Category Archives: Comedy

202. British Comedy: Monty Python & The Holy Grail

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[The Constitutional Peasants Scene] Here’s another episode about Monty Python’s Flying Circus, and in this one we’re going to be covering some very interesting topics, such as medieval history, old myths legends & folklore, the British monarchy, marxism and radical politics. In terms of language we’re going to look at some old fashioned formal poetic language, some political vocabulary and also some intonation and sentence stress, and we’ll be doing all of that while understanding and hopefully enjoying a funny scene from a classic British comedy film. So, you really are getting everything in this episode (well, maybe not everything but you know what I mean). A lot of this is transcribed at teacherluke.co.uk. If you find this episode on the website you’ll also see a video, a script for that video and more information. So let’s get started. Right-click here to download this episode.

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Last time I did an episode about Monty Python we had a look at a sketch from the TV show. There are many more sketches which I hope to come back to in the future, but in this episode I’m going to focus on a scene from their first feature film, which is called “Monty Python & The Holy Grail”.

As a reminder: Do consider purchasing MP DVDs, CDs, audio & video downloads and even tickets to see live a live broadcast of their stage show. Details here: http://www.montypythonlive.com

Please remember – this is not a blog post, but an audio podcast episode. To get the full explanations and detail of this episode, you should listen to the whole podcast episode!

Monty Python & The Holy Grail
When was it made, who directed it, and all that stuff?
In 1975. It was written by all the Monty Python team but was directed by Terry Gilliam and Terry Jones. The two Terries were quite controlling & ambitious and decided they wanted to be in charge of the film, and in fact, during the production I think they agreed that the film could be directed by anyone called ‘Terry’, as an effort to keep control of the film.

What’s it about?
It’s about King Arthur’s search for the Holy Grail. It’s set in the 10th century – the middle ages, or ‘dark ages’, a time of mystery and legend! King Arthur is a legendary King of Britain. The legend of Arthur dates back to the 5th & 6th centuries and the story of Arthur has been told many times since. Historians disagree about whether Arthur really existed or not. In the stories, Arthur is said to be the magical leader who defended Britain against real and supernatural enemies. He carried a magical sword called Excalibur, which was given to him by a mysterious spirit known as The Lady of the Lake. The Lady of the Lake is an important figure in the Arthurian legend – she’s a kind of magical woman who got her powers from the wizard Merlin. She’s a bit like Galadriel in the Lord of the Rings stories. In Arthur’s story, This lady emerges from a lake, holding Excalibur and then presents it to Arthur, and in so doing chooses him as the rightful leader of the Britons. It’s hardly a democratic way to choose the executive commander of Britain, but that’s how things were done back in the 5th century!

The Grail in this story is another aspect of Arthurian legend. Apparently, this grail once carried the blood of Jesus, and was sent by Joseph to Britain where it would be protected. Perhaps this is true, perhaps this is just a myth, but the grail is still a potent symbol in British folklore, either as a connection to Jesus, or as a magical cup which can give magical powers to whoever drinks from it (it’s the same cup in the Indiana Jones movie “Indiana Jones and The Last Crusade”)

What happens in the film?
Arthur is sent on a mission by God to find the Holy Grail.
He travels around Britain, visiting castles and collecting a group of knights to help him on his quest.
It’s just an excuse to visit lots of old castles and film a bunch of medieval themed sketches.
Most of it was filmed in Scotland, and the scenery is absolutely beautiful.
It was filmed on a budget of just $400,000, which is tiny in comparison to today’s standards. The Hangover 3, for example, had a budget of $103 million!
The film was financed partly by rock stars Pink Floyd, Led Zeppelin and Elton John.
It’s now considered one of the funniest British comedy films of all time, and in 2005 it was used by Eric Idle as the basis for the Monty Python musical “Spamalot” which you can see in theatres in London and around the world.
There are a few classic sketches in the film, and I’d like to play one of them for you.

“Constitutional Peasants” – King Arthur Has an Argument with Some Left-Wing Peasants
Arthur is travelling the land, trying to recruit knights to join him on his quest. He visits lots of castles. In this scene, he is approaching a castle, and meets some peasants working on the land. The peasants appear to just be collecting mud & filth from the floor in a field. They’re disgusting & dirty, and yet surprisingly articulate in the language of politics (which is part of the joke). King Arthur decides to ask them for information about the owner of the castle. The peasants don’t give him any useful information. Instead he gets into an argument with one of the peasants about the constitution, monarchy, democratic government and the oppression of the masses in an absolute monarchy.

Constitutional Peasants – Video (you’ll find a script below)

What’s So Funny About This?
One of the funny things about this scene is the anachronism (I mean, the fact that different time periods are mixed up). The king is from the medieval period, but the peasants are basically modern working class people. So it mixes up people from different time periods. The scene also mixes two different speech registers and two different political ideologies as the characters represent different political systems, and we see them argue. It’s unexpected because peasants in the middle ages were unaware of Marxist ideology, and certainly wouldn’t have been intelligent or educated enough to criticise the system in such an articulate way. Arthur speaks in a poetic & medieval way, and represents the system of absolute monarchy which was in place at the time. The peasant speaks like a modern left-wing radical using ideas founded by Karl Marx in the 19th century.

It’s also a joke about conventions of movies or stories set in medieval times in which peasants are always presented as old, dirty and inarticulate servants of the king. When these peasants speak like Marxists from the modern era, it’s quite a surprising & amusing shock.

I realise that now I’ve explained this scene, you probably won’t find it that funny, because explaining humour takes all the immediate fun out of it, but so be it. If you get the humour, good for you! The main thing is: We’re learning English aren’t we, so let’s focus on understanding the scene before trying to see the funny side. This scene is very rich in vocabulary, in either a poetic medieval register, or the language of left-wing politics. Listen to it once to see if you understand it all, and then I’ll explain it all to you afterwards. If you find any of it funny, then that’s a bonus as far as I’m concerned. :)

Vocabulary & Explanations
So, in a nutshell, King Arthur wants to know who lives in the castle, and he asks a couple of peasants, but they don’t help him. Instead he gets involved in an irritating argument about the exploitation of the working classes in this medieval monarchy.

Concepts
There are a few concepts which we need to study in order to fully appreciate this scene. Let’s look at some of those concepts before listening to the scene again. These concepts relate to different constitutional frameworks – I mean, different ways in which a country can be run. We’re talking about political systems like ‘absolute monarchy’, ‘democracy’, ‘Marxism’ and ‘anarchism’.

Absolute Monarchy – in this case a king (monarch) is not elected, but gets their supreme power by divine provenance. This means that the monarch has a special agreement with god. God has chosen the monarch to be the leader of these people. Usually, this is tied to old mythical stories which involve some supernatural intervention in which the king is chosen by god. In the case of King Arthur this was when he was given a holy sword (Excalibur) by a magical & mythical woman called The Lady of the Lake. The story goes that this lady is a kind of supernatural & mythical spirit who holds magical and religious authority. In the story she walks out of a lake and presents Arthur with his magical sword, which signifies that he is the divine ruler of Britain. Most monarchies justify their existence by suggesting they have some kind of special connection to god. In this sketch, Arthur believes he is the rightful ruler of the Britons because of his divine right given by god.

Democracy – in this case, the people give executive power (decision making power) to a representative by voting for him/her. The people give this leader a ‘mandate’ – which means a responsibility to run the country. It’s the government by the people, of the people and for the people. Churchill said that democracy is not perfect, but it’s better than the alternatives. In the UK today we have a democratic monarchy, which is basically a democracy (we vote for MPs in elections) but with a monarch as head of state with almost no executive power. The Queen has very minor powers, and she doesn’t exercise them. It’s like there is an understanding between parliament and the monarchy that the monarch just lets parliament run the country. The monarch doesn’t interfere. That’s the way our country works. Some people are concerned that Prince Charles might decide to exercise his power if/when he becomes king, which could cause a constitutional crisis, but that’s another story for another time.

Marxism – this isn’t really a constitutional system, but an political ideology, or a way of understanding the way in which most industrial/post-industrial capitalist systems work. Karl Marx was a German born philosopher, economist, sociologist and historian who basically stated that the ruling classes manage to maintain control of the system by owning the means of production, and that the working classes are therefore dominated and repressed. The only way in which true equality can exist is if the people own their own land, their own factories and the means of producing goods. His ideas formed the basis of many left-wing political models including communism, and also form the basis of many criticisms of the capitalist system in general. In the UK, we sometimes associate Marxist ideologies with certain types of people. Although their views may be valid, I think most ordinary people find Marxists to be a bit extreme and even boring – banging on about politics and the class system all the time, while not necessarily doing anything about it.

Anarchism – this is the idea that there should be no leaders at all, and in fact no formalised system of government or state at all. Instead, local communities should be run by free and open groups with no leader. The idea is, that formalised governments, or power structures are essentially corrupting – that when power is given to one or several representatives, elected or not, that this ultimately will corrupt them and that this leads to inequality. So, anarchists argue that there should be no system at all, and that people should be free to govern themselves in a completely open way – without adopting any kind of political ideology or dogma. For me, in principle this sounds great, but on a practical level it sounds chaotic, confusing and impractical. Ultimately, it would be great to remove the corrupting power of government, but are we ready for it? We’d need an intelligent and activated population. Education is key. The problem, to an extent, is that many people don’t really care about these issues and instead just find political discussion boring, therefore making it very hard for true anarchy to take effect. A bit like Marxism, many people find anarchists to be either boring, confusing or somehow threatening to normal life.

Vocabulary
OK, so we’ve looked at some ideological concepts at the heart of this sketch, but we’re not finished because there’s plenty of language to deal with too. It’s complex isn’t it!? You see – British comedy is intelligent and deep, particularly Monty Python. It’s not just weird.

Here’s some vocabulary that you should know in order to understand this sketch further. Remember that Arthur speaks in old fashioned language, and Dennis the peasant speaks like a modern man with radical political opinions. Listen to the episode to hear all the bold words defined.

What knight lives in that castle over there?
– a knight is (in the Middle Ages) a man who served his sovereign or lord as a mounted soldier in armour. In this context it means a leader.
you automatically treat me like an inferior

exploiting the workers!
– exploiting means to benefit unfairly from the work of (someone), typically by overworking or underpaying them: “women are exploited in the workplace”.

hanging on to outdated imperialist dogma which perpetuates the economic and social differences in our society
-dogma = a principle or set of principles laid down by an authority as incontrovertibly true: the dogmas of faith | [ mass noun ] : “the rejection of political dogma”.

Dennis, there’s some lovely filth down here.

I didn’t know we had a king. I thought we were an autonomous collective.
– autonomous = • having the freedom to act independently: “school governors are legally autonomous”.

You’re fooling yourself. We’re living in a dictatorship: a self-perpetuating autocracy in which the working classes–
– an autocracy = a system of government by one person with absolute power.

Oh, there you go bringing class into it again.

Please! Please, good people. I am in haste. Who lives in that castle?

Dennis: I told you. We’re an anarcho-syndicalist commune. We take it in turns to act as a sort of executive officer for the week,…
Arthur: Yes.
Dennis: …but all the decisions of that officer have to be ratified at a special bi-weekly meeting…
Arthur: Yes, I see.
Dennis: …by a simple majority in the case of purely internal affairs,…
Arthur: Be quiet!
Dennis: …but by a two-thirds majority in the case of more major–
– ratify = sign or give formal consent to (a treaty, contract, or agreement), making it officially valid. “both countries were due to ratify the treaty by the end of the year”.
– a simple majority = this candidate receives more votes than anyone else (but it doesn’t have to be more than 50% of all votes cast) e.g. if Obama, Bush & Clinton are in an election and Clinton gets 40% and Obama & Bush get 30% each, Clinton gets a simple majority. She just gets more votes than the others.
– a two-thirds majority = at least 66% of all the votes
– an absolute majority = at least 51% of all votes

Woman: Well, how did you become King, then?
Arthur: The Lady of the Lake,… [angels sing] …her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water signifying by Divine Providence that I, Arthur, was to carry Excalibur. [singing stops] That is why I am your king!
– samite = a rich silk fabric interwoven with gold and silver threads, used for dressmaking and decoration in the Middle Ages.

Dennis: Listen. Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.

I mean, if I went round saying I was an emperor just because some moistened bint had lobbed a scimitar at me, they’d put me away!

Dennis: Oh! Come and see the violence inherent in the system! Help! Help! I’m being repressed!
Arthur: Bloody peasant!
Dennis: Oh, what a give-away. Did you hear that? Did you hear that, eh? That’s what I’m on about. Did you see him repressing me? You saw it, didn’t you?

What I love about this is that it’s a well written script, with different types of English and it manages to mock both the idea of a medieval monarchy, and also the irritating verbosity of political radicals. Monty Python are making fun of history & taking the piss out of everyone, while at the same time celebrating the language. Complex language, delivered at speed by colourful characters is at the heart of the humour in this sketch.

Intonation & Sentence Stress
I really enjoy the performances in this scene – particularly Michael Palin who plays Dennis the peasant. The lines are delivered with quite exaggerated and characterful intonation and sentence stress. To highlight this, I’m going to read the script of this scene, just to make it a bit clearer. You could listen to the original version again in order to, hopefully, appreciate it a bit more.

Constitutional Peasants – Script
Arthur: Old woman!
Dennis: Man!
Arthur: Man. Sorry. What knight lives in that castle over there?
Dennis: I’m thirty-seven.
Arthur: I– what?
Dennis: I’m thirty-seven. I’m not old.
Arthur: Well, I can’t just call you ‘Man’.
Dennis: Well, you could say ‘Dennis’.
Arthur: Well, I didn’t know you were called ‘Dennis’.
Dennis: Well, you didn’t bother to find out, did you?
Arthur: I did say ‘sorry’ about the ‘old woman’, but from the behind you looked–
Dennis: What I object to is that you automatically treat me like an inferior!
Arthur: Well, I am King!
Dennis: Oh, King, eh, very nice. And how do you get that, eh? By exploiting the workers! By hanging on to outdated imperialist dogma which perpetuates the economic and social differences in our society. If there’s ever going to be any progress with the–
Woman: Dennis, there’s some lovely filth down here. Oh! How d’you do?
Arthur: How do you do, good lady? I am Arthur, King of the Britons. Whose castle is that?
Woman: King of the who?
Arthur: The Britons.
Woman: Who are the Britons?
Arthur: Well, we all are. We are all Britons, and I am your king.
Woman: I didn’t know we had a king. I thought we were an autonomous collective.
Dennis: You’re fooling yourself. We’re living in a dictatorship: a self-perpetuating autocracy in which the working classes–
Woman: Oh, there you go bringing class into it again.
Dennis: That’s what it’s all about. If only people were aware of–
Arthur: Please! Please, good people. I am in haste. Who lives in that castle?
Woman: No one lives there.
Arthur: Then who is your lord?
Woman: We don’t have a lord.
Arthur: What?
Dennis: I told you. We’re an anarcho-syndicalist commune. We take it in turns to act as a sort of executive officer for the week,…
Arthur: Yes.
Dennis: …but all the decisions of that officer have to be ratified at a special bi-weekly meeting…
Arthur: Yes, I see.
Dennis: …by a simple majority in the case of purely internal affairs,…
Arthur: Be quiet!
Dennis: …but by a two-thirds majority in the case of more major–
Arthur: Be quiet! I order you to be quiet!
Woman: Order, eh? Who does he think he is? Heh.
Arthur: I am your king!
Woman: Well, I didn’t vote for you.
Arthur: You don’t vote for kings.
Woman: Well, how did you become King, then?
Arthur: The Lady of the Lake,… [angels sing] …her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water signifying by Divine Providence that I, Arthur, was to carry Excalibur. [singing stops] That is why I am your king!
Dennis: Listen. Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.
Arthur: Be quiet!
Dennis: Well, but you can’t expect to wield supreme executive power just ’cause some watery tart threw a sword at you!
Arthur: Shut up!
Dennis: I mean, if I went round saying I was an emperor just because some moistened bint had lobbed a scimitar at me, they’d put me away!
Arthur: Shut up, will you? Shut up!
Dennis: Ah, now we see the violence inherent in the system.
Arthur: Shut up!
Dennis: Oh! Come and see the violence inherent in the system! Help! Help! I’m being repressed!
Arthur: Bloody peasant!
Dennis: Oh, what a give-away. Did you hear that? Did you hear that, eh? That’s what I’m on about. Did you see him repressing me? You saw it, didn’t you?

201. Nikolay Kulikov: A Russian Comedian in London

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Nikolay Kulikov is an award-winning Russian screenwriter and stand-up comedian. This year he spent a couple of months living in London (and also briefly in Dublin) performing stand-up comedy. I saw one of his performances in English on video and thought he was very funny! So, I decided to contact him for an interview to find out more about him, his experiences learning English, his views on performing to British & Irish people, and how he feels about life in Russia these days. I hope you enjoy the episode! **Please be aware that this episode features some rude language and swearing** Right-click here to download.

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Here is an email I sent to Nikolay, inviting him to be on the podcast, and his reply:

Dear Nikolay,

My name is Luke Thompson and I am an English teacher and stand-up comedian. I do a podcast called Luke’s English Podcast. It has listeners all around the world, and many of them are from Russia. Recently one of my Russian listeners sent me a message with a video of you performing stand-up in Ireland. I thought it was really funny. You’ve got great jokes and a lot of talent.

I was wondering if I could interview you by Skype some time and feature the interview on the podcast. Essentially, I’m interested in your story. How did you learn English? What made you start doing stand-up? Where have you performed around the world? How is your comedy received in Russia, particularly some of the slightly controversial things you say about the place?

I think you’d be a great guest and my listeners would enjoy hearing from you. You will also be heard by thousands of people around the world so it would work as publicity for you too. Let me know if you’re interested in being interviewed over Skype some time, perhaps next week.

I’m looking forward to hearing from you.

All the best,

Luke Thompson

Nikolay’s Reply:

Hi Luke!
It was a pleasure to receive such a wonderful letter.
Yes, let’s do this! I’ve got a lot to talk about and it can be real fun.
Next week is excellent.

ninja_tune_largeThanks to Anna Khazan and Natalia Dalik for bringing Nikolay to my attention and helping me to contact him. You’re my LEP Ninjas!

Nikolay’s Stand-Up in English in Ireland

Find Nikolay on Twitter, YouTube and VK Nikolay Kulikov
https://twitter.com/KolyaKulikov
http://www.youtube.com/user/krakvasha
http://vk.com/nobrainkolya

The Spoon Thing from The Matrix – “There Is No Spoon”
You might have heard Nikolay and me talking about a spoon in this episode, and wondered what we were talking about. You might have thought, “There is no spoon” – what do they mean? If you found that to be a little bit mysterious, let me explain it to you!

It’s from a scene in the movie The Matrix (1999).

I don’t know if you’ve seen the film, but the basic premise is that the human race has been enslaved by machines. The machines have connected everyone to a computer programme which replicates the real world. It’s an incredibly convincing simulation of real life. It’s so convincing that most people don’t realise that it’s just a dream, and that in reality they are slaves to machines. Some people have “woken up” and realised that the reality in which they are living is just a dream. Those people form a rebellion in order to fight against the machines. They are able to move in and out of the matrix whenever they want. One of the key members of the rebellion is a guy called Neo (Keanu Reeves). Some of the others believe he is the chosen one who will allow the humans to defeat the machines, but in order to do so he first has to learn to understand the nature of the matrix (in fact just a computer programme) and then to control it from within. In the first film we follow Neo as he learns about the matrix and begins to understand how to control it. One of the concepts at the heart of this film is that reality is just what we perceive – that there is no ‘reality’ there is just the way we perceive the world through our senses, and if you learn to control your senses, you can then control reality. The things we see are just our imagination. We’re living in a dream, and it may be possible for us to become lucid within the dream, and therefore control everything that happens all around us. It’s deep, man. There’s also some wicked kung fu.

So, the spoon thing.
There is a key scene in the film in which Neo learns about how to control the matrix. He encounters a boy who has learned to bend spoons using only the power of his mind. The boy holds up a spoon, and it bends. Neo is amazed and asks the boy how he does it. The boy says “You have to realise that there is no spoon. There is only you.” What he means is – you have to realise that the world you see is just created by your senses (which are being controlled by the matrix programme), so in order to bend the spoon you have to remember that the spoon does not exist, and that it is just the product of your senses. If you can control yourself, then you can control the world around you. Neo picks up the spoon and for a moment he manages to make it bend. This is an important moment for Neo, and after this he learns how to control the matrix, and then fight back against the machines which are enslaving the human race. You can see the scene below (YouTube video).

Some people think the film is a profound meditation about the nature of reality. Other people just think it’s an awesome kung-fu movie. For me, it’s a bit of both – philosophy and kung-fu. It’s a good combination!

195. British Comedy: Monty Python’s Flying Circus

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The series about British Comedy continues with everything you need to know about Monty Python’s Flying Circus and an analysis of The (Dead) Parrot Sketch. Right-click here to download this episode.

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And now for something completely different. It’s…Monty Python’s Flying Circus

Introduction
This episode is the next in the series about British Comedy. I had to do an episode about Python. They’re such an important, popular and celebrated part of our comedy history. They’re very well rated by lots of people. Some say they’re overrated. I don’t think so. I like almost all of their comedy. They’ve been very influential on popular culture in general, but more specifically on plenty of other comedians and TV shows in the UK and in USA too (e.g. The Simpsons and South Park probably wouldn’t exist without Python). Also, this year they are in the middle of a comeback, putting on stage performances of their greatest material live at the 02 Arena in London. Live performances will be broadcast in cinemas around the world too, so check out their website for more information if you want to see it. Personally, I’d like to see the reunion tour, but I’m quite happy watching their sketches and movies on TV and listening to the records on my mp3 player as I walk around. I’m really happy to share my love of Python with you. Some of you will already be aware of them, some of you won’t. I’ve already played you some of their stuff before, including the Four Yorkshiremen, The Argument Sketch, Swamp Castle and the Silly Election. So I’m sure already pretty familiar with them. Anyway, this episode should be your go-to guide for everything you need to know about Monty Python. You can use it to make sure you are fully clued up about this essential part of modern British culture.

I could go on and on about it for ages, talking about how special their comedy is to me personally (and plenty of other people) but instead I think it’s best to go straight to their comedy and let it speak for itself. I realise that by talking about it a lot, I’m just building it up and then you’ll find it anti-climactic.

So, after I’ve explained a few things about Python, we’re also going to spend some time listening to one of their sketches. I’ll explain things so that you understand it all fully, just like a native speaker – and a native speaker who gets all the jokes. Hopefully this will just be one single episode. I’ll try and keep it brief. In a way this is one of the hardest episodes of LEP I’ve ever done because it’s hard to get across in a simple way the appeal of Monty Python. Also, I can’t choose a sketch. I like them all too much. I also realise that you might not find it funny. Never mind. The main thing is that you learn some things about culture and some language and if you find it funny that’s a bonus. SO DON’T EXPECT TO FIND ANY OF THIS FUNNY, ALRIGHT? NO FUN IN THIS EPISODE!

Everything You Need To Know about Monty Python’s Flying Circus (and perhaps some things you don’t really need to know)
Remember, this is not a blog post, it’s just some text which accompanies this audio episode. So, to get the full information you should listen to the podcast.
Who are they?
Why are they called “Monty Python’s Flying Circus”
Where did they come from?
What did they do?
What was so special about it? Why do people like it so much?
The wild, crazy & anarchic approach.
The postmodern approach – breaking all the rules.
The performances.
The writing.
The originality (although this kind of thing had been started by The Goon Show, Spike Milligan & Peter Cook)
The animations.
The level of intelligence, combined with the readiness to be completely stupid too.
What effect has their work had on culture in general?
Is their comedy still funny or relevant today?
What does their comedy tell us about the British sense of humour?
What are some of the most famous Monty Python moments?

Sketches
Let’s listen to some sketches by Python. Below is a list of some of my favourite sketches by Monty Python. You can see most of them on their YouTube channel . I strongly suggest you buy their work too. Here’s a list on Amazon of pretty much everything you can purchase by Monty Python’s Flying Circus. My favourites are the movies “Monty Python & The Holy Grail”, “Life of Brian”, “Live at the Hollywood Bowl” and the audio recording of “Live at Drury Lane”. Don’t bother with the TV show unless you’re a hardcore fan. You could just get “The Best of Monty Python’s Flying Circus” if you want to see some of their sketches. Otherwise, just check out videos from their YouTube channel here.

I will probably come back to Python sketches in the future because there’s no way I can cover everything in this episode. I’ll be lucky to get through more than 2 sketches to be honest.

PLEASE DO NOT EXPECT TO FIND ANYTHING FUNNY.

The Parrot Sketch
I can’t really explain why this is ‘funny’ – in fact many people agree that it isn’t their funniest sketch, but it’s definitely the most famous one. Most people know some lines from it. Some people know every line and can recite the entire sketch from memory. Thatcher quoted it in a speech once. Let’s listen and find out what all the fuss is about.

Script for the Parrot Sketch
MR. PRALINE
John Cleese
SHOP OWNER
Michael Palin
The sketch:

A customer enters a pet shop.

Mr. Praline: ‘Ello, I wish to register a complaint.

(The owner does not respond.)

Mr. Praline: ‘Ello, Miss?

Owner: What do you mean “miss”?

Mr. Praline: (pause)I’m sorry, I have a cold. I wish to make a complaint!

Owner: We’re closin’ for lunch.

Mr. Praline: Never mind that, my lad. I wish to complain about this parrot what I purchased not half an hour ago from this very boutique.

Owner: Oh yes, the, uh, the Norwegian Blue…What’s,uh…What’s wrong with it?

Mr. Praline: I’ll tell you what’s wrong with it, my lad. ‘E’s dead, that’s what’s wrong with it!

Owner: No, no, ‘e’s uh,…he’s resting.

Mr. Praline: Look, matey, I know a dead parrot when I see one, and I’m looking at one right now.

Owner: No no he’s not dead, he’s, he’s restin’! Remarkable bird, the Norwegian Blue, idn’it, ay? Beautiful plumage!

Mr. Praline: The plumage don’t enter into it. It’s stone dead.

Owner: Nononono, no, no! ‘E’s resting!

Mr. Praline: All right then, if he’s restin’, I’ll wake him up! (shouting at the cage) ‘Ello, Mister Polly Parrot! I’ve got a lovely fresh cuttle fish for you if you show…

(owner hits the cage)

Owner: There, he moved!

Mr. Praline: No, he didn’t, that was you hitting the cage!

Owner: I never!!

Mr. Praline: Yes, you did!

Owner: I never, never did anything…

Mr. Praline: (yelling and hitting the cage repeatedly) ‘ELLO POLLY!!!!! Testing! Testing! Testing! Testing! This is your nine o’clock alarm call!

(Takes parrot out of the cage and thumps its head on the counter. Throws it up in the air and watches it plummet to the floor.)

Mr. Praline: Now that’s what I call a dead parrot.

Owner: No, no…..No, ‘e’s stunned!

Mr. Praline: STUNNED?!?

Owner: Yeah! You stunned him, just as he was wakin’ up! Norwegian Blues stun easily, major.

Mr. Praline: Um…now look…now look, mate, I’ve definitely ‘ad enough of this. That parrot is definitely deceased, and when I purchased it not ‘alf an hour ago, you assured me that its total lack of movement was due to it bein’ tired and shagged out following a prolonged squawk.

Owner: Well, he’s…he’s, ah…probably pining for the fjords.

Mr. Praline: PININ’ for the FJORDS?!?!?!? What kind of talk is that?, look, why did he fall flat on his back the moment I got ‘im home?

Owner: The Norwegian Blue prefers keepin’ on it’s back! Remarkable bird, id’nit, squire? Lovely plumage!

Mr. Praline: Look, I took the liberty of examining that parrot when I got it home, and I discovered the only reason that it had been sitting on its perch in the first place was that it had been NAILED there.

(pause)

Owner: Well, o’course it was nailed there! If I hadn’t nailed that bird down, it would have nuzzled up to those bars, bent ’em apart with its beak, and VOOM! Feeweeweewee!

Mr. Praline: “VOOM”?!? Mate, this bird wouldn’t “voom” if you put four million volts through it! ‘E’s bleedin’ demised!

Owner: No no! ‘E’s pining!

Mr. Praline: ‘E’s not pinin’! ‘E’s passed on! This parrot is no more! He has ceased to be! ‘E’s expired and gone to meet ‘is maker! ‘E’s a stiff! Bereft of life, ‘e rests in peace! If you hadn’t nailed ‘im to the perch ‘e’d be pushing up the daisies! ‘Is metabolic processes are now ‘istory! ‘E’s off the twig! ‘E’s kicked the bucket, ‘e’s shuffled off ‘is mortal coil, run down the curtain and joined the bleedin’ choir invisible!! THIS IS AN EX-PARROT!!

(pause)

Owner: Well, I’d better replace it, then. (he takes a quick peek behind the counter) Sorry squire, I’ve had a look ’round the back of the shop, and uh, we’re right out of parrots.

Mr. Praline: I see. I see, I get the picture.

Owner: (pause) I got a slug.

(pause)

Mr. Praline: Pray, does it talk?

Owner: Nnnnot really.

Mr. Praline: WELL IT’S HARDLY A BLOODY REPLACEMENT, IS IT?!!???!!?

Owner: N-no, I guess not. (gets ashamed, looks at his feet)

Mr. Praline: Well.

(pause)

Owner: (quietly) D’you…. d’you want to come back to my place?

Mr. Praline: (looks around) Yeah, all right, sure.

Alternate ending:

Mr. Praline: (sweet as sugar) Pray, does it talk?

Owner: Nnnnot really.

Mr. Praline: WELL IT’S HARDLY A BLOODY REPLACEMENT, IS IT?!!???!!?

The Dead Parrot Sketch (The Studio Version)

The Dead Parrot Sketch (Live version – funnier)

The Pythons Talk about The Dead Parrot Sketch

Margaret Thatcher does The Dead Parrot Sketch

Mick Jagger of The Rolling Stones talks about the Python reunion, saying they are… “a bunch of wrinkly old men trying to relive their youth. The best one died years ago. Maybe back in the 70s it was fantastic! But, you know, we’ve seen it all before!” Of course he is making fun of himself (the same things are true about the Stones) and yet also showing his respect for Monty Python. At the end of this sketch Mick agrees to perform The Dead Parrot Sketch in the next Rolling Stones concert.

Other Sketches That I like
Spam (This is the origin of the word spam on the internet. It’s completely farcical)
Witch Burning
The Peasants
What have the Romans ever done for us?
The Funniest Joke in the World
The Communists Quiz
The Philosopher’s Football Match
The Spanish Inquisition
The Ministry of Silly Walks
The songs!
The Lumberjack Song, The Philosopher Song, Always Look on the Bright Side of Life.
The Dirty Fork (The Restaurant Sketch)
Nudge Nudge Wink Wink
+ many more…

Terry Gilliam’s Animations

Famous American Comedians Talk About Why They Love Monty Python

Why do people like Monty Python so much? (Comments from YAHOO ANSWERS)
ORIGINAL QUESTION: Hysteria98: Why do people find Monty Python funny? The only reason I can think of why, is that its so ridiculous.
Best AnswerVoter’s Choice
It’s ridiculously funny and funnily ridiculous. It’s genius.
you have to look at it in the context of the time it was on TV for the first time- in the late 60s and early 70s nothing like it had ever been seen before- the sheer randomness was exciting as you never knew what was going to happen next. Remember there were only 2 TV channels in the UK back then, so Monty Python was hysterically fun and funny

Black Star Deceiver answered 4 years ago
Oh it’s unpredictable, so simple and yet sheer genius. The guys are legends.
Long Live the comedy of Monty Python!

Mike answered 4 years ago
Monty python has not dated at all, it was funny then and funny now, ridiculous situations are funny no matter what decade, for instance the guy who wrote the worlds funniest joke, it was so funny he died laughing at it, so the army used the joke and translated it to german to shout at the enemy, instead of shooting at them !

Alice answered 4 years ago
I can understand your question perfectly.
Its probably a generational thing.
I’ve noticed a lot of older friends of mine really love it but i just dont get where the “Funny” is…
It doesn’t even make me smile. I like comedy that examines people, their personalities and situations that they get into.

Alan Partridge
Father Ted
Peep Show

kaznaid answered 4 years ago
Sadly, I remember MP when it was first broadcast on BBC 1 in 1969. Actually, I didn’t find it very funny but I was only 12 years old.

I only started to laugh after I watched Life of Brian and Holy Grail. Some of it is very silly but, last week, I saw the Upper Class Twit Olympics on the BBC’s celebration of the programme, and I laughed so much I cried!!

So, it just shows that it obviously does not date … and it can grow on you although it did take 40 years!!!

Intrinsic Random Event answered 4 years ago
They are the Dali of comedy

legs answered 4 years ago
It was very much of its time – groundbreaking – much loved by many of my generation. I was studying for GCEs & my English teacher was a great fan as were most of his pupils. It was a must see for many of us after all we only had BBC1 & ITV, then BBC2 came along but not the multi-channel choice now available. I still laugh at the sketches & the films. I have a weird sense of humour maybe that explains why I like it!

Lexx answered 4 years ago
off the wall humour that pushes the boundaries with out resorting to sex and profanity ( well most of the time)
They pushed the limits of comedy which now has become the norm – but MP lead the way for many comedians that are amazing
Long live the Python!!

Rebecca answered 4 years ago
Because it is ridiculous. You have 2 types of people, those that find it funny because it is silly and those who cannot get past the silly to see the humor.
For example the attack rabbit “what is he going to do, nibble my bum?”

Mae answered 4 years ago
That’s the reason it’s so funny, it’s just insanely ridiculous. That kind of funny that makes your stomach hurt you’re laughing so much.

itsjustme answered 4 years ago
It was the late 60’s early 70’s and they were pushing the edge back then,therefor it was very funny.This is a funny scene and a catchy tune too.

Sniper answered 4 years ago
I didn’t think people found it funny at all o_O

MrMunchy420 answered 4 years ago
Because its just brilliant in general.
Ridiculous does have a lot to do with it :P

Abolyss answered 4 years ago
that is exactly why.

Its so ridiculous its funny.
Huh? It is funny!! And it’s so random.

knownout answered 4 years ago
I don’t . Its just stupidity

The Script for the Introduction to This Podcast (Which I didn’t use – because it’s too similar to the opening of Monty Python Live at Drury Lane, and I don’t want to steal their jokes!)
Radio voice… Welcome ladies and gentlemen to this special Royal Gala edition of Luke’s English Podcast. You join us here at the Royal Albert Hall, where this podcast is being recorded with a star studded audience, including her Royal Highness The Queen.
Among the other members of this celebrity audience, we can see… err… what’s his name… umm, that guy with the glasses on TV… also in the audience this evening, um, that woman, you know, the one in the TV commercials about that thing… just arriving now, it’s… um, you know that famous guy who is always in the newspapers…
And the atmosphere here at the Albert hall, with a royal audience, is electric, as the audience finally takes their seats to witness the recording of this extra special episode on British comedy legends, Monty Python’s Flying Circus. Unfortunately, none of the original pythons are present this evening, for legal reasons, but their spirit is very much with us… unless someone has just farted… Yes I think that’s it actually. And the lights now dim in the auditorium as Mr Luke Thompson of Solihull, takes the stage to begin the recording of this Royal podcast episode.
Good evening (cheering)
And I would especially like to welcome Her Royal Highness, it is indeed a great pleasure to have you here this evening. How’s it going? Sorry, I can’t hear you… I SAID HOW’S IT GOING LIZ??? Oh sorry…
Anyway, we are here today in order to pay tribute to the work of the comedy group known as Monty Python’s Flying Circus. (disappointment)
You did know that didn’t you?
You didn’t?
Wait, don’t leave… it’s interesting, I promise!
Wait…
Your majesty!
Everybody, this is going to be a really good podcast! Wait!
(Voice over) and as everybody leaves the auditorium, Luke has no choice but to continue the recording for our benefit…

Monty Python Live at Drury Lane

MontyPythonPIC

193. Culture Shock: Life in London (Pt.2)

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More explanations of some common complaints about life in London. For part 1, click here. To download this episode, click here.

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In part 1 I talked about some common complaints made by students regarding life in London. I think many of those complaints count as just examples of culture shock. In this episode I try and explain these issues, to encourage a broader understanding of why Londoners live the way they do.

Here are the complaints I talk about in this episode:
8. “It’s too expensive”
Yes, it is. :(

9. “The beer is warm! This is ridiculous!”
Some types of beer are not supposed to be served chilled, but yes I agree – beer (particularly lager) is often not served cold enough. Often this is bad cellar management or just because the glass has just come out of the washing machine and is still warm – or the glasses are stored in a warm place next to a fridge.

10. “The houses are old and draughty”
Yes, I do agree with this actually. In many cases, old buildings are not very energy efficient. Many buildings in London are from the Victorian era, and therefore have the original windows. They let draughts in sometimes, and don’t keep out the cold as well as they should. It may be necessary to install secondary double-glazing, but it’s a bit expensive and plenty of people choose not to do it. Here are some explanations for the draughty window complaint:
a. It can be expensive to replace windows with modern ones. Some buildings are just cheap and poorly maintained because life in London is really expensive and people are attempting to make a living. Some landlords are greedy and don’t care about their tenants! Also, if you’re a student staying in ‘cheap’ short-let accommodation, you might get slightly poor facilities (even if it seems expensive to you – you might be renting property which is cheaper than the market average. Sorry!)
b. We don’t feel the cold as much as you because we’re used to it.
c. You are quite far north! It’s just colder up here. Blame geography!
d. There may be old laws protecting the windows in these buildings. Although these windows aren’t as effective as modern ones, they add value to a property because they are the original, traditional windows. In London, we value the tradition, and the craftsmanship of these old windows. Ultimately, that is perhaps more important than the energy efficiency of the windows. Changing them would somehow reduce the aesthetic value of the buildings.
There are plenty of new buildings in London which are constructed with excellent modern windows and insulation, so we are perfectly capable of installing good windows! So, to an extent I agree with this complaint.

11. “The people are so reserved – they don’t talk to each other on the train.”
One reason for not making conversation is because we don’t want to disturb the people around us.
The city is so big that you’re unlikely to see the same person again, so what’s the point in getting to know a stranger.
People are not unfriendly. They’re friendly enough. They’ll help you if you ask politely, but don’t expect to make friends right away.
The train or bus is not the place for this. It’s more likely to happen in a social gathering.
We don’t want to get stuck in a conversation for ages on a long journey.
We give each other personal space, and don’t invade each other’s lives too much. Don’t impose yourself on other people! If you’re cool, you’ll understand this.
It can be a bit stressful or even traumatic to be stuffed into a train, so close to everyone. Making eye contact or talking can be uncomfortable because people don’t have the option to ‘escape’ from the situation.
People don’t want to be forced to be rude (to stop a conversation or something) and so they prefer not to start the conversation in the first place.
People can be reserved, but we’re not mean. Just because people respect each other’s personal space it doesn’t mean we’re all cold hearted and unfriendly. In fact, it’s very considerate to not impose yourself on other people when they have busy lives to deal with.

12. “Why don’t people carry umbrellas even when it’s raining?”
13. “The internet is so slow here”
14. “You just don’t make any effort to speak other languages here. It’s just ENGLISH, and that’s it.”
15. “Why oh why do the pubs close at 11PM!?? I’m just getting ready to go out at 11!”
16. “English people aren’t civilised. They go to the pub and just drink and drink, standing up, without eating”
17. “Cigarettes are ridiculously expensive”
18. “People speak really fast here, and don’t try to help me understand”
19. “When English people do the washing up, they use too much soap and then don’t rinse the soap off when they’ve finished. That’s like leaving poison on your plates”
20. “They have carpet everywhere – even in the toilet sometimes”
21. “They don’t take their shoes off when they enter a house. That’s disgusting isn’t it?”
22. “The British have a weird sense of humour”.

Song
At the end of this episode, I play the ukulele and sing a song called “Ape Man” by The Kinks. It’s at the end of the episode, so you don’t have to listen to it if you don’t want to! You can read the lyrics below.

Ape Man – The Kinks – Lyrics (video below)
I think I’m sophisticated
‘Cos I’m living my life like a good homosapien
But all around me everybody’s multiplying
Till they’re walking round like flies man
So I’m no better than the animals sitting in their cages
In the zoo man
‘Cos compared to the flowers and the birds and the trees
I am an ape man
I think I’m so educated and I’m so civilized
‘Cos I’m a strict vegetarian
But with the over-population and inflation and starvation
And the crazy politicians
I don’t feel safe in this world no more
I don’t want to die in a nuclear war
I want to sail away to a distant shore and make like an ape man
I’m an ape man, I’m an ape ape man
I’m an ape man I’m a King Kong man I’m ape ape man
I’m an ape man
‘Cos compared to the sun that sits in the sky
Compared to the clouds as they roll by
Compared to the bugs and the spiders and flies
I am an ape man
In man’s evolution he has created the cities and
The motor traffic rumble, but give me half a chance
And I’d be taking off my clothes and living in the jungle
‘Cos the only time that I feel at ease
Is swinging up and down in a coconut tree
Oh what a life of luxury to be like an ape man
I’m an ape, I’m an ape ape man, I’m an ape man
I’m a King Kong man, I’m a voo-doo man
I’m an ape man
I look out my window, but I can’t see the sky
‘Cos the air pollution is fogging up my eyes
I want to get out of this city alive
And make like an ape man
Come and love me, be my ape man girl
And we will be so happy in my ape man world
I’m an ape man, I’m an ape ape man, I’m an ape man
I’m a King Kong man, I’m a voo-doo man
I’m an ape man
I’ll be your Tarzan, you’ll be my Jane
I’ll keep you warm and you’ll keep me sane
And we’ll sit in the trees and eat bananas all day
Just like an ape man
I’m an ape man, I’m an ape ape man, I’m an ape man
I’m a King Kong man, I’m a voo-doo man
I’m an ape man.
I don’t feel safe in this world no more
I don’t want to die in a nuclear war
I want to sail away to a distant shore
And make like an ape man.
The Kinks performing Apeman on British TV in 1970.

183. Luke’s D-Day Diary (Part 1)

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Join me on a trip to Normandy for the commemoration of the World War 2 D-Day landings. Podcasting on my feet, some unexpected things happened during this trip.

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Introduction
Friday 6 June this year was the 70th anniversary of the DDay landings in Normandy. My Grandad Dennis was one of the soldiers who landed on the beach that day. Along with thousands of other men he risked his life to fight the Nazis in the 2nd World War. Many of his fellow soldiers did not survive. Last Friday I went to Caen in Northern France to take part in the D-Day commemorations and to see my comedy hero Eddie Izzard performing stand-up in 3 languages. I recorded a podcast during my trip, and some unexpected things happened! Listen to the episode to join me on my adventure.
6 June 1944 – D-Day
D-Day was a very important moment in World War 2. This was when the Allies fought back against the Nazis on the Western European front. It was a key victory for the Allies, but it was also very costly, particularly for the Americans, who lost thousands of men on June 6 alone. For more information about why D-Day was so important, click here to visit the website of the Imperial War Museum in London.

Ultimately, D-Day was a success, but it came with great destruction and loss of human life. The success was due in part to the very careful planning of the Allied forces before the day, but also to the extremely tough fighting in which the Nazis were engaged in the east with the Soviets.

Why was it called D-Day? Click here to find an answer to this question on the BBC Newsround website.

My D-Day Diary
In this episode you’ll join me on my journey to Caen, a town in Normandy that was a very important location during the Normandy campaign in WW2. Caen is where most of the commemorations were taking place (or so I thought). On Friday the town was visited by lots of people including heads of state such as The Queen, Barack Obama, Francoise Hollande, Vladimir Putin and Angela Merkel. They were all very excited to learn that Luke from Luke’s English Podcast was also going to be in town ;)

I was podcasting regularly during the trip. First you hear me on the train, then walking through the streets of Caen on the way to my rented apartment room, then sitting on the steps of a church with my friend Sebastian Marx (from episode 130), then in a car with Yacine, on the street again, and finally in the train on the way home the next day. In the episode I talk about D-Day, my Grandfather’s involvement in D-Day 70 years ago, my experience of seeing Eddie Izzard’s comedy show, the dumbfounding excitement of having dinner with Eddie Izzard. All in all it was quite an emotional experience all round. I hope you enjoy the episode…

My Grandad, Dennis Hallam

Dennis is 94 this year. 70 years ago he was just 24 years old but he was an officer in the army, in charge of 35 young soldiers. It was his responsibility to lead these men off the boat, up the beach and ultimately all the way through France and deep into enemy territory. It was very brave of him, and he fought for my freedom. Without Grandad, I wouldn’t be here today and there would be no Luke’s English Podcast. Thanks Dennis.

Recently my Dad (Dennis’s son-in-law) wrote to Dennis to thank him for what he did on D-Day. Here is a copy of Dennis’s reply, typed onto a computer by my Mum (Dennis’s daughter). Some words are defined below.

Dear Rick,
Thank you for your “Thankyou” card which made me feel both proud and embarrassed – I was only one of thousands.

It was pretty hairy, and for me and many others it started long before we reached the beach. The Channel crossing was vile – I was dreadfully sick. At some point during the night it was my turn to be Duty Army Officer on the bridge and I had to climb up there being sick and miserable. So it was almost a great relief to get onto the beach, even though wet through, having had to wade ashore, and even though there were assorted bits of metal flying around. What amazes and horrifies me is to think that I was just 24 and in charge of and responsible for a platoon of 35 soldiers. If there were privileges attached to commissioned ranks – and there were, of course, I think we deserved them – a lot was asked of us.

However, it was a war that had to be fought, I think, and one simply called on one’s training and did what seemed right at any situation.

I hope the celebrations will go well and it is good to know that what we did is remembered and honoured.

Thank you again – it was very kind of you.

Yours, Dennis.

Thank you too Grandad.

Eddie Izzard
He’s a stand-up comedian from the UK. I’m a huge fan. I won’t write more about him here because I’m planning to do an episode about him soon, in which I’ll play you some of his stand-up comedy. On 6 June he put on a special show, doing 3 performances – one in German, one in English and one in French. That’s really impressive, especially considering he is learning both German and French as second (or third?) languages. I was pretty awestruck to actually meet Eddie on Friday and then sit down to dinner in his company. I still can’t believe it happened because he’s sort of a hero of mine. Listen to the podcast to hear my reactions. I was quite excited.

Here’s some video of Eddie talking about how Anglo-Saxon English evolved, including his version of how English became a non-gendered language, distinct from the gendered French which existed in England at around the same time.

Here is a video showing footage of the D-Day operation. To be honest, the video doesn’t really show us how big the operation was. It was the biggest naval armada the world had ever seen, and has ever seen since. It must have been an overwhelming sight to behold.

War Is Hell

“Some of you young men think that war is all glamour and glory,
but let me tell you, boys, it is all hell!”
-General William T. Sherman

182. Learning English with Yacine Belhousse

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This episode is all about the relationship between language, successful communication, stand-up comedy and learning English! It features an interview with the one-and-only Yacine Belhousse, who is a professional stand-up comedian in his native language and now in English too. A year and a half ago, Yacine hardly spoke any English. Now he regularly performs in English and this year he is doing a 1 hour stand-up comedy show at the Edinburgh fringe festival. How does he do it? How does he deal with the challenges of learning English while also making people laugh in English too? Listen and find out!

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I’m really pleased to present every episode of Luke’s English Podcast, but this one makes me extra pleased. Why? I just think that we come to some particularly useful conclusions during this conversation, especially related to the attitude that you need to learn English effectively. I’m also pleased to present Yacine because he’s got a great attitude towards learning English and because I think he’s really funny.

Conclusions about Learning Language
In summary here are some of the key points about learning English & communication from our conversation:
– To communicate well, you must take responsibility for communicative exchanges.
– Remember when you’re talking to native speakers, you’re just talking to another human. They have no reason to judge you if you’re just trying to communicate to achieve something. In fact, native speakers have the same responsibility for successful communication as you. So don’t feel that you’re totally responsible for any communication breakdown.
– Be confident and don’t worry about making mistakes. If you do make mistakes, you can learn from them and that’s how you improve. If you’re concerned that you can’t be confident – don’t worry. Confidence is something which just happens when you try to do something. If you focus on achieving successful communication, and don’t get upset by failure – confidence will just come naturally. So, don’t worry about confidence. Just focus on trying to achieve things.
– Have an organised approach to learning – mentally store words and phrases you like in the “good things bucket”. Reject bits of communication that didn’t work in the “bad things bucket”. Perhaps revisit the “bad things bucket” to learn from the errors, but enjoy the contents of your “good things bucket” too!
– Repeat words and phrases that you’ve learned. Repeat them lots of times in order to remember them.
– Learn by doing things. Learn to speak by speaking, failing, succeeding and moving on. You have to be active. Use your English. If you don’t use it, you lose it. You’ve got to be in it to win it!
– Be positive!

Listen to the conversation to find out more.

Links
Would you like to play Yacine’s computer game? Click here to visit the game on his website.

Will you be in Edinburgh during the Fringe? You should check out Yacine’s show. Click here for information on Yacine’s Edinburgh show.

Transcript to #182. Learning English with Yacine Belhousse
The introduction to this episode is transcribed below. If you would like to write some more minutes of transcript, click here to visit the google document for this episode.

Introduction
Here is my introduction to this episode of the podcast.

“Normally I have native speakers on this podcast; British people, Americans, Australians and stuff like that. And yet, most of the people who listen to this are non-natives learning the language. I rarely have learners of English giving their voice, which is a pity because everyone has a story to tell and interesting things to share. …

So, in today’s episode I am speaking to a friend of mine called Yacine. He’s not a native speaker. In fact, until quite recently he didn’t speak English at all. By his own admission, his English is not perfect. Sometimes he can’t find the right words, he has some trouble choosing the correct verb forms or pronouncing words naturally. These are all the normal problems faced by people learning English. However, I believe Yacine is quite special and that’s why I’ve brought him onto the podcast, despite not being a native or near-native speaker of English.

But why Luke? Why are you featuring a learner of English in one of your interviews? Well, there are lots of reasons:
– I think Yacine has a really good attitude towards learning, and I want to explore that so we can pick up some good things about language learning.
– Yacine is a professional stand-up comedian in his native language but he is also now performing shows in English. In fact, this year he is doing a regular one hour show at the Edinburgh Fringe Festival, which is perhaps the biggest comedy festival in the world, and he regularly performs comedy with the great & legendary Eddie Izzard, who is considered by many to be one of the greatest stand-ups of his generation. Eddie Izzard is not just an inspiration to stand up comedians, he is also an inspiration to language learners all over the world, and we’ll find out more about that later. Yacine is very influenced by Eddie Izzard, and he often supports Eddie when he does shows in France.

Learning a language is a challenging thing for anyone. You know when you speak you feel shy and embarrassed sometimes because you don’t want to be judged (just like me when I go to the boulangerie). These are normal fears. But, can you imagine going on-stage in front of lots of people, Scottish, English, perhaps a bit drunk because the show is on at 9.30PM, and delivering a full one hour stand-up performance in a language you’re trying to learn?
– It must be very challenging.
– You’d need a lot of self-confidence and self-belief.
– You need to focus very carefully on how to communicate your message.
– You need to be able to deal with any possible breakdown of communication.
– You need to stop worrying about errors, and if you make errors learn from them but don’t let them make you lose confidence.
I want to know how Yacine faces these challenges, but also, for me these are the challenges faced by any learner of English, but they are multiplied by the fact that Yacine is also doing this on-stage while having to make people laugh. It’s impressive and I want to know more.

So, this is what I want to investigate in this episode:
– How he’s learning English.
– Doing comedy in French vs English.
– French audiences vs UK audiences – are they different?
– Is humour universal?
– How is good communication an essential part of comedy? How do you make a successful joke? It’s about successfully communicating an idea.

Footnote: Yacine has only been learning for a few years. He hasn’t attended any courses or lessons. He’s self-taught. My professional opinion is that he’s doing really well. His English is better than it was a year ago, and his English is certainly much better than my French!

Yacine might make errors during the episode, and that’s fine. I’ll help him or even give him corrections (“yes please” – he says). This episode is not a judgement of his English, and it’s not his comedy performance either – that happens in Edinburgh. What this is, is an investigation into his English learning experiences and the relationship between language, communication, comedy and language learning!

Click here to transcribe more of this episode using a google document.

Thanks for listening, and have a good day/evening/night!

Luke

yacine PODPIC

My interview on the All Ears English Podcast

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Hi everyone,

Today I am featured as a guest on the All Ears English podcast. In the episode you can hear me talking about comedy, humour and telling jokes in English. Click the picture to listen to the episode on the All Ears English website or use this embedded player.

https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/chrt.fm/track/CB27B5/traffic.megaphone.fm/ALLE5073533650.mp3?updated=1648593059

Luke Episode 122-2

You might already know All Ears English. It’s a podcast produced by two American girls called Gabby & Lindsay. They’re both English teachers with lots of experience who also do a podcast for learners of English.

Recently I got a tweet from Lindsay asking if I would like to be interviewed for one of their episodes, and I was glad to accept. It’s fun to be featured on someone else’s podcast for a change. Also, it’s good to establish contact with other podcasters. It was pretty exciting to talk to the girls on Skype and find out how we have a lot of things in common even though we are from completely different countries. Because I am a comedian (as well as a teacher) they were interested in hearing my perspective on differences between British & American humour, and some of my tips on telling jokes in English. Of course, there’s a lot to say on that topic so it is something I plan to revisit fully on LEP.

Here’s a summary of my tips on how to tell jokes in English. As I said, I plan to revisit this subject fully on LEP as there is so much to say!

Luke’s advice on how to tell jokes in English:

  • Be careful about telling jokes in social situations
  • Know when it’s appropriate to tell a joke. Sometimes there might be an informal joke-telling situation with your friends. That’s a great time to try your joke.
  • Be careful about the subject of the joke. Don’t make jokes about race, age, weight, gender or sexual orientation (especially in the United States)
  • Try to tell a spontaneous joke rather than a preplanned joke. The joke is more of an attitude than a specific joke. Instead, develop an attitude that is funny and lighthearted.
  • Make sure that you know the joke well when you are telling the joke so that you don’t forget the punchline.
  • Keep it short and sweet.
  • It should sound natural.
  • Don’t laugh too much at your own joke.
    • Be prepared if your joke doesn’t work, but don’t worry about it too much.

Look out for more episodes on humour in social situations in the future!

179. The Ramblings of an Exhausted Teacher

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Last night I couldn’t sleep, and so today my mind has turned into jelly. Let me tell you all about it.

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In this episode I talk to you, in a rambling way, about diverse topics such as:

  • Dwayne’s English Podcast
  • Being kidnapped by aliens from Mars
  • Exam fatigue
  • Trouble sleeping last night
  • English at 7.30AM!
  • The rotten contents of my brain!
  • Selling Luke’s English Podcast
  • Saying “Hello” to you
  • Having a conversation with you
  • “The best laid plans of mice & men”
  • The university course I’ve been teaching
  • Sleep (high-energy bit)
  • What are you doing?
  • On a bus
  • Signalling to another person that you’re a LEPer (secret codes)
  • Giving a wink to a stranger
  • On a train
  • Trains and lifts in movies (Bruce Willis)
  • My brain is on its last legs
  • THANK YOU! (Transcripts, donations, reviews)
  • A special hello to the NSA secret agents
  • Hello to Yannick
  • Twitter – it’s what you make of it
  • Whatever
  • Normally on Luke’s English Podcast
  • BBC meeting: Prioritising Luke’s English Podcast
  • This really is the end
  • Be nice to each other
    ;)

Lovely to talk to you,
Goodnight

Luke

jellyPODPIC
Thanks for listening ;)

177. What Londoners Say vs What They Mean

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Here are some cliches that you might hear Londoners say, and some explanations of what they really mean.

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This podcast is based on an article from the trendy/hipster website “Buzzfeed”. It’s about some common things that Londoners say, and what they really mean. It’ll not only teach you some vocabulary, but will allow you to get under the skin of London and find out some real inside knowledge of what it’s like to live there for real.

I’ll go through the list and explain everything for you.

Article originally published on BuzzFeed here.
Photo illustration by Matt Tucker, Dan Kitwood / Getty/paulprescott72/Thinkstock

***Please be aware – there is some rude language and swearing in this episode***

1. “London prices” — Rip-off prices.
2. “Sorry” — I’m not sorry.
3. “Sorry” — You have just trodden on my foot, and I loathe you with every fibre of my being.
4. “Excuse me” — You have paused momentarily at the ticket barrier and I am boiling with rage.
5. “My fault entirely” — Your fault entirely.
6. “I’m fine, thanks” — I am barely managing to conceal a churning maelstrom of emotions.
7. “How are you?” — Fine. Just say fine.
8. “See you Saturday!” — Don’t forget to email me twice to make sure that we’re actually meeting on Saturday.
9. “Let’s have lunch” — Let’s walk to Pret and back as fast as we can.
10. “I’m having a party in Wimbledon, come along” — Please travel for four and a half hours as I live in the middle of bloody nowhere.
11. “Open for business” — Oligarchs welcome.
12. “Centre of global finance” — Money launderers’ paradise.
13. “My commute? It’s not too bad. About average” — It involves three modes of transport, takes hours each day, and is slowly crushing my spirit.
14. “Could you move down a bit please?” — I’m not asking, I’m telling.
15. “Could you move down a bit please?” — I am seconds away from a devastating mental collapse.
16. “Could you move down a bit please?” — If you don’t, I will start killing indiscriminately.
17. “Due to adverse weather conditions” — It was a bit windy earlier.
18. “Due to the wet weather conditions” — A tiny amount of rain has fallen.
19. “Please take care when…” — Don’t you dare blame us if…
20. “We apologise for the inconvenience caused” — Via the medium of this dehumanised pre-recorded message.
21. “Due to a signalling failure…” — Due to an excuse we just made up…
22. “Rail replacement bus service” — Slow, agonising descent into madness.
23. “There is a good service on all London Underground lines” — Though this very much depends how you define “good”.
24. “Planned engineering works” — That’s your weekend plans fucked, then.
25. “Would Inspector Sands please report to the operations room immediately” — Ohgodohgod everybody panic, we’re all about to die.
26. “Annual fare increase” — We’re rinsing you suckers for even more money. Again.
27. “House party in Tooting? See you there!” — South of the river? No fucking chance.
28. “I live in Zone One” — I am unimaginably wealthy.
29. “The area is really up and coming” — Only one tramp shouts at me in the morning.
30. “Vibrant” — Actual poor people live here.
31. “Gentrification” — I am so glad they’re rid of the poor people.
32. “Gentrified” — Oh bollocks now I can’t afford to live here either.
33. “Efficient use of space” — Microscopic.
34. “Studio flat” — Bedsit.
35. “Incredible potential” — Absolute shithole.
36. “Affordable” — Uninhabitable.
37. “Deceptively spacious” — Basically a cupboard.
38. “Good transport links” — There’s a bus stop 10 minutes’ walk away.
39. “Authentic” — Fake.
40. “I just bought a flat” — My parents just helped me buy a flat.
41. “Swift half” — Many, many, many, many halves.
42. “Quick pint” — In the pub until closing time.
43. “We’re going on a date” — We’re getting pissed together.
44. “Picnic” — Daytime piss-up.
45. “Barbecue” — Piss-up in the garden.
46. “South London” — Here be monsters.
47. “West London” — Here be posh people.
48. “East London” — Here be young people.
49. “North London” — Here be newspaper columnists.
50. “Oxford Circus” — Roiling hellscape.
51. “Tech city” — Bunch of start-ups you’ve never heard of.
52. “London has some of the best restaurants in the world” — So how come I always end up at Nandos?
53. “London is full of cultural delights” — Which I never visit.
54. “Gourmet coffee” — Ludicrously overpriced coffee.
55. “Exciting pop-up restaurant” — You guys like queuing, right?
56. “We have a no bookings policy” — We hate our customers.
57. “This pub has character” — This is not a gastropub, and I’m scared.
58. “Traditional boozer” — Pub that does not serve wasabi peas.
59. “What do you do?” — How much do you earn?
60. “He works in finance” — He’s a psycho.
61. “He works in media” — He’a a wanker.
62. “He works in PR” — He’s a bullshitter.
63. “He works in tech” — He’s got a blog.
64. “Working hours” — Waking hours.
65. “Greatest city on earth” — Apart from New York.
66. “You know what they say: He who is tired of London…” — I am so tired of London.