Category Archives: Music

248. Marooned With My Music: Rick Thompson

Interviewing my dad about his life story through his favourite pieces of music.

“Marooned with my Music” is an interview concept based on a popular and long-running BBC Radio programme called “Desert Island Discs”. In that BBC programme, celebrities and noteworthy people are invited onto the show for an interview. They imagine that they have been stranded on a remote desert island and are only allowed to take certain items with them, namely: 8 pieces of music, one book and one luxury item. During the programme, the interviewee is asked about their life and their musical choices. Desert Island Discs remains one of the BBC’s most beloved radio programmes and has been broadcast on the radio for many years. In my version, “Marooned with my Music” I have decided to interview members of my family: My Dad, my Mum and my Brother. [Download this episode]

Small Donate ButtonWelcome to Marooned With My Music. My castaway today is my Dad Rick Thompson. Rick has been working in broadcast journalism for over 45 years, including nearly 30 years at the BBC where he worked as foreign news editor, and editor of the UK’s flagship daily news programme the 9 O’Clock News. He now runs his own broadcast training company called T-Media, which helps to bring BBC-standard television broadcasting to other countries around the world. Along the way he has become something of an expert in the art of efficiently and effectively delivering information to viewers on television and radio; something which requires a combined interest in all the big stories of the day as well as the values of language and public service. Rick is a man of broad interests and talents, having been a musician, a sportsman and a bird-watcher throughout his life, amongst other things. Last but by no means least, Rick has also been a devoted husband to his wife Gill and father to his two children James and Luke, from Luke’s English Podcast.

Dad’s Choices
1. I Saw Her Standing There by The Beatles
2. So What by Miles Davis
3. Route 66 by The Rolling Stones
4. Far More Drums by The Dave Brubeck Quartet
5. The Planets – IV. Jupiter, The Bringer of Jollity by Gustav Holst
6. All Along The Watchtower by The Jimi Hendrix Experience
7. Waterloo Sunset by The Kinks
8. Fixing A Hole by The Beatles

Book choice: A History of Europe
Luxury item: A never-ending set of paints and canvasses
marooned

242. 11 Idioms Only Brits Understand (really?)

This is a slightly rambling and unprepared episode which I made up as I went along, and in the end I talked about a page I found on MatadorNetwork.com called “11 Idioms Only Brits Understand”. I don’t think that these are exclusively used by Brits, but nevertheless they are some pretty commonly used idioms, so I decided to talk to you about them in this episode. After that I ended up clicking on a few random YouTube videos, playing around with the cockney accent and listening to some music. Enjoy! [Download]

Small Donate ButtonHere’s the page from The Matador Network “11 Idioms That Only Brits Understand” (the idioms are also printed below)

The Idioms
1. Pop one’s clogs

You don’t get much more British than this. To pop one’s clogs is a euphemism for dying or death.

Example: “No one knew he was about to pop his clogs.”

2. That went down a treat

If something goes down a treat, then it was thoroughly enjoyed.

Example: “That cake went down a treat.”

3. Take the mickey

Us Brits love to make fun of and tease each other and that’s exactly what ‘taking the mickey’ means. You can also say ‘take the mick.’

Example: “Stop taking the mickey out of your brother.”

More like this 8 lies you tell yourself when you move to London
4. Itchy feet

This refers to when you want to try or do something new, such as travelling.

Example: “After two years in the job she’s got itchy feet, so she’s going to spend three months in Australia.”

5. At a loose end

If you’re at a loose end, it means you’re bored or you have nothing to do.

Example: “He’s been at a loose end ever since he retired.”

6. Another string to your bow

This means to have another skill that can help you in life, particularly with employment.

Example: “I’m learning French so I’ll have another string to my bow.”

7. As the actress said to the bishop

This is the British equivalent of ‘that’s what she said.’ It highlights a sexual reference whether it was deliberate or not.

Example: “Blimey, that’s a big one — as the actress said to the bishop.”

8. Bob’s your uncle (and fanny’s your aunt)

This phrase means that something will be successful. It is the equivalent of ‘and there you go,’ or as the French say ‘et voilà!’ Adding the ‘and fanny’s your aunt’ makes you that much more British.

Example:

A: “Where’s the Queen Elizabeth Pub?”
B: “You go down the road, take the first left and Bob’s your uncle — there it is on the corner!”
9. Cheap as chips

We love a good bargain, and when we find one we can’t help but exclaim that it’s ‘as cheap as chips.’

Example: “Only a fiver for a ticket — cheap as chips mate!”

10. Look after the pennies and the pounds will look after themselves

This is one that our grandparents have told us our whole lives. If you take care not to waste small amounts of money, then it will accumulate into something more substantial.

11. Nosy parker

This is for all the nosy people of the world. A ‘nosy parker’ is someone who is extremely interested in other people’s lives.

Example: “Stop being such a nosy parker! They’re having a private conversation!”

Gritty Brit Flick

Top Gear Parody

[socialpoll id=”2235978″]
11Idioms

234. Making “Choons” with My Brother

Hi everyone, how are you doing? In this episode I’m joined again by my brother James. The last time you heard from him he was talking about how he had dislocated his shoulder after falling off his skateboard. In this episode he gives us an update on his shoulder injury and then we talk about the music (his “choons”) that he has been making recently. What is a “choon”? Basically, it’s a “tune” – a piece of music, typically a piece of dance music, hip-hop, house music, drum & bass or techno. When you hear a really good tune, it’s quite typical to say “Ah this is a CHOOOON!” My brother makes instrumental hip-hop CHOONS. You can hear him talking about his music making process in this episode. [Download this episode] [Update 2021: Jim has lots of new music on Bandcamp which you should check out here –> https://jimthompson.bandcamp.com/music ]

Small Donate ButtonJim’s Choons
Jim is quite modest about his music making, but for years he has been quietly producing lots of instrumental hip-hop on his own using an old Akai MPC2000, which is a bit of music making hardware used by some of the most well known hip-hop, drum and bass and techno producers from the past 15 years or more. Jim bought a second-hand MPC2000 about 5 years ago and he’s been learning how to use it, producing lots of tracks, and they’re getting better and better all the time, and now he’s at a point where he’s released a 10 track album which is available for purchase online via the website Bandcamp – click here to listen to or download his albums. He doesn’t like to talk about his stuff too much because it’s very personal, but in this episode he was quite willing to talk about how he comes up with ideas and how he then turns them into pieces of music. In our conversation you’ll hear us using various technical language related to music and music production.

Download Jim’s Album
Jim’s album is available here: Jim’s page on Bandcamp
You can download it free, or if you think he deserves to be paid, you can choose to purchase the music and you can choose the price! $0 – $1,000,000 – it’s your choice.

Listen to Jim’s tune “Sympathy” (Unofficial remix of “Life’s a Bitch” by Nas) on YouTube here:

images

222. Luke’s Late Night Podcast (Music Mix)

Take a musical trip through Luke’s hard-drive, in the middle of the night. Right-click here to download this episode.

Small Donate ButtonLate one night recently, I decided to record a podcast while randomly picking some pieces of music from my hard-drive and talking to you at the same time. This is the result.

There’s no language agenda in this episode in particular. It’s just me talking to you about various things while interspersing the episode with some music and other bits and pieces from my hard-drive.

Any music or other content in this episode is presented for educational purposes as part of my effort to aid people in their learning of English and culture.

Below you can read lyrics of some songs from this episode if you’d like to read to check your listening comprehension or pick up vocabulary.

Thanks for listening.

p.s. Competition Update: Voting closes this evening, and then I will count votes and eventually publish an episode with the names of the winner(s). Thanks for voting!

Song Lyrics

Arctic Monkeys – “Mardy Bum”
Buy “Mardy Bum” on iTunes here.
Well, now then Mardy Bum
I’ve seen your frown
And it’s like looking down the barrel of a gun
And it goes off
And out come all these words
Oh there’s a very pleasant side to you
A side I much prefer

It’s one that laughs and jokes around
Remember cuddles in the kitchen
Yeah, to get things off the ground
And it was up, up and away
Oh, but it’s right hard to remember
That on a day like today when you’re all argumentative
And you’ve got that face on

Well, now then Mardy Bum
Oh I’m in trouble again, aren’t I?
I thought as much
‘Cause you turned over there
Pulling that silent disappointment face
The one that I can’t bear

Well, can’t we just laugh and joke around
Remember cuddles in the kitchen
Yeah, to get things off the ground
And it was up, up and away
Oh, but it’s right hard to remember
That on a day like today when you’re all argumentative
And you’ve got that face on

Yeah I’m sorry I was late
But I missed the train
And then the traffic was a state
And I can’t be arsed to carry on in this debate
That reoccurs, oh when you say I don’t care
But of course I do, yeah I clearly do!

So laugh and joke around
Remember cuddles in the kitchen
Yeah, to get things off the ground
And it was up, up and away
Oh, but it’s right hard to remember
That on a day like today when you’re all argumentative
And you’ve got that face on

Black Sabbath – “The Wizard”
Buy “The Wizard on iTunes here.
Misty morning, clouds in the sky
Without warning, the wizard walks by
Casting his shadow, weaving his spell
Funny clothes, tinkling bell

Never talking
Just keeps walking
spreading his magic

Evil power disappears
Demons worry when the wizard is near
He turns tears into joy
Everyone’s happy when the wizard walks by

Never talking
Just keeps walking
spreading his magic

Sun is shining, clouds have gone by
All the people give a happy sigh
He has passed by, giving his sign
Left all the people feeling so fine

Never talking
Just keeps walking
spreading his magic

Charles Bukowski – “The Life of the King”
Unfortunately I can’t find the lyrics to this, but here is a video featuring Bukowski reading his poem “The Life of the King”, if you’d like to listen to it again.

Curtis Mayfield – “Pusherman”
Buy “Pusherman” in iTunes here.
I’m your mama, I’m your daddy,
I’m that nigga in the alley.
I’m your doctor when in need.
Want some coke? Have some weed.
You know me, I’m your friend,
Your main boy, thick and thin.
I’m your pusherman.

Ain’t I clean, bad machine
Super cool, super mean
Dealin’ good, for The Man.
Superfly, here I stand.
Secret stash, heavy bread,
Baddest bitches in the bed,
I’m your pusherman

Silent life of crime
A man of odd circumstance,
A victim of ghetto demands.
Feed me money for style
And I’ll let you trip for a while.
Insecure from the past,
How long can a good thing last?
No, no, no

Got to be mellow, y’all
Got to get mellow, now
Pusherman gettin’ mellow, y’all

Heavy mind, every sign
Makin’ money all the time
My LD and just me
For all junkies to see
Ghetto Prince is my thing
Makin’ love’s how I swing
I’m your pusherman

Two bags, please
For a generous fee
Make your world what you want it to be
Got a woman I love desperately
Wanna give her somethin’ better than me
Been told I can’t be nuthin’ else
Just a hustler in spite of myself
I know I can break it
This life just don’t make it
Lord, Lord, yeah

Got to get mellow, now
Gotta be mellow, y’all
Got to get mellow, now

I’m your mama, I’m your daddy,
I’m that nigga in the alley.
I’m your doctor when in need.
Want some coke? Have some weed.
You know me, I’m your friend,
Your main boy, thick and thin.
I’m your pusherman.
I’m your pusherman.
I’m your pusherman.
I’m your pusherman.
Lord, Lord

Victor Wooten – “Music as a Language” Click here for a version with subtitles.

200. New Competition: “Your English Podcast”

Details of a new competition for you to enter, how it feels to complete 200 episodes of the podcast, jingles, a message from Alex & Paul, and more! Right click here to download.

Small Donate Button
Introduction
Hello! And welcome to the podcast. This is a very special episode, because it’s the 200th one! Wow, I made it to 200! Amazing! Obviously I’m delighted about that. This is the 200th anniversary of LEP, and before I tell you all about how that feels, I’d like to begin this episode by telling you about a new competition I’m launching today, which I’d love you to take part in. So first I’m going to tell you all about the competition, and then I’ll celebrate 200 episodes of LEP with you. OK, so let’s get started.

This is the 200th episode of Luke’s ENGLISH Podcast and to celebrate this momentous occasion I’ve decided to launch another LEP competition in which you can send me your audio recordings. I did a similar competition over 2 years ago, and now I’m doing another one. This one’s called “Your English Podcast”. Why? Because I’d like you to imagine you are recording 5 minutes of your own English podcast. Just record and send your 5 minutes (or less) to me, I’ll play your recordings on the podcast and then listeners can vote for their favourite. I will count all the votes and announce the winner. The prize for the winner is to be interviewed on an episode of Luke’s English Podcast.

Doesn’t that sound exciting? It should do!

I did my first competition 2 years ago and it was amazing to hear the voices of my listeners. Camila Andrade from Brazil won that one. She got a very special prize – a phrasal verb dictionary.
Since then, the podcast has gone from strength to strength and I’ve picked up new listeners, old listeners have improved their English, I’ve dealt with many more topics and events on the podcast. It’s time for us to hear what the LEPPERS have to say for themselves. This is your chance to have your voice heard on Luke’s English Podcast. And ultimately, if you win, you could become famous around the world as you are interviewed on the podcast via Skype. If you’re shy, I understand – I’m nice, I’ll make sure you’re okay, and so will the listeners – because the great thing about the LEP community is that my listeners are good people. I can’t wait to hear from you, and to give you a platform to say what you’ve got to say to the world.

The Competition in a nutshell
Record yourself talking about whatever you want for 5 minutes, send the recording to me, I’ll feature all your recordings on special episodes of the podcast, listeners can vote for their favourite and the one with the most votes gets featured on an episode of the podcast in a Skype call with me.
BUT there are some rules to make sure this competition is fair and is not impossible for me to manage in my limited time!
Please carefully observe the following rules. If you don’t follow the rules, you might be disqualified from the competition. It’s important to establish some rules because otherwise this competition could be really difficult for me to manage. So, rules are rules, and here are those rules:

Rules for the Competition
– Opening date: NOW! The competition is now open so get started!

– Closing date for entries: 31 August 2014. After that I will collect all your audio recordings and take time to prepare episodes in which I showcase your competition entries. People can then vote by leaving comments on teacherluke.co.uk. I’ll give you more information about voting later on.

– Time: You’ve got 5 minutes, maximum. You can talk for less than 5 minutes if you like, but please make sure you don’t exceed the 5 minute limit.

– What to say: You can say whatever you want! This is 5 minutes of YOUR podcast. If you like, you can imagine you have your own English podcast, called “Jose’s English Podcast” or whatever your name happens to be. If you like, you can welcome listeners to your podcast at the start by saying “Hello and welcome to Jose’s English Podcast”, and say goodbye to your listeners at the end. It’s completely up to you what you say, and how you say it. This is your English podcast.

– Name & Country: Remember to tell us your name and where you come from. This will help people to remember you and vote for you.

– Voting: I will collect all the audio files which are sent to me, and I’ll play them all in one episode (or more) of LEP, in alphabetical order by name. Listeners can then vote by leaving comments.

– Audio files: Send your audio file to podcastcomp@gmail.com only. I will only accept entries which are sent to that email address. Please do not send me competition entries on Facebook or to my Hotmail account. podcastcomp@gmail.com is the only email address I will accept.

– I’m only accepting audio files – not text entries this time.

– I’ll give you more information about voting later. For now, you can start preparing your competition entries!

So in summary:
– The competition is now open. Send your audio files (max 5 minutes) to podcastcomp@gmail.com. The closing date is 31 August 2014. After that I will upload showcase episodes of LEP and you can vote for your favourite entry. More information will follow in later episodes…

Some Bits of Advice
When recording your entry, try to make the sound quality as good as possible. Most phones and computers will allow you to record your voice pretty easily, but try to be in a quiet room in your house, away from noisy windows, washing machines or other people.

You can send me audio in a variety of file formats: wav, mp3, mp4, avi etc. I prefer mp3 as it is quicker to process.

If you want you can include a jingle, sound effects or even background music, but you’ll find this is pretty time-consuming and complicated. Ultimately, people just want to hear your voice clearly, so focus on that.

It’s normal to be a bit stressed or nervous when recording yourself. Don’t let that stop you. Try to enjoy it! Enthusiasm is a very attractive quality. LEPers are all lovely people so don’t worry – you’re among friends and I’m sure people are going to be very welcoming and enthusiastic about hearing what you have to say.

Try not to read out a script which you have prepared earlier. You can do this if you like, but I think it sounds more natural if you’re not reading from a pre-written script, and ultimately it’s better for your spoken English. Writing notes is a good idea – just write the main points you want to make, but don’t write it out word for word – just write enough to help you remember.

You should practise your speech a few times until you’re comfortable.

Try to bring your speech to life and put your personality into it if possible.

If you prefer, you can just improvise the whole thing without any practice – in fact, that might be even more exciting or engaging if you do that, but it will also be slightly more challenging too.

Ultimately, just have fun and enjoy taking part in the competition. Don’t stress too much – it should be enjoyable and a fun way to practise your spoken English. I’m sure that everyone will be fascinated to hear short messages from LEPers all around the world! Personally, I can’t wait.

If you don’t know what to say and you need inspiration, perhaps you could respond to something you’ve heard on Luke’s English Podcast, or even (as a joke) you could parody my style of talking on LEP, a bit like this (from Alex Love & Paul Langton). It’s totally up to you. I’m really looking forward to receiving your audio entries at podcastcomp@gmail.com, so get started!

And now some chat about the 200th Anniversary of Luke’s English Podcast with English Robot 3000
Why did you start LEP?
When did you start LEP?
Did you ever expect to get to this point? (200 episodes, and nearly 1.5million downloads in 9 months)
What’s your objective with LEP?
What level is the podcast for?
Are you ever going to stop LEP?
What’s your favourite thing about doing LEP?
Are you happy doing LEP?
Does it ever make you unhappy? Is there anything frustrating or even scary about doing LEP?
What do you expect from your listeners? Small Donate Button
Do you ever get any negative comments, hate mail, or trolling?
Are you rich yet? How rich are you now?
What do your friends and family think of LEP?
Has LEP helped you in your life?
How does it feel to be so famous?
How much time does it take to do an episode of LEP?
Why don’t you do more videos?
How about arranging an event so that you can meet LEPPERS?
Why don’t you have your girlfriend/fiancee on the podcast?
How’s your French?
Someone told me that you have a new job? Is it true?
Do you have anything else to say to the people of the world?

Song Lyrics
P.S. The song I sing at the end of this episode is called “Always Look on the Bright Side of Life” by Eric Idle and comes from the soundtrack to the film “The Life of Brian” by Monty Python’s Flying Circus. Buy the film on iTunes here: https://itunes.apple.com/au/movie/monty-pythons-life-of-brian/id294661981

    Always Look on the Bright Side of Life – Monty Python

Am D G Em
Some things in life are bad they can really make you mad
Am D G
Other things just make you swear and curse
Am D
When you’ve chewing an life’s gristle
G Em
Don’t grumble give a whistle
Am D7
And this’ll help things turn out for the best

G Em Am D7 G Em Am D7
And always look on the bright side of life
G Em Am D7 G Em Am D7
Always look on the light side of life

Am D G Em
If life seems jolly rotten there’s something you’ve forgotten
Am D G
and that’s to laugh and smile and dance and sing.
Am D G Em
When you’ve feeling in the dumps don’t be silly chumps
Am D7
Just purse your lips and whistle – that’s the thing

G Em Am D7 G Em Am D7
And always look on the bright side of life
G Em Am D7 G Em Am D7
Come on always look on the bright side of life

Am D G Em
For life is quite absurd and death’s the final word
Am D G
you must always face the curtain with a bow
Am D G Em
Forget about your sin – give the audience a grin
Am D7
Enjoy it – it’s your last chance anyhow.

G Em Am D7 G Em Am D7
So always look on the bright side of death
G Em Am D7 G Em Am D7
just before you draw your terminal breath

Am D G Em
Life’s a pice if shit when you look at it
Am D G
Life’s a laugh and death’s a joke it’s true
Am D
You’ll see it’s all a show
G Em
keep’em laughing as you go
Am D7
just remember that the last laugh is on you

G Em Am D7 G Em Am D7
And always look on the bright side of life
G Em Am D7 G Em Am D7
Always look on the right side of life
(Come on guys, cheer up)
A F# Bm E7 A F# Bm E7
Always look on the right side of life
A F# Bm E7 A F# Bm E7
Always look on the right side of life ….
Episode 200 podpic

142. The Annual General Meeting (Part 2)

Here is the second part of the AGM. For more information, see episode 141.

Small Donate ButtonRight-click here to download this episode.

Thanks for attending the AGM. Here is the agenda:

Part 2 – Agenda
13. Set List Show (see video below)
14. Meeting listeners
15. Music mixes
16. Holidays and weather
17. New job
18. New episodes
19. Wearing trainers without socks – The Dangers
20. Flip flops in Paris – The Dangers
21. The sound of your own voice
22. Zdeněk Lukáš
23. Length of episodes
24. Pacific Rim
25. Statistics
26. Emails
27. The new Star Wars movies
28. AOB

Thanks for attending the meeting. If you have any other business, just leave a comment below. Happy holidays. Luke

Your donations make this podcast possible.

Set list show
[youtube=http://www.youtube.com/watch?v=Z6ZrNS_HwOQ&w=500&h=281]

134. The Story of Salvo

The story of a hardcore punk band from London, told by the band members themselves. A transcript for the introduction to this episode is available below.

Small Donate ButtonRight-click here to download this episode.

This episode is all about the story of a hardcore punk rock band from London. Listen, and you’ll hear an interview with the band members as they talk about how the band started, their influences, and what caused the band to end.

The band is called Salvo. They started in London in 2002 and played gigs in London, Oxford and Manchester before breaking up 4 years later. This interview was done recently. For the first time in years, most of the members of the group were all in the same room at the same time, so I had to take the opportunity to interview them for Luke’s English Podcast.

The members of this band are all my friends. I know most of them from my days at Sixth Form College when I was a teenager. One of them is my brother James. I was also a member of the band for a year or two. The style of music is a little bit hard to categorise. It’s hard, fast guitar rock. It’s pretty hardcore, but quite catchy too. You can make up your own mind about the music as you’ll hear some of it during the interview. If you want to hear more of the music, you can check out the Soundcloud page for Salvo here. CLICK HERE TO LISTEN TO SONGS BY SALVO

This is an authentic recording. No-one is really grading their English. They’re speaking in the same way that they speak to their friends. The recording took place after a music session in a studio, and a short beer drinking session in the pub. What you’ll hear is natural British English as it really is spoken, in this case by a group of friends, who used to be in a band together, sharing some memories over a few beers.

Just before we start I’d like to just say a few things about learning English.

What’s the best way to learn English? Well, people always say that you learn most when you socialise with native speakers. It’s really hard to do it because you don’t understand everything and sometimes you get lost and feel confused and frustrated. But that confusing feeling is a normal part of the learning process. It means your brain is processing a lot of information. In this case, it’s struggling to deal with words, accents, phrases or pronunciation that you’re not familiar with. It’s a challenge to understand native speakers talking naturally in a social situation, especially if they are good friends who know each other well. But, challenges are an important part of learning English. What is challenging now becomes less challenging in time as you gradually learn more and work out what people are saying. Remember, it is in those challenging situations, like when you’re listening to native speakers, that you really learn the most. It feels difficult, but that is the feeling of your brain trying to work it out, and as a result, learning and improving. So, listen to native speakers talking naturally. It’s one of the best ways to improve.

You can do it with Luke’s English Podcast. I present things to you, like interviews or recordings because I personally believe in them, find them extraordinary or touching, and hope that you will too. Hopefully this personal connection makes the podcast more engaging and as a result, a more effective way to improve your English. Basically, I just want to keep you locked in to listening to natural English, even though it is difficult, because I know that ultimately, it’s beneficial for your English.

So what am I going to present to you this time? Well, how about the story of a real rock band from London? It’s also a genuine story of rock and roll and friendship, told by the people who actually experienced it. That’s what you can hear in this episode. The interview was recorded at a friend’s house on a Saturday evening in South London. Please be aware there are some rude swear words used, but that’s normal, after all, it is rock and roll isn’t it.

So just a few weeks ago when I realised that the members of Salvo were going to reunite in the studio for the first time in over 6 years well needless to say I jumped at the chance to record a podcast episode about it. In this documentary or, if you will, rockumentary that you’re about to hear, I wanted to capture the, the songs, the sounds, the smells, of a hard-working rock band sitting in a room together, talking crap. And I got that. But I got more, a lot more. But hey — enough of my yakkin’. Whaddaya say, let’s boogie!

I expect some of you won’t listen to all of it, but then again for some of you this is exactly what you want. Some of my listeners really like the opportunity to listen to real English like this. Maybe you’re one of those people. In fact recently I recently got an email from a listener called Rei Lung, saying how much he liked listening to recordings like this. This is what Rei said.

Hello Luke!I just wanted to thank you for all you’re doing. The podcast is absolutely brilliant. I particularly enjoy episodes in which you interview your friends or just people on the street (like in those videos on YouTube that you have) because I think that this is when you can hear ‘authentic’ English. Also, the noisier it is and the more people that take part in the discussion or whatever, the harder it is to understand and the more authentic the language used is. I’d love it if you could do more like these, perhaps in a pub or something where people don’t really bother speaking slowly and clearly. Also, I really enjoy it when you talk about British life and culture, very interesting and eye-opening so I’d like to see more of that as well.Cheers

Well Rei, that is exactly what you’re going to get in this episode.

Transcript – A transcript is open on the Transcripts Collaboration page, and I’m slowly checking and correcting it, before adding it to this webpage. Here are the first few minutes of the transcript, which I’ve checked. This script starts at about 4mins into the episode after my introduction.

Jim -You’re listening to Luke’s English podcast. Live on luke.podteacher.luke.podteacher.com
Chris – Have you got a jingle? If you haven’t you’ve got one now.
Matt – Just a way I walk. (?)
Luke – Okay. Sh! Sh!
Chris – Nice jingle.
Luke – That amazing piece of music which you’ve just heard was a demo of an incredible band called Salvo and I’m here with some of not all of the members but some of the principal members of that band. And I’m now going to interview them and find out the details and the history of this really earth shattering, epoch making moment in culture.
I’ve got the members of the band with me. I’m going basically to introduce you them at first.
We’re going to find out who they are. We’re going to find out about the history of this group and I’m sure you’re going to find it fascinating and rewarding to listen to.
So I’ve got four people in front of me. On my left I have Aaron. Then I’ve got…
Aaron – Hi.
Luke – Hello Aaron.
Aaron – Hi. Hello.
Luke – Chris.
Chris – Hi.
Luke – Matt.
Matt – Hello.
Luke – Jim.
Jim – Hello.
Luke – And me who you know already after…
Aaron – And who was also in the band.
Luke – I was in the band too, yeah. So, let’s start with Aaron on my left. Alright?
Aaron – Hello. Hi. My name is Aaron.
Luke – How are you?
Aaron – Very well, thank you. Doing very well.
Luke – Good.
Aaron – Good.
Luke – So … Let’s see. What did you do in the group?
Aaron – Uh… I played bass and sang, did vocals in the group.
Luke – Okay.
Aaron – Bass and sang.
Luke – Okay. And…
Aaron – I wouldn’t call it singing really. But, you know, the vocal bits, yeah.
Luke – Okay. Alright. So, were you one of the original members?
Aaron – Yes. Yeah. Back in, I believe, it was two thousand and…
Chris – Two.
Aaron – 2002… 2002 was when Salvo started, yeah.
Luke – Yeah. Okay. Right. So, you were the bass-player and one of the vocalists.
Aaron – That’s right, yeah.
Luke – That’s right, okay. So let’s… Shall we move on …
Aaron – You can call me a principal songwriter.
Luke – Yes.
Aaron – If you really want to go with a label.
Luke – How many songwriters were there in this band?
Aaron – There were two. There were two dedicated songwriters.
Luke – Okay. Uh… So, you were one of them?
Aaron – Yes. Yeah.
Luke – And who is the other one?
Aaron – Chris King, who is on my left.
Luke – Okay. So let’s … Shall we move over to Chris?
Aaron – Yeah!
Luke – Hi Chris.
Chris – Hi.
Luke – So Chris, what did you do in the group?
Chris – Uh… I … I … I um … I played guitar and I sang… And… uh…, as Aaron said, I wrote some of the songs as well, so.
Luke – Okay. Right.
Chris – Uh… I wasn’t there from the very beginning.
Luke – Really?
Chris – I was almost there from the beginning, very beginning.
Luke – When did you arrive?
Chris – Uh… About a month or so after the band began. Basically I started uh… working… I was working at the same place as Aaron. And uh… and he started… he started the band. And… uh… and after, I think, he had a couple of practices with an old friend of his Dave who was the drummer. And… uh… So… they had a couple of practices and then I came along to one and after that I was in the band. So… yeah…
Luke – How did you… How did you join? Because Aaron and Dave were already in this…
Chris – Yes, you know, you know, basically I think what happened is Aaron and… , Aaron… Actually we’d been talking about it for a while at work. Aaron had a practice with Dave and another guy who he what was…
Aaron – Well it was me, Dave and this guy called Olly who just getting back to that when Chris joined. Chris came down for a practice and Olly had been sort of, you know, taking his top off like when it’s still quite… not even like warm in the room, just taking his top off and playing with his top off. And he’s a little skinny tosser on his guitar. And we were playing really badly and then Chris came down and Olly actually uh… proposed himself, you know, he offered himself for to leave the band because once he heard, you know, Chris play and realised that it was a little bit act of his depth, and went off to read poetry in pubs and that’s where he ended it up.
Luke – So Olly decided… Wait a minute. Just going back to this fact you said that he used to play with no top on. So did you not like that? Did you … Didn’t you … You didn’t like the fact that he’d played without his top on.
Jim – Why such a homophobe Aaron?
Luke – I don’t. I’m just curious to find out about that.
Aaron – It wasn’t somewhat that, you know, playing with you taking top off…
Jim – Some mates are so…, isn’t it?
Aaron – …it’s not about it, it’s like if you just go into a practice room, and it’s not that hot. Why would be… Why would taking your T-shirt off be the first thing you do.
Luke – Chris?
Chris – I … I never … I have sort of never sold that but it doesn’t surprise me. But I’m …
Luke – Okay.
Chris – Yes. So then I came along and things, you know,
< ? > – It’s a recent thing.
Chris – …things went, you know,
James – …From bad to worse.
Chris – …no, no, not into, you know.
Matt – …From bad to punk.

133. Hip-Hop Lyric Analysis

A look at hip-hop culture and analysis of the lyrics to a classic rap track. FULL TRANSCRIPT AVAILABLE BELOW, OH YES!

Small Donate ButtonRight-click here to download this episode.
There’s an introduction, then the lyric analysis begins at about 21mins.
HIP HOP LYRIC ANALYSIS

Small Donate ButtonI wonder if you’re a fan of hip hop. Maybe you are, maybe you’re not. If you already are, then sit back, enjoy the episode. If you’re not then listen on, because you might learn something about the world of hip hop music which you previously didn’t know. You can also learn some slang in the process.

In this episode:

1. I’ll tell you a bit about hip hop, and its history, but not too much because I don’t want to bore you.

2. We’ll listen to some hip hop and have a look at the lyrics and analyse them. I’ll explain them, and kind of give you my thoughts on them.

There is music in the background on this one. I thought it was appropriate because of the subject of this episode. Future episodes will not always have music, but this one does. If you really can’t hear what I’m saying then let me know and I might be able to upload this episode again without the background music. If you like the music and would like to hear more, let me know by commenting on this episode. I should be able to recommend some albums or tracks for you.

I understand that hip hop is not everyone’s cup of tea, or perhaps you’ve never considered listening to it. Well, you know with Luke’s English Podcast you never know what you’re going to get each time. Variety. This time it’s hip hop, next time it might be about something else like kittens. A whole episode about kittens, that would be nice, or maybe something about football… that’s in the pipeline, and more interviews and all kinds of things, but for now it’s all about da hip hop game, straight up, no nonsense, no diggidy, no doubt, the ill communication… You’re probably thinking, “why is Luke speaking strangely, or more strangely than usual”. Well, I’m throwing in a bit of hop hop slang into my sentences sometimes, just for a laugh really.

I love hip-hop but sometimes I don’t feel like I can truly relate to it. It’s an amazing musical genre. There’s a lot of talent, great music and clever lyrics.

What are The 3 elements of hip hop? How did it develop?
First of all, the term ‘hip hop’ is used to refer to both the musical genre and the culture in general. This culture of hip hop is considered to have a number of elements. I think it boils down to about 3 main things:

1. DJing – this involves the creating of loops of music, usually taken from old jazz or funk records played on two turntables. This is clever because it involves a lot of skill. Two copies of the record are needed, and the record needs to be chosen carefully. Usually the piece of music to be looped is a drum break from a funk tune. That’s the bit where only the drums are playing. That section is just played over and over on the two turntables, the same bit being played and then rewound and played again- the music gets looped, and you get a continuous beat which people can dance to or rap over. The DJs would either do it live at parties or they would make mix tapes to be shared and used as the backing track for rapping.

2. Rapping. This is talking into the microphone over the top of the beat. The best rapping involves clever rhyming of words, and a unique flow or rhythm in your voice. It’s also known as MCing. MC means master or ceremonies. The original job of the MC was to be a kind of host for a party. He or she would liven up the audience and get the atmosphere going. Later, MCs started rhyming and creating stories or commentaries. MCs sometimes battle with each other. This means that they take turns to do a verse of rhyming in which they have to be more inventive, funny or insulting than the other one. An example of this can be seen in the movie 8 Mile with Eminem.

3. Breakdancing. This was the dancing associated with hip-hop in the early days. People seem to do it less these days. It involves body popping, robotic movements, or acrobatic spins and jumps. It’s also possible to have a breakdancing battle in which two teams take turns to perform better and better dance moves.
Graffiti is also associated with hip hop. That’s the painting of large graphics or tags in public places using spray cans. Now, DJing has been replaced by more sophisticated forms of sequencing and sampling using computers, but the effect is still the same – funky beats and samples of well chosen old records. Beats can also be created without samples as well, but most of the classic hip hop of the 90s was made with samples from 60s jazz/funk records.

Some also consider ‘knowledge’ to be an essential part of hip hop culture. This means the understanding of your cultural history and the reality of the situation you are living in. More specifically this relates to the condition of black Americans as a cultural minority in the United States, but it can also apply to a wider state of mind in which you ‘keep it real’. Keeping it real just means being true to yourself, trying to ascertain what really is going on around you, questioning authority and everything around you and not believing ‘the hype’. Public Enemy released a famous rap/hip-hop track called ‘Don’t Believe The hype’. I think the message of this is ‘don’t believe what you read in the papers, or don’t believe what everyone says about something. Check it out for yourself first. Have some independence of thought. Don’t accept the common opinion. Have confidence in your own sense of judgement. Don’t believe the hype.

Click here to hear Public Enemy “Don’t believe da hype”

Hip-Hop is also notable for it’s recycling of previously released music, particularly music created by soul, funk and jazz artists of the previous generation. This shows us how hip-hop is a kind of ‘do it yourself’ cultural movement. The musicians who made this music just used what was available to them there at the time. They didn’t have instruments, or classical musical training. There wasn’t a lot of money going round. What they did have was old records, possibly from their parents’ generation, and so they used that as a resource. If they were lucky they had record decks or other equipment. Otherwise they would use tape players to crudely edit together selected pieces of music from old records. This cut and paste approach is one of the things that defines hip-hop culture.

My personal favourite era for hip hop is the early to mid nineties. I think this is when it was at its best. If I could recommend one hip hop album it would be “Midnight Marauders” by A Tribe Called Quest. Why? The samples are very well chosen (some amazing bits of classic soul, funk or jazz) the music is positive, the rhyming is inventive and funny, it’s catchy, I never get bored of listening to it and it always puts me in a good mood and reminds me of great times. I strongly believe it will be considered one of the all-time great hip hop albums. Click here to see the album on Amazon.

Hip Hop music is often associated with poor urbanised black american communities, but it doesn’t have to be. It’s not about being poor black Americans. The music might have come from that community, but ultimately music transcends racial barriers and can be enjoyed by everyone. But, saying that, there is something weird about middle class English white kids acting like rappers from Compton. They’re not keeping it real, and the importance of keeping it real is one of the things you can learn from hip hop. Be true to yourself, don’t play yourself because that’s just straight up wack! A lot of rappers are very rich these days. Some are white, some are of other ethnicities. This just goes to show that it’s not just a simple question of black or white, rich or poor or whatever. Gangster rap is one sub-genre of rap music. There are other types of hip hop that don’t involve being a gangster. Positive hip-hop or political hip-hop. I suppose within gangsta rap there is the idea that hip-hop can be a way for poor people in America can escape from the ghetto. In the case of someone like Jay-Z who apparently used to live a gangster life, music did help him to escape the world of crime.

Hip hop music can give you an insight into life in the ghetto in America. The stories I hear in rap are like crime novels or a gangster movies. They can be evocative, moving, frightening and just very exciting tales of life on the edge. I must say though, as a white middle class English guy I can’t fully relate to the music, and sometimes I feel slightly ridiculous listening to rap music. I find I feel embarrassed sometimes listening to tales of the gangster life while I’m on shopping in Tescos or walking along the Champs Elysees. I can’t really relate to it, but nevertheless I love the music, and I wonder if you also like hip hop.

Anyway, I decided to play some hip hop in this episode and discuss the lyrics with you. First up, it’s a genuine hip hop classic. This one is from the 90s which is the best era for hip hop in my opinion. It’s basically gangsta rap. It’s moody, dark and tells a story of how difficult life can be in the ghetto. The track is called “My mind is playing tricks on me” by Geto Boys. Listen to the track, and then I will explain it all, and analyse the lyrics after. You’ll appreciate it more when you hear it the second time. If you like it, click the link to see the album on Amazon, where you can buy it and support this group. If hip hop is not your thing then I hope this episode at least educates you about a musical genre that you’re not familiar with. You don’t have to like it, but knowledge is power. Also, the English you’ll hear is a dialect (to an extent).  It’s the language of black American youth, and this is one of the most pervasive English dialects. It has influence on many informal dialects in English, including youth in London and all over the UK in fact. It’s interesting that the social group with the least status – poor African Americans, has some of the most widespread cultural influence though its music and its English slang. Well, maybe that’s the thing about hip-hop – it really changed the status of many poor young people in America, by making them into superstars. Although being a superstar is not the end of your problems of course, because you know, Mo’ Money Mo’ Problems… So, here it is.

GETO BOYS LYRICS

“My Mind Playin’ Tricks On Me”

Click here to check out the song on YouTube

[Intro: Scarface] 

I sit alone in my four-cornered room staring at candles

“Cool out man, we on the Radio dukes”

We’re on the Radio dukes

“yeah”

Ooh, alright, check this here

 

[Verse 1: Scarface] 

At night I can’t sleep, I toss and turn

He’s having a bad night. He can’t sleep. Maybe he’s had too much coffee, or maybe he’s got an exam tomorrow. You know the feeling, you’re nervous, you can’t sleep. Very frustrating.

Candlesticks in the dark, visions of bodies being burned

If he’s got candles burning I’m not surprised he can’t sleep. You need to extinguish all lights. Anyway, he shouldn’t leave a candle burning when he’s going to sleep. It’s quite dangerous, it might start a fire and the smoke could choke him to death in his sleep, or he could be very badly burned.

Visions of bodies being burned. He’s having a very bad night. I know that sometimes your mind wanders  when you can’t sleep but that’s quite extreme. Maybe he’s been watching too much of The Walking Dead. It’s ironic that he’s thinking of burning bodies when he’s dangerously leaving candles lit while going to sleep.

Four walls just closing in, getting bigger

I know the feeling. It can be like you’re trapped in your room, especially if you’ve been indoors all evening revising and now you can’t sleep.

I’m paranoid, sleepin’ with my finger on the trigger

Woa! He’s sleeping with a gun in his hand and his finger on the trigger? He’s likely to have a bad accident, especially if he starts to drop off to sleep and his hand jerks. He must be paranoid if he’s sleeping with a gun. I wonder what happened.

My mother’s always stressin’ I ain’t livin’ right

Well, she’s right because already you’ve got naked flames and a gun in the flat.

But I ain’t going out without a fight

Ok, he’s determined.

See, everytime my eyes close

I start sweatin’ and blood starts comin’ out my nose

You might want to get that looked at. If blood comes out of your nose when you close your eyes, you might have a serious condition. I don’t think it’s paranoia. Those are genuine symptoms. Go to a doctor. Call NHS direct at least.

There’s somebody watchin’ the Ack’

But I don’t know who it is, so I’m watchin’ my back

OK, I’m not sure what that means but it seems that someone is watching him, and apparently they’re not really looking after him because they haven’t stepped in to give advice or help. Whoever this person is, it seems that they don’t have his best interest at heart. Again, I don’t think he’s being paranoid. This guy is probably not a friend. But then again it is quite normal to just see the same people in your neighbourhood and just because they’re not friendly, it doesn’t mean they want to kill you. I mean, in London I never talked to my neighbours but I saw them all the time. Didn’t mean I wanted to kill them. Just saying.

I can see him when I’m deep in the covers

When I awake I hear a car burning rubber

When he’s deep in the covers, that means when he’s in bed. So, what he can see him when he’s in his bed? That is pretty weird, what is he doing in the guy’s bed?? Or maybe he’s in the bed and looking out of the window and he can see him in the street or something. Oh I see, he can see him in his sleep. Bad dreams.

He owns a black hat like I own

A black suit and a cane like my own

Perhaps this is just a mirror. I wonder if he’s considered the fact that he’s seeing his own reflection in windows or something. That happened to me once. I was walking alone in the street and I thought I saw someone following me. I got really scared and ran home. Turned out it was just my own reflection in the windows of houses. I used to be scared of the dark so I suppose my mind was playing tricks on me too.

Some might say, “Take a chill, B”

Yes, it’s a good idea. Take a chill. Relax. Have a cup of tea. Watch some telly. Put your feet up. Just take the afternoon off. No need to go round being a gangster today. It’s hard work being a gangster. Just take it easy for a change. You’ve got to look after your health. Take some you-time. Just watch “Friday” or something.

But I can’t see, because there’s somebody trying to kill me

Mmm, that will tend to make you a bit uptight.

I’m poppin’ in the clip when the wind blows

Every twenty seconds got me peepin’ out my window

This means he’s putting a clip of ammunition into his gun whenever the wind blows. Now, the wind blows quite a lot, especially when it’s windy. Does this mean he’s just putting the clip in when he hears the wind, and then going “oh no it’s just the wind” and then taking it out, but then hearing the wind again and going “What the hell is that?!” and popping the clip back in again, and again and again. He needs a holiday. He’s peeping out of his window, with a gun. THis is an awful situation.

Investigatin’ the joint for traps

Checkin’ my telephone for taps

Ok, so I assume that he’s really nervous because of something he did in his past. Maybe he criticised someone’s mother, or stepped on someone’s sneaker. Now he’s worried that someone wants to take revenge on him and he’s so paranoid that he’s convinced that someone has set traps in his house. Perhaps like a bucket of water above the door and when you open it = splash. Or worse. Maybe a broken chair or a whoopee cushion. He’s checking the phone for taps. That’s a wire tap. Perhaps people are trying to listen in to his conversations. It could be the mob getting ready to kill him or the FBI surveying him, or maybe he’s just been smoking too much weed and he’s imagining it all.

I’m starin’ at the woman on the corner

It’s f*cked up, when your mind is playin’ tricks on you

The woman on the corner? I expect that is a prostitute. It’s quite sad that there’s always a woman on the corner. It’s even sadder that this guy is staring at her because he’s paranoid that ‘someone is trying to kill him’.

[Verse 2: Willie D]

I make big money, I drive big cars

Everybody know me, it’s like I’m a movie star

Sounds like Luke from Luke’s English Podcast.

But late at night, somethin’ ain’t right

I feel I’m being tailed by the same sucker’s head lights

This means he feels like someone is following him. He’s being tailed by someone’s headlights. But normally you’re tailed by someone in a car, not just some headlights.

Is it that fool that I ran off the block?

Or is it that clown last week that I shot?

He shot a clown? Why did he shoot a clown? They’re basically harmless. They’re just kids’ entertainers. He’s gone too far, shooting a clown.

To be honest, I think that by ‘clown’ he means a ‘fool’ or an ‘idiot’. But really, was it necessary to shoot the guy? Two words: Gun Control.

Or is it the one I beat for five thousand dollars

He beat a guy for 5 thousand dollars. That is a lot of money but is it worth it for the risk. You could be sent to prison for aggravated assault. I’m not surprised he’s having a bad time, because you know “what goes around comes around”.

Thought he had caine but it was Gold Medal Flour

His mind really is playing tricks on him. He’s seeing people doing their grocery shopping, and mistaking them for badass gangsters who want to kill him. The guy needs to just stay in for a while and wait for this all to blow over.

Reach under my seat, grabbed my popper for the suckers

Ain’t no use to me lyin, I was scareder than a mother*****

This means he reached under his seat to get his gun in order to shoot these bad rude boys, and truth be told he was very frightened. Scareder (not correct English) than a mother-. One can only assume that ‘a mother’ is usually quite scared, for some reason. I think we know he is referring not to a Mum, but to a swearword, a motherf***er

Hooked a left into Popeye’s and bailed out quick

If it’s goin’ down, let’s get it over with

So, in order to escape, or find a good place to hide or escape he turned a quick left into what I assume is some kind of shop. He was ready to have a fight if it was necessary. So, he thinks that these gang-bangers are going to get him as an act of revenge, but perhaps he’s just paranoid and imaginging it all.

Here they come, just like I figured

I got my hand on the chrome (gold?) plated the trigger

So, they’re coming just as expected. He’s got his hand on his chrome plated gun. The trigger is the part that your finger squeezes to fire the gun..

What I saw’ll make your ass start gigglin’

Three black crippled and crazy senior citizens

What he saw will make you laugh because it was three black crippled and crazy old people. He must have been tripping because he thought they were all gangsters. He’s in a real mess.

I live by the sword

I take my boys everywhere I go, because I’m paranoid

To live by the sword means you live a violent life. He takes his boys everywhere – not his sons I imagine, but some of his home-boys, some friends or fellow gangsters as protection.

I keep lookin’ over my shoulder and peepin’ around corners

My mind is playin’ tricks on me

Looking over his shoulder, looking around corners. He’s certainly got to be vigilant at times like this.

[Verse 3: Scarface]

Day by day it’s more impossible to cope

I feel like I’m the one that’s doing dope

Ok, this really is a messed up life. He’s find it hard to cope. He can’t manage it or deal with the pressure. He feels like he’s the one doing dope – I guess this is a reference to the fact that he’s a drug dealer, and usually his clients are the ones who are strung out and losing control of their lives because of the drugs they’re taking, but this time even he is losing control. This is a messed up story of criminal life in America. Have you seen Scarface? This song is one of many similar crime stories which for me form part of American popular culture in literature, film and music. Yes, I’m saying this is art. Sue me.

Can’t keep a steady hand because I’m nervous

Every Sunday mornin’ I’m in service

Prayin’ for forgiveness

And tryin’ to find an exit out the business

He’s going to church every sunday, praying to be forgiven by god, and trying to find a way to leave this terrible business of drug dealing and extortion. So, he does want to get out but apparently he is trapped. I wonder what you think. Does he have a choice? I suppose he is so deep in crime that if he tries to leave he risks losing his life.

I know the Lord is lookin’ at me

But yet and still it’s hard for me to feel happy

He believes in god but it’s almost not enough because of his guilty conscience.

I often drift while I drive

Havin’ fatal thoughts of suicide

BANG and get it over with

And then I’m worry-free, but that’s nonsense

He sometimes considers killing himself in order to escape, but yes, that’s nonsense. Suicide is the coward’s way out.

I got a little boy to look after

And if I died then my child would be a bastard

Technically that is true. That’s in line with the literal meaning of ‘bastard’ but does it also mean his son would be a bad guy? Quite possibly, if he’s deprived of a father and growing up in tough conditions, and considering his Dad is a bit of a bastard apparently it must run in the family, so yes if he is killed then his son is likely to be a bit of a bastard. BUt also, his son would be fatherless, and that’s serious.

I had a woman down with me

But to me it seems like she was down to get me

He used to have a girl friend, but it seemed she didn’t support him. Maybe she was not good for him. Maybe she nagged him, and it didn’t help.

She helped me out in this

But to me she was just another chick

OK, she did help a bit, but he didn’t love her. Sad story. Sorry listeners.

Now she’s back with her mother

Now I’m realizing that I love her

All right, so he does love her! Make your mind up!

Now I’m feelin’ lonely

My mind is playin’ tricks on me

You have my sympathy sir. Although I do think it was wrong that you committed those crimes and you shouldn’t have done it. There’s no way of justifying those criminal acts. Still, I will raise a glass to you sir.

[Verse 4: Bushwick Bill]

This year Halloween fell on a weekend

Me and Geto Boys went trick-or-treatin’

Robbin’ little kids for bags

So they went trick or treating. Not exactly the behaviour of authentic straight up gangstas. Why are they trick or treating? Aren’t they a bit old for that now? Don’t they have business to attend to?

And robbing little kids for bags?? Really? Literally stealing candy from children. That’s hardly the way a true gangsta rolls? It’s almost pathetic, stealing sweets from children. It’s a serious act of bullying and seems out of character. So these are very well esteemed bad-boy gangstas, who act like they’ve killed and done bad things, and here they are stealing sweeties from kids. Pathetic.

Till an old man got behind our rags

Too right. The old man was correct and I’m glad a member of the community stepped in to get behind their rags and tell them off.

So we speeded up the pace

Took a look back, and he was right before our face

They decided to leave quickly and walked away, but when they turned around he was right up in their face. Wow, that guy is fast!

He’d be in for a squabble no doubt

So I swung and and tried to take him out

So the guy wanted a fight, so Bill swung his fist and tried to knock him down. ‘Take him out’

He was goin’ down, we planned

But this wasn’t no ordinary man

The plan was to put this guy down, but apparently this was no ordinary man. Maybe it was, like, Batman or just an extraordinarily tough guy who they shouldn’t have messed with.

He stood about six or seven feet

Now, that’s the creep I’d be seein’ in my sleep

This is a very tall guy, and the ‘creep’ he’d been seeing in his sleep too. So, this is the scary guy that Bill was dreaming about earlier on. Wow, so here he is in a fight with him. Scary.

So we triple-teamed on him

Droppin’ them 5th ward B’s on him

Triple teamed on him – this means the 3 of them teamed up to fight him together. Ladies or in fact anyone else, if you’re listening – I’m sorry about the violence. More civilised topics will be dealt with in due course.

The more I swung the more blood flew

Then he disappeared and my boys disappeared too

The more he punched the more blood there was, but then suddenly he disappeared, and so did his friends.

Then I felt just like a fiend

It wasn’t even close to Halloween

He felt just like a fiend – this is someone who is evil and kind of obsessed by doing bad things. So, he frightened himself by realising he was a fiend, a monster. This is dark…

It was dark as death on the streets

My hands were all bloody from punchings on the concrete

Oh man, homie

My mind is playin’ tricks on me

The streets were pitch black, and his hands were bleeding from punching the concrete. So, he imagined or hallucinated the whole thing and in fact had been punching the street itself thinking it was a man. His mind is playing tricks on him.

 

What a dark tale.

Let’s lighten things up a bit. Now we’re going to listen to a short rhyme by De La Soul from their amazing album 3 Feet High and Rising. This one is all about the importance of washing yourself with soap to avoid BO or Body Odour, which can be a problem on public transport for example. Again, listen to the whole tune and then I will explain…

De La Soul “A Little Bit of Soap” – Click here to listen to the song on YouTube

Please, listen to this simple De La style I’m gonna sing

It’s strongly directed to all the misery you’re bringing

Now I’m not all about dissing someone else personnel

But there’s no quota on your odor, that’s right, you smell

Now you might feel a little embarrassed, don’t take it too hard

And don’t make it worse by covering it up with some Right Guard

Before you even put on your silk shirt and fat gold rope

Please, take your big ass to the bathroom

And please use a little bit of soap

Okay, contestant number two, do you have the answers?

No, no I don’t

SOME HIP HOP SLANG, DEFINED:

da hip hop game = the hip hop industry. ‘da’ means ‘the’

straight up = simply

no nonsense = simple

no diggidy = no doubt, definitely

the ill communication = ‘ill’ here means ‘good’

wack = not cool

sucka = a sucker, a stupid person

 

LINKS:

For more hip hop slang, click here.

To download some free hip hop mixes, click here. I personally recommend this one.

Visit this page to play around with ‘gizoogle’, which is a website that translates everything into hip hop slang.

Here’s an example of what it does. Look at the below sentence, which is normal.

Hello, my name is Luke and I am an English teacher. You probably know me from my podcast which is called Luke’s English Podcast. I really enjoy making episodes of my show and I hope that you like listening to it. Good luck!

Here’s the hip-hop slang version:

Yo muthaf*cka, hoes call me Luke n’ I be a Gangsta mackdaddy n’ sh*t. Yo ass probably know me from mah podcast which is called Lukez Gangsta Podcast. I straight-up trip off makin episodez of mah show n’ I hope dat you like listenin ta dat sh*t. Dope luck!

‘Dope luck’ indeed…

115. A Chat About Music (with James)

Listen to a chat with my brother James about music and our musical memories.

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I’ve written a list of some phrases and sentences that we use in the conversation. You can check them out below. Highlight and google words which are new to you. You can also find some YouTube videos featuring some of the music we talk about in this episode.

Thanks for listening, please add your comments below and you can donate by clicking the donate button on the right of this screen.

Vocabulary
Some phrases and sentences from this episode:
Are you buzzing?
We’re on top of things
Hearing cosmic sounds coming through the speakers
It captures something of the dystopia of the future
They covered 60s ska tunes
I think The Specials did more cover versions than Madness
The Specials take themselves a little bit too seriously
As good as they were they never made anything that sent a chill down your spine
They were a little bit of a novelty act
See see them bouncing around on Top of the Pops
This is a piece of hardware which is one of the best sequencers
You can sample bits from other records
If you had to give it a genre, what genre would it be?
That’s all we’re going to get for the time being
The ‘Mad’chester scene, which was characteristed by a kind of psychedelic sensibility
Slightly 60s throwback vibe
Almost a slightly parody/jokey way
The Mondays were more into Donovan
They weren’t a retro band they were actually quite modern
They were a cross between a kind of funk/punk/acid house
Just good vibes
Really good lyrics
He didn’t have a traditional singing voice but he really meant what he said
Some things are rhyming, some things are jokes
We had a piano, inherited from our Grandma when she died
I tried the piano, didn’t really appeal to me
I almost got put off music at school
I tried learning the bass – not really much cop
That’s the last vestige of the guy who can’t play music – they become drummers
Drummer jokes:
What do you call a guy who hangs around with a group of musicians? A drummer
How do you know when there’s a drummer at your door? Because the knocking speeds up
How do you know when a drummer’s standing at your door? Because he doesn’t know when to come in
He also wrote his own very sappy 60s music
He did this very cheesy music but to be fair it’s really good. It’s multi-tracked and everything.
I remember once you getting me to bleach your hair
You ended up joining a band
The Genital Fungi
Grandpa Knuckles
We used to do a really heavy death metal song
Amanda X
We were a 3-piece, we were very fucking cool
A cutting riposte to being shunned by a girl
I was into ambient music, atmospheric sort of Aphex Twin music
The other 2 were these hardcore ravers
I can beat-match
This MPC 2000, this Akai piece of kit
It was quite cheap. It was about 250 quid
I remember crawling round on the floor and from the speakers above listening to The Beatles
It reminds me of being in the living room as a four year old
Skellington were a really good band, very sketchy though

Pete Rock demonstrates how to use the Akai MPC 2000

88. How To Play The Drums (Describing Music)

Learn how to be a rock star in this episode. I’ll teach you a bit about music and about how to play the drums. Also you can listen to various famous drummers talking about their technique. See below for some vocabulary.

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Vocabulary & Notes
Here are some notes containing some of the words and expressions used in this episode.
People sometimes say that one of the best ways to learn English is to learn how to do something else in English, like flower arranging or a new sport. So that’s why in this episode I’m going to teach you how to play the drums. I’m going to teach you about the drums too. This is quite an ambitious episode because I’ve never taught someone how to play the drums before.

I’ve been playing drums since I was 13, so about 22 years now. I was lucky because we got a drum kit for Christmas. We had a garage separate from the house and we put the drum kit there. We lived in the countryside and our neighbours were not too close so they didn’t hear the noise. That’s the advantage of the countryside. My Dad used to play the drums. It was the best gift ever. I had learned the piano and I played bass later. My brother learned the drums because he loved punk rock music. Then I played the drums too. I used to play for an hour a day at least. I’d try to copy other drummers that I liked such as Mitch Mitchell, Stewart Copeland and Ringo (yes, Ringo).

I played in a lot of bands. I was in a band in Liverpool and 2 bands in Japan. I had a CD in the shops in Japan. I basically taught myself to play drums.

Music basically has 3 elements: rhythm, melody and harmony. Rhythm is the first element. It’s the foundation. We all have rhythm inside us because of our heartbeat. There are other rhythms too like the days, the years, walking, repetitive tasks, the sound of a train or a horse. African music used rhythm. The drum was the first instrument. It was used as a communication tool.

English has a rhythm. All languages do. A sentence can be like a drum beat.

So, how do you play drums? It’s just a series of objects to hit in the right order to get a beat. You punctuate the beats with rolls. Most music has a time signature. Usually 4/4. That’s 4 beats in a bar. 1 2 3 4. That’s what you count when you play. You place beats on different numbers. There are sub beats too. 1 and 2 and 3 and 4 and.

We’ll come back to beats. Let me tell you about the kit. You have drums and cymbals, and sticks. The big drum on the floor is the bass drum. It has a deep sound. Attached to the top of that there are two tom-toms. You have another tom-tom on the floor and that makes three. Just in front of you, between your legs is the snare. It’s high pitched and it has a metal coil under the bottom skin. This gives it a sharp sound. Then, cymbals. On the left with a pedal you have the hi-hat. This is two cymbals, one up one down. Press the pedal and the top one comes down. Hold your foot down and you close the hi-hats. Then hit it with the stick on the 1 and 2 and 3 and 4 and beats. Bass drum on 1  3 Snare on 2   4 That’s a basic rock beat!