Tag Archives: story

239. Prepositions: Verb Collocations + Improvised Story

In the last episode I attempted to explain ways that prepositions are used in English, and I failed because I wasn’t prepared. I managed to get across the idea that prepositions are complicated because they’re used in combination with other words, and that you have to remember vocabulary in ‘chunks’ but the idea was also to present you with some useful lists of preposition collocations. This time around I’ve done some more preparation. I’ve spent a bit more time on it and so for round 2 I think we should get a proper grip on the subject, while also having some fun noticing prepositions in an improvised story. [Download]

Small Donate ButtonWe all know that prepositions are one of the most difficult aspects of English grammar and vocabulary. That’s also why they’re hard to teach. They don’t conform to easy-to-teach rules, like other aspects of grammar. Instead, it’s about patterns and collocations. So, often the best way to learn these collocations is to see them as chunks of vocabulary, and try to notice them as they are used naturally. In this episode the idea is to give you a chance to do that by listening to a made-up story which includes loads of verb + preposition collocations.

Some Facts
Let me break it down in a simple way. Here are some “facts” about prepositions.
1. A preposition is always followed by a noun or something like a noun (e.g. a gerund or a noun phrase).
2. We use prepositions to talk about time, position and movement – and these are the easy ones. For example, “The cat is on the chair, the mouse is under the table, the monkey is on the branch. I’ll see you on Sunday at 3 o’clock. The train went into the station. The monkey fell out of the tree. The cat jumped off the chair.” etc etc. These are ‘easy’ because the prepositions seem to have specific meanings of their own, and they don’t change depending on which noun or verb you’re using.
3. The more difficult part is the way we use prepositions to attach nouns to other parts of the sentence. Prepositions tend to collocate with different adjectives, verbs and nouns. For example we say “He’s been accused of murder” and “I’m accustomed to the smell from the restaurant downstairs” and “This flat has really good access to the underground station”. What does collocate mean? It means that these words ‘just go together’. They’re friends. They always hang out with each other. Why? That’s the difficult thing to explain. I’d say – don’t focus on the individual meanings of prepositions. Instead focus on the way they just collocate with other words, and then learn those words together. So, don’t just learn the word “accuse” but learn the phrase “to accuse someone of something”. Don’t just learn the word “doubtful” but learn the phrase “doubtful about”, don’t just learn the word “comply” but learn the phrase “to comply with” and also the noun “compliance” and “to be in compliance with”.
4. Prepositions can be hard to hear because of the way they’re pronounced. They’re not usually the ‘meaning words’ in sentences, and so they can be pronounced using ‘weak forms’ of pronunciation (schwa sounds). Pay attention to the way prepositions are pronounced by native speakers in fluent speech.

There are 4 key points about prepositions, and also reasons why they’re tricky for learners of English.

Sorry.

Really, I am sorry. This makes life much more difficult for you, but you must get used to it right here and now. Accept that you’re now learning phrases, and once you’ve accepted that, every step you’ll take from now on will be in the right direction.

So, it’s these preposition collocations which are the tricky things. Learners of English struggle to know which preposition to use in the right moments. Sometimes these are influenced by the first language. For example, many French people say “It depends of…” e.g. “It depends of the cost” and of course it should be “it depends on the cost”. Watch out for the L1 influence.

What can you do?
– When you’re learning words – don’t learn them in isolation. See how they connect with other words in a sentence. Remember the prepositions that go with them. This will actually help you to become more fluent as prepositions are good transition words. They help you turn individual words into phrases, and those phrases into full sentences.
– Notice when you listen. Just pay attention to the preposition collocations you hear.
– Listen a lot and read a lot. Eventually, a lot of the most common preposition collocations will just go into your subconscious after being exposed to them so many times. After a while you’ll develop an instinct for the right collocation.
– Check out some lists to help you. You could test yourself by looking at some collocation lists (e.g. on this page). Cover the preposition and then try to remember it. Say it out loud. Check your answer. Say the phrase (it’s important that it passes through your mouth, and across your lips). Make full sentences, in different tenses in order to practise.
– Listen to Luke’s English Podcast (of course!)

Let me explain my approach for this episode of the podcast.
In this episode I’m planning to do this:
– I’ve prepared fairly long lists of common collocations with prepositions. Verb + prep, adjective + prep and noun + prep lists. You can check them out on the webpage if you like. Those lists are really useful in themselves. So this is already a really useful resource.
– I’m not just going to read out the lists. That would be boring and not that useful.
– I’m going to try and just make up some kind of story – completely improvise it – and use as many of the preposition collocations as I can. Try to notice them. You could go through the list and kind of ‘tick’ them off as you hear them, or try to notice them without the list.
– Bear in mind that the story is completely made up. The main thing is I want to keep it fun and interesting, while also presenting some language to you.
– There are 3 lists. They’re all quite long. I don’t know how much I can achieve in one episode. I might end up dividing this into three stories. One for verb + prep collocations, one for adj + prep and one for noun + prep. We’ll see.
– When I’ve finished I’ll go through the lists, and I’ll give you a chance to test yourselves.
– Then you can revise by testing yourselves using the lists, you can write your own stories using the prepositions and vocabulary, or you could record yourself reading or improvising a story. Don’t worry if you can’t improvise. That’s a different thing altogether. You should try to produce meaningful sentences using these phrases though. It’ll help you to remember them. Try to make your sentences personalised and very vivid – that’ll help you remember them all.
– You’ll also be picking up vocabulary here from the verbs, adjectives and nouns that collocate with all these prepositions. Just google them or look them up in a dictionary if you don’t know what they mean. I’m not explaining word meanings here, just presenting language.

That’s it!

Verb + Preposition
Let’s go with the first story.oldbaileycourt-room
*Start by opening your eyes – you’re standing in a courtroom. You ask the lawyer what’s going on. You’ve been accused of stealing a biscuit. You’ve got no idea what happened. Then the judge comes in…*

accuse (someone) of ([doing] something)
add (something) to (something else)
admire (someone) for ([doing] something)
agree on (topic)
agree with (someone)
apologise to (someone) for ([doing] something)
apply to (a place) for (something)
approve of (something)
argue with (someone) about (topic)
arrive at (a building, room, site, event)
arrive in (a city, country)
ask (someone) about (someone/topic)
ask (someone) for (something)
believe in (something)
belong to (someone)
blame (someone) for ([doing] something)
borrow (something) from (someone)
care about (someone/something/topic)
comment on (topic)
compare (something) to/with (something else)
complain to (someone) about (something)
concentrate on ([doing] something)
congratulate (someone) for/on ([doing] something)
consist of (some things)
consent to ([doing] something)
contribute to (something)
count on (someone) to (do something)
cover (something) with (something else)
decide on (topic)
depend on (someone) for (something)
discuss (something) with (someone)
distinguish (something) from (something else)
dream about/of (someone/something)
escape from (somewhere)
explain (topic) to (someone)
excuse (someone) for ([doing] something)
forgive (someone for ([doing] something)
get rid of (something)
graduate from (a place)
happen to (someone)
help (someone) with (something)
hide (something) from (someone)
insist (up)on (something)
introduce (someone) to (someone else)
invite (someone) to (an event)
keep (something) for (someone)
matter to (someone)
object to (something)
participate in (something)
pay (price) for (something)
plan on ([doing] something)
pray for (someone/something)
prefer (something) to (something else)
prevent (someone) from ([doing] something)
prohibit (someone) from ([doing] something)
protect (someone) from (something)
provide (someone) with (something)
recover from (something)
rely (up)on (someone/something)
remind (someone) of (something)
rescue (someone) from (something)
respond to (someone/something)
save (someone) from (something)
search for (something)
separate (something) from (something else)
scold (someone) for ([doing] something)
smile at (someone) for ([doing] something)
speak to/with (someone) about (topic)
stare at (something/someone)
stop (someone) from ([doing] something)
subscribe to (something)
substitute (something) for (something else/someone)
subtract (something) from (something else)
succeed in ([doing] something)
suffer from (something)
take advantage of (someone/something/ situation)
take care of (something/someone)
talk to/with (someone) about (topic)
thank (someone) for ([doing] something)
travel to (somewhere)
vote for (someone)
vouch for (someone)
wait for (someone/something)
wish for (something)
work for (company/something/someone)

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175. The Phrasal Verb Chronicles #1

This is both a phrasal verb review, and a random made-up story. 50 phrasal verbs reviewed within the context of a completely improvised comedy story. Click here for The Phrasal Verb Chronicles #2.

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I decided to do this episode as a way to remind you of the first 50 phrasal verbs I’ve taught you in my Phrasal Verb a Day series of mini-episodes. When I’ve reached 100 phrasal verb episodes, I’ll do another episode of The Phrasal Verb Chronicles, to help you remember #51-100.

Here are the phrasal verbs I use in this episode. Can you notice how I use them in my weird story? You could also attempt to make up your own story using these phrasal verbs. You don’t have to do all 50. Try just using 5, then 10, then 20 and so on. Eventually you should be able to make meaningful sentences using all the phrases.

I wonder what you think of the idea of “Story Time Club with Luke from Luke’s English Podcast”? Let me know ;)

Extracts with Vocabulary from this Episode (thanks to Jack from the comment section)

I’ve been meaning for a while to go through these phrasal verbs…..
Check them out.
Chronicles
To make up a story off the top of my head.
Try and jog your memories regarding these phrases.
A make up story / situation.
Try and spot the phrasal verbs.
Think also about the grammatical context I’m using them in.
But the aim is for me to try and use these phrasal verbs in this weird long drawn out situation.
I’m gonna try and ask her out.
Sorry you sound a little bit sarcastic.
I’m not up for it any more.
How am I gonna bail out of this?
I walked back over to the other side of the pub with my mates and I felt devasted!
I really thought that we were going to get on with each other.
We might start going out with each other.
But she was annoyingly sarcastic and I don’t know if I can take it.
You usually bounch back from this kind of situation.
If I get flung into a corner I just bounce back
So bring it on
Don’t get carried away
It’s all cool and groovy brother.
Come on catch up!
Can I just chip in?
Bizarre
Look! Never mind that!
It’s twenty quid. Come on cough up
I overheard a guy in the pub.
I listened in and he was going……
I think the police need to crack down on crime.
Do you mind if I just chip in?
I get the impression that nothing is occurring at this moment because you can’t work out what kind of crime it is that police should be cracking down on.
You are actually buying time so that you can think of a funny crime so that then you can use the expression to crack up.

You are very intuitive.
Get on with it!
Schizophrenic
May be I’m cracking up – I’m losing it.
Curl up on the sofa
I’ve got to dash off
I’ve got to doze off
I got on the bus.
I started to drop off to sleep.
I turned on the TV. The commercials were on.
It’s the dumbing down of modern culture.
I’ve got to get out now.
I’ll treat myself to a meal in a nice restaurant.
I’m going to eat out in a lovely restaurant.
I have just a very meagre salary which I have to eek out over the whole year.
Hold your horses Luke! Don’t get carried away.
What I probably should do is work out how to move this story forward.
To hell with my savings!
I started building myself up.
I was really egging myself on.
I went out – I had a really nice time.
I could help noticing that she was eyeing me up.
I’ve had enough of faffing about.
I’m going to take her out for dinner.
You are just kind of ironic.
I’m gonna fess up at this point.
I was devastated.
I had my pint glass, I was just fiddling with a glass in my hand.
Do you want to feel me up or something?
I’m just flagging this up! You shouldn’t say that kind of thing.
I wonder if my listeners are managing to keep up with all these phrasal verbs……
I grabbed the newspaper.
I sat there flicking through the newspaper.
A story which has no drama……
Just biding my time……
I started gearing myself up to kind of announce to the pub that it was story time.
How I’m going to get through this idea.
Get this message across
Gather around in a group and really get on with each other.
No one will be getting at each other.
You wonder if I’ll get away with this because they might not go along with it.
It’s a crazy idea but I might just get away with it.
I’d probably better just check with him if it’s OK.
You want to set up a story club?
I’ll get back to you.
Nothing, nada, zero, zip, zilch.
Summon them up like Spanish
What have you got back to me with?
Nought (nothing)
Don’t get down about it.
They’ll be caught up in the spirit of things.
They’ll be forced to drink in order to down their sorrows.
In which case, you put on the music and every one gets down.
Yes! Get in! I would love to start tonight.
I wanna get in on this!
Because that story time club is where it’s at.
Everyone will have to take their shirts off.
I think we should just get on with this.
I’m gonna go for it.
Old traditional folk tales.
Put your mobile phones away.
Bloke
My dreams were dashed onto the floor of a traditional club.
I mean there was a vague notion of a story line.

173. The Curse of The Lambton Worm (Short Story)

Listen to a disturbing story from English folklore about a horrendous and mysterious worm.

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Introduction
The Lambton Worm is a legend from the north east of England in the UK. The story takes place around the River Wear, in the town of Lambton and at Penshaw Hill which is between Durham and Sunderland in the north east of England. It is one of the area’s most famous pieces of folklore, having been adapted from written and oral tradition into pantomime and song formats, which are still performed to this day. I’m going to keep up that tradition here on Luke’s English Podcast by telling you my version of the story.

The tale is about a man called John Lambton, who was the heir to the Lambton Estate in County Durham, and his battle with a giant worm (dragon) that had been terrorising the local villages. As with most myths, details of the story change with each telling. I’m not from that part of England, but I love this story because I remember reading about it in a book of monsters that my brother used to have when we were kids. Remember before I told you about a ghost book that I used to own when I was a kid? Well, my brother had a similar book, from the same series, and it was all about monsters. I was fascinated by these books (Click this link to read some pages of those books!) So was my brother. I remember there was a picture of John Lambton fighting the worm, and a brief account of the story. It was fascinating, horrific and exciting for me as a kid, and the memory of the story has stayed with me. There’s just something about an old scary story that really excites me. I think this one must be a good one because it has endured for hundreds of years. It dates back to the time of the crusades, so about 1,000 years ago – medieval times. If a story survives that long, being told over and over again and being handed down through the generations, it must mean there must be something in it which interests people.

This is a local legend from country Durham and I expect it’s a strong part of their local culture. There’s an old folk song which tells the story, and it is still sung in old pubs by beer-drinking men with beards and acoustic guitars. I love those old folk songs. It’s proper traditional culture, as performed and told by real local people. I’m not from that part of the country, I’m from the midlands, and the south, but the story means something to me because of the connection I have with it from childhood. Also, I just think that you might like to hear it.

I’m going to tell you the story in my own way. It’s normal for folk tales like this to be changed by the storyteller, and there is no official version of the story – just a general outline. The details get adapted and improvised by each storyteller. So, I’m going to give you my version, which means that I will stick to the main elements of the story, but yes, as usual I will be improvising a lot of other details too. The challenge for me is to try and make it engaging, and entertaining and understandable for you. As well as practising your English, we can also consider what makes a good story. I think it’s about the passion of the storyteller, and the attention to certain details. Your challenge is to follow the story, and perhaps learn it well enough to be able to tell your friends, if you fancy that. Just remember to mention that the roots of this story are in the folklore of the county Durham area, in the North of England. It’s important to remember that this is a bit of local culture. If you’re from that area, and you’re  listening to this – I hope you don’t mind my version of the story, and realise that, really, I love this story too and I’m just adapting it a little bit for the purpose of letting people practise their English listening.

lambton worm pic

Illustration by John Dickson Batten from More English Fairy Tales.

The Main Elements of the Story
Note that I use past tenses to tell my story (past simple, past perfect & past continuous) but below the story is presented using present tenses.
John Lambton is the heir to the Lambton Estate – so he’s a young member of the gentry. A landowner from a fairly rich and well known family in the area.
He’s a rebellious character.
He skips church and he skips school.
He doesn’t care. He just loves fishing. He disrespects his parents.
He skips church one Sunday, and goes fishing.
He meets an old man – an old hermit, who tells him that no good will come of skipping church. He ignores the old man, and yet it puts him in a bit of a bad mood.
He catches nothing all morning.
Then, as the church bells are ringing for the end of service, he gets a bite on his line.
It’s a powerful bite and he has to wrestle hard to bring in the catch. The water crashes around and gets deeply churned up. He fights hard and brings in his catch.
It’s a truly disgusting and horrifying catch.
It’s a slimy and wriggly black worm. It’s dripping slime, it’s writhing and snapping, and it stinks.
He brings it to rest on the soil. It sits there breathing, completely malevolent. It has 9 holes down the side of its mouth, and John can’t really make sense of its other features. It’s really weird, and makes him feel sick.
He pukes, quite hard. What the hell is this thing?
He takes another look at it, and it opens its eye. It’s yellow and red, and it seems to look right into his soul.
This is a life-changing moment, although he doesn’t realise it.
At that moment, the old man reappears, and says with some certainty that he senses the work of the devil, and that Lambton is now responsible for this worm.
Lambton can’t throw it back, so he quickly puts it in his basket, to carry it home.
On the way back, the basket is so heavy and the worm keeps thrashing around inside it, and hissing. Even when it’s still, the basket seems impossible to carry. It’s so heavy, but also, he feels miserable. The good mood he was in at the beginning of the day has been replaced by a very grim feeling of depression. It’s like he’s suddenly aware of all the time he has wasted, and how everything seems quite hopeless, including his family  life.
He can’t take it any more, and feeling desperate, he chucks the worm into a nearby well. The worm struggles quite a lot, but down it goes. Lambton waits to hear the worm hit the bottom, and it does, after a pause, with a splash.
He quickly goes home.
Feeling guilty, and more aware of his responsibilities, he decides to join the army in order to fight in the crusades, as much out of guilt as duty to his family and the church.
He goes to Palestine to fight in the crusades. He’s away for 7 hard years in which he sees many things, makes many friends and sees many friends die in battle. He becomes a man.
Meanwhile, back at home, the worm is still alive in the well. The well becomes infected, and causes anyone who drinks from it to become violently ill, and die, with horrible symptoms.
The worm grows inside the well, and after it has reached a massive size, one moonlit night, it slides out from the well, and it’s massive. It wraps itself around the local Penshaw Hill – several times, and lies there waiting, warming itself in the morning sun. It’s a hideous and vicious creature. It has small legs, with claws on the end, which it uses to scrape and scratch the earth. It is incredibly long, and it slithers like a snake. It’s covered in smooth yet tough scales. Around its head it has a mane of rubbery spikes. The 9 holes that run along the side of its face, under its jaw, ooze a nasty black slime which burns the grass and sends an evil black smoke into the air. It coughs up the bones and remains of the bodies it has eaten, leaving this foul waste on the ground wherever it rests. Its eyes are yellow and deep, and malevolent. It has rows of razor sharp teeth like a shark’s except that they’re black and yellow, and his eyes, like that of a shark, roll back into its head when he takes a bite, leaving him looking white-eyed and blind during its moments of feeding frenzy.
It attacks a local farmer, squeezing him to death after he tries to fight it with his pitchfork. It then eats all his cattle, and his dead body, before returning to the hill.
It then terrorises the area, eating cattle and sheep, and wild animals.
The countryside becomes deathly silent, as it is all scared or killed by the worm. It’s a foul and sickening presence which seems to poison the earth wherever it goes.
Its confidence grows and it enters town.
The town mayor, as an attempt to distract it, empties all the milk supplies from the market into a trough in front of the town hall. The worm eats it all, and returns to the hill, where it sleeps.
The best men of the town get together a fighting force and arm themselves with the best weaponry they can find, and go to attack the worm, but it’s in vain as the worm is very strong and ruthless. Whenever anyone manages to slice the worm, the pieces, shuddering, just grow back together again. The worm seems indestructible.
For the next 7 years, the town gives the worm almost all of its supplies of milk in order to satisfy it. The worm grows bigger, and the town gets more and more exploited, until people are starving to death, and all life is sucked out of the place. When no milk is provided, the worm angrily attacks the residents, killing and eating men, women and children.
John Lambton returns from the crusades a scarred man, but a man nonetheless. He has learned how to fight, and he carries a sword and a suit of armour.
He sees the state of the town, and learns about the worm from his father.
He realises it is the same worm that he discarded all those years ago, and immediately realises that he is responsible for the curse and must fight the worm himself.
He visits a local wise woman for advice. She tells him that the worm has cursed him, his family and the town, and that only he can kill it.
She tells him to visit the blacksmith, and to have spikes and blades fitted to his armour, and that he must  lure the worm into the river Wear before doing battle.
She also tells him that to lift the curse, after killing the worm, he must kill the next living thing that he sees.
Lambton gets his special suit of armour made, and arranges with his father that when he has killed the worm, he will blow a note on his hunting horn as a signal that he has won and that the father must release Lambton’s favourite hunting hound. The hound will run straight  to him and Lambton will kill it, lifting the curse.
He heads towards the hill and finds the worm.
The worm recognises him and uncoils itself from the hill, hissing, puking black bile and generally being hideous.
Lambton realises how difficult this will be because this worm is really big and strong looking. The worm approaches and he backs away.
He walks backwards towards the river, the worm steadily moving nearer and nearer, flanking him. Lambton gets very tired just walking in the armour – which is extra-heavy because of the fittings.
Eventually, he enters the water, which is cold.
The worm slides down the bank and raises itself up to strike.
They fight and whenever the worm attempts to coil itself around Lambton, it gets sliced up on the blades and spikes.
Lambton is so tired that all he can do is just try not to be washed away by the current. He hacks at the worm and struggles to breath. The fumes from the worm are poisonous. Each time parts of the worm are hacked off, they are washed away, and eventually, just a section of the worm is left and Lambton hacks off its head. The pieces can’t join back together and the worm is no more.
Lambton blows a note on his horn, but his father is so happy to hear it that he forgets to release the hound and instead he runs to see John. Lambton sees him , and is dismayed. he can’t bring himself to kill his father, and so the go back to the house and he kills his hound.
The wise woman appears and tells him that despite killing the worm, he failed to lift the curse and that for 9 generations, the Lambtons will not die in their beds.
injured and sick, Lambton collapses.
That’s the end of the story.

What does this all mean? You tell me.

This curse seems to have held true for at least three generations, possibly helping to contribute to the popularity of the story.
1st generation: Robert Lambton, drowned at Newrig.
2nd: Sir William Lambton, a Colonel of Foot, killed at Marston Moor.
3rd: William Lambton, died in battle at Wakefield.
9th: Henry Lambton, died in his carriage crossing Lambton Bridge on 26 June 1761.
(General Lambton, Henry Lambton’s brother, is said to have kept a horse whip by his bedside to ward off violent assaults. He died in his bed at an old age.)

The Old Folk Song
Here is Tony Wilson singing the folk song in the local dialect
[youtube http://www.youtube.com/watch?v=XsO7SeCvgMw&w=500&h=375]
Song Lyrics
Here are the lyrics with some meanings added too. Remember, this is sung in an old dialect. Not many people actually speak in this dialect any more, although there is a distinct accent from that region.

One Sunda morn young Lambton went
A-fishing in the Wear;
An’ catched a fish upon he’s heuk (=caught) (=his hook)
He thowt leuk’t vary queer. (=thought looked very strange)
But whatt’n a kind ov fish it was (=what kind of)
Young Lambton cudden’t tell-
He waddn’t fash te carry’d hyem, (=could not be bothered to carry it home)
So he hoyed it doon a well (=threw it down)
Chorus
Whisht! lads, haad yor gobs, (=Be quiet, boys, shut your mouths)
An’ aa’ll tell ye aall an aaful story, (=I’ll tell you all an awful)
Whisht! lads, haad yor gobs,
An’ Aa’ll tel ye ‘boot the worm. (=about)
Noo Lambton felt inclined te gan (=go)
An’ fight i’ foreign wars.
He joined a troop ov Knights that cared
For nowther woonds nor scars, (=neither wounds)
An’ off he went te Palestine
Where queer things him befel,
An varry seun forgat aboot (=very soon forgot about)
The queer worm i’ tha well.
But the worm got fat an’ grewed an’ grewed,
An’ grewed an aaful size;
He’d greet big teeth, a greet big gob,
An greet big goggly eyes.
An’ when at neets he craaled aboot (=nights) (=crawled around)
Te pick up bits o’ news,
If he felt dry upon the road,
He’d milk a dozen coos. (=cows)
This feorful worm would often feed (=fearful)
On caalves an’ lambs an’ sheep,
An’ swally little bairns alive (=swallow) (=children)
When they laid doon te sleep.
An when he’d eaten aall he cud (=all he could)
An’ he had had he’s fill,
He craaled away an’ lapped he’s tail (=wrapped)
Ten times roond Pensha Hill.
The news ov this myest aaful worm (=most)
An’ his queer gannins on (=goings-on)
Seun crossed the seas, gat te the ears (=soon) (=got to)
Ov brave an’ bowld Sor John.
So hyem he cam an’ catched the beast, (=home he came and caught)
An’ cut ‘im in twe haalves, (=cut him in two-halves)
An’ that seun stopped hes eatin’ bairns
An’ sheep an’ lambs an’ caalves.
So noo ye knaa hoo aall the foaks (=now you know how all the folk)
On byeth sides ov the Wear (=both)
Lost lots o’ sheep an’ lots o’ sleep
An leeved i’ mortal feor. (=And lived in mortal fear)
So let’s hev one te brave Sor John (=let’s drink to brave Sir John)
That kept the bairns frae harm, (=from)
Saved coos an’ calves by myekin’ haalves (=making halves)
O’ the famis Lambton Worm. (=famous)