I’ve got a full two hours of Amber & Paul lined up for you here. Actually, it’s about an hour and twenty mins of Amber & Paul and maybe 45 minutes of just Paul as Amber had to leave to pick up her kids.
There’s a bit of everything in this one. It’s just the usual rambling from the podpals but we answer some listener questions, do a few accents, tell some stories and dodgy jokes and Paul and I play an idioms game at the end. It’s a pretty goofy episode which shouldn’t be taken too seriously. There is a video version on YouTube as well.
Just an announcement for any LEPsters in the Paris area. I am doing a live podcast recording and storytelling show at the British Council on 19 May at 7pm. It’s free, everyone’s welcome and all you need to do is sign up to reserve a seat. All the details are available at www.britishcouncil.fr and then click on EVENTS or événements. I’ll be telling the story of how I ended up in a Japanese hospital scared out of my wits. It’s a story of culture shock, comedy and misadventure. If you can’t come, you should be able to listen to it on the podcast, if the recording comes out ok and the show isn’t a complete flop!
Right, so let’s get back to this podpals episode. I want to point out a stupid slip that I make right at the very start. I wanted to say “Hi, I’m Luke and I need a haircut” but for some reason it came out “Hi, I’m Luke and I’m need a haircut”. I suppose it just shows that native speakers make language errors from time to time, although this was more of a slip than an error. A slip is when you make a mistake even though you know the rule. It just comes out wrong accidentally. An error is when you make a mistake because you don’t know something about the language.
Anyway, I will let you enjoy my language mistake and then settle into over 2 hours of Amber and Paul in the podcastle.
In this episode I am talking to Martin Johnston from the Rock n Roll English Podcast. Do you know the Rock N Roll English Podcast? This is where Martin and his Rock N Roll friends and family do podcasts for learners of English that are unfiltered and frequently involve discussions of taboo subjects, but also plenty of other stuff as well. It’s very funny and bound to be good for your English and general cultural knowledge. Martin featured me in episode 250 of RnR English and we talked about what it’s really like being an English teacher with a podcast. That was a funny chat with lots of memories and funny moments. Episode 250.
In this episode though, we’re going to have a rambling chat about moving to different countries, Martin’s fundraiser for Ukrainian refugees and then some stories of travelling and getting stuck in tricky situations while abroad.
Martin has recently moved back to England after living in Italy for a number of years, so I thought I would ask him about his experiences of feeling like a foreigner in his own country, and some of his culture shock experiences both abroad and at home. Because this is a thing – reverse culture shock. When you feel like a foreigner in your own country after living abroad for a long time.
Martin has also recently launched a fundraiser for Ukrainian refugees. Basically it is a learning pack with 25 stories, and transcripts and exercises. All the proceeds go to help Ukrainian refugees. You can find out more at www.rocknrollenglish.com/stories
So this is a very good cause. We know that several millions of people have been forced to flee their homes as a result of this war, invasion, operation – whatever you want to call it. This violence and aggression has separated families and made civilians homeless as well as killing thousands. This is a horrendous thing to be happening on our doorstep and so the least we can do is try to provide support in some way, so I call upon all of you to go ahead and get that PDF with those 25 stories and all the money will go towards helping these refugees. Martin talks about it during the episode if you want more details. But let’s help out some fellow citizens of LEPland here. Plus, of course, you get tons of stories with audio versions and everything. It sounds like a win win to me.
So we chat about the project a bit, which is all about learning English with stories and this then leads us to have a story-off. This is a sort of battle of stories where Martin and I trade different anecdotes and we see who comes out on top. So there are 4 or 5 funny stories of travelling experiences we’ve had, in the second half of this episode. I hope you enjoy them.
That’s it for the introduction. There is a video version on YouTube. Don’t forget to smash that like button.
I should say there is some fairly explicit content in this episode, which means fairly graphic descriptions of things like nudity, sex and bodily functions, which is completely normal for an episode of Rock n Roll English to be honest.
I’ll speak to you again briefly at the end, but now, let’s get started.
So there you are, that was Martin Johnston. I hope you enjoyed our stories.
Don’t forget, if you want to get that pack of 25 stories by the RNR English family, go to www.rocknrollenglish.com/stories It costs just 10dollars or pounds, and all the proceeds go to help Ukrainian refugees.
This is obviously a very good cause as so many people have been displaced, made homeless and so on and these people need our help.
If you enjoyed our stories in this episode, you could check out some of the episodes with those stories told in full.
Check out 118 Sick in Japan (although I should be doing a live version of that next month) and also Holiday in Thailand
or A Rambling Chat with Moz for more of the spa story
This is a presentation I did at the British Council in Paris recently, in front of a live audience. First I talk about public speaking and my approach to doing presentations and then you can hear the recording of my talk. The Beatles were a global phenomenon when they first appeared in the 1960s and their appeal continues to this day. The world still loves The Beatles. But why is this? Join me as I take a deeper look at the social, cultural and psychological factors that make The Beatles story so compelling even after all these years.
Another day, another new podcast episode. Let’s keep calm and carry on, shall we?
This is episode 761 and most of this one was recorded live at the British Council in Paris in front of an audience of people. I think it is the first podcast I’ve ever recorded with a live audience there and it sounds a bit different because you can hear the audience reacting to things I’m saying and there are some moments of interaction with the crowd and some jokes and stuff. I hope you enjoy it.
As you may know, I teach English to classes of adults at the BC in Paris but also we have some extra events there in the evening. The talk you can hear me doing in this episode was one of those extra events. I’m hoping to do more of this kind of thing in the future – podcasting in front of a live audience.
Private Online English Lessons with the British Council
Just before we start properly I want to tell you something about taking English lessons with the British Council, which is something that you can do online. Did you realise that?
Are you interested in having private English lessons online with a British Council teacher? Because you can.
Sometimes people ask me if I am available for private lessons, and unfortunately my answer to that question is usually no. I just spend my time making episodes of my podcast and teaching group classes in the real world so if you wanted lessons with me you’d need to be in Paris and you’d need to become a student at the BC there using the normal registration process and just hope that you end up in one of my classes.
But, other British Council teachers are available and they are online.
So if you are looking for an English teacher for private lessons, I just want to let you know that the British Council does offer this service now – personalised one to one lessons with a British Council teacher online
And this is great because you can do it anywhere in the world, you can choose the date and time for lessons, it’s totally flexible, you can choose the teacher and you can basically have classes which are designed around your needs completely, whenever and wherever you want, basically.
Want to practise your speaking and have your errors corrected – you can.
Want to work on your grammar and vocabulary. You can.
Want to develop your pronunciation to be a clearer speaker or to work on a more British-sounding accent if you like. You can do that too.
Also, you can have lessons for specific purposes such as for exams, for job interviews, for specific work arrangements, to prepare for IELTS. It’s all possible with these private online lessons because they’re all based around what you want to do and the British Council teachers will design the lessons based on your priorities.
I’ve always said that listening to my podcast regularly (or any podcast for that matter) is an important part of your learning process – the 5 Ls – listening, listening, listening, listening, listening but of course you need to be doing plenty of speaking too and to practise all the other things – the other language systems and skills.
One to one lessons are a really great way to achieve that and doing them online with an actual human teacher face to face is now a completely normal, tried and tested way to do this. All you need is just the right service.
And the British Council does offer that service.
It’s called British Council English Score Tutors. (Click the pic below for the details)
It’s the official 1 to 1 tutoring service from the British Council.
It’s quite new but they already have 12,500 learners of English using the platform.
There are currently over 150 teachers there.
The tutors on English Score have an average rating of 4.9 stars (out of 5), which is reassuring.
The teachers are all British Council approved and a lot of them are in the UK but there are also British Council teachers living in other countries all over the world so you can find teachers in most time zones, which means, basically, there are teachers available 24/7. So you’ll be able to find someone to match your timetable.
So, why not go ahead and find a teacher for you and book some lessons to really push your English further and gain more confidence. There’s an offer for you because you listen to this podcast by the way – I’ll tell you about it in a moment.
Maybe you listen to me regularly and you’re happy that you can understand me or that you’ve got to the stage where you’re understanding most of what I say, which is a very good sign – why not build on that and get your speaking up to a similar standard.
If you’re working on your listening and making progress, there’s a good chance you can convert that to speaking and make progress there too. Activate your English.
Work on your fluency and accuracy and clarity and general confidence.
The 5 Ss – speaking speaking speaking speaking speaking.
You’re asking – What about that special offer for us Luke? Yes.
The BC is offering you a first introductory session for just $1, just so you can see if you like it.
So the first session is just $1.
You can try it and see if you like it.
There’s no pressure or obligation to continue after that.
But if you do choose to buy a pack of lessons (normally about 20 hours or something) the BC will throw in a free lesson for you because you’re a LEPster.
So, the first lesson is just $1.
If you like it you can buy a pack of lessons with a teacher, and get a free lesson included because you’re a LEPster.
Sounds pretty good right?
This could be your way to really work on your speaking as well as your listening.
Think about it. Could be a really good move.
Young learners – they do young learners too. There are classes available for 13-17 year olds and you get the same deal.
To find out more and to get that special offer of the free lesson go to teacherluke.co.uk/english or click the PRIVATE LESSONS button on my website menu.
The link is also in the description of this episode.
You’ll only get that free lesson if you enter the website through my link though.
All right then. Let’s begin the episode properly. Here’s the jingle.
761. Why we love The Beatles (Recorded Live at The British Council)
Hello listeners! Welcome back to the podcast. Let’s get back to some normal podcasting, shall we? OK then.
This is #761 Why we love The Beatles (Recorded Live at The British Council).
As you can tell from the title, this episode was recorded live at The British Council in front of an actual audience of people, as I mentioned earlier.
I’ll play the recording to you in a few minutes. First I want to tell you about the talk I did and how I prepared for it in order to perhaps share some personal tips I have about public speaking. This might seem like another one of my epically long introductions, but it’s not. In fact, let’s imagine that the introduction is over now and here we are in the main body of the episode, and I’m giving you some comments and advice about how to speak to an audience of people – public speaking.
Public speaking is a slightly different skill to normal podcast recording and so it might be interesting for you to hear me doing it in this episode.
Here’s some context.
The British Council in Paris, where I work part-time, is essentially a language school in a nice building not far from the Eiffel Tower. We teach classes to adults and children and there’s also a exam centre for the IELTS test.
The BC in Paris also offers some special evening events including regular Talks In English. This is when a guest is invited to come and talk about a specific topic at the school in one of our nice big rooms on the 2nd floor.
Everyone is invited to attend at that means students at the school but anyone else too – friends, staff in the school, other teachers, just anyone who’s interested in attending.
The speaker does their talk and afterwards there’s a chance to socialise, drink some wine and talk in English together.
Our marketing manager Phil is always on the lookout for people to do one of these Talks in English, and a couple of months ago he asked me if I’d like to do a talk about anything. I immediately thought of The Beatles, because it’s one of my favourite topics and it’s a very British topic, relevant to British culture and it’s the sort of thing that would probably attract some people. Also the series produced by Peter Jackson called “Get Back” had just been released on Disney+. Phil happily agreed and we put it in the diary.
I decided the title of my talk would be Why We Love The Beatles and basically I wanted to try and explain why The Beatles were and still are so popular. What is the appeal of this group? Why are they so adored by people even 60 years after they first came onto the scene?
I also decided I’d try and record it as an episode of this podcast.
Now, I know this is another episode about The Beatles and some of you might not be that interested or keen. My talk is called Why We Love The Beatles – but some of you probably don’t Love The Beatles that much, or you just don’t know. That’s totally fine of course. I get it. I’m not here to convince you that they’re the best band. Music is subjective. It’s a question of personal taste.
But I still hope you listen to this, because I might be able to help you understand why people love them.
Public Speaking – Talking to an Audience (Some tips and comments)
I’m now going to give some tips and comments about public speaking and how I prepared for my presentation but if you’d rather just skip straight to the recording of my Beatles talk, then you can move forward to 30:00 (the 30 minute mark).
Let’s think about public speaking then, and doing a presentation to an audience. I just want to mention a couple of things about how I prepared to do this talk.
Maybe this can help you learn a little bit about public speaking.
So I had to prepare to talk to a room full of people for about 45 minutes.
It was a fairly small audience to be fair – about 50 people.
Is that a small number or a big number? I don’t know. I’ll let you decide.
Imagine you had to do that.
What would you be thinking?
How would you do it?
How would you prepare?
What are the important things to consider?
I knew the audience would be a mix of adult learners of English (mostly French people and maybe some other nationalities) with an English level at intermediate and above and also some native English speakers.
I didn’t want to write a script, because I wanted to keep the presentation spontaneous. I find that if I write a script then I just get stressed during the talk because I’m trying to remember everything I’ve written and that’s impossible, and reading from a script can take the life out of a presentation. It can take away a certain spark, especially if the person is actually reading from the script on paper and they have to keep glancing up at the room but not really connecting with anyone.
It depends, of course. Sometimes you need a script because in some cases every single word is vital, and you might have a prompter or something (that’s a screen which shows you your script without the audience seeing it – like in those big political speeches) or maybe if you are doing a best man’s speech at a wedding it can help to have the script in your hand. It depends on the situation of course. But for me, I decided that I didn’t want a script.
Also I didn’t want to use presentation slides on a screen with lots of words or information on them. Slides can be good, but they can also be very distracting. It’s human nature for the audience to just stare at the slides and then you lose the connection with them, and an old rule from stand-up comedy is: if it’s not adding anything, then it’s taking something away.
Sometimes slides are not really adding anything to your talk, and so they just take away the focus from you and cause the audience to get distracted, especially when there’s lots of text and they end up reading rather than listening to you. No thanks.
Nothing is better than just trying to establish a good connection with the people in front of you. So I decided to do it without a script and without any slides, just like in a stand-up comedy who.
Doing it without a script can seem a bit daunting though, because you think “How can I get it right? How can I be sure that I’m going to say the right things?”
Basically, in my experience, you have to just try to get to know your subject really well, create a simple structure for your talk, practice a lot and then trust yourself to be able to do it. So that’s what I tried to do. (I’m talking like I’m some expert public speaker here – I’m not, but I do have some experience from teaching and from doing comedy, so I’m just trying to share my experience with you).
In the weeks leading up to the talk I just thought about it a lot, thought about the specific focus of the talk “Why do people love The Beatles?” wrote some ideas down when they came to me, asked friends and family for their advice, talked out loud to myself a bit, imagining I was doing the talk and eventually worked out a general plan for what the content and structure should be. I did write some things down as a script but then I boiled it all down to a list of simple one or two word prompts. I then printed those prompts on some cards which I held in my hands during the talk. The idea was that I could just glance at the card in my hand and then ramble on that topic, hopefully remembering the main things I wanted to say. I also wanted to leave myself room to improvise and respond to what was happening in the room because in my experience, that’s the best way to keep things entertaining and to stop the audience falling asleep at all.
I also wrote a few other things on the cards in pencil. Just some names, dates and quotes in case I forgot them while talking.
So that’s what I did as preparation and in a moment you can hear how it went.
Let me just say a couple of very basic facts about The Beatles for listeners who are new to the subject, just so you don’t get lost.
The people in the room for my talk were probably already fans of The Beatles, but you might be new to them.
They were a group of musicians (a band) from Liverpool in England who recorded and released music together from 1962 to 1970 more or less.
John Lennon (guitar & vocals)
Paul McCartney (bass guitar & vocals)
George Harrison (lead guitar & vocals)
Ringo Star (drums & vocals sometimes)
Pete Best and Stuart Sutcliffe were members of the band before they became really famous.
They formed in the late 1950s and played live concerts together from the early days in Liverpool and Hamburg until the year 1966 when they were playing stadiums and huge theatres around the world. Then they stopped performing live and concentrated on making music in the studio.
The band broke up officially in 1970 and went their separate ways.
John Lennon was killed in 1980 meaning that the four members could never reunite again as a band.
The Beatles were not just commercially successful. They represented a huge cultural shift and also were groundbreaking in many ways beyond just their influence on popular music. They were also just very funny, stylish and charming and their message was ultimately one of peace and love.
So, “Why we love The Beatles” that’s the title of my talk, that’s what I talked about a couple of weeks ago, and that’s what you can hear now in this first episode of LEP recorded in front of a live audience. I hope you enjoy it…
So, there you have it. That was my talk about The Beatles at The British Council.
I am not completely sure if I managed to answer the question of why people love them so much, but ultimately I think I managed to entertain my small audience and everyone seemed to enjoy themselves and maybe that’s the most important thing at the end of the day, and the beginning of the day, and the middle of the day…
I wonder how that was for you listening in podcastland.
A couple of questions for you.
Did I manage to tell you something new about The Beatles that you didn’t know before?
If you’re not a fan of the band, did I give you a sense of why people love them so much, including the fact that it’s not just about the music, and there’s more to them than just Yellow Submarine, Yesterday, Hey Jude and Let It Be?
What was it like listening to a podcast episode that was recorded live in front of an audience, and should I do more episodes like that in the future?
Actually, I have sort of already decided that I would like to do more stuff like this in the future and I would like to do talks at the British Council that can also be published as podcasts.
One idea is that I re-record some old episodes but in front of an audience, especially episodes which are essentially stories. For example, I would love to do the Sick In Japan story because I think it’s long enough, has enough funny moments and drama in it and it’s been a long time since I published the episode (10 years in fact – omg).
So look out for more stuff like this in the future and maybe a live version of Sick In Japan or something like that. We will see.
Anyway, let me know how it was listening to this as a podcast episode.
Thank you for listening all the way until the end.
If you got this far, let’s think of a code word you could use to show that you’ve listened until the end. Let’s say that if you got this far, you have to use the word “LOVE” in your comment, especially in a Beatles lyric such as “Love is all you need” or “All you need is love” or “The love you take is equal to the love you make” – or in fact, quote ANY Beatles lyric in the comments to show that you have listened all the way until the end, and if you mention that a semolina pilchard was climbing up the Eiffel Tower during the episode, you will get bonus points. More than just 10.
Thank you for listening.
More podcast episodes will be coming towards your ears soon.
Just a reminder – Private Lessons with British Council English Score Tutors
If you’re looking for private one-to-one lessons online with a teacher, check out British Council English Score Tutors.
At least 150 BC Approved teachers to choose from.
Classes adapted to your needs.
All from the comfort of your own home.
$1 for the first lesson so you can check it out.
Then if you pay for a pack of lessons, you’ll get one lesson free because you’re a LEPster.
Thank you for listening! I hope you loved this episode.
My pod room is nearly ready, for goodness sake. There’s still no electricity connection! A guy came to fit plugs around the room, and to connect it to the earth. He just needs to come back to do a bit of paperwork but of course he keeps texting saying it’s not possible today and then the next day, then he says he can come on Friday afternoon which is a full week after he actually did the main part of the job. Why does everything take so bloody long? Then it’s just a few clicks and switches and I need another hard working motivated guy to come and connect the room to the fibre optic internet and then I will be able to actually get installed and start working properly again. Damn, I can’t wait! I’m buying a second-hand desk from a local company tomorrow (it was supposed to be today but yep – she had to cancel and postpone). I’m looking for a decent office chair at a good price. I will podcast standing up if I have to!
Speak to you soon but for now it’s just time to say, good bye bye bye bye bye bye
Author and illustrator Penny Dale talks about the process of creating successful books for children, including some of her most popular books such as Ten In The Bed and the Dinosaur series. Video version available. Audio version has 30mins extra rambling.
Audio Version (with 30mins extra rambling at the end)
Just before I introduce the episode properly, I have some Amber & Paul news for you. First of all, Amber and Paul will be back on the podcast very soon. It’s been a while since they made an appearance, but probably the next episode will be with them, which is nice. But also, Amber and I will be on Paul’s YouTube live show on Monday 6 December at 8pm Paris time.
Every Monday Paul does a live show called Paul Taylor’s Happy Hour Live – you can find that by searching for it on YouTube. In the show he features guests and they respond to comments from the audience and generally talk and have fun. His next guests will be Amber and me (finally – we’re both going to be on it together) and that’s on Monday 6 December at 8pm Paris time. If you’re listening to this after that date and you’ve already missed it or if you can’t watch it live, you will be able to see the replay on Paul’s YouTube channel.
OK? So, if you’re keen for more Amber, Paul and Luke action – check out Paul Taylor’s Happy Hour Live on Monday 6 December at 8pm, either live or on replay.
Another thing – my merch stores are currently offering discounts, so if you’d like to get an LEP t-shirt or mug or hoodie or something – for yourself or as a Christmas present for another LEPster, now might be a good time because of discounts. Just go to www.teacherluke.co.uk/merch to find the merch stores.
Also, I hope you enjoyed the previous episode of this podcast – also with Penny Dale. I just wanted to let Premium LEPsters know that there is a premium episode in the pipeline, which will be called “What did Penny say?” and that’s going to cover vocabulary from our conversation about the Bath Arts Workshop. So, that’s coming. For all the info about LEP Premium, go to www.teacherluke.co.uk/premiuminfo
~ Jingle ~
Hello, so, let me tell you about his episode, briefly. In this one I am talking again to Penny Dale. This time we focus on her work as an author and illustrator of children’s books – and she’s had a very successful career doing that, which is quite rare.
I think this conversation is absolutely lovely – and I hope you agree. It’s just nice listening to Penny talking about her work, especially as the work itself is so thoughtful and done with a lot of care and attention, and it’s all for children.
Just to give you an overview, you are going to hear Penny talking about these things:
The process of creating successful books for children
Collaborating with editors and other writers
Adapting an old nursery rhyme into one of her most popular books
Inspiration vs craft
Managing to create a coherent story which would appeal to children (and publishers) within just 12 page spreads (usually)
Applying her fine art training to her work
The way language is used in children’s books – incorporating rhythm, rhyme, repetition, storytelling and perspectives – the point of view from which the story is told.
How she uses models in her illustration process to create the hyperreal and very detailed style that she is known for – in fact, several of the models she has used in the past are toys that she borrowed from a certain bedroom in a certain house.
This conversation includes references to some of her most popular titles, including Ten In The Bed, Dinosaur Dig, Dinosaur Farm and Dinosaur Rocket.
The video version includes some pictures – that’s mostly Penny showing pages from her books, but she describes the images in some detail so even without the video version you should still get you a good idea of what her work actually looks like. But you can see the work in the video version. The audio version of this, which you listening to now, has more content in it – this introduction and there will an ending ramble from me of some kind too, so – take your pick. Video version on YouTube, audio podcast version, or both!
OK then, without any further ado, let’s find out about how Penny has created successful books for children.
Luke rambles about some upcoming content, the new Beatles documentary, and a few other things.
Amber & Paul on location in a famous museum – talking about some amazing works of art from various periods, including the Mona Lisa – that famous portrait by Leonardo da Vinci.
Don’t forget Paul Tayor’s Happy Hour Live (watch the replay if you missed the live stream) Monday 6 December at 8PM CET.
Andy Johnson will be back on the podcast soon (long term listeners might remember Andy)
I’m desperate to talk about the new Beatles documentary, and I think I will – when I get the chance!
Talks in English at the British Council in Paris – “Why we love The Beatles” <– my talk, which is scheduled for Thursday 27 January 2022 – 19.00
Hello everyone and welcome back to Luke’s English Podcast – a podcast for people learning English. British English in this case. My name is Luke. Welcome.
Here is a brand new episode for you. I hope you enjoy it! There’s a video version too on YouTube.
Yes, hello listeners! You might be able to hear my computer’s fan. There’s hiss in the background because my computer is working hard to encode the video version of this. *Luke rambles for a few sentences*
“Luke you’re rambling again!”
This is an interview episode with a guest. I should say that this might be a difficult one, depending on your level of English of course! My guest and I are talking about a specific artistic and cultural movement that happened in England in the 1970s. I say specific, but it included many different types of art, theatre performance, music and community work – all packaged together in one movement, a movement which was quite revolutionary at the time, but revolutionary in the nicest possible way. That should become clear as you listen to this. Anyway – an alternative, subversive, counterculture arts movement.
The reasons I think this might be difficult for you to follow are: language (there’s a lot of vocabulary used to describe and discuss art & culture of various kinds) also the fact that there are references to things you might not know about already, including the names of artists, poets, musicians and specific locations in England (obviously, if you don’t know those reference points then things might get confusing), and simply the fact that this is quite a difficult arts movement to understand for anyone – native and non native speakers alike. Also, my guest and I aren’t really grading our English or slowing down a lot, and I’m aware of that. I am presenting this to you as a piece of authentic listening practise, which, can be really good for your English if you’re willing to tolerate the bits you don’t fully understand.
So it might be tricky to follow, but I do hope you persevere. I think that as you continue to listen, the concepts and events we are discussing will become clearer to you and really exploring things that you might not be familiar with can be a great way to pick up new language
So, this should be a chance to learn about culture and by extension the words we use to describe that culture.
The video version has some annotations on the screen (with vocabulary and pictures), and the notes on the website will also include a vocabulary list, which will help you if you check it.
Right, let’s get straight into it then. There will be another little introduction from me, but that’s what I do isn’t it? I’m only trying to help.
Leave your thoughts and responses in the comment section. I will chat to you again near the end of this conversation, but now it’s time for the jingle, and here it is.
Intro 2 😂 (after the jingle)
Hello listeners, hello video viewers,
As you know, in episodes of my podcast I often talk about language learning, and I often I teach you specific things such as vocabulary, grammar or pronunciation (especially in Premium episodes), but also on this podcast I do episodes which are not specifically about the English language or about learning or teaching English. I also like to present you with things that I hope are simply interesting to listen to, or episodes which focus on culture rather than language, and this episode is one of those. This is a conversation which focuses on British culture and art and it is an interview about an artistic movement which took place in England in the 1970s. So, it’s not about English, but it is all in English of course and I’m presenting it to you as part of your regular English listening practice.
This is an interview with artist, illustrator and author Penny Dale, who was one of the members of the Bath Arts Workshop.
Let me give you some context to explain how this interview was set up. This will not take 15 minutes, I promise.
First of all, there is a new book available – it’s just been published. It’s called “Bath Arts Workshop – Counterculture in the 1970s” and as the title suggests it is all about a counterculture arts movement which took place in the South West of England in the 1970s. We’ll explain what a counterculture arts movement means in a few minutes.
One of the people involved in that artistic movement, and also involved in the publishing of this book is Penny Dale. Penny is an illustrator and also an author of children’s books – an award-winning author, I might add. She’s illustrated and written some very popular kids’ books in the UK and we have a lot of them at home – my daughter loves them, but back in the 1970s she hadn’t begun that part of her career yet and was involved in this conceptual and subversive arts movement – The Bath Arts Workshop.
Penny is a friend of the family. She is a very good friend of my mum and dad, and in fact it was my mum who suggested that Penny could be a good person for me to interview and that both the Bath Arts Workshop and her career as a childrens’ author would be interesting things to ask her about.
So that’s the plan. This will be two separate episodes I think – one about the arts movement, and another one about the writing of childrens’ books. Part 1 and part 2. This is part 1 of course, so let’s focus on the Bath Arts Workshop.
And by the way – Bath is a town in the South West of England – we’re not talking about bath tubs where you go to wash yourself and play with yellow rubber ducks and little boats. No, this isn’t an art movement that involved people sitting in bathtubs – but then again it was the 1970s so that isn’t completely far-fetched.
Ok that’s probably enough of an introduction from me. Let’s now meet Penny and start the interview properly.
Vocabulary list for the Interview
[A premium episode about this language is in the pipeline]
Inclusion / inclusivity
Countering the elitism of modern art
A hub for alternative technology, alternative art, alternative artists
Students had grants that they didn’t have to pay back
There was time and breathing space
Being critical of the current state of affairs
It was open to everyone, accessible. That was the ethos.
Inclusivity was the thing.
The workshop had sprung out of the London Arts Lab.
He’d written letters to councils from all over the uk.
Bath is a medium- size, fairly touristy city but full of incredible Georgianarchitecture.
People coalesced really quickly
Some finance was eventually achieved through grants from the local council
The first event had been rained off
We encountered these events before we knew what the workshop were (yes, “were” for a workshop – a collective noun, like team, government, group, police)
A pastiche group
I went along to a gig, just to help with costumes and propsostensibly and it was an eye-popping experience.
It was a really tight outfit (a band, not clothes)
A pivotalfigure in what came to be known as the counterculture.
I’m flagging up these names that are well known, but there were also… the breadth of the programme in these festivals was huge.
A wide variety of different things
It seems like quite a large and complex organism. It can seem like a chaotic kind of thing. It’s all a bit vague and nebulous.
It was potentially quite chaotic, but it wasn’t. It was quite a strong, centralhub for arts and community.
One thing was – premises. We had a really good premises for a while, that was a rehearsal space were you could cook and have an office and everything.
premises = the building and land used by a business or organisation – It is always wrtten with an S – ⚠️ People say “a premises“, – “the premises is” or “the premises are“ – All☝️are considered correct
I found the music part the bit I was most intrigued by, myself.
It was very all-consuming and busy, but fun.
Maybe we can talk about impact. What about the impact of the BAW?
Legacy is the word now, isn’t it?
Ending (with a bonus ramble in the audio version)
[This is a transcript of some of the things I said, but there’s a lot of extra, spontaneous talking in the audio version.]
So that was Penny Dale talking about the Bath Arts Workshop. Thanks again to Penny for that. I found it very interesting and it makes me think about my parents’ generation and the approach many of them had to things. That whole baby boom generation and the counterculture movement in general which I suppose includes things like the beat poets, hippies and all that stuff. I especially think of the music and the general ethos, which was that they could change the world with love. Were they idealistic and naive? Or not? I don’t see what’s wrong with a bit of peace, love and understanding myself. Love is all you need, right? Yes, but a bit of cash, a nice car, a decent apartment and maybe a new computer, and to have someone fix our washing machine, oh and a pair of shoes that fit me just right and don’t squeeze the sides of my toes – all those things would definitely help. I don’t know really, but I do think that the Bath Arts Workshop sounds like quite a beautiful venture, if you ask me, and it sounds like they had some great fun while doing it, and so on and so forth. I could go on.
You can leave your comments in the comment section as usual, if you have them.
Hello there! You’re still listening to the podcast. Nice one! Did you manage to follow this conversation?
Remember I said at the beginning that I’d put a vocabulary list on the website page for this episode. Well, I’ve done that, with some words or phrases that I think might have been hard, or which are worth picking up from the conversation.
I’m planning to do a premium episode in which I fly though them, just clarifying them a bit.
Sometimes I think I might go into too much detail in those premium episodes, and it’s ok to just say a few things about each bit of target language each time. So I will aim to do a kind of express premium episode as a way to recap and highlight some nice language from this conversation.
Let’s have a mini ramble here – and this is one of those times when I’m doing a written ramble – writing things down which I will record when the time is right. I like to mix up spontaneous speech and pre-written speech on this podcast. There are good and bad points of both. Mainly – the advantage of spontaneous speech is that it’s more natural and authentic and therefore a bit more human and engaging, but the advantage of pre-written stuff is that I can get some more control over what I’m saying. Anyway, I am still rambling here – pre-written or not.
My computer has stopped making that loud noise – it failed to encode the video, because there wasn’t enough storage space left on the hard drive. I’m sure you know the problem. Hard drive storage just gets eaten up so easily. Not only do I have to keep my flat tidy and organised, I also have to keep my computer tidy and organised and free of clutter, and my phone too for that matter! This is the world we live in. I will try encoding the video again later, after throwing a load of unwanted files into the trash – or rubbish bin as it should be called, if computers were British.
What’s going on in podcastland? Well, I’m recording this late on a Friday evening – maybe because I’ve got nothing better to do! Well, I could be watching TV or reading a book, playing the guitar or something else, but my wife and daughter are both asleep downstairs and so I thought I’d take this opportunity to catch up on a bit of podcasting.
I’m recording this probably before recording episode 750. This is episode 751 I think, which I will upload after 750, because that’s how numbers work, but I haven’t recorded 750 yet.
Does that make sense? I have a vague plan for episode 750 – probably something about being busy.
I like to record and publish in the same order, so there’s at least some sense of continuity. I know some podcasters will record something and then leave it for ages and kind of publish things in a different order to how they recorded, but I prefer to just publish and record as soon as possible.
I don’t know what I will say in episode 750, which means I don’t know what you have already heard me say, because even though right now I haven’t recorded that episode yet, there’s a good chance you are listening to this later and in your world you might have listened to episode 750 – I wonder what I said in that episode, or should that be, I wonder what I will say, or even, I wonder what I will have said? I’m in that weird limbo land where all those different verb tenses are possible. (Some people are confused now – even more confused than they were earlier).
Anyway, I think I will call it a day here. In a moment. I said before that things are a bit intense in my life at the moment – I am certainly not complaining, not at all, but I have a lot on my plate which means I’ve got less time for recording, editing etc. This means that I have lots of ideas building up in my head – podcast ideas – they sort of come to me at various moments, like when I’m teaching or when I’m walking to work, but then I can’t really turn those ideas into podcasts because of time constraints, but I’m trying to note them down for later.
I expect I’m repeating myself here, because I have a vague idea that I’ll talk about being busy and having things on your plate in episode 750. So, no need to continue at the risk of repeating myself, which is obviously a shocking crime that must be met with the harshest of punishments.
OK, the next episode will also be with Penny and it’s all about how she creates books for children, and this is actually a bit of a scoop because Penny is a really successful author of children’s books. They have won awards. They are in all the bookshops. One of her books was read out on BBCTV by Rob Delaney – a popular comedian. And her work is really great. Her illustrations in particular are absolutely lovely – very cute and adorable. So in episode 752 we can hear her talk about her process of creating these books, and it’s a nice cosy topic and I think it should be of interest to most LEPsters. So that’s something to look forward to.
So, I think this is a good moment to stop. Thank you so much for listening!
Speak to you again soon, but now it’s time to say good bye bye bye!
In this unedited episode I share some of the thoughts that have been running through my head, talk about being busy and look at some vocabulary to describe busy times in your life. Video version available.
Hello everyone. Welcome back to LEP. This is part 2 of a double Karl Pilkington themed episode. I would recommend that you listen to part 1 of this first – it contains important context about who Karl is plus more details about Karl’s pronunciation and accent.
Listening to that first will help a great deal in understanding this one.
I got plenty of good responses to part 1 of this, so let’s carry on.
In this part we are going to continue as we did before – listening to Karl Pilkington talking about various subjects, understanding exactly what he says, looking at features of his Manchester accent and picking up vocabulary along the way.
Karl is basically just a normal bloke from Manchester and his accent is fairly typical for people from that area so this episode aims to help you understand his accent and pick up vocabulary too.
Some responses to part 1
I disagree with Karl on most things.
Is he arrogant?
I just enjoy the way he puts things. He speaks like a comedian in the way that he expresses a point of view and has a certain way with words, but he’s not a comedian.
This is the enigma of Karl Pilkington – is he really just being himself, or is he playing a comedy character, and in real life he’s a lot more erudite.
I actually think it’s the former not the latter and that he’s just being himself. He just happens to have a funny way of putting his opinions across.
Sometimes the best comedy comes from someone sharing a specific opinion. I think this is what I enjoy about this, rather than the opinions he is expressing, and as I said I disagree with Karl about most things, and some things he says are quite laughable – especially stuff he’s said on the Ricky Gervais podcast, like his Monkey News stories.
One other thing – apparently it is possible to be choked by a live octopus as you eat it. What I meant was that it would be impossible for an octopus to strangle you from the inside, as strangling means choking from the outside of the throat, with your hands for example, but of course a live octopus could choke you from within, by sticking its arms up into your throat or your windpipe. So, fair enough, it is possible for an octopus to choke you.
Also, in the UK we do eat oysters – which are raw seafood, so I think raw fish are generally ok in the UK but most other raw things would be considered a bit strange for us.
Quick Pronunciation Recap
In part 1 we listened to Karl talk about life, health and food and in terms of his accent I talked about H-drops
I’m 32, I think I’ve got the hang of it.
Look, how many do you need?
I’ll have a look at the meteorites.
If you’re going to eat a live animal, don’t eat one that’s got eight arms that can get hold of your neck.
The ‘bath/trap’ split
/ʊ/ not /ʌ/
Do you go to the gym much?
Topics: Holidays & Karl’s Fridge
This time he’s going to talk about holidays and his fridge and we will look at more features of his accent.
There’s a video version of this on youtube with text on the screen, plus you will find all the text presented on the page for this episode on my website.
Just one more thing before we start – I have premium episodes in the pipeline for these two episodes of LEP. The Premium episodes will be a chance to review and remember the vocabulary that comes up in these episodes, and then pronunciation drills too. So, I’ll do a sort of memory quiz with you to see how much vocab you remember and then the usual pronunciation drills – but in my accent, not Karl’s.
Karl is on a camping holiday, sitting in a tent and moaning.
Why does Karl think holidays are stressful?
What does Karl think of Lanzarote’s nickname?
What did Karl do on his holiday there?
What’s the problem with holidays in the UK?
What did he think of the seal sanctuary he went to?
What’s the best place Karl has been? Why?
What does Karl think of holidays to the moon?
You’ve got free time on your hands which you’re not used to.
We ended up walking around this seal sanctuary. 14 quid. £
They were just floating about, hardlymoving.
I’m not having a go, but don’t charge me to come in, or at least let me see them again when they’re better.
The coliseum, they don’t do it up.
There’s no overheads.
That’s a mess. Get it knocked down.
At the end of the day the moon is just a big rock. You may/might as well go to Lanzarote.
Alright so I went on holiday and it was great and all that.
I’ll have a look at the meteorites.
If you’re going to eat a live animal, don’t eat one that’s got eight arms that can get hold of your neck.
When’s the last time you heard about a tortoise having a heart attack?
Works well with glottal stops.
Nasal sound in /aʊ/ and /ai/ sounds
/aʊ/ in words like about and now sounds more nasal.
What’s he going on about now?
If there were dinosaurs about now and that.
If we’ve run out we need to go outside and get some more.
Nasal sound in /ai/ sound
The /ai/ sound in words like alive, inside, survive, fighting, riot and dying sounds more nasal.
You’re not supposed to eat them alive.
We’ve got to stay inside if we want to survive.
If they were running about fighting and dying and that.
Running riot (sounds like “roonin raiyut”)
#5 Karl on his fridge
Karl’s fridge is broken and he called out a guy to fix it.
Naturally he’s moaning about workmen who come to your house to do different jobs.
Why does the guy charge £80?
What is Karl’s main problem with engineers, plumbers, workers who have to come to his house?
What advice does the fridge guy give to Karl?
What’s the problem with Karl’s new fridge?
The fellaturnedup, right.
Yeah, it’s broke. (broken)
That’s why I called you out.
That’s 80 quid.
I said, “you what?”
An 80 quid callout charge.
I tell you. They windmeup.
I had a fella come round to do the tiling.
Turned up late with a carrier bag.
A pot noodle
A copy of the Daily Mirror
A crossword book
He was asking what the pub was like across the road. “What is …. like?”
Having a laugh
When did you last vac it out?
You’re meant to vac them out, because dustand that gets in.
Can’t afford any food to put in it.
It needswiringin. It’s got one of those fancy plug things.
A lot of other vowel sounds are nasal too.
Turn the corner /ɔː/
They becomes thee
It depends what they do with it.
Why have they only just found that?
How did they miss that?
Also, he adds little fillers like:
(Do you) know what I mean?
Right? (just sounds like a nazal grunt, almost)
… and that
And stuff like that
Do you know what I mean?
I tell ya…
Watch out for those things if you like.
Ladies and gentlemen, this brings us to the end of this episode, as we now prepare to exit the world of Karl Pilkington and re-emerge blinking into the light of the normal world.
Welcome back to yourself, your own attitudes and your own personality again.
I urge you to (just wanted to use that phrase) check the page for this episode on my website where you will find a downloadable full transcript, the audio file for download in mp3 format, a text video version of this episode where you can read the entire thing as you listen and it’s all presented in a rather majestic looking font before your very eyes and of course there’s the comment section where you can share your thoughts not to mention the episode archive with all the previous episodes plus lots of bonus extra stuff.
LEP Premium LEP App LEP Merch
Have a good one and I will speak to you again soon, bye!
Understand English as it is spoken by native speakers. Let’s listen to Karl Pilkington rambling about life, the universe & everything, and see what we can understand and learn. Karl is from Manchester, so we’ll be looking at some features of his accent, picking up plenty of vocabulary and having a bit of a laugh along the way.
Welcome back to the podcast. How are you doing today?
In this episode we’re going to do some intensive listening and use it as a chance to learn some vocabulary and pronunciation.
This episode should be a bit of a laugh as we’re going to take a deep dive into the world of Karl Pilkington and listen to his thoughts on some big issues like health, food, animals, holidays and just existence itself.
We’ll be looking at the different features of his Manchester accent, and there will be lots of vocabulary to pick up too as we are covering a range of different topics. You can also consider this as a little intensive listening test, as I will be setting questions that you have to find answers to, then going through each clip in detail and breaking it all down for language.
We last heard about Karl Pilkington on my podcast in episode 656 in which we listened to a couple of his Monkey News stories about a chimp that works on a building site and another chimp that pilots a space rocket.
Do you remember that? If you don’t, then get the LEP app and listen to episode 656. It was a very popular episode and it should make you laugh out loud on a bus maybe.
That was pretty funny stuff, and Karl is very funny even though he’s not actually a comedian.
Who is Karl Pilkington?
To be honest, Karl Pilkington was most well-known about 10 years ago and these days he’s not in the public eye as much as he used to be, but he’s still a fairly well-known person in the UK, especially for Ricky Gervais fans.
Karl is just an ordinary bloke from Manchester who met comedians Ricky Gervais and Stephen Merchant when he worked for them as a radio producer in London.
Later, Ricky invited Karl to be on his podcast in order to broadcast his weird ideas and inane ramblings to the whole world, and the rest is history.
The Ricky Gervais Podcast became a world record-breaker with over 300,000,000 downloads.
In episodes, Ricky, Steve & Karl would talk about big topics like religion, evolution, philosophy, nature, birth and death and Karl would often say some bizarre and hilarious things, apparently without intending to be funny.
Ricky was always slightly obsessed with Karl, and he always described him as “an idiot with a perfectly round head like an orange”.
After being on Ricky’s podcast, Karl went on to become a fairly well-known figure in the UK, doing more podcasts with Ricky, then TV shows, books and documentaries like “An Idiot Abroad”.
Karl is known for his funny and slightly odd musings and observations about life.
He comes from a working class background in the Manchester area, and his accent has many of the features that you would expect from that.
Accent / Pronunciation
We will be going into the specific features of his accent in more detail as we go and this kind of follows on from episode 682 which was all about common features of pronunciation in England which are different to RP.
Which accent should you have?
So this episode is about one of the UK’s regional accents.
You might be thinking – Luke, by doing this episode are you saying that we should all learn to speak like Karl?
I’m not saying that. You can choose your accent, and many learners choose a neutral accent to learn, but it’s not all about learning an accent, it’s also about learning to understand different accents, and learning about the varieties of English that are out there.
So, you might not want to speak like Karl, but I certainly want you to understand Karl and the many millions of other people who speak English in a non-standard way.
So this episode is all about understanding an accent, rather than copying it. But of course you can copy Karl’s Mancunian accent if you like.
There will also be plenty of vocabulary coming up too as we pick apart the things that Karl says and the way he says them.
You’ll find it listed on the screen on the video version and also presented in text form on the page for this episode on my website.
We’re going to be using a series available on youtube in which Karl ponders certain big questions in just 3 minutes of video, originally broadcast on Channel 4 in the UK as part of their “3 Minute Wonders” series.
These are short videos in which Karl talks about his fridge, health, food, animals and holidays, covering each topic with his usual ramblings, all delivered in that Manchester accent, know what I mean?
I have about 6 recordings, which are about 3 minutes each (this could become two episodes).
Before I play the recording I’ll give you a little bit of context and I’ll set some questions.
Then you listen and try to get the answers.
Then I’ll break it down – listening to each bit again, with some explanations if necessary.
We’ll also pay attention to pronunciation – specifically his Mancunian accent. I’m going to break that down too, exploring the main features of that particular accent.
And I’ll sum up some of the vocab from each clip before moving on to the next one.
#1 Karl on Life
Karl goes around a museum looking at meteorites, dinosaur skeletons and endangered animals (stuffed ones or models) and muses about life in general medical science.
What does Karl wonder about the big bang?
What makes the meteorite room a bit disappointing?
What’s Karl’s main criticism of humanity today?
What does Karl think would happen if a dinosaur got loose and started to “run riot”?
What’s Karl’s main point?
The big bang
Did it only seem big because there was no other noise to drown it out at the time?
Meteorites (on earth)
Meteors (flying in earth’s atmosphere)
Asteroids (flying in space)
The edge is taken off it because that isn’t the only one.
I’m not surprised they went extinct, they’re all in here.
Enough’s enough. If your body is that done in, call it a day.
The more we know, the more we interfere.
Don’t interfere with nature and that.
Even if it was going round running riot they’d go “We don’t want it to go extinct”
The panda is dying out.
Notes on Karl’s accent
Here’s a summary of the main points regarding Karl’s Manchester accent.
Many of these features are common in people from the Manchester area, although not all people from Manchester will speak like this, and there are different degrees of it.
This is certainly Karl’s Manchester accent in any case.
A lot of what I’m about to say will include things brought up in the episode I did about Key Features of English accents, episode 682.
Look, how many do you need?
I’m not surprised they went extinct, they’re all in here.
She’d had a new lung, a new heart
He puts his hand in and goes “Yep, it’s broke”
They weren’t doing anything. They weren’t jumping through hoops. (talking about animals in a zoo)
I don’t know if it’s cruel or not, to have them in there.
I’m 32, I think I’ve got the hang of it.
Glottal stops (/t/ sounds get replaced by /ʔ/ )
I’ll have a look at the meteorites.
If you’re going to eat a live animal, don’t eat one that’s got eight arms that can get hold of your neck.
Let me see them again when they’re better.
Go back to my episode called 682. Features of English Accents, Explained to find out more about glottal stops.
#2 Karl on Health
Karl recounts a conversation he had with a woman about going to the gym.
Does Karl go to the gym?
What does he think of the idea of breathing classes?
What does he think of drinking 7 pints of water a day?
What’s Karl’s argument for not going to the gym? Heart beats, tortoise
I know what’s probably putting you off – the fact that it’s hard work.
Breathing classes – I’m 32 I think I’ve got the hang of it.
My Dad’s like 60-odd. I’ve never seen him drink a pint of water, yet they’re telling us we should have, like, 7 pints a day or something, and then they wonder why there’s a water drought on.
They keep coming up withdaft ways of keeping fit.
Chucking paint at each other.
/æ/ not /ɑː/ (the “bath/trap split”, again)
Short A sound /æ/ in bath, podcast
(gas and glass have the same vowel sound in Karl’s Manchester accent).
This is normal across all northern accents, and many accents in the midlands. I would use /ɑː/ because although I lived in the midlands for many years (half my childhood), my accent is mostly from the south because I’ve lived there more and my parents don’t have strong regional accents.
Come to my class. We do breathing classes.
/ʊ/ not /ʌ/
The U sound in but, enough and much.
I pronounce it /ʌ/ but Karl pronounces it more like /ʊ/
Do you go to the gym much?
#3 Karl on Food
Karl talks about a new trend – eating things which shouldn’t be eaten.
Coming from England, Karl thinks it’s weird to eat certain things that might be eaten in other cultures, like live octopus, insects, frogs, snails, probably raw meat, raw fish and sushi.
What is the danger of eating a live octopus?
What’s Karl’s issue with kids and food today?
What does Karl think about eating dog?
They choke you. Why would you want to eat that?
If we’re eating octopuses, why are dogs getting away with it?
Talking to my dad about the latest in the Brexit saga, including the current fuel crisis due to lack of lorry drivers and other problems which were predicted in the run up to the Brexit referendum in 2016. Video version available on YouTube and below.
This is The Rick Thompson Report, where I talk to my dad about politics, news, current affairs – which almost always means an update to the ongoing Brexit saga.
What’s going on in the UK at the moment? How is Brexit going? Remember before the referendum when predictions were made by experts who recommended that Brexit was a bad idea – do you remember any of the predictions? They were labelled by the pro-Brexit camp as “Project Fear” suggesting that critics of Brexit were just trying to make everyone scared about leaving the EU but it was all baseless and everything was going to be wonderful in a very non-specific way. Well, we are now getting to a stage where we can see if those predictions are coming true or not?
So, how long has the UK actually been out of the EU now? How’s it going?
Talking to English teacher Matt Halsdorff about a project to train native English speakers how to communicate better with non-natives. We talk about the reasons why native speakers are often bad at communicating with non-natives, what they should do to fix this and the wider issues relating to this project. Video version available.
Hello listeners and video viewers, how are you doing today?
In this episode you’re going to listen to me in conversation with Matt Halsdorff who is an English teacher with many years of teaching experience, and we’re going to be discussing the question of whether native English speakers are in fact the worst communicators in an international English environment.
Matt is currently working on a project with Christian Saunders from Canguro English. I think the project sounds really interesting and raises a few good questions about how native speakers of English and non-native speakers communicate with each other, what non-natives really struggle with in this language, and whether native speakers can do anything to help.
If you saw my latest video interview with Christian from Canguro English and you watched until the end you might remember us discussing this project briefly. If you remember, Christian mentioned a training course in communication in English – but the twist is that it’s for native speakers – more specifically it is for native English speakers who need to communicate internationally.
Because, It’s not just learners of English who need training in this language. Apparently – It’s native speakers too.
English is a global language, and everyone is using it for business and also for travel purposes. Everyone needs to use this language to communicate successfully so the world can continue spinning.
Everyone uses English, and everyone has to work on the way they use it, in the same way that we all have to work on our email writing and IT skills to make them as efficient and effective as possible.
As a non-native speaker of English, of course you’ve got to work on the entire system – you need vocabulary, you need correct grammar, you need clear pronunciation, fluency, confidence and so on – obviously, that’s what’s involved in trying to use another language.
You learn as you go and try to do your best and you almost certainly feel a great deal of responsibility, pressure, and challenge when communicating in English. You are probably keenly aware of your performance in English and sensitive about any kind of failure in communication and how that might be your fault.
But do native speakers share a similar sense of responsibility?
In fact here are a number of other questions which arise when thinking about this topic.
Do native English speakers do all they can in international situations to make sure they are understood clearly, just like everyone else does?
Are native speakers aware of what it is like to operate in a second language?
Might there be other reasons why native English speakers don’t adapt the way they speak in order to improve shared communication?
Who is responsible for the success of any act of communication? Just one side, or both?
Should native speakers adapt their English? Or is it up to the non-natives to do all the heavy lifting in this situation?
And if native speakers should adapt their English, how should they do it?
What kind of English should they avoid and what kind is likely to be the most successful?
And what about other considerations and questions, such as what happens to the English language when it is being adapted in this way?
Well, I am interviewing Matt today in order to discuss these things and find out about this project in general. First we’re just going to take a few minutes to get to know him, and then we’re going to dive into this training project for native speakers, which is called The Travel Adaptor by the way. We’re going to find out about the project, about what native speakers do and say which can be so confusing, how native speakers can facilitate communication with non-natives, and the wider issue of global English and successful international communication.
As well as getting into the specifics of this conversation, you can certainly learn about some of the major obstacles that non-native speakers have when understanding natives.
So there’s plenty to pick up from this. There is a YouTube version too just in case you need to see our faces as well as listen to us.
Well, that was Matt Halsdorff talking about The Travel Adapter – a training course for native-speakers of English, to help them communicate better globally.
So, what do you think? I’m very keen to read your comments and I am sure you had things popping into your head during this conversation. Why not express them in English here in the comment section?
Do you have experiences of communicating with native speakers in English? What was it like? Did they adapt their speech? What was difficult?
Do you think native speakers should adapt their speech when talking to non-natives, or not? Why?
But that’s it for now. Thank you for listening and I will speak to you again soon. I’ve got a little announcement coming in the next few weeks that’s pretty cool, plus the usual free episodes and premium episodes on their way as usual.
Speak to you soon, but for now – goodbye bye bye bye bye bye bye!
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