Tag Archives: learn

742. NEW LEP T-SHIRTS & MERCH + LEP DESIGN COMPETITION 2021 with James

LEP merch is now available, including t-shirts, mugs and more featuring special LEP designs made by James Thompson. Luke and James discuss the new designs and launch a new design competition to give you the chance to get your design in my merch store and a cash prize of £80.

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VISIT THE TEE-PUBLIC MERCH STORE 🌎 (Everywhere else)

VISIT THE RED-BUBBLE MERCH STORE 🇷🇺🇨🇳 (Russia & China)

Introduction

Hello listeners, it’s nice to be talking to you on this fine morning. I’m also joined by James, my brother.

If you’ve seen me on YouTube in a t-shirt with a magnificent LEP logo on the front of it, or drinking tea from a lovely looking mug with an LEP logo on it, or perhaps writing something down on my special LEP notepad, then you might be thinking…

Where can I get one of those t-shirts?
Where can I get one of those mugs?

Where do I get one of those amazing pads?

Or even: How can I get one of my designs on some LEP Merch?

Your questions are finally being answered today, because the LEP merch store is back open, and I am launching a design competition to give you the chance to get your design on an LEP t-shirt, and a special cash prize of £80!

The merch store is now open. That’s where you can get t-shirts, sweaters, mugs, stickers and loads of other things with the LEP logo on, but also there are various other new designs which you should love if you are a LEPster. 

I suspect that you’re going to want more than just one of the things on offer for you today – In fact I’ve already ordered some and I am wearing one now.

In this episode I’m going to talk a little bit about the different merchandise available just to make sure it’s clear and that you understand everything.

Also in this episode I am launching a design competition – this is your chance to have your design on an official LEP t-shirt. Not only that, but there are cash prizes available too for the winners. I will explain more later.

My brother James is the one who did all the design work to produce the various images which are available across a range of products, so he is joining me for this one.

We’re going to talk about each design one by one, I’ll give you a little tour of the store to make sure you can use it properly, I will give you the full details of the LEP Design competition and then we’re going to open things out to have a larger conversation about merchandising and stories related to that.

Tips for Using TeePublic – tee.pub/lic/LEP

Click on the design you like, then choose the products using the list on the left.\

Some t-shirts are double sided.

Check the different types of t-shirt available using the little drop-down menu (classic, heavy, tri-blend, etc)

TeePublic often does sales and discounts on their website.

Tips for Using RedBubble – www.redbubble.com/people/LEPLuke/shop?asc=u

I opened this store so Chinese & Russian LEPsters could buy merch too. The website is simple enough. It shows t-shirts in the thumbnail pictures, but check the list on the left to see all available products.

Various types of t-shirt are available.

RedBubble doesn’t do double sided t-shirts.

Avoid buying dark designs on a dark colour t-shirt (although personally I think an LEP Ninja design on a black tri-blend t-shirt looks really cool)

Let me know what other ideas or changes you’d like to make to the store, and I will see what I can do. So, if you have any other design ideas, or suggestions for things you’d like to see in the store, or changes you’d like to make – let me know. luketeacher@hotmail.com

LEP DESIGN COMPETITION 2021

We are looking for cool t-shirt designs by LEPsters, for the LEP Merch Store.

  • Think of a t-shirt that LEPsters would want to wear
  • PRIZE: The winning design will be put on t-shirts, mugs and other merch, and the winner will also win £80!
  • SPECS: A high-resolution transparent .PNG at 150dpi.  Minimum dimensions of at least 1500px by 1995px (not including outer transparent pixels).
  • CLOSING DATE: 22 October 2021
  • Send your t-shirt designs to podcastcomp@gmail.com

James and I will consider all designs which are sent to me, and a selection of designs will be displayed on the website so you can leave your comments. James and I will also discuss them in a podcast episode.

Ultimately, James and I are the judges and we make the final choice on the winner(s).

739. The Escaped Man by CT Platt (Learn English with Short Stories)

Reading a short story presented on Commaful.com. The Escaped Man is a mystery full of tension and intrigue. Listen closely as I break it all down and explain the vocabulary fully. YouTube video version also available.

Audio Version

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Video Version

Introduction Transcript & Links

Hello listeners and video viewers,

It’s time to do another story on the podcast. This time I’m going to be reading a story called The Escaped Man which was written by CT Platt and is presented on the Commaful website.

Commaful.com is a website where you can find short stories, fan fiction and other reading texts and it’s all presented in quite a nice and easy-to-read format.

I’m going to read the story to you once and all you have to do is follow it, and hopefully enjoy it. I have a couple of questions for you to help you stay focused on your listening.

Then I’ll read through the story again and break it down line by line, explaining, pointing out and teaching you bits of vocabulary and grammar as I go.

Learning English through stories is a great idea and tends to work because it places language in a vivid context and is generally quite entertaining and fun.

So listen to the story and then let me break all the language down for you bit by bit.

Just before I read the story, here are a couple of questions for you.

Where does the story take place? How do you know?
Is this American English or British English? How do you know?
What is going to happen next?

OK, let’s start.

commaful.com/play/lisa/the-escaped-man/

Full Script of the Story

www.wattpad.com/543021670-suspense-stories-the-escaped-man-c-t-platt-2017

738. Do you remember…? with Mum, Dad & James / Family Stories with The Thompsons

Chatting to my family about some old anecdotes and stories from the past. Listen for some enjoyable chat, memories, descriptions and tales from days gone by.

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Introduction Transcript

Hello and welcome back to the podcast. 

In this episode I am happy to present to you a conversation with my mum, dad and brother all about old family stories and anecdotes from the past.

The episode is called Do you remember…? And that’s the title of the activity I chose for this episode. The idea is that we could generate some stories about things that happened in the past and you can follow along and see if you can pick up some English in the process, or simply enjoy a bit of storytelling on the podcast.

So you’re going to hear stories of little accidents, moments when James and I got into trouble, learning to drive and failed driving tests, how my parents first met each other and how my bottom lip was always left trembling at the end of every story.

We recorded this in my parents’ living room, sitting around after dinner and if you like you can imagine that you’re there too, listening into the conversation – not taking part though. For some reason you’re not allowed to speak, you can only listen like a weird audience in our living room just lurking in the background. Anyway, you can imagine that you’re there if you like, if it helps you to tune into the conversation and follow along more easily.

I will now leave you to enjoy this relaxed conversation, follow the stories and little jokes and I will speak to you again at the end of this episode.


Ending Transcript

So, that was my family, recorded in the living room recently while I was on holiday in England. I hope you enjoyed that.

Apologies if we repeated any stories you had heard before (perhaps all of them?) but then again it can be really helpful to hear the same stories over and over when learning English. You could even try to tell the stories yourself, and then compare your story to the recorded version.

If you want other, similar episodes from the archive, check out these ones.

79. Family Arguments & Debates (Debating things like language and politics)

teacherluke.co.uk/2012/01/23/family-arguments-and-debates/

322. With the Thompsons (Answering random conversation questions)

teacherluke.co.uk/2016/01/07/322-with-the-thompsons/

372. The Importance of Anecdotes in English / Telling 4 Family Anecdotes

teacherluke.co.uk/2016/08/09/372-the-importance-of-anecdotes-in-english-narrative-tenses-four-anecdotes/ 

413. With The Family 1 Talking about cooking christmas dinner

teacherluke.co.uk/2017/01/03/413-with-the-family-part-1-mums-cooking-vocabulary-with-uncle-nic/

414. With The Family 2 – My Uncle Met a Rock Star – Nic tells stories of meeting famous musicians including Paul McCartney

teacherluke.co.uk/2017/01/05/414-with-the-family-part-2-my-uncle-met-a-rock-star/ 

415. With The Family 3- Meeting Famous People – We tell stories of meeting famous people and what happened

teacherluke.co.uk/2017/01/10/415-with-the-family-part-3-more-encounters-with-famous-people/

542. Talking Rubbish & Having Fun with The Thompsons (More random topics and fun)

teacherluke.co.uk/2018/08/21/542-talking-rubbish-just-having-fun-with-the-thompsons/ 

554. ODD News Stories with Mum & Dad (Speculating about and discussing some weird news stories)

teacherluke.co.uk/2018/10/18/554-odd-news-stories-with-mum-dad/ 

605. Unexpected Road Trip (The story of a road trip that went horribly wrong, wth James as my co-pilot)

teacherluke.co.uk/2019/07/18/605-unexpected-road-trip-with-james/ 

But for now I will leave you to go back to your life, unless you choose to listen to another episode which you will find in the archive.

Don’t forget to check out LEP Premium. P31 parts 4,5, 6 are on their way and may have already been published by the time you listen to this.

But in the meantime, be excellent to each other, have a lovely day, morning, afternoon, evening or night and I will chat to you later but now it’s just time to say good bye bye bye bye bye.

736. The War of the Worlds by H.G. Wells [Part 3] Learn English with Stories

The final part of this series in which I am reading from the classic story The War of the Worlds by H.G. Wells, while explaining and clarifying the English which comes up. Full transcript available and YouTube video version too.

Audio Version

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Video Version

Full Transcript

Please watch parts 1 and 2 before watching this. Links in the description.

Click here for part 1

Click here for part 2

Recap of the story so far

Without realising it, the people of earth have been attacked by an aggressive alien species from Mars, with the intention of colonising our planet while escaping their home planet which has become uninhabitable.

The Martians are vastly superior to us in terms of their intelligence and technology. They are also unfriendly. Very unfriendly. Humans are now reduced to mere animals or insects in the presence of these things.

Human society has quickly turned to chaos and destruction as the Martians begin their campaign to take our planet.

The aliens first landed in a cylinder which fell from space with a green flash. After the cylinder opened, revealing the visitors to be awkward and clumsy in our atmosphere, their technology proved to be devestatingly powerful. They are armed with a heat-ray which they have used to clear out all life surrounding the fallen cylinder.

The narrator of the story witnessed the Martians emerging from their cylinder and the ruthless destructive power of their heat ray, but still does not yet realise the full scale of the invasion. He decides to escape the area and travel in the direction of London.

During the night, he sees another cylinder landing, and then sees the first Martian tripods striding over the countryside. These are the vehicles the Martians use and they are colossal and formidable. Suddenly the clumsy Martians are mobile and far more physically powerful than in their normal, naked form.

Reading an extract from chapter 12 (action packed stuff)

Summary of Chapter 11 (next part of the story)
From the upstairs window of his study the narrator observes the destruction of his village and the fires all around the common, as well as the outlines of three creatures moving in the pit, which he can see from a distance.

He hardly recognizes his surroundings. The narrator begins to comprehend that the creatures from the cylinder operate the tripods, comparing them to a human-driven steam engine.

He invites a soldier outside the house to hide inside. The man recounts the futile military efforts against the Martians, who easily destroyed both companies and their weaponry before emerging as tripods from the pit and destroying the railway station and a train. The artilleryman managed to escape.

The two men look again from the window to see three tripods at the pit. As the sun comes up the narrator sees destruction “so indiscriminate and so universal” as to be unprecedented in human warfare.

HG Wells describes the horrific feeling of realising that these Martians are far more powerful than humans. Each cylinder contains at least three tripods, and each tripod is armed with a heat ray. Later we learn more about the martians and their technology as the narrator manages to observe them more, but they are still completely mysterious.

Meanwhile, people have become like refugees from a warzone and there is general chaos as people attempt to escape, get resources, look after themselves etc.

Shepperton Station has become a target for the Martians in their tripods and they have been destroying it, the railway lines and trains. This is especially poignant because they are targeting our infrastructure and our technology seems infinitely primitive to that of the Martians, and we are often compared to animals, insects, bugs or even microorganisms in comparison to our alien visitors.

HG Wells makes a point of observing how society reacts to a moment like this and how fragile it is, while also contrasting the familiar cosy surroundings of the English home counties, with the bizarre, grotesque and strange images of these very bad aliens from Mars.

The narrator and the soldier he met choose to leave the house. The soldier wants to go to London and the narrator wants to go back to his wife in Leatherhead.

They end up in Weybridge which a town just on the river Thames, with London to the east and the Thames Valley to the west.

This is a place where the Thames meets The Wey, another river. It’s a sort of port where you can get a ferry across to the other side. Crowds of people are gathered there, hoping to get on a ferry. The army have placed rows of large artillery guns behind some trees as they expect the tripods to come from a nearby town that is currently under attack. This all happens close to the edge of the water and is full of really precise and specific vocabulary to describe the action that takes place.

XII.
WHAT I SAW OF THE DESTRUCTION OF WEYBRIDGE AND SHEPPERTON. (extract)

We remained at Weybridge until midday, and at that hour we found ourselves at the place near Shepperton Lock where the Wey and Thames join. Part of the time we spent helping two old women to pack a little cart. The Wey has a treble mouth, and at this point boats are to be hired, and there was a ferry across the river. On the Shepperton side was an inn with a lawn, and beyond that the tower of Shepperton Church rose above the trees.

Here we found an excited and noisy crowd of fugitives. As yet the flight had not grown to a panic, but there were already far more people than all the boats going to and fro could enable to cross. People came panting along under heavy burdens; one husband and wife were even carrying a small outhouse door between them, with some of their household goods piled thereon. One man told us he meant to try to get away from Shepperton station.

There was a lot of shouting, and one man was even jesting. The idea people seemed to have here was that the Martians were simply formidable human beings, who might attack and sack the town, to be certainly destroyed in the end. Every now and then people would glance nervously across the Wey, at the meadows towards Chertsey, but everything over there was still.

Across the Thames, except just where the boats landed, everything was quiet, in vivid contrast with the Surrey side. The people who landed there from the boats went tramping off down the lane. The big ferryboat had just made a journey. Three or four soldiers stood on the lawn of the inn, staring and jesting at the fugitives, without offering to help. The inn was closed, as it was now within prohibited hours.

“What’s that?” cried a boatman, and “Shut up, you fool!” said a man near me to a yelping dog. Then the sound came again, this time from the direction of Chertsey, a muffled thud—the sound of a gun.

The fighting was beginning. Almost immediately unseen batteries across the river to our right, unseen because of the trees, took up the chorus, firing heavily one after the other. A woman screamed. Everyone stood arrested by the sudden stir of battle, near us and yet invisible to us. Nothing was to be seen save flat meadows, cows feeding unconcernedly for the most part, and silvery pollard willows motionless in the warm sunlight.

“The sojers’ll stop ’em,” said a woman beside me, doubtfully. A haziness rose over the treetops.

Then suddenly we saw a rush of smoke far away up the river, a puff of smoke that jerked up into the air and hung; and forthwith the ground heaved under foot and a heavy explosion shook the air, smashing two or three windows in the houses near, and leaving us astonished.

“Here they are!” shouted a man in a blue jersey. “Yonder! D’yer see them? Yonder!”

Quickly, one after the other, one, two, three, four of the armoured Martians appeared, far away over the little trees, across the flat meadows that stretched towards Chertsey, and striding hurriedly towards the river. Little cowled figures they seemed at first, going with a rolling motion and as fast as flying birds.

Then, advancing obliquely towards us, came a fifth. Their armoured bodies glittered in the sun as they swept swiftly forward upon the guns, growing rapidly larger as they drew nearer. One on the extreme left, the remotest that is, flourished a huge case high in the air, and the ghostly, terrible Heat-Ray I had already seen on Friday night smote towards Chertsey, and struck the town.

At sight of these strange, swift, and terrible creatures the crowd near the water’s edge seemed to me to be for a moment horror-struck. There was no screaming or shouting, but a silence. Then a hoarse murmur and a movement of feet—a splashing from the water. A man, too frightened to drop the portmanteau he carried on his shoulder, swung round and sent me staggering with a blow from the corner of his burden. A woman thrust at me with her hand and rushed past me. I turned with the rush of the people, but I was not too terrified for thought. The terrible Heat-Ray was in my mind. To get under water! That was it!

“Get under water!” I shouted, unheeded.

I faced about again, and rushed towards the approaching Martian, rushed right down the gravelly beach and headlong into the water. Others did the same. A boatload of people putting back came leaping out as I rushed past. The stones under my feet were muddy and slippery, and the river was so low that I ran perhaps twenty feet scarcely waist-deep. Then, as the Martian towered overhead scarcely a couple of hundred yards away, I flung myself forward under the surface.

The splashes of the people in the boats leaping into the river sounded like thunderclaps in my ears. People were landing hastily on both sides of the river. But the Martian machine took no more notice, for the moment, of the people running this way and that, than a man would of the confusion of ants in a nest against which his foot has kicked.

When, half suffocated, I raised my head above water, the Martian’s hood pointed at the batteries that were still firing across the river, and as it advanced it swung loose what must have been the generator of the Heat-Ray.

In another moment it was on the bank, and in a stride wading halfway across. The knees of its foremost legs bent at the farther bank, and in another moment it had raised itself to its full height again, close to the village of Shepperton.

Forthwith the six guns which, unknown to anyone on the right bank, had been hidden behind the outskirts of that village, fired simultaneously. The sudden near concussion, the last close upon the first, made my heart jump. The monster was already raising the case generating the Heat-Ray as the first shell burst six yards above the hood.

I gave a cry of astonishment. I saw and thought nothing of the other four Martian monsters; my attention was riveted upon the nearer incident. Simultaneously two other shells burst in the air near the body as the hood twisted round in time to receive, but not in time to dodge, the fourth shell.

The shell burst clean in the face of the Thing. The hood bulged, flashed, was whirled off in a dozen tattered fragments of red flesh and glittering metal.

“Hit!” shouted I, with something between a scream and a cheer.
I heard answering shouts from the people in the water about me. I could have leaped out of the water with that momentary exultation.

The decapitated colossus reeled like a drunken giant; but it did not fall over. It recovered its balance by a miracle, and, no longer heeding its steps and with the camera that fired the Heat-Ray now rigidly upheld, it reeled swiftly upon Shepperton. The living intelligence, the Martian within the hood, was slain and splashed to the four winds of heaven, and the Thing was now but a mere intricate device of metal whirling to destruction. It drove along in a straight line, incapable of guidance. It struck the tower of Shepperton Church, smashing it down as the impact of a battering ram might have done, swerved aside, blundered on and collapsed with tremendous force into the river out of my sight.

A violent explosion shook the air, and a spout of water, steam, mud, and shattered metal shot far up into the sky. As the camera of the Heat-Ray hit the water, the latter had immediately flashed into steam. In another moment a huge muddy tidal wave, almost scaldingly hot, came sweeping round the bend upstream. I saw people struggling shorewards, and heard their screaming and shouting faintly above the seething and roar of the Martian’s collapse.

For a moment I heeded nothing of the heat, forgot the patent need of self-preservation. I splashed through the tumultuous water, pushing aside a man in black to do so, until I could see round the bend. Half a dozen deserted boats pitched aimlessly upon the confusion of the waves. The fallen Martian came into sight downstream, lying across the river, and for the most part submerged.

Thick clouds of steam were pouring off the wreckage, and through the tumultuously whirling wisps I could see, intermittently and vaguely, the gigantic limbs churning the water and flinging a splash and spray of mud and froth into the air. The tentacles swayed and struck like living arms, and, save for the helpless purposelessness of these movements, it was as if some wounded thing were struggling for its life amid the waves. Enormous quantities of a ruddy-brown fluid were spurting up in noisy jets out of the machine.

My attention was diverted from this death flurry by a furious yelling, like that of the thing called a siren in our manufacturing towns. A man, knee-deep near the towing path, shouted inaudibly to me and pointed. Looking back, I saw the other Martians advancing with gigantic strides down the riverbank from the direction of Chertsey. The Shepperton guns spoke this time unavailingly.

At that I ducked at once under water, and, holding my breath until movement was an agony, blundered painfully ahead under the surface as long as I could. The water was in a tumult about me, and rapidly growing hotter.

When for a moment I raised my head to take breath and throw the hair and water from my eyes, the steam was rising in a whirling white fog that at first hid the Martians altogether. The noise was deafening. Then I saw them dimly, colossal figures of grey, magnified by the mist. They had passed by me, and two were stooping over the frothing, tumultuous ruins of their comrade.

The third and fourth stood beside him in the water, one perhaps two hundred yards from me, the other towards Laleham. The generators of the Heat-Rays waved high, and the hissing beams smote down this way and that.

The air was full of sound, a deafening and confusing conflict of noises—the clangorous din of the Martians, the crash of falling houses, the thud of trees, fences, sheds flashing into flame, and the crackling and roaring of fire. Dense black smoke was leaping up to mingle with the steam from the river, and as the Heat-Ray went to and fro over Weybridge its impact was marked by flashes of incandescent white, that gave place at once to a smoky dance of lurid flames. The nearer houses still stood intact, awaiting their fate, shadowy, faint and pallid in the steam, with the fire behind them going to and fro.

For a moment perhaps I stood there, breast-high in the almost boiling water, dumbfounded at my position, hopeless of escape. Through the reek I could see the people who had been with me in the river scrambling out of the water through the reeds, like little frogs hurrying through grass from the advance of a man, or running to and fro in utter dismay on the towing path.

Then suddenly the white flashes of the Heat-Ray came leaping towards me. The houses caved in as they dissolved at its touch, and darted out flames; the trees changed to fire with a roar. The Ray flickered up and down the towing path, licking off the people who ran this way and that, and came down to the water’s edge not fifty yards from where I stood. It swept across the river to Shepperton, and the water in its track rose in a boiling weal crested with steam. I turned shoreward.

In another moment the huge wave, well-nigh at the boiling-point had rushed upon me. I screamed aloud, and scalded, half blinded, agonised, I staggered through the leaping, hissing water towards the shore. Had my foot stumbled, it would have been the end. I fell helplessly, in full sight of the Martians, upon the broad, bare gravelly spit that runs down to mark the angle of the Wey and Thames. I expected nothing but death.

I have a dim memory of the foot of a Martian coming down within a score of yards of my head, driving straight into the loose gravel, whirling it this way and that and lifting again; of a long suspense, and then of the four carrying the debris of their comrade between them, now clear and then presently faint through a veil of smoke, receding interminably, as it seemed to me, across a vast space of river and meadow. And then, very slowly, I realised that by a miracle I had escaped.

Summary (AKA – what the hell just happened?)

The two men reach a chaotic scene in Weybridge as people crowd the railway station and the ferry in an effort to leave.
Suddenly they hear gunfire and a large explosion, and four tripods come into view across the river.
The narrator hides in the river.
Six guns hidden in the woods fire on the nearest tripod.
One shell strikes the tripod and gruesomely kills the Martian inside.
Unguided but still moving, the tripod smashes into a church and falls into the river.
The other Martians come to the fallen tripod, shooting their Heat-Rays at the village and destroying the opposition.
The Heat-Ray from the fallen tripod heats the water in the river and scalds the narrator before he manages to escape.

Final comments and analysis

It’s possible to see various interpretations of this story, or subtexts to the story.

Here are some.

The complacency of humans
As the dominant species on earth for hundreds of thousands of years, we have become complacent about our position in the natural hierarchy, and this is a mistake. Humans could easily be removed from this dominant position by things we aren’t even aware of. In the story this means intelligent creatures from another planet. In reality this could be something like the coronavirus or just something else we don’t usually think about.

How would human society cope with a crisis like this?
This is a common theme in disaster movies, zombie films, science fiction etc. All it takes is for something to disrupt our carefully organised society and things can descend into chaos quite easily, and this often brings out the worst in people. Normal citizens can quickly become immoral and do bad things, when the structure of society collapses and we end up having to fight for our survival.

Treatment of Animals
The story makes us think about the way we treat animals, which are below us in the power hierarchy on earth. Perhaps we should be more compassionate and kind to animals. In fact this is one of the only conclusions the narrator reaches in this story, as he suddenly understands what it means to be ruled over by a superior species.

The bigger they come, the harder they fall.

Microorganisms and viruses might be the most powerful forces on earth.

More themes here including technology, fear, power, and Familiar versus Strange
www.coursehero.com/lit/The-War-of-the-Worlds/themes/

A sample from coursehero.com
Technology
The benefits, possibilities, and potential threats of technology—represented in the Martian tripods—make technology a pervasive theme in the novel. Following the Industrial Revolution, technology changed society dramatically—from travel, to work, to communication. Virtually no part of life was untouched by new inventions. The benefits provided by these new machines meant people could accomplish tasks faster, easier, and often independently.

But as ever with modern science fiction stories, there is an element of fear regarding advancements in technology and how we may ultimately be surpassed by technological innovations.

This is where we’re going to stop.


I seriously hope you enjoyed this!

If you’re still listening or watching, then “hello”. Thanks for sticking with this. I guess it must mean you’ve been enjoying it.

I’m sure it’s been challenging at times, but to be honest I also feel this is difficult to follow when I read it. There’s a sense that things are just beyond your imagination, and that your mind has to do quite a lot of work to understand the fairly complex descriptions being given. This is not quite the same as watching a film where everything is shown. Or maybe it’s like watching a really well-directed film where you never quite see clearly what is happening, and this adds to the drama and excitement.

Anyway – thank you for sticking with this and listening all the way through.

Let me know what you think of this, and I highly recommend reading the rest of the story. There’s a lot more action and a few more close encounters with the Martians and their tripods, and of course the ending is very clever. I won’t spoil it. The book is better than the film though, I assure you!

In terms of English, I hope you have found it interesting to hear some samples of old fashioned English from the 19th century. I would say it is broadly modern English, but with a more formal style. It’s really enjoyable though. I love the descriptiveness and the general command over the language is a joy to behold.

Don’t forget you can get the full text for this episode printed right there on the page for this episode, and there’s the YouTube video version as well to enjoy where you can see text on the screen as you read it.

Listen to LEP wherever you get your podcasts. Don’t forget to like and subscribe.

Leave a positive review on iTunes and check out my free app.

And consider signing up to LEP Premium to get specific lessons on vocabulary, pronunciation and grammar. teacherluke.co.uk/premiuminfo

Thanks for listening.

All the best,

Bye bye bye bye

735. The War of the Worlds by H.G. Wells [Part 2] Learn English with Stories

Continuing to read extracts from this fantastic science fiction story from the 19th century. Follow the plot and pick up some English in the process. Full transcript available, and a YouTube version too.

Audio Version

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Video Version

Full Transcript

Watch PART 1 before you watch this! Links in the description.

Click here for part 1

Click here for part 3

Recap of the story so far

6 years prior to the main events of the story, explosions are observed on the surface of Mars, but scientists assume they are gas or volcanic eruptions and are nothing to worry about.

Then, one night, a meteor falls to earth in green flash. The astronomer who finds the fallen meteorite in a pit of sand in a nearby common discovers that the object is a cylinder, is making strange noises and is even beginning to open and assumes there must be people inside it.

A crowd gathers, including the narrator of this story. The cylinder opens slowly and people are shocked and horrified to see the hideous and frightening creatures inside. They seem slow and heavy, as if earth’s atmosphere makes things difficult for them. Their appearance is a huge shock to everyone.

One person has fallen into the pit and it’s possible that they have been killed.

The narrator, although terrified, is also intensely curious about these visitors, as are the other witnesses at the sand pits where the cylinder has landed.

V.
THE HEAT-RAY.
After the glimpse I had had of the Martians emerging from the cylinder in which they had come to the earth from their planet, a kind of fascination paralysed my actions. I remained standing knee-deep in the heather, staring at the mound that hid them. I was a battleground of fear and curiosity.
I did not dare to go back towards the pit, but I felt a passionate longing to peer into it. I began walking, therefore, in a big curve, seeking some point of vantage and continually looking at the sand-heaps that hid these new-comers to our earth. Once a leash of thin black whips, like the arms of an octopus, flashed across the sunset and was immediately withdrawn, and afterwards a thin rod rose up, joint by joint, bearing at its apex a circular disk that spun with a wobbling motion. What could be going on there?
Most of the spectators had gathered in one or two groups—one a little crowd towards Woking, the other a knot of people in the direction of Chobham. Evidently they shared my mental conflict. There were few near me. One man I approached—he was, I perceived, a neighbour of mine, though I did not know his name—and accosted. But it was scarcely a time for articulate conversation.
“What ugly brutes!” he said. “Good God! What ugly brutes!” He repeated this over and over again.
“Did you see a man in the pit?” I said; but he made no answer to that. We became silent, and stood watching for a time side by side, deriving, I fancy, a certain comfort in one another’s company. Then I shifted my position to a little knoll that gave me the advantage of a yard or more of elevation and when I looked for him presently he was walking towards Woking.
The sunset faded to twilight before anything further happened. The crowd far away on the left, towards Woking, seemed to grow, and I heard now a faint murmur from it. The little knot of people towards Chobham dispersed. There was scarcely an intimation of movement from the pit.
It was this, as much as anything, that gave people courage, and I suppose the new arrivals from Woking also helped to restore confidence. At any rate, as the dusk came on a slow, intermittent movement upon the sand-pits began, a movement that seemed to gather force as the stillness of the evening about the cylinder remained unbroken. Vertical black figures in twos and threes would advance, stop, watch, and advance again, spreading out as they did so in a thin irregular crescent that promised to enclose the pit in its attenuated horns. I, too, on my side began to move towards the pit.
Then I saw some cabmen and others had walked boldly into the sand-pits, and heard the clatter of hoofs and the gride of wheels. I saw a lad trundling off the barrow of apples. And then, within thirty yards of the pit, advancing from the direction of Horsell, I noted a little black knot of men, the foremost of whom was waving a white flag.
This was the Deputation. There had been a hasty consultation, and since the Martians were evidently, in spite of their repulsive forms, intelligent creatures, it had been resolved to show them, by approaching them with signals, that we too were intelligent.
Flutter, flutter, went the flag, first to the right, then to the left. It was too far for me to recognise anyone there, but afterwards I learned that Ogilvy, Stent, and Henderson were with others in this attempt at communication. This little group had in its advance dragged inward, so to speak, the circumference of the now almost complete circle of people, and a number of dim black figures followed it at discreet distances.
Suddenly there was a flash of light, and a quantity of luminous greenish smoke came out of the pit in three distinct puffs, which drove up, one after the other, straight into the still air.
This smoke (or flame, perhaps, would be the better word for it) was so bright that the deep blue sky overhead and the hazy stretches of brown common towards Chertsey, set with black pine trees, seemed to darken abruptly as these puffs arose, and to remain the darker after their dispersal. At the same time a faint hissing sound became audible.
Beyond the pit stood the little wedge of people with the white flag at its apex, arrested by these phenomena, a little knot of small vertical black shapes upon the black ground. As the green smoke arose, their faces flashed out pallid green, and faded again as it vanished. Then slowly the hissing passed into a humming, into a long, loud, droning noise. Slowly a humped shape rose out of the pit, and the ghost of a beam of light seemed to flicker out from it.
Forthwith flashes of actual flame, a bright glare leaping from one to another, sprang from the scattered group of men. It was as if some invisible jet impinged upon them and flashed into white flame. It was as if each man were suddenly and momentarily turned to fire.
Then, by the light of their own destruction, I saw them staggering and falling, and their supporters turning to run.
I stood staring, not as yet realising that this was death leaping from man to man in that little distant crowd. All I felt was that it was something very strange. An almost noiseless and blinding flash of light, and a man fell headlong and lay still; and as the unseen shaft of heat passed over them, pine trees burst into fire, and every dry furze bush became with one dull thud a mass of flames. And far away towards Knaphill I saw the flashes of trees and hedges and wooden buildings suddenly set alight in the distance.
It was sweeping round swiftly and steadily, this flaming death, this invisible, inevitable sword of heat. I perceived it coming towards me by the flashing bushes it touched, and was too astounded and stupefied to stir. I heard the crackle of fire in the sand-pits and the sudden squeal of a horse that was as suddenly stilled. Then it was as if an invisible yet intensely heated finger were drawn through the heather between me and the Martians, and all along a curving line beyond the sand-pits the dark ground smoked and crackled. Something fell with a crash far away to the left where the road from Woking station opens out on the common. Forth-with the hissing and humming ceased, and the black, dome-like object sank slowly out of sight into the pit.
All this had happened with such swiftness that I had stood motionless, dumbfounded and dazzled by the flashes of light. Had that death swept through a full circle, it must inevitably have slain me in my surprise. But it passed and spared me, and left the night about me suddenly dark and unfamiliar.
The undulating common seemed now dark almost to blackness, except where its roadways lay grey and pale under the deep blue sky of the early night. It was dark, and suddenly void of men. Overhead the stars were mustering, and in the west the sky was still a pale, bright, almost greenish blue. The tops of the pine trees and the roofs of Horsell came out sharp and black against the western afterglow. The Martians and their appliances were altogether invisible, save for that thin mast upon which their restless mirror wobbled. Patches of bush and isolated trees here and there smoked and glowed still, and the houses towards Woking station were sending up spires of flame into the stillness of the evening air.
Nothing was changed save for that and a terrible astonishment. The little group of black specks with the flag of white had been swept out of existence, and the stillness of the evening, so it seemed to me, had scarcely been broken.
It came to me that I was upon this dark common, helpless, unprotected, and alone. Suddenly, like a thing falling upon me from without, came—fear.
With an effort I turned and began a stumbling run through the heather.
The fear I felt was no rational fear, but a panic terror not only of the Martians, but of the dusk and stillness all about me. Such an extraordinary effect in unmanning me it had that I ran weeping silently as a child might do. Once I had turned, I did not dare to look back.
I remember I felt an extraordinary persuasion that I was being played with, that presently, when I was upon the very verge of safety, this mysterious death—as swift as the passage of light—would leap after me from the pit about the cylinder, and strike me down.

Summary of Chapter 5: The Heat Ray

The narrator finds himself irresistibly drawn back toward the crater to see more.
He observes a long pole with a circular disc on its end rising from the pit.
Other people linger, seemingly rooted to the spot in a mix of horror and curiosity.
Heartened by a lack of alien movement for a period, onlookers begin to slowly advance toward the pit.
The Deputation (group of scientists) walks toward the pit with a white flag.
The narrator later learns Ogilvy, Stent, and Henderson were part of the group.
A flash of light, three puffs of green smoke, a hissing sound, and a dome-like object rise from the pit.
With a droning noise, the group of men suddenly burst into flame.
As the “invisible, inevitable sword of heat” rotates, everything it touches turns to flame, including grass on the common and trees in the distance.
The rotating Heat-Ray stops before it reaches the narrator, and he realizes he was “helpless, unprotected and alone.”
He flees in fear with the disturbing feeling he is “being played with.”

Although the Martians seem quite weak and immobile, their technology is far superiour to ours, especially the technology we had in the late 19th century (guns, horse drawn, cannons, pre World War 1 weapons). The heat ray is absolutely devestating. It burns or melts everything it touches instantly and can reach long distances.

Summary of the next few chapters

Nobody understands the technology the Martians are using. Whatever the heat ray points at, bursts into flame.

Plenty of people around the pit have been killed and there are burned remains of their bodies lying around. Horses have also been killed as well as numerous trees and buildings set on fire.

The group of scientists are all dead.

After the Martian attack with the heat ray the crowd of people stampeded in horror and a few people were crushed to death in the panic.

The Martians stay in the pit, and appear to be working on something as little puffs of green smoke can be seen rising from the hole, and there’s noise of work inside.

The narrator runs away in fear and eventually gets himself under control and then goes home, still not completely aware of what’s going on. He comforts himself with the knowledge that the military are now going to step in, and that one shell or bomb landing in the sand pit will be enough to stop the Martians. He sees his wife and has dinner.

The news of the Martians travels slowly. People seem sceptical of the stories they’ve heard. Even the newspaper editor chooses not to print the story as he doesn’t believe the account and it hasn’t been confirmed by any enough witnesses yet. So, news travels slowly. Meanwhile, the Martians still seem to be working on something within the pit.

Some people are still curious about what’s going on in the sand pit, but as they approach it they are instantly killed by the heat ray.

The narrator compares the cylinder ominously to a poison dart, whose poison “was scarcely working yet.”

That night several companies of soldiers with large artillery guns approach the pit.

During the night, a second cylinder falls nearby.

The next day is suspenseful. The military surround the aliens in their sand pit. The narrator is not allowed to go back onto the common. Soldiers tell him that nobody is allowed into the area.

That afternoon there are sounds of gunfire and explosions. The Martians keep using their heat ray which appears to be clearing out all obstacles in its path, creating a wider and wider circle of destruction and a bigger area that nobody can enter.

The narrator is at home with is wife and at one point a big explosion nearby causes him to go outside to check. He sees the top of the nearby church sliding off and crashing to the ground, the tops of nearby trees on fire and in fact the chimney stack of his own house falling to the ground. He realises that his house is nearly in range of the heat ray, which has taken out trees and buildings between the house and the sand pit.

The narrator and his wife decide to leave, and pack a horse drawn cart with as many possessions as possible they head in the direction of London, to Leatherhead. As they travel there is fire and smoke behind them and the sound of weapons. The Martians are burning everything within range of their heat ray.

The narrator’s wife is deeply concerned about the situation, but the narrator assures her that the Martians are severely disadvantaged by their weight and inability to move quickly or breathe properly in our atmosphere. They arrive in Leatherhead and have dinner.

Then the narrator has to go back to Woking in order to return the horse and cart that he borrowed (what a good guy).

As night falls a storm comes in with rain and lightning. As the narrator is travelling through the darkness he sees a third cylinder fall from the sky in a green flash. The horse is very spooked and is hard to control.

Then in the darkness and rain, lit up by the occasional flash of lightning from the storm he sees something monstrous that causes him to loose control of the horse and crash by the side of the road.

Extract from Chapter 10: In the Storm

X.
IN THE STORM. (extract)

At first I regarded little but the road before me, and then abruptly my attention was arrested by something that was moving rapidly down the opposite slope of Maybury Hill. At first I took it for the wet roof of a house, but one flash following another showed it to be in swift rolling movement. It was an elusive vision—a moment of bewildering darkness, and then, in a flash like daylight, the red masses of the Orphanage near the crest of the hill, the green tops of the pine trees, and this problematical object came out clear and sharp and bright.

And this Thing I saw! How can I describe it? A monstrous tripod, higher than many houses, striding over the young pine trees, and smashing them aside in its career; a walking engine of glittering metal, striding now across the heather; articulate ropes of steel dangling from it, and the clattering tumult of its passage mingling with the riot of the thunder. A flash, and it came out vividly, heeling over one way with two feet in the air, to vanish and reappear almost instantly as it seemed, with the next flash, a hundred yards nearer. Can you imagine a milking stool tilted and bowled violently along the ground? That was the impression those instant flashes gave. But instead of a milking stool imagine it a great body of machinery on a tripod stand.

Then suddenly the trees in the pine wood ahead of me were parted, as brittle reeds are parted by a man thrusting through them; they were snapped off and driven headlong, and a second huge tripod appeared, rushing, as it seemed, headlong towards me. And I was galloping hard to meet it! At the sight of the second monster my nerve went altogether. Not stopping to look again, I wrenched the horse’s head hard round to the right and in another moment the dog cart had heeled over upon the horse; the shafts smashed noisily, and I was flung sideways and fell heavily into a shallow pool of water.

I crawled out almost immediately, and crouched, my feet still in the water, under a clump of furze. The horse lay motionless (his neck was broken, poor brute!) and by the lightning flashes I saw the black bulk of the overturned dog cart and the silhouette of the wheel still spinning slowly. In another moment the colossal mechanism went striding by me, and passed uphill towards Pyrford.

Seen nearer, the Thing was incredibly strange, for it was no mere insensate machine driving on its way. Machine it was, with a ringing metallic pace, and long, flexible, glittering tentacles (one of which gripped a young pine tree) swinging and rattling about its strange body. It picked its road as it went striding along, and the brazen hood that surmounted it moved to and fro with the inevitable suggestion of a head looking about. Behind the main body was a huge mass of white metal like a gigantic fisherman’s basket, and puffs of green smoke squirted out from the joints of the limbs as the monster swept by me. And in an instant it was gone.

So much I saw then, all vaguely for the flickering of the lightning, in blinding highlights and dense black shadows.

As it passed it set up an exultant deafening howl that drowned the thunder—“Aloo! Aloo!”—and in another minute it was with its companion, half a mile away, stooping over something in the field. I have no doubt this Thing in the field was the third of the ten cylinders they had fired at us from Mars.

For some minutes I lay there in the rain and darkness watching, by the intermittent light, these monstrous beings of metal moving about in the distance over the hedge tops. A thin hail was now beginning, and as it came and went their figures grew misty and then flashed into clearness again. Now and then came a gap in the lightning, and the night swallowed them up.

I was soaked with hail above and puddle water below. It was some time before my blank astonishment would let me struggle up the bank to a drier position, or think at all of my imminent peril.

Summary of Chapter 10 extract

On his way he notices a red glow in the sky and then a green streak, which happens to be the third cylinder.

It begins to storm.

The narrator suddenly encounters “a monstrous tripod, higher than many houses,” smashing through the woods next to the road.

As soon as it vanishes into the woods, another tripod appears heading right for the narrator.

He tries to change direction, but the cart overturns and the horse is killed.

The tripod passes by.

The narrator describes the two tripods bending over something in the distance, which he believes is the third cylinder.

He continues on foot with difficulty, happening upon the landlord’s dead body before he reaches home.

End of part 2

To be continued in part 3. 

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732. Christian from Canguro English returns

Talking to Christian again about some of the themes and controversial opinions he talks about in his YouTube videos, plus some bits about men wearing thongs on the beach, an obsession with rabbits and if Christian was the Donald Trump of English teaching. Video version available.

Audio Version

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Introduction Transcript

Hello listeners,

How are you today? You are now listening to episode 732, and in this one I am talking again to Christian Saunders from Canguro English.

This is the second time I’m talking to him on the podcast. I previously interviewed Christian in episode 686 last year and got to know him a bit, but I wanted to talk to him again after having seen some of his most recent videos on YouTube about language and language learning.

In his videos Christian often challenges certain assumptions and myths about language learning, and so I thought it might be interesting to talk to him about those things, so I came up with some questions about language, learning language and teaching English on the internet.

There is a video version of this conversation on my YouTube channel too, so don’t forget to check it out and of course to like and subscribe while you’re there.

There’s no more for me to add here in the introduction. I hope you enjoy this conversation and get some good things from it. Once again, Christian’s YouTube channel is called Canguro English and his website is canguroenglish.com

Let’s get started.


So that was Christian from Canguro English. Thanks again to Christian.

And here we are, at the end of yet another episode. I wonder what you thought of the points which came up in that conversation? Feel free to let us know in the comment section or perhaps under the YouTUbe version of this. Where do you stand on things like comprehensible input, workbooks and clickbait titles? Let us know.

For me, this is one of the last episodes I’m recording before officially starting my summer holiday. As usual I have loads of stuff to record and publish before I go away, and I might end up recording some of it while I am back in the UK. But here’s a little overview of what’s in the pipeline right now.

  • A Summer Ramble
  • War of the Worlds
  • P31

So I have my work cut out.

In terms of holiday – we’re going back to the UK to stay at my parents’ place and we will have to deal with the whole quarantine thing, and the day 2 and day 8 testing process and all that. It’s quite annoying. But after we quarantine we will be going to a posh camp site for some “glamping” and generally spending a couple of weeks in the UK.

Meanwhile our new flat in Paris is being demolished (on the inside) and remade to our specifications. Let’s hope that all goes according to plan.

I’ll talk more about this stuff in that rambling episode which is coming up.

In any case, I will speak to you again soon.

But for now, it’s time to say, good bye bye bye…

730. Marie Connolly Returns (+ 2 songs)

Talking to author Marie Connolly about her new books for children, plus a story about how Jerry Seinfeld came to one of our comedy shows, with two songs on guitar at the end.

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Introduction & Ending Transcripts

Hello listeners,

Hello, hello, hello.

How are you doing? How is everything in your particular part of LEPland today as you listen to this? What’s going on? Where are you? How are you? Who are you? How’s your English? OK I hope. 

This podcast is here to help by giving you a source (not sauce) of authentic English to listen to on a regular basis. There are various ways you can use the podcast to improve your English but let’s just keep it simple and say – all you need to do is listen, try to follow what is being said and hopefully enjoy the process, even if it’s a bit difficult to understand every single thing. Sometimes you will find notes and transcripts on the page for each episode on my website. Checking them can also be a good idea.

I have another guest today. Marie Connolly is back on the podcast in this episode. She came over to the flat a few weeks ago to record this conversation.

I know Marie from doing stand up comedy both in London and Paris. Like a lot of my friends she does stand-up, and she has also worked as an English teacher but these days the main thing she does is write – she is mainly a writer now – an author – writing books both for adults and for children.

You might remember Marie from episode 683 in October last year, when she told us some funny stories about moments when French men have flirted with her, and the book that she wrote which contains all those stories. Episode number 683 – that’s the last time Marie was on the show.

But she is back again to tell us about a new series of books she has written, this time for children. So, if you know any kids aged 8 or above, and you want to encourage them to read something fun in English, these books could be a good choice. They are written for people with English as a first language, so they’re not for beginners, but they are fun and if your kids can read English, they might like these stories.

She’s going to tell us about those stories and the process of writing and self-publishing them  but this conversation also contains lots of other stuff too – including different types of extreme sports, the classic old topic of doing comedy to audiences from different countries, an anecdote about the time Jerry Seinfeld came to one of our comedy shows, some comments from listeners in response to Marie’s last apperance, and more stuff for your listening pleasure.

Right then. So let’s now enjoy the company of Marie Connolly once again. I will speak to you a bit more on the other side of this conversation, and here we go…

—–

Click here for links for Marie’s books: Dude’s Gotta Snowboard & More

—–

Ending Notes

Thanks again to Marie Connolly there. You can find her books on Amazon – her writing alias is Muddy Frank, and you could search for Dude’s Gotta Snowboard. 

There are also links on the page for this episode on my website.

So thanks again to Marie.

So how’s everything going with you?

I will say that things are pretty busy here, with a lot of work going on and also some fairly complicated general life stuff – basically, we are in the process of moving to a new flat, and if you’ve moved flat or moved house, you’ll know how complex and disruptive that can be. 

Of course, all our possessions will have to be packed in boxes, moved to a completely new place and then unpacked, and that’s after all the decoration and work we’re having done on the new place and all that stuff. I will be leaving my pod room, taking everything down. All the books are coming off the shelves, all my equipment will be boxed up, all the guitars are coming down, everything is moving. 

What is cool is that I am going to have my own dedicated office/recording space/pod-room. 

It’s going to be incredibly small – more of a cupboard than an office, but it will be my HQ for LEP, and it’s not going to be part of our new flat. It’s in a completely different location, but it’s 5 minutes on foot from our new place. Anyway, we have a LOT of stuff to get done and our lives will be kind of turned upside down over the next couple of months, plus we want to do a trip to the UK for a holiday and various other things, so I don’t know how this is going to affect the podcast. I suppose there’s a chance I won’t be able to record, which would be a pity, although I’m sure you’d understand. I would have to publish some premium content though.

Luckily I have a few episodes recorded and edited and ready to be published, and they will continue to arrive over the next few weeks, but meanwhile, things in LEP HQ are a little bit chaotic at the moment. I won’t go into it in further detail at this moment, but as I said I will try to publish a rambling episode with news and comments about what’s going on and maybe I’ll respond to some listener comments and stuff like that soon, ok. In any case, podcasts will be arriving as normal at least for the next 4 or 5 weeks, so everything should be ship shape in podcastland, even if things are a bit crazy behind the scenes. We will see if I can continue to create and publish content during the madness of the next few months.

I said I wouldn’t ramble here. I’ll save it all for a full on rambling episode next time.

In any case, I hope you are well out there in podcastland.

At the end of the episode I thought I would sing a couple of songs which I’ve been playing recently. 

They’re both by Beck.

Song Lyrics

Lost Cause by Beck genius.com/Beck-lost-cause-lyrics

Dead Melodies by Beck genius.com/Beck-dead-melodies-lyrics

729. TOEFL and the Duolingo English Test (with Josh MacPherson from TSTPrep.com)

Talking to Josh MacPherson about tips and advice for taking TOEFL and the Duolingo English Test. YouTube version also available.

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Introduction Transcript

Hello listeners, here is an episode about English Tests like TOEFL and the Duolingo English Test which I hope will still be an interesting episode even for those who have no plans to take one of these tests. I’m joined by online English teacher Josh MacPherson. I guess you have heard of TOEFL, and the Duolingo English Test is a test made by Duolingo, that company which helps you learn languages on your phone, and which seems to be managed by a green cartoon owl, who is some kind of master of learning English. They make a test now, and it’s getting really big.

Some time is spent describing the tests but we don’t just spend an hour describing TOEFL. Most of the time we are doing samples from the test, commenting on my performance in a TOEFL speaking task, discussing testing methods in general and giving comments on ways to perform well, particularly in the speaking parts of a test like TOEFL and IELTS.

Also, tests should be reliable and having genuinely good English skills should (of course) cause you to get decent results, so a lot of the tips relating to getting a better score are also generally good tips for improving your level of English, so even if you’re not planning to take one of these tests, the tips and advice here should be applicable to your English anyway.

There is a video version of this episode on YouTube and you can see Josh’s screen and can observe our conversation as if you are taking part in a Zoom call with us. You can find the video on the page for this episode or on my YouTube channel.

Again, the audio is not tip top this time round and that was caused by things like microphone echo, which I have managed to fix, but in any case I think you can still hear everything clearly.

That’s it, I hope you enjoy it and you will find all the links you need on the page for this episode on my website.

Let’s get started

I am joined today by Josh MacPherson from TSTPrep.com and the TST Prep YouTube channel.

Josh is an English teacher who specialises in helping learners of English prepare for English tests, particularly TOEFL and also the fairly new DuoLingo English Test.

I thought I’d interview Josh to find out more about these tests and to get some tips from him about how to get the best result that you can.

Also, we’re going to do some test questions during this interview, so we can see how well I perform in these tests too.

Links

Ending Transcript

Thanks again to Josh for his contribution to this episode.

Don’t forget, links are available on the page for this episode for all the things Josh mentioned there including test practice, sample answers, tips and videos.

Thank you as ever for listening all the way up to this point.

There’s not much more for me to add here. I haven’t played the guitar on the podcast lately, but I will be coming back to that soon, but for now I will just wish you a fond farewell and until next time, good bye bye bye bye bye

727. Describing John Lennon / Adjectives of Personality J-Z (with Antony Rotunno)

The second part of my conversation with Antony Rotunno (John Lennon podcaster, English teacher) in which we discuss adjectives of personality, with John Lennon as a case study. Vocabulary list available.

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Introduction Transcript

Hello listeners,

Welcome to this brand new episode of Luke’s English Podcast. Here it is, another episode of my podcast, from me to you, in which I help you try to learn this wonderful language that we call English, and I am here to try to help you do it, in ways that I hope you will find interesting and motivating.

So, how are you doing out there in podcastland today? I hope things are pretty good all things considered.

You are now listening to the fourth in my Beatles mini-series and the second part of this double episode I’m doing about describing John Lennon using various adjectives of personality.

I’m assuming here that you have heard the first part of this. If you haven’t heard the first part of this double episode then you need to go and listen to that. It’s probably the previous episode to this one, ok?

I’m still talking to Antony Rotunno from the Glass Onion: On John Lennon podcast. Antony is also an English teacher with plenty of experience. So I think he’s the perfect guest for this podcast series, and let’s continue going through this list of adjectives we compiled, and let’s see if we can use them to discuss John Lennon’s life, his psychology, his personality.

In the last episode we covered adjectives from A to I. It’s a sort of a rough A-Z, and we did A to I last time so let’s do the rest of the alphabet, more or less.

We might skip a few letters here and there but I’m sure that you’ll forgive us.

Just before we continue, let me read out the list of adjectives. Like last time, we don’t go into full detail about all of these, but have a listen and consider these things: whether you know these words, whether you don’t know them, whether you use them and whether you don’t and also what’s the word stress for these adjectives? How many syllables are there and which syllables are the stressed ones? It can also be useful to consider what the noun or verb forms of these adjectives are, if they have them, and sometimes you’ll hear us using the different forms of these words in these word families as well.

Adjectives of Personality J-Z

O o o <—- these symbols show the number of syllables and word stress in a word. For example, “podcast” = O o (two syllables, the first syllable is stressed)

  • Jealous O o, Jittery O o o (Also: to have the jitters, to be on edge, to be nervous, to be anxious)
  • Knackered O o, Kind-hearted o O o
  • Lovable O o o
  • Misunderstood o o o O, Multi-faceted o o O o o
  • Narcissistic o o O o, Nasty O o, Nervous O o, No-nonsense o O o
  • Open O o, Original o O o o
  • Paranoid O o o, Progressive o O o
  • Questioning O o o, Quick-witted O- O o (Also: to have the gift of the gab)
  • Reclusive o O o, Restless O o, Revered o O
  • Sensitive O o o, Sensible O o o, Sentimental o o O o, Superstitious o o O o
  • Talented O o o, Tragic O o, Traumatised O o o, Troubled O o
  • Uncompromising o O o o o, Unconventional o o O o o
  • Violent O o
  • Warm-hearted o O o, Well-read o O, Wise, Witty O o
  • (not) Xenophobic o o O o (this is the only adjective I could think of that begins with an X!) (xylophone and x-ray are other words beginning with x – but they’re not adjectives of personality)
  • Yellow O o / Yellow-bellied O o – O o (cowardly), Youthful O o
  • Zealous O o, Zen

Also: Childish O o / childlike O o

We also cover a few common false friends in this episode, so listen out for those.

False friends

  • Embarrassed o O o
  • Suburbs O o / slums
  • Sensitive O o o / sensible O o o

That entire list is available for you to see on the page for this episode on my website. The link is in the description.

Now, I read that list of adjectives pretty quickly. If you didn’t catch the word stress, or in fact if you feel you need to explore these words more slowly, you can always just check the word list on the website page … and copy+paste them into an online dictionary, where you’ll see phonemic transcriptions of the words (so you’ll know how they are pronounced, including word stress) you’ll be able to hear someone say the words, and you’ll get definitions and examples and so on.

OK, so – I always encourage you to check words that you discover in episodes of this podcast in your own time, and I refer you back to episode 720 for more information about how to do that.

OK, so without any further ado, let’s jump back into my conversation with Antony about John Lennon, and here we go.


Ending Transcript

Thank you again to Antony for his contribution to this episode.

Let me suggest again that you check out Antony’s podcast if you’d like to hear more in depth discussions about John Lennon. It’s called Glass Onion: On John Lennon and you can get it wherever you get your podcasts. I must say, it is an excellent listen.

Right, so that’s not quite it for Beatle-themed episodes. The last in the series is with Antony too, and that’s where we turn to look at the music (or should I say listen to the music?) In any case, the next part of this series is all about the music and lyrics, especially the lyrics and Antony is going to guide us through a little exploration of words and phrases in Beatles songs, looking at nice idioms, uses of metaphor and other features that you should find interesting from a language learning point of view. And Antony got his guitar out for that too, so we also get treated to little snippets of songs as we go.

So, you can look forward to the final episode in the series, coming soon.

I say final episode, there’s nothing stopping me from doing more episodes with Beatle themes in the future, and I do plan to do that actually. I’d like to do some specific song breakdowns in which I could explore the story behind a particular song, then play the song for you and analyse the lyrics. That could be great.

Anyway, thank you for listening as usual! I hope this has been interesting and useful, and I will speak to you very soon in the next episode of this podcast. BUt for now it’s time to say, good bye bye bye bye bye.

726. Describing John Lennon / Adjectives of Personality A-I (with Antony Rotunno)

Learn useful adjectives for describing personality traits with John Lennon as a case study. Episode 3/5 in my Beatles series, with returning guest Antony Rotunno from the podcast “Glass Onion: On John Lennon”. 

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Introduction Transcript

Hello listeners and welcome back to LEP.

Here is the next episode in my Beatles season, and this is where we look at some language too.

In this episode I’m joined again by Antony Rotunno who is a podcaster and English teacher from England. Antony’s main podcast is called Glass Onion: On John Lennon and as the title suggests it is all about John Lennon, particularly his psychology and his life story. Antony’s other podcasts are called Film Gold, a film review series and Life & Life Only which is about personal development and psychology, so Antony knows a thing or two about psychology and John Lennon, and of course as an English teacher he’s well experienced in helping learners to conquer this language of English.

In this one we’re going through a big list of adjectives which I prepared earlier. All the adjectives are words you could use to describe someone’s personality. We have loads of these adjectives, so Antony and I made a list of words which could be used to describe John Lennon. It’s an ABC in fact. Now we didn’t manage to talk about every single adjective in the list, but we certainly had a good go at them, and what you’re going to get in this episode is a sort of English lesson with John Lennon as a case study.

Here are the adjectives (I’m going to read them out)

  • Consider which ones you know
  • Which ones you use
  • Which ones you don’t know
  • Which ones you don’t use
  • Word stress

Adjectives of Personality

  • Abrasive, Aggressive, Ambitious, Anti-authoritarian, Anti-social, Articulate, Artistic
  • Bad-tempered, Brave
  • Charismatic, Charming, Contradictory, Creative, Cruel, Curious, Cutting, Cynical
  • Damaged, Disobedient, Disturbed
  • Egotistical, Experimental, Eccentric
  • Fearless, Fragile, Funny
  • Generous, Gentle, Gregarious (sometimes!)
  • Headstrong, Honest
  • Imaginative, Indulgent, Inquisitive, Intelligent, Inspiring, Irreverent

I’ll let you discover which ones we actually talk about in detail in this episode. The rest of the list will come up in the next part.

Also, I’ve collected a set of other expressions from this conversation, not using adjectives of personality, but just useful expressions and examples of language you could use, and I’m planning to use that set in an upcoming premium episode.

teacherluke.co.uk/premiuminfo if you want to sign up to LEP Premium to get all the premium content unlocked.

Now, let’s consider John Lennon’s personality, things he did and said in his life and try to work out what kind of person he was, with a few useful adjectives in the process.

Links to Antony’s Podcasts

Glass Onion: On John Lennon

Film Gold

Life and Life Only

Ending Notes

Thank you again to Antony. 

We will be back in the next part of this series. I’m not sure when that’s going to arrive. 

It might be the next episode, or it might arrive in a short while.

Let me know your thoughts in the comment section.

Don’t be a ninja. 

If you were a ninja and then you left 1 comment, and went back to being a ninja, you’re 2nd level ninja now, ok?

1st level ninjas are the ones who never comment

2nd level ninjas are ones that commented and then disappeared

You don’t want to know what makes a 3rd level ninja.

I will speak to you soon but now it’s time to say goodbye…