Category Archives: Horror

244. Urban Myths

This episode is all about urban myths. Get your thinking hat on in this episode because it’s time to evaluate a few stories and beliefs and decide if they are based in reality or if they’re just the product of an overactive imagination, or rumours, or just plain old-fashioned bullcr*p! I will also teach you some very useful language connected to expressing if you think something is true or not. There are vocabulary notes, transcriptions and more details below. [Download]

In This Episode we will:
Consider what an urban myth actually is
Look at a news story about a commonly held belief from another country (and decide if it’s really true or not)
Look at some useful language – phrases and sentences we use to say “That’s true” or “That’s not true” – useful, natural vocabulary!
Consider some commonly told and surprising ‘facts’ and decide if they’re true
Talk about some of the UK’s favourite superstitions (if we have time – if not, that will be another episode in the future some time)

What’s an urban myth?
Essentially, this is a story or a fact which people spread around as if it is true, but in fact it is probably just made up. Often these urban myths or urban legends are personal stories or anecdotes, typically 2nd hand ones (like, “this happened to a friend of my brother’s girlfriend’s cousin and it’s absolutely true!”) and often involve something horrible, scary and shocking. Urban myths may also be just commonly held beliefs about something which are not based on any real evidence or fact, but are perpetuated out of misinformation, or as a hoax.

Superstitions on the other hand are similar but not the same. A superstition is the widely held belief that certain actions are lucky or unlucky, like the idea that the number 13 carries some magic power, or that not making eye contact when you take a drink and say “cheers” with someone, you’ll have 7 years of bad sex. Where’s the evidence that this is true? There is none, and yet many rational people still hold on to these ideas. In fact, many rational people still have that element of suspicion in the backs of their minds whenever they do some potentially unlucky behaviour, like walking under a ladder or opening an umbrella inside a house. Perhaps some of these superstitions are grounded in truth, but in many cases they’re just weird little glitches in our thinking. Every culture has its own unique urban myths and superstitions. In this episode we’re going to explore a few urban myths – one from Korea, some from The UK or America. I’ll tell you some things and you can use your critical thinking to decide if they’re really true or just a myth.

Then if we have time I’ll tell you about some of the most commonly held superstitions in the UK.

Examples of urban myths?
I’ll tell you a couple of stories that I remember being told by kids at school as if they were true.
The caller
The worm
The spider’s nest

All those stories are supposed to make you go “Oh my god!” and people make them true just to add some extra horror. None of them are true.

Discuss
1. Do you believe everything you read in the papers?
2. What about things you read on the internet?
3. How about things you hear by word of mouth?
4. Where does misinformation come from? Is it always shared by word of mouth or online?
5. How do you know if a story is true or just an urban myth?

Believe it or not? Truth or Urban Legend?
1. Look at the newspaper headline “The Cool Chill of Death” (The Metro, Monday 14th July) What is the article about? Make some predictions.

Vocabulary (before we read the article)
2. Match these words with their synonyms & definitions before you read the text.
Words & Expressions in the Article
1. on the loose (c)
2. humble (g)
3. rumble & grumble (b)
4. to be convinced that… (d)
5. a vacuum (e)
6. hypothermia (a)
7. an urban myth (f)

Synonyms & Definitions
a. a fatal condition caused by low body temperature
b. scary noises (e.g. made by thunder or a monster)
c. not in prison – free
d. be sure/certain that…
e. a space with no air in it
f. a story which is not true, but which people think is true
g. modest

3. Read the first paragraph & check your predictions.

Reading Comprehension Questions
4. Now read the rest of the article and find answers to these questions.
a. What is fan death?
b. What are two explanations of fan death?
c. Which of these is a realistic explanation?
d. According to Dr Yeon Dong-Su, what two factors could cause hypothermia to occur?
e. According to the article, why is fan death unlikely to be real?
f. What did Robin Prime do?
g. What two things shocked him?
h. How do tall stories become widely held beliefs?
i. Could a fan suck all the air out of a room? Why/why not?

The Metro, 14 July
THE COOL CHILL OF DEATH
Be afraid, be very afraid. For as summer continues, there’s a new killer on the loose. It rumbles and it grumbles and it is the humble electric fan. For in South Korea from Seoul to Seongnam, people are convinced you can die by leaving one turned on in your bedroom overnight.
Various explanations have been given for how the fans kill people – from their cooling effect resulting in hypothermia to the vacuum created around the victim’s face. These explanations fly in the face of medical opinion, yet Korean newspapers report an annual average of ten fan deaths and some Korean doctors are convinced of the hazards of sleeping with a fan switched on.
Clinical support
Dr Yeon Dong-su, dean of Kwandong University’s medical school, has investigated dozens of cases of fan death and insists they do occur. ‘Many people say these victims die from lack of oxygen but that is not true,’ he says. ‘Hypothermia does not only occur in the winter when it is cold. The symptoms can also take place if a person has been drinking and turns on a fan in a closed room. Most people wake up when they feel cold but if you are drunk, you will not wake up, even if your body temperature drops to below 35°C (95 °F), at which point you can die from hypothermia.’
It seems more likely than not that fan death is actually little more than an urban myth – most of the newspaper reports omit other causes of death from heart attack to gunshot wound – but it’s very hard to find a Korean who doesn’t believe in the phenomena – to the point where fans in Korea are fitted with timer switches to ensure their owners avoid certain death.
Possible ‘cot death’
A spokesperson for the Korean tourist board says: ‘This is certainly a serious and widely held belief in Korea. It appears to come from reports of people dying in the night and the common factor is the fan was running. The actual cause of death could have been something totally different, including cases of what people in the West would call cot death.’
Fan death has also become a cult internet phenomenon, thanks to message boards populated by English teachers in Korea who are baffled by their students’ belief in this notion. Robin Prime, who set up the website www.fandeath.net, says: ‘I was shocked at how powerful my Korean friends’ and students’ belief was and at the lack of critical thinking about the issue.’
Urban myth expert Dr Robert Matthews of Aston University explained how a shaggy dog story becomes a widely held belief across a country. ‘Urban myths often have a grain of truth in them that then suffers from the ‘Chinese whisper’ effect, with the facts being lost behind ever more embellishment,’ he says. ‘Clearly, it’s true that an extractor fan could suck all the air from an airtight box. And it’s also true that people sometimes die from inadequate ventilation. It’s a safe bet that many of those deaths will also have occurred in homes fitted with fans simply because many homes in South Korea have them. Hey, presto! You’ve a dodgy link, plus an irrelevant scientific fact to back it up. The truth is, of course, that buildings are notoriously leaky, and fans don’t have a hope of sucking out all the air.

To be clear: Some Koreans (not all) believe that if you go to sleep in a closed room with a fan blowing directly on you, that you can die.

I have spoken about it with numerous Korean students, and many of them were adamant that it is true. But is this true or just a myth? Is this something that happens everywhere, or just something that affects Koreans?

5. Discuss the Article
What do you think of the article?
Do you think the writer is being a bit snobbish about South Koreans?
Do you believe in fan-death?
Do you ever sleep with a fan on at night?
Fan death is said to be just an ‘urban myth’. Do you know any other urban myths like this?

Arguments For Fan Death (by people who say it really is real!)
It slices the oxygen molecules in half, you can’t breathe them and then you suffocate to death.
You can die of hypothermia because the fan prevents you from sweating and then you freeze to death.
It creates an air-sucking vortex, like the eye of a tornado, which creates a vortex/vacuum and then you can’t breathe.

More details & opinion on the Wikipedia page
http://en.wikipedia.org/wiki/Fan_death

Useful Language For Saying “It’s true” or “It’s not true”
Do we use these expressions to say we think something is true or not true?

That’s not true
There’s no way that’s true
That is so obviously made up
It can’t be true
It sounds pretty far-fetched to me
I think it’s not true
It smells a bit fishy to me
It’s possible, but unlikely

That’s true
I reckon that’s definitely true
There’s a good chance that’s true
That sounds pretty likely to me
I’d say that’s probably true
It sounds pretty convincing to me
That might/could be true

More Stories – Are they TRUE or just URBAN MYTHS? – You decide!
You are going to listen to descriptions of 6 stories which people talk about, but which may or may not be true.

Are the stories true, or just myths? You decide.

Coca-Cola used to contain cocaine
If you give alka seltzer to a seagull, it will explode
Walt Disney’s body is cryogenically frozen
There are albino crocodiles living in the New York sewer system
Red Bull contains extracts from bull’s testicles
Santa Claus was invented by Coca-Cola company

Remember the useful language above.

TRANSCRIPTS

Coke used to have cocaine in it
Luke: Hi Deb. Do you like coca-cola?
Deb: It’s ok, it’s very very sweet.
Luke: Yes, but it’s quite moreish don’t you think?
Deb: Yeah, well when I open a bottle I tend to drink most of it in a night.
Luke: Right, which is probably the caffeine.
Deb: Yeah
Luke: There is a lot of caffeine in Coca-Cola, which makes it quite addictive, but apparently there used to be more than just caffeine in it.
Deb: Well, like what?
Luke: Well, apparently in the early days it used to contain cocaine.
Deb: No!
Luke: Yep. Now, as we all known cocaine is a, kind of, an illegal drug, and actually you could find cocaine in Coca-Cola, right?
Deb: So is that, does that explain its name then, where it gets its name from?
Luke: Well, perhaps yeah. I mean, the… Cocaine comes from coca leaves. That’s where it’s derived from, and if you look at the ingredients on a can of Coca-Cola you’ll see coca leaves there, but these days they actually extract the cocaine from the coca leaves before they make the Coca-Cola.
Deb: So you’re not going to get high when you drink Coke nowadays.
Luke: Unfortunately not, but it used to contain cocaine. There you go. So…
Deb: I didn’t know that.

Feed Alka Seltzer to a seagull and it will explode
Luke: Right, Deb, you know Alka Seltzer, right?
Deb: Yeah, that’s the stuff you take if you’ve got a bit of a dodgy stomach, right? Dissolve it in water and it makes you feel better.
Luke: Yep, that’s it, exactly.
Deb: What about it?
Luke: Well, have you ever fed alka seltzer to a seagull?
Deb: No. Why, should I?
Luke: No you shouldn’t.
Deb: Why not?
Luke: Because it’ll, kind of, go off like a bomb. Now, apparently, right, the chemicals and stuff inside a seagull’s stomach react to the Alka Seltzer. There’s a strong reaction and it produces lots of carbon dioxide, and because seagulls can’t burp or fart there’s nowhere for the gas to go and it just builds up inside the seagull until eventually “boom” it just explodes everywhere.
Deb: So the seagull just gets bigger and bigger and bigger and then bang, gone…
Luke: Exploded, splat. Exactly.

Walt Disney is cryogenically frozen
Luke: OK Deb, right, here’s a good one.
Deb: OK
Luke: You know Walt Disney?
Deb: Yes, he created Disneyland, didn’t he?
Luke: That’s right. He was the founder of Disney, the very well-known film studio. Well, apparently, he used to be a very very rich man, you know, when he was alive, of course. He was a very private man, and quite a strange man, right? And actually when he died, yeah, people say that his body was frozen.
Deb: What do you mean, frozen?
Luke: Well, put into liquid nitrogen, in a cryogenic chamber.
Deb: Why would he do something like that?
Luke: Well, it’s that his body could be perfectly preserved in ice so that in the future when the technology is ready, scientists can bring him back to life. He thought when he died that in the future there would be the technology to allow him to be brought back to life.
Deb: It sounds like the kind of film that he would have created.
Luke: It does. It sounds like something out of a science fiction movie.
Deb: Yeah totally.
Luke: It’s pretty strange. If you can imagine Walt Disney frozen in a chamber somewhere in a big castle in Disneyland. It’s a bit like Dracula or something.
Deb: Or sleeping beauty, but you know, he’s not probably…
Luke: I don’t know whether he was good looking or not. Let’s stick with Dracula, it sounds cooler.

There are albino crocodiles living in the New York sewer system
Luke: Right, okay Deb, now, you know New York.
Deb: Yep, Big Apple, big city on the east coast of America.
Luke: That’s right, they call it The Big Apple. I don’t know why. Anyway…
Deb: Maybe they have big apples there.
Luke: Who knows. Apparently New York has a massive sewer system under the city. Huge underground tunnels with big reservoirs of water. There’s, like, lakes of drinking water and tunnel filled with water that run under the whole city.
Deb: It’s all connected to the Hudson isn’t it.
Luke: It’s connected to the Hudson River. It may also be connected to the sea as well in some way. Right, now according to this website that I was looking at, yeah? There are loads of things, like, living down there.
Deb: What, rats and stuff?
Luke: Yeah, but more than rats. I’m talking about alligators.
Deb: Rubbish!
Luke: Well, apparently there’s, like, quite a few down there, and they’ve been there since the 1930s. Originally what happened was, rich families from New York would go on holiday to Florida. There are loads of alligators in Florida, and they’d bring back tiny little baby alligators as pets for the kids, and then when the alligators got too big, yeah, this is like in New York… Once the alligators got too big…
Deb: And then became a bit dangerous I suppose.
Luke: Yeah!
Deb: They might eat the kids.
Luke: Exactly, yeah! Well, once the… even about a foot or two long they’re difficult to keep. They would flush them down the toilet.
Deb: Oh, that’s really mean!
Luke: It is mean, but what happened to those alligators is that they didn’t die. They just went into the sewer system and then survived down there, because apparently it’s quite warm, there’s lots of water, lots of food for them to eat like rats and things, and so they managed to survive, yeah. So, apparently there are reports of sightings of these things by sewer workers, but they’ve never been caught. But what’s interesting about these things is, because they’ve never actually seen the light
Deb: OK because it’s always dark down there
Luke: Because it’s always dark. They’ve gone blind, and the colour of their skin has changed. They’re actually albino.
Deb: So they’re white.
Luke: They’re white with red eyes, and they eat babies.

Red Bull contains extracts from bull’s testicles
Luke: Do you ever drink Red Bull?
Deb: No I can’t stand the stuff. I got drunk on it once, with vodka and it now makes me very ill.
Luke: OK, well apparently, it’s got loads of caffeine in it, which kind of gives you that energy.
Deb: It gives you a high doesn’t it?
Luke: It gives you wings. But apparently, caffeine is not the only thing in Red Bull.
Deb: Water?
Luke: There’s also, well, water and sugar and stuff, but also there’s another ingredient called taurine.
Deb: Taurine.
Luke: Well, taurine basically is extracted from bulls’ testicles. It’s like a magic ingredient which gives you energy and vitality and it comes from bulls’ balls, bulls’ testicles.
Deb: Don’t the bulls mind, people sneaking up on them and taking their taurine!?
Luke: Well, I expect so. I don’t know how they get the stuff out of the bulls’ testicles.
Deb: I wouldn’t want to do that job.
Luke: I wouldn’t want to do that job either! But apparently the taurine is extracted from the testicles, and this is one of the ingredients that gives you the energy. If you think about it, yeah, the word taurine comes from the latin word taurus, which actually means bull, and we know that bulls have a lot of energy and a high sex drive, and they get the taurine from the bull’s testicles and put it in the drink and the result is you get more energy and you become, sort of, more powerful and maybe a better lover.
Deb: GOh so it can affect your sex drive too.
Luke: Yeah, haven’t you ever…? Well,…
Deb: Well I might start drinking it again.

Santa Claus was invented by Coca-Cola
Luke: Ok, Deb, here’s a well-known one.
Deb: OK, go ahead
Luke: We all know the image of Santa Claus, right?
Deb: Yeah, big fat guy, red clothes, big beard.
Luke: White hair, yeah red clothes, very jolly.
Deb: Big rosy cheeks.
Luke: Says “ho ho ho” a lot. He’s the symbol of Christmas.
Deb: Yeah
Luke: Now, what’s the history of Santa?
Deb: It’s got something to do with Germany, hasn’t it? Something to do with Saint Nicholas?
Luke: Yeah, that’s what people say. Some connection to Christianity perhaps. Well, the fact is, it’s actually related to Coca-Cola. Apparently, the Santa that we know today was just created by Coca-Cola for their advertising campaigns.
Deb: Really?
Luke: Yep. It has nothing to do with old folklore or traditional stories or Christianity. It was actually just designed by an artist in the 1930s to sell Coca-Cola. Now, if you think about it, he’s wearing Coke’s corporate colours.
Deb: The red and white.
Luke: Red and white, and Coke have always done big advertising campaigns at Christmas.
Deb: Yeah
Luke: So he was just invented by Coca-Cola.
Deb: Oh that’s really sad. I thought it had a bit more history and tradition to it.
Luke: No, it’s just an advertising campaign.
Deb: Oh, that’s rubbish.

So, which ones do you think are true, and which are not true?
Leave your comments below this episode. Use some of the language in this episode.
I will post the answers here later.

That’s it, thanks for listening!

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URBAN MYTHS – THE ANSWERS

229. Zombies! (Part 2)

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This is the second in a 2-part series all about zombies. In part 1 I talked about the zombie in popular culture, analysis of the zombie as a metaphor and then some rules for surviving the zombie apocalypse. To listen to part 1 – click here. In episode 2 I’m going to take a couple of zombie survival quizzes and then do a language focus on conditionals. [Download]

Part 2: Zombie Survival
The Zombieland 32 Rules of Zombie Survival
Pick a survival quiz and go through it.
The Ultimate Zombie Apocalypse Survival Quiz
The Walking Dead Survival Test

Part 3: Conditionals
I’m going to explain them and give examples. For pronunciation you should repeat the sentences after me. Listen for connected speech and weak forms.

Generally speaking, conditionals refer to sentences with an ‘if’ clause (the conditional clause) and a consequence clause. Sometimes other conjunctions are used, like ‘when’, ‘as soon as’ or ‘unless’.

0 Conditionals
These are used to refer to facts that are always true and the consequences that always happen. It’s a present tense in the ‘if’ clause and a present tense in the consequence clause. For example, “When the sun comes up, the day begins” or “When the sun goes down, the night-time begins and all the evil monsters come out!”
Sometimes we use “when” instead of “if” and this just emphasises that this always happens. Using “if” suggests that it doesn’t always happen, but nevertheless the consequence is always the same. “If I talk about zombies, my girlfriend gets scared”. You could also say, “Every time” or “whenever”.

Also, we can use imperatives in the conditional clause. “If I get bitten, shoot me in the head before I turn into a zombie.”

1st Conditionals
These are used to talk about a future event (which you think is likely) and its logical consequence. It uses a present tense in the ‘if’ clause and a future form in the consequence.
*Don’t put ‘will’ (or any future form) into the ‘if’ clause.
“Shh! Be quiet! If you make too much noise you’ll attract more zombies!”
“If we see another zombie again I’ll lose my mind”
Use ‘when’ to emphasise that you think it’s definitely going to happen.
“When we arrive, we’ll need to check all the rooms for walkers”
Use ‘as soon as’ to emphasise that the consequence will happen immediately.
“As soon as he comes in the room, I’ll smash him in the head with this baseball bat!”

2nd Conditionals
Use these when you’re talking about hypothetical future or present events – not the past. For the future it means things that you don’t expect to happen, but you’re speculating on them anyway. If you think they’re likely, use 1st conditionals. If you think they’re unlikely, use a 2nd conditional. Use a past tense in the ‘if’ clause and then would in the other clause.
*Don’t put ‘would’ in the if clause.
“If I met a zombie in real life, I’d probably be fine”
“You’d be screwed if you met a zombie in real life”
“I reckon I’d survive if a zombie outbreak happened”
It’s also for imagining an alternative present.
“If I was a zombie I’d just stay at home.”
“If I were you I’d get yourself a weapon.”

3rd Conditionals
Here we are imagining an alternative past. It’s not the real past, but a hypothetical one. Use ‘had + past participle’ in the ‘if’ clause and then ‘would + have + past participle’ in the other clause. This one’s tricky because of all the auxiliary verbs.
“If you hadn’t saved me I would have been absolutely fucked” (You saved me and I wasn’t absolutely fucked)
“If he’d been more careful he wouldn’t have got bitten”.
“We wouldn’t have survived very long if we hadn’t stayed together!”

Mixed Conditionals
This could be a hypothetical past action with a present result.
“If he’d been more careful he’d be alive today”

Or a hypothetical present with a past result (yes it’s possible).
“If the government wasn’t so corrupt, this would never have happened.”

That’s it!

228. Zombies! (Part 1)

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This is part 1 of a two-part series about zombies! Right-click here to download.

This episode is all about zombies – the undead, flesh eaters, walkers, biters, the infected – whatever you want to call them, zombies have become an indelible part of our popular culture now. There are zombies in the cinemas, zombies on TV in shows like AMC’s The Walking Dead, zombies in computer games, zombies online, even zombie walks in which people get together in large groups in order to dress up like zombies and walk around going “uhhhhh”. We’re pretty obsessed by zombies, and I am too. I love zombies and zombie films. Maybe that makes me some kind of sick and twisted individual, but I’m not alone. In fact, I think that zombies are perhaps as popular and present in our culture as vampires and ghosts. But, what is some of the history behind the zombie phenomenon? Where do they come from? What do they want? Why are we obsessed by zombies? How can you survive if zombies really attack? And, how do we talk about zombies in English? That’s the focus of this extra-special and extra-creepy episode of Luke’s English Podcast.

This episode is in 3 parts (and 2 episodes). In the first part we’re going to examine the zombie as a popular cultural phenomenon, then in the second part I’m going to test my survival skills by taking a zombie survival quiz. You can join me as I make various decisions that will affect my chances of surviving the zombie apocalypse. In part 3 we’re going to consider some conditional structures. That’s 0, 1st, 2nd, 3rd and mixed conditionals.

Part 1. The Zombie in Popular Culture
Zombies seem to be more popular than ever, but why? (The Walking Dead, zombie films like Zombieland, Shaun of the Dead and computer games like Left 4 Dead or Resident Evil)

The origin of the word “zombie”.
The concept has been popularly associated with the Vodou religion, but it plays no part in that faith’s formal practices.
In Haitian folklore, a zombie is an animated corpse raised by magical means, such as witchcraft. Zombies featured widely in Haitian rural folklore, as dead persons physically revived by the act of necromancy of a bokor sorcerer (the bokor is a witch-like figure). Zombies remain under the control of the bokor as their personal slaves, since they have no will of their own. Some people say that zombie voodoo magic is real, but others claim that it’s just a chemical or hypnotic control of a living person – causing them to act like mindless slaves of the bokor sorcerer. That’s certainly very creepy and fascinating from a social, biological, chemical and psychological point of view.

The history of zombies in movies and games
There were a few books and films made in the 1930s that used the voodoo legend to create creepy stories, but it wasn’t until I Am Legend, a 1954 horror fiction novel by American writer Richard Matheson and then principally the film “Night of the Living Dead” by George A. Romero that zombies properly entered popular culture. Romero’s film created the image of the zombie that we know today: dead people who return from the grave – the undead, who pray on the living and feed on their flesh, a world in chaos, the individual against masses of brainless enemies. One of the most interesting things about Night of the Living Dead is the subtext of the film. The hero is a black man in America, during the era of the civil rights movement. The ending is particularly relevant as we see that not only does the hero have to deal with the zombies, he also has to deal with the living and their prejudice.

George A. Romero went on to make a number of other zombie films, and really defined the genre and the whole zombie subculture, including most of the ‘rules’ for zombies and the general standards by which all other zombie culture is measured. The thing about zombie movies, and zombie culture in general is that there is always some kind of subtext – a criticism of consumer culture, a comment on the horror of the uneducated masses or the brainlessness of the population at large. For example in his 1978 classic “Dawn of the Dead” the main characters find shelter in a large shopping mall. The zombies too choose to go to the mall, but only out of some distant memory of being alive – they brainlessly walk around the mall in death just like they brainlessly walked around the mall in life. I suppose the subtext is that consumer culture is turning us into mindless mall zombies – unable to think for ourselves, acting like sheep, easily manipulated by marketing, branding and the allure of materialism.

Computer games took over from movies in the 1990s with the release of the Japanese computer game series “Resident Evil” which perfectly captured the lingering dread, the sudden horror and enjoyment of the zombie subculture. Resident Evil…

Then around the millennium we got Danny Boyle’s film “24 Days Later” which brought back zombies, but with a twist. They’re now able to run really fast! This re-booted zombie movies and it wasn’t long before we got a remake of Dawn of the Dead complete with running zombies.

The genre began to ‘eat itself’ and got even more postmodern with the brilliant comedy/horror/romcom (zom-rom-com) “Shaun of the Dead” which was directed by Edgar Wright and starred Simon Pegg and Nick Frost. This is such a brilliant film as it combined the romantic comedy with the zombie movie. In it we follow Shaun, who is not going anywhere in his life. In fact, he is becoming increasingly like a zombie by not challenging himself, being lazy and unabitious, getting stuck in a routine. His girlfriend dumps him and he has to grow up, realise his responsibilities, change his life and try to get her back. While this is all happening to him he doesn’t realise that London has become over-run with zombies. He ends up having to battle them while also saving the girl he loves. It works on lots of levels, it’s quite scary and it’s really funny.

More recently the film Zombieland was a big hit. That was an American made comedy featuring zombies and it’s definitely worth checking out. Now we have the massive hit TV show “The Walking Dead” which is one of the most successful American shows on TV at the moment. At it’s worst it’s just a soap opera with zombies. At it’s best it is a terrifying look at the ways in which people have to survive genuine hardship – how it unites people, how it tests courage and fortitude and how it can test the limits of a person’s morality.

Rules of Zombies
Like vampires, zombies have rules too. Let’s just evaluate those rules.
They’re ‘undead’, meaning they were dead and have come back to life.
You have to die to become a zombie.
Usually you become a zombie by being bitten by one. The bite kills you by infecting you with a virus and then you turn into a zombie.
Usually zombies are caused by some kind of virus, but the outbreak can have more mysterious origins.
Often the cause of the outbreak is somehow connected with the actions of secretive government departments. It’s usually the government’s fault. They’ve been doing medical tests, testing on animals, or have caused some kind of radiation leak that somehow causes the dead to come back to life and start feeding on the living.
Zombies have a taste for human flesh, not dead flesh, although they have been known to feast on recently deceased bodies.
They don’t have super powers, although their powers are a bit ambiguous. Do their muscles retain their full strength? Probably. What actually causes them to move? We’re not always sure. I think it’s an infection of the central nervous system which causes the brain to ‘turn’ and then operate the muscles, usually with one intention – to feed on living flesh, especially brains.
How do you kill a zombie?
You have to remove the head or destroy the brain. That’s it.
Zombies are quite sensitive to sound, and they can see.
If you don’t do that, the zombies will keep on coming, even crawling across the floor without legs.
Some things I’m not sure of: How long can zombies keep going? Can they swim? Is it possible to hide among zombies if you copy them? If you remove their jaws and teeth do they become harmless?

What do zombies represent to us? Some different ‘readings’ of the zombie as a metaphor.
– Disease or viral infection
– The herd mentality of people in society – mindless followers of religion, politicians, or social convention and the way that zombies want to annihilate individuality.
– The drudgery of every day life. Habits turn us into zombies.
– Consumer society and cultural imperialism.
– Fear of overpopulation and the potential for catastrophe, or natural disaster.
– Blaming the establishment (it’s usually due to a failing by the government, or some big thing which is out of the control of ordinary people)
– USA Libertarian fantasy
– Back to basics fantasy
– Post-apocalyptic fantasy

Part 2: Zombie Survival
The Zombieland 32 Rules of Zombie Survival

That’s it! Click here for episode 229. Zombies! (Part 2)
Videos
Nick Frost & Simon Pegg’s Guide to zZombies:
Part 1
Part 2
Part 3

173. The Curse of The Lambton Worm (Short Story)

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Listen to a disturbing story from English folklore about a horrendous and mysterious worm.

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Introduction
The Lambton Worm is a legend from the north east of England in the UK. The story takes place around the River Wear, in the town of Lambton and at Penshaw Hill which is between Durham and Sunderland in the north east of England. It is one of the area’s most famous pieces of folklore, having been adapted from written and oral tradition into pantomime and song formats, which are still performed to this day. I’m going to keep up that tradition here on Luke’s English Podcast by telling you my version of the story.

The tale is about a man called John Lambton, who was the heir to the Lambton Estate in County Durham, and his battle with a giant worm (dragon) that had been terrorising the local villages. As with most myths, details of the story change with each telling. I’m not from that part of England, but I love this story because I remember reading about it in a book of monsters that my brother used to have when we were kids. Remember before I told you about a ghost book that I used to own when I was a kid? Well, my brother had a similar book, from the same series, and it was all about monsters. I was fascinated by these books (Click this link to read some pages of those books!) So was my brother. I remember there was a picture of John Lambton fighting the worm, and a brief account of the story. It was fascinating, horrific and exciting for me as a kid, and the memory of the story has stayed with me. There’s just something about an old scary story that really excites me. I think this one must be a good one because it has endured for hundreds of years. It dates back to the time of the crusades, so about 1,000 years ago – medieval times. If a story survives that long, being told over and over again and being handed down through the generations, it must mean there must be something in it which interests people.

This is a local legend from country Durham and I expect it’s a strong part of their local culture. There’s an old folk song which tells the story, and it is still sung in old pubs by beer-drinking men with beards and acoustic guitars. I love those old folk songs. It’s proper traditional culture, as performed and told by real local people. I’m not from that part of the country, I’m from the midlands, and the south, but the story means something to me because of the connection I have with it from childhood. Also, I just think that you might like to hear it.

I’m going to tell you the story in my own way. It’s normal for folk tales like this to be changed by the storyteller, and there is no official version of the story – just a general outline. The details get adapted and improvised by each storyteller. So, I’m going to give you my version, which means that I will stick to the main elements of the story, but yes, as usual I will be improvising a lot of other details too. The challenge for me is to try and make it engaging, and entertaining and understandable for you. As well as practising your English, we can also consider what makes a good story. I think it’s about the passion of the storyteller, and the attention to certain details. Your challenge is to follow the story, and perhaps learn it well enough to be able to tell your friends, if you fancy that. Just remember to mention that the roots of this story are in the folklore of the county Durham area, in the North of England. It’s important to remember that this is a bit of local culture. If you’re from that area, and you’re listening to this – I hope you don’t mind my version of the story, and realise that, really, I love this story too and I’m just adapting it a little bit for the purpose of letting people practise their English listening.

Illustration by John Dickson Batten from More English Fairy Tales.

The Main Elements of the Story
Note that I use past tenses to tell my story (past simple, past perfect & past continuous) but below the story is presented using present tenses.
John Lambton is the heir to the Lambton Estate – so he’s a young member of the gentry. A landowner from a fairly rich and well known family in the area.
He’s a rebellious character.
He skips church and he skips school.
He doesn’t care. He just loves fishing. He disrespects his parents.
He skips church one Sunday, and goes fishing.
He meets an old man – an old hermit, who tells him that no good will come of skipping church. He ignores the old man, and yet it puts him in a bit of a bad mood.
He catches nothing all morning.
Then, as the church bells are ringing for the end of service, he gets a bite on his line.
It’s a powerful bite and he has to wrestle hard to bring in the catch. The water crashes around and gets deeply churned up. He fights hard and brings in his catch.
It’s a truly disgusting and horrifying catch.
It’s a slimy and wriggly black worm. It’s dripping slime, it’s writhing and snapping, and it stinks.
He brings it to rest on the soil. It sits there breathing, completely malevolent. It has 9 holes down the side of its mouth, and John can’t really make sense of its other features. It’s really weird, and makes him feel sick.
He pukes, quite hard. What the hell is this thing?
He takes another look at it, and it opens its eye. It’s yellow and red, and it seems to look right into his soul.
This is a life-changing moment, although he doesn’t realise it.
At that moment, the old man reappears, and says with some certainty that he senses the work of the devil, and that Lambton is now responsible for this worm.
Lambton can’t throw it back, so he quickly puts it in his basket, to carry it home.
On the way back, the basket is so heavy and the worm keeps thrashing around inside it, and hissing. Even when it’s still, the basket seems impossible to carry. It’s so heavy, but also, he feels miserable. The good mood he was in at the beginning of the day has been replaced by a very grim feeling of depression. It’s like he’s suddenly aware of all the time he has wasted, and how everything seems quite hopeless, including his family life.
He can’t take it any more, and feeling desperate, he chucks the worm into a nearby well. The worm struggles quite a lot, but down it goes. Lambton waits to hear the worm hit the bottom, and it does, after a pause, with a splash.
He quickly goes home.
Feeling guilty, and more aware of his responsibilities, he decides to join the army in order to fight in the crusades, as much out of guilt as duty to his family and the church.
He goes to Palestine to fight in the crusades. He’s away for 7 hard years in which he sees many things, makes many friends and sees many friends die in battle. He becomes a man.
Meanwhile, back at home, the worm is still alive in the well. The well becomes infected, and causes anyone who drinks from it to become violently ill, and die, with horrible symptoms.
The worm grows inside the well, and after it has reached a massive size, one moonlit night, it slides out from the well, and it’s massive. It wraps itself around the local Penshaw Hill – several times, and lies there waiting, warming itself in the morning sun. It’s a hideous and vicious creature. It has small legs, with claws on the end, which it uses to scrape and scratch the earth. It is incredibly long, and it slithers like a snake. It’s covered in smooth yet tough scales. Around its head it has a mane of rubbery spikes. The 9 holes that run along the side of its face, under its jaw, ooze a nasty black slime which burns the grass and sends an evil black smoke into the air. It coughs up the bones and remains of the bodies it has eaten, leaving this foul waste on the ground wherever it rests. Its eyes are yellow and deep, and malevolent. It has rows of razor sharp teeth like a shark’s except that they’re black and yellow, and his eyes, like that of a shark, roll back into its head when he takes a bite, leaving him looking white-eyed and blind during its moments of feeding frenzy.
It attacks a local farmer, squeezing him to death after he tries to fight it with his pitchfork. It then eats all his cattle, and his dead body, before returning to the hill.
It then terrorises the area, eating cattle and sheep, and wild animals.
The countryside becomes deathly silent, as it is all scared or killed by the worm. It’s a foul and sickening presence which seems to poison the earth wherever it goes.
Its confidence grows and it enters town.
The town mayor, as an attempt to distract it, empties all the milk supplies from the market into a trough in front of the town hall. The worm eats it all, and returns to the hill, where it sleeps.
The best men of the town get together a fighting force and arm themselves with the best weaponry they can find, and go to attack the worm, but it’s in vain as the worm is very strong and ruthless. Whenever anyone manages to slice the worm, the pieces, shuddering, just grow back together again. The worm seems indestructible.
For the next 7 years, the town gives the worm almost all of its supplies of milk in order to satisfy it. The worm grows bigger, and the town gets more and more exploited, until people are starving to death, and all life is sucked out of the place. When no milk is provided, the worm angrily attacks the residents, killing and eating men, women and children.
John Lambton returns from the crusades a scarred man, but a man nonetheless. He has learned how to fight, and he carries a sword and a suit of armour.
He sees the state of the town, and learns about the worm from his father.
He realises it is the same worm that he discarded all those years ago, and immediately realises that he is responsible for the curse and must fight the worm himself.
He visits a local wise woman for advice. She tells him that the worm has cursed him, his family and the town, and that only he can kill it.
She tells him to visit the blacksmith, and to have spikes and blades fitted to his armour, and that he must lure the worm into the river Wear before doing battle.
She also tells him that to lift the curse, after killing the worm, he must kill the next living thing that he sees.
Lambton gets his special suit of armour made, and arranges with his father that when he has killed the worm, he will blow a note on his hunting horn as a signal that he has won and that the father must release Lambton’s favourite hunting hound. The hound will run straight to him and Lambton will kill it, lifting the curse.
He heads towards the hill and finds the worm.
The worm recognises him and uncoils itself from the hill, hissing, puking black bile and generally being hideous.
Lambton realises how difficult this will be because this worm is really big and strong looking. The worm approaches and he backs away.
He walks backwards towards the river, the worm steadily moving nearer and nearer, flanking him. Lambton gets very tired just walking in the armour – which is extra-heavy because of the fittings.
Eventually, he enters the water, which is cold.
The worm slides down the bank and raises itself up to strike.
They fight and whenever the worm attempts to coil itself around Lambton, it gets sliced up on the blades and spikes.
Lambton is so tired that all he can do is just try not to be washed away by the current. He hacks at the worm and struggles to breath. The fumes from the worm are poisonous. Each time parts of the worm are hacked off, they are washed away, and eventually, just a section of the worm is left and Lambton hacks off its head. The pieces can’t join back together and the worm is no more.
Lambton blows a note on his horn, but his father is so happy to hear it that he forgets to release the hound and instead he runs to see John. Lambton sees him , and is dismayed. he can’t bring himself to kill his father, and so the go back to the house and he kills his hound.
The wise woman appears and tells him that despite killing the worm, he failed to lift the curse and that for 9 generations, the Lambtons will not die in their beds.
injured and sick, Lambton collapses.
That’s the end of the story.

What does this all mean? You tell me.

This curse seems to have held true for at least three generations, possibly helping to contribute to the popularity of the story.
1st generation: Robert Lambton, drowned at Newrig.
2nd: Sir William Lambton, a Colonel of Foot, killed at Marston Moor.
3rd: William Lambton, died in battle at Wakefield.
9th: Henry Lambton, died in his carriage crossing Lambton Bridge on 26 June 1761.
(General Lambton, Henry Lambton’s brother, is said to have kept a horse whip by his bedside to ward off violent assaults. He died in his bed at an old age.)

The Old Folk Song
Here is Tony Wilson singing the folk song in the local dialect
[youtube http://www.youtube.com/watch?v=XsO7SeCvgMw&w=500&h=375]
Song Lyrics
Here are the lyrics with some meanings added too. Remember, this is sung in an old dialect. Not many people actually speak in this dialect any more, although there is a distinct accent from that region.

One Sunda morn young Lambton went
A-fishing in the Wear;
An’ catched a fish upon he’s heuk	(=caught) (=his hook)
He thowt leuk’t vary queer.	(=thought looked very strange)
But whatt’n a kind ov fish it was	(=what kind of)
Young Lambton cudden’t tell-
He waddn’t fash te carry’d hyem,	(=could not be bothered to carry it home)
So he hoyed it doon a well	(=threw it down)

Chorus
Whisht! lads, haad yor gobs,	(=Be quiet, boys, shut your mouths)
An’ aa’ll tell ye aall an aaful story,	(=I’ll tell you all an awful)
Whisht! lads, haad yor gobs,
An’ Aa’ll tel ye ‘boot the worm.	(=about)

Noo Lambton felt inclined te gan	(=go)
An’ fight i’ foreign wars.
He joined a troop ov Knights that cared
For nowther woonds nor scars,	(=neither wounds)
An’ off he went te Palestine
Where queer things him befel,
An varry seun forgat aboot	(=very soon forgot about)
The queer worm i’ tha well.

But the worm got fat an’ grewed an’ grewed,
An’ grewed an aaful size;
He’d greet big teeth, a greet big gob,
An greet big goggly eyes.
An’ when at neets he craaled aboot	(=nights) (=crawled around)
Te pick up bits o’ news,
If he felt dry upon the road,
He’d milk a dozen coos.	(=cows)

This feorful worm would often feed	(=fearful)
On caalves an’ lambs an’ sheep,
An’ swally little bairns alive	(=swallow) (=children)
When they laid doon te sleep.
An when he’d eaten aall he cud	(=all he could)
An’ he had had he’s fill,
He craaled away an’ lapped he’s tail	(=wrapped)
Ten times roond Pensha Hill.

The news ov this myest aaful worm	(=most)
An’ his queer gannins on	(=goings-on)
Seun crossed the seas, gat te the ears	(=soon) (=got to)
Ov brave an’ bowld Sor John.
So hyem he cam an’ catched the beast,	(=home he came and caught)
An’ cut ‘im in twe haalves,	(=cut him in two-halves)
An’ that seun stopped hes eatin’ bairns
An’ sheep an’ lambs an’ caalves.

So noo ye knaa hoo aall the foaks	(=now you know how all the folk)
On byeth sides ov the Wear	(=both)
Lost lots o’ sheep an’ lots o’ sleep
An leeved i’ mortal feor.	(=And lived in mortal fear)
So let’s hev one te brave Sor John	(=let’s drink to brave Sir John)
That kept the bairns frae harm,	(=from)
Saved coos an’ calves by myekin’ haalves	(=making halves)
O’ the famis Lambton Worm.	(=famous)

146. Nightmare Teaching Experiences (Part 2)

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The continuation of this two part episode about being an English language teacher, and some of the difficult experiences that involves.

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A transcript/notes are available for this episode below.

3. The Whiteboard
-The smelly Victorian women’s hospital
-Great views
-Felt like the place was falling apart
-Old stained carpets, mould on the walls
-It stinks! – he was right
-It was never bright. I worked there for one year, including two sweaty summers and one long cold winter. Sometimes the lights would flicker and just die, leaving us in murky darkness. It’s never a good start when the students in the class can’t really see the teacher, each other or the board.
-Some of the students lived in the building and they hated it. Lots of things seemed to go wrong for me in that place. I remember once telling my students some ghost stories about London, and about that building in particular. I thought it was just a bit of light relief, a nice break from doing IELTS practice tests. The next day I saw one of the girls from that class in the corridor, in tears. Her friends told me that she was so freaked out by my ghost stories that she couldn’t live in the building any more. On Friday I saw her hurrying away from the place with a large suitcase. My fault.
-One day I was teaching and the whiteboard fell off the wall. I was teaching something at the board, writing, and the whole thing just dropped off the wall and the corner hit the floor very loudly and made a dent in the floor.
-It made a very loud noise and the students jumped, except for one sleepy Japanese guy who wouldn’t have jumped if I’d stuck 20,000volts through him, and sometimes I was tempted but the others kind of jumped a lot. I just propped the board on the wall, and carried on. I couldn’t really complain a lot about it, although I was understandably pretty angry and surprised. I couldn’t complain about it though because complaining about it would have been unprofessional, so I just propped it up against the wall and we kept going. The next day, we came back to class and the whiteboard was just gone, leaving an empty space on the wall, where the wall paint was all fresh and still glossy from when it had been applied all those years ago.

I’d planned some white board work, and I had my pens, so I just wrote on the wall where the board had been. I was pretty pissed off that I had no whiteboard so I just thought “what the hell” and wrote directly onto the wall. The students found it pretty funny, and it gave a kind of ridiculous edge to proceedings, which I find often helps somehow. The thing is, the wall was much better as a whiteboard than the old scratched whiteboard had been. The old one wasn’t even a whiteboard any more. It was so dirty and scratched. It was a grey board. So for about 3 days I happily wrote on the wall. The writing rubbed off nicely because it was a glossy surface. In the end the grey board appeared back again and it was business as usual.

It was a pretty cool class in the end, although I had to compensate for the crappy resources. The CD player always skipped, the lights flickered, the tables and chairs rocked. The students had to sit in these chairs which had little mini tables on the side. The tables were tiny though, and so people’s books and notes would fall on the floor ALL THE TIME. These things don’t help, and they can really screw you up if you’re not prepared for it. These are all standard problems which we should always be ready for!

What I learned:
Use mishaps in your classes to your advantage. They can become funny moments. Ultimately, your aim is to continue teaching, and not stand around complaining about facilities while the students do nothing. Stay professional at all times. That doesn’t mean formal and strict, but keeping in mind that you mustn’t waste any of the students’ precious time. The lesson must go on. Also, never assume that the facilities will be right. Be prepared for facilities not to work or not to be available. Learn to teach without relying on too many other things.

4. Teaching in a cupboard
-The school was full
-I had a smallish class
-My manager said, you’ll have to teach in ‘the computer room’
-This was not as cool as you’d expect
-It was basically a broom cupboard
-To exacerbate things, there was a kind of bar/counter going around the room with computers on it. This greatly reduced the space in the room. All our chairs were right against the bar.
-We’d all sit there with our knees banging together. It was definitely INTENSIVE general English. None of us could move.
-The whiteboard was behind me, leaning against the back of the door. I had to write with my arm all twisted up over my shoulder.
-Whenever anyone wanted to come in they’d open the door and the whiteboard would hit me on the back of the head. This happened a lot because as I said, this was the computer room so people were constantly trying to get in to check their emails (this is before smartphones) even though there was a note on the door – in my experience, in language schools people just completely ignore notes. Notes or notices are invisible in language schools. As are the “engaged” signs on toilets. In every language school I’ve worked, people have ignored the red “engaged” sign on a toilet door. Why is it that learners of English have to check that the toilet is occupied by trying to open the door? Like, if the sign is red, why would you try to open the door? You’re just going to walk into someone with their trousers down. If the sign is red, don’t try to open the door!
-Whenever students were late in that class they had to climb over the other students in order to get a seat. It was very awkward and weird.

What I learned:
To be honest, I’m not sure what I learned from this experience!

5. Teaching kids in Japan
-This was pretty early in my career. I was in Japan, teaching mainly adults but the school wanted me to teach kids too. I thought it might be another string to my bow so I agreed to take the training.
-During the training I was very sleepy and couldn’t concentrate. As a result, I learned nothing.
-I’ve already talked about the tight schedule of teaching. I often had just 10 minutes to finish teaching one class, complete notes and get down two floors to begin the kids class.
-The general scene was that there was a small room with a glass door so the parents could observe everything going on in the class. The parents, who were all housewives basically, would bring the kids and then watch the lesson through the window.
-3-6 year olds in one class
-Difficult to get them into the room
-Either crying or going mental
-They’d crawl all over me
-They covered me in crayon once
-Just my presence seemed to drive them into a frenzy
-They were different with the other teacher
-I had to conclude that I just had a mad energy that they could sense, and which drove them crazy
-They’d be tearing posters off the walls, climbing up onto the counter and throwing things everywhere
-I caught one kid just spitting on the wall
-They would open the cupboard and start chucking stuff out of the window.
-All the time at least one of them would be stuck to me
-One kid, a sweet kid called Dan, just could not hear me. He would be off, in his own world and I would call him back, like “DAN” etc. The other kids would join in and we’d all be going “DAN DAN DAN”. He learned that in English his name was DAN. So, I’d say, “what’s your name?” and he’d say “my name is DAN!”. Apparently, the family went on holiday once and a foreigner (probably an American) said to him, “hello there, what’s your name?” and he said “My name is DAN!” – The parents were over the moon!
-I learned to distract them with cards – it became all about card games, and races and repetition. Sometimes I would be quite impressed and in all the madness I’d catch them engaging in small bits of English. For example, “it’s mine” – which they would often pronounce as “itchi mai”, or just the colours or other words.
-One day we were joined by another kid called Ritomo. I genuinely think he had behavioural issues. He was incredible hyper and aggressive. I’d manage to get them sitting in a circle quite peacefully, but Ritomo was like a time bomb. I could see him building up, until he would explode and start reaching across, grabbing at the faces of other kids, kicking the other kids and eventually just running around the room like the Tasmanian devil. Once, he grabbed all the cards I was using and legged it out of the classroom into the stairwell, and just chucked all the cards down the stairwell.
-After contending with all this I would usually be boiling hot and very uncomfortable, sometimes covered in crayon or even worse – child saliva on my shirt. I’d then have to run upstairs and straight into a lesson with some salarymen, and I’d have to sit there sweating and wiping off the saliva from my shirt while teaching these serious guys.
-Ultimately, it was very touching teaching these kids. I didn’t realise how they’d become attached to me. When they understood that I was leaving Japan, there were tears. One kid, a 4 year old called Ryo came to school but he wouldn’t come into class because he was too upset about me leaving. He really wanted to say goodbye to me, but he couldn’t do it. Instead he just hid under a chair, crying. One of the other kids wouldn’t let me go, and grabbed onto my leg. They were adorable, but only when it was time for me to leave!

6. Hubris
-This is probably the class that I remember being the most difficult. There have been others but this one stuck in my mind. I wonder if anyone listening to this was even in that class. For me it was not nice, but I don’t know how it was for them in the end. Sometimes you just don’t know what your students are thinking. I’ve had classes in which I was convinced everything was awful and it turned out they were all happy, and the other way round. I’ve been rudely awakened by some comment that a student doesn’t like her classmates even though she happily interacts with them all day long. You never know sometimes. But in this class I knew pretty quickly that it was going to be difficult. As a teacher you start to learn to read certain signs about a class. Some things let you know that it’s going to be one of those classes. I mentioned things above. A lot of those things happened in this class.

-Basically, it’s a story of ‘hubris’ – which means when you have an arrogantly enlarged sense of self-confidence which causes you to believe you can’t fail, but then you do. It comes from ancient Greek mythology. I did one difficult course and did it well, and because of that I assumed I would be great in the next course, but I was wrong, and it was a total nightmare. Perhaps it was not all due to me, in fact I’m sure it wasn’t as I’m about to explain, but still, I look back on it as a difficult experience which I now wish I’d done differently, but from which I’ve learned a lot.

So, what happened? I hear you ask.
It was two weeks before Christmas in the middle of a cold, dark London winter. I’d just finished teaching a one week class of executive business people. This was a very important class, and I had been stressed before that, but stressed in a good way because I prepared myself fully for the lessons by checking the backgrounds of the students I had, looking at their needs and preferences for learning English, checking their professions carefully and then selecting a 30 hour course which covered all the things they needed. I spent lots of time preparing and photocopying material and generally psyching myself up. I dressed nicely and all that. One guy in particular on the course was a VIP who worked as a top-level director for a German car manufacturer. He was a really important client, this imposing German guy. So, I worked very hard on the course with very little preparation time, we worked in class for 6 hours a day. I listened, helped, recommended, prepared specialist vocabulary, facilitated, set up role plays, dealt with grammar, pronunciation, feedback, I went the extra mile, I bent over backwards and I delivered a very good course in the end. It helped that the participants were hard-working professionals themselves, who were able to concentrate and see the benefit of what we were doing, but I felt pretty pleased with myself, especially after the stress I’d felt at the start of the week. The group gave me very good feedback, and the VIP even told my boss that he thought I was the best teacher he’d ever had. Wow, I felt great. I’m a fantastic teacher, I thought.

At 5.30PM that Friday my boss told me about the course I’d be teaching starting Monday, after the weekend. It was a group of about 10 young professionals, here to study business English before finishing their degrees, or finding a post-graduate job. They were all in their early 20s with little business experience. I thought “no problem, I’m the best teacher in the world, I’ll just do my thing. I’ll be like some business English guru for them. After the tough week I’ve just had, this will be a walk in the park”. It was hubris. Pride before a fall.

A number of factors led to this being one of my most difficult courses. Some of it was my fault, some of it the fault of my students, and some the fault of factors out of my control. So, what were those reasons?

Let me first tell you what went wrong, and then the reasons why it happened, and then what I learned from the experience.

The class was going to be a combination of students from two already existing classes, and a new person. So, some of them came from a business class, others came from a difficult legal English course, and one girl was new in the school that Monday. The business class was the same course as this one, so for them it was a continuation of their normal class. Same room, same programme, but with a new teacher and other new people coming into their room. The law class were exhausted and fed up from doing so much work. They’d been doing loads of writing, role plays and exam practice, finishing with a very tough legal English exam. They were not in the mood to do any work. It was their last week before going home. These two groups were like buddies really, two groups of buddies, and they didn’t really mix. Also, they had no real reason to mix because they knew in two weeks it would all be over and they’d be going home. It’s kind of like everyone had given up making any effort. Then, there was the new girl who entered in the middle of this bad atmosphere. I don’t know if it was her, or the atmosphere of the situation she joined, but she behaved in a really bad way, being rude from the beginning, lots of attitude, not willing to work, challenging things, answering over me, flirting with me, making me feel uncomfortable and kind of spoiling activities in class. I expected the others to kind of take to her quite badly, as she was basically poisoning the class. However, they all seemed to like her and kind of let her get away with it, as if it justified the fact they didn’t have to do any work. At the same time though, I was sure that they would all be pissed off about the fact that we weren’t achieving anything in our classes. It turns out they saw me as the reason for that, not her or their weird behaviour. This new girl was quite a bullying influence in the room, and I suspect that others didn’t like her but were not willing to step in and stop it.

It was also a class full of women, except for one quiet Korean guy, who left after the first week. So, there was a kind of odd tension and the usual working friendship between the students that develops after a few hours had not developed. In fact, I found it very hard to get the first lesson really underway at all. After an hour or so I realised that we had managed to achieve almost nothing, I hadn’t put the students under pressure enough, we hadn’t really done any challenging grammar work or vocabulary development and they hadn’t been really activated with a task and I could definitely sense trouble. People were not getting involved, some seemed to be frustratingly impatient while others wasted time. I asked them to make short presentations about themselves, involving standing up and talking for 5 minutes each. Normally I write down all the mistakes they make and then give them all individual language feedback and ask them other questions after each presentation. This allows the class to get to know each other, put their English on display, give me a chance to work out their language needs, bond them together by putting them through a little challenge, and to immediately give them some very direct help by correcting their errors. The presentations all fell flat, with the speakers just grinding to a halt after a few minutes, while I attempted to encourage others to ask more questions. They didn’t seem interested in each other, and I was not able to write down any meaningful language feedback. All I could write on the board, was a few obvious and easily corrected errors. No impact at all. Instead I just got the sense that each person was making a terribly bad first impression on the others, with no sense of rapport developing at all. It was like my plan didn’t just fall flat, but sent the class in the opposite direction. At one point, a presentation ended up in a conversation between two of the girls about a very sensitive ethnic and political topic, involving a nation of refugees and a conflict over a land border between two countries. It was a very divisive and controversial topic, and a personal one because one of the girls was from that region of the world. I could feel other members of the class bristling over the direction it took. When I intervened to get the girls back on topic, they seemed personally offended that I stopped them talking about it. Everything seemed to be going wrong.

All the usual signs were there. These are the signs that things are not going well.
You give them a short task to do in pairs, the idea being that they communicate in English while also doing a language or skills class. They ignore their partners completely.
You ask the class to do an exercise. One of them doesn’t do the exercise and instead sits there trying to make eye contact with you because they’re not happy about something. Then when you ask if everything is okay, they don’t mention anything, but moodily start the exercise. While doing feedback on the exercise, someone sighs very loudly at an inappropriate moment, perhaps while someone else is talking.
The exercises I gave them just seemed to just die in the air. Usually, a class will feed on something and build it into something bigger. That didn’t happen. I felt like a fool as nothing I said seemed to have any value to them at all! Things I wrote on the board seemed badly written, uninsightful and unhelpful. It was like teaching underwater. The air was thick. You could cut the atmosphere with a knife. The distance between me and the students seemed vast. I’d taught plenty of classes in that room before and I liked it because it had a comfy, warm and almost intimate atmosphere. This time it was like a cold hospital ward. Students would often come in late, or just not come back after lunch. I decided I had to put my foot down. When the difficult girl arrived late, I asked her “why are you late?” and she gave me a bad excuse, like “I slept through my alarm clock”, and then instead of acknowledging that she should be in class on time (because arriving late disturbs the class, she doesn’t know what’s going on, we waste time and lose concentration as everything has to be explained) she just kind of challenged me over it and it became an awkward conflict, which she felt like she had to win. I felt like some of these students had been to business school and had learned that you must negotiate everything, don’t make any concessions and analyse anyone in authority for leadership skills. If I didn’t fit their Jack Welch or Jeff Bezos model for leadership then I wasn’t worth anything.

Then I heard from another teacher (the one who had been teaching that class before me – a really charismatic older guy with lots of experience) that some of my students weren’t happy and that they missed his class. They said my class was “terrible” and they weren’t happy. Oh no. Bad news for Luke! I decided I would really put my foot down and straighten the class out. After lunch I had a go at them for being late, and for not taking part properly. I hate doing that in class. Absolutely hate it, because I’m not good at it. Well, I’m better now because I’m older but then I was younger and I was never good at being tough. It’s just not in my character. If I get angry or tough, it shows on my face and I don’t seem strong. I just seem upset and weaker. I don’t get confrontational or strict generally, and so it’s weird to do it. I guess they didn’t buy what I was saying because it didn’t make a difference. In fact, I suspect it caused them to lose confidence in me. Again, the absolute reverse of what I had hoped to achieve actually happened. I wanted to put my foot down, and I just ended up putting my foot in my mouth.

The next day, two of them were late for class and I closed the door, leaving a note which said they couldn’t come in. These were two girls from the law course. Young lawyers. I should have known better than to leave a handwritten note for a couple of lawyers, telling them they couldn’t do something. Of course they took it really badly. During the break a teacher told me that two of my students were really angry with me. Wow, this was a nightmare. This never happens to me! Usually the opposite if anything! So I went to see them and they were upset, saying that they had had to do something in town and had rushed back to be on time only to find my rude note. They considered my actions to be very inappropriate. They were not happy. I had to try and keep my head up and stay confident and consistent, so I maintained that it was important that they come in on time, although I didn’t mean to offend them with my note. I was just trying to impose some rules and structure. My explanation mildly improved things, but the damage had been done.

In the last session of that day, while waiting for other students to arrive after break, two of the girls told me they thought the course was going badly, and that the classes were no good. At first I was kind of glad that someone was on my side and I wasn’t alone. Then I realised that they held me responsible, rather than the other members of the class. It was my fault that the class was going badly! They probably thought that this was how things normally were with me. They didn’t know me so they knew no different. They didn’t realise that I was not such a bad teacher. This made me really angry. I was so pissed off at this point and couldn’t help saying “this never happens in my courses” before I had to kind of bitterly explain that yes I agreed that the class was not good enough – but I couldn’t explain how it was the fault of others. I mentioned it, saying things like “it doesn’t help that certain members of this class are incapable of attending on time or even taking part properly when they are here”. They didn’t really like my tone. Instead I had to kind of admit that I would do better – as if the class was going wrong because of a lack of effort on my part. I was explaining to my boss, my teacher or my parents that I wasn’t trying hard enough. Now, I do accept that I should have done certain things better, and that some of it was my fault as I will explain in a moment, but I knew that it wasn’t all me. The fact is it was my job to ensure that the class was as effective as possible. So, in a way, the actions of these people meant that I had to carry the whole circus of this class on my shoulders. The group shifted its collective responsibility over to me. I finished the day completely shattered, with a mind numbing headache, with a massive heavy load on my shoulders.

Two of the students complained to my boss, saying they thought the class was bad, and that they would write a letter to their agents explaining how awful they thought the school was. Seriously, this was quite unprecedented. Thankfully, my boss had faith in me, knowing that it wasn’t really my fault but was just one of those courses that goes wrong. He suggested that I do some ‘tutorials’ with my class, to talk to them all 1 to 1 and try and resolve any problems. I agreed, and did that the next day. Of course, the students didn’t see the value of it, and considered it a massive waste of their time. One of them said to my face that she thought I was leading the class badly and the tutorials were a waste of time. The difficult girl I described earlier decided to lock horns with me over everything before forcing me to admit that I had failed to be a strong leader. She completely ran over me with her forceful character. It was like dealing with a bully. I found it ridiculous. Of course, this was the height of rudeness. There would be no need for my strong leadership if she behaved like a grown up. I think it was a trust issue. I expect where she was from, male teachers should be much more dominant, alpha male types. I’m not that kind of guy. I’m not an alpha male. I don’t believe it’s necessary to impose yourself and your ego on everyone in order to be a good teacher. That’s all a bit macho and old-fashioned I think. But, I think that’s what she and maybe the others needed and expected. She probably needed me to be a more old-fashioned strict male teacher, and without that she couldn’t help misbehaving. Ultimately, she was responsible for her behaviour, not me. So I still disagree and believe that she was wrong.

The tutorials were not a complete disaster. I learned that some of the students expected certain types of exercise. They didn’t like role plays and case studies. They were bored with them because of the other courses they had attended. A couple of them admitted that they thought it was the fault of the school for putting two classes together. She didn’t understand why we couldn’t run two smaller groups, which would be more effective. We just didn’t have enough teachers for that, and ultimately the school wasn’t going to pay another teacher to come in and take one half of my class. This lifted the pressure from me and onto the school somewhat, but it didn’t really improve things much. Unfortunately, basic economics is something that regularly has an impact on classes. Schools can’t or don’t want to pay for more teachers. The most profitable way would be to have one teacher per 100 students, but obviously that’s not possible. What happens is something of a balance between quality (with fewer students per teacher) and profits (more students per teacher). One sign of a good school is smaller class sizes. The best schools, like The London School of English where I worked for 6 years, manage to keep their class sizes smaller, give more benefits to teachers, develop specialist courses and make an extra effort to create a special atmosphere inside the building.

Back to the tutorials. I learned that they wanted boring, challenging old-fashioned grammar work. What a surprise for a group of young forward thinking professionals. They just wanted boring gap fills and mind numbing grammar explanations, with work on writing and job interviews.

So, I did exactly that. I removed fun from the lessons. No pair work. No group interaction. Just very controlled language practice followed by quick feedback. It was like an old-school exam course. It was like a punishing series of language exercises, all of which had very clear right and wrong answer. It kind of straightened them out. Ironically, one of them complained that it was too difficult, and this is after she’d complained earlier that it was too easy. I found that putting them through boring and difficult work made them bond together more. During breaks they would be relieved and would chat to each other more, as they were all going through the same difficult experience. I’d come back into class after break and I’d find them hanging out and socialising, but when I’d enter the room they’d all shut up and go back to their desks, like ‘the fun is over, he’s back’. My heart sank a little every time this happened, as it always does when you feel like the students just don’t like you for some reason.

The difficult girl continued to be difficult, but I’d already accepted that she was not going to change, and realised she was just a spoiled daughter of a rich businessman and that no-one had ever said “no” to her in her life. She seemed an incredibly sheltered and naive person, who couldn’t really operate in the real world. Then I remembered that she would probably always be rich and successful, as no doubt her father would have some important contacts to help her get a great job in the future. That made me kind of angry too. She had privilege, but no respect for others. I lost respect for her, and felt like I should teach her a lesson in humility. I didn’t really know how to do this, so I generally didn’t give her any rope. I mean, I wasn’t patient with her, didn’t give her much response or attention. After that, she didn’t bother me so much any more. Once she made a rude comment, and I couldn’t help but laugh. This was a great moment because I wasn’t hurt by her comment, I just found it ridiculous. I felt that the others sensed this, and had become tired of her bullshit too. It was like her value or influence in the class had dropped. After that, she stopped attending. She didn’t attend the last day, but came in at the end to leave a note on my desk. The note said “Thank you for being my English teacher. I’m really glad I met you.”

Now that was surprising because she spent 2 weeks acting like she hated me, caused all kinds of difficulty, didn’t attend a lot of classes, and then leaves me that note. I’m still scratching my head trying to work out what was going on.

In the end, I managed to get a grip on the course, but the first week was a write off. It was horrible. Every day I stayed at school late trying to prepare for the next day. Then I would go home with a strong headache, not wanting to eat any dinner. A couple of times I had to walk home to clear my head. It was a dread filled week and I often remember it, and try to avoid similar experiences.

So what were the causes?
Certainly I was just unlucky with the students. Just a mix of bad personalities perhaps? I’m sure they didn’t think so. In fact, I expect everyone involved believed they were not to blame, but were the innocent victim of the situation.
Ultimately, I don’t think anyone really wanted to be in the room together. I ended up being the victim of that because I was the guy telling them they had to be in the class together. I just became their scapegoat.
Time of year was a factor. It was dark and cold. England must have seemed rubbish to them in those conditions. There is a feeling in the middle of winter in England, when you haven’t seen the sun for a couple of months, and you feel tired and depressed. It’s called seasonal affective disorder. Sometimes it hits the students for six, because they’ re not expecting it.
Everyone was just waiting to go home for the Christmas holidays so they weren’t motivated.
The class were all women – this can be difficult. For some reason women like to have some men in the class to give some balance. Either that or just women with a woman teacher, then they can relax as a group of women. Otherwise it becomes really weird. I can’t explain that, but as I’ve said before, if the women aren’t happy then no-one is happy.

Putting together two groups to make one doesn’t always work, and it can make the school look a bit cheap, like it’s saving money on rooms and teachers. Also, the two groups had already bonded, and didn’t really expect to be thrown into one group together.
I expected the course to be easier because of the previous course. This meant that I had a false sense of security. I probably didn’t try hard enough on day 1 or make it difficult enough for the students. I expected things to just work, but I hadn’t thought about it or planned carefully enough. I probably wasn’t as well prepared, or tightly organised as I had been on the previous course.
I didn’t dress very smartly. Looking back on it now, I wore jeans and a pair of slightly scruffy brown shoes. The girls were very chic and well presented. Compared to them, I looked like the student. I should have worn a suit on day 1.
Maybe there was some sexual tension there? I can’t tell really, but sometimes bad behaviour is a kind of flirtation and girls sometimes are very rude to a guy as a kind of come-on. That might explain the letter that was left for me. I don’t know.
Culture shock. I’ve explained before how culture shock can manifest itself in the sense that the culture you’re in is ridiculous or wrong. I wouldn’t be surprised if these students were kind of unimpressed by London in the winter time, and couldn’t help feeling some contempt for us. I was just another annoying English person. Certainly at times I had to listen to them going through the usual complaints about the UK. The food is bad, the weather is bad, it’s noisy in London, my accommodation is cold, I don’t know why you have two taps in the bathroom, why do you do everything differently here, why do you have to drive on the left, English women are ugly (this was perhaps the most offensive) and English people are stupid because they go jogging on the pavement in the city, etc etc. That kind of thing. Maybe they were expressing culture shock.

Perhaps there was some culture shock between them too. There was quite a mix of nationalities.

Them coming late prevented me from starting classes properly. Instead I must have looked unprepared and vague.

It’s funny to me how I could go from one week of being the greatest teacher in the world, to hitting rock bottom in just a matter of days, with students saying it was one of the worst courses they’d experienced. I mean, how does that happen?

Now, I’ve just shared ONE bad course I taught, but in my defence I must say that I have an otherwise very good track record in my classes, with students regularly being very happy with me, often giving me top marks in feedback. So, this course must have been a one-off. I try to think that it was just a combination of bad elements that somehow came together at the same time, causing a bad outcome in my class. I may have been responsible for certain things, like not being strict and dynamic enough at the beginning, or showing strong leadership, but some of the students too were definitely responsible for taking part in a very poor manner.

Ultimately, I was just very glad to have finished the class. It was like going through a painful series of challenges. Each day gave me a new headache. My colleagues were worried about me. I couldn’t enjoy myself all week because of worrying what to do with these students. At the end, the students did thank me. One of them in particular came up to me in the pub that Friday night, and privately said thank you very much for you effort during the week. I think ultimately they saw that it wasn’t all my fault, and that I was working very hard. I still have the note that the difficult girl gave to me. Sometimes I see it and it reminds me of the difficult week.

What did I learn?
Never get too happy or pleased with yourself. If you think you’re doing a great job, there is probably something you’re forgetting about, that you’re doing wrong.
Pride comes before a fall.
When things go badly, don’t feel too bad because it’s not all your fault.
Equally, when things go well don’t be too proud of yourself because it’s not always because of you.
Be well presented. Make a good first impression. Impose rules on younger learners early. Treat younger learners more like adults, or they will act like children.
Remember that time is money.
Make lessons challenging at all times.

It’s hard to say what else I learned from this other than the ability to be a bit tougher. It just toughened me up a little more. I just approached lessons in the future with more experience behind me, and students could just sense that I was more experience and then felt safer in my class. Now I’m less nervous before lessons. I feel like I’ve experienced enough difficult moments not to be too shocked. Also, doing stand-up comedy helps with confidence, but really it’s been teaching that has prepared me the most.

Despite these stories, I have definitely had more good experiences than bad. Some of my classes have genuinely been amazing and I’ve met so many interesting and lovely people. If you are one of those lovely people I have met then “hello”. To everyone I have ever met through this job I would like to say “hello” and thank your for contributing to my learning process as a teacher.

To all my fellow teachers out there – I know how you feel! Keep your chin up.
To all the learners of English – keep your chins up too! I know how you feel as well now because of my experiences of learning French.

I hope you have enjoyed listening to this episode.

Remember you can read a full transcript of this on teacherluke.podomatic.com or teacherluke.wordpress.com where you can also find links to iTunes, Facebook and YouTube and you can also make those very special and important donations – as little as one pound if you like, or more, it’s up to you.

Also, you may have noticed some idioms in this episode. I’ve made a list of the idioms I used, and I will be explaining them in the next episode. Also, I use loads of other nice pieces of vocabulary, common expressions, descriptive words and collocations throughout this episode. I suggest that you listen a couple of times, or listen again while reading the transcript and pick out any expressions that you like and that you could use yourselves.

Don’t forget to leave your comments on this episode either here at wordpress.com or at http://teacherluke.podomatic.com.

Thanks again for listening, good luck with your English and take care. BYE BYE BYE!

Luke

145. Nightmare Teaching Experiences (Part 1)

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This episode is all about English teaching and some stories of bad classroom experiences. Transcript available below.

Right-click here to download.

Hello listeners, how are you doing? It’s a beautifully clear and sunny September day here. This time of year always reminds me of going back to school after the summer holidays. So, because of that, I’m going to talk about some teaching experiences in various schools I have worked in over the years.

In this episode I’m going to talk to you about my experiences of being an English Language Teacher. I’ll tell you what it’s like from the teacher’s point of view, share with you a few really bad experiences I’ve had as a teacher and then explain what I learned from them.

If you would like to read and study every word of what I am saying then you can because there is a full transcript for this episode, which is available at http://teacherluke.wordpress.com. Just find or search for this episode on that page. 145. Nightmare Teaching Experiences

There you can read every single word I’m saying, you can copy+paste words into google to check them, or you can transcribe some of what I’m saying and then compare it to the correct version provided on my website. There’s lots of ways to use the transcript as a tool in your English learning. If you need more ideas, just leave a comment below asking for suggestions.

You should also look out for some idiomatic expressions I use in this episode. I have scattered a number of idioms throughout the episode. I think they’re useful, common and expressive ones. Can you notice them? I will deal with them in the next episode.

So, let’s get started. Listen to my stories, leave our thoughts in the comments section and watch out for some idioms too.

I’ve been teaching for 12 years. I’ve taught in a few countries around the world, including the UK, Japan, France and Norway.
It’s a really great job.
I get to meet people from all walks of life and all different countries.
I’ve met some truly fascinating and amazing individuals.
For example, over the years I have met high-ranking politicians, expert scientists, movie stars, executives from successful car manufacturers, IT systems engineers, computer games makers, World Cup winning football players, F1 drivers, musicians, even a porn star and plenty of other interesting people.
In the classroom I’m pretty much my own boss.
I can be creative
I can have an idea in the evening and realise it during the next day
I can think up my own tasks and have the students do them (e.g. bank robbery, planning a TV show, presenting their own political manifesto, role plays, comedy improvisation games, business meetings etc)
Sometimes I can just make things up on the spur of the moment and then make them happen there and then.
I can see students learning and improving
I get to know my students and have a chance to learn about life all around the world.
I sometimes have the opportunity to make the whole room laugh, or to laugh myself at very funny people in my classes.
I have opportunities to travel and see the world, and I think that is extremely important as a way of developing a sense of perspective about life in general. So, I am very happy to be an English Language Teacher. I think of it as a proper career which involves hard work, and unique rewards.

There are some downsides to the job though, which we shouldn’t really complain about. I will at least mention some of the things which are a common frustration for career TEFL teachers.
Usually it’s that the job is undervalued by others. It seems a lot of people consider a career in TEFL to be trivial and easy. For example, I’m sure most of my friends think that basically, all I do in my job is sit in a lovely quiet room surrounded by 4 cute Japanese children, showing them big flashcards – blue, red, green and yellow! GOOD! and then have loads of holiday. It’s not like that at all. People always say things like, “so how are the kids?” or “SO I guess you’re on holiday at the moment!” and I’m like “I don’t teach kids!!! I teach finance directors!!!” and “I don’t know the meaning of the word holiday!!!” Also, lots of people consider TEFL to be a holiday job. Like, “oh TEFL, yeah I did that on my year off during university”. Some people consider it to be the job you can do if everything else in your life fails – like it’s a kind of step down to a more relaxed, less challenging lifestyle. A friend of mine told me once “sometimes I feel like just giving up, dropping out and becoming a TEFL teacher”.

The fact is, the job can be whatever you want it to be. If you consider it to be something to do while you travel, or something to do while you focus on writing your first novel then fine. It can be just a means to an end. If you consider it to be a genuine career move, you find the human interaction, the pedagogy and the linguistics to be fascinating and you’re prepared to work very hard at it, it can be a great career. There are some millionare English teachers out there. For example, Raymond Murphy, the guy who wrote English Grammar In Use. That’s now one of the biggest selling books of all time, all around the world. I wouldn’t be surprised if you had a copy of that book yourself.

I’m thinking of writing my own book actually. It would be full of grammar and vocabulary exercises as well as lots of other things to read. It would be full of my humour, but it would also be really useful and a great companion to these episodes of the podcast. Would you be interested in that? Does that sound like your cup of tea? Let me know.

Anyway, regarding TEFL, it’s more challenging, professional, multi-skilled and demanding than people realise. It can be incredibly energy sapping, emotional and painful at times, if things don’t go well. Of course it can also be very enjoyable and rewarding. Sometimes it is easy, but sometimes it’s very stressful. It’s swings and roundabouts really, but generally I have found it to be a great career.

I think there’s a misconception going around that if you can speak English, you can teach English. Not the case at all. It takes years of experience and a couple of academic qualifications under your belt. It might even be possible to prevent people from learning if you do it wrong! I also hate that kind of charisma man – the guy who just loves the attention he gets from a class of learners of English and turns it into his own special one man show. He doesn’t realise that they give him that attention because they’re there to learn from him. Sometimes my worst fear is that I’m just another charisma man teacher. But of course, that’s ridiculous…

Learning a language is not like learning another subject, like maths or history. You’re not just learning information, but learning how to do something – and not something like cooking or playing tennis, but how to express yourself and interact with other people. There’s something deeply personal about learning a language, and often the best students are the ones who throw themselves and their personalities into the learning process.

So, teaching English means working closely with people, and this can be wonderful. It can also be very challenging, ridiculous, embarrassing and difficult. I’ve worked directly with people before, in shops, restaurants and bars and you learn after a while that a certain percentage of the people you meet will be either weird, a twat or an arsehole. It’s just the way it is. It’s human nature. There’s always one person who makes life difficult. There’s always someone who will throw a spanner in the works. Some people call it the 1/30 rule. That at least 1 person in 30 is a dickhead. It’s true in English teaching too. The majority of the students you have in your class are great, but then sometimes there is one of those ‘1/30’ students, who will kind of screw up your class, spoil what you try to do, upset other students or convince them to turn against you. Sometimes you have a few classes that are perfect, and everyone is great. You enjoy it, but in the back of your mind you’re thinking – I’m going to get 2 or 3 “30s” in my next class, I know it! The reasons for why some people have to act like total dicks is a kind of mystery. Let me give you an example of what I mean…
-Huffing and puffing a lot when you ask them to do normal exercises
-Constantly interrupting whatever you are doing with completely unrelated questions
-Being cruel to other students in the class to the point that none of them want to open their mouths
-Disagreeing with what you say even though they’re wrong – why? Nobody knows.
-Acting like whatever you are doing is really easy and boring even though they’re consistently getting it wrong
-Turning up late and getting very shirty with you if you bring up the subject
-Convincing other members of the group that whatever you’re doing is wrong and that some kind of mutiny would clearly help everyone learn English
-Preventing anyone else from speaking and practising their English, and assuming that when they speak they speak for everyone.
-Generally disrupting the class and destroying the nice atmosphere which is essential to creating the right conditions for learning – and for what reason? Usually because of ego, or because of insecurity or being an especially spoiled brat who can’t handle it if the universe is not spinning around them every second of every minute of the day…

I realise that talking about experiences like this is especially negative, and I hope you don’t get the wrong impression about my classes. The vast majority have been really great, with some super cool people and a really positive atmosphere which allows language to develop properly. It’s just that every now and then you have a bad experience which sticks in your memory, but the crucial thing is to learn from these bad experiences, which is not just true in teaching – it’s also true in life. We regret the things we don’t do, and we learn from the mistakes we make and the bad experiences we have. Which is a pretty damn good reason for going out there, being courageous and doing things for the first time.

So, back to these 1/30 people who can torpedo your class. If you’ve been a language learner in a classroom, you may have met one of these people. Usually, they have no idea they are doing doing something wrong, which is kind of frightening because it means at any time we could be acting like a total dick without realising it. Sometimes it is because they have a sense of entitlement – being spoiled by their parents means that they are not comfortable unless everything is based around them, and they have to be the centre of attention, whether that is good for everyone or not. This means they just can’t handle being in a group situation, where they have to put others first or consider themselves to be one among many who have to work together to make the experience more fruitful for everyone. Sometimes I expect these people don’t even realise they are being rude, but think that they are doing something good.

It’s not just the odd student who can derail a lesson though. There are many other reasons. The teacher probably holds the most responsibility (I’d say it’s something like about 60/40 between teacher and students) but also plenty of other things, including the time of day, the weather outside, the day of the week, the season, the nationality of all the students in the class, the facilities – the room, the atmosphere, the light, the quality of the equipment, the seating arrangement, the noise levels, the number of students in the class, the material being used (published or not, self-made or not, the condition of photocopies) and so on and so on. The list goes on.

Many of you have probably experienced things from the point of view of the student. You probably have a different side of the story for what makes a good lesson. That’s another episode of the podcast! I’d like to read your comments about experiences of being a student in a language class. Maybe you met some terrible teachers, or shared classes with terrible students. Send me your comments please! This episode really is a chance for me to share some nightmare teaching experiences with you, and then to reflect on what I learned from them as a teacher. Why have I chosen the nightmare experiences? Because they’re the more interesting stories and there are things I learned from those experiences. I think we learn more from our bad experiences than from our good ones. I’d like to share some of those things with you, and just tell you some stories that you might like to hear.

I know I have a lot of teachers listening to this too, so feel free to add your comments and stories below. Teaching is a great, important and undervalued job, and it comes with a unique set of challenges. I think part of the uniqueness of teaching is the fact that as a teacher you are kind of outnumbered by the students. There’s more of them than there is of you. As a teacher you can feel an enormous pressure to deliver the right kind of training, and if your students are not happy, that is a real nightmare for you because it means that somehow you are personally responsible. That may not be the case, because as we have seen above, there are many factors for a good lesson, but teachers often feel they are on the front line. We can suffer a lot if a lesson goes badly, whether it’s our fault or not. Sometimes weeks of your life can be full of drama and bad vibes just because your class is going badly. Of course the students suffer too – in fact that’s the main point of all this. We’re trying to help the students learn English, but sometimes it just doesn’t work that way and it can feel like either you’re fighting some kind of pointless battle, or that the gods are acting against you somehow. It’s important to learn from bad experiences in class, to learn how to prevent them or just how to react to them correctly.

As learners of English in class you also have a responsibility to make a class work well. It’s great when students know this and work together with a teacher to allow a class to be a success. One of the roles of a teacher is to be a facilitator. That means to help to create the right conditions in which the students can learn for themselves. Being a teacher should not mean just standing there doing most of the speaking, lecturing to the class like they used to in the old days. The teacher shouldn’t really be the centre of attention. The students should be at the centre of what happens in class, but that gives a lot of responsibility to those students. They have to work together, allow the right conditions for learning to develop, be unselfish, help others, attend regularly etc. With the wrong attitude, the students can totally torpedo the lesson. With the right attitude (seeing everything as an opportunity to get involved in an active learning process) they can take a lesson to new heights. All it takes is for them to accept some responsibility for the success of a class, then enthusiastically take whatever the teacher gives them, and run with it.

It’s also the responsibility of the school manager to create the right conditions for learning. Creating an air of respect or positivity in the school helps. Making sure classrooms are in good condition certainly helps. Giving the teacher the tools to do his/her job effectively definitely helps. Managing the numbers of students in class helps a lot. If you have too many students in class, it can be very hard to teach them effectively. If students are dropping in and out of classes, it’s hard to build a team spirit. If the students can move up or down a level whenever they want it can spoil any sense of unity, morale, solidarity or rapport which is essential to creating the right conditions for learning. Also, the manager should put in place some method of ensuring that the students are divided properly by level. An entry exam + interview is pretty important. Also, a good balance of nationalities and genders in class is important.

Seating the students is crucial too. If they’re all seated separately, with lots of space between them, it’s unlikely that they’ll be able to engage comfortably in speaking tasks. Teachers should try to arrange the tables and chairs before a lesson to bring the students close together in comfort, so they can see each other, interact with everyone, see the teacher and the board clearly. Putting students all around one table makes them feel they are connected and working as a team. Putting them on separate tables makes it feel more like an individual test. Having them stand up and walk around can replicate real life speaking tasks and allow body language to come into play. Moving the students can help the blood and oxygen flow better and prevent people falling asleep.

Intelligence types are a consideration too. People learn in different ways. Some prefer analysing language, some prefer to see visual representations of grammar or vocabulary (e.g. time lines, mind maps or just images) and others learn best when involved in some physical movement. So a variety of activity types is important. Get the students moving around and interacting in different ways, rather than just sitting at their desks for the whole lesson.

We should also remember that you can’t please all the people all the time, and so there will always be someone who’s not really into a particular activity. On those rare occassions that everyone is into it, everyone can reap the benefits.

Preparation by the teacher makes a massive difference. The more you know about the students in advance the better. You can then try to directly meet their language learning needs. Hopefully they all have similar needs – that’s the management’s job. PLacing students in classes based on their needs (business English, exams, academic English etc). Writing a careful plan, with learning objectives and a good balance of language and skills work, with all the correct types of support exercises, communicative techniques and so on, is vital in assessed lessons, but a very good idea in other lessons as a way of ensuring quality. But then again, it’s important to know when to throw the plan away and just improvise a lesson there and then. You should teach the students not the plan.There’s no point doggedly sticking to a plan if the students don’t really need that particular language point. Sometimes it’s necessary to leave the plan, and follow something that comes up in class and which is clearly what the students need or are interested in. It’s ok to go off on a tangent as long as it is relevant and the whole class goes with you.

TTT is something we should cut down on in the language learning classroom. People often assume that as a teacher I talk all the time, and you could be forgiven for thinking that if you listen to this podcast. But I believe that a really good teacher must be a good listener. We’ve got two ears and one mouth for a reason. You must listen very carefully to your students. Listen to their English to see what they need, or what they’re doing wrong. Listen to their reactions to different things you do in class – that helps you to choose the right kinds of activities, and generally you must listen in order to encourage them to speak. People are naturally more willing to talk extensively if they feel that someone is really listening. Have you ever talked to a friend, but felt like they weren’t listening? It makes you feel “oh, what’s the point, I’ll just keep my mouth shut”. It’s the same in class. If you feel no-one cares, you’re not going to talk. So the teacher should listen, show you’re listening and encourage others to listen too.

Marketing can also have an effect on your class. If the students have been led to believe they’re going to get something from a course, that is going to affect how they react to what you’re doing. If your school has an amazing website that makes lots of grand promises they probably will come into the class with a lot of expectations, especially if it is an expensive school with a good reputation. You have to beware of those expectations and try to meet them immediately! An expensive school, with a powerful marketing drive can set the bar very high for its teachers – putting all the pressure on them to deliver the end product. That can be very stressful for a teacher, but it is also a good process to go through for training you into a good teacher, because you are forced to raise your game.

As you can see, there are loads of factors to take into account as a teacher. There are plenty of other things I could mention, but really I would like to start telling you some stories of real teaching situations I’ve encountered.

So, here are some experiences:

1. My first teaching experience
-Where to put my hands?
-Awkwardly leaned/sat on a desk
-Students were really rude to each other and completely lacked any sense of cultural awareness or sensitivity (one guy was from Iraq, and another guy immediately mimed firing a gun at him – facepalm)
-I had no idea about the language point I was teaching. I could only explain it by using the tense itself.
-I was teaching present continuous. The best I could do is print off a load of clip art with people doing things like dancing, playing basketball, and the students just had to explain what was happening in the pictures. Not bad, but that was it.
-I had no voice – I couldn’t string a really coherent and confident question together. I had no engaging classroom presence. I was not able to frame activities effectively. I came across as mild and weak.
-I was really put off by the reactions of the students. Often, students in TEFL classes will look at you with a kind of pained expression on their face. This is because they’re listening carefully and possibly struggling to understand. Whenever I saw this pained expression it went straight to my heart.
-I was crippled by nerves. I couldn’t function.
-Every day after my teaching practice I would go home and watch Bill Hicks videos to cheer myself up, wishing that I could have his confidence in front of other people.
-There was doubt over my ability to do the job at all and in the middle of the course my tutor warned me that I might fail.
-One woman said to me, “seriously Luke, why don’t you just concentrate on music? Why do you want to become a teacher?”
-It was actually quite a difficult time because I couldn’t imagine having a career in music. It was too unreliable. I wanted steady employment. But for the first 5-6 years, before doing the DELTA I was in a shaky position as a language teacher, frequently wanting to get out of it but not really knowing how to do it, and not having the courage to just do something else. In the end, perhaps I’ve decided to make a go of it. I don’t know if that matters to you or not, but perhaps you can relate to my situation then, by thinking of your situation – what was it that led you to follow the career you’re doing? Did you always want to do that? I’ve never known what I want to do with my life, or quite where it is going. I just know I want to do what I do well, and I want some level of success. TEFL might not be the high-reward job, but ultimately it is all about the individual – what can you do to make your dreams come true? With the right attitude and a desire to work, you can do anything you want to. Just be positive and work hard, don’t give up, be dedicated, don’t let failures stop you but see failures as an opportunity to learn. Look for possibilities beyond the work you’re doing now. Think outside the box. These are all standard bits of wisdom for success. I wish I followed that wisdom all the time, every day. But you’ve got to try.

What I learned: Confidence is vital. Even if you feel a bit depressed or not in a good mood, it’s important to put a smile on your face when you walk into the room. Put on a brave face because somehow your mood has a massive influence on the mood of a lesson. Also, knowing your stuff is very important. You have to study the rules of English grammar a lot so that you can answer any question that people ask you. At the beginning it feels almost like you’re making it up because you’re unsure of yourself. This confidence comes with time and experience.

2. Sweat and Stress Rashes
This is when I taught my first multi-national groups after teaching in Japan. For some reason it was terrifying. Generally the Japanese are quiet, sweet, non-confrontational. I went back to London where the standard of teaching seemed to be much higher. There were lots of people who’d been doing it for a long time. Lots of well qualified career TEFL teachers who worked for Cambridge sometimes, things like that. Lessons were observed more, and generally there was the feeling that the students had travelled hundreds of miles to come to London to study English, paying lots of money for an intensive English course, and so they want to improve fast and effectively. This was stressful for me as I was used to dealing with small groups, using the same old material time and time again, not really dealing with much grammar, but working on creating a safe environment for people to feel comfortable speaking English.
So, when I joined my new group of 16 students from around the world, it was quite a culture shock when I realised they were all from many different places I’d never been to, or met anyone from. I had students from Poland, Ukraine, Russia, Thailand, Saudi Arabia, Korea, Japan, France, Turkey, Czech Republic and Brazil. That is quite a broad range, which is very interesting. But certainly a lot of those countries are more direct than the English and the Japanese. In fact I was quite surprised by the directness of people in the way they interacted, showed their emotions clearly (like disagreement) and spoke quite loudly with some interruption. They were all keen to learn and to be challenged. They’d been studying with another teacher who they really liked. She was quite strict and did a lot of grammar with them. They enjoyed that. So, they asked me lots of things that she had taught them, kind of checking their knowledge but also testing me too. I felt a sense of challenge, distrust and tension. They were already a group who knew each other. I was entering their circle, as the kind of leader or alpha male, and I was still relatively young and I looked young for my age too. I was probably dressed too casually too, because I hadn’t worked out that the way you look is very important. If you go in wearing a suit, people will immediately think you are professional, serious and experienced. If you wear jeans and a t-shirt, they might not feel they are getting what they paid for. I was wearing jeans, and a shirt untucked. Not bad, but these days I always make an effort to control the first impression by dressing smarter so they know they’re getting a professional. Small details can be important. Also, it’s good to be strict and not too friendly at the start, and then ease that off slowly until you become more relaxed and friendly in the middle, and then motivational and trustworthy. Humour can help a lot, but you have to use it sparingly and dryly as well. If you go for big laughs and make lots of effort, you’ll come across as a dick who is desperate for attention. If you make subtle jokes which are understated, with a straight face, there’s less chance that you’ll come out of it badly, and it will improve the atmosphere rather than make it awkward. You shouldn’t tell jokes, although I do, and pay the price for it. I mean, pre-written or well known jokes. Usually jokes are received badly because no-one understands them. Sometimes a joke comes up that people love because they learn from it, but usually they just make the students feel bad because humour excludes them. The best thing is to allow the students to be funny and make each other laugh. This is immensely rewarding for them. You can help by allowing people to laugh, laughing yourself or engaging the students in conversation with a view to them saying something funny. You may even be able to feed the students some funny lines, which allow them to say something funny in response, which lets them take the credit for any laughter which occurs.

So, I didn’t know any of that, or know how to do it then. Instead, there I was standing in front of them, not making a good first impression, very nervously attempting to keep control of myself and run an effective class. It was not a strong first few lessons. I would often get stuck on a grammar question, lose the answers in the teachers book, get the CD on the wrong track, make mistakes on the whiteboard and so on. It was really tough and embarrassing. I felt like my reputation was hanging by a thread. I went to class every day really early to get ready and I dreaded the arrival of the students. I would use copious amounts of energy running around the classroom in a stressed out state, my face bright red, sweat patches under my arms, my sweat dripping on students books as I lean over to help them. I developed a rash because of the stress. I had little red spots on my wrists and arms. Amazingly I managed to work out grammar points and answer questions about them at the same time. There’s a lot of pressure in dealing with grammar that you don’t even know yourself and trying to explain something you don’t understand, while everyone is looking at you. They say people’s biggest fear is speaking in front of people, like in a presentation or speech. It was like that for me every day. That’s pretty awful, but also ridiculous. It brought out the ridiculousness in me. I couldn’t help seeing the whole thing as some kind of bizarre joke. Here’s me in front of all these people from around the world, and I don’t even know how it happened or if what I’m doing is useful at all. I developed a slightly eccentric teaching style, with quite a lot of bizarre humour which really came from my feeling very weird to be teaching. Eventually it worked and I began to make the students laugh all the time, and laugh quite hard sometimes. Not all the time, but sometimes. The key thing was that I was using laughter to aid the teaching, not just to create laughter. Students began to tell me how much they enjoyed the classes because the atmosphere was good, and that they really learned things.

In the end, that class went very well. We all got to know each other, and in some cases became friends who I am still in touch with now, nearly 10 years later.
What I learned:
You should stick to what you know – play to your strengths, but don’t be afraid to take some risks because that’s how you learn. Be yourself and add some personality to lessons. Not too much though – you shouldn’t dominate or anything, but students tend to respond well when you give something of yourself to your lessons. It seems that students are quite preoccupied by teachers expressing their own personality in classes. Don’t be afraid to be a little bit vulnerable in class, but at the same time you have to be completely sure and confident about the language. It’s a difficult combination of being human and super-human at the same time. Study the grammar, prepare well in advance, have fun and treat the students with RESPECT at all times. Never get angry, never tell anyone to shut up. Go for a drink with the students or take them out of the classroom every couple of weeks. Don’t get too close to them though, because ultimately you are their teacher, not their friend.

I looked young, and students would never realise I was the teacher. Sometimes I’d have to convince them. New students would often come into class with a form from reception. They had to give the form to the teacher. They’d come in the room and look around, then give the form to the most ‘teacherly’ looking person in there, usually the oldest. I would always have to put my hand up and say ‘I’m over here! I’m the teacher, hello, my name is Luke, like Luke Skywalker… Luke, I am my father…. etc”
I guess you should look like a teacher, or be aware that people have ideas of what a teacher should look like or behave like. You can use that to your advantage – by being ‘original’ but it can also work against you if you seem unprofessional or inappropriate.

These stories continue in part 2 of this episode – 146. Nightmare Teaching Experiences (Part 2)

143. A Cup of Tea with… Robert Hoehn

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Some ironic conversation with Robert Hoehn. Some of this episode is transcribed below. Some listeners may find Robert’s views a little controversial, but I assure you, he is just being ironic and none of this conversation should be taken too seriously, except the linguistic content which is all authentic and spontaneous, and presented here for your listening practice.

Right-click here to download this episode.

In this episode I was invited to the apartment of my friend Robert for a cup of very specially brewed tea and some conversation, which you can actually listen to here, right now, with your ears (and some kind of headphones/speaker system).

Robert is 110% American, and was born in Minnesota, which is in the heart of the American mid-west. This makes him a kind of red-neck cowboy in my opinion. He is also a direct descendent of William Wallace (yes, Braveheart) and now lives in Paris where he works as a voice-over artist, comedian and clown. He also looks a bit like Heath Ledger, the Joker from the Batman movie The Dark Knight.

Click here to visit Robert’s website http://www.frenchfriedtv.com

In our conversation, which you can listen to whenever you want, I interview Robert using the usual questions: What made you move to Europe? Did you experience culture shock when you moved to France? What are the differences between France and the USA? Have you been to London? How did you manage to learn French to a good standard? But we talk about all kinds of ridiculous stuff along the way!

Thanks for listening, leave comments below as always, and please consider making a donation by clicking the button on top-right of this page. Your donations help to keep this podcast alive and kicking.

All the best,
Luke

TRANSCRIPT
Part of this episode has been transcribed by a listener called Artiz. Thanks Artiz! You can read it below:

Hello ladies and gentlemen and welcome to another episode of Luke’s English Podcast. In this one I´m joined by a friend of mine who is at the moment in the kitchen making a cup of tea, well, making two cups of tea. We’ve been discussing the techniques of doing it. We’ve decided to go, maybe for the first time for me, we’ve decided to go for the cocktail, and that means we’re gonna mix two different brands, and different flavours, types of tea in the same pot, ok? I’ve never done this before, and I drink a lot of tea, but Robert is American, as you’ve just heard and he’s a maverick, he doesn’t play by the rules. He’s like the character Maverick in Top Gun. You never know what he’s gonna do next. You think: “ok, let’s just have a cup of tea with Robert”, and Robert’s all kind of like “let’s mix the tea bags!” And then, you know, next thing you know you’re on some wild adventure into the land of cocktailed tea. We’ll be letting you know the standard of this new tea recipe which Robert has come up with. The two teas which we’re mixing, and it’s gonna be a very complicated mix, because I just bought from the supermarket a box of Twinning’s green tea with mint and spices. Now that´s got at least three spices. I don´t know the name of them because they’re written in French, but I think it´s cinnamon and several other things. So that’s already, quite a complicated mix: Green tea, mint and three types of spices. That’s pretty much five things. And that´s just one of the types of tea. And ok, and Robert has got already in the flat a box from “Monoprix”, which is a local supermarket, so we’re mixing brands as well as different types of tea. And this is black tea, so we’re mixing green tea and black together? You can’t do that. Can you? (Background Robert’s voice: Madness, is pure madness!!). It is, isn’t it? It´s got to be crazy. I don’t think anyone’s ever done this before: mixed green tea and black tea. It´s a revolution. But we’ll tell you how it is while we’re drinking it. And so this black tea has got a caramel flavour to it (Background Robert´s voice: it is the longest introduction I’ve ever had in my live). This is not the longest introduction. Maybe the longest introduction you’ve ever had, but sometimes, episodes of Luke’s English Podcast are, sort of, seventy five per cent introduction and twenty five per cent actual content. Ok? Often the way it works. So, I’m still in the process of introducing Robert here. He kindly invited me over to his place where he’s making tea and we’re going to record a ground breaking podcast for you to listen to. It’s pure madness, apparently. You’re gonna hear from Robert properly in due course, when I finally get round to actually talking to him. But let me just give you a little bit of background, a little bit of information about Robert. His name is Robert Hoehn, and you got to pronounce the name correctly. Otherwise you’ll be in a world of pain…or champagne!…maybe, I don´t know, maybe if you are a lady and you pronounce the name wrong, then that’s just quite a nice introduction to the world of Robert Hoehn. So anyway, his name is Robert Hoehn, he’s been living here in Paris for a number of years. “How many years now?” Robert: “eleven”. Eleven years is he’s been living here. He is originally from the United States of America. He’s from Minnessota I believe. We´ll be talking about that properly in a few moments. He is also the guy behind the amazing online video channel “French fried TV” which you can find if you visit my web site, you just can find a link to it there. Otherwise just go on to google and type in “French fried TV” and you’ll see all his videos there. They’re very entertaining, and he’s also the guy behind the French Fried comedy night, which is a comedy show, a stand up comedy show, in English, in Paris at the moment, which takes place every Tuesday evening at a Place called the Café Paname, near Republique metro station. So, I think it´s pretty much my introduction. He’s a full time American but now living in Paris. Hundred and ten per cent American. Ok, so Robert, I’m gonna now talk to you and ask you various questions. Robert is currently creeping across his apartment in order to check his mobile phone cause he just receive, quite possibly, a very important message. So I’m just padding now. I’m just padding, just sort of…continuing to talk. The intro is still going on even though Robert is otherwise engaged. Ok, you’re back now. Ok, right, let´s go. Let’s go and speak to Robert Hoehn, “shall we”? Let’s move over to the counter area here in the kitchen, and we’re going to…we’re going to talk to Robert and ask him a few questions. I don’t know why I’m speaking like this. Suddenly I’m the presenter of a children’s TV show from the nineteen eighties. Anyway, I’m here with Robert. He’s an actual American. It´s quite exciting!

LUKE: So, Robert, how are you?

ROBERT: Awesome.

L: Awesome?

R: Yeah! Pretty good.

L: What you’ve been doing today?

R: Wow, I’ve…I did a quite a bit of work on the internet: speaking with people like my agent…

L: You have an agent!

R: I have a voice over because I do voice over jobs speaking in English.

L: That’s brilliant!

R: The American English, not the Queen’s, and…

L: Wait wait a minute, you’ve got to tell us about the voice over work. What kind of voice overs

do you do?

R: I do stuff everything you can imagine, that has to do with commercials, I did pure power for Loreal, expert…

L: How did it go?

R: Yesterday…It´s the best job in the world, you go in you say, a couple of lines of text. They say: “Can you say that with a little bit more of energy, or slower?” and you do it, and then they give you later on, a couple months later they give you a cheque for that, so it´s a pretty good work.

L: Can you tell us exactly what do you said, and repeat it for us?

R: I don’t know, it’s technically …yes! As long as you promise not to tell anyone! It´s something

along the lines of a: “are you sick of black heads, oily spots, zits, bad skin? Well, we have the cure!” And then it goes on to name the product which I’m not going to mention so you don’t get sued.

L: But actually there’s a good vocab in that. Are you tired of black heads? What’s a black head?

R: Black heads it’s a kind of…in French it´s a “bouton”, like on your forehead, like you know it’s a…

L: Like a spot on your face. Specifically, those little spots which have black heads…they’re very ugly. It´s disgusting. Black heads, spots of course are just like red spots on your face. No your face, Robert, your skin is beatifully clean.

R: Thank you!

L: And zits as well, a zit is another word for spot. So you’re learning vocab about the face and when the face goes wrong.

R: “Pizza face” (Sarah Donnelly ) calls it

L: (Sarah Donnely ) our friend refers to it, rather unsympathetically, as “Pizza face” syndrome?

R: No, just “pizza face”. Oh, they kid has “total Pizza Face”

L: haha ok, “total Pizza face” as well.

R: to be completely, grammatically incorrect.

L: But I think Sarah has licence to do that cause she mentioned that she’s still has…like…the skin of a teenager, doesn’t she?, so she’s able to, you know, criticize the skin of others, specially when they have the face of a Pizza. Right, so, ok that’s brilliant! Voice over work sounds amazing and I would love to do that myself.

R: Of course you would!

L: What a surprise! Can you help me? Can you put me in touch with…

R: Absolutely not! haha I’m the only guy in Paris right now so…no! Well you know, once I have too much money, Luke, then totally I’m gonna tell you how can you do it, but no…actually that’s not true at all because you and I have totally different voices so I’d love to help you. It’s pretty easy actually if you me want to tell you my formula for doing that…

L: Yes!

R: I can break it down. You do ten character voices of cartoon characters, your favourite cartoon voices, you write down two minutes of text for then, or thirty seconds of text for each character, then you do ten different kinds of commercials like publicity, like hard sell, soft sell, medical research sell, a crazy…we’ve got too many bubbles over here!, come, buy bubbles now from 9.99, you know? And we did things like that. Then you record them all and then you pay a sound engineer, a hundred euros, and he mixes them together and he adds like “ding ding” some bells and whistles, and I did that in 2004 and I’ve never auditioned for a job since that.

L: Seriously?

R: Yeah yeah…And you can make some really good money. Cause sometimes those little jobs I did yesterday for example they become big jobs.

L: Well, obviously, I don’t want to steal any of your work and I’ll probably just stick to British accents if that’s err…

R: Your American accents are very good! Especially Christopher Walken and then your Batman, is pretty good!

L: Batman is not that hard…just make your voice very low…”I’m Batman”…like that. It’s fun! Anyone can do that, really!

R: Yeah, I’m more of the Joker.

L: Yeah, can you do the Joker?

R: No! I just lick my lips.

L: That’s what a performance was, really, wasn’t it? It was Heath Ledger just licking his lips. Robert, am I the first person to say you look a little a bit like Heath Ledger?

R: Ehh, no, ladies ( ) all the time. They confuse me with him…until he died. That was the last day I actually spoke with the girl.

L: Well, ladies and gentleman, if you can imagine I’m here with Heath Ledger just the joker himself. He looks exactly like him, it’s amazing! Except all the makeup. But Heath Ledger on a day off. That’s what I’ve got in front of me right now. And…I think it’s time to ask you a few questions, Robert…

R: I’d like to ask you a question, first.

L: Yes, go ahead!

R: Who do you think you are?

L: I think I’m Luke, from Luke’s English Podcast.

R: Ok good enough, good answer!

L: It’s that…acceptable?

R: I believe it’s correct. I don’t know if it’s acceptable!

L: Ok… That question: “who do you think you are” has got several meanings to it, hasn’t it? Which one were you aiming for, when you asked…

R: I think it was open interpretation, so you did the best you could with the material you had I think

L: Yes, I hope so. I think I’m Luke Thompson from Luke’s English Podcast, and when it comes to the actual…the more existential question: “who am I really” well I think I can be anyone, I want to be as long as it complies with the law.

R: Have you ever read Nietzsche?

L: No, I didn’t but I know some of the things he said. Nietzsche was a philosopher, wasn’t it?

R: He was a philosopher, and apparently people, young people sometimes they go on a…they have periods where they chose not to speak, at all, like the…they choose to be silent. But I don’t know why, and I was hoping maybe…cause you seem pretty educated, and…so I was curious if you know why people who read Nietzsche decide that they don’t want to speak.

L: You mean these sort of nihilists, for example who become sort of existential or philosophers who…that actually make a context decision to stop talking.

R: Correct. And then there was “Driving Miss Daisy” …no…”Little miss Sunshine”

L: The movie, yes, that’s a character in it who stops talking.

R: Yeah, and then I met someone yesterday who told me they did the same thing because they saw Nietzsche, and I didn’t know if she was lying, or confusing herself with the character in Little Miss Sunshine, or if she actually had done the exact same thing as that guy.

L: I haven’t read a lot of Nietzsche so I don’t know exactly what he said but maybe it’s something to do with, you know, just “why bother” I think maybe that might be the philosophy. I don’t know!

R: Ok. Thank you for answering the question!

L: That’s fine. If you want to ask any questions at any point feel free, ok? Maybe we can ask bounce question of each other…or maybe not, maybe I can just interview you.

R: Ok, I appreciate your being open to my questions as well, and…I’ve… asked my question now…it’s your turn.

L: Ok, it’s my turn. So the question I’m sure you’ve been asked this loads of times. Why do you moved to Paris?

R: I originally came to Paris in 2002 to continue my theatre studies and went to the Royal Academy of Dramatic Arts for a little while and I also went to Boston university to study acting and when I got to Paris the idea was that I would study Comedie del’Arte which is the origins of theatre…and…well, in the occidental world, anyway.

L: Occidental world, that’s the west, isn’t it?

R: Yeah…It’s all the occidenties, occidentaux.

L: You’re speaking French to me now.

R: Right! I thought I could fake it and sound latin

L: Western world! The occidental world

R: Right right, I mean that there was Greek theatre, and the Romans before that they did their drama…

L: Yes, Greek theatre is the origin of comedy, isn’t it?

R: Yeah?? I don’t remember any really laughing, and any Greek theatre study class that I took. I remember like Antigone. That was a pretty funny one.

L: What happens in Antigone?

R: Well…It’s…Oedipus is, you know? Her Dad’s Oedipus, you know.

L: Oedipus from the great myth about the guy who falls in love with his mother and wants to kill his father.

R: Well, he did kill his father and the he made love with his mum and he was felt so bad about the whole thing that he poked out his eyes . That is hilarious!! LOL

So the Greeks didn’t make comedy! LOL And then after that…anyway…so I came to Paris to study Comedy Del’Arte which I believe started in Italy and it’s six principal characters, you know what it is? So, you’ve got the young female, the young hero, the old guy, who can be the general, who can also be the old wise man, then you’ve got the father character, you’ve always got a clown character, so these six or seven characters could do every piece of theatre. Sometimes they are young troupes and they would go around. Anyway, that transformed into Marcel Marceau…

L: He was a mime artist, wasn’t he?

R: Pretty much yeah but his origins are from Comedy Del’Arte which uses a lot of masks, pantomimes to tell stories, and I wanted to go deeper into that, and there is a school here called the Jaques Le Coque school.

L: Yes, is a…famous clown.

R: Correct, like Marcel Marceau. So, I got here and then I found out that the school cost six thousand euros a year, that he was dead, Jack, Jack was dead, or he is dead, all of his students have left there in other schools become kind of the sausage factory for pumping out clowns, I was working as a dishwasher without papers at the time, illegally, under the table, in black, as they say… and I was making forty nine francs an hour, but this is back in the day when they had francs.

L: Forty nine francs is about five pounds an hour, isn’t it?

R: Seven euros.

L: Yes, about five pounds. It’s not very much.

R: It’s not very much, but I was happy just to survive, and that’s how I got started, and so I didn’t go to school on my limited budget and I just…cause I’m already a kind of a clown! You know…whatever man!

L: Ok, so you started as an actor, and so you started really as an actor, you came to France in order to train as a sort of theatre performer.

R: A deeper actor.

140. Ghost Stories – True Tales of Really Creepy Experiences

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Keep cool in the hot summer weather with some chilling stories. *Transcript available below*

Right-click here to download this episode.

This is a long episode so I recommend you download it and listen to it in sections. If you use your iPhone or an mp3 player it should remember the point that you stopped listening, and it will carry on from that point. Or, you can sit down with a cup of tea and listen to it all in one go!

This episode is all about ghosts, strange things, the unexplained, demons and things that go bump in the night. I’m talking about the paranormal, ghosts, phantasms, specters, spirits, poltergeists, unexplained phenomena, and all that kind of weird stuff that you don’t want to hear about when you’re alone in the house at night. I hope you’re not alone right now, because this could be the creepiest episode of Luke’s English Podcast so far. To help you feel okay I suggest you get a teddy bear to hold onto or a pillow to hide behind, close the doors, close the curtains, do not look in the mirror, and keep the light on. You could burn a candle if that makes you feel better, as traditionally it is said that a flame can protect you from evil spirits. Ideally, listen with other people around. People say that undead spirits and demons can be attracted by accounts of paranormal activity. If someone talks about ghosts, it brings the world of ghosts closer to you, and in some cases can attract spirits into your world. So if you notice anything strange going on around you while listening to this, I suggest that you stop listening, turn on the lights, get a drink from the fridge in the kitchen and just put scary thoughts out of your mind. I don’t believe in it myself, but who knows what is really out there in the darkness. I’ll give you some more tips on that later. Basically, in this episode I’m going to tell you some scary and weird stories, which I thought of or which are completely real and really happened to me.

Do you believe in ghosts? Is it really possible that our world could be visited by spirits or other beings that we don’t normally see? The answer you’re thinking of may be “no”. But have you ever experienced something really strange, which you can’t explain and which, when you think about it without ignoring it, it makes you really frightened? To tell you the truth, I have had some strange experiences that I can’t explain and that I don’t like to think about very often.

Personally, I consider myself to be a rational person. I don’t really believe in ghosts. But I believe there are things in the world that we don’t understand yet. I don’t think we should always conclude that unexplained things are the result of supernatural or paranormal causes, but at the same time I know that there are plenty of things about the world that we really don’t understand and can’t even see. Even in science there are many mysteries. Massive puzzles that scientists are trying to work out. Quantam physics, our basic understanding of space and time, the origins or destiny of the universe, parallel worlds, other dimensions, the possibility of ghosts living around us or inhabiting certain spaces in our homes or outside our windows. These are all areas of mystery to us. 500 years ago people were relatively clueless. People thought the world was flat, that headaches were caused by evil spirits and that tobacco was good for you. All completely wrong. Like, totally wrong. These are quite big things to get wrong. Imagine if we are similarly wrong about what we know now. Maybe we’ve only just scratched the surface of knowledge about the world. There could be so much more that we don’t realize. Answers to the questions of what happens to us after we die, is there such a thing as the soul and does it live on separately from us, are there other invisible worlds full of demons or spirits living all around us, that we can’t see. Is it possible for us to disturb these spirits or upset them by doing wrong things without realizing it? As I said, I don’t believe in ghosts or the paranormal because I require evidence for these things. But still, there are things that I just can’t explain. And to be honest, that is frightening sometimes. There are things I’ve experienced that have freaked me out, and continue to bother my memory today. Sometimes these memories make me scared. Maybe it will be creepy but I’m going to share those things with you in this podcast episode.

I’m going to tell you some stories but some real ones, not made up ones. The stories I’m going to tell you are all ones that I’ve experienced personally. They’re not fictional bedtime stories or anything. They’re not fun stories for kids. They’re real accounts of some weird and scary stuff that has happened to me at various times. I don’t often talk about these things with my friends or family these days. They say it makes them feel uncomfortable. A lot of people don’t really like their world to be challenged by strange unexplained things. They’d rather not think a lot about things they don’t really understand, or things which are disturbing. But sometimes I can’t sleep and I think of weird things I’ve experienced and they make me quite scared, but they’re fascinating to me too so I thought I would share these experiences with you. Maybe you can explain them, or maybe you’ve experienced similar things. Some people might say that I shouldn’t talk about these things publicly or share them, because it could scare people, or even attract spirits into the homes of people who are listening to this. I’m not sure about that but I’d like to suggest that you listen carefully to this episode. If you are easily scared then just think twice about listening to this. It might disturb you. Don’t listen just before you go to bed. Turn on the lights if you’re in a dark room, so you can see everything. Close cupboard doors or doors to dark rooms so that you don’t get scared when you imagine that something or someone is waiting in there while you listen to this. If you’re not too scared, try to have a look under the bed or behind the sofa, because sometimes you can be very disturbed by the thought that there is something or someone there, watching you and waiting. Try not to imagine dark shapes or the idea that there is a person with you, because your mind will play tricks on you.

If it is night time and there are windows in your room, just quickly close the curtains and make sure the windows are sealed so you don’t worry about things that our outside getting inside, and so you don’t worry about seeing a face appear in the window, even for a moment. Closing windows or closing curtains will make you feel more comfortable because you won’t be able to see whatever is out there, and if there’s something out there, it won’t be able to see you either. Just be careful, when you close the window, do it quickly and don’t look out of the window into the darkness.

Quickly check empty rooms in your house if you aren’t too scared. It can really freak you out when you get the feeling that you’re not alone in your own home, and that there’s something or someone in another room, and maybe they’ve been there for some time without you knowing. So, if you can, have a quick look around the house. Go upstairs or downstairs and visit empty rooms, just to make your mind feel more comfortable and so you don’t get too scared while you’re listening to my voice. And if you need to go to the toilet or the kitchen you’ll be frozen because you don’t want to go alone so try to remember there’s someone there in the house with you, even if you are alone, there’s someone nearby and you can hear my voice and you’ll be okay. You could stop listening and wait until the day time if you like, but I suggest that you listen to all of this, just so that you can get to the end of it, hear the music at the end of the episode and although it might be frightening to be in silence, you know that you completed the episode and that’s the end of the scary stories and everything will be back to normal again.
One other thing – don’t look in the mirror while you listen to this. In fact, avoid reflections of any kind – seeing your reflection in a window, the glass of your mobile or computer monitor. Mirrors or reflections are said to be like portals to the spirit world. I’m not sure I believe it but it’s better to be on the safe side, certainly when discussing ghosts or demons. Who knows what elements of old folklore are based on knowledge that we have lost? Maybe folklore is all true to an extent. The subject of spirits and the supernatural was very popular in England during the 19th century and lots of strange events were documented during that period. Many well respected people such as Arthur Conan Doyle, the author of the Sherlock Holmes stories were very interested in this subject, and wrote about their experiences. Apparently, people used to gather together in séances (meetings often took place in dark rooms in houses that were said to be haunted or regularly visited by apparitions or other phantoms) in order to contact the dead, or communicate with the spirit world. They used various devices to contact the other side, including oiji boards but also mirrors. What these practitioners would do was to read pages of old texts designed to attract ghosts from the other side, and then at certain moments they would all stare without blinking into a mirror in order to see the spirits appearing. Apparently, the mirror was one of the most common ways that spirits reveal themselves to the living. They might appear just as a shape or shadow, sometimes overlaid on top of someone else’s face (very weird) or they would appear clearly as someone else in the room, usually standing behind the people). There are also lots of urban myths about standing in front of the mirror and saying special words, which bring a demon into the room with you, with your reflection. The story goes that once the demon has arrived in your mirror, he will always be there in any reflection of you, until you find a way to remove him. The only way to remove him is to tell someone else about it, persuading them to say the words while looking in a mirror. The demon is then transferred into their reflection, leaving you free again. Finally, the only solution is for a blind person to say the words in front of the mirror. They take the demon, but can’t see it and so it has no power over him.

I said before that traditionally people believed that spirits can be attracted by talking about them, and that describing or thinking about the other side can make the gap between our world and the world of spirits thinner, allowing them to visit us more freely. That’s why people tend to whisper or speak quietly when talking of these things. You shouldn’t go around shouting the names of demons or spirits, especially at night, and you should not look in the mirror while listening to this, or soon after listening to this. It’s not advisable and I would warn you not to do it. I mean, I don’t necessarily believe it myself and I don’t know what you believe, but sometimes it’s worth paying attention to traditional wisdom even if science disagrees with it. Sometimes science can be proved wrong, as I said before. So, avoid mirrors during this episode.
I hope you’re not getting freaked out or scared by all this talk of scary monsters visiting you. If you are superstitious, then you do what you’ve got to do. Say a short prayer if that helps, or try repeating some words to yourself in order to make yourself feel okay. Apparently, a common thing that people can say to protect themselves from evil spirits is this, and you can try repeating it quietly to yourself if it makes you feel any better.
“I am alone – I know they are not here”
“I am alone – I know they will not come”
“I am alone – I know they have not found me”
Say it three times. Just make sure you get the word ‘not’ in the correct position. Don’t say “I am not alone – I know that they are here” or “I know they will come” or “I know they have found me” – don’t say that three times while looking into a mirror, at any time. OK? Do not do that. I hope that’s clear.
If you’re with someone else, good. I recommend that you just squeeze the person’s hand or just touch them on the shoulder, just as a way to say “you’re here too”! If they react badly to that, like, if they tell you “get off!” or “what you doing?” Just explain calmly that you’re just making physical contact with another person in order to create a protective boundary between you and the spirit world in order to prevent any weird or scary things from happening. I’m sure your friend or loved one will understand. If you are on public transport, you could try touching the person sitting next to you but I am not responsible for the consequences. All I’ll say is that sometimes people on busses and trains can be much more dangerous than ghosts…

Finally, if you do get scared while listening to this or you notice anything strange going on around you, leave a comment explaining what has happened. It could be fascinating to read about it. Also, if you have any other strange things you’ve experienced, and how you explain them, let us know by leaving a comment.

OK let’s get started. I’m going to tell you about some strange things that have happened to me over the years. Let me know what you think? How would you explain some of this stuff?

The Japanese running tap

I spent 3 weeks during the summer, alone in my apartment while waiting for another flatmate to come. During that time some pretty weird things happened in the flat, and I don’t mean earthquakes although I did experience some of them. Not earthquakes, but something that I can’t explain.
The kitchen tap kept turning on by itself. I would go to bed in the tatami room. In the middle of the night I would wake up to noise coming from the kitchen. I went into the kitchen to find the kitchen tap running cold water. Freezing cold – much colder than usual. I’d have to turn it off by turning the tap around in my hand, before going back to bed. This happened 3 times. The third time was the worst because I distinctly remember making sure the tap was turned off before bed. I remember getting myself a glass of water, and then turning off the tap. When I woke up to hear the sound of the tap running, I DID NOT want to get up, but I had to investigate and I had to stop the tap. Perhaps the worst part was walking past an empty room which had large windows at the other side. I couldn’t bear to look into the room because I had a horrible feeling about it. It felt like there was something in the apartment with me. Turning off the tap, it was very cold again. I didn’t want to turn round to go back to my room and I must admit I was very frightened and I left the light on in the kitchen. I’m not normally scared by stuff, but sometimes I can’t stop thinking about that tap. How on earth is that possible? Can a tap turn itself on? Water pressure? Water which is left in the pipe coming out? Perhaps I did it in my sleep – maybe I walked to the sink and turned on the tap, which is pretty scary – why would I get up in the night, do something and then not remember doing it? I told all my students in Japan about it, and a lot of them were not really surprised by it. A lot of people in Japan are quite superstitious. Apparently there are many different types of ghost in Japanese folklore, and belief in ghosts and ghost stories is quite common in Japan. One particular old woman I used to teach on Fridays, was very knowledgeable and told me a lot about it, saying how ghosts or Yuurei are quite common, and even accepted by most people are being real. Apparently, these yuurei are spirits of people who have been prevented from having a peaceful afterlife because of the way they died or the trauma they experienced during their life, which is basically the same explanation given for ghosts in the UK too. It’s weird that ghosts feature in folklore from so many cultures around the world, and they all seem to be explained by this idea of a spirit that can’t rest. Anyway, this woman suggested that my tap thing was caused by, and I’ll never forget the name, a Zashiki-warashi or the ghost of a child. Apparently Zashiki-warashi are often mischievous, meaning they do naughty little things, rather than seriously scary or dangerous things. She said they commonly arrive and do things during the Japanese ‘witching hour’ between 2 and 3 o’clock in the morning, which is when the gap between our world and the spirit world are closest. She said that strange things that happen at night in Japan are sometimes attributed to zashiki-warashi. This didn’t make me feel better though, because the idea that I had some little Japanese child ghost in my apartment between 2 and 3 o’clock at night was not fun. The tap thing stopped after I got a new flatmate called Peter in August. For a couple of weeks though, I had a slightly disturbing time alone in the apartment, trying not to think of the tap. It hasn’t happened to me since, so maybe it was just then. If it does happen again, I will freak out I know it. Ive never told me girlfriend about it, because it would worry her. Any ideas what that was? If you’re from Japan, have you heard of zashiki-warashi, or other types of ghost? Do you think the woman was making it up or not?

*This is where the transcript ends. You can read some notes for the other stories below*

The bouncing ball

Freaky and still disturbs me to this day, even though I didn’t really want to believe it at the time.

Frozen in bed and the weird clock

Very scary at the time, but there is a rational explanation.
Here is a link to the TedEd video about sleep paralysis:

The Lapworth Walk

Nothing particularly weird or supernatural happened directly to me, but it was a time when I was really genuinely scared.

I’m originally from London. I was a city kid until I was 9. Then my parents moved to the countryside. Moved away from all my friends to a new place. I didn’t know the area. The countryside is different. Spooky. Owls at night etc.

Teenager – went out in Birmingham. Had fun with friends. Time to go home. Train on my own. Avoided fights in Birmingham. Everyone left the train. I had 20mins more journey. Then I had to walk through country lanes to where my parents lived. Often it would be able 1AM.
Walking through darkness in the countryside is very scary. I can remember the walk very clearly because I did it so many times.

Town, houses etc.

Turn right at the end, the streetlights stop. You have to walk into the darkness, leaving the houses and lights behind. It doesn’t feel natural.
Hump backed bridge over the canal. Something under the bridge? In fact, there could be something on the other side of the bridge. Don’t let your mind wander. All my friends are at home, in bed. I’m walking in the dark, miles from home, scared.

Baddesley Clinton House

Here is some text from the National Trust website about the haunted old house I had to walk past on the Lapworth Walk

“A lovely old manor house I have visited several times is Baddesley Clinton in Knowle, Solihull. This building dates right back to the early Middle Ages, and it is thought to be haunted by one of its former owners, a man called Nicholas Brome.

The Brome family lived here during the Wars of the Roses and, unfortunately for them, in 1461 they found themselves on the losing side. This led to a serious falling out with the Earl of Warwick, culminating in the murder of the family’s patriarch, John Brome. Shortly afterwards, John’s son, Nicholas took a bloody revenge and stabbed to death the Earl of Warwick’s Steward. Nicholas Brome had an appetite for violence and people crossed him at their peril.
One night he returned home to find his wife in a compromising position with no less a person than the local parish priest. The priest, it seems, was tickling his mistress, “under ye chinne”. This was more than enough to send Nicholas into a terrible rage.

He drew his dagger and slew the amorous priest on the spot. Killing a man of God was a serious offence and could have cost Nicholas his own life, however he had the good fortune to be pardoned by both the King and the Pope. His penance was to build nearby St. Michaels church, where he was eventually buried standing up (another penance for his many sins).
It could be that Nicholas Brome, his soul never properly laid to rest, still wanders the dark rooms and hallways of Baddesley Clinton. (A dark red stain on the wooden floor of the library is said to be the priest’s blood, but I must say I am not entirely convinced!).

In the Tudor period the house was taken over by the Ferrers family who bravely gave sanctuary to catholic priests during the reign of Elizabeth I. The tiny “priest holes”, where they would hide from Elizabeth’s soldiers, can still be seen.

This must have been a particularly frightening time because the punishment for observing the “old religion” was terrible indeed. Priests could be burnt at the stake, while their protectors ran the risk of being “hanged, drawn, and quartered”.

Traumatic experiences do seem to trigger paranormal activity. Members of the Ferrers family and many visitors to Baddesley have reported hearing raised voices and hurried footsteps coming from empty rooms. Could this be the chilling echoes of long dead catholics trying to evade their protestant hunters?”

Let me know of your scary stories. Leave a comment below.

132. Pronouncing ~ed Endings (with Added Romance and Horror)

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Some pronunciation, a story, some vocabulary, some romance and a little bit of horror-movie gore in this episode.

Right-click here to download this episode.

Hi everyone, I decided to teach you some essential language this time. Here’s what to expect from this episode:

The first part is about the pronunciation of ~ed endings (e.g. agED, beggED or wastED, etc)
The second part involves some -ed adjectives.
Then I teach you some idioms and very natural expressions.
The episode also includes a romantic story with sentences you can repeat, and a little bit of horror movie violence, just in case you were bored of all the ‘romance’.

For vocabulary notes, see below.

You can make donations by clicking PayPal donate buttons on my site. It’s my birthday next Wednesday. Just saying…

VOCABULARY NOTES AND TRANSCRIPT FOR THE FIRST PART OF THE EPISODE
In this episode I’m going to teach you some really useful things. It’s been a while since I taught you things, or focused on language. Recent episodes have been interviews, which are really useful because you can listen to authentic English as it really is spoken, but I also think it’s important for us to look closely at some features of language too: either vocabulary, pronunciation or grammar (even though grammar is usually pretty boring unless you’re a grammar geek).

So, in this episode we’re going to focus on a few things.
First we’re going to look at pronunciation of –ed endings. That’s often a tricky area for many people around the world. We’re going to practice that a bit.
There will also be some vocab – some regular verbs that you might find useful, but also some –ed adjectives.

If that sounds a little basic, then worry not because I’m also going to throw in some more idiomatic language as we continue, and anyway this is Luke’s English Podcast. It’s always really fun and entertaining anyway. Darn it, I will make this entertaining as well as useful, if it’s the last thing I do!

There are language notes related to all of this on the website. I still have two websites; teacherluke.podomatic.com and teacherluke.wordpress.com.

-ED ENDINGS
So first; let’s look at ed endings.
They’re tricky for many people (particularly Brazilians)
They’re very common, so you really should be able to pronounce them all correctly
There are 3 ways to pronounce them
/t/ /d/ or /id/
Examples: asked agreed wanted
How do you know the correct pronunciation? It depends on the sound at the end of the word, before you add the –ed part.
If it’s an unvoiced sound then the –ed is pronounced /t/
If it’s a voiced sound then the –ed is pronounced /d/
If it’s a t or d sound then you add a syllable by using the /id/ sound
It’s hard to remember and process those rules during fluent speech, so don’t worry about it too much.
What you should do is practice repeating the words in sentences with correct pronunciation so you get used to saying them correctly.
For many of you this will involve unlearning many years of speaking in your native language, or many years of saying the words wrong (becquse you read the words from a page, or because no-one told you otherwise)
If you’re young then congratulations you stand a better chance of fixing this potentially fossilized error.

The verbs: Listen to the episode to hear the pronunciation of them. They’re all regular verbs ending in -ed.
touch / stop / stroll / suggest / walk / want / agree / ask / arrive / beg / blush / chat / decide / drop / enjoy / explain / gaze / grab / jump / knock / look / miss / open / phone / pick / recommend / reply / seem / scream / shock / show / skip / smile / squeeze / start

The Complete Story
1. I was sitting alone in my office when someone knocked on the door, and I stopped working.
2. The door opened, and a pretty woman walked in.
3. When she looked at me, my heart jumped. She was very beautiful. I gazed back at her for a moment.
4. My heart started beating faster. I couldn’t help noticing that she seemed nervous too. She blushed slightly when I looked at her.
5. “Are you Mr Thompson?”, she asked me.
6. “Yes, I am”, I replied. “How can I help you?”
7. “Sorry to bother you” she said. She smiled sweetly. “I’m the new girl in the office, I just arrived yesterday”
8. “Yes, I missed you yesterday, I was out of the office.”, I explained.
9. “Oh, it’s no problem, I phoned you, but you weren’t in. I just wanted to say that I’m really glad to be working with you. I’ve heard a lot about you.”
10. I blushed. She was being so nice. I decided to stop working, so I could show her around the office.
11. We strolled through the building, and I showed her around. As we chatted, we connected on a deep, meaningful level.
12. She asked me if I knew any nice restaurants in the area. I recommended a really good English one near the station.
13. She said she wanted a coffee, so I used the new machine to make her one. When I gave it to her, our hands touched briefly and my heart skipped a beat.
14. After a moment, I suggested that we go to the English restaurant together, for a romantic meal of fish and chips.
15. She agreed, and inside I was delighted. Later that evening, I picked her up on my scooter. As we rode through the bumpy streets, she squeezed my waist to hold on. When I sped up to 32mph she screamed with excitement!
16. We enjoyed a wonderful evening together. She was amazing! When I dropped her off at her house, I made a quick decision. “Will you… marry me?” I asked.
17. “…get …married?” she said, shocked. “The thing is… I can’t…”
18. “Why not?!” I begged. “I love you! Please marry me!!”
19. She grabbed my arm, and said. “I love you too, but I can’t marry you, because…”
What happened next? Leave a comment to give your opinion.

-ED ADJECTIVES AND SOME IDIOMATIC ALTERNATIVES
Confused
I didn’t know what was going on
I couldn’t get my head around it
It really messed with my head

Disappointed
I was gutted
I felt really let down
I felt really dejected

Terrified
I was absolutely petrified
I nearly shat myself (very rude!)
I was shit scared (very rude!)

Embarrassed
I just wanted the ground to swallow me up
I felt like such an idiot

Delighted
I was so chuffed
I was over the moon
I felt amazing
I couldn’t believe it

Interested
I was riveted
It was absolutely fascinating
I was on the edge of my seat

Excited
I’m well up for it (enthusiastic)
I’m stoked
I’m buzzing

Exhausted
I’m knackered
I’m shattered
I just want to crash out

Shocked
It was like a slap in the face
I was stunned
I couldn’t believe my ears/eyes

Surprised
I jumped out of my skin

Nervous doesn’t mean angry or annoyed.
It means stressed and scared (like before the dentist).
Dentist: nervous
If someone is playing loud music, or clicking a pen: annoyed or angry.

That’s it!

107. Messing Around with Accents and Voices (with Kate Fisher)

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Improve your understanding of different accents in English, and have fun listening to Kate and me just playing around with different voices.

Right-click here to download this episode.

Introduction
Have you ever wanted to know how to talk like an American cowboy? (Well of course) Do you know the difference between someone from the north or south of England? Can you recognise accents from Scotland, Belfast and Dublin? What about accents from Australia or New Zealand? Listen to this episode to find out more.

In this episode I am joined by my friend Kate Fisher, who is also an English teacher. Kate and I both love talking in different accents and having fun with voices and characters. So in this episode you can listen to Kate and me doing just that. The main idea is for Kate and me to explore the way different accents sound. We don’t claim to be perfect at all these different accents, it is just fun to try messing around with them, and talking about how the different accents sound to us. Some of these voices we do are not really ‘accents’ as such, but rather types of character that we might have heard in movies or TV shows (e.g. the way cowboys in western movies speak). Listening to this episode is a great way for you to get used to hearing and noticing different accents from around the world.

This episode is another fast one. Kate and I speak completely naturally in lots of different voices. It might be difficult to understand, but don’t forget that I am a fully qualified and well experienced teacher of English and I know what I’m doing! The episode may be quite chaotic when you listen for the first time but listen to the episode several times and you will understand and enjoy it more and more. It’s listening to music. You might not get it the first time, but the more you listen the more you get to know it, and the more you understand and appreciate it. I strongly suggest you try to copy different accents too. This will really raise your awareness of the sounds of different accents in English, and it can be really great fun.

Accents, Voices & Characters
In this episode we talk about (and copy) these accents: (No offence is intended in this episode at all)
-‘Cowboy’
-Standard American
-Yorkshire and Lancashire (North of England)
-Lincolnshire (North/Midlands)
-North and South of England
-South West of England (Bath)
-The voice a buffalo might have (if it could speak English)
-The voice an oak tree might have (again, if it could speak English)
-Some Scottish accents
-Northern Ireland
-Republic of Ireland (Dublin I think)
-Cockney
-Australian
-New Zealand (Kiwi)
I have many more accents and voices which we didn’t talk about in this episode, so there may be more episodes like this in the future.

Please leave your comments and thoughts below, and again thanks for listening to Luke’s English Podcast. If you are American, Irish, Scottish, Kiwi, Aussie, a cowboy, a buffalo or an oak tree, I hope you don’t get offended by this episode at all, and that you realise that Kate and I are just having fun and that we love all your accents very much. As they say, “imitation is the sincerest form of flattery” and I believe it is true.

Best wishes,
Luke

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Luke’s ENGLISH Podcast

Learn British English with Luke Thompson

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