British TV comedy. I’d love to tell you all about how before Monty Python even existed, Peter Cook & Dudley Moore were doing surreal, satirical and anti-establishment comedy on BBC TV, and getting huge audience ratings, and inspiring generations of people. I’d also love to tell you more about the history of British comedy, because for some reason it’s very important to me. It’s one of my favourite subjects. It just feels significant, and I want to share it with you. Listening to these things is good for your English, but ultimately the reward is even greater than that – you can enjoy listening to something that’s a little bit special. But I also realise that you might not have the same level of slightly fanatical interest in the history of comedy, as I do. I could bang on about some comedians from the 1960s, but you might think “this is interesting Luke, but let’s just listen to some of their work shall we?” So, I’ve decided to just skip through all the stuff about the history of comedy and go straight to a couple of sketches, tell you about them, help you to understand them, and then later in this episode I’ll give you a little history lesson on Peter Cook and Dudley Moore, and their place in the history of pop culture, and then not only will you be able to enjoy their comedy, but you’ll learn more about British cultural history.

So, let’s focus on the sketch. I’m just going to explain the context for you and then you can listen to it, and see if you get what’s going on.

First sketch: Peter Cook & Dudley Moore “A bit of a chat” aka “The facts of life”
In this scene you’ll hear a father talking to his son about a slightly sensitive topic. The scene was written and filmed in the early sixties, probably 1964.

First, just listen (there is a script below, but try listening without it first)
Just listen to this and try and work out what is going on. Then I’ll explain things, and you can hear it again. There’s a script available for this sketch on my webpage.
As you listen you should try to work out what’s happening here. Why is this such a strange conversation? And why is the audience laughing? You might need to “read between the lines” which means look beyond what is just being said in order to discover the hidden meanings or suggestions at work.

How much of that did you understand? Did you get the humorous aspects of it? Let me explain the context, and the main points of the sketch.

*Sketch starts – “A Bit of a Chat”*
(See below for the script)

What happened?

Context
What do you know about Father/Son relationships in the UK in the 1950s & 60s?
They were more formal, especially among upper-class or upper-middle class families. Sons would call their father ‘sir’. They’d be very respectful, as if talking to someone of much higher status. They probably didn’t spend a lot of time together. These days, fathers and sons from normal middle-class families are quite close. They share quite a lot, and are able to talk quite openly about sensitive subjects like relationships or sex education. It might be embarrassing for the boy, but basically, the father feels quite comfortable doing it, and it’s normal and accepted. Back in the 50s or 60s, it wasn’t exactly the same. I suppose British men were less ‘in touch with their feelings’ and found it very awkward to discuss sensitive personal topics openly. Instead they may have dealt with them in the same formalised and distant way as they would talk about other topics. Also, we wonder how much most people really knew about sexual education in those days. Back in the 1950s or early 60s, before the era of sexual liberation, I think that a lot of people were completely in the dark about reproduction and all that kind of thing.
How about now? Are people more comfortable when talking about topics such as reproduction and sex?
Not completely, but certainly more so than 50 years ago.

The Class System & Boarding Schools
A little bit about the class system – particularly the upper class.
Nowardays, most people are middle class. In fact, many people believe that we don’t have a formalised class system these days. 50 years ago, the UK was more divided by class. Lower class (working class), middle class and upper class. Let’s look at traditional upper class culture. The upper class, or upper middle classes were considered to be:
Wealthy, educated, respectable and quite formal. Not liberated sexually, but bound by polite & formal social conventions. They would have been quite prudish about sex, finding it very embarrassing to talk about the subject. Many of the men would have been educated in exclusive, single sex boarding schools, which by all accounts would have been pretty cold, very formal and quite brutal. The boys never mixed with girls and grew up to be pretty clueless about sex. Kids and their parents didn’t spend a lot of time together, because of the boarding schools, and a father was more like a master than a friendly Dad.

Vocabulary
It seems that very posh people, from this period, often don’t really say exactly what they mean. They might make something sound more trivial than it actually is. For example “I had to give someone rather a ticking off” = means “I quite forcefully reprimanded someone for doing something wrong”
rugger – rugby
grubby – dirty / muddy
having a crafty smoke – secretly having a cigarette
give someone rather a ticking off – telling someone off
it’s a filthy habit – it’s a dirty habit
to cope with someone – to deal with someone
to get up to something – to do something (naughty)

Remember – it’s all about reading between the lines. What’s really going on? What really happened?

What does each line of dialogue really mean. E.g. the line about “there’s a cup of tea in here if you’d like one” means – come and sit down because I need to talk to you. The lad doesn’t want to, because, well, it’s probably awkward to talk to the old man, and this sounds like it could be serious.

Let’s listen to it again now, and consider each line, what is going on, and what is funny.

Second Listen

Questions
What does the Father want to talk about?
Why does the Father feel he has to talk about this?
What does the Father mean by “The opposite number?”
Why does the Father talk about sitting on a chair, etc?
Who is Uncle Bertie?
What is Uncle Bertie’s relationship with the boy’s mother?

A Bit Of A Chat (Script)
Roger, aged almost eighteen, arrives home from school, whistling: All Things Bright and Beautiful. His Father wants to have a bit of a chat with him about something. Just, a bit of a chat…
Father: Is that you, Roger?
Roger: Yes, father.
Father: There’s a cup of tea in here, boy, if you’d like one.
Roger: It’s very kind of you, sir, but I’ve just come in from rugger, and I’m a bit grubby. I think I ought to go and have a shower first, sir.
Father: Well pour me a cup, there’s a good chap, would you?
Roger: Certainly sir, yes, of course.
Father: Thank you. How was school today?
Roger: Oh, much as usual, thank you sir, but I caught someone having a crafty smoke behind the wooden building. I had to give him rather a ticking off — such a filthy habit, you know.
Father: It’s a filthy habit, Roger.
Roger: There we are, sir. Now, if you’ll excuse me.
Father: Roger.
Roger: Yes sir?
Father: Er — sit down. Roger, your mother and I were having a bit of a chat the other day, and she thought it might be a good idea if I was to have a bit of a chat with you.
Roger: Er… a bit of a chat, sir?
Father: A bit of a chat, yes, Roger, just…
Roger: Er…
Father: A bit of a chat.
Roger: What about, sir?
Father: Well, there’s nothing to be worried about, Roger, it’s just that, er, well, to be perfectly frank… how old are you?
Roger: Well, to be perfectly frank, sir, I’m coming up to eighteen.
Father: Coming up to eighteen…
Roger: Well, on the verge of…
Father: On the verge of eighteen… Yes, well, I thought it might be a good idea to have a bit of a chat now, because I remember, from my own experience, that it was when I was just, you know, coming up to eighteen…
Roger: On the verge…
Father: …on the verge of it, that I first began to take a serious interest in the – um – in the – er – opposite… the opposite… number. Now I don’t know, Roger, if you know anything about the method whereby you came to be brought about.
Roger: Well, sir, some of the boys at school say very filthy things about it, sir.
Father: This is what I was worried about, and this is why I thought I’d have a bit of a chat, and explain, absolutely frankly and openly, the method whereby you, and everybody in this world, came to be. Roger, in order for you to be brought about, it was necessary for your mother and I to do something. In particular, it was necessary for your mother… it was necessary for your mother – to sit on a chair. To sit on a chair which I had recently vacated, and which was still warm from my body. And then, something very mysterious, rather wonderful and beautiful happened. And sure enough, four years later you were born. There was nothing unhealthy about this, Roger, there’s nothing unnatural. It’s a beautiful thing in the right hands, and there’s no need to think less of your mother because of it. She had to do it – she did it – and here you are.
Roger: Well sir, it’s very kind of you to tell me. One thing, actually, slightly alarms me; um, I was sitting in this very chair yesterday sir, and I vacated it, and the cat sat on it while it was still warm. Should we have it destroyed?
Father: Its a lovely chair, Roger…
Roger: I mean the cat, sir.
Father: Destroy… oh, no Roger, you don’t understand. This thing of which I speak can only happen between two people who are married. And you’re not married.
Roger: Not yet, anyway sir.
Father: Not to the cat, in any case. Well, Roger, now that you have this knowledge about chairs and warmth, I hope – I hope you’ll use it wisely, and take no notice of your school friends, or what Uncle Bertie may say.
Roger: Dirty Uncle Bertie they call him.
Father: Dirty Uncle Bertie – and they’re right, Roger. Bertie’s a dirty, dirty man. He’s been living with us now for forty years, and it does seem a day too much… You know, if it hadn’t been for your mother, Roger, I don’t know where we would have been. She’s the only person who can really cope with Uncle Bertie, she’s the only one who can really deal with him. I don’t know if you realise this, Roger, but your mother even has to sleep in the same bed as Uncle Bertie, to prevent him getting up to anything in the night. If only there were more people like your mother, Roger.
Roger: Well, I’m very pleased that you’ve told me this, sir, because, as I say, I’m very glad I don’t have to believe all those filthy things that the boys at school say, and only yesterday, Uncle Bertie said to me…
Father: Take no notice of Uncle Bertie, Roger! He’s a sick, sick man, and we should feel sorry for him.
Roger: Well, I’ll try, sir… well.. thank you sir. Er – I wonder if I should take a cup of tea up to mother, while…
Father: I – er – I wouldn’t do that, Roger – she’s upstairs at the moment, coping with Uncle Bertie…
Roger: Poor Uncle Bertie…
Father: Poor Uncle Bertie…

And here’s the garden party sketch. It comes from another great BBC TV show called “The Fast Show”, which was Johnny Depp’s favourite British TV show.

The Psychiatrist Sketch (Script)

Braintree: Come in.
[Enter Roger.]
Hullo, Roger.
Roger: Hullo, Dr Braintree.
B: Hullo, come in.
R: I’m sorry I’m late.
B: That’s quite all right – how are you?
R: I’m very well, thank you.
B: Would you like to sit down, or would you prefer to lie.
R: Uhm, I’ll sit, thank you.
B: Right, well, sit down. Tell me, how are you in yourself?
R: I’m feeling just great.
B: Oh, this is terrific.
R: Yes, and it’s more than I expected from our sessions. You know, if anyone had told me that talking to psychiatrists could have help me at all, I would have laughed in their faces.
B: Yes.
R: But I can honestly say that our little chats together have really been of tremendous help to me.
B: I’m so glad, Roger: of course a lot of people are instinctively suspicious of psychiatry, but it can help at times.
R: Well, I really think it can, because you know, I’ve got so much self-confidence now. I’m much less self-conscious in the company of the opposite sex, whichI wasn’t, as you know.
B: Yes, yes, yes, yes. You’re less inhibited, are you?
R: [Suggestively] Oh yes, I should say so.
B: Good, this is terrific.
R: And the wonderful thing about it all is … well, I’m in love.
B: Well, this is wonderful news, Roger – you’re in love. – With a woman?
R: Yes.
B: So much the better – that’s terrific.
R: You know, it’s so wonderful to be in love – I can’t tell you the absolute joy I have. … this girl, this creature
[emotional]
, this goddess …
R: I mean, she’s
B: Yes …
R: She’s so, you know, it’s so right. Everything is so wonderful, you know.
B: Yes, yes – you really click together.
R: Yes. Oh, it’s so marvellous, but – the only trouble is that, apart from this wonderful light-hearted love I have, I seem to be saddled with this tremendous burning sense of guilt.
B: You have guilt as well as love: well, this is unfortunate, Roger. You know, sex is the most wonderful natural, healthy thing in the world. There’s no reason at all to have any guilt about it. I mean,why should you have guilt about sex?
R: Well, it’s not really as simple as that, you know – it’s rather difficult to explain. Uhm, I don’t reallyknow where to start. It’s rather difficult to explain. Uhm, I don’t really know where to start.
B: Well, begin at the beginning. That’s always the best place. What’s the girl’s name.
R: [Pause] Stephanie.
B: Stephanie. That’s a lovely name, isn’t it – well, my wife’s name in fact, isn’t it?
R: Yes, it’s Stephanie.
B: Yes, it’s Stephanie.
R: Yes, it’s Stephanie.
B: No, it’s Stephanie.
R: Yes, it’s Stephanie: it’s your wife.
B: Oh, you’re in love with my wife, Stephanie. Well, this is a perfectly understandable thing, Roger. She’s a very attractive woman – I married her myself. I don’t see why you should feel upset about that.
R: But she’s in love with me.
B: Well, this is again perfectly understandable, Roger. I mean, you’re a perfectly attractive human being, as I’ve told you over the last few weeks. There’s nothing repulsive about you, is there? There’s no reason why a highly sexed woman such as Stephanie shouldn’t fall in love with you. And I must explain to you, Roger, that I’m a very busy man: I have many, many patients to see – I see rather less of my wife perhaps than I should, and I think it’s very understandable she should seek some sort of companionship outside the marriage – I don’t think that’s unreasonable at all.
R: But she’s not seeking anything outside marriage – nor am I. We want to get married.
B: Well, this again is perfectly understandable. After all, you’re two young people in love and you want to express your feelings within the confines of a bourgeois society through marriage. I think it’s very appropriate.
R: The awful thing is, you see – I should feel so grateful to you for what you’ve done. And all I can feel is this burning jealousy – I can’t bear the thought of you touching her.
B: Well, of course, I understand this. One is tremendously possessive about someone one loves … it would be unhealthy not to have this jealous reaction, Roger.
R: But don’t you see – I hate you.
B: Of course you hate me, Roger.
R: I hate you for being so near her.
B: Yes, of course you hate me, Roger. You love to hate the one who loves the one you hate to love the one you hate. This is a very old rule, Roger – there’s nothing to feel ashamed about. It’s absolutely reasonable.
R: Don’t you understand – I want to kill you.
B: Of course you want to kill me. Because by killing me , Roger, you eradicate the one you hate. This is a perfectly natural reaction, Roger.
R: You’re so reasonable, aren’t you.
B: Yes, I am.
R: [Getting cross]
You understand it all so much …you are so logical.
[Gets up to strike him.]
B: Yes, I am – it’s my job.
R: I’m going to have to kill you
now
!
B: Ah – Roger – this is a little inconvenient, because I have another patient a six-thirty and then there’s someone else at seven after that. I wonder if you could make it some time next week.
[Standing over him.]
Could you make it early in the week, say?
R: [Pause – relax] When do you think?
B: How are you fixed on Wednesday morning? Say nine-thirty – would that be convenient?
R: Yes, that’s perfect.
B: Right, well, if you could pop along at nine-thirty and kill me then.
R: Once again, Doctor Braintree, I’m amazed, you know, really. I’m so grateful to you for showing me the way.
B: That’s what I’m here for, Roger.
R: Thank you very much. Thank you.
B: And with a bit of luck, this should be the last time you need to visit me

Comments
I think it’s pretty clear what’s funny about this. The psychiatrist has cured Roger and he feels so happy to be in love, but it turns out that Roger is in love with the Psychiatrist’s wife Stephanie. The psychiatrist doesn’t fly into a jealous rage – in fact he’s ridiculously logical and reasonable about it. This sketch allows us to imagine what the psychiatrist must be like at home – so reasonable all the time, he must be no fun at all. No passion, just plain dedication to his job; the rational understanding of psychology at the expense of natural human emotions and feelings, which is unnatural and ridiculous, as well as frustrating. It could be a wider statement about psychiatry, but let’s not analyse it too much. It’s just funny listening to the reactions, and the nicely written lines.

Vocabulary
There may be some words and expressions that you don’t know, or that could be useful to you. Let’s have a look:

terrific
our little chats together have really been of tremendous help to me
I’m much less self-conscious in the company of the opposite sex, which I wasn’t, as you know.
B: Yes, yes, yes, yes. You’re less inhibited, are you?
you really click together.
I seem to be saddled with this tremendous burning sense of guilt.
There’s nothing repulsive about you
There’s no reason why a highly-sexed woman such as Stephanie shouldn’t fall in love with you
You want to express your feelings within the confines of a bourgeois society through marriage.
I can’t bear the thought of you touching her.
Because by killing me , Roger, you eradicate the one you hate.
If you could pop along at nine-thirty and kill me then.

That’s it! Don’t forget to listen several times to get the full benefit!

Feel free to leave comments and questions below.

Thanks for listening,

Luke

171. A Cup of Tea with Daniel Burt (Part 2)

[2/2] Here’s the second part of my conversation with Daniel Burt, who is a journalist, comedy writer and performer from Melbourne, Australia.

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In this conversation we talk about these things:
Daniel’s move to London
Aussie pubs in Paris and London
Cliches about Australian people
Australian pronunciation
Typical Australian English phrases
The Australian character and national identity
Australian politicians
The future of Australia & Australia’s image of itself
Sport & competition
Interviewing Benedict Cumberbatch (Sherlock), Martin Freeman (The Hobbit), Matt Smith & David Tennant (Doctor Who)

To contribute a few minutes of transcription for this episode, click here to work on the google document:

If you have any questions, feel free to leave a comment.

All the best,
Luke

Daniel’s Video Showreel
[youtube http://www.youtube.com/watch?v=u9V3cKGvISU&w=500&h=281]

170. Basking in My Moment of Glory / Vocabulary of Success & Failure

I won the competition again! I got a hat-trick! Thanks for your votes. I’d like to teach you some expressions related to success and failure in this episode.

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In this episode
I’m just going to talk about it for a little bit, but I’m not just going to bask in this moment of glory, I’m also going to present and then teach some phrases to you. The phrases are all associated with success and failure. I’ll also teach you some really common things you can say to someone who has won, or lost something.

Phrases related to success or failure
So, I’m going to bask in my moment of glory for a few minutes, and talk about winning this competition. I’m going to use about 40 expressions. Yes 40! See if you can notice them. Which phrases or expressions are the ‘target language’ of this episode? Listen carefully, and I’ll explain them properly in a few minutes.

So, I came in first place in the competition, in my category, and I’m really pleased.
This year the competition was a bit different. I had no idea of the vote count.
For all I knew, I could have been in the lead, or neck and neck with the others, or falling behind. I had no idea.
I had my doubts of course.
Lots of people reassured me. “It’s in the bag mate”, “no worries” “it’s a sure thing” “it’s a dead cert” “You’re bound to win”.
But I had no idea if it was a sure thing or not. I didn’t think it was a dead cert or anything. I knew there was some stiff competition.
In fact I was thinking, well, every dog has its day. Maybe I’ve peaked. Maybe that’s it. For all I know, most people are fed up with me now. Maybe I won’t get three. It’ll be a fall from grace – from the heights of winning it two years in a row, maybe I’ll just fall flat this year. Perhaps this podcast is just a flash in the pan, and it’s all going to the dogs now. Perhaps my plans for Luke’s English Podcast will just go up in smoke. Maybe everyone’s just fed up with me now, after all this time. Maybe I’m yesterday’s news.
It turns out that I had quite a considerable lead. I didn’t realise, but I was the front runner in this competition. I was ahead of the pack by quite a lot of votes.
The results came through by email, and everything came up roses.
I won and in the end, in fact I smashed it.
I knocked the ball right out of the park.
I won by about 700 votes, which is a clear majority. It was a landslide victory.
And I owe it to you my listeners.
It’s pretty simple – if you hadn’t voted for me, to the tune of 1017 votes, I wouldn’t have won.
I guess, the reason that you voted for me is not just that you’re generous people, but those people were expressing their appreciation of the podcast. So, that’s very satisfying. It’s a win-win situation.
I guess what I should do now, as has always been the case, is take advantage of this win, and use it as a springboard for more exposure and success. Now I’ve got a foot in the door, so to speak, I could perhaps get more listeners, and attract sponsors and things like that. I’m getting about 4,000 page views a day (which is incredible – and I guess this means that not all the people visiting my page voted for me – in fact, just a fraction did – I wonder why. Maybe some people just don’t realise how incredible Luke’s English Podcast really is. Or perhaps, voting is not why they came to the website.)
so the podcast is coming on in leaps and bounds.
Sometimes I must admit that I feel at a bit of a low ebb. I mean, sometimes I feel a bit low. It can be hard to achieve everything you want, and I think that I’m putting lots of time into this without reaping the benefits (although it’s nice to get comments and recognition), but I usually bounce back from that, and most of the time I’m just really chuffed to have an audience, and the opportunity to talk to people around the world.
Other doubts are that I’m just not getting anywhere, and that I’ve missed the boat somehow – meaning that I should have cashed in on this earlier, and that the opportunity to make this into a profitable venture has already passed, somehow. Sometimes I think that I’ll have to pack it in eventually, like if I have kids, because I won’t be able to devote as much time to it, but then again I think I’ll always be doing something related to Luke’s English Podcast. I’m certainly not planning to throw in the towel any time soon. I have too many ideas that I’d like to create.
At the moment though, I’m riding high. You could say that I’m on cloud 9, because I’m just over the moon to have won. You’re probably fed up with hearing me go on about it now, but at the moment I’m top dog, so I feel I deserve my moment of glory! You’ll just have to bear with me for a few more minutes, and then it’ll be business as usual again, and I won’t bask in the glow of victory any longer. I’ll just focus on teaching you useful things. At the moment it feels like things are on the up and up, and I’ve got the world at my feet. Thanks to everybody for rising to the occasion and showing your support. You’re the best.

Vocabulary
Let’s look again at some of the vocabulary I just used

  1. a hat-trick
  2. to bask in this moment of glory
  3. I came in first place in the competition
  4. be in the lead
  5. be neck and neck with
  6. falling behind
  7. It’s in the bag mate”, “no worries” “it’s a sure thing” “it’s a dead cert”
  8. You’re bound to win
  9. stiff competition
  10. every dog has its day
  11. Maybe I’ve peaked
  12. It’ll be a fall from grace
  13. maybe I’ll just fall flat this year
  14. Perhaps this podcast is just a flash in the pan
  15. and it’s all going to the dogs now
  16. Perhaps my plans for Luke’s English Podcast will just go up in smoke
  17. I was the front runner
  18. I was ahead of the pack
  19. everything came up roses
  20. I smashed it
  21. I knocked the ball right out of the park
  22. It was a landslide victory
  23. if you hadn’t voted for me, to the tune of 1017 votes, I wouldn’t have won
  24. It’s a win-win situation.
  25. use it as a springboard
  26. Now I’ve got a foot in the door
  27. the podcast is coming on in leaps and bounds
  28. I must admit that I feel at a bit of a low ebb
  29. without reaping the benefits
  30. but I usually bounce back from that
  31. I’m just really chuffed to have an audience
  32. I’m just not getting anywhere
  33. I’ve missed the boat
  34. I should have cashed in on this earlier
  35. I think that I’ll have to pack it in
  36. I’m certainly not planning to throw in the towel any time soon
  37. I’m riding high
  38. I’m on cloud 9
  39. I’m just over the moon to have won
  40. at the moment I’m top dog
  41. it’s business as usual
  42. things are on the up and up
  43. I’ve got the world at my feet
  44. Thanks to everybody for rising to the occasion

What to say if someone wins:
Well done!
CongratulationS (don’t forget the ‘s’ at the end of that)
Nice one
Good job!
That’s great news.
I’m really happy for you.
You deserve it.
You’ve done really well (sounds patronising!)
I’m proud of you.
You must be chuffed to bits.
I’m really glad for you.

What to say if someone loses:
Commiserations
Bad luck mate
Sorry to hear that
That’s a pity
Chin up
Oh well, you did your best
Never mind
Don’t let it get you down
Better luck next time
Don’t beat yourself up

I have a few questions for you:
-How are the phrasal verb episodes? Are you listening to them? Are they useful? I just want to make sure it’s worth me doing them regularly.
-Which episodes have you liked best recently?
-How was my conversation with Daniel Burt? Did you find it hard to understand him?
-How do you listen to the podcast? What context are you in?
-How’s my website at the moment?

Do leave other comments too and let me know what’s going on where you are.

Thank you very much for listening and for voting.

169. A Cup of Tea with Daniel Burt (Part 1)

[1/2] Daniel Burt is a journalist, comedy writer and performer from Melbourne, Australia. He writes for two big newspapers in Australia, he worked as an intern at Late Night with David Letterman, he has his own page on Wikipedia and in his work he has interviewed Matt Smith, David Tennant, Benedict Cumberbatch and Martin Freeman, which means he has met 2 Doctor Whos Sherlock Holmes, Dr Watson and The Hobbit! Wow.  In this episode you can listen to us talking about diverse topics such as Australia’s relationship to The Queen & The Commonwealth, his work as an entertainment journalist, his time living in New York, the David Letterman show, Will Smith, show business, and zombies…

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I’m very pleased to have Daniel on the podcast for a number of reasons:
a) He is a bright, witty guy with lots of things to say, and he can talk the hind legs off a donkey (not literally, that’s just an idiom which means he can talk and talk!)
b) He is from Australia, so you can listen to his genuine Aussie accent and hear some authentic Australian English.
c) He has met Sherlock Holmes, Bilbo Baggins, Doctor Who and others.

Daniel is noteworthy enough to have his own page on Wikipedia. Click here to read it.

Daniel is a writer so naturally uses a lot of colourful language, descriptive vocabulary and idiomatic expressions. He also speaks pretty quickly in an accent that you might not be familiar with so listen closely. A transcript should arrive before too long but if you have any questions about words or phrases from this episode, please leave them in the comments section, with a time-code. ;)

This is a two part podcast. In part 1, this one, Daniel and I talk about these things:
The Zombie Apocalype
– Is my apartment safe?
– Would Daniel survive a zombie attack? Is he too complacent?
– Are people who like zombies all loners?
– Is Luke a loner?

Daniel’s Coin-dropping Habits
– Why can’t Daniel hold onto coins when shop assistants give him change?
– Why does he always drop coins onto the floor?
– Is it because Australian notes are so shiny and slippery, that the coins just slide off?

– Or is it just because he is socially awkward or nervous for some reason?
The Queen on Australian money
– How does Daniel feel about it?
– What’s the role of The Queen in Australian life?
– Will Australia leave the commonwealth and become fully independent?
Daniel’s work as an entertainment journalist
– Does he really have a Wikipedia page about him?
– What was it like living in New York?
– What was it like working for David Letterman?

Seeing Will Smith in the audience at a Parisian cabaret show
– Did he enjoy the show?
– What was the audience’s reaction to seeing Will Smith in the crowd?
– Did it affect the performance?
– What are the secrets of show business?
-And what does “getting jiggy with it” actually mean?

I’ve divided this into two episodes. So, stay tuned for details about his meeting with Sherlock Holmes, The Hobbit and Doctor Who in part 2.

Our conversation begins pretty quickly after we’d already been talking for about half an hour before turning on the microphone. Let me give you some context so you can hit the ground running.

Before turning on the microphone, we were talking about some of our favourite TV shows. I mentioned that I watch The Walking Dead, which is a show about zombies. I like zombies and that kind of thing, I’m sick and twisted in that way. Daniel doesn’t watch the show, and he isn’t a big zombie fan. He said he thought you’d need to be a bit of an idiot to get bitten by a zombie, because they’re so slow. Surely you’d see the zombie coming, and you’d just get out of the way, quite casually. I disagreed, and explained that getting bitten by a walker is easier than you might expect. Zombies might seem slow, but if you get complacent – over confident and too relaxed, that’s when you might be caught by surprise. If a zombie is walking towards you, he’s pretty slow so you might think you’re safe, but they’re unpredictable. What might happen is that the zombie gets about 3 metres away, and gets excited because he can smell your brains, and he trips slightly and starts to fall forwards. This means that his falling increases his speed and the momentum carries him to you faster than you expected. The next thing you know, you’ve got a zombie on top of you, and while you’re trying to deal with him, another one might have arrived behind you quietly, without you realising, and then you’re bitten, double bitten by two members of the undead. Then, later on, you’re a zombie too. Uhhh brains! Daniel didn’t realise this could happen. I reassured him, by explaining that up in my flat we would be quite safe from zombies because I’m up on the 6th floor, and my door is very strong. But that you still shouldn’t get complacent, even then. You can never be too safe from zombies, because, well, anything can happen. For example, let’s say, on the other side of the city, some guys have managed to escape from a zombie infested building by flying off the roof in a helicopter. “Ooh, that was close – good thing we had this helicopter!” But one of the guys in the chopper has been bitten, and he didn’t tell the others! He was too ashamed, too embarrassed. He kept it secret. Big mistake! Within minutes, he’s turned into a zombie, and he starts attacking the pilot. Trying to eat his brains. Horrible! The pilot gets bitten and he turns into a zombie too. Now you’ve got a zombie flying a helicopter. In the confusion the helicopter crashes onto the roof of my building – the pilot and passengers are all zombies, and they crawl from the wreckage and climb through a hole in the wall, into my living room, and Daniel gets bitten. Not me of course, I’d be ready with a cricket bat or a hammer or something. Maybe a crossbow. It would be tough, but I’d deal with them. Daniel though – he’d be beyond dead at that point, the poor guy. And why? Because he got complacent. Or zombies could manage to get to the 6th floor in a lift, by accident. Or just thousands and thousands of zombies could surround my building, and eventually break in by smashing all the windows and doors. Don’t worry though, it’s very unlikely to happen… or is it?…
So, that’s some context to the conversation I was having with Daniel before starting the recording. Now you can enjoy some chat with my Aussie mate Daniel. Enjoy!

Daniel’s Video Showreel

In part 2:
Daniel’s move to London
Cliches about Australian people
Typical Australian English phrases
Australian pronunciation
The Australian character and national identity
Australian politicians
The future of Australia & Australia’s image of itself
Sport & competition
Interviewing Benedict Cumberbatch (Sherlock), Martin Freeman (The Hobbit), Matt Smith & David Tennant (Doctor Who)

168. Please Vote! (and “stuff” like that)

Please vote for me in the Macmillan Dictionary Awards. Voting closes at midnight GMT on 14 February – so you only have a couple of days! Click here to vote for me. Thanks! If you’ve already voted – thanks a lot! In this episode I shut up about the competition after 9 minutes, and then just improvise, while using the words ‘stuff’ and ‘thing’ as much as possible.

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I also talk about a few other things in this episode, including quite a lot of stuff about working for the secret service, drinking coffee and setting the world to rights over a few drinks. So, do listen to all of the stuff and things I say in this episode ;) 

Here’s George Carlin talking about stuff (transcript below)

“Stuff” by George Carlin

I would’ve been out here a little bit sooner but they gave me the wrong dressing room and I couldn’t find any place to put my stuff. And I don’t know how you are but I need a place to put my stuff. So, that’s what I’ve been doing back there. Just trying to find a place for my stuff. You know how important it is. That’s the whole… that’s the whole meaning of life, isn’t it? Try and find a place for your stuff. That’s all your house is. Your house is just a place for your stuff. If you didn’t have so much goddamned stuff you wouldn’t need a house. You’d just walk around all the time. That’s all what your house is, that’s a pile of stuff with a cover on it. You see that when you’re taking off in an aeroplane. You look down and you see everybody’s got a little pile of stuff. Everybody’s got their own pile of stuff and if you leave it you’ve got to lock it up. Wouldn’t want somebody to come by and take some of your stuff. They always take the good stuff. They don’t bother with the crap you’re saving and nobody’s interested in your fourth grade arithmetic papers. They’re looking for the good stuff. That’s all your house is, it’s a place you keep your stuff while you go out and get more stuff. Now, sometimes, sometimes you’ve got to move. You’ve got to get a bigger house. Why? Too much stuff! You’ve got to move all your stuff and maybe put some your stuff in storage. I mentioned that. There’s a whole industry based on keeping an eye on your stuff.

Enough about your stuff. Let’s talk about other people’s stuff. Did you ever notice that when you go to somebody else’s house you never quite feel 100%  at home? You know why? No room for your stuff! Somebody else’s stuff is all over the place! And what awful stuff it is. Where did they get this stuff? And if you have to stay overnight at someone’s house, you know, unexpectedly, and they’ll give you a little room to sleep in that they didn’t use that often. Someone died in it eleven years ago and they haven’t moved any of his stuff! Or wherever they give you the sleep usually near the bed there’s a dresser and there’s never any room on a dresser for your stuff. Someone else’s shit is on a dresser. Have you noticed that their stuff is shit and your shit is stuff?! Get that out of there!

Now, sometimes you go on vacation you’ve got to bring some your stuff with you. You can’t bring all your stuff, just the stuff you really like. The stuff that fits you well that month. Let’s say you want to go to Honolulu. You want to go all the way to Honolulu and you’ve got to get two big bags with stuff plus your carry-on stuff plus the stuff in your pockets. You go all the way to Honolulu, you get to the hotel room and you start to put away your stuff. That’s the first thing you do in a hotel room is to put away your stuff. I’ll put some stuff in here. I’ll put some stuff down here. Here’s another place for stuff for you. I’ll put some stuff on here. You put your stuff over there and I’ll put my stuff over here. Here’s another place for the stuff. Hey, we’ve got more places than we’ve got stuff! We’re going to have to buy more stuff! And you put all your stuff away and you know that you’re thousand of miles from home and you don’t quite feel at ease but you know that you must be okay because you do have some your stuff with you. And you relax in Honolulu on that basis. That’s when your friend from Maui calls and says – Hey, why don’t you come over to Maui for the weekend, spend a couple of nights over here? – Aww, shit, no! Now, what stuff do you bring? Right, you’ve got to bring an even  smaller version of your stuff. Just enough stuff for a weekend on Maui. And you get over… And you’re really spread out and now you’ve got your shit all over the world! You’ve got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets so, supply lines are getting longer and harder to maintain. When you get over to your friend’s house in Maui and they give you a little place to sleep. There’s a little window ledge, some kind of small shelf and there’s not much room up there but it’s okay because you don’t have much stuff now. And you put what stuff you do have up there. You put your important French toenail clippers, your own readers with that 45-day guarantee, your cinnamon flavoured dental floss and your Afrin 12-hour decongestant nasal spray. And you know you ‘re a long way from home. You know that you must be OK because you do have your Afrin 12-hour decongestant nasal spray. And you relax in Maui on that basis. That’s when your friend says – Hey, I think tonight we’ll go over to another side of the island to stay at my friend’s house overnight – Oh, shit, no! NOW, what do you bring?! Now, you just bring the things you know you’re going to need. Money, keys, comb, wallet, lighter, hanky, pen, cigarettes, contraceptives, vaseline, whips, chains, whistles, dildos and a book.

Memory, Mnemonics & Learning English (How to Remember Vocabulary)

How to improve your memory and learn English more effectively with memory techniques & mnemonics.

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Text video version

The following is a transcript of this episode of the podcast.
Hello, and welcome to the podcast. Today, we are going to take a journey into the palace of the mind! We are going to venture into the deepest parts of your brain, and in the process we’re going to clean it up, brighten it up, sweep out the cobwebs and make it a much more effective place for learning and remembering English. Have a glass of water, take a deep breath and get ready for a brain upgrade because this episode of the podcast is all about memory, mnemonics and learning English!

Recently I’ve been doing a series of mini podcast episodes called “A Phrasal Verb a Day”. It’s quite a popular series, which is great. Lots of people have been listening to it, and I’m updating it every day. You can find a link to the episodes on my webpage https://audioboo.fm/LukeThompson. I’m hoping to do 365 phrasal verbs this year, that’s one a day, which may be a little ambitious but we’ll see. 365, that’s a large number of phrases for me to teach, but also a large number for you to remember. You might be thinking – this is great Luke. 365 phrasal verbs, all explained by you with examples and transcripts, but how am I going to remember them all? Well, you don’t have to remember all of them, but you definitely can. Your brain is an amazing thing. It’s capable of remembering massive amounts of information. It’s just a question of how you get the information in there.

English has one of the largest vocabularies of any language in the world, which is quite an overwhelming prospect for those of you who are trying to learn all of those words, even just a portion of them – like the commonly used ones. But it’s not just the words, it’s the phrases, the idioms, the spelling, the rules of grammar. It’s a challenge, but you can do it. The question is: How? Well, let’s look into it.

In this episode we’ll be looking at ways to improve your memory and some specific mnemonic devices for remembering English vocabulary and spelling. So strap in, this is going to be a useful one. With the methods in this episode, you’ll be able to remember massive amounts of vocabulary, and you’ll be able to remember the spelling for loads of difficult-to-write English words. There’s also a transcript for this which you can read at www.teacherluke.wordpress.com. You’re welcome.

The techniques I talk about here are well-known methods, used by lots of people including some of the most famous brains in the world. The illusionist Derren Brown is an example. He’s famous for being able to remember vast sequences of information, and uses this technique in his magic shows. Then, there’s the world famous detective Sherlock Holmes. I know he’s not a real person, but in the modern TV adaptation called “Sherlock” starring Benedict Cumberbatch, he uses a mnemonic device known as a  mind palace in order to remember all kinds of information, which allows him to solve deeply complex criminal cases. You can create your own mind palace too, or just use memory techniques to help your remember names of people at a party, business contacts, telephone numbers, lists of phrasal verbs or the way English words and spelled and pronounced. We’ll be looking at all these things in this episode.

These are tried and tested techniques and I invite you to try them for yourself, even if you’ve never considered the idea of improving your memory. They’re a lot of fun and surprisingly useful, and you don’t need to try very hard to just play along. I don’t want to go on about it too much, but if you just listen – it’ll be quite entertaining, but you’ll get the most benefit from actually trying these things yourself, and if you do that – if you try to apply the memory techniques in this episode, it could transform your English learning in a really exciting way.

You might need a pen and paper, so you can join in with some activities. Don’t forget you can read everything I’m saying by visiting teacherluke.wordpress.com.

Let me give you a run-down of the systems I’m going to talk about here:

1. Firstly I’ll talk about some advice for learning English more effectively, based on mnemonic devices. I’ll give you a summary of what I’ve learned from reading about this subject.

2. Then I’ll outline some specific systems for remembering lists of things such as a shopping list, people’s names, the order of adjectives in English, or lists of vocabulary.

3. Then, we’ll go through some specific mnemonics for remembering English spelling, which can help you to improve your spelling massively.

Just to explain, a mnemonic is a method of remembering something. It’s a memorising technique. Mnemonic has slightly weird spelling. It’s spelled M-N-E-M-O-N-I-C but the first M is silent. So that’s pronounced “NEMONIC”. There is a mnemonic device for learning the spelling for the ‘mnemonics’. It goes like this Mnemonics Now Erase Man’s Oldest Nemesis, Insufficient Cerebral Storage. The first letters of the first words in that phrase all spell “mnemonics”. Say it again… Mnemonics Now Erase Man’s Oldest Nemesis, Insufficient Cerebral Storage. Again, you can read that on the webpage, and you can check out words like insufficient (not enough), cerebral (of the brain) and storage (where things are stored, or kept.

I’ve discovered while reading about this subject that the key aspect of mnemonics seems to be that you have to push the thing you’re trying to remember deep into your mind, and make links to things you already remember well. The more personal the the connection to that word, the more likely you are to remember it. How do we do it? This means creating an image in your head and making it as vivid and clear as possible, attaching some kind of narrative or story to it or connecting it to an already existing deep memory. I guess this is because in your brain there are electrical pathways – the brain is like an electrical system. Each electrical pathway is a connection to that word. It’s a way for your brain to access that particular bit of information. So, the more electrical pathways, or connections you have to something in your brain, the more likely are to be able to access that thing later, and remember it.

How does this relate to learning English? Let’s see if you this confirms that you are already learning in the right way, or if there are some new approaches that you can pick up.

First, you should really engage with the learning process. Don’t let information just go in one ear and come out the other. It has to go deeply into the brain. So, as a learner, you need to put yourself and your personality right into it, and become an active member of your class (if you’re studying in a class) with a sense of independent responsibility for your own learning. Remember that the stuff you’re studying (like vocab or grammar) is not just abstract information but something that involves you in a very personal and specific way.

So we’re talking about personalising new words. Think of examples or definitions of new vocabulary in a way that is meaningful specifically to you or your life. Put yourself into the examples of vocabulary you use. Imagine that you’re living these words and phrases somehow. Picture yourself acting it out. If I teach you a phrase like “to doze off”, meaning to go to sleep, just imagine a time when you’re really tired and can hardly keep your eyes open, even though you want to stay awake. Then imagine yourself reacting to that by saying “oh god I keep dozing off!”. Imagine people you know in your examples of new grammar or vocabulary. Vividly picture something familiar to you when you’re trying to remember the words. Bring the language to life in your own head. Create stories with the new language. Involve you, your friends or family in those stories, and make them really vivid, colourful and dramatic – like my Pink Gorilla story for example. Make your own pink gorilla story and aim to include lots of new language in it.

When you’re trying to practice using new grammar or vocabulary, don’t just make a random sentence. Make a sentence which you really feel or really mean. Obviously, this is not always possible – for example if you’re doing an exam practice exercise in a book or if you just have to play with the grammatical structure of a phrase quickly – in that case you might have to just dash off a quick sentence with the phrase in it, for structural purposes. But at some point you should aim to use the phrase to express something meaningful and personal to you.

This works for teachers as well. When explaining new words, try to give vivid examples. Bring the expression to life. The more vivid and colourful, the better. If you can, try to attach some personal element to it. Put yourself into the example perhaps. If you need to use the 3rd person, pick a real person, like a famous person or someone in the class, rather than just a name. I know it’s not always possible to think up these vivid examples, or you can’t always share personal details, but just remember – the more lively and vivid the example, the easier it is for the students to internalise. It also might encourage them to personalise the language enthusiastically too, when it’s their turn to use the language.

New words can be quite abstract, so try making them familiar by attaching them to things you already know. For example, maybe the English word looks like a word in your language, or perhaps it reminds you of somebody’s name. You can then associate the English word with that name, and it sticks in your mind more effectively. For example, the Japanese word for apple is ‘ringo’. I always remember this because Ringo is one of the Beatles and the Beatles’ record label is called Apple, so now I think of an apple, and I think of The Beatles, and Ringo. This method is common sense really, but we often just don’t apply these techniques to remembering things as much as we could. Instead we just try to cram information into our head, without doing it in a meaningful way, and as a result we just fail to remember things.

It works with names as well. I have to remember lots of names in my classes. At the moment at university I have over 200 names to remember. Sometimes the only way I can do it is to make an association to something. For example, I had a Saudi student once called Faisa. It can be difficult for me to remember Arabic names, because they’re quite foreign to me. We don’t have many Arabic names in English. So, Faisa was quite a difficult one to remember at first, and it’s important to remember names in class because referring to someone by their name helps get their attention, but it’s also a nice way to establish rapport with that person. So, Faisa – F-A-S-I-A. In English, we have a similar sounding word, which is ‘phaser’, spelled p-h-a-s-e-r. A phaser is a kind of laser-gun, like the guns they have in Star Trek. “Set phasers to stun!” for example.  I imagine the old Star Trek TV series, in which they used these laser guns, with cheesy special effects and sounds. In the classic 1960s version of Star Trek which I used to watch on TV during the 80s and 90s there was always a scene in which Spock and James T Kirk went to an alien planet, and they took their phasers with them. So, I just imagined my student Faisa, in Star Trek, beaming down onto an alien planet (England?) with her phaser set to stun. It didn’t take long – just that image of Faisa in Star Trek, with a phaser, maybe shooting an alien. I didn’t tell her this. She had no idea she was in Star Trek, but it helped me to remember her name. This could work for anybody, at a party for example – when you’re introduced to someone, as soon as you get their name, make a point of connecting that name to something you know well. For example, if the person’s name is John – imagine him with John Lennon, or imagine him wearing John Lennon glasses, walking across Abbey Road. JOHN. Perhaps you have another friend called John. Imagine the new John and the other John together, perhaps having a fight – like Street Fighter 2. John vs John. “Round 1 – fight!!! Hello John, hello John! PERFECT… John, wins….” You won’t forget it. Do that with everyone at the party, or everyone at the business conference. You’ll remember their names, and you’ll have fun doing it. Just remember not to tell them. For example, if you get drunk a bit later, don’t go up to John and say “Hey John! How’s John Lennon?? How are all the other Beatles. When’s the new album coming out?? JOHN! I love you John… ” Don’t do that.

Sometimes it works against me though. I have a student called Charles, and to me he looks just like Roger Federer, the tennis player. Sometimes I call him Roger by mistake, and he has no idea why I keep calling him Roger. I haven’t explained that I think he looks like Roger Federer, and that’s because he doesn’t look enough like Federer for everyone else to agree with me. They’d probably just think I was weird, and I’m supposed to be a professor, y’know. Anyway, there’s just something Federer-ish about this student. So, I mistakenly call him Roger sometimes, even though his name is Charles. What I need to do is imagine Federer meeting Prince Charles, and perhaps being knighted by Prince Charles for being such a great tennis player. Roger Federer and Prince Charles. – that should help. You might think that remembering all these connections is more complex than remembering the individual words or names themselves, but it’s not true. We’re just making connections to things that already exist in our heads. The more connections there are, the more likely you are to remember the words. Words that exist with no connections at all, are just lost in space, in your brain. Disconnected and missing. Words like to hang out with other words. They’re all connected in some way. It’s worth remembering that, and people often draw mind-maps to create visual representations of the connections between words. This is a good vocabulary learning strategy.

Also, it can help people to learn new words when they find out the origin of those words. There are lots of TEDed videos which explain the origins of many words. You can find TEDed’s youtube channel online. Again, go to my page and I’ll give you a link. Here is the link to the TEDed YouTube channel: http://ed.ted.com/series/mysteries-of-vernacular

So, in all these mnemonic devices, the words that come up a lot seem to be these ones: vivid, personal, funny and weird. So, when you’re linking a word to an image – make it vivid, personal, funny and weird. That’s how you really lodge the word deep in your brain. You could probably create a mnemonic to remember that! Vivid – meaning bright and clear, personal – meaning related to yourself or something you know personally, funny – just something that makes you laugh, and weird – something bizarre, out of the ordinary and strange. I’m just imagining The Simpsons, like Homer Simpson, just glowing! They’re vivid because they’re bright yellow and have big bulging eyes. They’re funny, obviously. At its best The Simpsons is one of the funniest shows on TV (in English – I’m not convinced it’s as funny in other languages, but in English it is generally hilarious sometimes). They’re personal because it’s about a family, we know them well, we’ve grown up watching them on TV. Homer, Marge, Bart, Lisa and Maggie. They’re weird – because they’re yellow, that’s strange. They only have 4 fingers, and the sense of humour in the show is pretty bizarre. Also, they’ve been on TV for 20 years and yet they’ve always stayed the same age. Bart has never grown up. That’s pretty weird. So, vivid, funny, personal and weird. Those are the key qualities for mnemonic images.

So, I’ve just given you some quick memory techniques for learning English, as they occurred to me, but let’s have a closer look at some specific tried and tested memory techniques and mnemonic devices.

Some specific memory systems

These might seem like pretty weird techniques, but as I said earlier, if you just listen to this you won’t get the full benefit. You’ll just enjoy listening to it as entertainment. So I invite you to try them for yourself, because only then will you realise just how effective these things are. It can make a huge difference to your life.

Let’s listen to a short presentation from The University of Western Sydney. This video is available on YouTube and also on my website. This video is about 5 minutes long and it clearly explains some mnemonic systems. The guy in the video speaks with an Australian accent. It’s not a strong one, but you might be able to notice the way he says some words, like numbers 1 – 9 for example.

[youtube=http://www.youtube.com/watch?v=VoYOb2sPnqA&w=500&h=281]

So, that’s Acronyms (a word – each letter represents something, eg. ROY GBIV), Acrostics (a sentence in which the first letter of each word spells out the thing you need to remember),  The Peg System (words represent numbers, and you can then create an image using those words), Image Mnemonics (I’ve talked about this with the John Lennon example), Chunking – grouping individual bits of info together to make them easier to remember (This helps with vocab because words are often grouped together – so you should not just remember a word, but remember a whole group or chunk of words – for example if that word is followed by a particular preposition or verb form), Mind Maps (we talked about this – but you can make your mind maps as personal as you like – create any kind of connection between words that will help you remember them)

At my university course, I have to remember some details of the assessment procedure. Students often ask me. For some reason, they can’t remember it themselves so they’re always asking me. They should remember, and I definitely have to remember. Basically the grading system was continual assessment which included lots of different criteria, like their development through the course, their English in a presentation, their attendance, absences and the way they took part in class. To be honest, it was hard to remember those 5 items, but I managed to group it together as “the 5 Ps” – progress, presentation, presence, punctuality and participation. Knowing that there were 5 things, and that they all began with a P, allowed me to quickly recall and summarise the assessment type, in the middle of a lesson.

Let’s consider the linking system. This can help you to remember lists of apparently unrelated items. It could be a list of nouns, or it could be a shopping list. I’ve taken this explanation from a book actually. It’s a really great book called “Tricks of the Mind” by Derren Brown, who, in my opinion, is one of the world’s best illusionists, and a bit of an expert into mind control techniques, hypnotism and mentalism. If you’re interested in the subject, I suggest you get a copy of Tricks of the Mind by Derren Brown. He deals with the subject in a very common-sense and scientific way, without all the mysticism that often accompanies this subject. So, let’s try an experiment.

[youtube http://www.youtube.com/watch?v=mhZcHoU-QR8&w=500&h=375]

Mind Palace
This is what Sherlock Holmes uses in the TV show. It’s an amazing idea – apparently you can remember massive amounts of information if you create your own memory palace. That’s a massive space, in your own head, where you keep memories. It works by making connections to a place you know really well. It could be your house, for example, or the route you take to work (if you know it well) or a part of a city that you know well, or your school building or something. You imagine you’re walking around this place, and in key spots you plant a vivid image of each thing you’re trying to remember. Then, all you need to do is imagine walking around the place, and you’ll be able to remember everything. Also, when you’re doing it you can say “Hold on, let me go into my mind palace” which sounds pretty cool – especially if you’re a Sherlock Holmes fan.

Let’s hear Derren Brown explaining how he uses his mind palace.
[youtube http://www.youtube.com/watch?v=3WPY3I8yTkY&w=500&h=281]

Spelling Mnemonics
I may have left the best until last here, because now we’re going to look at lots of common mnemonics for learning difficult spelling in English. Don’t forget you can read all this on my website, which is teacherluke.wordpress.com

Let’s get started. I’ve taken this list from Wikipedia, and added some of my own as well.

Characteristic sequence of letters

  • I always comes before E (but after C, E comes before I)

In most words like friend, field, piece,pierce, mischief, thief, tier, it is i which comes before e. But on some words with c just before the pair of e and i, like receive, perceive, e comes before i. This can be remembered by the following mnemonic,

I before E, except after C

But this is not always obeyed as in case of weird and weigh,weight,height,neighbor etc. and can be remembered by extending that mnemonic as given below

I before E, except after C
Or when sounded “A” as in neighbor, weigh and weight
Or when sounded like “eye” as in height
And “weird” is just weird

Another variant, which avoids confusion when the two letters represent different sounds instead of a single sound, as in atheist or being, runs

When it says ee
Put i before e
But not after c
  • Where ever there is a Q there is a U too

Most frequently u follows q. e.g.: Que, queen, question, quack, quark, quartz, quarry, quit, Pique, torque, macaque, exchequer. Hence the mnemonic:

Where ever there is a Q there is a U too (But this is violated by some words; see:List of English words containing Q not followed by U)
  • When two vowels go walking the first does the talking

For words like “oat” or “eat”, here the second letter a is silent and first letter o and e respectively are pronounced in the examples

Letters of specific syllables in a word

  • BELIEVE
Do not believe a lie.
  • SECRETARY
secretary must keep a secret
  • PRINCIPAL
The principal is your pal.
  • TEACHER
There is an ache in every teacher.
  • MEASUREMENT
Be sure of your measurements before you start work.
  • FRIEND
A friend is always there when the end comes.
Fri the end of your friend
When Friday ends, you go out with your friends.
  • SPECIAL
The CIA have special agents
  • BEAUTIFUL
Big Elephants Are Ugly
  • SLAUGHTER
Slaughter is laughter with an S at the beginning.
  • PIECES
Pieces of a pie
  • ASSUME
When you assume, you make an ass of u and me.
  • SEPARATE
Always smell a rat when you spell separate
There was a farmer named Sep and one day his wife saw a rat. She yelled, “Sep! A rat – E!!!”

Distinguishing between similar words

  • Difference between Advice & Advise, Practice & Practise, Licence & License etc.

Advice, Practice, Licence etc. (those with c) are nouns and Advise, Practise, License etc. are verbs.

One way of remembering this is that the word ‘noun’ comes before the word ‘verb’ in the dictionary; likewise ‘c’ comes before ‘s’, so the nouns are ‘practice,licence,advice’ and the verbs are ‘practise,license,advise’.
  • Here or Hear
We hear with our ear.
  • Complement and Compliment
complement adds something to make it enough
compliment puts you in the limelight
  • Principle and Principal
Your principal is your pal
A rule can be called a principle
  • Sculpture and Sculptor
A sculpture is a kind of picture
  • Stationary and stationery
Stationery contains er and so does paper; stationary (not moving) contains ar and so does car
A for “at rest”, e for envelope

First letter mnemonics of spelling

  • DIARRHOEA
Dashing IA Rush, Running Harder OElse Accident!
Dining IA Rough Restaurant: Hurry, Otherwise Expect Accidents!
Diarrhoea IA Really Runny Heap OEndless Amounts
  • ARITHMETIC
A Rat IThe House May Eat The Ice Cream
A Red Indian Thought HMight Eat Tulips IClass
  • NECESSARY
Not Every Cat Eats Sardines (Some Are Really Yummy)
Never Eat Crisps, Eat Salad Sandwiches, And Remain Young!
  • BECAUSE
Big Elephants Can Always Understand Small Elephants
Big Elephants Cause Accidents Under Small Elephants
Big Elephants Can’t Always Use Small Exits
Big Elephants Can’t Always Use Small Entrances
  • MNEMONICS
Mnemonics Now Erase Man’s Oldest Nemesis, Insufficient Cerebral Storage
  • GEOGRAPHY
George’s Elderly Old Grandfather Rode A Pig Home Yesterday.
  • TOMORROW
Trails OMOld Red Rose Over Window
  • RHYTHM
Rhythm Helps Your Two Hips Move

So, there we are. The transcript ends here!
OH BY THE WAY – CAN YOU REMEMBER THE LIST OF WORDS IN THE MEMORY TEST? I BET YOU CAN!

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Do you love this subject, and want more? Here’s a fascinating TED Talk about amazing feats of memory that anyone can do:
[youtube http://www.youtube.com/watch?v=U6PoUg7jXsA&w=500&h=281]
Oh, and here’s another one! This one is about mind mapping, which is particularly important in recording new vocabulary.
[youtube http://www.youtube.com/watch?v=nMZCghZ1hB4&w=500&h=281]
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