In this episode I talk to my parents about the topic of William Shakespeare. Enjoy a conversation about this important figure in English language and culture, with two other important figures – my mum and dad!
We discuss the enduring appeal and significance of William Shakespeare’s work, biographical details of his life, the key themes in Shakespeare’s plays, and the impact of his language on modern English. We try to explain the qualities that make Shakespeare great, using examples from plays like Hamlet, Twelfth Night, and Macbeth.
PDF available with transcript, vocabulary list and vocabulary quiz. Premium listeners – watch out for a language review of this episode coming soon, in P68 “Learn English with Shakespeare” parts 1 & 2.
🎧 Learn English with a short story. 🗣 Listen & repeat after me if you’d like to practise your pronunciation. 💬 Learn some vocabulary in the second half of the video. This is a story about people watching and what you can notice about people’s relationships if you are observant enough.
In your early / late twenties, thirties, forties, fifties, sixties, seventies, eighties
To look married (look good, look tired, look happy, look married, look bored)
Unmistakably married
They were married. It was unmistakable.
Mistakable = easily confused for something else
Unmistakable = not easily confused for something else – you can immediately identify it
The unmistakable smell of fresh bread in the air
They looked unmistakably French / unmistakably English / unmistakably yours/hers/his (this handwriting is unmistakably his)
Why are they unmistakably married? What does she mean? She’s alluding to subtle behaviour. When a couple are unmarried or perhaps in the early stages of a relationship they tend to give each other a lot more attention. They might be still trying to seduce each other somehow, or to attract each other. There’s still mystery and interest. Brand new couples can hardly take their eyes off each other. I imagine this couple is unmistakably married because they show signs of the relationship suffering from over familiarity. They mystery is gone, maybe. Perhaps they seem very familiar with each other, or very comfortable with each other. Marriage can make people feel stuck (not always!) especially if the marriage is based on the wrong things.
A banquette = a long, fitted seat or bench, typically found in restaurants
Narrow – opposite of wide – a long narrow corridor
We get the sense this is a small, intimate space. It’s also uncomfortable, painfully so.
The couple and other guests in the restaurant are all so close and this makes the man’s humiliation and the woman’s heartbreak even more painful.
The narrator is unable to stop “people watching” here – observing this couple opposite.
Also the couple sit side by side, not facing each other, which suggests that they’re not all that interested in each other.
You start to speculate – what does this woman mean to this man? Is she there just to sit by his side and look glamorous?
A round face
Self-satisfied (definitely a negative word) smug, arrogant, not charming
Fadingly pretty
Fading = gradually becoming less clear, less bright, less colourful. Her prettiness was fading.
A big hat – I imagine it was one of those hats with a big brim, which can be very glamorous but also hides the face.
Conspicuous = noticeable, easy to notice, eye-catching (apparently in those days big hats were not uncommon in New York restaurants)
Basically, they looked quite ordinary really, and weren’t trying to grab/attract everyone’s attention.
An occasion – a particular event, a birthday, an anniversary, something to celebrate
The wife had planned a surprise for him (past perfect because she planned this before any of the events in this story) without past perfect it could mean that the wife planned the surprise there at the table
A surprise in the form of a cake – “in the form of” here means that this is how the surprise was actually manifested. I mean, what was the surprise, how did this surprise take shape? The surprised arrived in the form of a cake.
The gift came in the form of a beautifully wrapped package.
Their support came in the form of encouraging words during a difficult time.
The solution to the problem arrived in the form of an innovative new technology.
Help arrived in the form of my wife who came to rescue me (from an awkward conversation for example)
A glossy birthday cake = shiny & smooth, so the light reflects off the top. It’s one of those smart, fancy cakes that you see in good quality cake shops.
One pink candle burning in the center (American English spelling) – this is a little bit sad, isn’t it? Also, if this guy takes himself quite seriously, he might find that a tiny bit embarrassing – bringing attention to him, and this little cake with a pink candle might make him feel a bit ridiculous, especially if he is full of himself and takes himself seriously. But it is a lovely, sweet gesture and we just want him to be embarrassed but also touched and it would be a great moment for him to blush and smile and kiss his wife and maybe acknowledge the other diners with a smile, but he doesn’t.
The head waiter – so the wife probably asked the restaurant to make a special effort here, which again shows how much care she put into this.
He placed it before the husband. This means he carefully put it down.
Meanwhile = at the same time
The wife beamed with shy pride over her little surprise
Beamed = her face glowed, she smiled, she seemed proud. To “beam” means that light comes out – like a torch, or a light house. In this case the woman’s face beamed with a certain emotion or an expression.
Pride – to feel proud = she’s happy and satisfied with what she has done. She’s put a lot of effort into this and expects it to go well. She’s trying.
It became clear (obvious) at once (immediately) that help was needed (passive voice – needed by who?) We feel that the narrator suddenly sees that this woman is helpless in this situation. She’s in trouble. But nobody can help her without making it worse.
The husband was not pleased.
He was hotly embarrassed. – not a common collocation but it tells us that his face probably went red and he was angry.
He was indignant = angry, annoyed, frustrated with his wife because of what she’s done.
Don’t belike that = don’t be that way
As soon as the little cake had been deposited on the table = quite formal and impersonal language, meaning put in a certain place. Money is deposited in an account. It’s quite cold, transactional language.
The birthday piece – a piece of music
The general attention had shifted = moved
I saw him say something to her under his breath = in a very quiet voice, in a whisper, so other people can’t hear
Some punishing thing = a comment which was designed to punish her, to make her feel bad
Quick (just a few words) and curt (rudely brief – rude because it is so short) and unkind (cruel).
I couldn’t bear to look
Can’t bear to do something
Can’t stand doing it
Can’t bring myself to do something
When I finally glanced over there = looked quickly
This is heartbreaking!
Adverbs
Crying quietly
Crying heartbrokenly
Crying hopelessly
All to herself (she was doing it all by herself, but also crying to herself – a very lonely feeling where you are the only one witnessing your crying – the husband doesn’t care it seems)
All to herself / all by herself
Under the big gay brim of her best hat. (Gay in it’s original meaning, “carefree” “happy”)
The brim of the hat = the wide edge
This is a particularly sad image because of the contrast between this lovely hat that should be worn on a happy and carefree occasion, but under it this poor woman is crying.
Here’s a bonus episode, and it’s for fans of my brother’s music. James’ new album is out now and so we decided to record this episode in order to promote it and also to talk generally about music, including a chat about favourite albums, first albums we ever bought, albums we discovered in our parents’ record collection and more.
A conversation about two legends of contemporary popular culture – Bob Dylan and John Lennon, with pop-star academic Jon Stewart (guitarist in The Wedding Present and Sleeper).
Jon Stewart is an interesting mix. He is both a university lecturer and a pop star. He runs a Masters Degree course in Music Business and Popular Music Practice at the BIMM Institute in London, and he also plays guitar for legendary British band The Wedding Present, AND classic ‘Britpop’ band Sleeper.
So, Jon knows all about the music business from both a personal and academic point of view. In this conversation I ask Jon about his new book “Dylan, Lennon, Marx and God” which is an amazing dual-biography of John Lennon and Bob Dylan, two of the most significant figures in contemporary popular culture.
Jon talks about the way Dylan and Lennon used language in their work, the references they make to the culture they grew up in, including their spiritual and political views.
Jon also talks about his time as a musician, including working with Elvis Costello and George Michael, and a funny story about John Lennon’s “Imagine piano”.
I hope you find this conversation as fascinating as I did. If you like it, consider getting a copy of Jon’s book!
Flashback to the 1990s! This is Sleeper on Top of the Pops in 1995. Jon is playing guitar on the left of the stage. Great song!
Luke reads verses from a modernised version of this medieval poem, considered one of the masterpieces of Middle English literature. Listen to hear the rhyme and rhythm of the poetry, the descriptive vocabulary and details of the story, with vocabulary explanations and comments from Luke. This is part 2 of a double episode about this story. Video version available with on-screen text.
Sir Gawain and The Green Knight by Simon Armitage, published by W. W. Norton & Company (available in all good bookshops)
Introduction Transcript
Hello listeners,
Welcome to episode 779 of my podcast for learners of English. This is in fact part 2 of a 2-part episode.
In part 1 of this (episode 778), I talked to my dad about an old poem from the medieval period in Britain.
The poem is basically a really mysterious and wonderfully descriptive adventure about a knight from King Arthur’s table at Camelot.
King Arthur was a mythical king of Britain who people told and wrote stories about, many centuries ago.
We’re not sure if he really existed, if the stories about him are all fictional, or some combination of those two things.
Anyway, the Arthurian legends, or stories of King Arthur and his Knights from Camelot are full of magic, chivalry and adventure.
Chivalry means the rules that all honourable knights had to follow – a code of honour.
Anyway, the poem I talked about with my dad in the last episode is about one of Arthur’s knights who accepts a strange and dangerous challenge. The poem is called Sir Gawain and The Green Knight.
If you listened to episode 778, you heard my dad describing the story of the poem, the linguistic style and how it fits into British history and the history of the English language.
At the end of that episode I read some verses from a modernised version of the poem, by Simon Armitage.
In this episode I’d like to read some more verses from the poem, but this time I’d like to explain some of the vocabulary and other aspects of the language while I am doing it.
So here you will be able to hear part of a medieval poem written in middle English, which has been updated into modern English, with explanations and comments from me.
Again, the poem is called Sir Gawain and The Green Knight.
It was probably written in England in the 14th century (probably around the year 1370).
Since this text was discovered it has been studied and translated and is now considered one of the greatest works of medieval English literature.
Modernised versions have been published, including one by JRR Tolkein and another one more recently by Simon Armitage.
The one I’m going to read from here is the modernised version by Simon Armitage, which is available as a book from W. W. Norton & Company – you can get it in any good bookshop.
I do recommend it. It has a really interesting introduction and it presents both the modernised version and the original text, side by side.
In terms of language, there are three main things to notice.
These linguistic features or poetic devices were all present in the original version and Simon Armitage has done a great job of replicating them in this modern version.
Alliteration This is when the same sounds are used at the beginnings of words.
It creates a kind of rhythm or music to the lines.
Examples:
a fearful form appeared, framed in the door
a mountain of a man, immeasurably high,
a hulk of a human from head to hips,
so long and thick in his loins and his limbs
I should genuinely judge him to be a half giant,
or a most massive man, the mightiest of mortals.
The “Bob and Wheel”. This is a poetic device which can be found in poems from this era.
Each “stanza” (group of lines) ends with two syllables (the bob) and then four flowing lines which follow (the wheel)
So listen a little while to my tale if you will
and I’ll tell it as it’s told in the town where it trips from
the tongue;
and as it has been inked
in stories bold and strong,
through letters which, once linked,
have lasted loud and long.
Descriptive vocabulary The poem is full of vivid descriptions, and Simon Armitage has managed to modernise the vocabulary so most of the language used here is up-to-date and still used by people today.
So, let’s get into the poem.
I’ll read each verse one by one, and then I’ll go back through and explain the language.
You could try to repeat the lines of the poem after me. That would be a good way to practise your pronunciation.
I’m going to start reading from line 130.
Just to bring you up to speed with the story, here’s what happens between lines 1 and 129.
The poem begins by referring to Greek mythology. It briefly describes the fall of Troy and the foundation of Rome, and it makes a clear connection between King Arthur of Britain and those heroes from Greek and Roman mythology.
It’s Christmas in Camelot and King Arthur is celebrating with a big feast (a big meal which lasts for a long time).
The poem describes the celebrations, the food, the games they’ve been playing, the decorations, the seating arrangement with all the knights, ladies and their guests. King Arthur’s wife Guinevere is there, and the poem describes how beautiful she is.
They are just about to start eating, when the celebration is interrupted by something extraordinary.
Luke reads lines 130 – 466 from the Simon Armitage version of the poem.
A conversation with my dad about a great medieval adventure story originally written in middle English and updated and translated into modern English by Simon Armitage. Dad talks about the origin of this story, its connection to the history of the English language, and the poetic devices used in the writing. In the second half I read a summarised version of the story and some verses from Armitage’s modernised version.
[DOWNLOAD]
Introduction Script
Hello there, how are you? Hope you’re well. Just before we start – a quick bit of news.
So, my full time teaching schedule at school has ended now and I have about 1 week to work on LEP content, and upload it before the August summer holiday begins. I’m not sure if I will be able to work during August, because “hello” it’s holiday season – my daughter is off school, we’re going on holiday in France and in the UK, and I might not bring my computer with me and so on. So I might upload loads of content this week, which you can listen to during the summer. I don’t want to overload you, but also I don’t want to underload you (is that a word).
In any case, it’ll be like waiting for a bus again – you wait ages and then 3 come at the same time. This includes premium content. An update about LEP Premium: New episodes will be arriving very soon, including P35 part 2, which is full of pronunciation practice. As you may know, LEP Premimum is still in a transition from Libsyn to Acast and during this time I can’t upload episodes because of a slight issue relating to transferring 6 and 12 month subscriptions, but this is going to be solved very soon, and as soon as it is solved, new premium content will arrive. If you are a premium subscriber on Libsyn (the old system) with a 6 or 12 month subscription, and you’re keen to move to Acast – I will be contacting you soon with a solution to the situation. Just hold on. If you don’t understand what’s happening, check my website for updates. But mainly – just hold on.
If you are new to LEP Premium, you can go ahead and and sign up through Acast+ – it’s www.teacherluke.co.uk/premium or click the link in the description. If you do that you will be supporting this whole project and in return you will get access to all the LEP Premium episodes (well over 100 vocabulary, pronunciation and grammar practice lessons) PDFs, videos and also you get ad-free episodes of LEP. If you’re wondering how it all works, have a look at my website where you will find all the information you need, including how to access the PDFs and how to add LEP Premium episodes to your podcasting app of choice.
— Jingle —
Hello everyone,
In this episode, my dad is back, but it’s not the Rick Thompson Report, so no politics this time. Instead we’re doing an episode that we have been hoping to do since Christmas last year.
In this one, Dad is going to tell us about an old story from the Arthurian legends – that’s a set of stories about the mythical King Arthur and his Knights of the Round Table. British legends and folklore.
The story we’re talking about is in the form of a poem called Sir Gawain & The Green Knight. This long poem was probably first written down in the 14th century by an unknown poet, but the story is probably much older than that, and part of a long oral storytelling tradition.
What Dad is going to do is describe the significance of this story, give us a summary of the plot and also he will make some comments about the history of the English language, and the rhythmic and rhyming style used in the original 14th century version, which was written in what we now call middle English. My dad studied English literature at university in the 1960s and this was one of the texts that he studied, and so he knows it quite well.
Recently the old 14th century version of this poem was updated by a modern poet called Simon Armitage (the current poet laureate in the UK). Armitage has managed to write a modern version of this poem using modern English vocabulary, but it retains many of the linguistic and poetic devices of the original, including certain forms of rhyme and rhythm that made the poem so effective.
My dad got that version for Christmas and that’s what inspired us to do this episode.
It should be interesting for you to hear the story, hear my dad’s comments about it and learn how this fits into the history of the English language.
In the second half of the episode I will read you a summarised version of the full story just to make sure you get to hear an uninterrupted version, plus I will read out a few verses of the Simon Armitage version of them poem, again, to give you a good chance to hear some the rhythm and rhyme of it uninterrupted.
So, if you are sitting comfortably, let’s begin.
Ending Script
Well, how was that?
You might be keen to hear more of the story and to hear more samples of the poem. That’s what I’d like to do in this ending part.
I’m going to do a couple of readings for you now.
I thought it would be useful for you to hear a brief version of the whole story, just to give you an overview and to make sure you’ve understood the whole thing. Then I’ll read a few of verses from the Simon Armitage version, in order to give you a flavour of the poetry with its distinctive style: wonderfully descriptive language and a particular rhythm, which was originally used in the 14th century version, as my dad described.
A Summary of the Story
This is a version of the story, from a TED Ed video by Dan Kwartler.
Credit for this version goes to Dan Kwartler and there’s an animated version of it here https://youtu.be/SaQImmPev2o I have adapted this version slightly.
This doesn’t have the rhythmic style of the original poem, or the richly descriptive language.
But it does tell the story quite briefly. I’m not going to explain all the words here. I might do that in part 2 (If there is a part 2).
It was Christmas time in Camelot
and King Arthur was throwing a party.
The entire court was invited,
except for the evil sorceress Morgan le Fay.
The food and drink flowed freely.
But in the midst of all the revelry,
the castle doors suddenly split open.
A tall knight riding an emerald horse
burst into the room,
stunning the court into silence.
He was green from head to toe,
including his skin, hair and clothes.
Even his horse was green.
Then, in a deep bellowing voice, he proposed a game.
The Green Knight declared that he would allow
the bravest warrior present
to attack him with his own axe.
If they could strike him down, they would win his powerful weapon.
However, the knight would be allowed to return that blow
in one year and one day.
Arthur and his knights were baffled.
No man could survive such a strike.
How would the Green Knight be able to return the blow in a year’s time?
The Green Knight began to mock their leader’s hesitance,
and Arthur stood up to defend his honour.
But as soon as he gripped the axe,
another person leapt up to take his place.
It was Arthur’s nephew,
Sir Gawain,
who decided he could not let the king be drawn into such a macabre game.
Keen to prove himself as a worthy hero,
Sir Gawain took the weapon instead.
The Green Knight knelt down to receive the blow from the axe,
even moving his hair away to expose the naked green skin of his neck.
With one swift strike, Sir Gawain beheaded the knight.
But the moment his skull hit the ground, it began to laugh.
The Green Knight bent down,
collected his head
and mounted his horse.
As he rode off,
his severed head reminded Gawain of their contract
and told him to seek the Green Chapel
one year and one day from that moment.
In the months that followed, Gawain tried to forget this bizarre vision.
But despite the strangeness of the knight’s game,
Sir Gawain was determined to act honourably and fulfil his promise.
When the following winter approached,
he set out —
enduring foul weather
and encounters with dangerous beasts
in his quest to find the mysterious Green Chapel.
Finally, on Christmas Eve, he saw a shimmering castle on the horizon.
The castle’s lord and lady were thrilled to help such an honourable guest,
and informed him that the Green Chapel was only a short ride away.
They implored Gawain to rest at their home until his meeting with the Green Knight.
Thrilled at this news, Gawain happily accepted their offer.
However, in exchange for this hospitality,
the lord made a strange request.
Over the next three days, he would go hunting
and every night he would share whatever he caught with Gawain.
In return, Gawain must give him whatever he’d gained during his day at the castle.
At first, Gawain was perplexed by these strange terms.
But the lord’s meaning became quite clear the next day,
when his wife tried to seduce Gawain.
To rebuff the lady’s advances without offending her honour,
Gawain allowed one kiss —
which he then passed on to her husband in exchange for a slain deer.
The next day, Gawain allowed two kisses,
which he gave to the lord for a dead boar.
But on the third day,
the lady offered more than just three kisses.
She presented a magical sash that would protect Gawain
from the Green Knight’s blade.
Gawain accepted immediately,
but that evening,
when the lord returned,
Gawain offered only three kisses and did not mention the enchanted gift which he had received.
The next morning,
Gawain rode out to the Green Chapel—
a simple mound of earth
where the Green Knight was waiting and ominously sharpening his axe.
With the sash’s protection,
Gawain approached stoically —
determined to honour his agreement.
He bowed his head for the deadly blow.
He flinched twice,
but then with a massive swing,
the Green Knight cut Gawain’s neck —
but inflicted nothing more than a flesh wound.
Once more, Gawain was bewildered.
Why hadn’t the sash protected him?
And why hadn’t the knight killed him?
Bursting into laughter,
the Green Knight revealed himself to be the castle’s lord,
and that he’d been working with the sorcoress Morgan Le Fay
to test the honour and bravery of Arthur’s knights.
He was impressed with Gawain’s behavior,
and he’d planned to spare his neck entirely —
until Gawain concealed the sash,
and this is when the Green Knight chose to inflict the fleshwound upon him.
Filled with shame, Gawain returned to Camelot.
But to his surprise, his companions absolved him of blame
and celebrated his valor.
Struggling to understand this strange journey,
it seemed to Gawain that perhaps the whole world was playing a game —
with rules more wild and bewildering than any man could understand.
Ok, so that’s the story.
It’s a bit confusing and mysterious.
(Luke gives a quick summary again)
Reading Verses from the Simon Armitage version of Sir Gawain and The Green Knight
What you don’t get from that story summary (above) is the beautiful language.
Wonderfully descriptive vocabulary
Alliteration (the repetition of rhyming consonant sounds at the start of words)
The “Bob and Wheel” (a rhythmic device which ends each verse)
There are some extracts from the Simon Armitage version available in the preview of the book on Amazon (other bookshops are available)
Let me read a couple of those initial pages.
The way the Armitage version of this poem is presented is that it gives one page of the modernised version, and then on the next page you have the equivalent original text, so you can compare them side by side.
I won’t read any of the original text because the English is so old fashioned that I frankly wouldn’t be able to pronounce it all. And before you fall out of your chair in disbelief that I don’t know my own language – hardly anyone is able to pronounce sentences written in middle English. Only academic experts can do that, and a lot of them disagree about how middle English should be pronounced. So, that’s not for us. Middle English is almost like another language, so there’s no need for me to read it to you.
The modern version of this poem on the other hand, is much more appropriate for us, and Simon Armitage has done a fantastic job because as my dad said, his version of the poem manages to keep the same alliteration, the same rhythm, and the bob & wheel – that structural device where after a few lines the verse comes to an end with a distinctive two syllable break (the bob) and then four lines which follow it (the wheel). You’ll have a chance to listen to examples of that again in a moment.
Simon Armitage, while managing to keep a lot of these literary and poetic devices from the original poem, has updated it using normal modern English words. So this is still written in a literary and poetic style, but these are words that are still regularly used by people today, more or less.
Listen carefully to the rhythm and sounds of this and you’ll see what I mean.
I’m now going to read the first few verses to you. This is very rich in terms of language. Again, I am not going to stop and explain everything here, or analyse the text. I’m just going to read it to you.
I do plan to do another separate episode in which I just read out some of these verses again and then break them down for language. Hopefully I will be able to make a video version of that too. Perhaps it will be the next episode. We will see. If not, I will do my best to get it done at a later date.
But now, for your listening pleasure, have a listen to this.
Extracts from Sir Gawain & The Green Knight, by Simon Armitage.
Learn English with The Beatles as we explore lyrics from Beatles songs and pick out some idioms, descriptive language and other vocabulary for you to learn. Featuring Antony Rotunno from the Glass Onion: On John Lennon podcast.
In this episode you can learn English with The Beatles as we look at specific bits of English which appear in the lyrics of their songs.
I’m joined again by Antony Rotunno from the Glass Onion on John Lennon Podcast. Antony is also an English teacher and something of a John Lennon expert. He is also a musician, and a lot of the credit for this episode goes to him, because he did most of the preparation, going through lyrics of Beatles songs and picking out specific use of English, including certain phrases and idioms.
This is like a quiz actually. Can you name the songs when Antony plays them?
Can you beat me?
Can you name the songs from the lyrics and from the music?
There are a few references to The Rutles and Neil Innes of course, but for us those songs are all part of The Beatles extended universe.
I’ll chat to you again at the end of the episode and will sum up some of the bits of language that come up, but now let’s get started.
Phrases / Vocabualry
Using lots of pronouns, me, you, us, I etc
Using more imagery in the lyrics
I’m going to love her until the cows come home
A chip on my shoulder
My heart went boom when I crossed that room
Buzz, hum, boom (Onomatopoeia)
It won’t be long ‘til I belong to you
I don’t know why she’s riding so high
To be on your high horse
I’ll make a point of taking her away from you
I sat on her rug biding my time, drinking her wine
This bird has flown
Please don’t spoil my day, I’m miles away, and after all, I’m only sleeping
If she’s gone I can’t go on, feeling two foot small
Feeling 10 foot tall
Ouch, you’re breaking my heart
To upset the applecart
Where there’s a will there’s a way
He was like a wolf in sheep’s clothing
Or an iron hand in a velvet glove
Working like a dog
Sleeping like a log
Sleeping like a baby
If you need a shoulder to cry on
To give someone a shoulder to cry on
To open up the doors
My independence seems to vanish in the haze
It was anotherstring to their bow
Colours
There is a place, where I can go, when I feel low, when I feel blue
To feel blue
Everybody’s green because I’m the one who won your love
Green = 1. Jealous 2. inexperienced
Oh dear what can I do, baby’s in black and I’m feeling blue
Imagery
When the sun shines they slip into the shade, and sip their lemonade
With tangerinetrees and marmaladeskies, cellophane flowers of yellow and green
No-one I think is in my tree
Nobody is on my wavelength
Semolina pilchard climbing up the Eiffel Tower
The clouds will be a daisy chain, so let me see you smile again
Her hair of floating sky is shimmering, glimmering, in the sun
My mother was of the sky, my father was of the earth but I am of the universe and you know what it’s worth
Words are flowing out like endless rain into a paper cup
Pools of sorrow, waves of joy
Don’t need a gun to blow your mind
No longer riding on the merry go round, I just had to let it go
Hello listeners, welcome back to my podcast. I hope you’re doing well and that you’re ready to learn some more English with me in this new episode.
This one is called The Mountain and I’m going to read you a short story and then use it to teach you some English.
There is a video version of this available on YouTube with the text on the screen, so you can read and listen at the same time and you can see my face while I’m recording this, if that’s what you’d like to see. You can find that video on the page for this episode on my website or on my YouTube channel – Luke’s English Podcast on YouTube, don’t forget to like and subscribe of course.
Stories are great for learning English, and I’m always searching for various stories that I could read out on the podcast. I’ve found a few stories and texts, both online and in books that I have on my bookshelves, so you can expect more story episodes like this coming in the future as I read things in different styles, from different texts, including some well-known published work and some independently published stuff and fan fiction that is available online.
Stories make ideal material for language learning. They are compelling and often the text of the story is also available which makes it extra useful for language learning because it works as a transcript for what you are listening to.
Today I googled “Free short stories online” and I ended up on a website called commaful.com
This website is described as the largest library of multimedia stories online. Commaful.com
On Commaful you can read and share stories written by users of the site, fan fiction, poetry and comics, and they have a picturebook format, which means that their stories are presented in a slightly different way, which makes them a bit more pleasant to read online or on mobile devices – more pleasant than just reading text on a screen, which is never a pleasant way to read literature. So rather than just presenting their texts on screen, they put each line of the story on top of an image of some kind (like a picture of a lake or a landscape or something) and you can swipe from one image to the next, reading each line of the story as you go, which is quite nice.
When reading these stories out loud the format encourages you to pause as you read each line, which is quite a good habit. Pausing is a good presentation skill.
It can be a good discipline to practise because pausing can add some space for the audience to think and can change the atmosphere slightly, adding extra weight to each line that you say. So pausing and taking your time can be good presentation skills to practise.
First I’m just going to read the story to you. You can just follow along and try to understand what’s going on.
Then I’ll read it again and I will stop to explain some bits of English that come up, and there are various nice bits of English in here – phrasal verbs, expressions and other nice bits of vocabulary mainly.
The story is written in American English, which is mostly the same as British English really, but I will point out any differences and will give you the UK English equivalents, so this can be a chance to learn some British and American English equivalents.
I’ll do a vocabulary and language summary at the end too.
As I said, there will be some pauses between the lines of the story, because of the way the story is presented to me on the website. I don’t normally pause like this when doing this podcast, but it could be useful because it might help you absorb what I’m saying and you can use those pauses to repeat after me if you like. This will be easier if you can read the lines with me, and again you can do that by watching the youtube video, or visiting the story on commaful.com.
Or you can try repeating without seeing the lines if you want an extra challenge.
And of course you can simply enjoy listening to the story without worrying about repeating or anything like that.
The story is about 10 minutes long, just to let you know what to expect.
The rest of this episode is me explaining and describing the language in the story.
By the way, this story was posted on commaful.com by a user called Aknier and I am assuming that Aknier is the author of this, so credit goes to him or her for writing it.
Follow the link in the description to access the story and you can leave comments there if you like.
I hope you enjoy it!
But now let’s begin the story…
Ending Transcript
OK so that is where the video ends, but I’m adding a bit more here to the audio version in order to do a quick language summary of the bits of vocabulary that came up in that.
How was that for you? Did you enjoy the story? As I said, there weren’t many narrative elements. It was more an emotional story, but quite an interesting one.
Again, I do recommend that you try reading the story out loud, either by repeating after me or not.
Now let me recap some of the vocabulary items and British and American English differences that you heard there, just to sum up and help you remember what you’ve just heard. I’ll be as brief as I can while jogging your memory here.
You can find this vocabulary list on the page for this episode on my website of course.
Vocabulary List
I hardly cried (I didn’t cry a lot)
To work hard / to hardly work
To fuss / to make a fuss (Fuss = anxious or excited behaviour which serves no useful purpose. “What’s all the fuss about?” “Everyone’s talking about this Meghan & Harry interview. What’s all the fuss about?” “Why don’t you complain?” “Well, I don’t want to make a fuss”)
To make a scene = do something which attracts a lot of attention, like angrily shouting at staff in an airport terminal or hotel lobby
Siblings (brothers and sisters)
To bet that something will/would happen (to be sure it will/would happen) “I bet that England get knocked out of the World Cup on penalties” or “I bet it rains this afternoon”.
To shrug your shoulders
To grit your teeth = (literally) clench your jaw so your teeth are held tightly together (idiom) to decide to do something even though you don’t want to “I had to tell my dad that I’d crashed his car, so I just gritted my teeth and told him”)
A cast / a plaster cast
To be able to afford something “We couldn’t afford it” “We can’t afford it” (use ‘be able to’ after modal verbs when you can’t use ‘can’ – “We won’t be able to afford it”)
A cripple (offensive word)
To get picked on
To get teased
To make fun of someone
To get bullied
To get catcalled
To flash a smile
A blinding smile
To take that as a yes
To get upset
To get fired
To skip lunch
A scholarship
To be stunned
To soften your voice
To talk back
To sneak into the kitchen
To sneak money back into your wallet
Fight – fought – fought
Buy – bought – bought
To cheat on someone
To freak someone out
To make it up to someone
To raise your voice
To shout
To scream
To cave (in)
Emotional outbursts
To melt
To punch someone in the jaw
To stare blankly
Stand up for yourself
A mess
Serene
Tranquil
Deadly / the deadliest
American English / British English
Fifth grade – Fifth year
Pants – trousers
Mad – angry
To figure something out – to work something out
To yell – to shout
A jerk – an idiot
To take out the trash – to take the rubbish out
Chores – housework
To punch someone in the jaw – to punch someone in the face
My dad has written a book and it’s all about the wildlife you can find in an urban English park. He’s on the podcast to tell us all about it, and there are some collective nouns for animals too, plus some bonus stand up comedy at the end.
Hello listeners, this is a reminder about LEP Premium, which is my other podcast service. With episodes of LEP Premium I focus specifically on language, helping you understand, remember and pronounce target vocab and grammar. I’m currently still deep into premium series 24 which is about homophones, but also you can access an archive of over 80 episodes now both audio and video, all about teaching you the kind of English that I speak, and there are plenty of stupid improvisations and jokes and things too. Get started by going to www.teacherluke.co.uk/premiuminfo
Introduction Transcript
Welcome back to Luke’s English Podcast – this award-winning podcast for learners of English. Yes, the podcast has won a few awards over the years, but not lately. The last few years have been quiet, on the award front. If you see any competitions for best podcast for learners of English, or something, let me know!
Speaking of competitions, I’ve been thinking of launching another listener competition, and I’m wondering what you think. The competition would involve you recording yourself speaking and sending it into the podcast, then people would vote for their favourite and that person would then get interviewed in a full episode of the podcast. This idea was sent to me some time ago by a listener called Vadim. What do you think? I haven’t fully decided to do it yet, so let me know what you think of this new competition idea from Vadim.
But anyway, what about this episode then?
Park Life – A Year in the Wildlife of an Urban Park
As promised, this episode features my dad, which should be good news for all the Rick Thompson fans out there. As you might know we sometimes call my dad Rickipedia because he knows so much stuff about so many things, although it might be unreliable from time to time.
People often say that my dad should start his own podcast, as his episodes are so popular. He still hasn’t created a podcast of his own, but I am glad to say that he has written a book.
The book is called “Park Life – A year in the Wildlife of an Urban Park”
The book is available for you to read. You can find it on Amazon.com and also Bookdepository.com (free shipping).
In this episode I’m going to talk to my dad about the book he’s written including a broader discussion of urban parks in the UK – green public spaces which perform an increasingly important role in UK life.
We start by talking about the book, what it’s about, how he was inspired to write it and what style it’s written in. Then we move on to describe some of the wildlife you can find in a local English urban park. Then we discuss some history of urban parks and the health benefits of spending time in green spaces.
Also there are some collective nouns for different animals, including things like “a murder of crows” and “an unkindness of ravens”. Keep listening to hear some more.
I hope you enjoy the conversation. I’ll chat with you a bit afterwards, but now, here is Rick Thompson talking about his new book.
—–
Ending Transcript
Thanks again to Dad for being on the podcast today. Once again, check Amazon or BookDepository for Rick Thompson Park Life to pick up a copy of my dad’s book for yourself.
In fact the book has already picked up a 5 star rating on Amazon from someone called Princesslizzykins
I have no idea who she is, but this is her review.
5.0 out of 5 stars
A wonderful read.
Reviewed in the United Kingdom on 5 September 2020
What a beautifully and thoughtfully written book.
A super balance of content between wildlife and local history, with some lovely poetic references thrown in, this book shows how anyone can escape the haste of urban life and take a moment to look at and love the world around them.
I live in Warwick, so have the added benefit of knowing the localities mentioned, but would recommend this to absolutely anyone that has an urban park near them and enjoys a damn good read.
Thumbs up for Dad. Nice one.
We’re not done here yet, I have some more things to do in this episode.
First of all, you heard me mention the stand up comedy gig that I had on Sunday and I did the gig and it went fine. I recorded it so I’ll play a few minutes of that at the end of the episode.
But first, let me go through some more collective nouns for animals. This is a really interesting and curious aspect of English – the way we use different words to collectivise different animals.
You heard us mention some there, and I’ve included them in this list too. So here is a list of common collective nouns for animals.
As promised earlier, here are a few minutes from my stand up set on Sunday evening. There was one LEPster in the audience by the way, who had come because he’d seen the gig advertised on my facebook page https://www.facebook.com/lukecomedian So, shout out to that LEPster!
Anyway, this was my first gig since Christmas, but it was great to be back on stage again and I should be doing more gigs this year, lockdown permitting.
So this is me on stage at the New York Comedy Night in Paris last Sunday. Thanks for listening and speak to you again soon. Bye…
A language-focused episode looking at words and phrases that you often see and hear in advertising and sales situations. Also includes discussion of sales techniques, Apple’s sales and marketing strategy and also a classic bit of stand-up by the late great George Carlin.
Here is an episode with Paul all about the subject of advertising and sales, with a bit of marketing thrown in there too. So this is a language-focused episode looking at words and phrases that you often see and hear in advertising and sales situations. It also includes discussion of sales techniques, Apple’s sales and marketing strategy and also a classic bit of stand-up by the late great George Carlin.
The episode starts with a discussion between Paul and me about Paul’s experiences of working in sales jobs at Apple, including selling their products to customers on the shop floor and how Apple markets its products to people. Then we go through a big list of words and phrases relating to sales situations in various ways, including the typical things you might read on packaging, advertising or sales material. The list is pretty long but it all leads up to the comedy sketch at the end, which includes all the phrases. That comedy bit, by the way, does contain some very rude language, so there’s a heads up if that’s not your cup of tea.
So get your vocabulary learning hat on for this episode and also let’s get stuck into the topic of sales and advertising, with Paul.
Positive or Negative?
You’re interested in buying a new product (e.g. a fantastic portable tumbler, or some Southwest Pacific Air). You look at the sales literature for the item and see some of these phrases and conditions. Are they positive or negative?
all sales are final
allow six weeks for delivery
authentic
no purchase necessary
batteries not included
classic
convenient
economy
custom
deluxe
designer
luxury
each item sold separately
easy terms
affordable prices
experience
free installation
free admission
free appraisal
free alterations
free delivery
free estimates
free home trial
and free parking
no cash? no problem!
friendly service
genuine
imitation
gourmet
high-quality
hospitality
low rates
Leather / leather-style
limited time only
mileage may vary
money-back guarantee
name brands
no down payment
no entry fee
no fuss
no hidden charges
no kidding!
no mess
no risk
no obligation
no payments or interest until September
no one will call on you
no red tape
offer good while supplies last
order today
performance
premium
prestige
quality
savings
select
selection
send no money
service
so act now
some assembly required
some items not available
some restrictions may apply
style
two to a customer
value
Ending
So that was Sales and Advertising with Paul.
As usual, let me know your thoughts relating to this episode.
What do you think of sales and advertising?
Do you work in sales? Have you noticed any particular techniques or use of language that helps you sell things?
What do you think of adverts on TV or the way things are promoted to you on the internet?
How do you feel about clickbait? Do you ever click on those articles?
Do you think graffiti is ok in public places? How is that different to advertising in the sense that we don’t get any choice over what is displayed to us in public? What about drawing graffiti on advertising that’s in public spaces?
The subject of sales, advertising and marketing is a big one and I expect to come back to it on the podcast at some point because there’s loads of things we could do with that.
Business English is always something that I’ve saved and never done on the podcast. I was always planning to do a business English podcast or a business English course, but without calling it a business English course, because people don’t seem to like the word business. It sounds all heavy and dark, like the dark side or the Death Star or something. But English in professional situations is really interesting and I’m talking about things like how we negotiate, how we deal with being diplomatic in meetings, how we do presentations and socialise with people. I was actually working on a business course and have loads of unfinished material for it. I must go back to that but in the meantime I might dip into some more businessy subjects in the future. We will see. But let me know about your interest in business English and if you’d like to learn the ways of the dark side and fulfil your destiny and all that stuff.
But for now, it’s pretty much time for the end of the episode. Thank you for listening as usual.
If the spirit moves you, you could leave me a lovely lovely review on iTunes or apple podcasts or wherever you get your podcasts. Getting positive reviews helps to promote my podcast on those platforms. It’s more likely to end up in recommended selections and things like that, so it helps the podcast a great deal.
Otherwise, you can always donate with one of the yellow paypal buttons, sign up to LEP Premium at www.teacherluke.co.uk/premium and check out my sponsors italki at www.teacherluke.co.uk/talk
You’ve been listening to Luke’s English Podcast and until next time, good bye bye bye bye…
Free installation, free admission, free appraisal, free alterations
Free delivery, free estimates, free home trial, and free parking
No cash? No problem! No kidding! No fuss, no muss
No risk, no obligation, no red tape, no down payment
No entry fee, no hidden charges, no purchase necessary
No one will call on you, no payments or interest till September
Limited time only, though, so act now, order today, send no money
Offer good while supplies last, two to a customer, each item sold separately
Batteries not included, mileage may vary, all sales are final
Allow six weeks for delivery, some items not available
Some assembly required, some restrictions may apply
So come on in for a free demonstration and a free consultation
With our friendly, professional staff. Our experienced and
Knowledgeable sales representatives will help you make a
Selection that’s just right for you and just right for your budget
And say, don’t forget to pick up your free gift: a classic deluxe
Custom designer luxury prestige high-quality premium select
Gourmet pocket pencil sharpener. Yours for the asking
No purchase necessary. It’s our way of saying thank you
And if you act now, we’ll include an extra added free complimentary
Bonus gift at no cost to you: a classic deluxe custom designer
Luxury prestige high-quality premium select gourmet combination
Key ring, magnifying glass, and garden hose, in a genuine
Imitation leather-style carrying case with authentic vinyl trim
Yours for the asking, no purchase necessary. It’s our way of
Saying thank you
Actually, it’s our way of saying ‘Bend over just a little farther
So we can stick this big advertising dick up your ass a little bit
Deeper, a little bit deeper, a little bit DEEPER, you miserable
No-good dumbass fucking consumer!’
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