Talking to my dad, mum and brother about all manner of topics, including:
Space, climbing mountains, British comedy, fishing, earworms, tattoos, David Beckham, jokes, citizenship tests, baby monkeys, ghosts and celebrity impressions. Intro and outtro transcripts available.
Hello folks, how are you doing? It’s been a while!
It’s August. Things are quiet. We’re between holidays. Going away for another couple of days next week and then things get back into full swing again in September.
We spent some time in the south of France not far from where my wife and I got married, and while we were down there we met up with my parents and my brother.
One evening last week, after consuming a delicious dinner (with some wine) we decided to record an episode of the podcast so that you can join us at the dinner table with some slightly silly banter and discussion with the Thompson family.
Topics include Baldness, Space, climbing mountains, British comedy, fishing, earworms, tattoos, David Beckham, losing your marbles, jokes, games, citizenship tests, baby monkeys, ghosts and celebrity impressions.
Language
The episode is ripe with descriptive language, linking words and specific grammatical constructions for a range of purposes, including building an argument, describing something and just having fun and joking around. So listen carefully to follow the conversation, pick up some nice language and just enjoy being part of the fun. Also, you can experience the pleasant voices and accents of my family.
Topics (in order)
Going bald
Space (The Universe / The KLF)
Do you remember when…? (Welsh mountain story)
British Comedy Recommendation (Whitehouse & Mortimer: Gone Fishing)
I hope you enjoyed being with us at the table there for our after dinner session of talking rubbish, all presented for your listening pleasure and as an opportunity for you to learn some real English as it is spoken by my family.
This would make a great premium episode. There’s a lot of good language to be revealed and explained here. Each episode is a source of great natural language, but you might not notice or at least might not have time to look up every single new word or be able to identify all the parts of specific expressions and their real meanings. With LEP Premium I do all of that for you. I’ll highlight vocabulary and expressions, particularly the structures which are harder to notice but essential to know. Things like phrasal verbs, idioms, preposition collocations and gerunds and infinitives. THere’s also grammar and pronunciation. Each episode has a pdf and a quiz at the end so you can test yourself and check your learning.
At the moment there are about 5 full episodes in various parts, a couple of videos and part 6 coming up very soon. You can think of these as study packs for LEP, where I hold your hand and make sure you can pick up this essential natural language so you can boost your English to a higher level.
To register go to teacherluke.co.uk/premium. There you can sign up. It costs about the same as buying me a beer or coffee once a month. Not that much. You get access to the entire premium catalogue and all future content too. Get stuck in there. teacherluke.co.uk/premium
Premium is available in the LEP app if you sign in with your premium login details. It’s also available online at teacherluke.co.uk/premium. There’s a comment section and a way to download pdfs in normal size, so check out teacherluke.co.uk for more information.
That’s it! I hope you’re having a great August. More episodes of LEP are coming soon as I have a few days, but then things might go quiet until September when everything will go back to normal.
Listen to readings of “If—” by Rudyard Kipling, a popular poem from England. Includes analysis of the vocabulary and the themes in the poem and also a chance to enjoy the unique voice of Sir Michael Caine – with some funny impressions too. Transcript, vocabulary and videos available.
Hello, here’s an episode of the podcast devoted to one of the UK’s favourite poems.
I thought it was about time we looked at some poetry on the podcast. I was wondering which poem I could look at. In the end I’ve chosen one that is popular with lots of people in the UK. Sometimes poetry is a bit complicated and highbrow, but this particular poem is pretty clear and not too challenging or anything, while also touching upon ideas that most people can relate to. So I think it’s probably a good one for us to do.
We’re going to listen to the poem, understand the vocabulary used, and talk about the general meaning of the poem too.
You’ll also be able to listen to the voice of Michael Caine, and hear some Michael Caine impressions too.
The poem in question is called “If -” by Rudyard Kipling. That’s it… “If -“.
It has been voted the UK’s favourite poem in a number of polls done by the BBC. So, let’s listen to this much loved poem being read out by a couple of different people and then analyse the lines for their full meaning and pick up some vocabulary in the process.
“If-” by Rudyard Kipling
“If—” is a poem by British Nobel laureate Rudyard Kipling (a nobel laureate is someone who won the nobel prize for their poetry). The poem was written in 1895 and was first published in 1910.
It is written in the form of paternal advice to the poet’s son. You can imagine that the poet is talking to his son about life and teaching him what it means to be a man.
Grammatically, it’s basically one huge ‘if clause’ with each line beginning with the word ‘if’ and then concluding at the end of the poem. It might actually be the world’s longest conditional sentence – “if you do this and this and this, then eventually, this will happen”. Like, “If you do plenty of practice, stay motivated and don’t give up then eventually you’ll be a fluent English speaker.”
As poetry, “If—” is a literary example of the principles of Victorian-era stoicism. This is a set of attutides that became popular in the UK during the Victorian period. By stoicism I mean a kind of attitude and approach to life that involves being tolerant of difficulty, showing a sort of calm self-discipline, having control over your emotions, being patient, accepting difficulty and having a quiet determination to just keep calm and carry on. It could also be described as the principle of “stiff upper lip”, which British people often consider to be a national virtue. If your upper lip is stiff, or firm, I suppose it means that you have your emotions under control.
Often Brits will talk about how they are proud to be tolerant (not just of things like cultural differences, but of difficulty, discomfort and hardship) and I think we quite like the idea that we are in control of our emotions because it shows strength of character. This is what “If–” is about and because of this, the poem remains a cultural touchstone in the UK.
We’re not always self controlled of course. You can’t generalise. There are times when Brits intentionally lose all self-control – like when they get drunk on a Friday night or when they go on holiday to Majorca or something, and get drunk there. Those moments seem to be like time off from being self-controlled. Also, these days, I think British people are more in touch with their emotions than they used to be.
But this poem is all about the side of the British personality that is all about quiet strength, fair play and not losing your head in a crisis.
It is also like a of self-help mantra which inspires people to try and do the right thing and probably gives people some inspiration for living your life correctly and dealing with times of difficulty.
For these reasons it’s often voted one of the UK’s favourite poems.
Listen to Academy Award winning actor Michael Caine reading the poem
Listen to Michael Caine reading the poem. All the sentences start with IF – how do you think the poem will end.
If you’re already familiar with the poem, you can just enjoy the voice one of our favourite actors. Michael Caine
“If—” by Rudyard Kipling
(video below)
If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don’t deal in lies,
Or being hated, don’t give way to hating,
And yet don’t look too good, nor talk too wise:
If you can dream—and not make dreams your master;
If you can think—and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you’ve spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build ’em up with worn-out tools:
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: ‘Hold on!’
If you can talk with crowds and keep your virtue,
Or walk with Kings—nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds’ worth of distance run,
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!
Source: A Choice of Kipling’s Verse (1943)
The audio comes from a YouTube video uploaded by Peace One Day www.peaceoneday.org/
Peace One Day is a non-profit organisation that was founded in 1999. In 2001 due to their efforts the member states of the United Nations unanimously adopted the first ever annual day of global ceasefire and non-violence on 21 September – Peace Day.
Peace One Day’s objective is to institutionalise Peace Day 21 September, making it a day that is self-sustaining, an annual day of global unity, a day of intercultural cooperation on a scale that humanity has never known.
I guess these ideas are universal and this applies to everyone facing the challenges of life.
Girls – I hope you can relate to this too, even though he says “…and you’ll be a man my son”.
Read it again and analyse the words
“If—” by Rudyard Kipling
If you can keep your head when all about you Are losing theirs and blaming it on you,
If you’re in a stressful situation in which everyone else is losing their heads and saying it’s your fault, but you stay cool and stay in control…
If you can trust yourself when all men doubt you, But make allowance for their doubting too;
Everyone doubts you but you trust yourself, but you still consider their doubts in you – you don’t ignore them
If you can wait and not be tired by waiting, (patience is a virtue) Or being lied about, don’t deal in lies,
other people are lying about you, but you manage to avoid lying
Or being hated, don’t give way to hating,
others hate you, and you feel pressure to hate them too, but you resist that pressure and don’t give in to hatred, or give way to hatred – don’t let hatred come in – it’s sounding a bit like the Jedi code here
And yet don’t look too good, nor talk too wise:
stay modest in your appearance, and also don’t talk like you know it all
If you can dream—and not make dreams your master;
have dreams, ambitions and ideas but keep them in perspective so you’re not just a dreamer but someone who is still practical and pragmatic – a doer not just a dreamer
If you can think—and not make thoughts your aim;
you can be thoughtful, but manage to actually do things rather than just thinking about things all the time
If you can meet with Triumph and Disaster And treat those two impostors just the same;
don’t let success go to your head, but don’t let failure get you down either – an imposter is something or someone who is not welcome or someone who is pretending to be someone else – e.g. someone who claims to be an experienced pilot and fakes their ID, or someone in a hospital who claims to be a doctor but isn’t
If you can bear to hear the truth you’ve spoken Twisted by knaves to make a trap for fools,
if you can stand having your words manipulated by dishonest people – e.g. in the press or in a court of law) (to bear something = to tolerate something) (twisted = changed, distorted, manipulated) (knaves = dishonest and untrustworthy people, it’s an old fashioned word)
Or watch the things you gave your life to, broken, And stoop and build them up with worn-out tools:
see your life’s work, ruined and then just start again even though the tools you’re using are damaged by lots of use
If you can make one heap of all your winnings And risk it on one turn of pitch-and-toss,
(you take a big pile of all the money you’ve won and risk it all on one go – if you’re willing to take big risks) (a game of pitch-and-toss is an old gambling game in which you ‘pitch’ a coin – throw it – towards a mark on the ground. The one who gets closest to the mark wins the right to ‘toss’ all the coins which have been thrown. To toss means ‘throw’ but specifically to ‘toss a coin’ means to throw it up so it spins and then lands. If you win you can toss all the coins and you can keep all the ones that land with the heads facing up” – so basically, if you can win loads of money and then risk it all on one game…
And lose, and start again at your beginnings
and then lose but just start again from scratch
And never breathe a word about your loss;
and never tell anyone you lost – that would be hard!
If you can force your heart and nerve and sinew To serve your turn long after they are gone,
even when you’re exhausted you keep going and force your body to keep going, sinew = tendons, ligaments
And so hold on when there is nothing in you Except the Will which says to them: ‘Hold on!’
so, just using your willpower you force your muscles, heart, ligaments to resist and keep going
If you can talk with crowds and keep your virtue,
if you can stay honest and moral even when you have the attention of a crowd of people – e.g. you might feel pressure to lie, bend the truth, tell them what they want to hear. Virtue = doing and thinking what is morally right. Adj – virtuous.
Or walk with Kings—nor lose the common touch
if you spend time with rich and powerful people but never lose touch with ordinary life and people
If neither foes nor loving friends can hurt you,
Foes = enemies. You’re not affected by criticism or praise.
If all men count with you, but none too much;
If you value everyone equally. Everyone counts – everyone is important.
If you can fill the unforgiving minute With sixty seconds’ worth of distance run,
if you can make the most of every single minute – the unforgiving minute means 60 seconds, no more no less. So, if you have the strength, stamina and determination to do your absolute best in every second of every minute
Yours is the Earth and everything that’s in it,
And—which is more—you’ll be a Man, my son!
Source: A Choice of Kipling’s Verse (1943)
Hear Michael Caine’s thoughts on it from the recording
If you can meet with triumph and disaster and treat those two imposters just the same.
Films can be either successful or failures. You have to be able to deal with both outcomes.
If you can bear to hear the truth you’ve spoken Twisted by knaves to make a trap for fools,
When you’re a famous actor the press sometimes takes your words and uses them against you – especially the tabloid press.
He also says that war ruins everything. Also, every single war has been declared by men who are too old to go, and this has made him suspicious.
Impressions of Michael Caine’s Voice
Michael Caine’s voice. It’s quite distinctive. He comes from the East End of London – so it’s a cockney accent, basically – not very strong, but it is there. Also, his voice is unique (just like everyone’s voice is unique) and quite well-known. It’s so well-known that he is one of those actors that lots of people can impersonate, like Sean Connery.
How Michael Caine Speaks
You’re only supposed to blow the bloody doors off! (The Italian Job)
Batman – The Dark Knight Rises “I won’t bury you”
Vocabulary Review
keep your head (stay calm, stay in control!)
Don’t lose your head (don’t lose self control)
(Don’t) Blame it on someone (it was his fault, he did it!)
To have doubts (silent letter)
Make allowance for something / take something into account (include something in your decision making process – e.g. when I plan lessons I have to make allowances for the fact that students come from different countries and cultural backgrounds)
Don’t give way to hatred/anger/frustration = yield, give in (Star Wars)
(Star Wars: don’t give in to hatred)
To be wise / to have wisdom (e.g. Yoda, Gandalf, Dumbledore, ObiWan Kenobi – most old dudes with grey hair and beards)
Keep something in perspective (think about things in a reasonable way – e.g. Let’s get things in perspective / let’s keep things in perspective. Sure, we’re locked up in a Turkish jail, but at least we have each other! It’s not that bad! OK bad example. The doctor says I have a 1 in 200 chance of survival!!! Oh shit!!! Wait, let’s keep things in perspective. 1 in 200 is really quite good, and you’re quite young and in good shape. Don’t panic.)
Treat someone/something like something (Don’t treat me like an idiot Tony!)
Impostors = people who fake their identity in order to get in somewhere. “I felt like an imposter” (common usage) I think it’s quite common for us to feel like an imposter if we feel we don’t deserve the success we’ve had, or when we are in a situation that we don’t deserve to be in, because we feel inferior. Have you ever felt like that? You’re in a situation, you look around and everyone seems so impressive. They’re all so clever and have achieved so much and you feel like you’re not as good as them, and you’re not worthy to be there. You feel like an imposter. It’s a common feeling. I think this might be the situation in which the word “imposter” is most commonly used today, other than when someone has intentionally sneaked into a place by lying.
If you have ever felt like that, here’s a nice little anecdote from Neil Gaiman – a great author of short fiction novels, comic books and graphic novels.
This is from an article I found on Quartz.com and it quotes Neil Gaiman from his Tumblr page. qz.com/984070/neil-gaiman-has-the-perfect-anecdote-for-anyone-with-impostors-syndrome/
Neil was asked if he had any advice for people experiencing imposter syndrome – that feeling of being an imposter. Some years ago, I was lucky enough to be invited to a gathering of great and good people: artists and scientists, writers and discoverers of things. And I felt that at any moment they would realise that I didn’t qualify to be there, among these people who had really done things. On my second or third night there, I was standing at the back of the hall, while some musical entertainment happened, and I started talking to a very nice, polite, elderly gentleman about several things, including our shared first name. And then he pointed to the hall of people, and said words to the effect of, “I just look at all these people, and I think, what the heck am I doing here? They’ve made amazing things. I just went where I was sent.” And I said, “Yes. But you were the first man on the moon. I think that counts for something.” And I felt a bit better. Because if Neil Armstrong felt like an imposter, maybe everyone did. Maybe there weren’t any grown-ups, only people who had worked hard and also got lucky and were slightly out of their depth, all of us doing the best job we could, which is all we can really hope for.
So, there you go – even Neil Armstrong feels like an imposter, and so does Neil Gaiman and many other people who’ve done good things.
How about you? Do you ever feel like an imposter?
Bear to do something / bear to hear your words twisted (I just can’t bear to see him like this)
To stoop (bend down)
To build something up (create something from the bottom up)
The common touch (the ability to appeal to ordinary people)
Friend / Foe
Count (v) (all opinions count, every second counts) = to have merit, importance, value, etc.; deserve consideration
Finally, listen to Dave Bassett doing it in a scouse accent
I did an episode a while ago called “The Chaos of English Pronunciation” which included a couple of poems which are full of notoriously difficult words to pronounce in English. You can find that episode in the archive. It’s number 144
Talking about a classic British film which not many learners of English know about. Listen for explanations of the film, its appeal, descriptions of the characters and events, the type of people who like the film and a few bits of dialogue too. Notes available.
Today on the podcast I am going to be talking about a cult classic of British cinema – a film called Withnail & I.
This is a slightly ambitious episode because in my experience this film is usually very difficult for learners of English to fully appreciate. Even the title of the film somehow fails to register with many people when I tell them.
“Can you recommend British films?” one of my students might say.
And I say “Yes, definitely. You should watch Withnail & I”
And the person’s face creases into an expression of “what was that you just said?” “Withnail and I” I repeat.
But still, this clearly just seems like a noise to this person.
He doesn’t know what to write. He doesn’t know how many words that is. He doesn’t know how to spell “Withnail and I”. He’s lost for a moment.
So I write it on the board “Withnail and I”.
Still, this doesn’t help much. The person doesn’t even recognise the word “Withnail”. It’s difficult to spell, it’s difficult to pronounce, it doesn’t seem to mean anything.
Then I think – “There’s no way this guy is going to enjoy this film, he can’t even get past the title.”
But something inside me says – “Luke, Luke… I am your father…” No, it says “Luke, you need to make these people watch this film. It is your duty as a British person teaching people your language and culture. These people need to see this film. They need to know what a Camberwell Carrot is, they need to know about cake and fine wine, they need to know why all hairdressers are under the employment of the government. It is your duty Luke, to teach these people about the wonderful world of Withnail and I – even if they don’t want it!”
So now I feel duty bound to tell you all about this cult British film. By the way, the title of the film “Withnail and I” – these are just the two characters in the film. Withnail and another guy whose name we don’t know. He’s simply “I”.
If you’re interested in British films, if you like slightly dark comedies with good acting, interesting characters, an excellent script and some top level swearing – this is a film for you.
You might never have heard of it, I realise, and that’s partly why I’m doing this episode. I like to recommend things that you might not know.
Withnail and I is a cult film which means it’s very very popular with a certain group of people. It’s not a mass-appeal sort of film. It might not be the film you think of when you consider typical “British films” – you might think of something like Love Actually or a Jane Austen adaptation, but Withnail & I is a film that you will definitely know if you a proper lover of British films. It is a cult classic and those who love it – really love it with a passion as if they’ve lived the film themselves in their own lives.
But not everybody gets it. Certainly, in the UK it is very highly regarded by people who have a special love for films, but it’s not a film like Four Weddings or James Bond which seem to appeal to everybody. Plenty of Brits don’t get it. Also learners of English hardly ever know about it (because in my experience most learners of English understand British cinema as things like Hugh Grant, Harry Potter and even Mr Bean). It can be a difficult film to understand if you’re not a native speaker from the UK. It’s not well known in the USA even.
But as I said, it’s a cult success in the UK.
Cult has two meanings. A cult can be a sort of small religious group devoted to a particular person, but when cult is used as an adjective with something like “film” then it means that this film is extremely popular with certain people.
What kinds of people like this film?
Why do people love this film so much?
What is the appeal?
What can this film tell us about British culture?
Why should you as a learner of English take any interest in this film at all?
How can you learn some real British English from this?
Let’s find out in this episode of Luke’s Film Club on Luke’s English Podcast all about Withnail & I.
I’m a huge Withnail & I fan but in this episode I’m also joined by several other Withnail fans who are very keen to talk to you about one of their favourite films.
Those two fans are my brother James and his mate Will.
I just sincerely hope that we can somehow explain this film and its appeal, and make this interesting for you to listen to (that’ll be hard considering it’s three blokes with similar voices talking about an obscure film that you’ve probably never seen).
***
Links & Videos
The Wall of Withnail – superfan Heidi’s collection of objects seen in the background of Withnail & I. wall-o-withnail.blogspot.fr/
Withnail and Us – a great documentary about the making of the film, by the people who made the film.
Bruce Robinson interview
Bruce Robinson & Richard E Grant at the London BFI
The Hamlet Monologue (Act 2, Scene 2, Page 13)
“I have of late—but wherefore I know not—lost all my mirth, and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory; this most excellent canopy, the air—look you, this brave o’erhanging firmament, this majestical roof fretted with golden fire—why, it appears no other thing to me than a foul and pestilent congregation of vapors. What a piece of work is a man! How noble in reason, how infinite in faculty! In form and moving how express and admirable! In action how like an angel, in apprehension how like a god! The beauty of the world. The paragon of animals. And yet, to me, what is this quintessence of dust? Man delights not me. No, nor woman neither.”
In plain English:
“Recently, though I don’t know why, I’ve lost all sense of fun —the whole world feels sterile and empty. This beautiful canopy we call the sky—this majestic roof decorated with golden sunlight—why, it’s nothing more to me than disease-filled air. What a perfect invention a human is, how noble in his capacity to reason, how unlimited in thinking, how admirable in his shape and movement, how angelic in action, how godlike in understanding! There’s nothing more beautiful. We surpass all other animals. And yet to me, what are we but dust? Men don’t interest me. No—women neither.”
Outtro
What you just heard there is the final scene of the film in which Withnail repeats lines from Hamlet by Shakespeare and it’s quite a tragic ending, but you’ll have to watch the film to find out what happens.
So that was an ambitious episode! I honestly think this one is as ambitious as the one about the rules of cricket. All the way through that conversation alarm bells were ringing in my head.
Sometimes I get alarm bells when I’m teaching. From experience I know what my learners of English will and won’t understand. For example, if there’s a listening that we’re doing and it contains a few phrasal verbs or connected speech or a specific accent, the alarm bells ring in my head and sure enough none of my students have understood it.
So for this episode alarm bells are ringing like mad. First of all the film is like kryptonite to students of English (which is a pity because there’s a lot to enjoy), but also because you were listening to three guys talking with fairly similar voices in a comfortable way – meaning, not graded for learners of English to make it easier, and also we’re talking about a film that you’ve probably never seen. Also the little clips in particular were, I’m sure, rather difficult to follow.
So a big well done if you made it this far. I promise you that this film is an absolute gem and if you give it a chance it will actually improve your life.
I have talked about this film on the podcast before and in fact I do remember getting a message from a listener who said that she had watched the film on my recommendation with her boyfriend and that now they enjoy repeating lines from the script when they are about the house.
So if they can get into it then you can too, although of course this film is not for everyone, that’s why it’s a cult film.
I’ve just remembered, I promised to play the Withnail & I swear-a-thon. That’s like a marathon isn’t it, but with swearing.
Withnail and I is celebrated for its swearing and there is a lot of colourful rude language in the film. For the 20th anniversary DVD box set someone edited together all the swearwords from the film in order. This is the Withnail and I swear-a-thon. Now, as you would expect the next minute or so is going to be absolutely filled with swearing so brace yourselves. YOu’re going to hear all sorts of rude words like bastard, shit, fuck and also cunt. Here we go.
I hope you’ve enjoyed listening to this episode of Luke’s Film Club on Luke’s English Podcast.
Check out the page for the episode for some notes, transcriptions and also a bunch of video documentaries, clips and interviews that are definitely worth watching if you’d like to know more.
Have a great morning, evening, breakfast, lunch, dinner, sleep, commute or run!
Testing my Dad on his knowledge of English, using words that are frequently confused by native English speakers. Will my dad be able to identify the words, spell them and explain the differences? Listen to learn 20 words and phrases which native English speakers often get wrong. You will also hear Dad and me discussing topics such as catching a squirrel, what he would say to Donald Trump and Paul McCartney if he met them, stories of police drug busts at university, how my dad would deal with a zombie apocalypse, and which one is worse – Brexit or Yoko Ono’s ‘singing’? Vocabulary list with definitions and examples available.
About 18 months ago my Dad tested me with his evil gameshow, called “Who wants to be good at English”. I say it was an evil gameshow because I think it was designed for me to fail (although arguably, I didn’t fail, OK!?) It was basically a quiz he created in order to highlight some common mistakes that people make (especially journalists) with certain English words.
So I thought we’d play another game of “Who Wants to be Good at English” but this time I’m asking the questions. My questions are based on an article I found on the Indy100 (an online magazine) written by Paul Anthony Jones which is all about some of the most commonly confused words in English (for native English speakers). Apparently these are some of the words that many English native speakers confuse – meaning they use one word when they should be using another. I wonder if my Dad is able to tell the difference between all of these pairs of words. Let’s see if he really is that clever and articulate. I think he probably is, but let’s see.
As we are playing the game I invite you to join in. Can you guess which words we’re talking about here?
If you don’t know the words, listen carefully because we will define them and then also have a little chat using the words so you can hear them in context.
Also, you’ll hear us talking a little bit about the origin of some of these words, which is quite interesting because it shows how many English words come from latin and in some cases words from other origins like old English and even Turkish.
Check the page for the episode on the website too, where you will see all the words listed with definitions.
Are you confident that you know English better than most other Brits?
Did you study latin at school?
Does a knowledge of latin help with English?
Do you think it will help you in this test?
10 rounds – 10 pairs of words which are commonly confused.
I will ask you questions – you have to tell me the word I am looking for. I will also ask you for the spelling and pronunciation.
ROUND 1
If you’re waiting for something with great anticipation, literally to the point that you are having some trouble breathing – for example you’re desperately waiting for the next episode of Luke’s English Podcast – what expression would you use?
How do you spell that?
If you go fishing, what do you need in order to catch a fish?
How do you spell that?
How are they pronounced?
Answers:
Bate (verb) = abate = become less strong, to suppress. Formal, old fashioned. The storms had abated by the time they rounded Cape Horn. [VERB] …a crime wave that shows no sign of abating. [VERB] To wait with bated breath = to wait eagerly and impatiently
Bait = (noun) – food you put on the end of a fishing line or in a trap in order to catch something
Also – figuratively something which is used in order to catch someone. E.g. ‘clickbait’
(verb) – to put food on a line or in a trap
(verb) If you bait someone, you deliberately try to make them angry by teasing them.
He delighted in baiting his mother. [VERB noun]
Synonyms: tease, provoke, annoy, irritate
According to Oxford Dictionaries, around 1 in every 3 records of the phrase “bated breath” in the Oxford Corpus is spelled incorrectly, as “baited.”
Baited with an I is the same bait that you use when going fishing.
Bated without an I is totally unrelated, and comes from an ancient English word, bate, meaning “to beat down,” “restrain” or “suppress” – it’s the same word we use when we say that a storm has abated – which makes “bated breath” literally “held breath.” (Indy100.com)
Quick Discussion Questions
Are you currently waiting for anything with bated breath?
What is the best way to catch a squirrel? How about a crab? What kind of bait should you use?
ROUND 2
If you see someone that you don’t want to meet or talk to – perhaps a person who you don’t like, or imagine a drunk man in the street who might bother you or even attack you. You’d walk around him, putting space between you and him. What would you give him?
How do you spell that?
What word is this often confused with? It’s something that generally happens at the beginning of someone’s life.
How do you spell that?
How are they pronounced?
Answers:
Berth (noun) = (nautical term) originally means “sea room” – the room that a boat needs for mooring, but also generally room or space for ships. So, to give a wide berth in terms of shipping – you can imagine needing to go around a rocky point or perhaps another ship with lots of space, to avoid any possible collision.
Give something a wide berth = avoid it, go around it, put distance between you and it.
Birth / Give birth (to someone) = have a baby
Quick Discussion Questions
If you saw these people in the street, would you give them a wide berth or would you go up to them?
Donald Trump
Harvey Weinstein
Kim Jong Un
Madonna
Boris Johnson
Paul McCartney
Were you there when Mum gave birth to me? What was it like for you?
ROUND 3
What word is a synonym of advice – for example legal advice? It can also be a verb, meaning to give advice. (also another noun – it can mean the lawyer too)
How do you spell that?
What about a group of people brought together to make decisions? E.g. a local administrative group who make decisions about how the local town should be run.
How do you spell that?
How are they pronounced?
Answers:
counsel (noun) = advice
[formal] He had always been able to count on her wise counsel. The community requested his counsel on various matters.
counsel (noun – person) = a lawyer The defence counsel warned that the judge should stop the trial.
counsel (verb) – to give advice
[formal] If you counsel someone to take a course of action, or if you counsel a course of action, you advise that course of action. My advisers counselled me to do nothing. [VERB noun to-infinitive] The prime minister was right to counsel caution about military intervention.
Council and counsel can both be used as nouns (in the sense of “an assembly of people” and “good advice or direction”) but only counsel with an SE can be used as a verb (“to give advice or direction”).
Both are derived ultimately from Latin, but while council comes from the Latin word calare, meaning “to call or proclaim officially” (which makes it an etymological cousin of calendar), counsel with an S comes from the same root as consult. So while a council is “called” together, you might “consult” someone for their good counsel. (Indy100.com)
Quick Discussion Questions
Have you ever needed to take legal counsel for anything work related?
Have you ever been asked to provide counsel on any local matters?
Is there a local council where you live?
ROUND 4
As a teacher, sometimes it’s necessary to draw out certain language from my students. Often if I’m teaching some words, or doing an introduction, rather than just lecturing them about a subject, it’s a good idea to get them to give me certain words – it tends to keep the students involved and makes them a bit more productive, and it also allows you to see which words they know and don’t know. What verb means to get a piece of information, a word or a reaction from people by asking certain questions?
How do you spell that?
What adjective is a synonym of ‘illegal’ and means ‘not allowed or approved by a rule’.
How do you spell that?
How are they pronounced?
Answers:
Elicit (verb) Illicit (adjective)
The E of elicit is the prefix ex–, which is here used to form a word bearing some sense of “out” or “from”, like exhale and exterior. The –licit in both words is also entirely unrelated: in illicit it comes from the Latin verb licere, meaning “to allow” (as in licence), whereas in elicit it derives from the Latin lacere, meaning “to lure” (which is also where the word delicious comes from). (indy100.com)
Quick Discussion Questions
When you were growing up in the 60s, were you ever given information about illicit drugs? Did many people use illicit substances at that time?
The Shakespeare play “Macbeth” – what feelings do you think it elicits in its audience? What’s the main feeling that it elicits?
How about films. How do they elicit reactions from the audience? Think of a horror film for example.
ROUND 5
What is the difference between the word ‘affect’ (with an ‘a’) and ‘effect’ (with an ‘e’)?
How are they pronounced?
Answers:
Affect (verb) Effect (noun)
The root of both is the Latin facere, meaning “to make”, but while the E of effect comes from the same prefix as elicit, ex–, the A of affect comes from the prefix ad–, which is used to form words bearing some sense of “towards”, “on” or “a coming together” like adjoin or ashore. To affect ultimately means to have an effect on something, while an effect is an outcome. (indy100.com)
Quick Discussion Questions
How does wine affect you? Does it affect you in the same was as it affects other people?
What are the good and bad effects of wine?
ROUND 6
How would you describe someone whose hair is going grey, making them look quite cool and perhaps even quite tough. It’s the sort of word you might use to describe a police detective or a cowboy who is getting older and has had some tough experiences, which you can see in his greying hair – but he’s not really old yet, just experienced.
How do you spell that?
What’s another word for a brown bear? They type of bear you might come across in Yellowstone National Park in the USA. They’re brown but they have some grey-ish hair around the shoulders, head and ears.
How do you spell that?
What adjective would you use to describe the disgusting or explicit details of a murder. Something which is very unpleasant and that would be horrible to look at.
How do you spell that?
Answers:
Grizzled (adj) = going grey (usually used in a literary context) Grizzly (adj) = also going grey, like ‘grizzled’ but usually ‘grizzly’ is just the word for a type of brown bear Grisly (adj) = extremely unpleasant and horrible
If something is horrible to look at then it’s grisly, not grizzly. Grizzly with two Zs is a descendent of the French word for “grey”, gris, and comes from the older use of grizzled to mean “grey-haired” (despite grizzly being another name for a brown bear, of course).
Grisly with an S is a descendent of grise, a Middle English word meaning “to shudder with fear”. (Indy100.com)
What kind of movie star would you rather watch in a film – a fresh faced young-looking hero or a grizzled hero? Can you think of any examples?
Have you ever seen a grizzly bear?
Do you think the news should report all the grisly details of a story?
ROUND 7
Imagine there’s going to be a zombie apocalypse. It’s a terrifying thought. It would be a good idea to collect and store lots of food, drink and supplies. To stockpile things, and hide them so that nobody else can find and use them, but you’ll be able to keep them and survive. What verb am I thinking of?
How do you spell that?
Now imagine loads of zombies in a huge group, or in fact many large groups of zombies surrounding your house or out in the street. What noun could you use to describe these groups of the undead. Of course this word could also be used to describe groups of ordinary people too, but it sounds a bit negative – frightening or unpleasant, perhaps.
How do you spell that?
Pronunciation?
Answers:
To hoard something (verb) = If you hoard things such as food or money, you save or store them, often in secret, because they are valuable or important to you. They’ve begun to hoard food and gasoline and save their money. [VERB noun] The tea was sweetened with a hoarded tin of condensed milk. [VERB-ed]
A horde of something (noun) = a large group of people, usually considered quite threatening or scary.
This attracts hordes of tourists to Las Vegas. [+ of] …a horde of people was screaming for tickets.
Around a quarter of all the citations of the word hoard (a noun meaning a store of valuables, or a verb meaning “to accumulate” or “stockpile”) in the Oxford English Corpus are incorrect, and should really be horde (a large group of people).
In English, hoard is the older of the two and derives from an Old English word for treasure – wordhoard was an Old English word for a person’s vocabulary. Horde is completely unrelated, and has an E on the end of it because it comes from an old Turkish word, ordu, for an encampment. (Indy100.com)
Quick Discussion Questions
What would you do if you found out that there would be a zombie outbreak? What kinds of things would you hoard?
What would you do if your house was surrounded by a horde of zombies?
ROUND 8
Imagine a road which is full of twists and turns. How would you describe it? How about a piece of writing or perhaps a process which is really complicated and time consuming. Which word would you use to describe those things?
How do you spell that?
Which adjective could you use to describe something that causes great pain and suffering?
How do you spell that?
Pronunciation?
Answers:
Tortuous = twisting and turning (road), complex and time consuming (process, writing) The only road access is a tortuous mountain route. …these long and tortuous negotiations aimed at ending the conflict. The parties must now go through the tortuous process of picking their candidates. Torturous = like torture – very painful and agonising. This is a torturous, agonizing way to kill someone.
Confusion often arises between these two not only because of their similar spellings, but because something that’s tortuous can often seem torturous.
Tortuous without the extra R means “full of twists and turns”, and is derived from a Latin word, tortus, for a twist, or a twisting, winding route. If something is torturous then it’s akin to torture, hence the extra R. (Indy100.com)
Quick Discussion Questions
Would you like to be involved in the Brexit negotiations? Why not?
You wrote a book once. How was that experience? Was it tortuous? (complicated) Was it torturous? (painful)
How would you describe Yoko Ono’s singing?
What about the experience of having your teeth pulled out, by Yoko Ono, while she’s singing? (Torturous, right?)
ROUND 9
Imagine your wife is pregnant (I know!) and you go to a doctor for a scan. You and your wife are very worried about the health of the baby because a previous test suggested that there might be a problem. So, you’re both feeling very worried and nervous, and you really want the doctor to put your worries at rest, but the doctor seems completely insensitive to this and doesn’t even seem to realise that you’re worried. You think, is he being deliberately like this? This word means slow to understand something and also insensitive.
How do you spell that?
How would you describe something that was really complex to understand, abstract, deep, highly intellectual. E.g. a book about abstract existential philosophy, or the rules of cricket.
How do you spell that?
Pronunciation?
Answers:
Obtuse (adj) = mentally slow or emotionally insensitive “How can you be so obtuse? Is it deliberate?” Abstruse (adj) = hard to understand because of being extremely complex, intellectually demanding, highly abstract, etc.; deep; recondite [formal, disapproval] …fruitless discussions about abstruse resolutions.
How can you be so obtuse? The Shawshank Redemption – Andy discovers evidence that proves he is innocent. The warden seems to choose not to realise how this could get Andy out of prison. Andy says “How can you be so obtuse? (slow to realise the significance of this) Is it deliberate?
No questions, your honour.
ROUND 10
Imagine a long summer evening, long shadows, golden sunlight, a pleasant temperature. You can just relax in a chair and take your time, soaking up the pleasant rays of deep golden light. How would you describe that weather?
How do you spell that?
What about someone who’s a bit crazy and foolish?
Spelling?
Pronunciation?
Answers:
Balmy (adj) = Balmy weather is fairly warm and pleasant. …a balmy summer evening.
Barmy (adj) = If you say that someone or something is barmy, you mean that they are slightly crazy or very foolish.
[British , informal , disapproval] Bill used to say I was barmy, and that would really get to me. This policy is absolutely barmy. UNITED! BARMY ARMY! UNITED! BARMY ARMY! (football chant)
Is the weather balmy or barmy? It’s balmy with an L if you’re talking about something pleasantly warm—literally, something as pleasant as balm, in the sense of an aromatic, healing lotion or salve.
It’s barmy with an R when you’re talking about something (or someone) foolish or crazy—literally, someone as frothy and as flighty as barm, which is the froth that forms the head of a pint of beer. (Indy100.com)
How was the weather in the UK this summer? Did you have any balmy summer evenings?
At what time of the year is the weather at its balmiest? What do you like to do when the weather is balmy?
What do you think of Brexiteers? Are they a bit barmy or is there something else going on?
Thank you for listening!
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Talking about some modern art which I saw while visiting several galleries in Los Angeles. Includes descriptions of different movements in modern art, details about some famous artists and their work, some thoughts about whether modern art is really amazing, or maybe just a load of pretentiousrubbish! (Spoiler alert: it depends)
Hi everyone, here’s part two of my holiday diary and in this one I’m going to continue describing things I saw and did on my recent holiday in the USA. The plan is not just to describe our trip but also to use it as a springboard to talk about some other subjects in a bit of depth, and in this episode that includes things like modern art (describing some different types of art from the modern period and giving my thoughts on some art work that we saw in a couple of galleries) astronomy and astrology, flat-earth conspiracy theories and probably some other things too, depending on how long this takes! It looks like this is going to be a series of episodes with what I hope will be an interesting variety of topics beyond just me talking about my holiday.
I’m recording this on the same day as I uploaded the last one. So I’m already seeing some messages coming in from people on Twitter and FB and stuff (in response to part 1), so thanks a lot for your kind messages saying congratulations for the fact that we’re going to have a baby.
Ok, let’s carry on!
Just to recap
We went to USA to have a blow-out before the arrival of our baby in December. A final trip just the two of us. Los Angeles via Montreal, then the canyons and Navajo Nation, then back to LA and home again.
Modern Art
Downtown Los Angeles
Tried to go to an art gallery called The Broad. This is a flashy-looking new art gallery. We went to see an interesting installation by Japanese artist Yayoi Kusama, but there was a huge queue outside – probably attracted by the installation, which is proving really popular. Apparently it’s called “Infinity Mirrored Room — The Souls of Millions of Light Years Away” which is…
“a mirror-lined chamber housing a dazzling and seemingly endless LED light display. This experiential artwork has extremely limited capacity, accommodating one visitor at a time for about a minute” The Broad website.
An installation =a work of art constructed within a space in a gallery.
We ended up in The Museum of Contemporary Art LA, just down the road from the broad.
Also went to LACMA (Los Angeles County Museum of Art) at one point during the trip.
Artists whose work we saw
We saw work by some celebrated artists from several important movements in modern art.
Including:
Pablo Picasso (Spanish, Cubism, surrealism – mainly in the first half of the 20th century and middle of the 20th century) Jackson Pollock (American, Abstract expressionism – late 1940s) Rothko (American of Russian Jewish descent, Abstract expressionism, 50s and 60s) Franz Kline (American, Abstract expressionism, 50s and 60s) Roy Lichtenstein (American, Pop art, abstract expressionism, 60s) Andy Warhol (American, Pop art, most well-known stuff is from the 60s)
And lots of others too.
Movements in Modern Art
Here’s a timeline of art movements in history from www.dummies.com
I’m describing art movements from the early part of the 19th century.
Contemporary art = art being made now Modern art = art from the modern era – late 19th Century and through the 20th century. Arguably we are now in the post-modern era Cubism (n) = an art movement in which artists went away from realistic representations of things and instead used geometric shapes, different kinds of perspective, lines, as if objects could be viewed from a number of different points of view all at the same time. Things exist in a kind of prism of perspective and the way you or the artist looks at something, changes its form. Surrealism (n) = an art movement in which objects or ideas are presented in a strange way, as if in some kind of dream or perhaps representations of the subconscious mind Abstract (adj) = this concept refers to things that aren’t real or tangible, but which exist in the world of the mind or outside reality as we usually see it (e.g. not just illustrating a bowl of fruit) Expressionism (n) = representing feelings or emotions rather than objects or things Abstract expressionism (n) = the name of the post WW2 art movement that combined the freedom of expression from expressionism and the use of abstract forms Pop art (n) = the name of another art movement, this one involved techniques, methods and styles from popular culture like product design, comic book style or photos of celebrities.
What do you think of contempary art, or modern art?
You might think:
“It’s just a bunch of colours or shapes!”
“Anyone could do that!”
“It’s just a load of pretentious nonsense!”
Very common reactions. I think like that too, quite often, especially if I think it’s not very good art.
What makes art good or bad?
You just know it when you see it. If it really doesn’t move you, please you or interest you, you might say it’s bad art, because ultimately it’s in the eye of the beholder – but not completely, because you also have to invest a bit of time and effort into it and also it helps to understand how the work fits into the overall history of art. You have to have some respect for it in order to start appreciating it as work, and ultimately then it can start to enrich your life in some way, but I think art is quite pretentious, which many people have a problem with.
What does pretentious mean Luke?
Something is pretentious (spell it) when it’s trying to seem important, clever or sophisticated, but it isn’t really.
E.g. talking about a work of art like it is the grandest, most important, most emotionally resonating work of genius in human history, and it’s just a blank piece of paper, or a picture of a willy or something.
I think it’s more than just a willy, it’s a statement about… blah blah blah…
So you might think modern art is rubbish.
Or maybe you’re a fan and you think “I love the way the artist plays with different forms and colours. It’s incredibly liberating and fascinating to experience it. I find it inspiring, moving and fascinating.”
It’s quite difficult to talk about art without sounding pretentious, to be honest.
I have mixed feelings about it. Only the really good stuff tends to move me. I mean, it’s rare that it works on me. But I do enjoy the experience of going around a good gallery, looking at work which has stood the test of time.
I also like talking about it. I like the way modern art or abstract art is so open. You feel like you’re interacting with it, but I always need to talk about it. It’s a chance to be totally open-minded and to try and put it into words.
But it’s not something I’m thinking about all the time.
I’m more moved by music (most kinds), acting, films, TV, books, photography (with real stuff in them – like people’s faces or moments in time captured) but when it’s right modern art can be great. Also it works as decoration, but it’s something you can also look closely at and let your mind wander. (wander like go for a walk, but also wonder meaning think about things, but “let your mind wander” is the right expression”.
Expressionism or abstract expressionism – what’s it all about?
This is just me having a stab at describing abstract art.
It seems to me that it’s about creating abstract spaces with no rules at all.
It’s a system with no external reference points (unlike films) it’s just a series of shapes or forms arranged in space which are designed to create certain emotions or feelings in you at a kind of elemental level, or gut level, or sensory level.
Sometimes thinking about it is what you’re not supposed to do, you just have to experience it. It can be something as simple as how it feels to experience these colours and shapes arranged in a certain way.
It could be the way the colours blend together, or certain forms stand out, or the basic gut reaction you have when looking at the canvas.
It’s supposed to be moving at a very natural level, just the interactions of forms in a physical space.
When you realise that it can be liberating and you feel like you’re entering into a conversation with the artist which is free from the constraints of language.
That’s the idea, but to be honest I often find myself getting absolutely nothing from it.
Art vs the art of nature (pretentious, moi?)
OK, so this is where I’m going to get really pretentious and talk about rocks like they’re works of art, but what are you going to do, sue me?
Some of these work of art were or are created in a way that seems to allow the hand of nature to guide the artist somehow, like Pollock who would often drip paint onto the canvas – he wouldn’t always touch the canvas with his brush, but would somehow involve an element of chance or nature in the way the paint splashed as it fell, combining his own judgement and an element of chaos in terms of how the paint ended up falling on the canvas.
The result is like looking inside the emotional space of the artist and you can feel his experience somehow in a way that you can’t put into words – at the moments of rage, passion, serenity or terror, or just the sense that he was experiencing a lack of control in his life or he was subject to emotions or experiences that he didn’t necessarily have a grip on, and yet experienced in the form of emotion. That sounds really pretentious, I know. But when you look at his work, you can choose to say “this is just bollocks” or you can decide that the guy clearly was very serious about what he was doing so there must be something in it. What was he looking for? Something to do with the balance of colours, the texture created by the many drops of paint and the overall sensory effect it creates.
It’s like entering a mood, and with Pollock that mood isn’t entirely happy.
I have the same feeling with Rothko. He managed to paint these pieces that look like just large blocks of colour, but as you stand in front of them and absorb them, the colours seem to blend slightly and become luminous or darker and you get this sense of depth or space and it fills you with a certain emotion. Often it’s a sadness, wistfulness or even a slight sense of stimulation. It defies description, it’s more of a gut feeling.
And by the way, looking at the real thing is far better than looking at a print or poster version in a frame on the wall of your house.
The real thing is a certain size, presented in certain conditions, proper lighting, you’re seeing the actual strokes of his brush or some sense of how he did it, you see the texture of the finished thing, which is important too.
Going back to Pollock – he would work on these big canvases on the floor and would start from scratch letting the painting develop as he added more and more layers but other artists took a different approach like Franz Klein who would plan his abstract work on a small-scale, just sketching it by hand, before recreating the sketch on massive canvases. What was a few scratched lines on a piece of paper becomes a huge striking piece of work. The effect is a bold mix of broad straight lines that combine in haphazard fashion. We kept thinking his paintings looked like close up images of plane crashes done in black and white, like the vague sense that it looked like a WW1 biplane had crashed. That’s not what they were of course, they were just lines, but the point is that the work has this dynamic urgency. They’re violent, bold and stark. Our brains just interpreted them as somehow like a plane crash.
Those are abstract expressionists.
There are lots of loads of other kinds of art, like pop art (Andy Warhol) which sort of consumed aspects of consumer culture with the idea that art could be mass-produced and that every day consumer objects could be works of art too if presented in that way, and I think we’re still experiencing the influence of that today with things like t-shirts with cool designs on them or the fact that we consume logos and brands as a form of art – on t-shirts, even on posters to decorate our homes. Pop art was also a comment on consumer culture – for example Andy Warhol’s famous work with lots of virtually identical screen prints of movie stars with different coloured backgrounds, or just a tin of Campbell’s tomato soup. It’s like examining everyday branded objects as works of art.
I don’t really understand it all, but it is fun to go to an art gallery, drink a load of coffee and then just stare at this stuff and see what it makes you think about and feel.
Anyone can do art, but to do it well is actually really difficult.
It’s not just a bunch of colours on a canvas, it is backed up by intention, technique and a general appreciation of the aesthetics of shape, colour and texture.
So, we saw some modern art, and it was pretty cool.
But honestly, the art we saw just could not be compared to the truly stunning works of nature that we saw later on in our trip in places like The Grand Canyon – objects and environments that had been formed by natural processes over millions of years.
It seems to me that from the point of view of the observer, the exact same forces are at work.
When you look at art or when you look at a mountain or a rock formation you get the instant emotional and intellectual reaction of seeing these incredible shapes, colours and textures, and you experience the wonder of imagining exactly how they were created and the story that they tell.
I must say I was blown away by the geology we saw on this trip, which I’ll describe in more detail later. It was so stunning that at times I was lost for words and it all resonated with us so much that it was quite hard to come to terms with it.
You might think – oh come on it’s just big rocks. And it is just big rocks of course, but I think we all find these things impressive and I’m just trying to capture that feeling in words.
So, I know this sounds pretentious or something, but literally every day we would arrive at a different location to be greeted by ever more impressive natural spectacles. After spending time in each place, doing some walking, getting quite hot in the sunshine, we would be quite exhausted at the end of each day and we’d have this stunned by stimulated feeling during dinner – trying to comprehend what we’d just seen. We also couldn’t sleep during the night. It was like our brains couldn’t rest until we’d somehow compartmentalized the things we’d seen.
The Grand Canyon is the biggest thing I’ve ever seen. It’s so big it makes you feel so insignificant, like a blink in the eye of history.
In some parts of these national parks you’re looking at geological formations that go back something like 500 million years.
And they’re so big that you feel completely dwarfed by them.
This was far more impressive than the modern art we saw, and it made the modern art just look like primitive cave paintings by humans trying to get a grip on the power of basic shapes and colours.
Basically, what I’m trying to say is that nature is the most powerful artist out there.
And I say nature, because the whole story of nature is in these rocks.
The whole thing has been created by different natural forces over hundreds of millions of years.
It makes total sense that water, over such a long period, could erode the rock into these unbelievable shapes. That ice would break up the rock, forming bizarre shapes, that what was once a crack in the ground could become a huge open canyon with a river at the bottom.
So, nature is what formed these things, simply through the presence of certain elements on earth and the actions of the laws of physics.
Pretty mind-blowing stuff. But the modern art was a good way to get into the mindset of appreciating the aesthetics of things.
Let me know your thoughts on modern art. Is it amazing, or is it rubbish? Leave your comments below.
…and thanks for listening.
Luke
Want to see some examples of the art I described in this episode? Click the links below.
Andy Warhol – Marilyn Monroe screen prints from