Category Archives: Horror

838. A 3-Hour Mega-Ramble / Reflecting on a Wonderful Spring Day in Paris

This is the longest episode of LEP so far, and it’s a solo ramble. Relax, follow my words, hang out with me for 3 hours, get stranded on a desert island of the imagination, and then get rescued. Includes a haircut, a sleep and a t-shirt change during the episode.

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PDF Script / Notes for this episode 👇

818. Monster Bogey (A Children’s Book) with Anna Brooke

My friend Anna has written a book for children (7+) which has a full publishing contract and is available in all good bookshops now. The book tells the story of a boy who accidentally creates a monster when his secret collection of nose bogeys gets struck by lightning! This conversation includes lots of talk of snot and bogeys, as well as stories from Anna’s time as a travel writer.

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Get your copy of Monster Bogey here! https://www.chickenhousebooks.com/books/monster-bogey/

Read an extract from the book here https://www.chickenhousebooks.com/wp-content/uploads/2022/10/Monster-Bogey-chapter-1-for-website-COMPRESSED.pdf

799. The True Story of a LEPster’s Waking Nightmare (and how LEP came to the rescue) Email Story

Sharing a disturbing true story sent in by a LEPster by email. This episode contains some slightly scary and graphic descriptions of nightmare scenarios, visions, hallucinations and bad dreams, but there is a happy ending. Video version also available.

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ELSA

👉 Free ELSA app download link (download ELSA free & get 7 days pro membership free): https://www.teacherluke.co.uk/elsa

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Episode Transcript

Iñaki’s Nightmare (and how LEP came to the rescue)

Hello listeners, welcome back to the podcast. In this episode I’m going to tell you the terrifying true story of a LEPster who went through a horrible nightmare but was rescued thanks to LEP. 

This episode is based on an email I received a while ago (quite a long time ago now). I have been meaning to read this out on the podcast for some time now and I am glad to say that today is the day I am doing it. 

I feel compelled to share this story with you and I sincerely hope you enjoy it.

LEP Ninjas

I often talk about LEP Ninjas on this podcast and complain that the vast majority of my listeners never get in touch with me, and I wonder who you are, what you’re doing while you’re listening and what this all means to you. 

I often say that, but in fact I must say that I do get a lot of correspondence from listeners in various forms – episode comments, tweets, YouTube comments and emails. I love receiving your messages because it really helps me to know that there are people on the other end of this podcast – not just numbers but people, receiving my words and connecting with what I say. 

Every now and then I receive a message that I simply have to stop and respond to there and then, even if I’m in the street or something, and there are also some emails which I feel I must share on the podcast with my audience. This is one of those emails. 

I absolutely felt compelled to share this particular email with you, and felt it had to be in an episode of its own. So here we go.

It’s a compelling story which you might find fascinating, stories are good for learning English, as we know, I’m sure little bits of language teaching will come up here, and in this particular story I emerge as the hero who saves the day! So, naturally I am delighted to let the world hear it! (haha)

A slightly disturbing story

Some people might find this story a bit disturbing because it involves descriptions of surgery. So this is a heads up about that. 

There are references to some physical, body related stuff, but also some slightly disturbing mental images too – some nightmarish visions and bad dreams, let’s say. 

You’ll just have to listen to the story to understand what I’m referring to, but FYI the story has some slightly disturbing moments.

I should also say that this story has a happy ending. Things turn out fine in the end. So, if this makes you anxious, then don’t worry, the story ends in a happy place. 

So, without any further ado, let’s just get straight to the email which I received from a listener called Iñaki.

I’m going to read it out as it was sent to me. It’s very well-written, but I might make a few changes here and there – I will correct one or two little errors relating to vocabulary or grammar.

Also I will comment on certain words in this story to help you learn some things as we go.

Inaki’s Email

Email
Message: Hi Luke:
How are you doing? My name is Iñaki and I am writing from San Sebastian, in the north of Spain.

First of all I’d like to thank you for your podcast. I started listening to it some six months ago because my wife recommended it to me (she’s been a premium subscriber for a year or so). 
I have been listening to you ever since because I think what you do is very entertaining and interesting and I think that my English gets better too.

I know what I am about to tell you looks a bit boring in the beginning but please keep on reading because you show up in the middle of the story.

On the 29th of March I got a surgery operation to cure my apnea. 

For your information, this operation took around 6 hours while I had general anesthesia. 

They cut both sides of my jaw. Also they cut below my nose to move the position of my palate. Then they put everything together again in another (slightly different) position by using some screws. 

All of this sounds a big frightening but it is a very usual operation with very low risk. All the surgery is done from inside your mouth so it doesn’t leave scars. 

I took the decision to go ahead and everything went OK, and now I am fine at home and getting recovered but it is also true that when I woke up I felt a bit lost and my mind was not thinking straight and this was the most difficult part of my recovery.

So my operation was on a Monday at 08:00 and I woke up on Tuesday at 13:00. The doctor told me that the operation went fine. After, when my wife came to visit me she also said that the operation had gone right. 

So why did I think that this was not true? Why did I start to suspect that something very bad had occurred during the operation? 

I can’t quite explain since I don’t think I am such a negative person or I am not so hypochondriac. 

But the truth is that my mind freaked out quite seriously and my paranoia was that the doctor had committed a fatal mistake during surgery and now all the doctors and nurses were backing one another up to hide this mistake. 

Since this idea was on my mind I couldn’t let it go and it only went bigger and bigger. All of the things I heard or saw fitted perfectly in MY reality. For example, a nurse said to me “Iñaki, why are you so sad? The operation has been v… successful”. So my head went: “why successful? Why not VERY successful? Why did she start the word VERY but she didn’t finish it?”

And this went on and on without control. My wife was with me all the time and she did a great job but still she didn’t manage to get these ideas out of my head.
Monday night I was totally sedated with the anesthesia. 
Tuesday night I couldn’t sleep (and I mean not even a minute) because I was so frightened…
Tuesday and Wednesday I couldn’t eat anything.

So by Wednesday evening I was exhausted due to the lack of rest and food. This didn’t help my mind get stronger. So on Wednesday evening I was quite certain that their plan was to let me die on medication. 

I could feel that my wife had taken part in that decision. I thought that the idea was that since my life was not going to be worth living it onward, they decided to let me go. 
Of course, now I see that it didn’t make any sense at all but my mind was not able to work better than that on Wednesday evening.

I accepted this idea and I decided to be collaborative in the process. They gave me medication to calm me down and I could feel that my mind was even more clumsy. My wife told me once and again that the most important thing was to rest, to sleep. In this way the next day I would feel stronger. 

For me this was a soft way of saying: “If you calm down and you get to sleep soon, then your death will be more pleasant”. 

This sounds terrible to me now but I also think: in some situations in your life you need to lie to the ones you love in order to protect them, don’t you? 

I mean, what would my girl tell me in a situation where I really was about to die? Would she clearly say it? Would she tell me straight? I don’t know…

I tried to sleep but this was very difficult because when I closed my eyes I could see some horrible images. 

These images were not dreams. 

All the time I knew that I was in the hospital and my wife was beside me. So I guess the images were a result of the medication and also my lack of strength.

The images were really terrifying. All the scenarios were dark, humid and steamy. In many of these images there were thick fluids (black, brown, dark grey…) flowing in different directions. 

Among these ugly liquids there were macabre things floating: a pig’s mask, the face of my son in the 3D radiography when he was still in his mum’s belly, bones, parts of bodies…. 
I could also see parts of machinery like gears or parts of motors. These metal parts were broken and I was looking at them from very close and I had the feeling that they were looking at me, judging me… and it didn’t feel good. 

Also crazy things like a kid crawling on the ceiling (clearly inspired by the film Trainspotting) or even me crawling on the ceiling. In another moment I was like a video camera up in space and suddenly I went down to the earth, to England and I ended up inside Brian Jones’ swimming pool and I could see his corpse from the inside of the water. 

I also had to say no to entering inside tunnels with a light in the end. A couple of times I was brave enough to go inside the tunnels because I thought“OK, this must be it, let’s end it all now”. But then nothing happened….

With all these images in my mind I was not getting calmer, my breathing was out of control and I couldn’t sleep. This took like 2 or 3 hours, I think.

Then my wife came up with a new idea. She said: “Iñaki, what about listening to that episode of Luke’s podcast that you liked a lot? That one in which he read the short story by Roald Dahl? Maybe that’s going to calm you down….”. 

Honestly, I didn’t believe that this would work but at least it was something different and since I was desperate I agreed that it was worth giving it a try.

When I heard your voice, the images automatically changed to something different. I started listening to your words, but since the images where suddenly very nice I was paying more and more attention to them and even if I could hear your voice in the background I wasn’t listening to your words anymore. 

Now the images where very colourful ones. For example I saw some based on cartoons that my kids see on the TV. 

I remember seeing characters of the series “True and the Rainbow Kingdom” and “The Octonauts”. I also saw some very nice cartoons in the style of Sgt. Pepper’s artwork and the Yellow Submarine film. 

Among these “visions” I remember one in particular. It was very pleasant and it stayed for a while: there where some magic carpets with stripes of very beautiful colours. They were floating in the air and my 6 year old twins were jumping on them and using them as slides.

They were laughing and having so much fun. 

Mixed up with this action I could see pictures floating around in the air. These were pictures of the 4 members of the family together: my wife, the kids and me…..
When your voice stopped because the chapter ended I noticed it. I was conscious for the first time that my breathing was very calm. I also was conscious that I was thinking in a more positive way. I was thinking: “OK, maybe I don’t have to die tonight”. Since my breathing was calmer and my mind was calmer too I got more relaxed and I finally managed to get to sleep. 

That night I slept and woke up many times but I think I got to sleep a total of around 3 hours.
Early next morning, at around 6:00 am I listened to birds singing. It made me feel good because by then I was totally convinced that I would hear that sound many times in the future. 

I was also a bit ashamed that my mind had been so confused and I made my wife suffer so much. I thought a lot about you too and I felt grateful that you helped me in my recovery. 
I was also grateful that my wife came up with this great idea which really made the difference. 

But, of course, my mind was mainly with my kids. Can you imagine the infinite happiness of knowing that I would be able to hug them again when only a few hours back I thought the opposite?

All of these words are only to explain to you how I went through a very rough situation and how you helped me get out of it. The moment I heard your voice is the exact moment that I started to get out of this horrible hole I was locked up in. So in the end all of this is only to say thank you. Just because it makes me feel good to do so.
Thanks Luke!!!
Iñaki

Luke: Summarise the story in your own way, in your own words.

Iñaki and I exchanged a couple of emails after this and he said he was happy for me to read this out on the podcast. 

Here is my response.

Hi Iñaki,

I’m glad you’re ok with me reading out your story on the podcast. I think it’s absolutely fascinating, and of course I’m always happy to tell the world any story in which I emerge as the hero!! 

Joking aside, your experience must have been absolutely terrifying and horrendous and I am genuinely amazed and pleased that the sound of my voice was reassuring for you in those moments.

I don’t know if you’ve heard my Sick In Japan episode (episode 118 – I think). I ended up in hospital in Japan once. I felt dreadful and I didn’t really know why I was there because I didn’t really understand what the doctor was saying. Thankfully it turned out that I was not seriously ill, but the first couple of nights were very frightening because I felt very bad and my diagnosis was lost in translation. \

I thought I was seriously ill and was afraid that I might die. I felt very paranoid and had to work hard to keep my mind calm. Like I mentioned – my experience wasn’t quite as bad as yours, but still – I have a slight sense of what your experience must have been like, and it’s incredible to me that the sound of my voice helped you to get through it. It’s flattering to know that, but also very reassuring and encouraging that my podcast can bring comfort to someone.

I also think your story is very compelling and well-described, so I think it should be fascinating for the LEPsters to hear it. 

And, I truly believe that bad experiences become a little better in our minds when we turn them into stories which we can share. 

You certainly have a great story there, and I think my audience are the perfect people to appreciate it.

So, I’m very glad you’re happy to let me share it. Hopefully it will provide something gripping for the audience and I really hope you enjoy hearing me read it out on the podcast.
Congratulations on your English too by the way. You described the story very specifically and clearly. 

In any case, I’m glad to hear that you’re basically back to normal again.
Thank you for sharing your story with me. I read it again this morning and I found it very moving – especially the moments when the joy and colour came back into your mind when you listened to my episode, particularly the visions of your happy family. 

Have a great week, and all the best to you.

Some words & phrases to review

  • A compelling story
  • A waking nightmare
  • A vivid dream
  • To have surgery
  • To have an operation
  • To have a local anaesthetic
  • To have a general anaesthetic
  • An anaesthetist
  • To anaesthetise 
  • Jaw
  • Palate
  • Hypochondriac
  • Sedated
  • To (not) think straight
  • To suspect that something is happening/has happened
  • Paranoia / paranoid
  • To back someone up 
  • To manage to do something
  • To tell something/someone straight
  • Macabre
  • Breathing / breath

Ending

Thanks again to Inaki for providing that story.

Quite a scary one!

I often wonder where you are and what you’re doing while you’re listening to this podcast, and if you have a similar story, don’t be a ninja – let me know in the comment section.

But for now, it’s time to say bye bye bye bye bye

795. DOPPELGANGER (Learn English with a Short Story)

Learn English with another short story. In fact, this episode contains two stories. Listen until the end for the 2nd one. Repeat after me to practise your pronunciation. Learn some vocabulary & grammar in the second half of the episode, with an explanation of modal verbs of deduction in the past and present. Video version available.

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Sign up to LEP Premium for a premium series with another story (P41)

Get the episode PDF with notes and full transcript

There are a couple of sites where you can find a lot of 100 Word Stories. One site is called https://100wordstory.org/ and the other is https://www.fridayflashfiction.com/ 

 

Get the book 

I want to just point out that there is a book full of these very short stories, which you could buy. 

It’s called Nothing Short of 100: Selected tales from 100 Word Story

It is a collection of stories from the https://100wordstory.org/ website. 

There’s a Kindle version or a print version. 

It is published by OUTPOST 19 and it was put together by the team behind the website, including Grant Faulkner, Lynn Mundell and Joshua Michael Stewart. 

It is available for you to purchase and I recommend it if you are looking for bite size stories to use for learning or teaching English. 

I also recommend visiting https://100wordstory.org/ and www.fridayflashfiction.com where you can find absolutely loads of stories like this with new ones arriving each week.


Do you want more of this kind of thing?

Sign up to LEP Premium www.teacherluke.co.uk/premium 

I do language analysis, vocab & grammar explanations and pronunciation practice.

There are stories and language reviews for conversations which have appeared in episodes of LEP. 

If you sign up you can add all the premium episodes to your podcast app of choice, and also get links for video versions and PDF worksheets.

www.teacherluke.co.uk/premium 


That’s the end of the episode, but check out LEP Premium.

I’m going to do a premium episode all about this second doppelganger story. 

All the vocabulary (with a memory test), some grammar, some pronunciation practice.

I’ll go through the vocabulary and some grammar and I’ll do some pronunciation practice with it too, just like I did with the 100-word story.

792. The Rick Thompson Report: LIZ TRUSS (16 October 2022)

My dad returns to talk more about UK politics, this time describing the disastrous economic policy of Liz Truss and her Chancellor (finance minister) Kwasi Kwarteng. Advanced level English listening practice – this is complicated stuff, but keep listening to develop your English skills and learn about what’s going on in UK politics and current affairs. Video version available.

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779. [2/2] Poetry Reading: Sir Gawain and The Green Knight (by Simon Armitage)

Luke reads verses from a modernised version of this medieval poem, considered one of the masterpieces of Middle English literature. Listen to hear the rhyme and rhythm of the poetry, the descriptive vocabulary and details of the story, with vocabulary explanations and comments from Luke. This is part 2 of a double episode about this story. Video version available with on-screen text.

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Part 1 with Rick Thompson 👇

Book Title

Sir Gawain and The Green Knight by Simon Armitage, published by W. W. Norton & Company (available in all good bookshops)

Introduction Transcript

Hello listeners,

Welcome to episode 779 of my podcast for learners of English. This is in fact part 2 of a 2-part episode. 

In part 1 of this (episode 778), I talked to my dad about an old poem from the medieval period in Britain.

The poem is basically a really mysterious and wonderfully descriptive adventure about a knight from King Arthur’s table at Camelot. 

King Arthur was a mythical king of Britain who people told and wrote stories about, many centuries ago. 

We’re not sure if he really existed, if the stories about him are all fictional, or some combination of those two things. 

Anyway, the Arthurian legends, or stories of King Arthur and his Knights from Camelot are full of magic, chivalry and adventure. 

Chivalry means the rules that all honourable knights had to follow – a code of honour. 

Anyway, the poem I talked about with my dad in the last episode is about one of Arthur’s knights who accepts a strange and dangerous challenge. The poem is called Sir Gawain and The Green Knight.

If you listened to episode 778, you heard my dad describing the story of the poem, the linguistic style and how it fits into British history and the history of the English language. 

At the end of that episode I read some verses from a modernised version of the poem, by Simon Armitage.

In this episode I’d like to read some more verses from the poem, but this time I’d like to explain some of the vocabulary and other aspects of the language while I am doing it.

So here you will be able to hear part of a medieval poem written in middle English, which has been updated into modern English, with explanations and comments from me.

Again, the poem is called Sir Gawain and The Green Knight. 

It was probably written in England in the 14th century (probably around the year 1370).

Since this text was discovered it has been studied and translated and is now considered one of the greatest works of medieval English literature.

Modernised versions have been published, including one by JRR Tolkein and another one more recently by Simon Armitage.

The one I’m going to read from here is the modernised version by Simon Armitage, which is available as a book from W. W. Norton & Company – you can get it in any good bookshop. 

I do recommend it. It has a really interesting introduction and it presents both the modernised version and the original text, side by side.

In terms of language, there are three main things to notice. 

These linguistic features or poetic devices were all present in the original version and Simon Armitage has done a great job of replicating them in this modern version.

  1. Alliteration
    This is when the same sounds are used at the beginnings of words.

    It creates a kind of rhythm or music to the lines.


Examples:

a fearful form appeared, framed in the door

a mountain of a man, immeasurably high,

a hulk of a human from head to hips,

so long and thick in his loins and his limbs

I should genuinely judge him to be a half giant,

or a most massive man, the mightiest of mortals.

  1. The “Bob and Wheel”.
    This is a poetic device which can be found in poems from this era.

    Each “stanza” (group of lines) ends with two syllables (the bob) and then four flowing lines which follow (the wheel)

So listen a little while to my tale if you will

and I’ll tell it as it’s told in the town where it trips from

the tongue; 

and as it has been inked

in stories bold and strong,

through letters which, once linked, 

have lasted loud and long. 

  1. Descriptive vocabulary
    The poem is full of vivid descriptions, and Simon Armitage has managed to modernise the vocabulary so most of the language used here is up-to-date and still used by people today.

So, let’s get into the poem.

I’ll read each verse one by one, and then I’ll go back through and explain the language.

You could try to repeat the lines of the poem after me. That would be a good way to practise your pronunciation.

I’m going to start reading from line 130.

Just to bring you up to speed with the story, here’s what happens between lines 1 and 129.

The poem begins by referring to Greek mythology. It briefly describes the fall of Troy and the foundation of Rome, and it makes a clear connection between King Arthur of Britain and those heroes from Greek and Roman mythology.   

It’s Christmas in Camelot and King Arthur is celebrating with a big feast (a big meal which lasts for a long time). 

The poem describes the celebrations, the food, the games they’ve been playing, the decorations, the seating arrangement with all the knights, ladies and their guests. King Arthur’s wife Guinevere is there, and the poem describes how beautiful she is. 

They are just about to start eating, when the celebration is interrupted by something extraordinary.


Luke reads lines 130 – 466 from the Simon Armitage version of the poem.


What do you think? Leave your comments below 👇

774. Learn English with a Scary Story (Camp Stabbiwaka by Peter Carlson)

Listen to Luke reading a text adventure story set in a summer camp. You can read the story at the same time as you listen, or just relax and have fun following this action packed horror story, and read do text adventure later. Includes some vocabulary explanations, differences between British & American English and some very dodgy jokes. Video version available.

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Video Version (read the text on the screen – automatic subtitles are also available)

📖 👀 Click here to open the story in your browser 📖 👀

Where’s the text? Where’s the transcript? It’s up there, look! 👆👆

770. Boats & Murder (but mostly murder) with Moz

An episode with my friend Moz from the Murder Mile True Crime Podcast. Moz returns to tell us some true stories of crimes in the London area. Expect some smalltalk about living on a boat, some murder stories and an interactive detective game in which we have to solve a murder.

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English Comedy Show in Paris (20 mins of stand up comedy by Luke) https://www.panameartcafe.com/shop/stand_up/paname-english-comedy-night/

The Murder Detective Story (and advert for Penguin books)

https://www.penguin.co.uk/articles/children/2018/murder-most-unladylike-quiz.html

Murder Mile True Crime Podcast

https://www.murdermiletours.com/podcast.html

739. The Escaped Man by CT Platt (Learn English with Short Stories)

Reading a short story presented on Commaful.com. The Escaped Man is a mystery full of tension and intrigue. Listen closely as I break it all down and explain the vocabulary fully. YouTube video version also available.

Audio Version

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Introduction Transcript & Links

Hello listeners and video viewers,

It’s time to do another story on the podcast. This time I’m going to be reading a story called The Escaped Man which was written by CT Platt and is presented on the Commaful website.

Commaful.com is a website where you can find short stories, fan fiction and other reading texts and it’s all presented in quite a nice and easy-to-read format.

I’m going to read the story to you once and all you have to do is follow it, and hopefully enjoy it. I have a couple of questions for you to help you stay focused on your listening.

Then I’ll read through the story again and break it down line by line, explaining, pointing out and teaching you bits of vocabulary and grammar as I go.

Learning English through stories is a great idea and tends to work because it places language in a vivid context and is generally quite entertaining and fun.

So listen to the story and then let me break all the language down for you bit by bit.

Just before I read the story, here are a couple of questions for you.

Where does the story take place? How do you know?
Is this American English or British English? How do you know?
What is going to happen next?

OK, let’s start.

https://commaful.com/play/lisa/the-escaped-man/

Full Script of the Story

https://www.wattpad.com/543021670-suspense-stories-the-escaped-man-c-t-platt-2017

735. The War of the Worlds by H.G. Wells [Part 2] Learn English with Stories

Continuing to read extracts from this fantastic science fiction story from the 19th century. Follow the plot and pick up some English in the process. Full transcript available, and a YouTube version too.

Audio Version

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Full Transcript

Watch PART 1 before you watch this! Links in the description.

Click here for part 1

Click here for part 3

Recap of the story so far

6 years prior to the main events of the story, explosions are observed on the surface of Mars, but scientists assume they are gas or volcanic eruptions and are nothing to worry about.

Then, one night, a meteor falls to earth in green flash. The astronomer who finds the fallen meteorite in a pit of sand in a nearby common discovers that the object is a cylinder, is making strange noises and is even beginning to open and assumes there must be people inside it.

A crowd gathers, including the narrator of this story. The cylinder opens slowly and people are shocked and horrified to see the hideous and frightening creatures inside. They seem slow and heavy, as if earth’s atmosphere makes things difficult for them. Their appearance is a huge shock to everyone.

One person has fallen into the pit and it’s possible that they have been killed.

The narrator, although terrified, is also intensely curious about these visitors, as are the other witnesses at the sand pits where the cylinder has landed.

V.
THE HEAT-RAY.
After the glimpse I had had of the Martians emerging from the cylinder in which they had come to the earth from their planet, a kind of fascination paralysed my actions. I remained standing knee-deep in the heather, staring at the mound that hid them. I was a battleground of fear and curiosity.
I did not dare to go back towards the pit, but I felt a passionate longing to peer into it. I began walking, therefore, in a big curve, seeking some point of vantage and continually looking at the sand-heaps that hid these new-comers to our earth. Once a leash of thin black whips, like the arms of an octopus, flashed across the sunset and was immediately withdrawn, and afterwards a thin rod rose up, joint by joint, bearing at its apex a circular disk that spun with a wobbling motion. What could be going on there?
Most of the spectators had gathered in one or two groups—one a little crowd towards Woking, the other a knot of people in the direction of Chobham. Evidently they shared my mental conflict. There were few near me. One man I approached—he was, I perceived, a neighbour of mine, though I did not know his name—and accosted. But it was scarcely a time for articulate conversation.
“What ugly brutes!” he said. “Good God! What ugly brutes!” He repeated this over and over again.
“Did you see a man in the pit?” I said; but he made no answer to that. We became silent, and stood watching for a time side by side, deriving, I fancy, a certain comfort in one another’s company. Then I shifted my position to a little knoll that gave me the advantage of a yard or more of elevation and when I looked for him presently he was walking towards Woking.
The sunset faded to twilight before anything further happened. The crowd far away on the left, towards Woking, seemed to grow, and I heard now a faint murmur from it. The little knot of people towards Chobham dispersed. There was scarcely an intimation of movement from the pit.
It was this, as much as anything, that gave people courage, and I suppose the new arrivals from Woking also helped to restore confidence. At any rate, as the dusk came on a slow, intermittent movement upon the sand-pits began, a movement that seemed to gather force as the stillness of the evening about the cylinder remained unbroken. Vertical black figures in twos and threes would advance, stop, watch, and advance again, spreading out as they did so in a thin irregular crescent that promised to enclose the pit in its attenuated horns. I, too, on my side began to move towards the pit.
Then I saw some cabmen and others had walked boldly into the sand-pits, and heard the clatter of hoofs and the gride of wheels. I saw a lad trundling off the barrow of apples. And then, within thirty yards of the pit, advancing from the direction of Horsell, I noted a little black knot of men, the foremost of whom was waving a white flag.
This was the Deputation. There had been a hasty consultation, and since the Martians were evidently, in spite of their repulsive forms, intelligent creatures, it had been resolved to show them, by approaching them with signals, that we too were intelligent.
Flutter, flutter, went the flag, first to the right, then to the left. It was too far for me to recognise anyone there, but afterwards I learned that Ogilvy, Stent, and Henderson were with others in this attempt at communication. This little group had in its advance dragged inward, so to speak, the circumference of the now almost complete circle of people, and a number of dim black figures followed it at discreet distances.
Suddenly there was a flash of light, and a quantity of luminous greenish smoke came out of the pit in three distinct puffs, which drove up, one after the other, straight into the still air.
This smoke (or flame, perhaps, would be the better word for it) was so bright that the deep blue sky overhead and the hazy stretches of brown common towards Chertsey, set with black pine trees, seemed to darken abruptly as these puffs arose, and to remain the darker after their dispersal. At the same time a faint hissing sound became audible.
Beyond the pit stood the little wedge of people with the white flag at its apex, arrested by these phenomena, a little knot of small vertical black shapes upon the black ground. As the green smoke arose, their faces flashed out pallid green, and faded again as it vanished. Then slowly the hissing passed into a humming, into a long, loud, droning noise. Slowly a humped shape rose out of the pit, and the ghost of a beam of light seemed to flicker out from it.
Forthwith flashes of actual flame, a bright glare leaping from one to another, sprang from the scattered group of men. It was as if some invisible jet impinged upon them and flashed into white flame. It was as if each man were suddenly and momentarily turned to fire.
Then, by the light of their own destruction, I saw them staggering and falling, and their supporters turning to run.
I stood staring, not as yet realising that this was death leaping from man to man in that little distant crowd. All I felt was that it was something very strange. An almost noiseless and blinding flash of light, and a man fell headlong and lay still; and as the unseen shaft of heat passed over them, pine trees burst into fire, and every dry furze bush became with one dull thud a mass of flames. And far away towards Knaphill I saw the flashes of trees and hedges and wooden buildings suddenly set alight in the distance.
It was sweeping round swiftly and steadily, this flaming death, this invisible, inevitable sword of heat. I perceived it coming towards me by the flashing bushes it touched, and was too astounded and stupefied to stir. I heard the crackle of fire in the sand-pits and the sudden squeal of a horse that was as suddenly stilled. Then it was as if an invisible yet intensely heated finger were drawn through the heather between me and the Martians, and all along a curving line beyond the sand-pits the dark ground smoked and crackled. Something fell with a crash far away to the left where the road from Woking station opens out on the common. Forth-with the hissing and humming ceased, and the black, dome-like object sank slowly out of sight into the pit.
All this had happened with such swiftness that I had stood motionless, dumbfounded and dazzled by the flashes of light. Had that death swept through a full circle, it must inevitably have slain me in my surprise. But it passed and spared me, and left the night about me suddenly dark and unfamiliar.
The undulating common seemed now dark almost to blackness, except where its roadways lay grey and pale under the deep blue sky of the early night. It was dark, and suddenly void of men. Overhead the stars were mustering, and in the west the sky was still a pale, bright, almost greenish blue. The tops of the pine trees and the roofs of Horsell came out sharp and black against the western afterglow. The Martians and their appliances were altogether invisible, save for that thin mast upon which their restless mirror wobbled. Patches of bush and isolated trees here and there smoked and glowed still, and the houses towards Woking station were sending up spires of flame into the stillness of the evening air.
Nothing was changed save for that and a terrible astonishment. The little group of black specks with the flag of white had been swept out of existence, and the stillness of the evening, so it seemed to me, had scarcely been broken.
It came to me that I was upon this dark common, helpless, unprotected, and alone. Suddenly, like a thing falling upon me from without, came—fear.
With an effort I turned and began a stumbling run through the heather.
The fear I felt was no rational fear, but a panic terror not only of the Martians, but of the dusk and stillness all about me. Such an extraordinary effect in unmanning me it had that I ran weeping silently as a child might do. Once I had turned, I did not dare to look back.
I remember I felt an extraordinary persuasion that I was being played with, that presently, when I was upon the very verge of safety, this mysterious death—as swift as the passage of light—would leap after me from the pit about the cylinder, and strike me down.

Summary of Chapter 5: The Heat Ray

The narrator finds himself irresistibly drawn back toward the crater to see more.
He observes a long pole with a circular disc on its end rising from the pit.
Other people linger, seemingly rooted to the spot in a mix of horror and curiosity.
Heartened by a lack of alien movement for a period, onlookers begin to slowly advance toward the pit.
The Deputation (group of scientists) walks toward the pit with a white flag.
The narrator later learns Ogilvy, Stent, and Henderson were part of the group.
A flash of light, three puffs of green smoke, a hissing sound, and a dome-like object rise from the pit.
With a droning noise, the group of men suddenly burst into flame.
As the “invisible, inevitable sword of heat” rotates, everything it touches turns to flame, including grass on the common and trees in the distance.
The rotating Heat-Ray stops before it reaches the narrator, and he realizes he was “helpless, unprotected and alone.”
He flees in fear with the disturbing feeling he is “being played with.”

Although the Martians seem quite weak and immobile, their technology is far superiour to ours, especially the technology we had in the late 19th century (guns, horse drawn, cannons, pre World War 1 weapons). The heat ray is absolutely devestating. It burns or melts everything it touches instantly and can reach long distances.

Summary of the next few chapters

Nobody understands the technology the Martians are using. Whatever the heat ray points at, bursts into flame.

Plenty of people around the pit have been killed and there are burned remains of their bodies lying around. Horses have also been killed as well as numerous trees and buildings set on fire.

The group of scientists are all dead.

After the Martian attack with the heat ray the crowd of people stampeded in horror and a few people were crushed to death in the panic.

The Martians stay in the pit, and appear to be working on something as little puffs of green smoke can be seen rising from the hole, and there’s noise of work inside.

The narrator runs away in fear and eventually gets himself under control and then goes home, still not completely aware of what’s going on. He comforts himself with the knowledge that the military are now going to step in, and that one shell or bomb landing in the sand pit will be enough to stop the Martians. He sees his wife and has dinner.

The news of the Martians travels slowly. People seem sceptical of the stories they’ve heard. Even the newspaper editor chooses not to print the story as he doesn’t believe the account and it hasn’t been confirmed by any enough witnesses yet. So, news travels slowly. Meanwhile, the Martians still seem to be working on something within the pit.

Some people are still curious about what’s going on in the sand pit, but as they approach it they are instantly killed by the heat ray.

The narrator compares the cylinder ominously to a poison dart, whose poison “was scarcely working yet.”

That night several companies of soldiers with large artillery guns approach the pit.

During the night, a second cylinder falls nearby.

The next day is suspenseful. The military surround the aliens in their sand pit. The narrator is not allowed to go back onto the common. Soldiers tell him that nobody is allowed into the area.

That afternoon there are sounds of gunfire and explosions. The Martians keep using their heat ray which appears to be clearing out all obstacles in its path, creating a wider and wider circle of destruction and a bigger area that nobody can enter.

The narrator is at home with is wife and at one point a big explosion nearby causes him to go outside to check. He sees the top of the nearby church sliding off and crashing to the ground, the tops of nearby trees on fire and in fact the chimney stack of his own house falling to the ground. He realises that his house is nearly in range of the heat ray, which has taken out trees and buildings between the house and the sand pit.

The narrator and his wife decide to leave, and pack a horse drawn cart with as many possessions as possible they head in the direction of London, to Leatherhead. As they travel there is fire and smoke behind them and the sound of weapons. The Martians are burning everything within range of their heat ray.

The narrator’s wife is deeply concerned about the situation, but the narrator assures her that the Martians are severely disadvantaged by their weight and inability to move quickly or breathe properly in our atmosphere. They arrive in Leatherhead and have dinner.

Then the narrator has to go back to Woking in order to return the horse and cart that he borrowed (what a good guy).

As night falls a storm comes in with rain and lightning. As the narrator is travelling through the darkness he sees a third cylinder fall from the sky in a green flash. The horse is very spooked and is hard to control.

Then in the darkness and rain, lit up by the occasional flash of lightning from the storm he sees something monstrous that causes him to loose control of the horse and crash by the side of the road.

Extract from Chapter 10: In the Storm

X.
IN THE STORM. (extract)

At first I regarded little but the road before me, and then abruptly my attention was arrested by something that was moving rapidly down the opposite slope of Maybury Hill. At first I took it for the wet roof of a house, but one flash following another showed it to be in swift rolling movement. It was an elusive vision—a moment of bewildering darkness, and then, in a flash like daylight, the red masses of the Orphanage near the crest of the hill, the green tops of the pine trees, and this problematical object came out clear and sharp and bright.

And this Thing I saw! How can I describe it? A monstrous tripod, higher than many houses, striding over the young pine trees, and smashing them aside in its career; a walking engine of glittering metal, striding now across the heather; articulate ropes of steel dangling from it, and the clattering tumult of its passage mingling with the riot of the thunder. A flash, and it came out vividly, heeling over one way with two feet in the air, to vanish and reappear almost instantly as it seemed, with the next flash, a hundred yards nearer. Can you imagine a milking stool tilted and bowled violently along the ground? That was the impression those instant flashes gave. But instead of a milking stool imagine it a great body of machinery on a tripod stand.

Then suddenly the trees in the pine wood ahead of me were parted, as brittle reeds are parted by a man thrusting through them; they were snapped off and driven headlong, and a second huge tripod appeared, rushing, as it seemed, headlong towards me. And I was galloping hard to meet it! At the sight of the second monster my nerve went altogether. Not stopping to look again, I wrenched the horse’s head hard round to the right and in another moment the dog cart had heeled over upon the horse; the shafts smashed noisily, and I was flung sideways and fell heavily into a shallow pool of water.

I crawled out almost immediately, and crouched, my feet still in the water, under a clump of furze. The horse lay motionless (his neck was broken, poor brute!) and by the lightning flashes I saw the black bulk of the overturned dog cart and the silhouette of the wheel still spinning slowly. In another moment the colossal mechanism went striding by me, and passed uphill towards Pyrford.

Seen nearer, the Thing was incredibly strange, for it was no mere insensate machine driving on its way. Machine it was, with a ringing metallic pace, and long, flexible, glittering tentacles (one of which gripped a young pine tree) swinging and rattling about its strange body. It picked its road as it went striding along, and the brazen hood that surmounted it moved to and fro with the inevitable suggestion of a head looking about. Behind the main body was a huge mass of white metal like a gigantic fisherman’s basket, and puffs of green smoke squirted out from the joints of the limbs as the monster swept by me. And in an instant it was gone.

So much I saw then, all vaguely for the flickering of the lightning, in blinding highlights and dense black shadows.

As it passed it set up an exultant deafening howl that drowned the thunder—“Aloo! Aloo!”—and in another minute it was with its companion, half a mile away, stooping over something in the field. I have no doubt this Thing in the field was the third of the ten cylinders they had fired at us from Mars.

For some minutes I lay there in the rain and darkness watching, by the intermittent light, these monstrous beings of metal moving about in the distance over the hedge tops. A thin hail was now beginning, and as it came and went their figures grew misty and then flashed into clearness again. Now and then came a gap in the lightning, and the night swallowed them up.

I was soaked with hail above and puddle water below. It was some time before my blank astonishment would let me struggle up the bank to a drier position, or think at all of my imminent peril.

Summary of Chapter 10 extract

On his way he notices a red glow in the sky and then a green streak, which happens to be the third cylinder.

It begins to storm.

The narrator suddenly encounters “a monstrous tripod, higher than many houses,” smashing through the woods next to the road.

As soon as it vanishes into the woods, another tripod appears heading right for the narrator.

He tries to change direction, but the cart overturns and the horse is killed.

The tripod passes by.

The narrator describes the two tripods bending over something in the distance, which he believes is the third cylinder.

He continues on foot with difficulty, happening upon the landlord’s dead body before he reaches home.

End of part 2

To be continued in part 3. 

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