Tag Archives: comedy

601. British Comedy: The Day Today (Part 1)

Let’s investigate a brilliant British comedy TV show and use it to learn English. The Day Today was originally broadcast on the BBC in the mid-90s and is now considered a groundbreaking parody of news programmes and launched the careers of various comedians, including Steve Coogan.

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Introduction Transcript, Notes & Videos

Hello folks, this episode is called British Comedy: The Day Today and in this one we’ll be looking at another classic bit of British TV Comedy.

First I’ll tell you everything you need to know about the show and then we’ll listen to some clips and I’ll explain the language for you.

This time, it’s The Day Today which was originally broadcast on TV in the 1990s, 1994 to be exact – yes, that’s probably before some of you were even born. But we don’t care about whether this is old or brand new, it doesn’t matter. I think good comedy always stands the test of time, and The Day Today is no exception. It’s still relevant and funny now just like it was before. And in any case, I think it’s part of the fabric of British culture now, just like many other classic bits of British TV comedy that we all grew up watching on TV.

What kind of programme is it?

It’s a surreal parody of news and current affairs TV programmes. It’s a comedy version of the news.

Imagine the news, like the BBC 10 o’clock news, but with everything turned up to 11, everything exaggerated. It’s more dramatic, more pompous, more self-important and much more ridiculous than the real news.

But The Day Today isn’t just an impressions show of people copying news readers, it had this amazing surreal twist to it, which made it so much more subversive.

The show made fun specifically of the self-important nature of TV news and used surrealism and absurdity under the guise of a news broadcast.

The news always presents itself as being very important, very serious, very heavy, completely trustworthy, stern, authoritarian even. These days TV news has softened a bit, but not much. It still has this air of superiority, which I suppose is a necessary part of attempting to convey information in a factual, serious and balanced way. But TV news language – both oral and visual has become a cliché (had become a cliché back in the 90s) which makes it very ripe for making parody comedy.

An example of real TV news headlines

Here’s an example of the opening of the BBC 9 o’clock news, which was and still is the flagship news programme for the BBC.

Listen out for the serious tone of the newsreader Michael Beurk, the important and significant sounding music and also Michael Beurk’s slightly old school pronunciation in places. All of these things went into The Day Today. (News begins at 00:50)

The difference between the Day Today and other shows which have parodied the news was the surrealism. Basically this meant taking a silly story and dealing with it in the most serious way possible, but there was more to it than that. The phrases used, the images created and the slight sense of twisted insanity create this version of the news that’s part Monty Python, part Peter Cook and part some kind of high tech dystopian vision of the future.

This is absolutely a show that inspired Charlie Brooker to do work like Black Mirror. In fact, the creator of Black Mirror worked with Chris Morris – the main guy behind The Day Today. So, for me, they come from the same creative community. Clever, satirical, twisted, dark and very funny comedy writing in the UK.

The Day Today was broadcast at 9pm on BBC2 – the same time as the national news on BBC1. Apparently some people mistakenly watched The Day Today, thinking it was the real news, and believed the stories.

The parody of news tropes was spot on. It looked, sounded and smelt like news. The opening titles of the show captured that sense of drama, pomposity and urgency that you get from news programmes. The set looked just right. The different characters were weird and bizarre but perfectly captured the sorts of journalists or presenters that you could find on TV.

Alan Partridge made his first TV appearance on this show as the sports reporter with a chip on his shoulder who was always getting things wrong.

The language is a big part of it. The news readers speak in this kind of news dialect, with a certain kind of intonation, complex sentences that go on too long and mixed metaphors, as we will hear.

Who wrote it and all that stuff?

Wikipedia en.wikipedia.org/wiki/The_Day_Today

Excellent performances by the cast, all of whom have gone on to do other great things.

Chris Morris is a talent that people often forget about, but he was fearless, original, very clever, quite ruthless and a bit sick – the perfect recipe for great British comedy. He went on to do another show called Brass Eye, which was similar to The Day Today but more extreme and controversial (and is a potential other episode for LEP), then various weird comedy projects like BlueJam, an ambient mix album with subliminal sketch comedy going on at the same time. Then he became a film director and did the film Four Lions which is about inept terrorists planning an attack in London. The film won various awards, as did The Day Today.

Armando Iannucci went on to make The Thick of It and In The Loop – political satires about life on Whitehall, and then Veep which is the American equivalent following the vice president. He also directed Death of Stalin and has been involved in writing for Alan Partridge and other big projects.

Other notable cast members are Steve Coogan of course who went on to become successful as Alan Partridge but has also starred in a few Hollywood movies and things.

All the other comedians on the show went on to do more great work.
Rebecca Front, Doon Mackichan, Patrick Marber, David Schneider.

Other writers on the show were Graham Linehan and Arthur Matthews who went on to create Father Ted and later The IT Crowd and Black Books (just Graham Linehan).

LET’S LISTEN TO SOME CLIPS AND USE THEM TO LEARN ENGLISH

Alright, enough already. Let’s listen to some clips which you can find on YouTube, and which I have posted on the page for this episode, with time codes to help you find the clips.

There are only 6 episodes of The Day Today but they’re pretty packed with classic stuff.

I’ve been through all 6 episodes and picked out some of my favourite moments to share with you.

The plan is to play them, then break them down sentence by sentence to make sure you understand them 100% and hopefully, get the jokes, although this show doesn’t really use jokes per se, but in any case the aim is to help you understand and appreciate the humour and learn plenty of English in the process.

All the episodes are on YouTube so you could check them all out later if you like, or buy the excellent DVD box set from the BBC, which I own and recommend to you. It’s only £5 on Amazon. Other bookshops are available.

www.amazon.co.uk/Day-Today-Complete-BBC-Disc/dp/B000171RU4/ref=sr_1_1?keywords=the+day+today&qid=1560774228&s=gateway&sr=8-1

I have played some clips of this show before, and explained them for language. You might remember Alan Partridge’s World Cup Countdown or his Sports Roundup, there was Peter O’Hanrahahanrahan interviewing the minister for ships, and I think also we had the interview with the woman raising money by selling jam.

Anyway, let’s get into it.

First I want to play you the opening titles of an episode, just for the music really, because it sets the tone. There are a few ridiculous headlines too.

CLIP 1: THE DAY TODAY – OPENING TITLES

  • What are the three stories exactly?
  • Luke describes the opening titles

Those headlines again

Remember the way grammar changes in headlines.

FIST HEADED MAN DESTROYS CHURCH
Presumably a man with a fist for a head has destroyed a church. You can imagine him headbutting the walls or something. Don’t think about it too much, it’s supposed to be funny to hear such ridiculous things spoken in that voice using that register.

CAR DRIVES PAST WINDOW IN TOWN
The most boring story. A car drove past a window in a town. It’s accompanied by a video of a car driving past a building.

LEICESTER MAN WINS RIGHT TO EAT SISTER
Presumably a man from Leicester has taken court action to allow him to eat his sister. You could imagine this was a real story if he wanted to ‘wed’ his sister, or cousin, especially if he’s from Leicester, but this is to ‘eat’ his sister.

“Those are the headlines, now fact me till I fart.”

CLIP 2: WAR

Australia and Hong Kong have signed a treaty to create an amazing free trade agreement which will be very beneficial for both places and marks a new beginning of peace and cooperation between them.

Chris Morris interviews the British Minister with special responsibility for the commonwealth (this is the days when HK was still a British dependent territory) and the Australian Foreign Secretary – both men who are responsible for the deal.

The interview seems to start as a celebration of the new deal, but the newsreader Chris Morris manages to manipulate the two of them into a diplomatic fight which ends in a declaration of war.

This is a great sketch. The newsreader causes a war in order to be able to cover it in dramatic fashion on his news show. For me it’s about how the media can sometimes drive the agenda through their reporting. The BBC isn’t officially biased. In fact I think most journalists have an honest intention to report on what’s happening, but they’re always going to impose some of their world view on the way they explain stories. But also you get the sense sometimes that some TV producers and presenters are a bit seduced by their own power and end up pushing things in a certain direction under the guise of critical thinking.

Also, perhaps news programmes thrive on creating drama and reporting on a war is somehow the dream of many broadcast journalists, or at least seems like that because war correspondents have this air of action and adventure which borders on being romantic, and the efficient and lively way that broadcasters deal with stories of war makes it seem like they’re enjoying it somehow. There’s precise technical information, reporters in the middle of the action and loads of dramatic music, graphics and images.

Let’s listen to this sketch, which is about 4mins long.

Over to you

Here are some things to listen out for

  • How Chris Morris stokes up tensions and pushes the two diplomats towards war
  • Chris Morris’s confrontational interview style, typical of BBC presenters like Jeremy Paxman, notorious for bullying politicians on TV
  • The mixed metaphors and clichés like, “The stretched twig of peace is at melting point” and
  • “People here are literally bursting with war.”
  • The glee with which Chris says “YES, IT’S WAR!”
  • The OTT way that the show snaps into action once war has been declared, like they were ready and prepared for this, and as journalists this is what they live for
  • The name of the Day Today smart bomb (which I think is an actual bomb fired by The Day
  • Today, with a camera on it, so they can report from the middle of the fight. The news station have launched their own bombs in this war)
  • The clunky way the show goes to the weather, after all that war

I will be going through all of this again after we’ve heard it and I will break it down to the bare bones and will explain language and all that

CLIP 3: Peter O’hanrahahanrahan – Ich Nichten Lichten (Episode 2)

Ministers in Europe have been involved in difficult discussions about quota rates for trade with the US. I expect they’ve been debating what the rates should be, with some ministers disagreeing about the final decision.

Economics correspondent Peter O’Hanrahahanrahan is in Brussels because he says he’s spoken to the German minister and knows how he feels about the decision.

Peter O Hanrahahanrahan’s name is a joke on a real correspondent called Brian Hanrahan (an irish name I think) who actually used to call our house sometimes to speak to my dad (who used to be a BBC news man). Michael Beurk also came round sometimes. He was one of the presenters of the 9 o’clock news who is parodied by Chris Morris on The Day Today. In fact, I feel like I grew up in a news household because my dad often reviewed videos of presenters, we always watched the news, there were BBC pens and mugs all around the house and we sometimes met BBC TV presenters and news readers. I never met Alan Partridge though.

Peter O’Hanrahahanrahan is incompetent, stupid and also petulant (disobeys orders and lies, childishly). It turns out that Peter hasn’t spoken to the German minister and just stayed in his hotel room the whole time. He’s making up the information and can’t even speak German.

Listen out for

  • The way Chris Morris is sceptical about what Peter is saying, and starts to question his story subtly, before full-on bullying him and telling him off like a naughty schoolboy
  • Peter’s pathetic attempt to speak German, clearly pretending that he knows the language and actually spoke to the German minister, when he doesn’t and didn’t
  • How Peter finally admits that he doesn’t actually know what happened and didn’t speak to the minister at all, like a teenager admitting that he’s lying

Peter O Hanrahahanrahan – Ich nichten lichten (starts at 19m40sec)

CLIP 4: SOME KIND OF DRUBBING INCIDENT  (Episode 3

In this one we start with a sports report from Alan Partridge but it gets interrupted with the news that The Queen and the Prime Minister have had a fight. We then follow the story and learn that during their weekly meeting, the PM (John Major) punched The Queen. This sounds shocking of course, especially now that The Queen is elderly, but that’s not the point.

Instead the show is mocking the way the news would deal with a constitutional crisis, springing into action in order to cover the crisis in full detail. It’s also just ridiculous to imagine The Queen having a brawl with anyone.

Listen out for

  • The report from Jennifer Gumpets in front of Buckingham Palace. This report is so realistic.
  • There isn’t much comedy in it beyond the bizarreness of the story. It’s just a perfect little parody of a report from a correspondent.
  • “And as a result of that broadcast the crisis has deepened dramatically” The news actually makes the situation worse by broadcasting footage of the fight, and then starts reporting on that too.
  • Spartacus Mills (history expert) – “Can you sum it up in a word? No. A sound?” What sound does Spartacus use to sum up the situation?
  • The special broadcast which was pre-recorded and designed to be played at times of crisis. It’s basically a way to say “This is Britain, and everything is all right. It’s ok. It’s fine.” and it’s filled with proud patriotic sentiments. The irony is that this kind of thing is either a) needed now in order to make British people feel that everything’s fine or b) the sort of thing used by the Leave campaign to convince people to vote Brexit.
  • What’s the solution to the crisis which has been agreed by both sides?

Clips start at 5:38 & 19:40/21:10

The PM was seen to leave hurriedly after half and hour

The Currency Kidney

585. Alternative British Citizenship Tests with Paul Taylor

Testing Paul Taylor again on his knowledge of Britishness with several alternative British citizenship tests and some very British problems.

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Introduction Transcript

Welcome back to the podcast. I hope you’re well.

In the last episode you heard me talking to Amber and Paul. I hope you enjoyed that. It was lots of fun. I recorded it last week and after doing that mammoth episode about poshness Amber had to go but Paul stayed and so I thought we would return to the topic of the British citizenship test. We talked about this last time in episode 527 when Paul took the test on the podcast and failed.

I still had some other bits and pieces that I wanted to cover in the episode, including a stand up routine about the citizenship test and also an article in The Telegraph. Both of those things include their own citizenship tests, so let’s see if Paul can pass them. Be prepared to be either shocked or amazed by Paul’s knowledge about British things in general. Also we end up taking a citizenship test for the USA and to see if we pass or not, just keep listening.

So this episode is a chance for you to listen to Paul and me in conversation, but there’s also loads of stuff to learn in terms of British culture and certain words which are often pronounced wrong by native speakers of British English.

Check the page for this episode, where you will find links to the various tests and videos we’re talking about.

Let’s now join Paul and me after we’d just finished a cup of tea, ready to talk more on the podcast and let’s see how much he and you know about British life, culture and language.

Videos & Links

Imran Yusuf’s British Citizenship Test

The Daily Telegraph’s British Citizenship Test for Meghan Markle

www.telegraph.co.uk/women/life/queen-greasy-spoons-alternative-british-citizenship-test-meghan/

Very British Problems on Twitter

An American (USA) citizenship test on the Washington Times website

www.washingtontimes.com/quiz/2015/feb/11/us-citizenship-test-could-you-pass/

Paul Taylor on Twitter

 

 

575. British Comedy: Paul Chowdhry

Understand a stand-up comedy routine by Paul Chowdhry, a British comedian of Indian descent. We’ll break down his comedy bit by bit, understand each line and learn some English in the process.


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Episode Introduction

Hello, how are you? (Luke rambles a bit…)

In a recent episode of this podcast, you heard me talking to Amber and Paul about experiences of doing comedy and both Paul and I mentioned a British comedian called Paul Chowdhry. I have mentioned him on the podcast several times before, and I’ve been meaning to do a whole episode about him for a while now. So here we are.

In this one we’re going to listen to the audio of some of Paul Chowdhry’s stand up. Let’s see if you can understand it, and if we can learn some English from it and also some things about English life and culture too.

Who is Paul Chowdhry?

He’s a British comedian, from London. He was born in the UK and is of Indian origin.

In terms of ethnic groups in England, white people of English origin are by far the majority ethnic group, but the next largest group is Indian.

I’ve chosen to talk about Paul Chowdhry in this episode because he’s a really funny comedian, and I talked about him with Amber & Paul on the podcast recently. He’s one of my favourite comedians.

Because Paul is of Indian origin, ethnicity, identity and accents are often topics in his comedy. I think really this is just because he’s always playing with social conventions about what we find acceptable or not acceptable, about the subtle tensions that exist between ethnic groups. Without getting too serious, he makes fun of everyone, including white English guys called Dave, his Indian parents or Indians who are fresh off the boat and living in England, Chinese waiters, African taxi drivers and all sorts. I like him because of the accents and impressions he does, because of how quick and brief in his delivery he is.

He’s just funny and that’s it. Certainly, England’s ethnic diversity is a theme that always comes up in his comedy and perhaps informs the audience’s reactions to him.

So, it might be necessary to give you some info regarding ethnic groups in Britain. Here are some stats, and this is from the UK’s most recent census, the 2011 census. The census is the country’s largest national survey and is very reliable and impartial as a source of information, so these figures are generally accurate.

What do you think? If you could imagine a pie chart with different segments for the different ethnicities in the UK, what would it look like? What do you think are the ethnic groups and their percentages?

Here are the figures, which by the way are controversial, not because of the numbers but because of the way the different groups are classified. For example, the categories “white” and “black” are not really ethnicities, are they? Anyway, here’s some information from the 2011 census.

I think this meant people registered as British citizens, and could include people born in the country or people who moved there and became citizens.

UK Population by Ethnicity

Source: UK Census/Wikipedia https://en.wikipedia.org/wiki/Ethnic_groups_in_the_United_Kingdom

Ethnic group Population (2011) Percentage of total population[17]
White or White British (including White Irish): 55,010,359 87.1
Asian or Asian British: Total 4,373,339 6.9
Asian or Asian British: Indian 1,451,862 2.3
Asian or Asian British: Pakistani 1,174,983 1.9
Asian or Asian British: Bangladeshi 451,529 0.7
Asian or Asian British: Chinese 433,150 0.7
Asian or Asian British: Other Asian 861,815 1.4
Black or Black British: Total 1,904,684 3.0
Mixed or Multiple: Total 1,250,229 2.0
Other Ethnic Group: Total 580,374 0.9
Gypsy/Traveller/Irish Traveller: 63,193 0.1
Total 63,182,178 100

By the way, most of the non-white ethnic groups are concentrated in the cities, particularly London, which is by far the most racially or ethnically diverse place in the UK.

London has had a diverse population for centuries, but most of the Indian and Caribbean families moved there in the immediate postwar period.

People like Paul Chowdhry, who are basically around my age would have grown up in the UK, but with Indian parents.

Anyway, back to Paul Chowdhry.

It’s quite interesting that Paul Chowdhry’s audiences are often quite diverse. He appeals to everyone – white people, Asians, Afro-Caribbeans and so on. In his audience he often picks out the groups of people of different origins and it’s funny the way he makes fun of them one after the other.

No need to go further into all that stuff. It’s just a bit of context. It doesn’t all have to be about ethnicity. Like I said, I mainly wanted to do this episode because I just find him to be really funny.

So, let’s just listen to some of Paul’s material and see if you can understand it and if we can learn some English from it.

This is the audio from a YouTube video of Paul Chowdhry’s appearance on a TV show called Live at the Apollo. This is the BBC’s big stand up comedy show, which is filmed at The Hammersmith Apollo, which is just 10 minutes down the road from where I used to live in London. It’s a huge venue and they have big comedy shows there and they also do music concerts. All the great bands that you love, all the great British rock bands from the last few decades. They’ve all done shows at the Hammersmith Apollo. It’s a very famous venue. The Who, Elton John, Queen, Black Sabbath, David Bowie’s last concert as Ziggy Stardust was there – just all of the great bands. and also all the big comedians that we have.

Anyway, this is the audio from Paul Chowdhry, Live at the Apollo.

This routine is full of slang, rude language, accents and jokes about ethnic identity. That’s what you can expect.

I’m not sure what you’re going to think of think of this, as ever, because this could easily be considered offensive (because he’s making fun of different ethnic groups to an extent), but my instinct tells me this is just funny and so I’m just going to go with it. But certainly a lot of the laughs come from the fact that this kind of thing, the sorts of things he’s saying are borderline unacceptable, but in some way he gets away with it because it’s coming from an Indian guy. Although the things he’s saying might be considered unacceptable or politically incorrect if they came out of the mouth of a white guy. For some reason because it’s coming from an Indian guy that kind of makes it ok. If it was a white guy up there making fun of ethnic minorities, that would be considered extremely old fashioned and in very bad taste, but Paul has got the pass, the card, because he is Indian, so he can do it.

He can even get away with doing impressions of Africans and Chinese people, which I would definitely not get away with in front of an English audience.

Anyway, enough from me. Let’s get into it.

Let’s go.


Paul Chowdhry Live a the Apollo (2012)

An example of bad dubbing in a kung fu movie

Express yourself – write your thoughts in the comment section below!

572. Worst Stand-up Gig Experiences (with Amber & Paul)

Amber, Paul and Luke tell some stories of their worst ever stand-up comedy gigs. Expect some anecdotes about embarrassing and humiliating experiences on stage, and “dying on your arse”. Intro & outtro transcripts available + bonus audio in the LEP app. 

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Introduction Transcript

In this episode you’re going to hear a conversation with Amber & Paul – both regular guests on this show as you will know if you are a long-term listener.

I thought I could do this episode with no introduction, just jumping straight into the conversation, but I’ve decided that I do need to say just a few things before we start. I think it will help to put our conversation in context, which should help you understand it all and generally keep up with our fast talking. I know, I can’t help doing these rambling intros, but what are you gonna do? There ain’t nuttin’ you can do.

This conversation is quite fast

When I get together with Amber and Paul, we talk quite quickly and we talk about things that you might not know about, like things that we’ve seen and done together. That might make it hard for you to keep up and understand everything. So, a bit of context from me, now, might help. This is going to make this episode longer, but that’s ok isn’t it?

Amber, Paul and I are all stand-up comedians and in fact that is how we know each other. We all originally met while doing stand-up in English in Paris. Stand-up, you should know by now, is a form of comedy entertainment in which one comedian stands on stage with a microphone and tells jokes and stories to make the audience laugh.

Amber and I do stand-up on a kind of part-time basis while also doing other work but Paul is a full-time comedian, and is actually quite famous these days, particularly in the French-speaking world. He has made some TV programmes for French television and YouTube and also he has a one man stand up comedy show which has been very successful, playing to large theatres of people. Sometimes Paul invites other comedians to open his shows, which means doing 5-10 minutes of stand up in front of Paul’s audience, in order to warm them up before Paul takes the stage. So, you’ll hear us talking about when Amber and I opened for Paul in a big theatre recently.

And then we go on to talk about other stories and experiences of doing stand-up comedy over the years.

I don’t know if you’ve ever seen stand-up comedy live in a club or theatre, or if you’ve watched a lot of stand-up on TV. It might not be a big thing in your country. But a great stand-up show is possibly the best kind of comedy entertainment because when it goes well, you laugh so much. You laugh until your face hurts. That’s how good it can be. That rarely happens with films in the cinema. When was the last time you went to the cinema and laughed all the way through, like, every 15 seconds you’re laughing? Well, a good stand up show will be like that.

A bad stand up show on the other hand, can be extremely uncomfortable and embarrassing.

Good and Bad Stand-up Comedy Shows

But what makes a show good, or bad?

The thing is, as a comedian, after performing on stage even just a few times, you realise that it’s not just you, your jokes, your performance that make a show good. There are other factors involved that are terribly important for making sure a show is successful and that the audience have a good time. I mean, you can do pretty much the same thing – the same jokes, the same stories at one show and get lots of laughs, but then do it at another show in front of a different audience in a different room, with different conditions and it can get no laughs.

Certain things are vital, basically to make sure that the show goes as well as possible.

Obviously, you need a good performer with good material. But also, the audience need to be able to see and hear the comedians on stage, there shouldn’t be many other distractions in the room. The audience should be in the dark a little bit so they don’t feel too self-conscious. The audience should be sitting together, fairly close to each other and fairly close to the performers. They should be comfortable but not too comfortable and it helps to bring the comedians on and off the stage quite quickly, in order to keep the energy up. It also makes a difference how you introduce the comedians on the stage and have them exit the stage, in order to manage the expectations and the reactions of the audience and generally to make the audience feel like the performers know what they’re doing and make sure the audience remember the comedians at their funniest moments (e.g. to end on a laugh not a dead moment).

In fact, there are loads of little factors which you should get right in order to run a successful comedy show. It’s show business, basically.

But the thing about stand up is that if the show doesn’t go very well, then for the comedian it’s especially painful, because you’re basically up there completely on your own and you’re completely exposed. It’s not like in music when you can basically hide behind your song or your instrument and you probably have other musicians on stage with you. As a stand up if things don’t go well, you know about it instantly because nobody laughs and it’s like you’re dying up there.

On the other side of the coin, when it goes really well and the audience laugh a lot, it’s an incredible feeling for everyone, particularly the comedian. But any stand-up who has done even just a few gigs will have stories of both good and bad experiences. It’s particularly common for comedians to share with each other their stories of the bad experiences and the times when they “died on their arse” which is how comedians call having a bad gig. A gig, means a show or concert. Stand ups love to tell each other about difficult gigs they’ve experienced. It makes us feel better, and stories of failure are usually pretty funny, right?

I’m saying all this, because basically, in this conversation you are going to hear Amber, Paul and me talking about some good gigs we’ve had recently and then some stories of truly awful experiences of dying on stage, not literally dying because, well, if we had actually died on stage then we wouldn’t have been able to record this, because we would be dead. Maybe we could have come back as ghosts, or something, but ghosts can’t talk normally, because they’re ghosts and they’re made of clouds or whatever. Ghooooosssts teeeend to speeeeeeaaak like thiiiiiiis, that’s how ghosts speak. That’s is no good for podcasting or any form of communication really, except for scaring people out of an old house.

That’s the only time when ghosts speak, isn’t it? When some people enter their old house and they want to scare them away. Leeeeave this plaaaaaace. Etc. or maybe they want to steal their souls and they say “jooooooooin usssss!”

So no, hahahaha just being silly. The point is, you’re going to hear stories of us having bad gigs and as we say, “dying on our arses” but not literally, don’t worry.

I think that’s it for context. I hope you can keep up with this and that you enjoy another conversation with Amber and Paul.


Outtro Transcript

So, that was Amber, Paul and me, recorded in my flat just the other day. I hope you enjoyed listening to some of our stories of doing comedy there.

A couple of comments at the end here.

You’ll notice there wasn’t much from Amber in this episode. Paul and I did most of the talking I think. Perhaps we didn’t really let her get a word in, although I think she was happy, but still – sorry to the ‘Amberfans’ who missed out on some of her input and, yes, her lovely voice. I’ll make sure we get more Amber input next time they’re on the podcast, which should be fairly soon because Paul is now less busy than he was before and is more available for podcasting duties, not that it’s a duty.

There is Bonus Audio in the App

You will find nearly 20 minutes of bonus audio for this episode in the LEP app. Just tap the gift icon to access that. You’ll hear more of our conversation which wasn’t included in this episode because I didn’t want it to be too long. In that bonus audio we talk about more comedy-related topics, including what it’s like to receive negative comments on YouTube and also how Paul has been accused of stealing a joke from Louis CK, which is not true, he didn’t.

Joke theft is actually a very serious business among comedians. It’s one of the big no-nos and if you’re found guilty of joke theft, it can be very bad for your reputation and your career.

The thing is, it can be quite hard to work out if someone has actually stolen someone else’s joke, or whether the two people just came up with the same bit independently, which is possible – depending on the joke.

But Paul has been falsely accused of taking material from Louis CK, but he didn’t – they both just happen to have come up with the same joke.

Basically, this is a joke about how French people measure body temperature by sticking a thermometer up the bum. It seems most other countries just put it in the mouth or maybe under the arm, but the French – up the bum. This is an observation that Paul has been talking about on stage for several years, and Louis CK recently started talking about it too in his stand up (because these days he is with a French woman and has spent time in France). Some of Louis’ stand up shows have been leaked on YouTube, including that bit about thermometers. Also, Paul recently published a clip from his stand up show which included his thermometer joke. So some people have seen the videos and then mistakenly thought that Paul stole the joke from Louis. The fact is, they just both came up with exactly the same observation, independently of each other.

Paul’s been doing that material for several years at least and he has recordings to prove it.

Anyway, if you want to hear about the whole thermometer – bum – Louis CK – joke theft accusation scandal, then check out the bonus audio because we talk about that a bit, and a few other things too. That’s only in the LEP app, which you can get from the app store completely free.

In the app you can also get the full episode archive, plus loads of app-only episodes and content, plus the option to subscribe to LEP Premium content.

Register for LEP Premium to get episodes in which I teach you vocabulary, grammar and pronunciation with PDF worksheets – all available in the app or online.

www.teacherluke.co.uk/premium – LEP Premium

Join the mailing list on my website to get a link for the episode pages of new episodes when they are published.

Thank you again to Amber and Paul for being on the podcast.

Thank you to you for listening. I hope you enjoyed our stories of embarrassment and humiliation in this episode.

As ever, leave your comments on the website. Check the page for this episode where you will see some transcriptions and some videos, including footage of Paul dying on his arse at the French Football Awards and the vlog he made about it.

Keep in touch. Send me an email with your thoughts.

I’ve got more episodes about comedy coming up, specifically ones in which we listen to some clips and then understand them in detail.

You can look forward to that.

Have a wonderful day, morning, night, evening and please remember to be excellent to each other.

Speak to you again soon, but for now – goodbye!!!

Videos

Paul dies on his arse at the French Football Awards. It’s in French, but you can still see him ‘bomb’ quite badly – hardly anyone laughs at his comments and some people aren’t even listening to him (time code 48m29s)

Paul’s Vlog about the Football Awards, including video footage of the event and his reactions

560. Sarah Donnelly Returns – Writing jokes, public speaking, doing comedy in another language

Talking to comedian Sarah Donnelly about how she writes her jokes, advice on public speaking and how to avoid nerves and negative feelings, performing stand-up comedy in another language, and more. Sarah is a comedian and language teacher from the US,  now living in France.

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Introduction

Today I am talking to friend of the podcast, Sarah Donnelly.

It’s not the first time Sarah has been on this podcast, but it’s been quite a long time since she was in an episode on her own, I mean – as the only guest, not just alone. She wasn’t completely on her own in front of a microphone in an empty room, like “Umm, Luke? Hello? Is anyone here?” I was there too of course. I mean, without any other guests.

Mostly Sarah has been in episodes of this podcast with other people you see. Earlier this year I talked to her and Amber about their comedy show about becoming a Mum in France (episode 515), and before that she was in a couple of episodes with Amber & Paul (episodes 460 & 461) and she was in one with Sebastian Marx in which we discussed the 2016 Presidential Elections in the USA (388 & 389).

Sarah’s first appearance on the podcast was all the way back in 2013 (episodes 155 & 157).

You’ll hear us talk about that episode a little bit, and how Sarah felt about it.

Sarah is from the United States of America (I’m sure you’ve heard of it, it’s quite a famous country). She originally comes from North Carolina but also has lived and worked in Washington DC, which is where she first started performing stand up comedy.

Then in 2012 she moved to France – roughly at the same time as I did, after she met a French guy. Her story is not dissimilar to mine in fact, except for the differences.

Sarah is a primarily a comedian – she’s a stand-up and also a comedy writer. She performs on stage very regularly – as a solo stand up performer and also with Amber Minogue in their show Becoming Maman – which by the way happens every Thursday evening at 20:15 at Théâtre BO Saint Martin 75003 Paris. If you’re in town, check it out!

Sarah also works as an English teacher at university in Paris.

Our conversation covers quite a lot of things but mainly we talk about:

  • How Sarah writes jokes and comes up with material for her stand up comedy performances
  • Some tips for successful public speaking including how to deal with feelings of nervousness that you might have before you do a speech or performance, and any feelings of shame that you might experience if you feel like you didn’t do as well as you wanted – all the usual difficult feelings we experience when doing public speaking. Sarah’s been doing stand up comedy very regularly for years now, and also she has plenty of experience of talking to large groups of students as a teacher, so she knows a lot about speaking to audiences and has some good advice and experience to share.
  • Sarah is also a language learner – French in this case, and we talk about her experiences of performing comedy in French.

There are also the usual tangents and silly stories and things, but I think this conversation should be useful and relevant for anyone doing public speaking, or speaking publicly in another language, and it’s also just nice and fun to spend some time with Sarah. She brought some pumpkin pie for my wife and me, which was nice of her. Pumpkin pie is a bit of a tradition in the states at this time of year and it was delicious.

So then, without any further ado. Let’s get started.


Ending

So, don’t listen to the shame wizard! Don’t listen to those feelings of shame or embarrassment that we do feel from time to time. Try to ignore those voices. Switch it off if possible.

When you’re speaking English, or thinking about your English, the shame wizard might creep up on you and whisper negative thoughts in your ear, making you feel ashamed of yourself. But don’t listen to him. Tell him to get lost.

When you’ve got a presentation to do, the shame wizard might whisper in your ear that everyone thinks you’re rubbish and you have no right to do what you’re doing. Don’t listen to him, he’s LYING!

Good advice from Sarah there.

In the moments before your presentation, stretch out your arms, stand up, take up some space with your body – but don’t punch someone in the face accidentally of course.

Vocabulary

Language to describe stand up comedy, writing comedy and writing jokes

Parts of a stand up performance

A set = the whole performance from start to finish. E.g. “I did a 15 minute set last night” or “Did you see Sarah? She did a 30 minute set and it was hilarious.”

A bit = one part of a comedian’s set. It could be a story or just a series of jokes based on a particular premise. For example, “She did a whole bit about puberty, and it was funny because it was soooo true”

A joke = one single statement that is intended to make you laugh. It could be a line or a few lines. “Did Sarah do her chalk joke last night? Oh, man, I love that joke.” “Yeah she did, but I don’t think the audience knew what chalk was… But they laughed anyway!”

Parts of a joke

A joke can be broken down into parts.

The premise = the basic idea of a joke, the foundation of it. Like just the idea that it’s pretty weird that we used to use chalk all the time to write on blackboards, but now, younger people don’t even know what chalk is and essentially we used to write on rocks with other rocks, that was our technology, and it was a bit weird” (that’s a bit nebulous, I mean vague, but it’s a starting point – that’s a premise, just the general idea of a joke)

The set up = parts of a joke that set up the situation and put all the elements in place

The punchline = the funny line that, hopefully, makes people laugh.

The wording of a joke = the specific way the joke is worded – the specific construction of a joke. The wording of a joke can be very important in making it funny or not. Often if you believe the premise of the joke is funny, but audiences aren’t laughing at it, you just need to reconsider the wording of that joke. Once you’ve got the wording right, the joke might be more successful.

Other vocabulary for comedy

Material = all the jokes, bits and sets that a comedian has in his or her repertoire. “She’s got so much material, she could do several Netflix specials now.”
Tried and tested material = the material you’ve done lots of times. You know it well and you’re confident it should get laughs pretty much every time.

To improvise = to make things up on the spot without preparation

An open mic = the sort of comedy show you do when you first start out as a comedian. An open mic means anyone can perform. Often these “open mics” are good places to try out new material, but often the whole arrangement is not exactly “professional level show business”. It could be just in the back room of a bar with people coming and going and a generally sketchy atmosphere.


What about that whole Louis CK thing?

Didn’t Sarah open one of his shows in Paris recently?

Recently on the podcast I talked a bit about how disgraced comedian Louis CK had made a surprise visit to one of our comedy shows in Paris (Sebastian Marx’s show The New York Comedy Night to be exact) and Sarah was invited to be one of the other comedians on the show. It was quite a tricky decision for her. You’ll see that in the end we don’t talk about that in this episode, mainly because we ran out of time. But if you’d like to hear Sarah expressing her thoughts on that situation, then you can check out an episode of another podcast called The Europeans, which is a podcast about Europe and European life. Sarah was interviewed on that show and she talked about the whole situation very clearly. So, have a look. The name of the podcast is The Europeans, and she was in the episode from 20 November 2018. Her interview starts at about 23 minutes into the episode. There’s a link on the website as usual.

Listen to Sarah’s appearance on The Europeans podcast, talking about performing with Louis CK

Sarah’s appearance is at about 23:00


Videos & media mentioned in the conversation

The TED talk about body language


Big Mouth on Netflix

(Subtitles should be available for this trailer on YouTube)


More Vocabulary

Some more words that came up in the episode

a Nebula [noun] – a cloud of gas and dust in space

Nebulous [adjective] (this is the word I was looking for) – formless and vaguely defined

Puberty [noun] – the period during which adolescents reach sexual maturity and become capable of reproduction.
“the onset of puberty”

Shame [noun] = a painful feeling of humiliation or distress caused by the consciousness of wrong or foolish behaviour.

Self-esteem  [noun] = confidence in one’s own worth or abilities; self-respect.


Previous episodes with Sarah

515. Becoming “Maman” with Amber & Sarah – Bringing Up Children The French Way

460 Catching Up With Amber & Paul #6 (feat. Sarah Donnelly)

461. 25 Deceptively Difficult Questions (with Amber, Paul & Sarah)

388. US Presidential Election 2016 – Trump vs Clinton (with Sarah & Sebastian) Part 1

389. US Presidential Election 2016 – Trump vs Clinton (with Sarah & Sebastian) Part 2

155. A Cup of Coffee with… Sarah Donnelly (Part 1)

157. A Cup of Coffee with… Sarah Donnelly (Part 2)

556. With Jessica Beck from Honestly English

Talking to English teacher Jessica Beck about her new website, “Honestly English” and some typical topics she talks about and teaches, including the #MeToo movement and our favourite female superheroes and comedians. Videos and links below.

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Introduction Transcript

Today on the podcast I have another interview for you to listen to as part of your learning English routine. This time I am talking to Jessica Beck, who you might know from the IELTS Energy Podcast.

I have spoken to Jessica before on this podcast, back in episode 297 when we talked about using humour in the speaking part of the IELTS test.

297. Using Humour in the IELTS Speaking Test (With Jessica from All Ears English)

IELTS Energy is an appropriate title for that podcast because Jessica has loads of energy as you will hear. When we recorded this conversation it was 7AM for her (because of the time difference) which is pretty early for podcasting but she was already wide awake and ready to go. Maybe it’s that American can-do attitude, or the coffee she’s been drinking, I don’t know, but her energy is infectious. It’s one of the hallmarks of the IELTS Energy Podcast in fact, and the All Ears English podcast, which she is also associated with.

Just in case you don’t know, Jessica Beck is an English teacher who lives in Portland, which is in Oregon, which is in the north-west of the USA, which is in North America, which is in America, which is on earth. So you’re going to be listening to a combination of Jessica’s American English and my British English in this conversation.

So, Jessica does IELTS Energy, but she’s on my podcast today because she has just launched a new website and YouTube channel called Honestly English, and I thought we could talk a bit about that and some of the topics she’s been teaching recently in her videos. honestlyenglish.com/

So “Honestly English” – this is her own channel, her own project and therefore is a space where she can teach English in her own way and cover topics that mean a lot to her personally and since Jessica is a huge pop culture nerd her videos and blog posts all contain loads of references to movies and comic books and things like that. She is also very passionate about feminism and raising the status of women in society today.

So these are the things we’re talking about in this episode: The MeToo movement, some language relating to that, then women in pop culture and some superhero characters from the Marvel cinematic universe (specifically Captain Marvel, who will be arriving in cinemas early next year in the Captain Marvel movie and then in Avengers 4 I think) and we also talk about some female comedians from the UK and the USA that we’d like to recommend.

#MeToo

I mentioned the MeToo movement there. I think this is a global phenomenon but you might call it something else in your country. In France it was called #BalanceTonPorc which directly translates as “Balance your pork” or “balance your pig” which doesn’t really mean anything does it – the proper translation of that would be something like “denounce your pig” or “name and shame your abuser”. That’s how #MeToo is known in France, and it may have another name in your country.

Wikipedia defines #MeToo like this:
The Me Too movement (or #MeToo movement), with many local and international alternatives, is a movement against sexual harassment and sexual assault. #MeToo spread virally in October 2017 as a hashtag used on social media in an attempt to demonstrate the widespread prevalence of sexual assault and harassment, especially in the workplace. https://en.wikipedia.org/wiki/Me_Too_movement 

So MeToo is all about encouraging women to come forward and share their experiences of harassment of various kinds. Speaking personally, I knew that women often have to put up with dangerous and just plain weird behaviour from creepy guys – like being approached in the street, feeling unsafe in certain places or just putting up with dodgy comments and behaviour at work. I knew that, but the MeToo movement did open my eyes to how much of this kind of thing Women have to put up with every day. I think about my daughter and the kind of society she’s going to grow up in and I want her to grow up in a culture in which she feels safe, she feels she can talk about things that happen to her, in which she won’t have to just accept certain behaviour from men, and I want her to have cool characters and comedians on TV and in films that she can relate too, just like I did during my childhood.

I know this is actually a bit of a touchy subject. There’s a lot of pushing and pulling going on in terms of people arguing about the place of men and women in society and both men and women feeling targeted, victimsed or demonised and things like that. I’ve seen so many arguments in online comment sections. I find all of that stuff quite exhausting to be honest.

I see arguments on YouTube and people getting really angry on both sides about something like a perceived feminist agenda in Star Wars or Doctor Who, for example and then I see other people getting really angry about those people getting angry about feminism in Star Wars or Doctor Who and I’m just sitting here trying not to get angry about people getting angry about other people getting angry about some people getting angry about feminism in Star Wars or Doctor Who or movies and culture in general and I just think oh can we just have a normal conversation? I don’t know.

In any case, let’s find out from Jessica about her new website, let’s learn some of the words and phrases she can tell us about the MeToo movement and also let’s talk about Marvel movies and some great comedians that you might like to check out.

There are links and videos on the page for this episode as usual if you want examples of the comedians we are talking about, and links for Jessica’s website and stuff. So check those out.

Alright then, so this is Jessica Beck, energetic at 7 o’clock in the morning. American English and British English combined in one conversation, and here we go…


Honestly English

Nerdy English lessons focusing on vocabulary and pop culture!

www.HonestlyEnglish.com

Slang, idioms, natural phrases, the origins and context of that vocabulary.

For example, “Nailed it” (see video below)

The Language of the #MeToo Movement

A recent post on Honestly English about the #MeToo Movement

honestlyenglish.com/honest-blog/2018/9/16/what-metoo-means-to-me-and-slang-for-dirty-dudes?rq=me%20too

Language to describe “dirty dudes”
A perv
A pervert
A creep
A creepy guy
A monster
Being menacing
Also:
To harass someone / harassment

Favourite Female Comedians

Mentioned by Jessica

Kathleen Madigan (stand up comedian)

Kristen Wiig

Bridesmaids (film)
Annie (Kristen Wiig) vs the “perfect” best friend

Melissa McCarthy (comedian / actress)

St Vincent (film)

Mentioned by Luke

Maria Bamford
Maria captures the experience of being a woman dealing with mental health issues, by recreating the voices and attitudes of other people in her life, particularly her mother and sister who she imitates. They sound patronising and subtly judgemental and of course there are jokes in there but they are so cleverly weaved into her routine. She does brilliant voices and shifts her attitude quite radically. Her normal voice sounds very vulnerable, and the other voices are so much more confident and strident.

OK, she’s strange but that’s the point.

Maria Bamford Netflix show – Lady Dynamite

Maria Bamford interview on WTF with Marc Maron

French & Saunders
On TV all through my childhood. Came out of the anarchic post-punk era in UK comedy. Two English women who were just funny in the way they bickered with each other and also took the piss out of Hollywood movies and celebrities. They’re national treasures.

French & Saunders making fun of Mama Mia

Victoria Wood
Another national treasure who was on telly all the time. She was like a housewife who was also a comedian. Not like Rosanne Barr, but a normal middle class English woman – a bit like the mum of one of your friends, but she did stand up, sketches and did comedy songs on the piano. She was one of the first stand ups I ever saw, along with various other UK comedians at the time. Her comedy was quite local in flavour, meaning she made reference to things like accents and local identity. Died in 2016 along with loads of other celebs. Bowie, Ali, Prince etc

Sarah Pascoe
A stand up who describes the kind of life that most women (of my generation) experience in the UK, while making it very funny. She talks about all the things that women go through relating to relationships and work. She’s very relatable and it’s like observational comedy about relationships and life (but it’s not shit observational comedy).

Sarah Pascoe in Edinburgh

Podcasts recomended by Jessica

  • Wait Wait Don’t Tell Me (NPR)
  • Paula Poundstone
  • Spontanianation
  • Tawny Newsome

YouTube “Honestly English” – videos every Thursday

www.youtube.com/channel/UCBqOicwVfb__YxbsL-5R3tA

Website www.honestlyenglish.com

Facebook Honestly English www.facebook.com/HonestlyEnglish/

552. Discussing Comedy & Culture (with Amber & Paul)

Amber, Paul and I listen to a comedy video which is often sent to me by listeners to this podcast. The video is about the experience of trying to understand people when they speak English. Let’s see what the pod-pals think of this comedy from another country. The conversation then turns to comedy, culture, language and some more Alan Partridge. I read out some listener comments at the end of the episode. Notes, transcripts and links available.

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Transcripts & Notes

Introduction

Welcome back to another episode featuring the PODPALS Amber & Paul.

In this episode we discuss comedy in different countries, including what makes comedy funny, what can make comedy culturally inappropriate, whether Brits have a different view of comedy to other cultures, and whether understanding comedy is just about understanding the language or if there’s more to it than that.

This is clearly the topic which I’m a bit obsessed with: How comedy or humour can reveal our cultural differences in the most striking ways. Perhaps comedy is the key to truly understanding our cultural values somehow.

I often talk about how learners of English often don’t find British comedy funny, and that this is a pity for me. One of the worst things I can hear is someone dismissing British humour or comedy as simply “not funny”. I don’t really mind if people say our food or weather is bad, but don’t touch the comedy, I think. But honestly, when I see comedy from other countries – like TV comedy in France where I live, I have to admit that I often don’t find it funny and I do find myself saying things like “oh, this is French comedy…” meaning – French comedy simply isn’t funny or only works on one level. Is that true or am I being hypocritical? I don’t really know.

Anyway, these questions are at the heart of the discussion in this episode, which also involves the three of us listening to and discussing a video – a video that I have been sent many times by listeners. Listeners have sent this video to me more than any other. I wonder if you know what that video could be.

Unfortunately Paul had to leave halfway through this episode because he had a live radio interview scheduled. He’s a busy man who is in demand all over the place. But after he leaves, Amber & I continue the discussion which goes on to discuss my recent episodes about British comedy and we revisit the subject of Alan Partridge.

So without any further ado, let’s get back to my coworking space and jump into the conversation once more.


The video that people have sent me more than any other

I get sent things like videos and memes and stuff. Sometimes it’s the same thing, like the “Eleven” video and also “What British People Say vs What They Mean”.

But this one more than any other.

I’m not going to tell you what it is yet. We’re just going to listen to it and I want you to tell me what you think is going on, and what you think of it.

Outtro Transcript

So there you are folks. Quite a lot packed into that episode. Lots of questions and points about comedy in different cultures and that video from Russia too. About that video, on balance I’d say that I personally didn’t find it funny when I first saw it. I found it a little odd. It’s like a big family entertainment show with a lot of attention being paid to what I expect are (or at least look like) celebrities in Russia in the audience. The comedians are just sitting on the stage, which is fine I think because you don’t always need lots of stage movement and stuff as long as the material is good.

I got the joke, which is that this is how it feels when you listen to people speaking English, but I found it really quite weird the interpretation of the British guy, but also fascinating.

He basically does this … [Luke copies the impression]

…and is stuttery, hesitant and incoherent.

It’s interesting to sort of look at British people through the eyes of Russians.

I guess this means that Brits must seem hesitant when they speak and I expect this also comes from hearing Brits with accents like perhaps the cockney or northern accents, but the result sounds nothing like any of those accents really. It’s a sort of garbled, lost in translation version of a British person with certain traits highlighted and emphasised perhaps because they don’t quite match the Russian way, or something.

I found the impression of the English guy more weird than funny. It felt like, “Is that what they think we sound like?”

The Indian guy is sort of a funny impression in that he’s got the tone and rhythm right but it’s a pretty broad impression and in fact more of a caricature than a full impression. Also there’s just the issue that copying an Indian accent if you’re not Indian is somehow considered a bit inappropriate in the UK.

I talked about this with Sugar Sammy in a recent episode.

534. Sugar Sammy Interview (Part 2) Language & Comedy

I still don’t know where the comedian in the Russian video is from but he could be Indian maybe.

But I get the joke. This is how it sounds for you when you hear these people.

I didn’t find it funny at first but actually I’m finding it more and more funny as I watch it again and again.

It’s also funny to me that I often talk about the challenge of showing UK comedy to learners of English and how they don’t get it, and then someone sends me a comedy video from another country and I have the same reaction, more or less!

I expect there are people in the audience who know more about this (video) than us so leave comments telling me more about this Russian TV Comedy Club video.

Also, I’m heartened to read some of your comments relating to the recent episodes about comedy.

Right now: I’ve just uploaded the 2nd Alan Partridge episode. There haven’t been many comments yet. Slightly disturbing silence. Have I confused everyone?

Edit:
**TIMESHIFT**
It’s now a week later.
I’ve received more messages than I did last week when I recorded this part of this episode.
Thanks for sending your comments. I’ll go through those messages in a moment.
But first, here are the messages I had received at the time I recorded this outtro last week, which was just after I’d released the Edinburgh Fringe Jokes episode and the first two Alan episodes.
*TIMESHIFT back to the present*

Here’s a selection of comments

Salwa • Alan Partridge Part 1
Oh that was really funny and enjoyable. Thank you very much for introducing Alan Partridge to us. I did not find the comedy difficult to understand at all. In fact, some of the jokes made me laugh out loud.

Mariangel García • Best Jokes from the Edinburgh Fringe
Hi Luke, I hope you’re doing alright
I’d like to tell you that you should continue making these podcasts about comedy, they’re quite enjoyable and help us improve our English, as you just said, understanding jokes in our second language can be the hardest thing.
By the way, please don’t forget my proposal of making an episode about British pop music. I’m definitely looking forward to listening to it.
Lots of hugs from Venezuela.

Anastasia Pogorevich • Best Jokes from the Edinburgh Fringe
Thank you, Luke! I’m really keen on your excellent Joke explanations. I think English humour is fabulous and would like to know more about that stuff. You make all things absolutely clear and I like your positive attitude to your work and to life! Cheers!

Tania •Best Jokes from the Edinburgh Fringe
That’s a pleasure! Thank you, Luke! I’ve got nearly all of the jokes but some after you read them several times. So It’s fun, of course. I know what learners usually say about English humor:)) I myself thought about it that way from the start, but you know, the humor is not just lying on the surface and turns out to be intellectual. Gives work to your brain. And finally you get it! Cool! This is the first audio i’ve listened on your site, downloaded the app and enjoy! English is becoming closer to me!

Vladimir Yermolenko • Best Jokes from the Edinburgh Fringe
Hi Luke! I really enjoyed this new episode on Edinburgh Festival Fringe, thank you so much. The jokes got all clear when you explained some of them. My favorite one was “watch and a log” :)
I also recall some funny jokes in my country, but I don’t know what the style of joke that is. I’ve just translated one from my language.
Dr.Watson asks Sherlock “Can you hear this sinister howl, Mr.Holmes?”
Holmes says “Yes, that’s probably the hound of the Baskervilles”

Then, on another day:
“But what is this sinister silence around us?”
“It’s the fish of Baskervilles, Doctor”

Anya Chu •Best Jokes from the Edinburgh Fringe
Hi Luke,
A little ninja from Taiwan here! I’ve been listening to your podcast for just over 1 year and have been enjoying it sooo much. Really appreciate your work on all the great content!
I’ve just finished the new episode of jokes from Edinburgh Fringe, and I loved it! I was on a bus when I listened to this episode and I kept getting giggles, which I tried very hard to disguise as coughs. British humor is just always on point.
Anyway, thank you again for all the effort on such excellent episodes. Please keep up the great work! :)

Svetlana Mukhamejanova • LEP Premium 06 Part 3
Hi Luke! Re P06[3] please don’t stop making fun, I love your sense of humor)

***TIMESHIFT!***
It’s now the future again. I’m recording this a week after recording the rest of this outtro and there are now more comments on the Alan Partridge episodes, which I’d like to share with you.

Alan (Part 1)

Hiro • 6 days ago
Hello Luke,
I really enjoyed the Knowing Me, Knowing You (aha)show with the child genius. It was so funny I listened to it 3 times! Without your precise explanations, though, I wouldn’t have been able to get all the jokes. Thank you!

Viktoria Luchina • 7 days ago
I adore listening to your episodes about British Comedy! And the way you explain to us some bits of language is perfect. I’ve listened to “Alan Partridge Interviews Child Prodigy Simon Fisher” at least 5 times and I liked it more than the first clip. It’s really interesting that in this case we laugh with Alan and at him. I’m looking forward to next episodes like this one! World needs to explore British Comedy in depth with you!

Alan (Part 2)

Hiro • 6 days ago
Hello Luke!
This second episode is a little more challenging for me than the previous one because the jokes are more subtle. However, the more I listened to your explanatiosn, the clearer the humorous points became to me! Yes, Alan Partridge is an absolute walking disaster! He makes me cringe so much I cannot listen to each one of his episodes in one go.
Again, without your excellent guide, I wouldn’t be able to understand all the nuances and layers of this comedy. Thank you very much, Luke!

Marat • 7 days ago
Hello, Luke! My name is Marat, I am from Russia. I really enjoy listening to your podcast in general and these Alan Partridge episodes in particular! In the first part you have mentioned The Office series as being full of cringey situations. I haven’t seen the British one, but have seen the American one (with Steve Carell). And that was really all about cringey moments). Have you seen the American one? Which one is more cringey in your opinion? (‘cringey’ is a new word to me, so I use it everywhere now :) ).

Alan (Part 3)

Zdenek Lukas • a day ago
Hi Luke, I just want to let you know that I have been thoroughly enjoying the episodes about Alan Partridge (currently in the middle of the 3rd one). I love this character and I actually played the clip from the first episode (the one with the child prodigy) to teach types of questions and the pronoun “whom”. I am a big fan of these episodes and I think you clearly managed to do justice to this character. Thank you for your podcast!

peppe124 • 2 days ago
After you spent several hours on 3 episodes, I think we all should spend a couple of minutes writing a comment. We own [owe] that to you.
You are THE teacher every school of English should have! The method you used on this series was just brilliant.
Giving the introduction and background (with cultural references as well), letting us listen and guess and then going back over the clips was really helpful to test and improves my listening skill!
I also liked the content itself,that is the comedy, although I must say I liked the first 2 more; but that’s because there were more, kind of, jokes.
Thank you very much Luke for all this. Keep up the great job!

Tatiana • 2 days ago
Hi Luke, it’s the first time I’ve come out of the woodwork, really. Just to say a few words about the Alan Partridge episodes. I have enjoyed all of them. They give a little insight into real English, the genuine one, that is what British people really laugh at! That’s amazing. Thank you for that! They are right, the people who say, ‘If you understand comedy, you understand the language’.
Your explanations before listening are so detailed that I find almost no difficulties to understand most of Alan’s words. And it is valuable! I tried to find those clips on YouTube (they’re all embedded on the page), and they are even better with video, I would say, (because) you can watch the facial expressions and body gestures.
But then I watched some more – those that were not scrutinised on the podcast. It was a nightmare – I could understand hardly half of it, and most jokes just flew over my head. I felt so disappointed, I see now that proficiency level is as far from me as the Moon.
Thank you for doing your job for us: your podcast is, at this point, one of the major ways of improving my English. I listen and re-listen, take notes, revise them from time to time and so on.
Please keep going with your comedy episodes, they are great!

Damian • 3 days ago
[The] Episodes about Alan Partridge (generally, all episodes about British comedians) are brilliant! Many thanks!

Nikolay Polanski • 5 days ago
All three episodes are very nice, even though it is sometimes hard to get, why it is funny, to be desperate, stupid, mean and lonely. )))
I mean – you said before “try to watch it as a drama, and you’ll appreciate the comedy” – it seems like drama to me )
It is funny, but also sad.
But the episodes are top notch, thanks for the great work you’ve done

Ilya • 4 days ago
I love it! I want more episodes about British comedy! One of my favourite topics.

Francesca Benzi • 3 days ago
Just a few comments, but all of them are a big thumbs up!
I’d never heard of Alan Partrige before listening to your podcast, so thank you: I had a very good time with each of the three episodes.
Brits behavior can often be weird, from an Italian point of view, and listening to your podcast builds up my knowledge of how different we are.

Yaron • 3 days ago
Coming out of the shadows for a moment to say that I like the Alan Partridge episodes. In a way, it reminds me of the brilliant episode about Ali G that you did few years ago (which I recommend to anyone who hasn’t listened to it yet)
Thank you Luke.

I find your comments very reassuring and I’m very glad to read them. I’ll do more episodes about comedy in the future. In the meantime, check the episode archive for other British Comedy episodes.

In fact, here are the links (11 episodes)

Previous episodes about British Comedy

156. British Comedy: Ali G

172. British Comedy: Peter Cook & Dudley Moore

195. British Comedy: Monty Python’s Flying Circus

202. British Comedy: Monty Python & The Holy Grail

313. British Comedy: Tim Vine

316. British Comedy: Tim Vine (Part 2)

427. British Comedy: Limmy’s Show

428. British Comedy: Limmy’s Show (Part 2)

462. British Comedy: Bill Bailey

469. British Comedy: John Bishop

507. Learning English with UK Comedy TV Shows

I also have episodes about telling jokes and explaining humour in social situations. Get into the archive and find out for yourself.

In the meantime, you should sign up for LEP Premium. Get the episodes on the LEP App, sign up at teacherluke.co.uk/premium for hot English action, helping you deal with vocabulary, grammar and pronunciation and have a bit of fun in the process. :)

Thanks for listening!

550. British Comedy: Alan Partridge (Part 3)

Here’s the final part of this trilogy of British Comedy episodes about Alan Partridge. This time we’re analysing some of the quieter and darker moments in Alan’s life as he rambles about flasks, cars, seat belts, badges and having an air bag go off in your face, and avoids the problems in his life. Expect analysis of both the comedy and the language. Vocabulary lists and transcript available. 

[DOWNLOAD]

Transcript

So here we are with part 3 of this British Comedy episode, hot on the heels of part 2. This series is all about this famous British comedy character called Alan Partridge.

If you haven’t heard parts 1 and 2 yet I recommend that you go and listen to those first.

The plan again is to listen to some clips on YouTube and then analyse them for language. Hopefully you’ll get the jokes and will pick up some nice vocabulary on the way.

3 episodes is quite a lot to devote to one thing like this, but I really like Alan Partridge and introducing this comedy to you successfully (so that you enjoy it) is a sort of personal challenge for me and also there’s so much Partridge content that I feel just one episode or maybe just two would only really scratch the surface. To give this a proper chance we need to spend a bit of time on it.

Listener Emails

Hopefully you’re enjoying these episodes. Actually, I don’t really know what most of you think. I’ve had a few messages from people saying they are looking forward to part 3 of this – emails mostly.

For example, here’s part of a message from a listener called Hanna in Germany.

Dear Luke, I just wanted to get in touch to tell you how much i like your podcast. I’ve listened to the newest Partridge episode today and loved it. I think you’ve done a brilliant job in getting across what’s so funny and weirdly likeable about him. I’m really looking forward to a third episode about him. And in fact to all the upcoming episodes. In the meantime I scroll through your fantastic archive and pick out my favourite topics to enjoy in my everyday life.

Thank you Hannah.

But on the website I have had hardly any comments on these episodes, which is making me wonder what you’re all thinking. I have no idea really… So please let me know in the comment section. Are you like Hanna, who thinks I’ve managed to do a good job of getting across to you the ins and outs of Alan Partridge, or does it all seem hard to understand and totally unfunny? Let me know.

I did get an email from a teacher in Japan. I think he’s a native English speaker. I have to share it with you.

Message: Hello Luke,
I teach English in Japan. My students often listen to your podcast. In a recent episode you had a TV show host interviewing a child genius. My students are split on whether this really happened, or whether this was staged. I think it is pretty clear that a real TV show host would not actually physically abuse a child on TV, but my students are not convinced. They think this (smacking children upside the head in public and making them cry) is an example of British humour. (notice I spelt that with a ‘u’). I noted that you said it was ‘a spoof, a parody” at the beginning of the segment, but they are not convinced. Please clarify and explain the meaning of ‘spoof’. Love your show.

This is the sort of thing I’m talking about. There’s always someone who gets the completely wrong end of the stick and misunderstands something quite essential about the comedy, like for example what is the target of the joke and what are the underlying meanings or assumptions.

I actually can’t believe there’s anyone out there who would think that Alan is a real person and that he actually slapped a child, and that’s where the comedy comes from. Slapping a child is an absolutely terrible thing to do and it’s certainly not funny. No, the sketch in part 1 where Alan appears to slap a child, is obviously not real.

It seems I might need to clarify something. I thought it was obvious, but you should remember that Alan is not a real person. He’s a character made up by comedians. The scene in part 1 when he interviews a child genius, the child is not a real child. He’s played by an actress called Doon Mackichan who is changing her voice to sound like a child. And anyway, Alan doesn’t actually slap anyone. It’s just a sound effect for the radio. Nobody got slapped in real life.

And in the sketch, we’re not really laughing at a child being slapped. That’s not the joke. Just slapping a child is clearly not funny. It’s awful. So we’re not laughing at a child being slapped, we’re laughing at the fact that Alan is a fatally flawed character who is so pathetic that he will slap a child in order to come out on top or to save face. It’s ridiculous.

I understand that in Japan social conventions are so different in some cases that it might be hard to notice where the comedy is in slapping a child, but it’s really about the character of Alan and how he reacts to being wrong in a situation.

Anyway, slapping a child isn’t really British humour, but featuring a character who would slap a child is more typical of British comedy. We often feature characters in our sitcoms who will do terrible things in order to get what they want and they often fail. We laugh at these people, not with them. They are the target of the humour. Alan is not a hero who we support, quite the opposite, we observe him doing all sorts of terrible and pathetic things. Another example… Basil Fawlty from Fawlty Towers springs to mind. He does lots of terrible things to make sure his hotel business doesn’t get closed down. We cringe at the things he does, but also are amused by what happens to this person who is essentially not very nice when he is put under tremendous pressure that he’s probably responsible for in the first place.

Anyway, for most of you I probably didn’t need to give that clarification but for the students at school (however old you are, I’m not sure) let me assure you – Alan Partridge is not real and none of it is real. He is a character played by an actor called Steve Coogan. Alan Partridge is a parody or a spoof.

Parody, Spoof & Satire

A parody is a humorous piece of writing, drama, or music which imitates the style of a well-known person or represents a familiar situation in an exaggerated way.

When someone parodies a particular work, thing, or person, they imitate it in an amusing or exaggerated way.

So a parody is an imitation of something, in order to make fun of it. Alan is a parody of TV presenters.

A Spoof is a show or piece of writing that appears to be serious but is actually a joke. It’s also like a “fake” show. The Day Today is a spoof of the news.

We often use spoof and parody in the same or similar ways.

A satire is a piece of comedy designed to criticise something by making fun of it. Satire is like spoof or parody but doesn’t always involve imitations and often has serious targets like politics.

Animal Farm by George Orwell is a satire of communism. It criticises and makes fun of communism with this fictional story about pigs running a farm.

So Alan Partridge is certainly a spoof or parody of television and radio presenters. Perhaps at it’s best it’s some kind of satire about television and culture in general. In fact he’s become more of a parody of a kind of small-minded English man.

Alan Clips

Let’s listen to some more clips. This is going to be good listening practice and there will be loads of vocab, but also let’s see this as a kind of little adventure where I take you into something new and you have to try and work out what’s going on.

I’ve chosen two more clips, and I’ve chosen these ones because they are slightly quieter moments for Alan, not the big moments with all the catchphrases, but moments when Alan is perhaps at a weak point, which reveal how restless he is and how flawed he is on a basic social level.

We get a bit deeper into his psyche in this episode.

So in these clips I’m asking you not to look out for jokes like in the Edinburgh episode. Alan doesn’t really do jokes although there are very funny lines. So, don’t look for jokes. Instead look for the way this character expresses himself, how he chooses his words, how he can’t really connect with people around him, how he’s isolated, how he’s actually not a very good person.

There’s a bit of tragedy to Alan. It’s just there, under the surface. You have to read between the lines.

8. Alan calls his son and then Curry’s to ask about getting a surround sound speaker system

This is a glimpse into Alan’s family life and his relationship with his son. You could say it is strained. Imagine having Partridge as your father. It would be awful.

It’s a Saturday afternoon and Alan decides to call his son Fernando, who is 22 years old – around the same age I was when I first watched this. Fernando is named after the Abba song of the same name.

Alan calls Fernando to see if he wants to go for a pint. He catches Fernando in bed with his girlfriend and ends up lecturing him about how he’s wasting his time when the weather is so good outside. The key line is “It’s a Saturday afternoon and you’re in bed with a girl, you’re wasting your life!” Alan couldn’t be more wrong of course.

Instead, Alan suggests that Fernando take her out to a local tourist spot, like a local fort or a Victorian folly. These are like the bog-standard local tourist attractions in the UK. You find things like this everywhere and they’re mostly boring. The fort is probably some local old remains of a castle. A Victorian folly is basically a fake medieval building made during the Victorian era to resemble something from the medieval times. In both cases they are very boring and no doubt populated by other such middle-English middle-Educated weekenders with their anoraks and cameras. For Alan this is a great way to spend a Saturday afternoon. Of course, staying in bed with a girl is a far better way to spend your time.

Alan can’t relate to Fernando and patronises him (talks down to him and lectures him), while also rambling on like a broadcaster.

His rambling goes too far and he ends up talking about how he used to make love to Fernando’s mother Carol in various places, even telling the story of how Fernando was conceived, making it sound like Fernando might have been a mistake, or that perhaps Alan wasn’t happy when Fernando was born.

We never hear Fernando’s voice. It’s just Alan’s half of the conversation, leaving us to work out the other side for ourselves, which is a good comedy technique.

We can see there are serious issues in their relationship. It sounds like Alan was probably a terrible father, making his son feel unloved and unvalued, and just lecturing him rather than relating to him on a normal level. Alan tries to be friends with Fernando, but he’s completely unaware of how much he mistreats Fernando.

Alan then calls Curry’s the electronics store to find out about buying some speakers and typically ends up either arguing with the sales assistant, lecturing him, or letting him into close personal details. Alan also talks about the speaker system in a weird, formal way, perhaps using the technical language you might read in the product manual, and even using some latin words. For some reason he feels this technical and formal register is appropriate when asking about buying some speakers from a hardware shop. You can imagine that there is a generation of people who are old-fashioned enough to do that too. At the end he even attempts to invite the guy from Curry’s to go for a pint with him, because he’s bored. The guy says no.

In the end Alan decides to walk up the motorway to visit the local garage to buy some windscreen washer fluid. It’s funny to see these utterly mundane moments in Alan’s life. He’s a bit lost and is living in isolation and obscurity. Nobody else in the Travel Tavern is there, so he just leaves, shouting slightly desperately in case anyone wants to join him.

What to watch out for

  • How Alan makes his son feel unloved
  • How Alan describes how Fernando was conceived and it sounds like he wasn’t happy when
  • Fernando was born
  • How Alan starts going on about flasks and Fernando just hangs up
  • How Alan talks to the sales assistant at Curry’s and expects him to know latin
  • How he fails to invite the guy for a pint of beer

Language

  • You both sound exhausted, have you been running?
  • We did it everywhere. Behind a large boulder on Helvellyn for my birthday.
  • Actually, that is where you were conceived.
  • We just didn’t take precautions (so Fernando wasn’t planned, maybe an accident)
  • No we were delighted! Well, at first I was mortified but then you were born and we grew to like you.
  • I left a tartan flask up there. One of those very fragile ones with a screw on cup/cap.
  • These days they’re much more resilient. They took the technology from NASA. Modern flasks today are directly linked to the Apollo space mission. Hello?
  • I’d like to make an enquiry about two supplementary auxiliary speakers to go with my MIDI hi-fi system apropos (with reference to) achieving surround sound.
  • What time do you knock off? Do you fancy going for a drink?
  • Breath of fresh air?

9. Extended Car Sequence (no laughter track)

It’s interesting how a laughter track totally changes the tone of what you’re listening to.

Friends with no laughter track makes Ross sound like a psycho.

In this case having no laughter track makes Alan better and it sounds a lot more authentic.

Alan & Lynn in the car

I’ve chosen this because I want to play a clip with no laughter and in which Steve Coogan and Felicity Montagu (Lynn) are clearly improvising a lot of the dialogue. There are no big laughs in there, but instead this is just Alan at a bored moment. It’s also perhaps one of my favourite Alan moments because of the improvisation. The characters are totally believable. It’s like we’re just observing them in a quiet moment during the day. As we listen to their naturalistic dialogue it’s possible to notice that Alan is slowly becoming a bit unhinged – I mean, the doors are starting to fall off. He’s bored. He’s isolated. He’s probably quite sad and perhaps desperate underneath it.

Alan is “at a loose end” and so he’s requested that Lynn come and meet him so he can ask her something that’s been bothering him. It’s a small thing really, but Alan makes Lynn travel quite a long and complicated journey to come out and see him.

They just sit in the car and Alan rambles about nothing in particular. The main thing bothering him is that his car is making a weird beeping noise and he doesn’t know why. But it seems he just needs Lynn to be there so he can lecture her, patronise her, belittle her etc as a way of escaping the dark feelings that are probably gnawing away at him. Lynn is very faithful to Alan, and has strong Baptist religious beliefs, but Alan is very mean to Lynn, making her take a taxi and to walk a long way just so Alan can have someone to talk to.

Alan doesn’t even believe Lynn when she gives her excuse for being late, which shows that she’s clearly had a long journey to get there. He’s very ungrateful towards her.

Lynn knows that Alan might be at a very vulnerable point here – he’s been thrown out by his wife, living in a travel tavern and he punched the BBC director general in the face with a piece of cheese, and it’s not having a good effect on his mental state. So she’s supportive.

Lynn is clearly concerned about Alan and offers to talk to him about his problems.

Instead of talking about his problems, Alan just goes on in great detail about the features of the car, clearly in denial about his situation and his depressed state.

By the way I think Lynn was the one who actually bought the car for Alan. Him criticising parts of it is also a way for him to criticise her. He’s subtly telling her that he’s not happy with the car she bought.

Obviously Alan is unhappy about more than the car, but he never talks about that. The only thing he can do is comment on minor details in the car. The more specific he gets about these trivial details, like the design of the badge on the steering wheel, the more he is essentially trying to escape the reality of his situation, which is that his life and career are a mess.

Alan’s weird broadcasting sensibility comes in as he starts reviewing the car, commenting on the way seat belts work and generally patronising Lynn.

The tension is palpable.

It’s hilarious comedy and is improvised.

But it’s 100% not obvious.

So I would say, don’t imagine this is comedy. Imagine you’re just listening in on someone’s conversation. Let’s imagine we’re spying on them, just overhearing two people chatting aimlessly.

Coogan’s ability to stay in character is incredible.
The absence of laughter track makes it 100x better.

I wonder what you will think but this is one of my favourite Alan moments. It’s so natural and the character’s avoidance of talking about his problems while focusing on meaningless details of the car, is very interesting from a character point of view, and shows there is real depth and pathos to the character.

What to look out for

  • How difficult it was for Lynn to come and meet him, and how Alan suspects this is a lie
  • The reason Alan asked Lynn to come out
  • Lynn’s suggestion about why the car is making a noise (the clock is wrong)
  • Alan’s reaction to Lynn’s suggestion that it’s because the clock is wrong
  • What Alan thinks of the car, particularly his disappointment about the badge on the steering wheel.
  • Listen to how Alan loves the sound of the electric sun roof
  • What Alan says about the seat belts

Language

  • I got caught in a taxi that broke down
  • Do you know what that noise is?
  • It wouldn’t be “engine faulty” would it?
  • It’s been irritating me all morning
  • Is it the handbrake?
  • Don’t touch the handbrake. We’ll roll back.
  • Just make sure it’s in neutral there.
  • If you ever learn to drive Lynn, when you stop the car, just give it a bit of a wiggle. Make sure it’s in neutral.
  • My mum always puts it in first (gear)
  • Some people do that to stop it rolling back when you park on a hill but it’s unorthodox. It’s a stop gap for a faulty handbrake, but I personally frown on it.
  • I’ve locked the doors there. That’s a design fault. Design flaw. Just pop your elbow on there, you’ve locked the doors. Sometimes you don’t want to.
  • I thought you’d like this.
  • It’s wood laminate.
  • Pop your seatbelt on.
  • These are inertia real seatbelts.
  • Suddenly a lorry rears in front of you. Impact! LOCK!
  • I’d rather have a few superficial bruises than a massively lacerated face. Ooh, awful.
  • I’d love to feel an airbag go off in my face.
  • What I like about this material is, just to get a little bit of extra purchase, it’s pricked vinyl.
  • Pricked vinyl will allow a certain amount of drainage of hand sweat.
  • The Rover badge on the old car was a lovely enamel beautiful crested thing on the steering wheel boss, whereas this one is just moulded into the vinyl.
  • All I do is sit here looking at this moulded badge where once there was an enamel one and I can’t pretend that doesn’t hurt.
  • The sun roof is a wonderful feat of engineering. Just listen to all these servo motors.
  • Precision engineering.
  • Whirring away.
  • And of course you’ve got the manual flap.
  • You go through a bad patch and you can smile at the end of it, probably.
  • I didn’t say I was going through a bad patch, I said I was at a loose end.
  • [Lynn suggests that Alan takes the car for a drive, but Alan beeps the horn while she’s talking, interrupting her. She tries to continue, talking about how there’s an arcade – games centre – up the road where there’s a fun camel race]
  • Do you want to know the quickest way to drain a battery?
  • [Alan tries to open the glove compartment and accidentally touches Lynn’s leg – plenty of apologising and it’s awkward. There’s no affection in the relationship, from Alan anyway]
  • Alan says the best way to drain a car battery is to leave the glove compartment open.
  • Lynn says you shouldn’t leave your sweeties in there on long journeys because it might pop open and you wouldn’t notice and the battery would get drained. [Alan has no idea what she’s talking about.]
  • You’ve lost me. Boiled sweets, you sound like a lunatic.
  • It isn’t the inticator is it?
  • Inticator? Indicator.
  • Actually, I am low on windscreen washer fluid.
  • They wouldn’t set off an alarm if you’re low on windscreen washer fluid. It’s far too alarmist.
  • Just a light would come on to say, you know, you’re a bit low. But not a big alarm like that, it’s just a panic measure, you know like someone going “Oh my god you’re low on windscreen washer fluid!” You don’t need to say that. Just say, you need a nudge. The car needs to effectively say, “excuse me, I don’t want to distract you from your driving, but you might like to know the windscreen washer fluid is getting low” and they do that with a little light, which has come on – you can see it there.
  • Well the clock’s not right is it. That’s a possible.
  • I’m sorry Lynn. I’m normally patient but the idea that an alarm would be triggered because the clock isn’t right is cloud cuckoo land. Alice in Wonderland.
  • Could you cool me down with the hand fan.
  • [Lynn holds the hand fan too close and Alan turns and hurts his lip on it]
  • Come on I’ll drop you at a cab rank.

Ending

There is a massive amount more of Partridge and almost all if it is excellent – great performance, great writing, great characters. Perhaps I’ll revisit Alan one day on the podcast.

I wonder how you feel about this. My aim has been just to introduce you to some stuff you didn’t know about before, and teach you some English in the process. If you’ve enjoyed it and want to check out more Alan stuff, great. If you didn’t really get it, well – so be it. At least I tried.

Some Alan recommendations.

TV series: I’m Alan Partridge Series 1 & 2
TV specials: Welcome to the places of my life, Scissored Isle.
Web-series: Mid-Morning Matters with Alan Partridge
Audiobooks: I, Partridge, Nomad
Film: Alpha Papa (not exactly the same as normal Partridge, but still good)

Do let me know everything you think in the comment section. It’s impossible for me to predict how episodes like this will be received by my audience – I really do scratch my head and wonder what the hell people in China, Russia, Japan or closer to home in France or any other place will think about some of the content I share with you. The only way I can know is if you write to me and tell me what you think. I’m certain some of you completely won’t get it, but some of you might get it and for me it’s worth doing these episodes even if only some of you get it.

At the least, if you didn’t get into the comedy, I think we can agree that there’s been a lot of language to be learned in these episodes. Check the page for this episode to see all the notes and transcripts. I should do a premium episode covering it all, just to make sure it really goes into your head properly! For example, what’s the phrase Alan uses to describe how he’s bored and has nothing to do?

He’s at a loose end, right?

That’s the sort of stuff I do in the Premium episodes. To sign up for the price of 1 coffee per month, go to www.teacherluke.co.uk/premium

BONUS CONTENT: Talking to Raph about Partridge (Part 1)

More videos

Alan Partridge’s Scissored Isle (one of the most recent TV specials)

Alan Partridge: Nomad (Audiobook)

 

549. British Comedy: Alan Partridge (Part 2)

Building on the previous episode, this time we’re looking at how Alan Partridge interacts with people in his every day life and how this results in some classic moments of British TV comedy. All the material is explained with plenty of vocabulary to learn.

[DOWNLOAD]

Transcript, Notes & Videos

His chat show series ended in disaster when he accidentally shot a man to death during an interview.

3. Alan interviews Tony Hayers (Knowing Me, Knowing Yule – the Christmas special 1995)

There was a Christmas special of Knowing Me Knowing You, which was made as part of a contractual obligation in his BBC deal.

He featured Tony Hayers on the chat show. He was the chief commissioning editor of the BBC – the man who decides which programmes are on the telly. Inviting him is a terrible decision because Alan is hoping to get a 2nd series of his chat show from Hayers, but Hayers hasn’t made his decision yet and is probably not going to give it to him anyway because Alan’s TV show was a disaster.

Alan interviews Tony and it is very awkward. Alan is mainly concerned about whether he has got a second series of his chat show. He is assuming that he has got it – because of his inflated sense of self-worth, which might be him subconsciously compensating for some deep issues he has. Alan is incredibly unaware of himself, which is somehow a social crime in the UK. I think we’re very self-aware.

The interview comes off the rails as Alan gets caught up in attempting to work out if he’s going to get a second series of the chat show.

What to look out for:

  • The awkwardness of Alan having his boss on his chat show
  • How Tony talks about having to cut jobs at the BBC
  • How Alan’s metaphor about Tony “ringing the changes” doesn’t work
  • How Alan keeps pressing for confirmation of a second series
  • How he assumes he has one although it’s obvious to us that he hasn’t
  • How Alan ultimately ruins it for himself
  • How he attempts to appear politically correct but he’s very awkward about certain issues

Later, Alan sort of has a breakdown live on air and ends up punching his boss in the face accidentally, with a turkey stuck on his hand.

I’m Alan Partridge

A year or two later a new series about Partridge arrived. It was called “I’m Alan Partridge”.

For me, this is when Alan really became a brilliant character. In I’m Alan Partridge we follow Alan in his normal life.

Previously we saw his awkward encounters with guests and a lot of very cringe-worthy moments. It worked as a parody and satire of television chat shows and the general clichés of broadcasting.

Now we see Alan in his everyday life and he has similarly awkward encounters. We see behind the curtain. Alan struggles to be normal. He’s always in “TV chat” mode, and it’s awful. He has no social skills, even though he thinks he’s a great conversationalist. He tries to be charming and normal, it all goes wrong, but he doesn’t realise it. He’s completely unaware of himself. In fact, his life is nosediving. It’s all falling apart around him, but he blindly assumes that he’s destined to be a prime time BBC1 TV presenter.

This is really hard to explain. We just have to hear it and find out.

Alan’s career is on the rocks. He’s now hosting a show on local radio – in Norwich. It’s the pre-breakfast show – a very obscure slot, something like 4:30-6:30AM, local radio. He’s drifted into obscurity. Also, his personal life is in disarray. His wife has left him for her fitness instructor. We gradually learn more and more about this and essentially it’s largely his fault because he’s Alan Partridge!

He’s petty, domineering, arrogant, unromantic, selfish, careless, career oriented. Why is this character so fascinating for the viewer? I’m not sure.

Now he’s living in a travel tavern – a kind of roadside motel, but he’s convinced that things will get better because he’s certain that the BBC will give him a second series of his chat show. He’s even about to buy a 5 bedroom house. He’s utterly deluded about himself. It’s sad. There’s darkness lurking just under the surface. In fact, Alan later does have a nervous breakdown and ends up bingeing on Toblerone chocolate bars and driving to Dundee in Scotland in bare feet (with no shoes on) but that’s later on.

I’m Alan Partridge – Series 1 Episode 1 1997

4. Alan meets Michael the Geordie and talks about his accent
Michael works as a caretaker at the travel tavern. He’s from Newcastle and he used to be in the army.

Alan strikes up a sort of friendship with him, but at first Michael is hard to understand because of his accent.

What to look out for:

  • The way the girl Sophie on reception is subtly insulting Alan while remaining professional
  • Alan’s prejudice against people from the north
  • How Alan is fascinated by Michael’s horrible experiences in the army

5. Alan’s pretend meeting with Tony Hayers

Alan’s Personal Assistant, Lynn helps Alan prepare for his meeting with Tony Hayers. Alan grossly overestimates his chances of a second series, and even the pretend meeting goes wrong, with Alan demanding to have a second series from Lynn, and putting Lynn down at the same time. This is how Alan imagines his negotiating style to be, and even in his fantasised versions, he fails.

What to watch out for:

  • How Alan imagines his meeting with Tony Hayers will go, including the locker room banter he expects to have with Tony about smoking cuban cigars
  • How even the fantasy goes completely wrong

I’m Alan Partridge Series 1 Episode 1 09:25

6. Alan’s real meeting with Tony Hayers
Alan is meeting Tony Hayers at the BBC and expects to be told he’s getting a 2nd series. We all suspect that he won’t get it, even though he’s certain he will and has just bought a 5 bedroom house.

Alan is clearly out of his depth in this BBC restaurant where everyone is an executive in a suit.

Alan attempts to appear sophisticated but gets everything wrong.
It becomes clear that Alan doesn’t have a second series and he loses it.
He then attempts to pitch a number of other shows he has in mind, but they’re all terrible.
You see something kind of click and he ends up punching Tony Hayers with a piece of cheese.

“Smell my cheese you mother!”

What to watch out for

  • How Alan attempts to appear classy with talk of wine and other things, and how he reveals that he has no class
    Alan’s ridiculous ideas for TV shows, very similar to stupid TV shows that exist in the real world

I’m Alan Partridge Series 1 Episode 1 16:36

7. Alan and Lynn in the car

“That was a negative and right now I need two positives.”

“Come on I’ll drop you at a cab rank.”

Alan fantasises about calling Chris Rea, the pop star who lives in the area. In his imagined conversation he invites Chris to a barbecue but the invitation ends in an argument. Again, even his imaginary exchanges go all wrong.

What to watch out for:

  • How Alan somehow imagines his life like a hollywood thriller (that was a negative…)
  • The imagined conversation with Chris Rea that goes wrong
  • “Come on, I’ll drop you at a cab rank”

I’m Alan Partridge Series 1 Episode 1 25:00

Thanks for listening!

Alan Partridge TV shows are available on iTunes and other platforms. Also, check out the Alan Partridge audiobooks on Audible.

There should be a part 3 coming soon. Tell me what you think in the comment section!

548. British Comedy: Alan Partridge (Part 1)

Continuing the comedy theme by analysing a character that most British people know but learners of English find difficult to understand. Check the page below for transcripts, notes and videos.

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Transcript

Hi folks, today I’m continuing the comedy theme, with an episode about British TV Comedy.

A while ago I did an episode all about British TV Comedy Programmes. It was pretty popular and I promised that I would do more episodes explaining specific comedy shows, so today I’m going to talk to you about a well-known and well-loved character from British Television culture – Alan Partridge.

I’ll tell you everything I think you need to know about him (all the context and background info), then we’ll listen to some clips on YouTube, see if you get the humour and we’ll use them to do some intensive listening to help you learn loads of real, natural English language and culture.

“British Comedy: Alan Partridge” – that’s the title of this episode.

As usual I’m wondering what the hell you will think of this, because it might be hard for you to understand and it might just go straight over your head. I don’t know. Also, I’m wondering if some of you will be a bit turned off by the title of the episode.

Maybe I should have gone with a more “click-bait” title.

Perhaps – “The British Comedy that only Brits can Understand” or “British people love it but learners of English don’t understand it” or “Learn the 10 Secrets of British Comedy that the Language Schools don’t want you to know!” or “Why British People Hate Mr Bean” or something like that.

Instead I’ve gone with a more functional title, and the assumption that you will just trust me whatever the title is.

British Comedy: Alan Partridge

So, this is an episode about an absolute legend of British comedy that most Brits know, but non-Brits often don’t know and learners of English struggle to understand or appreciate.

You may have heard me mention Alan Partridge before. I’ve often said I need to devote a whole episode to this subject, so here we go.

I have a feeling this is going to take more than one episode. It might require a few episodes. And you know what – if that’s what it takes, that’s what I’ll do. I will talk about this for as long as I think is necessary or until someone physically stops me.

You might be thinking, “Who is Alan Partridge?”

He’s a fictional comedy character who has been on British TV for nearly 25 years.
He is played by an actor and comedian named Steve Coogan, who you may have heard on this podcast before doing Michael Caine and Paul McCartney impressions on the TV show The Trip.

The character is a fictional TV & radio presenter.

Originally Partridge was created as a parody of TV and radio presenters – a way of making fun of the cliches you see and hear in TV news, sports reporting, factual and light entertainment programmes – particularly the cliches of how people speak on TV and radio.

Later, Partridge became a fully-rounded character in his own right. In later shows, we follow Alan closely through his life and the character has become more than just a parody of television presenters. He has become a parody of a certain type of British man. Somehow, so many of us can relate to the experiences and characteristics of Alan, even though the character is someone we laugh at and think is a truly awful person.

Here’s a run down of the shows and things that Alan has appeared in.

  • A parody news TV programme called The Day Today.
  • Three BBC Radio 4 comedy series.
  • 3 BBC TV series and one BBC TV special.
  • 2 best-selling books and audiobooks.
  • A web series on YouTube.
  • Two short TV series on Sky.
  • Several full-length TV specials.
  • A full-length feature film which was released in cinemas.
  • Several big live theatre tours.
  • Lots of other TV appearances on interview shows, charity telethons and more.

The character has won a BAFTA award and two British Comedy awards over the years.

This year Alan is coming back to the BBC with a brand new series.

Partridge is widely praised by reviewers and critics as one of Britain’s best comedy TV characters.

Many of the lines spoken by Alan Partridge have become part of the popular consciousness, including phrases like “A-ha!”, “Monkey Tennis” and “Smell my cheese you mother!”

I don’t mind admitting that I’m a huge fan of Alan Partridge as an excellent work of comedy by the performer Steve Coogan and the script writers Armando Iannucci, Peter Baynham the Gibbons brothers, and others.

Many of my friends and members of my family are also huge fans and it’s quite normal for us to communicate in Partridgisms when we spend time together sometimes, quoting lines of dialogue with each other.

In my opinion, if you have any interest in Britishness, British humour, British comedy, British pop culture and British English, you absolutely must know about Alan Partridge.

This is not as simple as you might think. Somehow I find it really hard to explain this comedy to learners of English. It’s very subtle, nuanced and layered. It sort of defies explanation, which is a strength in my opinion.

I think that comedy that is very easy to explain is often a bit basic, and probably quite rubbish.

The fact that Alan Partridge is complex and subtle is a strength for the comedy, but perhaps that’s also a barrier for non-native speakers who just can’t see where the humour is.

They always say that the hardest thing to truly understand in a second language is humour. It requires really good English in this case – the ability to read between the lines, to pick up on very slight verbal and non-verbal clues to understand the comedy – and to do it all instantly.

You need excellent listening skills. You also need to have a lot of context in order to understand what type of character this is, how to interpret what he says, what his attitude is in any given moment, how other people are reacting to him and also to understand how we the audience are supposed to feel about it all. Are we laughing with him? Are we laughing at him? Where is the comedy coming from?

So, perhaps if you’re not really aware of all the cultural and contextual clues and if your English isn’t quite up to it, you will never really get it.

You might think “Nah, this isn’t funny” or “This is british humour” that for some reason only British people understand but which in fact isn’t funny for any normal people.

But the high regard that people have for Alan Partridge, the awards, the recognition from the industry, the longevity of the character – these things all prove that this is genuinely good stuff.

Partridge is also popular in other English speaking countries outside the UK, notably Australia, New Zealand, and Ireland. He’s not a household name in America although quite a lot of people know about him there including lots of actors and comedians. For example Ben Stiller is famously a big fan.

Let’s see how it is for you. Let me know in the comment section as we go through some clips, listen, break them down and carry on.

Alan Partridge: Background Information

I have to give you some background information on the character first.

Read from the Wikipedia page a bit – first two paragraphs en.wikipedia.org/wiki/Alan_Partridge#Character

Character
Alan Partridge is an incompetent (always fails) and tactless (he’s careless and his words often offend people around him) television and radio presenter from Norwich, England.[5][30]

He is socially inept (has no skill), often offending his guests,[31] and has an inflated sense of importance and celebrity (he thinks he’s more important than he is).[9] According to the Telegraph, Partridge is “utterly convinced of his own superiority, and bewildered (confused) by the world’s inability to recognise it – qualities that place him in the line of Great British comedy characters.

His need for public attention drives him to deceit (lying), treachery (betraying people who trust him) and shameless self-promotion,[30] and sometimes violence; in the Knowing Me, Knowing Yule Christmas special, for example, he assaults a BBC boss by punching him with a turkey.[7]

Alan Partridge lives in Norwich, Norfolk. Armando Iannucci (one of the creators) said the writers chose it as Partridge’s hometown as it is “geographically just that little bit annoyingly too far from London, and has this weird kind of isolated feel that seemed right for Alan.”[1]

Partridge holds right-wing views; Coogan described him as a Little Englander, with a “myopic (uninformed), slightly philistine (uncultured) mentality”.[32] He is a reader of the right-wing tabloid newspaper the Daily Mail, and supports Brexit because, according to Coogan, the Daily Mail “told him to”.[33][33] Earlier versions of the character were more bigoted (prejudiced), but the writers found there was more humour in having him attempt to be liberal;[32] Coogan said: “He’s aware of political correctness but he’s playing catch-up.” His underlying right wing views come out sometimes, even though he tries to be modern. [32]

Alan Clips

I’m going to play you a selection of clips now.

I’ll tell you a bit about the scene, including the basics of what happens.
This is important because, believe me, it will be quite hard to follow some of this.

I expect the first time you listen you’ll be like what?
So, I’ll explain some details and give you some things to listen out for.
Then you can listen to the clip and either get what they’re saying, or get some of it, get confused, have a laugh or whatever.

Then I’ll go through it again and break it down for you.

No doubt there will be useful language to be gained from all of this. In fact, I’m certain there is a tonne of language which will emerge from doing this.

Check the page for this episode. You will find it to be a treasure trove of transcripts, notes, vocabulary, youtube links and more.

After listening, and hopefully understanding each scene, we will go onto the next one and the next until we are done and you’ve had your introduction to the world of Alan, and you can then choose to continue and watch the series or read the books, or if you prefer, just never revisit the world of Alan Partridge again.

For App users, check out the bonus content for these Partridge episodes. There will be at least one bonus audio in which I’m talking to my friend Raphael from Liverpool about the complexities of explaining Alan Partridge to learners of English.

OK, let’s get started for goodness sake!

Sportsdesk with Alan Partridge (from The Day Today 1994)

Alan began as a parody of TV sports reporters in a BBC radio comedy called On The Hour, and then on the TV news spoof comedy The Day Today.

Then he became a parody of cliched television presenters in general, with his own chat show, named after an Abba song “Knowing Me, Knowing You, with Alan Partridge”.

Sometimes sports reporters have to keep talking and talking, even when there’s nothing to talk about really, and their commentaries become full of bad cliches and mixed metaphors to describe what’s going on. Sometimes the commentary lapses into personal experiences and bizarre tangents.

There’s also the tone of voice of the sports reporter. Somehow it’s very high. Everything is up in the air. It’s the atmosphere of tension, it’s the atmosphere of high stakes competition, it’s the atmosphere of the Sunday league cup final.

Sometimes they ramble and end up saying quite ridiculous things. This can be quite revealing about the reporter’s personality. Without intending to, they end up saying bizarre things that make you wonder about their personal lives.

This is a bit like the way some TV presenters will behave, on radio or on live TV chat shows, when things go a bit wrong and the presenters say some weird things or struggle in some way.

Clip 1: Alan’s Sporting Highlights

This is not the funniest of clips, but it gives you an idea of where he first came from – just copying the vocal mannerisms of sports reporters.

Alan describes cycling, athletics, boxing.

What to look out for:

  • The descriptions of cyclists that get a bit carried away (especially when describing their bodies)
  • The tone of voice in the helicopter
  • Metaphors that don’t work “cyclists that look somehow like cattle in a mad way, but cattle on bikes”
  • “Oh good he’s fallen!”
  • Too much personal information / Descriptions get carried away describing bare knuckle boxing (I witnessed bare knuckle boxing in a barn. It was a sorry sight to see men goading them on, and I’m ashamed to say I was party to that goading…)

Alan’s chat show

Somehow Alan managed to climb the greasy pole within the BBC and was given his own chat show on the radio and then one on TV which lasted one series.

The show was called Knowing Me Knowing You with Alan Partridge – a cheesy title inspired by a song by Abba.

“Knowing Me Knowing You, Ah Haaa” – that became Partridge’s most famous catchphrase.

Clip 2. Alan interviews a child prodigy (Knowing Me, Knowing You – radio series 1992)

This was recorded in front of a studio audience for radio.

Alan attempts to interview a child genius but the child is obviously way more intelligent and educated than him.

Alan attempts to keep the upper hand, but is constantly proven wrong by the child. It’s humiliating for Alan, but Alan doesn’t have the patience to tolerate being wrong and instead resorts to rudely bullying the child. Alan always needs to be on top, even if it means being very cruel to a child.

There is a live audience and it’s a bit weird because they’re laughing while the performance happens. The performers carry on like it’s not comedy, but there’s an audience laughing.

Still, the moments when the audience laugh tell you there has been a joke.

This sketch just shows how Alan’s interviews always go wrong because of his personal hangups – the underlying problems in his personality.

Laugh AT or laugh WITH?

Are we laughing at Alan, or laughing with him?

Sometimes we laugh at Alan because he’s awful, self-important, arrogant and ignorant, and yet we also somehow support him as the child is really annoying too.

So we’re against Alan and laugh at him, but somehow we are behind him and laugh with him too. It’s an interesting shift in perspective as we both relate to him and also want to distance ourselves from him at the same time. This happens with all of Alan’s comedy.

What to look out for:

  • The ways the child makes Alan look stupid, including references to Shakespeare
  • Alan’s attempt to win the situation
  • The switch to “entertainment mode” at the end of the sketch, as if he hasn’t just insulted this child and made him cry