Tag Archives: review

260. (Film Club) Kingsman: The Secret Service

In this episode I read out some poems written by listeners, and then it’s time for another episode of LFC (Luke’s Film Club). This time I’m reviewing the film Kingsman: The Secret Service. [Download]
Poems
Thank you for your poems in response to episode 258. I read some of them out in this episode. You can find the poems under episode 258.

kingsman_the_secret_service_ver7Kingsman: The Secret Service Film Review
Message from Dongsik (South Korean LEPSTER)
Luke, how are you?
It’s so abrupt but may I ask a favor of you?
Someday in your podcast, could you explain British culture in the film ‘Kingsman : the secret Seervice’? or just tell the audience about your thoughts on the film? If you don’t mind. For example, accent, clothes, social class, colin firth, whatever related to UK in the film. The movie really brings me back to UK. It’s so impressive to me.
I don’t push you, I kindly ask you, so I hope I could listen to those things in your podcast someday.

Kingsman: The Secret Service (Trailer)

Overview
-What kind of film is it?
-Who directed it?
-Who is in it?
-What’s the plot?
-What did I think of it?
-Elements of British culture
Certain symbols or icons of Britishness or certainly London life.
Class: The upper class & the lower class.
Posh people & chavs/hooligans

Good Things
It’s fast & furious, it’s never boring, it is visually quite arresting, there are some great actors involved, some gripping moments of action, and some genuinely shocking and stunning moments. It’s pretty funny and entertaining.

Bad Things
It’s a bit too ‘laddish’ for me. It’s too violent (Did I say too violent? Me?) I’m okay with violence in films usually, but this seemed to go over the top, in one scene in particular – and seemed to just enjoy the cartoon violence a little bit too much, like in Kill Bill Vol.1. It has its cake and eats it too – it’s parodying all the clichés of spy films, but at the same time celebrating them, and bringing the genre back to a point before it was post-modern and deconstructed.

It seems to have the same values as an old Bond film from the 1970s. It’s stylish and very British, but also misogynistic and quite right-wing. The ending, for example, is like something from the end of a Roger Moore film, but even more suggestive and explicit. Perhaps I’m being old-fashioned or something, but I found it to be a confirmation of sexist stereotypes. I think it was misjudged and a bit clumsy to end on a moment like that.
*Spoiler alert* I explain the ending here… (no great surprises though)
Posh images: tailors on Saville Row and their suits, umbrellas, pinstripes, wood panelled offices and gentlemen’s clubs in Mayfair, glasses of whiskey, old school ties, the British Army & secret service, privilege, a sense of entitlement, disdain for the lower classes.
Lower class images: Council estates, pubs full of aggressive criminals, cockneys, young criminals & gang members, petty crime, drugs, alcohol, fast cars, domestic violence, an irresponsible Mum who is abused by a violent boyfriend, London grime music such as Dizzee Rascal (although this side of London life is better captured by Attack The Block), London youth dialect.

Culture clash – between working class and upper class.
Much of this iconography belongs to the world of movies, fantasy or simply to the past. Not many people dress like Colin Firth in this film, or indeed act like him.
Other film/culture references: James Bond, The Avengers, Michael Caine films like The Ipcress File, My Fair Lady, The Bourne Identity.

All in all, I think it will do well internationally. The audience in Paris seemed to enjoy it a lot. It will probably be a hit with young blokes around the world who get off on the values of old James Bond movies, and who like comic book violence and a bit of casual sexism too.

Have you seen this film? Would you like to see it?

[socialpoll id=”2254996″]

241. Film Club: Star Wars

“Luke’s Film Club” continues with one of my all-time favourites: Star Wars! In this episode I’m going to ramble on about the Star Wars franchise, including the original trilogy (episodes 4-6), the prequel trilogy (episodes 1-3) and the upcoming new trilogy (episodes 7-9). If you’re a Star Wars fan, this one’s for you! If you don’t like Star Wars, I hope this episode will give you some idea of why people are so crazy about these movies. [Download]

Small Donate ButtonContents
In this episode I talk about these things:
– The new Star Wars Episode VII Trailer
– A history of the Star Wars films
– An overview of the storyline for the original trilogy and prequel trilogy
– Some reasons why I like the original films so much
– Some sound effects from the films!

Videos
Here’s the Episode VII Teaser Trailer

Here are some must-see video reviews of the prequel trilogy by RedLetterMedia. For me, these explain (in a very funny way) exactly what is wrong about episodes 1-3. They’re genuinely brilliant reviews, which must have taken a long time to make.



2000px-Star_Wars_Logo.svg
[socialpoll id=”2235106″]

237. OPP: Other People’s Podcasts (Part 2)

Part 2 of my top 10 list of podcasts that I listen to regularly and which I would like to share with you. [Download]

Small Donate ButtonThis episode is not about podcasts for learners of English. It’s also not about podcasts made by LEPsters. It’s just some podcasts that I love to listen to and that I’d like to share with you.

They aren’t for learners of English specifically. This could mean they’re hard to understand for you. However – it could be really good for you to at least try listening to one of these podcasts and see if they click with you. It could be really good for your English, especially if there’s one that really grabs your attention.
Click here for part 1 of this episode.
5. The Bugle (UK)tumblr_static_bugle_logo
This is a satirical news-based comedy podcast. The show is presented by stand-up comedians Andy Zaltzman and John Oliver. Andy is based in London and is one of the country’s top satirical comedians. He specialises in puns, which are word jokes. Often he goes off on a whole series of puns based on a certain topic. John Oliver is based in The USA (you might have seen him on The Daily Show and Last Week Tonight). With Andy in London and John in NYC they tend to focus on the big political news events of the moment and they generally take the view that many of those world events are ridiculous, especially the hypocrisy of politicians and the questionable actions of world leaders. They also take a pop at smaller events in the news. Mainly they use politics and news as a starting point for comedy. Andy has quite a surreal take on issues and John Oliver has a slightly hysterical approach as an Englishman living in one of the craziest countries in the world, USA. I find their podcast hilarious and it regularly has me laughing out loud on the Paris metro, and then embarrassingly realising that other people are looking at me like a weirdo.
Listen to: Scottish Referendum.

cover170x1704. The Smartest Man in the World (USA)
Greg Proops is amazing. He’s a stand-up comedian (of course he is!) with an incredible talent for improvisation. In the 90s he became famous for being on a show called “Whose Line is it Anyway?” which was a fantastic improv comedy show. These descriptions don’t really do him justice though, because you might just think, oh another stand-up comedian, great. Well, Greg Proops is also a voraciously intelligent commentator. He’s a scathing satirist. A left-leaning libertarian (if such a thing is possible) with little patience with the agenda of most of our world leaders or heads of corporations. He’s incredibly well-read, has fantastic taste in music, and uses a wickedly articulate and broad range of vocabulary. In fact, he wields words rather like a beat poet, and his podcast is an intoxicating mix of improvised comedy, biting satire, beat poetry, ranting and raving about the state of the world, movie-related banter, anecdotes, drug stories and so many other things. His podcasts are almost always recorded live, in various places around the world. I recently saw him recording a podcast in Paris and it was just amazing to see him there in person, recording an episode of the podcast, responding to questions from the audience, dissecting current events in the newspapers, ranting about the NSA and generally being the awesome and immaculately dressed dude that he is. Greg for me, as well as being a top-class entertainer, is also a raconteur and by that I mean that he is a person who tells anecdotes in such a funny and articulate way that he’s raised it to the level of performance art. He manages to evoke the spirit of America’s greatest writers, actors and poets from some golden age of Hollwood in the 1930s, 40s or 50s. His podcast is one which you should listen to at night, with a glass of something to drink and maybe a pipe a jazz cigarette or something. Typically Greg drinks vodka during recordings of his podcast and yet his mind always stays clear and incisive. Greg Proops is a classy dude and he is definitely worth listening to. However, you might find him hard to follow because he does speak very fast, with quite a strong Californian accent, and he makes lots of specific cultural references you might not be familiar with, and he is also very verbose – he uses lots of big words. If that’s your sort of thing, you should definitely check out his podcast.
Listen to: The beginning of an episode – Reds
America is England’s Fault (talking to an audience in Australia)

51o5s-S7gVL3. The Ricky Gervais Podcast (UK)
This was the first really big podcast – when it was regularly being uploaded it was the most downloaded podcast in the world at one point. It came out probably about 10 years ago and it is still available but you now have to purchase the archives on iTunes or maybe on Audiable.com for just a couple of pounds per season. It’s not a lot and it’s worth it. I used to listen to this back in my kitchen in Ealing, West London while I was doing my cooking and it used to make me laugh out loud every time. The Ricky Gervais Show is not really recorded any more but it is still a classic podcast. The set-up is simple really. It’s Ricky Gervais, Stephen Merchant and Karl Pilkington. Ricky and Steve are well known comedians and writers. They won awards for their show “The Office” and they’re generally considered to be top-level comic talent. Karl Pilkington is just a bloke. He’s a really ordinary, average working class bloke from Manchester. He’s not very well educated. He’s not a sophisticated guy, but he is perhaps one of the funniest people I’ve ever heard – but he’s not really trying to be funny. He seems to just be quite serious most of the time, and yet the things he says are brilliantly straight-forward and simple minded while also being incredibly funny. It’s like seeing into the mind of an idiot, but it’s more than that because Karl often has such a simple view on things that he’s quite hard to argue with. His common sense might be ill informed, but it’s got an undeniable sense of simple logic about it. Often he’s completely wrong about things, but you can understand why he has those views. He’s also slightly obsessed by certain topics, like stories of monkeys acting like humans, or insects which he’s discovered in his daily life, or stories of tribes in remote parts of the world. Generally what happens is that Ricky and Steve start talking about something and then they ask Karl what he thinks. Then Karl gives his view and it provokes hysterical responses from Ricky and Steve, who berate him for being an idiot while arguing with his stupid ideas. It sounds a little cruel at times, as if Ricky and Steve are bullying Karl – but really this is just the way male friends in England talk to each other. We often take the piss out of each other and argue, but really we’re close friends. You can see that the relationship between these three is actually very close and that Ricky and Steve really love Karl but they’re also amazed by his thought processes. Karl used to be a technician or producer on Ricky’s radio show but because of the podcast he’s become a successful travel writer and TV presenter in his own right now.
Listen to: The first episode of the Ricky Gervais Show.

WTF_with_Marc_Maron2. WTF with Marc Maron (USA)
Surprise Surprise, Marc Maron is a stand-up comedian! His podcast, called WTF is one of the biggest podcasts on the internet. Basically, the show is hosted by Marc in his own garage. Marc is a sort of washed up comedian with all kinds of personal issues, neuroses, addictions and psychological hang-ups. he originally started his podcast about 6 years ago when his career was on the rocks. At that time his marriage had ended in divorce, he was recovering from drug and alcohol addictions, and his anti-social behaviour and neurotic attitude had caused his career to nosedive into the ground. His friends (including Louis CK) were finally achieving the success they’d been working for, but Marc was broke, paranoid and on his own. Then he started the podcast with the aim of trying to work out what the fuck was wrong with him, and what the fuck was going on. He’s remarkably open, sincere and frank on the podcast, talking in great detail about his personal feelings and problems. Sometimes it feels like he’s complaining and moaning in a very self indulgent way, but I have to admit that it’s one of the most engaging podcasts I listen to. It’s really raw, real and gripping and I find that I learn all kinds of things about the human condition from listening to it. No other interview show or podcast goes so deep into feelings, motivations and choices. In each episode he talks about his life for about 15 minutes, including difficult choices, damaged relationships or just anecdotes about social situations he’s found himself in. Then he invites a guest on the show, usually a comedian, actor or musician, and talks to them about their whole career, dealing with their whole life story really. The thing is, Marc is an excellent interviewer and he has a particular talent for engaging with his guests in a very honest and open way. His interviews are really revealing, and he gets under the skin of his guests brilliantly. Sometimes he’s so close to the bone that the interviews are quite uncomfortable and awkward, even confrontational, as Marc attempts to challenge his guests to explain themselves and answer their critics and so on. The result is a really fascinating listening experience, which can be amusing, revealing and touching. It’s also particularly inspiring for me because Marc has rebuilt his career on the back of the success of his podcast. In fact, the podcast has completely revived him as a stand-up and now he has his own TV show, he has successful books published and he regularly sells out theatres for his one man comedy performances. It just proves to me that podcasts are a really valuable and valid form of media communication – just as valid as traditional forms like radio or television.
Listen to: Episode 500 – from 1:16

Mark Kermode and Simon Mayo1. Mark Kermode & Simon Mayo’s Film Review (UK)
This is my favourite podcast and the one which I have been listening to for the longest time. I first started downloading this podcast back in 2006 but I’ve been listening to Mark Kermode and Simon Mayo talk about films on BBC radio for many years. Mark used to be the film reviewer on radio 1 in the 1990s and Simon has been on the radio for even longer than that.
There are several great things about this podcast. One of them is the interplay between Simon and Mark. Mark Kermode is a very well-respected and highly qualified film critic. He’s an academic, he’s written books and made documentaries about films and he really knows what he’s talking about. He can be a bit pretentious and annoying, but really we love him because he has strong beliefs, and a genuine passion for films. In fact, his principles (which are sort of left-wing really) are what guide his approach to movie reviews. He tends to passionately rant about the films he loves and hates, speaking very quickly, using all kinds of imagery, stubbornly arguing against big-budget brainless Hollywood films like Transformers or Sex In The City. He often gets very angry and worked up about films he’s reviewing – going on and on in a very amusing way about exactly what is so awful about a certain film he’s seen. Simon on the other hand is the calm voice of the ordinary man. He is a reasonable guy who doesn’t get so hysterical about films and this provides a really great counterpoint to Mark’s obsessional approach to his film reviews. Mark gets angry, Simon stays calm. Mark passionately hates a film, Simon then says that he quite enjoyed it, and Mark nearly explodes! They argue, they bicker, and they regularly witter on about nothing in particular. In fact, this is is a podcast about films, but it’s not really about films, it’s about everything really, but the subject of movies is what holds the show together. Mark and Simon complement each other perfectly. They have slightly differing world-views, but they also have a lot of things in common – their age, the fact that they have families and so on. Although they argue and pick on each other, they clearly have a lot of affection for each other. Ultimately, this is a heart warming listening experience which also teaches you lots of things about movies. Highlights for me are the running jokes, the emails from listeners, and Mark’s epic rants about films that he hates. The podcast is available on the BBC and is uploaded every week. I highly recommend it – but it’s just my own personal choice. It’s one of the most popular podcasts in the UK. It’s recorded while they do their radio show, then edited and uploaded immediately after the show is broadcast on BBC 5 Live.
Listen to: One of Mark’s epic rants. (Pirates of the Caribbean)

[socialpoll id=”2232478″]
OPPPIC

225. Film Club: “Taken”

This episode is all about the film “Taken” starring Liam Neeson as an ex-CIA agent who uses his ‘particular set of skills’ to save his daughter who is kidnapped while on a trip to Paris. Right-click here to download.

Small Donate ButtonYou might remember hearing me talking about this film in a recent episode of the podcast with my friend Corneliu. Remember that? Well, I’m a little bit obsessed by this film, and I talk about it in my stand-up shows, so I’ve decided to devote this episode just to this subject: The film Taken, starring Liam Neeson.

For ages on LEP I’ve been talking about doing episodes about films. I’ve done some movie themed episodes before, but this is the first episode in what I hope will become a series devoted to some classic moments from cinema history. (What Luke, another series – how many series have you started now? – accents, slang, British Comedy, Your English Podcast)
I’ve decided to call the series “Luke’s Film Club” or LFC. (Not Liverpool Football Club)
I could easily have called it “Luke’s Classic Movie Moments” but my brother thought that sounded too American, which put me off slightly. I quite like “Luke’s Classic Movie Moments” or LCMM, for short, so that is the other name of this series.
So, welcome to “Luke’s Film Club” or LFC, which is also known as Luke’s Classic Movie Moments, or LCMM.

taken-filmIn each episode in this series we’re going to look at a classic moment from the movies, and in this one I’ve decided to focus on “Taken” (2008) starring Liam Neeson. Director: Pierre Morel
Writers: Luc Besson, Robert Mark Kamen.

Plot synopsis: A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.

Score on IMDB: 7.9/10
Score on Rotten Tomatoes: 58%

This is not one of the greatest works of cinema history. It’s certainly not Citizen Kane or The Godfather or anything. To be honest, it’s a slightly trashy exploitation thriller which pushsd emotional buttons in order to keep you engaged throughout. It has revived the career of Liam Neeson, who is a great actor with a lot of screen presence and gravity. I think Liam Neeson is one of the greatest actors of his generation. Perhaps his most famous role is from Schindler’s List, but he’s been in plenty of other movies and has worked with some of Hollywood’s top talent, including George Lucas, Ridley Scott and Christpher Nolan. Since making Taken, Neeson has become somewhat typecast as this kind of brooding, revenge obsessed middle aged man. He’s made several sequels (Taken 3 is coming soon) and a couple of other similar films since this one.

Now, why have I chosen to bang on about Taken for a whole episode. Well, if you’ve seen the film, you’ll probably agree that it was a wild ride – it’s a thrilling film, but when you think about it, it’s quite ridiculous, and has some very questionable ethics and undertones of racism. But for some reason we’re all expected to leave our brains at the door, and not think about that stuff too much. It pushes some rather strong emotional buttons, and that makes you ignore the dodgy politics and subtext of the film.

I expect a lot of you have seen it because it was a big hit around the world, but many of you won’t have seen it. If you haven’t seen it then don’t worry – I’ll explain the plot and other details you need to know. I should say “Spoiler alert” at this moment – which is something you say before you give away the details of the plot before people have seen it. Don’t worry though, because in my opinion it’s impossible for me to spoil this film. Honestly, it can’t be spoiled. If you’ve seen the trailer for the film you’ll know exactly what happens, and it’s still enjoyable. In fact, the title of the film tells you all you need to know: “Taken” – his daughter is taken (kidnapped) and he does everything he can to get her back. That’s it. It’s a ride, with very few surprises along the way. It does exactly what it says on the tin.
“It does exactly what it says on the tin”

So in this episode we’re going to hear a classic moment from this film, and then I’m going to give you my viewpoint on the film as a whole, and then we’ll go back to analyse some of the language in the classic scene.

You might be thinking: Luke, you’re thinking about it too much. Don’t over-analyse it. Well, I find it hard to leave my brain at the door when I see films and I don’t think I should. Why should I stop thinking when I see a film? No, I like to analyse and intellectualise films, and I LOVE to intellectualise trashy movies like this one. One of my favourite things is to sit around with friends and just take the piss out of a film while watching it. I studied films at university and I learned that any film can be analysed as a text and that everyone is free to take their own interpretation of a movie. I also love talking about films and popular culture in my stand-up routines and I find that they’re a great source of comedy.

So let’s deal with Taken.

1. The classic moment: “I will find you, and I will kill you.”

2. Taken: My point of view (it’s a rant really)

3. Intonation & Sentence stress from the classic scene. (plus some versions in different accents)

The Classic Moment -“I will find you, and I will kill you”
Liam Neeson is a retired CIA agent. While his daughter is on holiday in Paris she is kidnapped. He manages to speak to one of them on his mobile phone. This is his only opportunity to speak to the kidnappers and then save his daughter.

The speech

I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t, I will look for you, I will find you, and I will kill you.

[after a long pause] Good luck.

Taken Kill Map

Here’s a review of “Taken” from my favourite film review podcast Mark Kermode & Simon Mayo’s Film Review.

175. The Phrasal Verb Chronicles #1

This is both a phrasal verb review, and a random made-up story. 50 phrasal verbs reviewed within the context of a completely improvised comedy story. Click here for The Phrasal Verb Chronicles #2.

Download Episode  Small Donate Button

I decided to do this episode as a way to remind you of the first 50 phrasal verbs I’ve taught you in my Phrasal Verb a Day series of mini-episodes. When I’ve reached 100 phrasal verb episodes, I’ll do another episode of The Phrasal Verb Chronicles, to help you remember #51-100.

Here are the phrasal verbs I use in this episode. Can you notice how I use them in my weird story? You could also attempt to make up your own story using these phrasal verbs. You don’t have to do all 50. Try just using 5, then 10, then 20 and so on. Eventually you should be able to make meaningful sentences using all the phrases.

I wonder what you think of the idea of “Story Time Club with Luke from Luke’s English Podcast”? Let me know ;)

Extracts with Vocabulary from this Episode (thanks to Jack from the comment section)

I’ve been meaning for a while to go through these phrasal verbs…..
Check them out.
Chronicles
To make up a story off the top of my head.
Try and jog your memories regarding these phrases.
A make up story / situation.
Try and spot the phrasal verbs.
Think also about the grammatical context I’m using them in.
But the aim is for me to try and use these phrasal verbs in this weird long drawn out situation.
I’m gonna try and ask her out.
Sorry you sound a little bit sarcastic.
I’m not up for it any more.
How am I gonna bail out of this?
I walked back over to the other side of the pub with my mates and I felt devasted!
I really thought that we were going to get on with each other.
We might start going out with each other.
But she was annoyingly sarcastic and I don’t know if I can take it.
You usually bounch back from this kind of situation.
If I get flung into a corner I just bounce back
So bring it on
Don’t get carried away
It’s all cool and groovy brother.
Come on catch up!
Can I just chip in?
Bizarre
Look! Never mind that!
It’s twenty quid. Come on cough up
I overheard a guy in the pub.
I listened in and he was going……
I think the police need to crack down on crime.
Do you mind if I just chip in?
I get the impression that nothing is occurring at this moment because you can’t work out what kind of crime it is that police should be cracking down on.
You are actually buying time so that you can think of a funny crime so that then you can use the expression to crack up.

You are very intuitive.
Get on with it!
Schizophrenic
May be I’m cracking up – I’m losing it.
Curl up on the sofa
I’ve got to dash off
I’ve got to doze off
I got on the bus.
I started to drop off to sleep.
I turned on the TV. The commercials were on.
It’s the dumbing down of modern culture.
I’ve got to get out now.
I’ll treat myself to a meal in a nice restaurant.
I’m going to eat out in a lovely restaurant.
I have just a very meagre salary which I have to eek out over the whole year.
Hold your horses Luke! Don’t get carried away.
What I probably should do is work out how to move this story forward.
To hell with my savings!
I started building myself up.
I was really egging myself on.
I went out – I had a really nice time.
I could help noticing that she was eyeing me up.
I’ve had enough of faffing about.
I’m going to take her out for dinner.
You are just kind of ironic.
I’m gonna fess up at this point.
I was devastated.
I had my pint glass, I was just fiddling with a glass in my hand.
Do you want to feel me up or something?
I’m just flagging this up! You shouldn’t say that kind of thing.
I wonder if my listeners are managing to keep up with all these phrasal verbs……
I grabbed the newspaper.
I sat there flicking through the newspaper.
A story which has no drama……
Just biding my time……
I started gearing myself up to kind of announce to the pub that it was story time.
How I’m going to get through this idea.
Get this message across
Gather around in a group and really get on with each other.
No one will be getting at each other.
You wonder if I’ll get away with this because they might not go along with it.
It’s a crazy idea but I might just get away with it.
I’d probably better just check with him if it’s OK.
You want to set up a story club?
I’ll get back to you.
Nothing, nada, zero, zip, zilch.
Summon them up like Spanish
What have you got back to me with?
Nought (nothing)
Don’t get down about it.
They’ll be caught up in the spirit of things.
They’ll be forced to drink in order to down their sorrows.
In which case, you put on the music and every one gets down.
Yes! Get in! I would love to start tonight.
I wanna get in on this!
Because that story time club is where it’s at.
Everyone will have to take their shirts off.
I think we should just get on with this.
I’m gonna go for it.
Old traditional folk tales.
Put your mobile phones away.
Bloke
My dreams were dashed onto the floor of a traditional club.
I mean there was a vague notion of a story line.