Talking about one of the UK’s most popular television programmes, Top Gear. This episode features lots of vocabulary related to cars, but a lot more too including your guide to how to speak like Jeremy Clarkson.
More British TV content. This time it’s all about cars. It’s not just a car show though. It’s kind of a comedy entertainment show with cars. And it’s perhaps the BBC’s most popular show for a long time, certainly one of their biggest exports. You’ve probably seen it. It travels well.
Overview of the Episode
The story of Top Gear
Descriptions of Top Gear and the way they speak on Top Gear
Some clips + language
The criticism of the show
The Story of Top Gear
What it used to be like…
“The Jeep Cherokee!”
How it came back in 2002.
3 things on Top Gear
Car news and reviews (which are actually quite informative and inventive, even though they focus on unaffordable cars)
Blokey banter between the presenters, where they share car news and take the piss out of each other.
“And then we did THIS.” Ridiculous challenges in which they spend a LOT of money and create some mad entertainment all around cars.
It’s politically incorrect, wilfully irresponsible, male-centric, unapologetically macho and competitive, slightly offensive at times but very well-made television.
I must admit that I always watch it when it’s on, but I’m not completely convinced by the presenters and the general tone, but some of the special episodes were amazingly well made.
The show is popular but also controversial as it has been criticised for being slightly racist or inappropriate. The makers of the show claim they’re not to be taken seriously. Others don’t like it because it promotes irresponsible driving and that it doesn’t take into account any green issues.
James May, who used to live in the building over the road from me. A mischievous motoring journalist who’d never done TV before. He’s tall, scruffy, slow and sardonic. They call him Captain Slow and he’s probably the one you could stand having a drink the pub with. He seems like the nicer, milder one of the three.
Richard Hammond, who comes from the same town as me – Solihull in the West Midlands, the former local radio DJ who also had never done TV work before joining the show. Hammond famously had a big accident during a high-speed dragster race and was seriously injured, spending weeks in hospital recovering from head injuries. They call him Richard “The Hamster” Hammond, even though he’s definitely not a hamster. He’s a man.
Jeremy Clarkson,lives nowhere near me. Used to be a presenter in the early days, and had done talk shows and some other programmes before being part of the Top Gear reboot with his old school friend producer Andy Wilman. Clarkson was fired from the BBC for allegedly punching a producer of the show when he was drunk and hungry. This is what led to them leaving the show.
The BBC found new presenters and continued, but it didn’t pick up the same audience figures or ratings. Apparently the trio of May, Hammond and Clarkson is where the appeal is.
The three of them continue to make a big show about cars now on Amazon Prime in their show The Grand Tour, which as far as I can tell is pretty much the same as Top Gear but with a bigger budget.
A lot of Top Gear is on Netflix and YouTube.
How they speak (Learn how to speak like Jeremy Clarkson)
Almost – everything they say – is absolutely full – of pauses.
In fact, some of the pauses are so long – you don’t realise – that’s not even the end of the sentence – because this – is the kind of sentence – that has to end – like THIS.
It seems like all the sentences they say have to either begin or end with the word “THIS”
And then we did THIS.
THIS is the kind of car – that my Mum would drive
And THIS – is THIS.
If there’s one word which summarises everything that you need to know about Top Gear, it’s this.
3. Intonation – i.e. Going down heavily at the end of the sentence.
4. Hyperbole “I think it’s quite possibly the best looking car in the world” I’m sure he’s said that about 5 times on the show, about 5 different cars.
“This is the most amazing feeling I have ever had… with my trousers on.”
“The level of torque is biblical.”
“It goes from 0 to 60 in negative 12 seconds. It is so fast that it actually goes back to the future.
If this car was a guitar player, it would be Eric Clapton, Jimi Hendrix and Noel Gallagher all rolled into one.”
5. Humour – some might call it “British humour”, but mainly it’s dry, sarcastic, opinionated hyperbole with loads of jokey banter and piss taking.
Porsche Carrera GT Car Review
It isn’t styled with the verve or the passion of a Ferrari.
It’s form following function.
He was ready to take on the Mercedes.
Masses of wheel spin off the line.
He has got to tread carefully.
I’m surprised he’s playing his power ballads today
Bit of a wiggle, he’s ok coming up to the hammerhead
This is where he spun it before, cannot afford a mistake now.
This is maximum attack mode.
He’s really opening the taps now.
Really working that manual gearbox.
Wringing out any millisecond advantage.
This is the second to last bend.
Hard on the ceramic brake s.
Keep it steady.
He’s measuring out the power.
Gambon corner. Ooh he’s pushing it now, and there he is!
Cows or cars
Can anyone see a flaw in my plan?
We’ll be out of a job!
Steer (top steer)
The only drawback I can see are cattle grids.
The Criticisms of Top Gear
Setting a bad example
Stewart Lee on Top Gear “Clarkson. He’s outrageous, politically incorrect – but done just for money. He’s like The Sun. “Hammond – a man who’s been able to carve out his own literary career off the back of his own inability to drive safely.”
It’s lazy comedy based on offensive comments. It’s not punching up.
It’s lazy, feckless and flatulent.
Hello, welcome to Luke’s English Podcast, which is a podcast for learners of English around the world. This is part 2 of a special episode about English musician David Bowie who died just a few days ago on 10 January 2016. The aim of this episode is to talk about David Bowie’s significance as an artist, to consider some of the themes of his work and to look at why so many people had such a strong emotional attachment to him. Hopefully after listening to this episode you’ll be better able to have conversations about David Bowie, but also about art and culture in general. You can find almost everything I’m saying transcribed on the page for this episode – see below.
In part 1 I talked about Bowie’s career up until about the year 1975. So let’s carry on in just a moment, but before that I just want to say that since I recorded this episode I’ve realised that there are lots of other things didn’t mention. For example, I could have talked more about his first wife Angie and his second wife Iman. They say that behind every great man there’s a great woman. If that’s true then Bowie must have had two great women in his life – and probably quite a lot of average ones as well I expect… Anyway, joking aside, I’m sure they had big parts to play in his life, and I hope they’re alright. It’s hard for us to lose an artist we love, but I can’t imagine what it’s like for his close family who must have cared about him in so many other ways.
Anyway, let’s get back into this episode and I’ll carry on from where I stopped last time in the mid-70s.
It’s hard to explain everything that happened in the 1970s! It was a whirlwind of different things, and incredible music. Everything moved so fast for Bowie during that period, and he was really ahead of everyone else in terms of fashion. Bowie was very ahead of his time.
Around this time he starred in a film called The Man Who Fell To Earth, directed by Nicholas Roeg. In it he plays the character of an alien who lands on earth and attempts to make sense of the place. He was perfect for the part and it is still a mesmerizing performance. He was a great actor. IN the film he’s very thin and his otherworldliness and his vulnerability were perfect for the part of an alien, alone on earth.
If you’ve seen the film “Under the Skin” with Scarlett Johannson, I think it borrowed a lot from “The Man Who Fell To Earth”.
Why was he so thin? Drugs and his excessive lifestyle.
It’s amazing that he survived that period.
You can see him in quite a dark place in the documentary film about him called “Cracked Actor”.
This is partly due to the ravages of his rock and roll lifestyle – touring, performing and being a celebrity can have a weird effect on a person, but add drugs into the mix and things can get seriously out of control.
Bowie took a lot of cocaine in the 70s. http://ultimateclassicrock.com/david-bowie-cocaine/
He did this mainly to help him work, but also because it was fun of course (in the beginning). I think cocaine can give you lots of energy which allows you to keep working much more intensively and for longer periods than people who are not using it, but it comes with a price of course – to your wallet, but to your mental and physical condition. Apparently it is incredibly habit-forming and very difficult to break away from. Ultimately, if you continue to use it then eventually it will use you. “Sometimes you eat the bar, and sometimes the bar eats you.” I don’t know where that quote comes from, but I guess it means that “you might use drugs, but eventually the drugs will use you.” And I don’t know what drugs will use you for… it’s probably best not to let drugs use you or dictate your life. They’ll take you to bad places.
Paranoia, weird eating habits, alcohol, obsessions.
He was incredibly thin and seemed to be quite out of his mind during that period.
Check out some of his interviews and TV appearances, and photos of him at the Grammy Awards with John Lennon and Yoko Ono in 1975. He looks almost like a skeleton.
He later described this period as horrible. Imagine being so far out of your mind and yet so lost within yourself that all your demons are made real and are talking to you in persuasive, frightening and seductive voices. Apparently Bowie was so disturbed and paranoid that he could only bear to eat certain foods. Apparently he lived for quite a while just drinking milk and eating green peppers, while snorting cocaine all the time and drinking alcohol. It’s amazing that he survived.
I think his problems at that time were not just drug related, but also identity related. Apparently he had let the Ziggy Stardust persona take over his real life. He wasn’t sure where Ziggy or Aladdin Sane ended and David Bowie began. The lines became blurred. Reality and performance were all messed up, and he lost a sense of who he really was. He must have nearly lost his grip on reality for a while. Again, he was the astronaut spinning into deep space.
Nevertheless, despite the craziness in his personal life at the time, he continued to make some of the best music of his career and it’s all there for us to listen to, like great albums such as Young Americans and Station to Station. Always such fantastic music and well written songs. That’s the bedrock of all of it – he wrote very good songs. He combined appealing and popular music which also contained some very complex and avant-garde elements, like a crazy freeform piano solo here, some very unorthodox string arrangements, some totally distinctive chord changes, and some incredibly versatile singing. Some people say Bowie couldn’t sing, but it’s not true. He had quite a narrow sounding voice, but he used it in a lot of different ways and could sing low or very high. Sometimes he would sing in a kind of cockney accent, and sometimes he’d use a posher, deeper and more distinguished voice.
The Berlin Period
My Dad didn’t have any records by Bowie from 1975 until 1983, so I missed the whole Berlin period, and I still haven’t really explored it, which is, on one hand terrible because how can I be a fan without really knowing those records, but also great because I’m going to explore all those albums now. My uncle sent me 3 CDs not long ago – Low, Lodger and Heroes. I’m going to feast on those LPs. He’s always been good that way, my uncle Nic. Never been on the podcast, but he’s a huge music lover and a massive fan of Bowie. When I was 16 Nic made me a tape. It had Jimi Hendrix, Neil Young, David Bowie and The Clash on it. What an education. My uncle saw Bowie perform live 3 times. At one of those performances it was 1975 or 1976 and he was right at the front of the audience. He actually saw Bowie performing as the Thin White Duke, just a few metres away. It must have been incredible. I’ve been chatting a bit with Nic, and my brother who is also a big fan. Here are some of the things that my Uncle said to me via text just yesterday.
Nic: I feel really very sad about it, more than I can imagine for someone I never actually knew. Except of course I did in a way. Such a soundtrack through my adult life. The highlight for me was being near the front at Wembley Pool for the Thin White Duke, maybe the best concert we ever went to. The greatest artist of my generation.
Saw him three times but The Duke was the best, mainly also because we saw him swept away in the back of a huge black limousine after the gig, this little white genius in the back of this huge black car.
Luke: I’m about to do a podcast about Bowie, but I really don’t know where to start.
Nic: What you have to say is that part of his genius was the utter unpredictable nature. Each successive album was unique and different, you never knew what to expect. But it was always different and fascinating.
Good luck with the podcast I’m sure you’ll manage it but don’t worry if you can’t. Such a huge subject.
Luke Thompson: I’ll do what I can! Didn’t someone once say that art is never finished, it’s just abandoned? I’m not saying my podcast is art or anything, but I think you know what I mean.
Nic: I do. I think you and David would’ve got on really well!
Luke: Oh man, what a thought!
My bro sent me a little voice message. Here it is.
(James’ audio message)
Anyway, back to the Berlin period. I think what happened is that Bowie decided to get out of LA in order to escape all the drugs and madness. He moved to Berlin with Iggy Pop. I think they believed that there would be no drugs in Berlin, but they were wrong – apparently there was lots of heroin. I don’t think Bowie used heroin. Good – that’s the real killer and must be avoided at all costs. His friend Iggy Pop (real name James Osterberg) was a heroin addict, so I think he may have succumbed to it there, I’m not sure. But for Bowie, Berlin was a chance to start piecing his life together again and work on new projects. He also split from his wife Angie during this period. (Yes, during all the madness of the previous few years he had married and had a child, now called Duncan Jones – he’s a filmmaker who did a really great science fiction film called Moon, which is quite reminiscent of Bowie’s song Space Oddity).
Anyway, Berlin was Bowie’s attempt to begin again, and although it must have been a difficult and troubling time for him, it was also an extremely creative period, again. Some say it’s the peak of his career, but David Bowie had so many different peaks. Just pick one.
Berlin and the art scene there influenced him a lot. His records from that period were a collaboration with Brian Eno, and they have a totally different feel to the Thin White Duke period. They’re stark, sparse, quite low-fi, quite gritty, depressing yet with an air of grounded optimism and a sense of rebirth. It’s amazing how he managed to change and find new creativity with each step. I think artists are always struggling to find that inspiration to be creative. You can’t always manufacture the creative urge, it just comes to you and you have to try and put it into music or paint or whatever you’re using. I’m amazed at how Bowie managed to follow his creative muse so consistently and regularly. He was really in touch with something – a creative channel, that most of us don’t have access to. It makes us think that Bowie knew things that the rest of us don’t know. I don’t really understand that, but it’s true of all great artists I think – that they have direct access to something that we don’t, and they are able to put it into their art and then we can have access to it too. I feel like that about The Beatles too.
Song: Ashes to Ashes.
This was made just after the Berlin period and it’s his way of saying goodbye to the 70s. The song is incredible, especially when performed live. It has a really cool funk groove, but it also has some really weird and original chord changes and melodies. For me the lyrics are about him looking at his recent past and putting it behind him. It’s about letting the past be the past and moving on. I really can’t do justice in words to how poignant this song feels for me whenever I listen to it. It just grabs my feelings and throws them around all over the place. I don’t want to sound pretentious, that’s genuinely what the song does to me. I care about it in personal ways that I can’t go into now. I love the strength in the song. That you can move on and change and that you are not defined by your past. That’s incredibly brave and positive.
My Dad had another album – Let’s Dance, released in 1983. Perhaps Bowie’s biggest commercial hit. Produced by Nile Rogers.
On the cover Bowie was dressed as a boxer and is throwing a punch. There are also some diagrams for dance steps. I like the analogy of boxing and music. Dancing can be like fighting, when you dance on your own that is. It can be like sparring with your demons, if you like.
Bowie was still in a suit in this period and had bleached blonde hair. He still looked super cool as always.
The production on the album is absolutely massive. It sounds incredible.
The vinyl was in much better condition.
Maybe my Dad listened to it less (I think having kids and a job took up most of his time) or maybe the technology had improved since then, and vinyl records were just better made.
“Let’s Dance” blew my socks off completely. Still does.
“China Girl” also sounded incredible. The musicianship was so tight. It was produced like an up-front commercial dance album. Apparently Bowie didn’t like it that much. I think it just didn’t match his artistic vision, but I love it – because I love the work of Nile Rogers (think tracks like “Good Times” by Chic or “He’s the greatest dancer” by Sister Sledge, and many other records).
My Dad told me that he thought China girl was a song about heroin. That was really intriguing to me. “How could those romantic lyrics be about drugs?” and also, I was interested to know if Bowie had used heroin, because I know how dangerous that drug is – just watch the film Trainspotting and you’ll know.
It turns out the song was written by Iggy Pop. That explains it. Iggy was the heroin addict.
Listening to it, there’s a lot of pain and despair in the lyrics. Bowie screams in pain, including the line “It’s in the whites of my eyes!” to describe the depth of Iggy’s drug addiction. That’s scary, but it’s a pop song.
In fact, the raw upbeat power of the song overwhelms the dark sentiment of the lyrics. Maybe that’s why Bowie wasn’t so keen on it.
Since listening to that album as a teenager (and throughout my life) I’ve learned that by 1983 Bowie had managed to get clean and had left his drug habit behind. That was always really impressive to me. He always managed to maintain such distinction and class, even when he must have been feeling so terrible sometimes. He really kept it together, but there must have been some pretty dark and difficult times. I respect him for having the strength of mind to stop. Lesser people would have been destroyed by the lifestyle he had. Apparently, to help him stay clean, Bowie had a tattoo on his leg of the serenity prayer, which is the common name for a prayer authored by the American theologian Reinhold Niebuhr (1892–1971). It has been adopted by Alcoholics Anonymous and other twelve-step programs. The best-known form is:
God, grant me the serenity to accept the things I cannot change,
The courage to change the things I can,
And the wisdom to know the difference.
Which means I think – he wanted to remember that he could never go back to using drugs. I think some addicts slip back into using when they think they have the power to stop again, but they have to remember that their drug addiction is something they can’t change. If you believe you can control the addiction, you’re wrong. But you can control yourself by choosing to stay clean.
It’s something like that. But to me it’s impressive that he tattooed that onto his leg. He was really committed and strong-minded.
The 80s were a slightly mixed period artistically for Bowie. I think he probably got his personal life together but his art suffered a bit. Fair enough. I think he deserved to have some happiness and stability for a while and so what if some of his work in the late 80s wasn’t that great.
I remember seeing him again in about 1986 or 1987 when as a family we went to the cinema to watch a film called Labyrinth. David Bowie played the bad guy in the film – called Jareth The Goblin King. Basically it’s a kind of dark fairy tale about a girl who goes on adventure into a maze in order to rescue her baby brother who has been kidnapped by the goblin king. Bowie’s performance is pretty hilarious. He’s dressed up in a very camp outfit with big hair and tights. He sings a couple of songs. I remember being a bit disturbed by the film but I didn’t know why. Watching it back more recently I think I realised what it was – it’s Bowie’s tight trousers. They were… well… a bit too tight. I mean, you could see everything. The film was supposed to be scary and there were a few monsters in it, but really the most frightening monsters were on display under David’s tight pants. If you don’t know what I’m getting at, watch the film and you might see what I mean. I’m not the only one to have made that observation by the way. Apparently it was intentional too. The director wanted to create a villain who was attractive yet dangerous – like a rock star.
Bowie came back again in the 90s with another creative period. He reinvented himself as a kind of godfather of British rock music. He wore an awesome jacket with a union jack on it, and collaborated with drum and bass artists like Goldie.
For me the rest of his career is interesting but not quite as great as his earlier work, in terms of music. But he did lots of TV interviews and live performances and many of them are on YouTube. I like to think of his later period as his interview period, but of course he was involved in loads of other projects. There are plenty of things I’m not mentioning here just because it would be impossible to cover everything. One thing he did was use the internet to share his music, right from the beginning, before most other artists or companies used the internet for publishing. He really had his finger on the pulse. He was always ahead of his time.
His TV interviews on YouTube are great. He was always really interesting to listen to. He was very thoughtful, intelligent and articulate, and funny. He was really witty and had a fantastic sense of humour. That’s perhaps one of the most attractive things about him. He never ever took himself too seriously. He took the art really seriously, but never himself. His attitude was so refreshing. No ego.
He had a characteristic voice and way of speaking. It’s fun to do impressions of him and many comedians have done that over the years. My favourite impressions of Bowie are done by Hugh Cornwell on a TV show called Stella Street, and by Adam & Joe who are both Bowie obsessives, particularly Adam Buxton. They do great Bowie impressions. Check out the page for this episode to see those Bowie impressions and to listen to a long documentary that Adam did about Bowie. It’s brilliant.
Bowie released a few albums during the 2000s that were well received by critics, including Heathen and Reality.
Then he went quiet for a while after having a heart attack. He sort of disappeared from the media, except to help promote his son’s film “Moon”.
Then, more recently he came back with The Next Day, and just a week before his death his final album called Blackstar.
What’s interesting about this last couple of albums is that he seemes to be singing about his career as a whole, revisiting some of the themes, places and images that he created earlier.
What none of us predicted is that his latest album Blackstar is about his mortality. Listening to it now, immediately after his death, the songs and videos take on a much deeper significance. The album is very poignant and moving, and is full of puzzles and enigmas that seem to express his experience of coming to terms with his own death, and then dying, leaving us with a completed body of work. It is the perfect ending to his career.
Just over a week ago Bowie released his new album on his birthday.
Lots of people were talking about it, and Bowie fans were excited as usual to get some more music to explore.
We were all celebrating his return and wishing him a happy birthday.
So when we heard about his death, it came as a painful shock.
It was so unexpected, because we had no warning. We had no idea he was sick. He’d kept it secret.
It might seem like a small thing, but a new album of music from an artist you love can make a difference to your life in subtle ways.
A week before he died, early on a dark Monday morning while eating my corn flakes, I had watched the video to his song Blackstar. I found it to be really strange and quite frightening, yet with an appealing and catching song in the middle of it.
Just like much of Bowie’s best work, it’s both avant-garde and poppy. It’s not easy listening, it’s quite dark and moody, but I like that. Music shouldn’t always be safe. It should be challenging sometimes.
Anyway, the video disturbed me a bit. It was full of nightmarish visions, and seemed to be symbolic of something but I couldn’t put my finger on what it was.
I went to work that day and put it to the back of my mind, deciding to just come back and listen to the whole album at some point later.
Then a week passed and last Sunday evening came around. I couldn’t sleep.
I just couldn’t get to sleep.
That doesn’t always happen to me. Usually I get to sleep quite easily. I love sleeping.
This was one of those nights when I couldn’t rest. My mind was just wide awake and it was racing in lots of different directions at the same time. I ind it very frustrating and annoying, especially if I have work the next day. I just want to sleep but my mind seems to be connected to something and won’t switch off. (perhaps I should have listened to my own sleep episode – or tried the relaxation techniques, but I couldn’t focus)
It was disturbing to be still awake at 4am, just lying there in the darkness, with the stars in the sky outside, just staring into space even though my eyes were closed.
Eventually I dropped off and got a couple of hours of sleep, but I was feeling pretty delicate on Monday morning. You know how it is if you haven’t slept.
I had corn flakes again like normal. I have to get up extra early on Mondays in order to teach. My wife was still sleeping peacefully. Lucky her!
I got to school in the rain.
I was holding it together, getting my lessons prepared and someone came in the room and just said to me “David Bowie’s dead”.
Immediately I just said “WHAT???”
In fact, the news spread around the teachers’ room pretty fast. Usually people are busy getting their lessons planned but everyone just stopped.
It’s hard to comprehend that someone is just not in the world any more.
There’s a period where you can’t come to terms with it.
I felt a bit empty or something.
Then I had to go and teach.
During the classes that morning, when I wasn’t interacting with my students, like when I was getting the CD prepared, or when I turned away from them to write on the board, it came back to me quite quickly, and I got surprisingly emotional and had to try to get control of myself!
Fair enough I hadn’t slept much so I was feeling a bit weird anyway.
But I’m still quite surprised at how moved I was.
It was so unexpected.
It’s like David Bowie himself had punched me in the stomach.
Apparently he used to train as a boxer to keep fit.
Well, apparently he was still pretty fit because laid a combination of punches on me that morning that I didn’t expect.
In those moments when I wasn’t occupied by something else I couldn’t help thinking of the times when David Bowie’s music was in my life. They were all key moments for me somehow. Like being in the car with my Dad, discovering new feelings as a teenager in the corner of the living room, dancing in a nightclub somewhere with girls, doing Bowie impressions with my best friends, singing a Bowie song to try and seduce my girlfriend (it worked – the song? “The Prettiest Star”).
They all struck me, but I wasn’t the only one of course. Millions of people around the world were feeling pretty much the same things as me at that moment.
And later on I thought about that scary video that I’d seen exactly a week before and it made a lot more sense to me.
Bowie knew what he was doing. He new he was sick with cancer and he knew that he was going to die, but he didn’t tell the public. We had no idea. So he decided, probably very quickly, to make this music and throw into it all his feelings and experiences when confronted with his own mortality. Apparently he had 6 heart attacks in the year before his death, while recording the album, but he kept fighting to finish the album. Wow.
Apparently he was very close to the edge during the period when the album was due to be released. But he managed to time it somehow so that he would die a week after his birthday and the release of the album.
Even his death was a flawlessly judged artistic act.
Imagine my sleepless night, the frustration of not sleeping, the weird thoughts and fears that passed through my head in that condition. It was weird but what must it be like to be lying in bed, not waiting for dawn to come, but waiting for the end to arrive? What would you be thinking and feeling? I think Bowie has done a great job of expressing that in this music. It’s scary I know, but it’s powerful, and it’s not just morbid and depressing. There are moments where I feel he’s exstatically happy, looking back on some of the victories and joy he had in his life.
Also, the music is good. It’s got some bubbly electronic sounds and some jazz/funk drumming, and some soulful elements and sweeping string arrangements and saxophone.
But what’s mind-blowing is that Bowie used his death as a way of delivering his art to us. That punch in the stomach is a great way to get someone’s attention. Now he has everyone’s attention and we’re all listening. It’s the perfect exit! He really left with a bang.
Now what we have is a complete body of work with a distinct beginning and end, which makes it all the more powerful. I’m sure that all his best music will stand the test of time. In 100-200 years, if we’re all still here, I think Bowie will still be considered one of the most influential and significant artists of this age.
For me personally, I hope there will be many more moments coming in the future that I can share with David Bowie and his music, like the ones I had in the past.
The man may be gone, but the artist remains – preserved in the music, in the images and in our memories.
Thank you David Bowie.
Here are lots of David Bowie Links and Videos.
Just take your pick and dive in.
Space Oddity studio version with lyrics
Space Oddity live on TV in 1969
Ziggy Stardust sings Starman on BBC Top of the Pops in 1972
David Bowie announces the end of Ziggy Stardust on stage
Bowie interviewed by Dick Cavett in 1974, clearly under the influence of cocaine
Thin White Duke
Bowie in Berlin
Guardian article http://www.theguardian.com/music/2016/jan/13/david-bowie-berlin-years-heroes-just-a-gigolo
Fascinating interview from 1979
Bowie in 1983 criticises MTV for not playing black music
Bowie talks about acting and touring in 1983
Nile Rogers describes meeting David Bowie
Bowie – “The Interview Years”
Bowie & Comedy – Ricky Gervais described meeting Bowie
Phil Cornwell on Stella Street (skip to 5:00 for the David Bowie impression)
Adam Buxton’s Audio Bowie Documentary
This is my favourite Bowie tribute.
YouTube version here but with the songs removed
The new tracks – Blackstar (the creepy video I watched on Monday morning while eating corn flakes) and Lazarus
Adam & Joe talk about Bowie and do some impressions
If you watch just one of the videos in this list, please watch this one. Adam & Joe obviously love Bowie very much, and their impressions and improvisations are a lot of fun.
My response to the film Taken 3, plus 12 expressions with the word ‘take’. [Download]
*Spoiler alert* – I might give away some details of the story line, although I think you probably have a good idea what kind of thing you can expect. Someone did something to his family, and Liam Neeson will use his very particular set of skills to find them, he will hunt them down and he will kill them. There will be loads of high-octane action, some very questionable moral actions, and the usual offensive stereotypes of foreign people.
You should know that I’ve talked, at length, about Taken 1 already on this podcast.
Yesterday I went to the cinema and tweeted “I’m on my way to see Taken 3…” Naturally, some people wanted me to talk about it on the podcast, so here it is.
In a nutshell, this film is bad – it’s total pants, it’s piss poor, it’s lame, it’s cheesy, and frankly, it’s dull. It’s like a b-movie, but with Liam Neeson. It retains few of the redeeming qualities of the original, brings nothing new to the table and just looks like everyone involved is just doing it for the money. That’s not to say it was without enjoyment – I did enjoy it a bit, perhaps because I’d lowered my expectations before going into the cinema.
Expressions with Take
There are loads. Here are 12. Listen to the episode to hear full explanations and examples.
1. Take someone for a ride = to rip someone off
2. Take someone to the cleaners = to rip someone off, or to beat someone
3. Take something for granted = to undervalue something which is actually very valuable to you
4. Take it on the chin = to be strong and resilient in the face of criticism or adversity
5. Take it out on someone = to express your anger/frustration by being nasty or aggressive towards someone else
6. Take advantage of something = to make the most of it, to exploit it
7. Take it easy = relax
8. Overtake = to move in front of someone (e.g. in a car)
9. Take over = to take control of something (to acquire)
10. Takes one to know one = In order to know something you have to be that thing too
11. To have what it takes = to have the necessary qualities to do something
12. Give or take = approximately
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