Category Archives: History

338. A Murder Mystery Detective Story (Part 1 of 2) Text Adventure

In this episode I’m going to read through an interactive text-based adventure story. The story takes place in Victorian-era London (19th century) and we’ll play the part of an expert detective who, like Sherlock Holmes, tries to solve a complex murder mystery. Follow me as I read through the story and attempt to solve the crime in the process. Can you understand the evidence and make the right decisions to solve the case? You can read the text-based adventure story and play the game yourself at http://textadventures.co.uk. The game is afoot!

Small Donate Button[DOWNLOAD] [PLAY ‘VICTORIAN DETECTIVE’ by PETER CARLSON on TEXTADVENTURES.CO.UK]

Hello, welcome back to LEP

This is a podcast for people learning English. My main aim in these episodes is to provide you with content that will help you to learn English through listening. Sometimes I teach you directly, and sometimes I just provide you with things that I think will engage your attention, keep you listening and as a result push your English to new levels.

This is one of those episodes in which I take you through a story

Sometimes when I do this I just improvise the stories while recording. At other times I read stories that I’ve written or which I know well. In this case I’m going to read through a story that I don’t know. I have no idea where the story is going and I don’t know the outcome. So, you and I will discover the story at the same time.

What’s the story we’re going to read?

It’s one of those text-based adventures. What’s a text-based adventure? Essentially these are “choose your own adventure” games that allow you to follow a story and make certain choices along the way. Your choices affect the direction of the story. Each choice you make has a consequence, and sometimes stories like these can have more than one outcome.

I’m playing this story online and I found it on a website called http://textadventures.co.uk

This is a site that presents lots of different text adventures. They’re created by users of the site, they’re all free and they’re very inventive and of good quality. There are mystery stories, horror stories, detective stories, sci-fi stories, and even stories based on real life situations. I really recommend that you visit this site because there are loads of free text adventures that you can play, and I think they are a fantastic way of improving your English.

How do text adventures work?

You read through a story, and at certain points you are given options. Choose an option and the story will go in a different direction. Sometimes you can click parts of the text to get more information that will help you make the right choice. Keep going through the story until the conclusion. This particular site is good just because of the high level of quality. The stories I’ve seen have been intelligently written. Clearly the writers of these stories have put a lot of time and enthusiasm into these stories. They’re rewarding and fun. For your English they could be great because firstly you’ll do lots of reading and that’s just great on its own, but also because it’s all text you can copy+paste any words you don’t know into an online dictionary and get definitions, or add the words to your word lists or flashcard apps or whatever. The main thing is, these stories are fun and engaging and that should make it easier and more rewarding to read, and the more you read the better – just like listening – the more you listen, the better and the more you read the better too.

In this episode I’ve chosen to do a murder mystery adventure story called simply “Victorian Detective”

This is because it ties in quite neatly with the theme of the last episode and because I love Victorian-era London, and of course this makes us think of Sherlock Holmes. In fact, this story is heavily influenced by Sherlock – the old Sherlock, not the new ones. Yes, we love Sherlock Holmes on this podcast, so let’s imagine we’re a Sherlock-style detective and go through the story together.

Your aim in this one is to simply follow the story, and think with me about choices that I have to make

As we progress through the story, we’ll have to think like a detective, make certain choices based on deductive reasoning and then attempt to solve the mystery at the heart of the story.

I hope to be able to complete this in one episode, but I don’t want it to go on forever, so I might divide it into two separate parts.

Now, I imagine that it might be a bit tricky to follow the story and understand everything

I expect this is going to be a little bit complex. I’d say this – if you don’t understand and you feel lost, here’s a strategy: First, keep listening. I always say this of course, but I think it’s good advice. Good learners of English are able to tolerate some level of confusion and keep going. In the end, if you have the patience and motivation to keep going, you might find it confusing in the short-term but in the long-term your English will benefit from it. To an extent, learning English is a bit like being a detective. Even when things are complex and don’t make any sense, you have to keep going, keep thinking and keep investigating, based on limited information. Keep going, don’t give up and you’ll find that things will eventually become clearer over time, as you slowly start to piece together things like grammatical rules, vocab that you don’t understand and so on. This is true for detective stories as well. There is always a period in the middle of a mystery story where all the events are strange and confusing, but everything comes together in the end. Sherlock Holmes solves the case, and explains how it happened. If you persevere, it will be clearer later.

Also, since I’m playing this detective story online – you can do it too – click here to play “Victorian Detective by Peter Carlson”

I strongly recommend that you find this text game and spend some time playing it. That way you can check words you don’t know, actually read the text that I’m reading to you and that will make this episode even more useful for your English. You could even choose to go through the text adventure with me while I’m playing it. Listen to the episode and follow the adventure at the same time. Or, just listen now and then play the game yourself later. If you’re inventive you can find lots of cool ways of improving your English with this episode.

The website again: http://textadventures.co.uk and this story is called “Victorian Detective”. In fact, the full title of the story is “Victorian Detective: The Shakespearean Bomber”  by Peter Carlson. All credit goes to Peter Carlson for writing this game. He’s done an excellent job, and again I urge you to visit the website where you can read this story, and many others. And by the way, I don’t work for text adventures.co.uk or anything – I just think it’s a great website and I want to credit them and Peter Carlson for the story that I’m essentially reading out in this episode.

So, let’s begin

Here is the link to the Victorian Detective story by Peter Carlson http://play.textadventures.co.uk/Play.aspx?id=w207ce4zekubenmwgss5pa

*STORY BEGINS*

To be continued in part 2!

Please leave your thoughts, comments and questions below.

vic murder

337. MURDER MILE WALKS: Stories of London’s Most Infamous & Shocking Murders [Some Explicit Content + Swearing] with Moz

Hello, and welcome back to to the podcast, this episode is called “Murder Mile Walks: Stories of London’s Most Infamous & Shocking Murders”, and in this one we’re going to hear about some true crimes that happened in  parts of central London. Yes, all the stories that you will hear in this episode are true, and you should know in advance that this episode does contain some graphic descriptions of horror and extreme violence. And on top of that, there is some swearing at the end of the episode too.

Small Donate Button[RIGHT-CLICK TO DOWNLOAD]

explicit contentAttention: Explicit Content

So, this is an adult episode of the podcast, recorded by adults, featuring adult conversation between two adults about adults doing adult things to other adults and it’s presented here by an adult for other adults to listen to OK? So, the point I’m making is that it’s not for kids, this episode. So, if you don’t mind a bit of horror and some strong language – then, great! But if you’re easily shocked then please be cautious. To be honest though it’s no worse than some of the stuff you see in the average horror film, an episode CSI or Grey’s Anatomy or a true crime documentary or something. But anyway, now that I’ve warned you about that let’s continue…

Moz

Welcome to the podcast. This is a conversation with my mate Moz, who has been on the podcast before. You might remember Moz from previous episodes such as the Brighton Fringe Festival series, the drunk episode, and the drunk episode 2, which was recorded on Moz’s boat. So, Moz has been living in London for ages but a couple of years ago he decided to buy a canal barge – a narrow boat, and live in it at various locations in the London canal system. It sounds like a pretty nice life. Instead of just living in one location the whole time he moors the boat at different locations in the canal and river system in London, enjoys a more peaceful side of London life, with all the ducks and geese, and fishing, and pubs, and knife crime. Well, maybe not the knife crime. Let’s hope not anyway.

Anyway, Moz used to work as a producer of comedy TV shows at the BBC. He also produced, wrote and performed in a few of his own comedy theatre shows at the Brighton and Edinburgh Fringe festivals over the years, and all his shows featured slightly dark subject matter but in a comedic way. They were basically horror stories that in the end turn out to be quite funny and sweet.

Murder Mile Tours

Fairly recently Moz launched a small tour company. It’s a company that offers walking tours in the Soho area. You know those tours that you can join, where there’s a tour guide who shows you round some interesting spots in the city, and you follow the guide around as he or she holds an umbrella in the air or something (that’s always a bit weird in my opinion – walking around holding an umbrella followed by loads of disciples – worshipping the holy umbrella!) and the tour guide stops and talks to you at various points, and you’d rather be in a pub or something. They’re nice, but a little boring sometimes, right?

Well, Moz’s tours are quite different, and they’re proving to be very successful already, with some great reviews on the travel website TripAdvisor. The thing about Moz’s tours is that they’re original, because not only are they presented by Moz himself, the tours are all about murder. A lot of murder, in fact, they’re all about real murders that took place on the streets of London, in Soho to be specific.

I’m not going to tell you more, I’ll let Moz do that. You can just listen to find out all the grisly details as they come up in the conversation.

We’re almost ready to start listening to the conversation. But I would like to just give you another warning now before you listen to this episode.

ANOTHER WARNING: Explicit Content

Most of you won’t think this is necessary but I would like to just ask you again to please be aware that this episode contains some descriptions of explicit violence and horror. It we deal with the subject in a grown-up and responsible way but if you are playing this to young listeners, please use the maximum amount of discretion – it’s supposed to be for adults.

Vocabulary

There is loads of great vocabulary in this, not to mention some really good stories all based on proper historical research, and everyone knows that listening to stories is a great way to learn English.

So, as you listen – just try to follow the conversation. I’m not teaching you specific things in this one, I’m just inviting you to listen to some natural conversation between native speakers, but try to notice language as it comes up. Would you like it if I produced a follow-up episode in which I explain all the vocab, like I did with the Craig Wealand interview? Let me know.

[socialpoll id=”2342563″]

Before we get to the murder stories we talk about swearing on TV and on Luke’s English Podcast, and we discuss the question of whether I should bleep out swear words on the podcast. “To bleep or not to bleep?” As a former producer of BBC comedy shows, Moz has some wise words to say about that.

[socialpoll id=”2342764″]

So, a bit of conversation about swearing, and then we get onto the subject of Moz’s new project: Murder Mile Tours.

So, let’s get started.

*Conversation with Moz begins*

Talking talking talking talking bleep talking talking talking talking murder murder talking talking talking.

*Conversation Ends*

So that was the chat with Moz. How do you feel? Alright? Personally, I don’t feel too upset or disturbed by those stories, I just find them intriguing. It’s amazing what has happened in the past, what people do and their motivations. People are fascinating and mysterious aren’t they? And isn’t it weird that the woman sensed the site of that plague pit? It’s all very interesting indeed and I can’t wait to go on one of those walks on a Sunday next time I’m in London.

You can check out Murder Mile Tours by visiting http://murdermiletours.com. If you’re going to be in London I think this could be a really cool tour for you to join. You’ll get to see some cool spots in Soho like Denmark Street with its guitar shops, and you can hang out and have a cup of tea and a chat with Moz, and maybe hang out for a bit and go to a pub and drink beer and talk nonsense for a while. Buy him a pint, he might like that.

That’s it from this episode then. Thanks for listening! I look forward to reading your comments on the page for this episode.

Now, wait a moment that’s not the end, because I’m now going to play you an outtake.

Out-take: Some bonus swearing

Earlier in episode the were talking about swearing, and I bleeped out pretty much all those words (partly for comedy purposes) but after we finished our conversation Moz and I kept talking and we came back to the subject of swear words and we decided to let rip a little bit – to let rip – that means just express your emotions or thoughts without holding yourself back. In this case we decided to let rip with some swearing. So here is a mini outtake, sort of like a sequel to the swearing podcast I did a couple of years ago with my brother. So, here is a super-duper x-rated outtake which I recorded with Moz after having finished the interview.

ANOTHER WARNING!

You’re about to hear loads of swearing now. If you’re offended by the rudest words, stop listening now. Got it? If you’re not offended by swearing, then keep listening! It’s pretty simple isn’t it. Do you take the blue pill or the red pill? Your choice.

OK OK that’s enough explaining and justifying – Let the swearing commence…

*Swearing outtake starts*

Swearing swearing swearing swearing swearing swearing swearing HELICOPTER swearing swearing swearing HELICOPTER swearing swearing swearing swearing swearing! (Moz gets arrested)

*Swearing out-take ends*

By the way… Did you know that the Royal Family use swear words too?

Thanks for listening! I’m looking forward to reading your comments…

330. Let’s Play… Grand Theft Auto 5 (and learn some English while doing it)

Hi listeners – this is a multitasking episode in which I record a podcast while doing something else at the same time. In this case I’m playing the classic computer game “Grand Theft Auto 5”. Listen to hear some general discussion of the game, descriptions of what’s happening while playing and some other bits and pieces. Transcripts & Vocabulary Extracts Available. Enjoy :)

Small Donate Button[DOWNLOAD]

Introduction – Men can’t multitask, really?

Here’s another episode in which I talk to you and teach you some English while doing something else at the same time. It’s another multitasking episode. Last time I did this I was cooking dinner while recording the podcast. I’ve done others before in which I was either driving or just walking around somewhere and talking to you at the same time. I’m doing this again today because I hope it will be an interesting episode of the podcast, but also as some sort of ongoing mission to prove that men are in fact able to multitask, unlike the fairly commonly-held view that we actually are not able to do several things at the same time.

I do think men can multi-task, despite the fact that people often say that we can’t. Of course we’re capable of doing two things at the same time. Just think, for example, of David Beckham who must be an expert at multitasking, because not only does he have to play football really well, but he has to look handsome while he’s doing it! Or consider Liam Neeson in the film “Taken” who has to punch people’s teeth down their throat with the edge of his hand, and be a good father at the same time. So, it’s clearly possible.

To be honest, I think that this myth of men not being able to multitask probably comes from the fact that there is one situation in which we definitely can’t do it, and that’s when we try to complete a task while also listening to a wife or girlfriend.

Because when your wife is talking to you, you have to stop everything and focus! We can’t multitask in that situation because if you’re not concentrating and you miss something then it will come back to you later, when she remembers and you forget and then you’re in trouble!

So, “men can’t mulitask” and “men don’t listen” are closely linked to each other I think. It’s not that we can’t multitask, it’s just that listening to you is already a kind of multitasking – because not only do we have to understand what you’re saying, we also have to identify important bits of information which might get dropped into the conversation – clues about what you want for your birthday, indications about how you feel about certain people, basically – anything that could go into the “I told you” category. The “I told you” category is obviously a category of information that your wife or girlfriend has told you, but for which you have absolutely no memory. It could be, for example, like this:
“I’m going to the football tonight babe, ok?”
“But it’s our half anniversary tonight”
“What?”
“It’s our half anniversary”
“Half anniversary for which day? When we met or, when we…?!
“Babe! I told you!”

Now, this might be followed by “You never listen to me”.

For example,
“It’s our half anniversary of six months since our previous anniversary – I told you!”
“Umm, no you didn’t.”
“Yes, I did – you never listen to me!”

“…Sorry, what did you say? I wasn’t listening…”

So, it’s important to listen to your partner to prevent this kind of thing. Which is why women think men can’t multitask. We just can’t listen to you, and do something else at the same time.

For example, you’re doing the shopping, trying to buy the right food so you can prove that you’re able to buy the right food.
Your girlfriend calls you, and you answer the phone because you love her.
She then starts talking to you about nothing in particular.
Stop shopping. Just stop.
Stop what you’re doing.
Put that grapefruit down and listen.
This might seem like a meaningless conversation.
She might just be calling you because she’s finished work and she likes to call you as she’s walking to the bus stop.
She might be speaking to you while buying some bread in the bakery, or even while speaking to a colleague in the street.
But you still have to concentrate on every word she says, or you might miss fluffy the cat’s birthday or something and then you’ll be in trouble.
Because if you continue shopping, and try to make fresh fruit choices while talking to her – either you’ll miss something vital or you’ll seem distant and not fully involved in the conversation and she’ll say “What are you doing?” and you’ll have to say, “I’m buying some grapefruits – you know the pink ones you like” and she’ll say “Can’t you do that and listen to me too?”
NO. Actually.
No I can’t.
And now men can’t multitask.
David Beckham can’t buy fruit and talk to Victoria about the kids at the same time. Neither can Messi or Ronaldo or any of those other over-paid multitaskers.

Even RAF fighter pilots who are the best multitaskers in the world, are probably standing in supermarkets right now not doing anything, on the phone to their wives, because they love them.

So anyway, maybe men can multitask, maybe they can’t. Maybe we’ll find out in this episode.

This could be a series, perhaps called the multitasking series

Last time I cooked a chicken dinner and taught you some words for cooking. That was quite popular and I had a few comments from listeners about it, and even a couple of suggestions for other episodes I could do. For example I had a message from Ethan Lee from South Korea who said on Twitter, “I enjoyed the cooking episode a lot. Why don’t u try another thing like house cleaning? Looking fwd to it! Cheers!”

OK, so now I’m getting requests to do the housework on Twitter as well as at home. Only kidding…

That would be great Ethan because I’d be able to teach you all the language we use for cleaning, like “rub, wipe, rinse” etc – but the only problem is, I’d actually have to do some cleaning, and… I hate doing the housework, but then again maybe that could be a really good way of getting things done – just making mundane acts of housework into episodes of my podcast. There are so many possibilities for new episodes! Luke does the ironing while talking about clothes and fabrics (while trying not to burn the clothes – my wife told me to say that), Luke cleans the windows while teaching you some phrases about glass. Luke builds some IKEA furniture while teaching you some of the most commonly used swear words in the most authentic way possible. So many ideas…

Well, this time, rather than doing the housework, or doing something else useful, I’m playing a game on my new PLayStation 3. I’m going to play Grand Theft Auto 5, and while I’m playing I’m going to just describe everything I’m doing in the game, and also just ramble on about the whole GTA phenomenon (and it is a phenomenon – the series has made over 220 million dollars worldwide, which is quite a lot of money – I think it’s officially a lot of money), and anything else that occurs to me during the episode.

So, in terms of language teaching in this episode

I’ll just see what comes up while I’m playing – you know, I’m just going to kick back and see what happens (really cool English teacher character – yeah, we’ve got no agenda today, so close your book – let’s just stick on GTA5 and see what language stuff happens… yeah, chill out, no homework today – just a DVD…) but I will aim to explain and highlight certain expressions in English as I talk to you.

I expect the language that you’re going to hear in this one will fall into these categories

– General vocabulary for playing a game, with verbs such as ‘start up’, ‘plug in’, ‘unplug’ and so on
– Phrases for describing what is happening, so that means vocabulary of movement, phrases for navigating around the city, travelling, describing dramatic action, accidents, violence, explosions, shootings, murder – just the usual things that happen in a normal game of GTA5
– Exclamations of surprise, shock, anger, tension (yes, there may be some swearing)
– Ways of describing the gaming experience, such as the emotions and feelings you experience while doing it
– Ways of commenting on the game as a cultural phenomenon – so, some fancy language for discussing how games fit into society, and the usual arguments about violent computer games like this

I have done a full episode on computer games before in which I go through a history of gaming and discuss some of the issues around the subject. Click here to check that out.

The microphone should pic up some background noise while I’m doing this, which I hope should provide some context.

So, let’s go!

Things to say

– Explain the point of the game for people who have never played it.
What type of game is it?
What’s the objective?
What’s the story?
What do you actually do?
How does it work?

– It’s many things – a kind of pulp gangster movie, a sandbox game, a collection of mini-games, an online playground, a very controversial franchise and a work of social satire

– The history of the GTA franchise
It’s a British game!
Originally created by DMA Design – a games company based in Edinburgh Scotland!
DMA created Lemmings and some other games like Uniracers and Body Harvest before creating GTA for the PC and PlayStation consoles. DMA was bought by Rockstar Games – another British company based in London. Later Rockstar games was bought by Take-Two games, based in NYC. So, GTA is a British/American production. The games have all been developed by British game developers, and marketed by American companies.
GTA – 1997
GTA London 1999
GTA 2 1999
DMA became Rockstar North when it was acquired by London company Rockstar Games
GTA 3 2001
GTA – Vice City 2002
GTA – San Andreas 2004
Various GTA games for handheld franchises
GTA 4 2008
GTA 5 2013

– Controversy
According to The Guinness World Records 2008 and 2009 Gamer’s Edition, it is the most controversial video game series in history, with over 4,000 articles published about it, which include accusations of glamorising violence, corrupting gamers, and connection to real life crimes.

– The violence in the game. Is it ok? Or is there something wrong with this?

– The satirical elements of the game

– Some fun things to do while playing
* escaping from the cops
* causing total mayhem
* blowing things up
* driving through the hills
* stealing different vehicles
* skydiving
* going up Mount Chiliad
* diving in the sea
* setting challenges for your friends
* starting a gang war

– How it feels to play it for an extended period of time

– What might happen with the GTA franchise in the future (combining this with google maps, Oculous Rift, social networking, bitcoins – we could have a fully immersive, virtual reality earth in which we go round doing whatever we want, with no consequence – a world that has its own currency, but which has almost no boundaries)
gta5

Extracts with Vocabulary For This Episode (Thanks to Jack from the comment section)

They are read out by professional actors.
So why not instead of reading your next book; choose to kick back put your headphones on and let some professional actor read the story to you.
……so essentially it’s a free audio book for you.
Now lets get down to this new episode and here we go !
The microphone sound might be a bit different today because I’m using a different arrangement.
…….unlike the commonly held view that we are actually not able to do several things at the same time.
…..not only does he have to play football really well…..
Or consider liam neeson in the film taken who has to punch people’s teeth down their throat with the edge of his hand and also be a good father at the same time.
Myth
……important bits of information which might get subtly dropped into the conversation……
You are doing the shopping…..
Put that grapefruit down and listen.
If you try to make fresh fruit choices…..
Vital
I’m buying some grapefruits.
Over-paid multitaskers
Even a couple of suggestions for other eoisodes that I could do.
Housework
Rub
Wipe
Rinse
Just making mundane acts of housework into episodes of my podcast….
Iron
Luke builds some IKEA furniture while teaching you some commonly used swear words.
It might be the best game ever created.
The GTA phenomenon
It’s one of the biggest entertainment franchises in the world.
I’ll kind of give you a running commentary…
I’m going to kick back and see what happens.
We’ve got no agenda in the lesson today so close your books let’s just stick on GTA 5 and see what kind of language stuff happens. Chill out no home work today.
……exclamations of surprise or shock or anger…….
I might just spontaneously come out with some swearing.
Pedestrians
I have the microphone resting on the coffee table in front of me and I also have my laptop on the table too so when I type on the laptop you can hear the vibrations coming through the microphone.
The microphone should pick up some background noise while I’m doing this.
……if I tap the table or bump into something (I hope) that that doesn’t disturb you much.
I do hope that the background noise should provide some context to what’s going on in the game as I play it.
I just don’t have the facility to record this.
……stick it in your computer…..
Get a video camera and point it at the TV.
Just make sure my TV is turned on.
OK! Get a grip Luke! Stop dropping the microphone.
I’ve just started up my PlayStation
I’m now going to hit the x button on my gamepad.
That’s just a sound in the background for one of the kind of idents for rockstar games.
To skip through something
Or you have had some experience with this game.
Large open world sand box game.
Usually you start out as low-level crook.
Each one has its own narrative.
Heists
Shoot your way out of the bank
Extravagant way.
……you load up GTA 5
…..follow different missions as part if the narrative of the game.
Ex-gangster
Ex-mafia
Family man
Witness protection
He’s going through therapy
Dragged back into the criminal underworld.
Ghetto
Repossess vehicles
Repo man
He joins up with Michael.
Franklin learns the ropes from Michael.
He’s completely unpredictable.
For 10 years Trevor has thought that Michael is dead.
Trevor lives in the sticks. (Country side)
Trailor park.
Extortion
And to work out what’s going on
I’m not sure how far into the game I’m.
He lives in a nice big mansion in the foothills of Hollywood.
A replica of Hollywood
Based on Los Angeles
You get the downtown areas of los Angeles you get upmarket areas of Beverly hills.
Districts
…….names of celebrities engraved in the ground.
Wilderness
A living breathing city
…..going about their general business.
……all sorts of people just milling around…..
I’ve just got into Michael’s car.
I’m going to switch off the radio so that there is less distraction…..
You can hear general street noises, the engine as it’s driving along.
The sun is just going down.
The level of light changes
Woops! I just crashed into a BMW.
I’m in the middle of setting up a mission.
Trying not to crash into too many people.
I’m going to create some mayhem…..
You can hear the tyres screeching
The skidding sounds of the tyres
I just ran into a pedestrian
Commit some kind of crime.
…. shooting someone from within the car.
Lawsuits
Arguments about this game.
You might have strong feelings about that.
It is horribly violent
The game is very tongue-in-cheek.
Disposability of modern American culture.
Satire
I’m a law-abiding citizen in the real world.
It doesn’t mean we are sick and twisted.
Creative and wholesome
To create music
Grow crops
There are games that are all nice and fluffy…..
Wholesome values
Blow up cars
Drive your motorbike off the bridge.
I’ve dealt with the ethical stuff.
Simulation
The brain is designed with many different sorts of electrical frame works.
It basically operates like a human would operate.
When does AI cease to be an object and when does it start to become a person in its own right….
Interesting philosophical situation
The violence is so colourful; disgusting.
Having very up close and personal fights with the enemy.
Comical
I happen to driving at the moment some dodgy car.
An estate car
Boot
Hatchback
Attract the attention of the police
The police will start to follow you…..
Some police will be searching for you
Helicopters with machine guns
Swat teams with guys wearing armour….
Military
Jeeps
Armed tanks to come and get you down.
If you bump into a police car; they will then chase you down and hunt you down and kill you.
Traffic violations
Over the top
Gun friendly states in the USA
Over reacting
They will be driving after you
Drive after you shooting you with machine guns.
I’m fed up with this family car
I just shot him down in cold blood. That was mean and violent.
I’ll shoot the police car
I’ll go on a rampage
I’m going to shoot up some cars here.
I just shot up a car
They have knocked the bloody door off ! (You are not supposed to knock the bloody doors off of a Jaaaaag. Stupid traffic!)
The Jaguar has been ripped off by an ambulance.
Drive up into the hills
They will now aggressively hunt me down.
They are pretty full on!
They set up police road blocks for you
They put down stingers down on the ground
If you drive over the stingers then the tires on your cars will burst and it will be much harder to drive away.
I’ve just driven off a cliff; luckily I’ve landed on my wheels.
I’ve got helicopter in the sky which is also following me.
To escape from the police
I’m going to get shot.
Driving across the grass in the hills.
The police can’t follow me – They stick to the roads.
The police have lost me.
I’m going to lose the police.
I’m over the top of this hill; the landscape.
It’s a very misty morning
Haze
Silhouettes of the mountains
Stunts
I’m crashing my car down the mountain.
The dynamics in the are amazing.
Physics
The damage mechanics are amazing.
Collisions
The car gets dented.
The windows smash
The doors can fall off
The bumpers can fall off
That is messed up
Could you give me a lift home? I don’t want to walk home on my own.
She is just staying off Signora road
You can pick up people in taxis
Across the hills
It’s pretty weird and humorous.
Social satire
Narsicisst
It’s basically a big piss-take on modern consumer culture
American consumerism
Celebrity culture.
She didn’t seemed to be bothered.
It is a modern phenomenon in popular culture.
Give you a little account to the history of Grand Theft Auto.
DMA designed lemmings.
Unicycle
Original forerunner to the 3D version of Grand Theft Auto.
Police chase videos.
Quite dramatic chases as you see from above.
Sick humour
….. young people feel disenfranchised and powerful and they seek to express themselves by using guns…..
It’s very convenient to point the finger at computer games……
Although saying that maybe there are some individuals who are not very stable…..
Cathartic experience.
Afterwards you feel exhilarated
It put you in London in 1969
They really have their finger on the pulse of modern culture.
We are going to skip through some radio stations
Reggie music station
Cycle through music stations.
Soul music
Rock music
Punk music
RnB gangsta music
Country music and rockabilly
Hip Hop
Turn the volume down on the TV so that it doesn’t disturb us too much.
…….they brought out GTA 2.
……. they had a very ambitious approach to GTA 3.
They really wanted to push it into overdrive.
Some GTA games were brought out for the hand held franchise.
And in 2008 GTA 4 came out which was like another big step because it became a lot more nuanced.
It’s a sprawling gaming world.
……which include accusations of glamorizing violence…..
I don’t like when people give me the finger.
I’m going to have to go closer in order to gun this guy down…..
I’ve got three stars on me; I think it’s time to run away from the police
…. You have got to escape by driving into the tunnel.
I’ve a rocket launcher in my arsenal. In my arsenal.
Arsenal ( collection of weapons)
Police have set up a road block for me.
I got shot in the back by a cop…..
Shit! I have been talking for an hour and twenty seven minutes! That is insane! I had no idea that it had gone on for this long.
I have got the rocket launcher. I’ve pulled it out of my arsenal.
The car that was behind me ran me over.
Heinous acts of ultra violence on the streets of Los Santos.
I’m going to equip my machine gun.
Let’s wait for the cavalry to arrive.
I’m going to drive away as quick as possible.
They chase after you and they try to shoot out your tires.
I’ve crashed into the wall
The front part of my car has fallen off
I’m determined to do it even though I have got only 3 tyres.
There’s a swarm of police on my tail.
You can hear the scraping sound. (Wheel arch hitting the ground)
Mountain lions
I’m going to make a run for it.
I’ve hot wired the car.
I’m driving through the winding country roads…….
Just did a huge jump off the mountain.
Train tracks
I’m going to use the map to find the nearest train tracks.
I can drive the train track into the tunnel………
The car is in terrible condition. It has rolled down the mountain several times.
I need to drive over this hill and then I’ll be able to access train tracks.
A big lump of my car just fell off.
Can you hear some dramatic music?
Just at the mouth of the tunnel I’m going to get out.
I’m now on foot.
I’m going to go out by being run down by a moving train.
I got run over by the train – I think that is a fitting end to this podcast.
I have just walked out of the hospital. Apparently they managed to fix me up.

Thanks Jack!

324. David Bowie (Part 2)

Hello, welcome to Luke’s English Podcast, which is a  podcast for learners of English around the world. This is part 2 of a special episode about English musician David Bowie who died just a few days ago on 10 January 2016. The aim of this episode is to talk about David Bowie’s significance as an artist, to consider some of the themes of his work and to look at why so many people had such a strong emotional attachment to him. Hopefully after listening to this episode you’ll be better able to have conversations about David Bowie, but also about art and culture in general. You can find almost everything I’m saying transcribed on the page for this episode – see below.

Small Donate Button[DOWNLOAD]
In part 1 I talked about Bowie’s career up until about the year 1975. So let’s carry on in just a moment, but before that I just want to say that since I recorded this episode I’ve realised that there are lots of other things didn’t mention. For example, I could have talked more about his first wife Angie and his second wife Iman. They say that behind every great man there’s a great woman. If that’s true then Bowie must have had two great women in his life – and probably quite a lot of average ones as well I expect… Anyway, joking aside, I’m sure they had big parts to play in his life, and I hope they’re alright. It’s hard for us to lose an artist we love, but I can’t imagine what it’s like for his close family who must have cared about him in so many other ways.

Anyway, let’s get back into this episode and I’ll carry on from where I stopped last time in the mid-70s.

Part 2

It’s hard to explain everything that happened in the 1970s! It was a whirlwind of different things, and incredible music. Everything moved so fast for Bowie during that period, and he was really ahead of everyone else in terms of fashion. Bowie was very ahead of his time.

Around this time he starred in a film called The Man Who Fell To Earth, directed by Nicholas Roeg. In it he plays the character of an alien who lands on earth and attempts to make sense of the place. He was perfect for the part and it is still a mesmerizing performance. He was a great actor. IN the film he’s very thin and his otherworldliness and his vulnerability were perfect for the part of an alien, alone on earth.

If you’ve seen the film “Under the Skin” with Scarlett Johannson, I think it borrowed a lot from “The Man Who Fell To Earth”.


Why was he so thin? Drugs and his excessive lifestyle.
It’s amazing that he survived that period.
You can see him in quite a dark place in the documentary film about him called “Cracked Actor”.
This is partly due to the ravages of his rock and roll lifestyle – touring, performing and being a celebrity can have a weird effect on a person, but add drugs into the mix and things can get seriously out of control.
Bowie took a lot of cocaine in the 70s. http://ultimateclassicrock.com/david-bowie-cocaine/
He did this mainly to help him work, but also because it was fun of course (in the beginning). I think cocaine can give you lots of energy which allows you to keep working much more intensively and for longer periods than people who are not using it, but it comes with a price of course – to your wallet, but to your mental and physical condition. Apparently it is incredibly habit-forming and very difficult to break away from. Ultimately, if you continue to use it then eventually it will use you. “Sometimes you eat the bar, and sometimes the bar eats you.” I don’t know where that quote comes from, but I guess it means that “you might use drugs, but eventually the drugs will use you.” And I don’t know what drugs will use you for… it’s probably best not to let drugs use you or dictate your life. They’ll take you to bad places.

Paranoia, weird eating habits, alcohol, obsessions.
He was incredibly thin and seemed to be quite out of his mind during that period.
Check out some of his interviews and TV appearances, and photos of him at the Grammy Awards with John Lennon and Yoko Ono in 1975. He looks almost like a skeleton.
Grammy Awards in 1975 - from left to right: Bowie, Art Garfunkel, Paul Simon, Yoko Ono, John Lennon

He later described this period as horrible. Imagine being so far out of your mind and yet so lost within yourself that all your demons are made real and are talking to you in persuasive, frightening and seductive voices. Apparently Bowie was so disturbed and paranoid that he could only bear to eat certain foods. Apparently he lived for quite a while just drinking milk and eating green peppers, while snorting cocaine all the time and drinking alcohol. It’s amazing that he survived.

I think his problems at that time were not just drug related, but also identity related. Apparently he had let the Ziggy Stardust persona take over his real life. He wasn’t sure where Ziggy or Aladdin Sane ended and David Bowie began. The lines became blurred. Reality and performance were all messed up, and he lost a sense of who he really was. He must have nearly lost his grip on reality for a while. Again, he was the astronaut spinning into deep space.

Nevertheless, despite the craziness in his personal life at the time, he continued to make some of the best music of his career and it’s all there for us to listen to, like great albums such as Young Americans and Station to Station. Always such fantastic music and well written songs. That’s the bedrock of all of it – he wrote very good songs. He combined appealing and popular music which also contained some very complex and avant-garde elements, like a crazy freeform piano solo here, some very unorthodox string arrangements, some totally distinctive chord changes, and some incredibly versatile singing. Some people say Bowie couldn’t sing, but it’s not true. He had quite a narrow sounding voice, but he used it in a lot of different ways and could sing low or very high. Sometimes he would sing in a kind of cockney accent, and sometimes he’d use a posher, deeper and more distinguished voice.

The Berlin Period
My Dad didn’t have any records by Bowie from 1975 until 1983, so I missed the whole Berlin period, and I still haven’t really explored it, which is, on one hand terrible because how can I be a fan without really knowing those records, but also great because I’m going to explore all those albums now. My uncle sent me 3 CDs not long ago – Low, Lodger and Heroes. I’m going to feast on those LPs. He’s always been good that way, my uncle Nic. Never been on the podcast, but he’s a huge music lover and a massive fan of Bowie. When I was 16 Nic made me a tape. It had Jimi Hendrix, Neil Young, David Bowie and The Clash on it. What an education. My uncle saw Bowie perform live 3 times. At one of those performances it was 1975 or 1976 and he was right at the front of the audience. He actually saw Bowie performing as the Thin White Duke, just a few metres away. It must have been incredible. I’ve been chatting a bit with Nic, and my brother who is also a big fan. Here are some of the things that my Uncle said to me via text just yesterday.

Nic: I feel really very sad about it, more than I can imagine for someone I never actually knew. Except of course I did in a way. Such a soundtrack through my adult life. The highlight for me was being near the front at Wembley Pool for the Thin White Duke, maybe the best concert we ever went to. The greatest artist of my generation.

Saw him three times but The Duke was the best, mainly also because we saw him swept away in the back of a huge black limousine after the gig, this little white genius in the back of this huge black car.

Luke: I’m about to do a podcast about Bowie, but I really don’t know where to start.

Nic: What you have to say is that part of his genius was the utter unpredictable nature. Each successive album was unique and different, you never knew what to expect. But it was always different and fascinating.

Good luck with the podcast I’m sure you’ll manage it but don’t worry if you can’t. Such a huge subject.

Luke Thompson: I’ll do what I can! Didn’t someone once say that art is never finished, it’s just abandoned? I’m not saying my podcast is art or anything, but I think you know what I mean.

Nic: I do. I think you and David would’ve got on really well!

Luke: Oh man, what a thought!

My bro sent me a little voice message. Here it is.
(James’ audio message)

Anyway, back to the Berlin period. I think what happened is that Bowie decided to get out of LA in order to escape all the drugs and madness. He moved to Berlin with Iggy Pop. I think they believed that there would be no drugs in Berlin, but they were wrong – apparently there was lots of heroin. I don’t think Bowie used heroin. Good – that’s the real killer and must be avoided at all costs. His friend Iggy Pop (real name James Osterberg) was a heroin addict, so I think he may have succumbed to it there, I’m not sure. But for Bowie, Berlin was a chance to start piecing his life together again and work on new projects. He also split from his wife Angie during this period. (Yes, during all the madness of the previous few years he had married and had a child, now called Duncan Jones – he’s a filmmaker who did a really great science fiction film called Moon, which is quite reminiscent of Bowie’s song Space Oddity).

Anyway, Berlin was Bowie’s attempt to begin again, and although it must have been a difficult and troubling time for him, it was also an extremely creative period, again. Some say it’s the peak of his career, but David Bowie had so many different peaks. Just pick one.

Berlin and the art scene there influenced him a lot. His records from that period were a collaboration with Brian Eno, and they have a totally different feel to the Thin White Duke period. They’re stark, sparse, quite low-fi, quite gritty, depressing yet with an air of grounded optimism and a sense of rebirth. It’s amazing how he managed to change and find new creativity with each step. I think artists are always struggling to find that inspiration to be creative. You can’t always manufacture the creative urge, it just comes to you and you have to try and put it into music or paint or whatever you’re using. I’m amazed at how Bowie managed to follow his creative muse so consistently and regularly. He was really in touch with something – a creative channel, that most of us don’t have access to. It makes us think that Bowie knew things that the rest of us don’t know. I don’t really understand that, but it’s true of all great artists I think – that they have direct access to something that we don’t, and they are able to put it into their art and then we can have access to it too. I feel like that about The Beatles too.

Song: Ashes to Ashes.
This was made just after the Berlin period and it’s his way of saying goodbye to the 70s. The song is incredible, especially when performed live. It has a really cool funk groove, but it also has some really weird and original chord changes and melodies. For me the lyrics are about him looking at his recent past and putting it behind him. It’s about letting the past be the past and moving on. I really can’t do justice in words to how poignant this song feels for me whenever I listen to it. It just grabs my feelings and throws them around all over the place. I don’t want to sound pretentious, that’s genuinely what the song does to me. I care about it in personal ways that I can’t go into now. I love the strength in the song. That you can move on and change and that you are not defined by your past. That’s incredibly brave and positive.

My Dad had another album – Let’s Dance, released in 1983. Perhaps Bowie’s biggest commercial hit. Produced by Nile Rogers.
On the cover Bowie was dressed as a boxer and is throwing a punch. There are also some diagrams for dance steps. I like the analogy of boxing and music. Dancing can be like fighting, when you dance on your own that is. It can be like sparring with your demons, if you like.
Bowie was still in a suit in this period and had bleached blonde hair. He still looked super cool as always.
The production on the album is absolutely massive. It sounds incredible.
The vinyl was in much better condition.
Maybe my Dad listened to it less (I think having kids and a job took up most of his time) or maybe the technology had improved since then, and vinyl records were just better made.
“Let’s Dance” blew my socks off completely. Still does.
“China Girl” also sounded incredible. The musicianship was so tight. It was produced like an up-front commercial dance album. Apparently Bowie didn’t like it that much. I think it just didn’t match his artistic vision, but I love it – because I love the work of Nile Rogers (think tracks like “Good Times” by Chic or “He’s the greatest dancer” by Sister Sledge, and many other records).
My Dad told me that he thought China girl was a song about heroin. That was really intriguing to me. “How could those romantic lyrics be about drugs?” and also, I was interested to know if Bowie had used heroin, because I know how dangerous that drug is – just watch the film Trainspotting and you’ll know.
It turns out the song was written by Iggy Pop. That explains it. Iggy was the heroin addict.
Listening to it, there’s a lot of pain and despair in the lyrics. Bowie screams in pain, including the line “It’s in the whites of my eyes!” to describe the depth of Iggy’s drug addiction. That’s scary, but it’s a pop song.
In fact, the raw upbeat power of the song overwhelms the dark sentiment of the lyrics. Maybe that’s why Bowie wasn’t so keen on it.

Since listening to that album as a teenager (and throughout my life) I’ve learned that by 1983 Bowie had managed to get clean and had left his drug habit behind. That was always really impressive to me. He always managed to maintain such distinction and class, even when he must have been feeling so terrible sometimes. He really kept it together, but there must have been some pretty dark and difficult times. I respect him for having the strength of mind to stop. Lesser people would have been destroyed by the lifestyle he had. Apparently, to help him stay clean, Bowie had a tattoo on his leg of the serenity prayer, which is the common name for a prayer authored by the American theologian Reinhold Niebuhr (1892–1971). It has been adopted by Alcoholics Anonymous and other twelve-step programs. The best-known form is:

God, grant me the serenity to accept the things I cannot change,
The courage to change the things I can,
And the wisdom to know the difference.

Which means I think – he wanted to remember that he could never go back to using drugs. I think some addicts slip back into using when they think they have the power to stop again, but they have to remember that their drug addiction is something they can’t change. If you believe you can control the addiction, you’re wrong. But you can control yourself by choosing to stay clean.

It’s something like that. But to me it’s impressive that he tattooed that onto his leg. He was really committed and strong-minded.

The 80s were a slightly mixed period artistically for Bowie. I think he probably got his personal life together but his art suffered a bit. Fair enough. I think he deserved to have some happiness and stability for a while and so what if some of his work in the late 80s wasn’t that great.

I remember seeing him again in about 1986 or 1987 when as a family we went to the cinema to watch a film called Labyrinth. David Bowie played the bad guy in the film – called Jareth The Goblin King. Basically it’s a kind of dark fairy tale about a girl who goes on adventure into a maze in order to rescue her baby brother who has been kidnapped by the goblin king. Bowie’s performance is pretty hilarious. He’s dressed up in a very camp outfit with big hair and tights. He sings a couple of songs. I remember being a bit disturbed by the film but I didn’t know why. Watching it back more recently I think I realised what it was – it’s Bowie’s tight trousers. They were… well… a bit too tight. I mean, you could see everything. The film was supposed to be scary and there were a few monsters in it, but really the most frightening monsters were on display under David’s tight pants. If you don’t know what I’m getting at, watch the film and you might see what I mean. I’m not the only one to have made that observation by the way. Apparently it was intentional too. The director wanted to create a villain who was attractive yet dangerous – like a rock star.

Bowie came back again in the 90s with another creative period. He reinvented himself as a kind of godfather of British rock music. He wore an awesome jacket with a union jack on it, and collaborated with drum and bass artists like Goldie.

For me the rest of his career is interesting but not quite as great as his earlier work, in terms of music. But he did lots of TV interviews and live performances and many of them are on YouTube. I like to think of his later period as his interview period, but of course he was involved in loads of other projects. There are plenty of things I’m not mentioning here just because it would be impossible to cover everything. One thing he did was use the internet to share his music, right from the beginning, before most other artists or companies used the internet for publishing. He really had his finger on the pulse. He was always ahead of his time.

His TV interviews on YouTube are great. He was always really interesting to listen to. He was very thoughtful, intelligent and articulate, and funny. He was really witty and had a fantastic sense of humour. That’s perhaps one of the most attractive things about him. He never ever took himself too seriously. He took the art really seriously, but never himself. His attitude was so refreshing. No ego.

He had a characteristic voice and way of speaking. It’s fun to do impressions of him and many comedians have done that over the years. My favourite impressions of Bowie are done by Hugh Cornwell on a TV show called Stella Street, and by Adam & Joe who are both Bowie obsessives, particularly Adam Buxton. They do great Bowie impressions. Check out the page for this episode to see those Bowie impressions and to listen to a long documentary that Adam did about Bowie. It’s brilliant.

Bowie released a few albums during the 2000s that were well received by critics, including Heathen and Reality.

Then he went quiet for a while after having a heart attack. He sort of disappeared from the media, except to help promote his son’s film “Moon”.

Then, more recently he came back with The Next Day, and just a week before his death his final album called Blackstar.

What’s interesting about this last couple of albums is that he seemes to be singing about his career as a whole, revisiting some of the themes, places and images that he created earlier.

What none of us predicted is that his latest album Blackstar is about his mortality. Listening to it now, immediately after his death, the songs and videos take on a much deeper significance. The album is very poignant and moving, and is full of puzzles and enigmas that seem to express his experience of coming to terms with his own death, and then dying, leaving us with a completed body of work. It is the perfect ending to his career.

Just over a week ago Bowie released his new album on his birthday.
Lots of people were talking about it, and Bowie fans were excited as usual to get some more music to explore.
We were all celebrating his return and wishing him a happy birthday.
So when we heard about his death, it came as a painful shock.
It was so unexpected, because we had no warning. We had no idea he was sick. He’d kept it secret.

It might seem like a small thing, but a new album of music from an artist you love can make a difference to your life in subtle ways.
A week before he died, early on a dark Monday morning while eating my corn flakes, I had watched the video to his song Blackstar. I found it to be really strange and quite frightening, yet with an appealing and catching song in the middle of it.
Just like much of Bowie’s best work, it’s both avant-garde and poppy. It’s not easy listening, it’s quite dark and moody, but I like that. Music shouldn’t always be safe. It should be challenging sometimes.
Anyway, the video disturbed me a bit. It was full of nightmarish visions, and seemed to be symbolic of something but I couldn’t put my finger on what it was.
I went to work that day and put it to the back of my mind, deciding to just come back and listen to the whole album at some point later.
Then a week passed and last Sunday evening came around. I couldn’t sleep.
I just couldn’t get to sleep.
That doesn’t always happen to me. Usually I get to sleep quite easily. I love sleeping.
This was one of those nights when I couldn’t rest. My mind was just wide awake and it was racing in lots of different directions at the same time. I ind it very frustrating and annoying, especially if I have work the next day. I just want to sleep but my mind seems to be connected to something and won’t switch off. (perhaps I should have listened to my own sleep episode – or tried the relaxation techniques, but I couldn’t focus)
It was disturbing to be still awake at 4am, just lying there in the darkness, with the stars in the sky outside, just staring into space even though my eyes were closed.

Eventually I dropped off and got a couple of hours of sleep, but I was feeling pretty delicate on Monday morning. You know how it is if you haven’t slept.
I had corn flakes again like normal. I have to get up extra early on Mondays in order to teach. My wife was still sleeping peacefully. Lucky her!
I got to school in the rain.
I was holding it together, getting my lessons prepared and someone came in the room and just said to me “David Bowie’s dead”.
Immediately I just said “WHAT???”
In fact, the news spread around the teachers’ room pretty fast. Usually people are busy getting their lessons planned but everyone just stopped.
It’s hard to comprehend that someone is just not in the world any more.
There’s a period where you can’t come to terms with it.
I felt a bit empty or something.
Then I had to go and teach.
During the classes that morning, when I wasn’t interacting with my students, like when I was getting the CD prepared, or when I turned away from them to write on the board, it came back to me quite quickly, and I got surprisingly emotional and had to try to get control of myself!
Fair enough I hadn’t slept much so I was feeling a bit weird anyway.
But I’m still quite surprised at how moved I was.
It was so unexpected.
It’s like David Bowie himself had punched me in the stomach.
Apparently he used to train as a boxer to keep fit.
Well, apparently he was still pretty fit because laid a combination of punches on me that morning that I didn’t expect.
In those moments when I wasn’t occupied by something else I couldn’t help thinking of the times when David Bowie’s music was in my life. They were all key moments for me somehow. Like being in the car with my Dad, discovering new feelings as a teenager in the corner of the living room, dancing in a nightclub somewhere with girls, doing Bowie impressions with my best friends, singing a Bowie song to try and seduce my girlfriend (it worked – the song? “The Prettiest Star”).
They all struck me, but I wasn’t the only one of course. Millions of people around the world were feeling pretty much the same things as me at that moment.

And later on I thought about that scary video that I’d seen exactly a week before and it made a lot more sense to me.
Bowie knew what he was doing. He new he was sick with cancer and he knew that he was going to die, but he didn’t tell the public. We had no idea. So he decided, probably very quickly, to make this music and throw into it all his feelings and experiences when confronted with his own mortality. Apparently he had 6 heart attacks in the year before his death, while recording the album, but he kept fighting to finish the album. Wow.

Apparently he was very close to the edge during the period when the album was due to be released. But he managed to time it somehow so that he would die a week after his birthday and the release of the album.

Even his death was a flawlessly judged artistic act.

Imagine my sleepless night, the frustration of not sleeping, the weird thoughts and fears that passed through my head in that condition. It was weird but what must it be like to be lying in bed, not waiting for dawn to come, but waiting for the end to arrive? What would you be thinking and feeling? I think Bowie has done a great job of expressing that in this music. It’s scary I know, but it’s powerful, and it’s not just morbid and depressing. There are moments where I feel he’s exstatically happy, looking back on some of the victories and joy he had in his life.

Also, the music is good. It’s got some bubbly electronic sounds and some jazz/funk drumming, and some soulful elements and sweeping string arrangements and saxophone.

But what’s mind-blowing is that Bowie used his death as a way of delivering his art to us. That punch in the stomach is a great way to get someone’s attention. Now he has everyone’s attention and we’re all listening. It’s the perfect exit! He really left with a bang.

Now what we have is a complete body of work with a distinct beginning and end, which makes it all the more powerful. I’m sure that all his best music will stand the test of time. In 100-200 years, if we’re all still here, I think Bowie will still be considered one of the most influential and significant artists of this age.

For me personally, I hope there will be many more moments coming in the future that I can share with David Bowie and his music, like the ones I had in the past.

The man may be gone, but the artist remains – preserved in the music, in the images and in our memories.

Thank you David Bowie.

Here are lots of David Bowie Links and Videos.
Just take your pick and dive in.

Space Oddity studio version with lyrics

Space Oddity live on TV in 1969
https://www.youtube.com/watch?v=dFhKM8AW1Js

Ziggy Stardust sings Starman on BBC Top of the Pops in 1972

David Bowie announces the end of Ziggy Stardust on stage
https://www.youtube.com/watch?v=_-G1Uy0OkCw

Aladdin Sane

Bowie interviewed by Dick Cavett in 1974, clearly under the influence of cocaine

Thin White Duke
https://www.youtube.com/watch?v=Shnrnqx_wsY

https://www.youtube.com/watch?v=G4_0bVgIRjg

Bowie in Berlin
Guardian article http://www.theguardian.com/music/2016/jan/13/david-bowie-berlin-years-heroes-just-a-gigolo

Fascinating interview from 1979

Bowie in 1983 criticises MTV for not playing black music

Bowie talks about acting and touring in 1983
https://www.youtube.com/watch?v=DqiTgApODBk

Nile Rogers describes meeting David Bowie

Bowie – “The Interview Years”

Bowie & Comedy – Ricky Gervais described meeting Bowie

Phil Cornwell on Stella Street (skip to 5:00 for the David Bowie impression)
https://www.youtube.com/watch?v=oIot-vgqJBA

Documentaries

https://www.youtube.com/watch?v=gRiTngOAQps

Adam Buxton’s Audio Bowie Documentary
This is my favourite Bowie tribute.
https://archive.org/details/AdamBuxtonOnDavidBowie31stMarch2013
YouTube version here but with the songs removed
https://www.youtube.com/watch?v=mpCrIZamdQE&spfreload=10

The new tracks – Blackstar (the creepy video I watched on Monday morning while eating corn flakes) and Lazarus

Adam & Joe talk about Bowie and do some impressions
If you watch just one of the videos in this list, please watch this one. Adam & Joe obviously love Bowie very much, and their impressions and improvisations are a lot of fun.

323. David Bowie (Part 1)

This episode is all about the life and work of David Bowie, the English musician who died just a couple of days ago. In the episode you’ll hear me talk about the cultural significance of Bowie as an artist, why he is such a legend of British music, and what his music means to me personally. I hope you can use this episode as a way to learn more about British culture. Almost 100% of the episode is transcribed below.

Small Donate Button[DOWNLOAD]
David Bowie was an English singer, songwriter, record producer, painter and actor. He was a figure in popular music for over five decades, and was considered by people around the world as a cultural innovator, particularly for his work in the 1970s. I am a big David Bowie fan, and in this podcast my aim is to explain to you the appeal and significance of David Bowie as a cultural icon. I’ve had a few messages from listeners over the last couple of days asking me to talk about this subject, and I am very happy to be able to do that on my podcast.

This subject is significant to me personally, and I expect to many of you too, but also it’s a very significant to British culture in general, and I think it’s important to teach you about British culture or English language culture on Luke’s English Podcast, as well as to teach you the language itself, because ultimately, it’s all part of the same thing. The language exists within the culture, or perhaps the culture exists within the language – they are intertwined together in complex ways. So, to learn the language like a native I think it helps to know about the culture of that language too, so you can start thinking in the same way that native users of that language think too. Also, if you ever talk to native speakers of English you need to know the cultural references. For example, at the moment and no doubt for a long time afterwards, people will be talking about David Bowie, his music, his art and its significance. Would you be able to hold down a conversation about Bowie? Hopefully this episode will help you do that.

David Bowie changed our culture, not just in Britain but also around the world. How did he do it? What did he do that was so significant? Why is his death such a big deal? What was his appeal? What do most people know about David Bowie? What did he do during his life? What were the messages he communicated through his art? Why will he be considered one of the greatest artists of our time?

There are so many questions to answer. I don’t have the answers to all of them. Some questions will go unanswered. But there are always more questions than answers, aren’t there?

I think the world still doesn’t fully understand what Bowie was doing or what it was all about – or at least we can’t easily put it into words, but those people who value his work certainly feel a powerful emotional connection to David Bowie and his work. He was an artist, and I suppose part of the work of an artist is to express ideas and feelings in other ways – not using words alone, but using anything else as a way of conveying a message or feeling. David Bowie definitely did that. Not only was he a musician, but he was an artist, maybe one of the greatest artists of our time, and he used everything he could in order to communicate with us – music primarily, but also video, theatre, mime, the internet (he was an early adopter), the media and even his own body, his fame, his image and ultimately his identity itself. He even used his own death as a way of communicating his art to the world.

David Bowie’s whole life turned out to be a work of art itself, and as an artist he used his life to tell a captivating, mysterious and complex story.

Here are the main questions I’m going to try and talk about
Who is* David Bowie? (*was ?)
Why is he significant?
Why is Bowie significant to me personally?

I have to say that this is a really difficult episode for me to do because there’s just so much to cover, and I want to do justice to the subject. I don’t think I can say everything I want to say about Bowie in this episode. I would love you to just listen to his music with an open mind. Listen to the beats, the grooves, the moods and let your imagination do the rest. he was also a great speaker in interviews – he was articulate, charming and very funny too. I’m not going to play you any interview footage or any of his music (except perhaps for a couple of seconds per song) on this podcast. But what I have done is collect some videos and other links for you on the page for this episode and I strongly recommend that you check them out. There are other documentaries, interviews, podcast episodes and music that are really really great and will give you loads more perspective on the subject. So go to the page for this episode and just dive in. Please do watch and listen to Bowie in his own words, and in the words of other people who have talked about him too.

I’ve been a fan of Bowie almost all my life. I grew up with his music and it has been with me at various important emotional moments for me.

When did I first hear Bowie’s music?
In the car as a child.
Night time.
Space Oddity.
The song is fascinating – it tells the story of an astronaut on a space mission. He goes out alone into space and loses touch with the earth. The astronaut is afraid, and it is scary – the idea of being so alone, drifting into the void of space, but also it is full of the wonder of the universe – seeing the earth from a distance, and wondering what it’s all about. The song is deep – as deep as the film 2001 A Space Odyssey, which was a direct influence on Bowie.
Looking back on it now, that car was like a spaceship floating through the dark with my Dad at the controls, the lights of suburban London street lamps passing overhead.
The song is like a metaphor for his career somehow.
The astronaut is Bowie the artist, and the spaceship is his work – the different characters he portrayed and inhabited, the multimedia structure around him that he built during his career – like a cocoon, which he has now departed.
Now, after his death, we have just the cocoon, the spacecraft. His life’s work is left with us.
I’m not sure what I’m saying here. And I’m sounding a bit pretentious I expect.
What I mean is that the image of a man in spaceship travelling through space is a bit like a metaphor for the work of the artist going on a journey. I can’t explain it. IN fact, I don’t quite understand it fully. It’s just beyond my understanding, just out of reach, somewhere in space.
That’s space oddity.

Then, later, at other times in my life, I had other moments with David Bowie’s music.
I gave a Bowie album to my Dad for his birthday in 1987. I remember the front cover of the album. I was 10. Bowie was Blue. It felt important that I was giving the record to my Dad. I think my Mum bought it, and I gave it to him.

Then when I was a teenager I started exploring my parents record collection. I discovered a lot of old music, but it was new to me. In our house the record player and the vinyl records were in the corner of the living room. I remember spending quite a lot of time in that corner, with the headphones on, exploring the music while my family were doing other things.

There was an album called “Changes – One Bowie”, which was a greatest hits compilation. I think it was released in the mid 70s and it had songs from his whole career up to that point. It was music from his psychedelic period, his hippy-in-a-dress period, the Ziggy Stardust period and the thin white duke period. These are all different incarnations of Bowie’s rock star identity.

The album cover to “ChangesOneBowie” – the compilation LP that I found in my parents’ record collection.

There was a photo of Bowie on the front of the album – it was a black and white pic and he looked like a Hollywood star from the classic Hollywood period of the 1930s or 40s. I couldn’t quite date the photo. Normally I’m good at predicting the period in which the picture was taken, or predicting when a record was recorded by listening to it, but this photograph just looked completely timeless. I couldn’t work out when it was taken.

The photo could come from any time and that was pretty fascinating. Also, he just seemed so cool and handsome and I thought – how could I be like him? How can I take some of that style and confidence and attractiveness and apply it to my own life. He seemed to be above everything, but not in a bad way – not in an arrogant way. I thought, how could any girl resist this guy? And that was very exciting for me – because I definitely fancied girls but I just wasn’t confident enough. I had no clue about how to talk to girls, let alone get them to fancy me. What Bowie showed me about that is that you shouldn’t fake it – just be confident, express yourself, let your natural style come out and don’t show any fear and you’ll attract girls. In fact, what was really attractive about Bowie is that he didn’t do things for egotistical reasons – the guy in the photo was distant – he wasn’t looking at the camera, he wasn’t begging for your attention, he was looking off into the middle distance somewhere. His mind was elsewhere. He was occupied by his work and by big ideas. I think Bowie’s enthusiasm and commitment to his work made him as attractive as his looks. But it was his looks too. He was the complete package.

I asked my Mum what she thought of Bowie and she said she just found him weird and a bit creepy. I was a bit disappointed, but I was still convinced that Bowie was the essence of coolness. What I saw in that picture was a lot of what is appealing about Bowie. His good looks and cool style, but also his class, his elegance, mystery and weirdness.
Let me describe the album cover.
You see his face and shoulders. He’s looking to our left, into the distance. It’s a black and white photo. His hair is quite short and is combed back with a slight parting on the side. His finger is resting on his bottom lip as if he’s thinking of something.
After a while I noticed that his eyes were different. The pupil of his left eye in the photo is dilated wide, but the other pupil is normal. I wondered if that was an effect added to the photo, to perhaps hint at the fact that he was high on something. It wasn’t obvious, but it was fascinating. Later I learned that Bowie had 2 different eyes – it looked like they had different colours, and the pupil of one was always larger than the pupil of the other. Apparently he had an accident or a fight over a girl when he was fourteen and got punched. The punch caused damage to a muscle in his eye, and since then one of the eyes always looked different to the other. It was another part of Bowie’s allure – there was just something different about his face.

In the photo he’s thin and has ridiculously high cheekbones and chiseled features, like a Hollywood movie star from the 1940s.
He had classical good looks, but there was something else about him – the lines on his face, the shape of his nose – there was something otherworldly and alien about him, like he might have come from outer space.

Also he has femininity in his features, and I think there’s nothing wrong with being in touch with your feminine side.
His ambiguous gender wasn’t the main thing I liked about him, but for many other teenagers throughout the years – teenagers who struggled with their gender identity, David Bowie was someone who gave them self-esteem and confidence. He showed that if you felt confused about your gender, that it was nothing to be ashamed of and that it didn’t matter, and that you could be whoever you wanted to be, and do it with pride. As a rock star, David Bowie was a huge ego boost to so many fans, and for many reasons. For me Bowie was just cool, confident and he made really great music. His confidence and his style commanded respect.
I grew up a bit when I looked at that album cover.

Then I listened to the record. I took the vinyl out of the sleeve and put it on the record player, with the headphones on. My parents had an old pair of 70s headphones. They were really good quality ones.

The first track was called Changes, released in 1971. There was a scratch on the record and it used to jump quite a lot during the introduction to the song. For years, I only heard the scratched version. The song would skip from the intro to the first verse, and then to the chorus quite quickly. It still sounded good to my ears.

It had a piano riff, chunky sounding drums and a good baseline. It sounded amazing in the headphones. Bowie sang words like
I watch the ripples change their size
But never leave the stream
Of warm impermanence and
So the days float through my eyes
But still the days seem the same
And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They’re quite aware of what they’re going through
Changes

As a 15 or 16-year-old I was quite aware that I was going through changes of my own and at the time I was feeling for the first time that I was actually having more complicated feelings than just “I want to play football” or “Star Wars is cool”. Listening to this song, even though I didn’t completely understand the lyrics, I felt that I was suddenly part of something much larger and deeper, and it felt really cool. What it meant to me at the time was that we go through changes in our lives and we don’t always know why, but they’re significant and meaningful and we should be prepared for them, and others should let us change and we shouldn’t try to hold each other back or tell each other what to do – that we should have respect for each other’s complex worlds. I didn’t really understand it all, but it meant a lot – I just felt it.

Also, as I learned more about David Bowie’s music I knew that he was something of a changeling himself. He went through many image changes during his career, especially in the 70s, and that was and still is fascinating to me. How could someone become all these different people – and still hang onto himself? What was identity all about?

Here’s a ‘brief’ history of David Bowie.
South London in 1947. His real name was David Jones. Another performer had the name Davy Jones so he changed his name. He tried a few others, including Tom Jones and David Cassidy, before sticking with David Bowie. Good judgement. He chose Bowie because it was the name of an American knife and he liked the symbolism of that. The knife.
Grew up in postwar UK – the same generation as the Beatles and so many other great artists of his generation.
The main theme of his childhood seems to be – boredom and dullness. Living in suburbia was dull and everything looked the same. It seems to me, looking back on that period in the 1950s that life was in black and white. Just boring and quiet. The older generation just wanted peace and quiet after the hell of world war 2.
Like his peers he got hooked on American rock and roll and R&B but also plenty of other forms of music. This new music which he heard on the radio must have brought some colour into his life.
America was the place that seemed to be really exciting and interesting.
He got involved in the London music scene but never really found his style or confidence.
There was a boom in youth culture associated with music and fashion. This was the mid-late sixties.
Drugs and psychedelia were involved, amphetamines for energy and probably LSD for its mind expanding qualities.

Bowie recorded Space Oddity and it was released and became a hit, eventually, particularly as it coincided with the NASA moon landing in 1969. Some people thought of Space Oddity as a novelty song – just a funny story about an astronaut going into space. But it was deeper, more meaningful than that. Space Oddity is now a timeless classic that is not just about an astronaut. It’s an existential comment about the human condition. But it’s also a great little pop song that you can hum along to and which gets stuck in your head.

Despite some success with that song he still felt unsure of himself as a performer, and searched for ways to bring new dimensions and confidence to his performance art.

He started taking risks with his performances and was influenced by avant-garde artists and various forms of theatre, like clowning, mime and Japanese kabuki. He brought those influences into his rock and roll shows.
He collaborated with a guitarist called Mick Ronson who perhaps deserves more recognition than he gets. He’s the one who played those amazing riffs on a lot of Bowie’s glam rock classics like Rebel Rebel and Ziggy Stardust.

Bowie also came out as gay/bisexual during that period, but it’s not clear to all of us if he really was gay or if it was all part of some kind of provocative and experimental performance both on and off stage.

Nevertheless, he attracted devoted and passionate fans who loved his daring style and his outrageous performances. Being a David Bowie fan was a statement of liberty and freedom. He made it ok, and maybe even cool, to be androgynous.

Also, his music at the time just kicked arse. His band made really raunchy and catchy glam rock. It was heavy, fast, funky, romantic and glamorous. The confidence and mystery that he exuded on stage was like a gift to his fans, who were empowered by having him as a role model.

He first became really huge as a star when he created the character of Ziggy Stardust in around 1972.
Up until that point Bowie had not really found his feet as a performer. Apparently, when performing as himself he felt shy. It’s hard to imagine, but apparently it’s true. He didn’t really enjoy performing as David Bowie, because he just felt a bit awkward.

So he invented a character, and played him during the performances.
Ziggy Stardust was just a character – like a character in a movie or a play, and Bowie was the actor.
People still refer to Bowie as Ziggy, like it was his nickname. It wasn’t a nickname for Bowie, it was an alter-ego. Ziggy disappeared in the mid 70s.

Becoming Ziggy allowed Bowie to really let go of himself and become a rock god, and his performances as Ziggy were really extravagant, involving big costume changes, make up and all sorts of rude and lewd acts on stage.

Apparently Bowie was Ziggy not only on stage, but also off the stage, in public appearances, interviews and so on.
So, David Bowie was really an actor playing the part of an outrageous rock star. That’s interesting for me because Bowie’s acting performance was not just confined to the stage, it bled out into every aspect of his public life. His fame was his medium. He used that medium, fame, very well, to convey his art to us, even with his death.

It’s as Ziggy Stardust that Bowie became really well-known all over the UK and then in the USA, where he was embraced as a big star by the rock music scene.

Apparently Bowie’s main influences for Ziggy Stardust were on one hand NY based musicians Lou Reed & Iggy Pop, but also mime artists, Japanese kabuki theatre performers. Bowie loved the way Lou Reed managed to combine avant-garde art with pop and rock music. He loved the outrageousness and energy of Iggy Pop and the mystery and magic of the kabuki theatre tradition. All of it combined to create something extraordinary in Ziggy Stardust. These incredibly theatrical live shows, with stomping fast rock music and avant-garde lyrics. He released an album called Ziggy Stardust and the Spiders from Mars. It’s now a classic.

Part of Bowie’s genius was always that he could take very weird and abstract art and bring it to a wide audience via good old-fashioned rock and roll, and pop music. That’s the genius of pop. A pop song is so short, and so simple. Just 3 minutes with a couple of verses, a chorus and a bridge section. Played on the radio for mass appeal, full of catchy melodies and instant appeal. Bowie, like all the other great pop stars, used this medium to deliver some very powerful and clever ideas. Bowie’s pop songs were not just disposable trash. They had deep hidden meanings that are hard to comprehend, but which really stand up under scrutiny. He wasn’t just lucky either, like some artists who make one or maybe two hit records in their career. Bowie had hit songs throughout his career, and his greatest hits albums that you can buy now stretch over 2 or sometimes 3 CD collections. He knew what he was doing and his music is pure pop art.

He was a mainstream pop act, but he was also a radical avant gardist. Using pop to deliver abstract ideas right into people’s every day lives. Usually abstract art is to be found in galleries, and let’s face it, not enough ‘ordinary’ people see it. Through his records and videos and other projects, Bowie brought that stuff right to hearts and minds of a massive audience. IN that way, he’s way more of a successful artist than so many others. People would play his songs on the radio. He appeared on Top of the Pops on BBC1 – a very mainstream show, and he brought into the homes of normal people some of the craziest and most over the top concept art, simultaneously fascinating and frightening the nation. He sang a song called “Star Man” on BBC TV, dressed in a bright green costume, with his hair dyed bright red. Starman seems to be about an alien who wants to come to earth but is frightened of how the humans will receive him. It seemed to many that Bowie was the alien.

What did Ziggy Stardust look like?

I remember watching a movie about a Ziggy Stardust live concert, with my brother…

Ziggy was Bowie’s way to celebrate rock and roll, and comment on all its conventions. Again, he knew what he was doing. He wasn’t just aiming to get as many fans as possible. He wanted his fans to really think about what was going on in the live show, in music and in life in general. He really encouraged his audience to use their own intelligence and to interpret his work in their own way. I feel a great amount of respect from the artist when I listen to the music and watch his performances. I don’t feel like he’s patronising me or being arrogant. I just feel like he’s doing the performance, but that some part of him is completely conscious of what he’s doing objectively and that he has no ego.

Apparently, according to the things I’ve heard and read about him, Bowie was a really nice and down to earth person. In interviews he was always very intelligent, articulate, sweet and funny. Apparently he was also quite a private man. The characters he played in his songs are really different to the character of the artist himself.

Bowie made a few albums using the Ziggy Stardust persona, and toured America, and moved there I think. He recorded a couple of albums as Ziggy, but the character did change bit by bit, with a slightly different look emerging over time. He released a couple of albums with the Ziggy Stardust persona I believe. These are absolute bona fide rock classics. I’m talking about albums like Diamond Dogs.

I think by the mid 70s his life was moving extremely quickly and that’s evident in his music and his image. He went through so many different changes during that period and produced some wildly inventive yet accessible music. Eventually he killed off Ziggy (you can see video footage of him announcing it during a live concert – the audience seem devastated! He says, this is our last live concert, ever – and you hear gasps from people in the audience.
But he didn’t quit of course, he just came back with a new image, a new character.
Aladdin Sane.
He looked a bit like Ziggy, but he was darker and even more mysterious.

Then within just a year or two, Bowie changed again. Ziggy Stardust, then Aladdin Sane, and then a character was eventually called The Thin White Duke. He wore sharp suits and had his hair combed back. He used to walk around with a cane, and sometimes wore a hat. He was extremely debonair and suave looking, yet very thin and bony. Again, his combination of handsomeness, androgyny and alien weirdness gave him an allure and a charisma like nobody else.

At that time he was influenced by the soul and funk musicians of New York in the mid seventies. I can’t really explain all the influences and details of his different clothing choices. Essentially, he had his own style – and it influenced a lot of fashion that followed him. I think he had a huge influence on the styles of the 1980s. A lot of what musicians and fashion designers did the 1980s, Bowie had already done in the 70s. Bowie basically created the 1980s.

I think the Thin White Duke is my favourite Bowie period, although I love all of his changes. He was called that because he was thin (due to his lifestyle), he was white! (obviously – but this was more evident because of the fact that he had started playing soul and funk music, which were associated with a black audience – so compared to many of the black artists in his band and black people in his audiences he looked really white. And he was very pale anyway during that period, so I think he was pretty much the whitest dude on the planet, but playing what was considered to be black music.

And the music is the main thing I like about Bowie during this period. I generally love funk and soul music from the 70s, regardless of who is playing it – whether they’re black or white doesn’t matter much to me, in fact I prefer to have my music in with the full colour spectrum please – black, white, and everything in between – purple, brown, yellow, green, pink – if it’s a colour, I want it in my music! No black and white music please. So, Bowie’s funk period is really great. My favourite album from that time is Young Americans. It’s got tracks like “Young Americans” and “Fame” on it – deeply groovy, tough and yet smooth soulful dance tracks. He collaborated with John Lennon on Fame. Imagine that! A funky dance classic, with John Lennon of the Beatles.

END OF PART 1


CLICK HERE FOR PART 2

Here are lots of David Bowie Links and Videos.
Just take your pick and dive in.

Space Oddity studio version with lyrics

Space Oddity live on TV in 1969
https://www.youtube.com/watch?v=dFhKM8AW1Js

Ziggy Stardust sings Starman on BBC Top of the Pops in 1972

David Bowie announces the end of Ziggy Stardust on stage
https://www.youtube.com/watch?v=_-G1Uy0OkCw

Aladdin Sane

Bowie interviewed by Dick Cavett in 1974, clearly under the influence of cocaine

Thin White Duke
https://www.youtube.com/watch?v=Shnrnqx_wsY

https://www.youtube.com/watch?v=G4_0bVgIRjg

Bowie in Berlin
Guardian article http://www.theguardian.com/music/2016/jan/13/david-bowie-berlin-years-heroes-just-a-gigolo

Fascinating interview from 1979

Bowie in 1983 criticises MTV for not playing black music

Bowie talks about acting and touring in 1983
https://www.youtube.com/watch?v=DqiTgApODBk

Nile Rogers describes meeting David Bowie

Bowie – “The Interview Years”

Bowie & Comedy – Ricky Gervais described meeting Bowie

Phil Cornwell on Stella Street (skip to 5:00 for the David Bowie impression)
https://www.youtube.com/watch?v=oIot-vgqJBA

Documentaries

https://www.youtube.com/watch?v=gRiTngOAQps

Adam Buxton’s Audio Bowie Documentary
This is my favourite Bowie tribute.
https://archive.org/details/AdamBuxtonOnDavidBowie31stMarch2013
YouTube version here but with the songs removed
https://www.youtube.com/watch?v=mpCrIZamdQE&spfreload=10

The new tracks – Blackstar (the creepy video I watched on Monday morning while eating corn flakes) and Lazarus

Adam & Joe talk about Bowie and do some impressions
If you watch just one of the videos in this list, please watch this one. Adam & Joe obviously love Bowie very much, and their impressions and improvisations are a lot of fun.

320. A Christmas Carol by Charles Dickens

It’s Christmas! So in this episode I’m going to read you a classic Christmas story – A Christmas Carol by Charles Dickens. You can read the story as well as listen because the whole thing is included on the page for this episode.

Small Donate Button[DOWNLOAD]

Welcome to this special Christmas edition of Luke’s English podcast. I’m feeling very Christmassy here. All my shopping has been done and I’m looking forward to getting together with my family tomorrow. I’m just here with a lovely warm fire, and I’ve managed to find the time to tell you a story in this episode.

But first I’d just like to say Merry Christmas to all of you around the world. I hope you’re spending a pleasant time full of yuletide cheer and festive spirit, even if Christmas isn’t something you celebrate. I usually like to do a special Christmas themed episode of Luke’s English Podcast at this time of year. In the past I’ve done other Christmas episodes and you can check them out if you haven’t already done that.

78. Christmas – It’s all about Family

158. A Cup of Tea with Paul Taylor (Part 1)

159. A Cup of Tea with Paul Taylor (Part 2)

160. The A to Z of Christmas

245. Merry Christmas! (+ Other News) + Video!

What are you doing for Christmas this year? Are you doing anything special? As usual I’m going back to my parents’ place for a few days. They live in Warwick, which is in the midlands not far from Stratford Upon Avon, where Shakespeare was born. I expect we’ll be doing the usual Christmas things: eating loads of food, playing lots of games and giving each other presents. I might record a few podcasts with my family too, if we get a break from all the festivities at any time.

In this episode we’re going to eat a nice big slice of Christmas podcast cake, in the form of a classic story by Charles Dickens – “A Christmas Carol”. It’s a story that many people know and is firmly associated with the general sentiment of Christmas in modern Britain, and other parts of the world no doubt – the idea that Christmas is a time of generosity, of stopping your work and focusing on the important things in life, like your family. I’m going to read you a version of this story, which you can find reproduced on the page for this episode if you’d like to read with me. In fact, this episode is almost 100% transcribed.

I found this version on a website called Family Christmas Online. Just go to familychristmasonline.com to find more Christmas themed stuff. Credit should go to Theresa Race Hoffman who edited this version for public readings. http://familychristmasonline.com/stories_other/a_christmas_carol/a_christmas_carol.htm

It’s a reduced version and I’ve also modified it slightly to make some of the language more up-to-date but generally the style is quite similar to the original which was written by Charles Dickens in 1843.

Before I read the story to you, here’s a preface about how A Christmas Carol Made Charles Dickens One of England’s Best-Loved Writers

Preface

Sometime in 1843, Dickens decided to publish a quality Christmas book that would reach people in two ways:
It would use a very original story to plead for compassion for the poor, and
It would be affordable, bringing quality literature in a well-made book to a wide audience.

Dickens’ publisher didn’t believe in the project, so Dickens ended up financing the book himself. He spent money on a quality leather binding and on many quality illustrations, several of which were hand-tinted, an expensive process. As a result, the first printing of A Christmas Carol made very little money, but it rapidly became Dickens’ most popular work. The book was soon reprinted and was adapted for the stage. In later years Dickens often read a shortened version of the story aloud. A Christmas Carol has never faded from popularity since. IN fact there have been a few different film versions of the story, including A Muppets Christmas Carol, starring Michael Caine – which is acually a touching and beautiful telling of the story.

How A Christmas Carol Helped Change the Way We Think About Christmas

By the time A Christmas Carol was published, Christmas in Britain had disintegrated into an excuse for a week of year-end partying. Not only had Christ become absent from English Christmases, but so had compassion, a virtue that Dickens believed that the poor greatly needed, especially at the onset of cold weather each year. A Christmas Carol helped the English, and eventually the people of many countries, gain a new appreciation for Christmas and for the plight of the poor. Perhaps the greatest change was the growing importance of family Christmas celebrations in a culture where the wealthy had often sent their children to the nursery early on Christmas so they could better enjoy their dances and parties. As an example, author Tim Hallinan* claims that December sales of toys rose dramatically in the decades following A Christmas Carol’s publication. Today, many people in the world tend to think of Victorian England as a time and place where Christmas was “done right.” But without the influence of Dickens and this story, such hearty celebrations of good will may never have occurred.

Preface to A Christmas Carol, by Charles Dickens

I have endeavoured in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it. Their faithful Friend and Servant, C.D.
December, 1843.

So, let’s begin the story. Here it is. A Christmas Carol, by Charles Dickens.

PART 1 – Marley’s Ghost

MARLEY was dead: to begin with. Old Marley was as dead as a door-nail. This must be understood, or this story will mean nothing to anybody. So, we start with the fact that Scrooge’s business partner Marley had snuffed it, he was pushing up the daisies, he was an ex-partner, he’d carked it. He was a goner. He was dead. Scrooge now carried on the moneylending business alone.

He never painted out Old Marley’s name on the door of the office, even though his old partner was – definitely – dead. The company was known as Scrooge and Marley. Sometimes people called Scrooge Scrooge, and sometimes they called him Marley, but he answered to both names. It was all the same to him.

Oh! Scrooge was a selfish old git! He was as cold as a freezing winter night, and he didn’t thaw one degree at Christmas. He hated Christmas and everything it stood for. No ‘season of goodwill’ – for him it was just another excuse to grumble and moan, and stay at home counting his money.

One dark Christmas Eve, old Scrooge sat busy in his counting-house. It was biting, foggy weather.

Scrooge had a very small fire in his office. But next door in his clerk’s office the poor fire was even smaller and barely warm. His poor clerk, called Bob Cratchit had worked for Scrooge for years, and yet had never received a pay rise. Scrooge always paid him the minimum wage.

“Merry Christmas, uncle!” said Scrooge’s nephew Fred coming into the room.

“Bah!” said Scrooge, “Humbug!”

“Christmas a humbug, uncle?” he said. “You don’t mean that do you?”

“If I could work my will,” said Scrooge indignantly, “every idiot who goes about with ‘Merry Christmas’ on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart!”

The nephew answered, “Don’t be angry, uncle. Come to our place for Christmas tomorrow.”

“Bah, humbug! Christmas! Don’t talk to me about Christmas. It’s all just a big jumped up shopping spree invented by the Americans. The whole thing is just invented to get your money out of your pocket! Well, not mine – I’m keeping mine. You do Christmas your way, and I’ll do it my way. Here on my own, just like every other day, thanks very much!”

“Suit yourself Uncle, but we’ll miss you this year, again” said Scrooge’s nephew. “Merry Christmas, uncle!”

“Good afternoon!” said Scrooge.

His nephew even stopped to wish “Merry Christmas” to the clerk.

The poor, cold clerk, Bob Cratchit, managed a thin smile and a weak “merry Christmas” in return as Scrooge’s nephew left.

As he left, Fred let two other people in. They entered and bowed to Scrooge.

“Mr. Scrooge, or Mr. Marley?” said one of the gentlemen.

“Mr. Marley,” Scrooge replied, “died seven years ago, this very night.”

“Oh, sorry for your loss” said one of the men.

“What do you want?” snapped Scrooge.

“Mr. Scrooge,” said the gentleman, “It looks like it’s going to be an especially freezing winter this year. A few of us are going to buy some meat and drink for the Poor, and some blankets to keep them warm this Christmas. What would you like to give?”

“Nothing,” said Scrooge. “If they’ve got no money they can borrow it, or failing that go to the debtors’ prisons.”

“Many would rather die.”

“If they would rather die,” said Scrooge, “they had better do it, and decrease the surplus population. Good afternoon, gentlemen!”

Scrooge went back to his work.

Meanwhile the fog and darkness and biting cold thickened. Some carol singers walked by Scrooge’s office. One cold young boy stooped down at Scrooge’s keyhole to sing a Christmas carol:

“God bless you, merry gentleman!
May nothing you dismay!”

As soon as he heard it Scrooge jumped up so that the singer fled in terror, leaving the keyhole to the fog.

At length the hour of shutting up arrived. Scrooge nodded to the clerk Mr Cratchit, who instantly snuffed his candle out, and put on his hat.

“You’ll want all day off tomorrow, I suppose?” said Scrooge.

“Yes please Mr Scrooge. It is only once a year after all”

“A poor excuse for picking a man’s pocket every twenty-fifth of December!” said Scrooge. “No day off for you. I expect you to be here extra early next morning.”

Scrooge went home to his gloomy house. The yard was dark and the fog and frost hung about the place.

Now, the knocker on his door was very large and ordinary. But tonight it looked like – Marley’s face.

Marley’s face. The eyes were wide open, and its grayish colour made it horrible in the half light.

As Scrooge looked, it became a knocker again. He did look carefully, but the knocker was still a knocker.

“Load of old nonsense!” said Scrooge to himself.

He closed his door and double-locked himself in. He walked through his rooms to see that all was right and sat by the fire.

“Humbug!” he said. “Stupid Christmas. I’ll be glad when it’s all over and people start acting normally again.”

And then he heard it – a clanking noise, from the cellar, as if some person were dragging a heavy chain.

Scrooge tried to ignore it, and opened his paper.

Then he heard the sound again. The noise of heavy chains being dragged, and a faint sound of moaning.

Scrooge suddenly sat upright in his chair. The noise was real, and it was getting louder.

Suddenly the cellar-door flew open with a booming sound, and then he heard the noise coming up the stairs; then straight towards his door.

Quickly it came on through the heavy door, and passed into the room before his eyes.

It was Marley, back from the dead. The chain Marley pulled was long, and made of cash-boxes, keys, padlocks, and purses. His body was transparent; so that Scrooge could see the two buttons on his coat hanging on the door behind.

“What do you want with me?” said Scrooge. “Who are you?”

“In life I was your partner, Jacob Marley.”

“Humbug, I tell you! humbug!”

At this the spirit raised a frightful cry, and shook its chain. Scrooge fell upon his knees.

Asked the Ghost, “Do you believe in me or not?”

“I do,” said Scrooge. “I do! But why do spirits walk the earth, and why do they come to me?”

“It is required of every man,” the Ghost returned, “that the spirit within him should walk abroad among his fellow men; and if that spirit does not go forth in life, it is condemned to do so after death!”

“You are chained,” said Scrooge, trembling. “Tell me why?”

“I wear the chain I forged in life and by the very work I did, with you,” replied the Ghost. “I made it link by link, and yard by yard; and of my own free will I wore it.” Scrooge trembled more and more.

“Do you know,” pursued the Ghost, “your chain was as heavy as this, seven Christmas Eves ago? You have made it longer, since then.”

“But you were always a good man of business, Jacob,” faltered Scrooge.

“Business!” cried the Ghost, wringing its hands again. “Mankind was my business. Greed was my business! I spent my life on this earth obsessing over money and mistreating the poor and wretched to fill my pocket. Old Scrooge,  I am  condemned to walk the earth for eternity never to find rest or peace.”

“I am here to-night to warn you,” pursued the Ghost. You will be haunted by Three Spirits.”

“I—I think I’d rather not,” said Scrooge.

“They will come to teach you a lesson. Expect the first to-morrow,” said the Ghost, “when the bell tolls One.”

“Expect the second on the next night at the same hour. The third upon the next night at the last stroke of Twelve.”

When it had said these words, the spectre floated out upon the bleak, dark night.

The air was filled with moaning phantoms, and every one of them wore chains like Marley’s Ghost. They faded away. Scrooge closed the window, and examined the door by which the Ghost had entered. It was still as he had double-locked, with his own hands. He tried to say “Humbug!” but stopped. And he went straight to bed and fell asleep upon the instant.

PART 2 – The First of the Three Spirits

WHEN Scrooge awoke, it was dark. The chimes of a neighbouring church struck the hour, with a single deep, melancholy note.

Light flashed up in the room, and the curtains of his bed were drawn aside by a hand. And Scrooge found himself face to face with the unearthly visitor who drew them, right in front of his face.

It was a strange figure—like a child, or an old man. Its white hair hung about its neck and down its back, and yet the face had not a wrinkle in it. Its legs and feet were bare. It wore a white tunic with a shining belt. It held a branch of fresh green holly in its hand; and had its dress trimmed with summer flowers

“Are you the Spirit whose coming was foretold to me?” asked Scrooge.

The voice was soft and gentle. “I am the Ghost of Christmas Past.”

“Long Past?” inquired Scrooge.

“No. Your past.”

It put out its strong hand and clasped him gently by the arm.

“Rise! and walk with me!”

They passed through the wall, and stood upon an open country road. Now it was a clear, cold, winter day, with snow upon the ground.

“Good Heavens!” said Scrooge. “I was a boy in this place!” He wiped away a tear and begged the Ghost to lead him.

“You recollect the way?” inquired the Spirit.

“Remember it!” cried Scrooge. “I could walk it blindfolded.”

They walked along the road, Scrooge recognizing every gate and tree; until a little town appeared in the distance. Some shaggy ponies trotted towards them with boys upon their backs. All these boys shouted to each other merrily. Scrooge knew and named them every one. “These are but shadows of the things that have been,” said the Ghost. “They do not see us.”

But why was he filled with gladness when he heard them tell each other Merry Christmas, as they parted! What was Merry Christmas to Scrooge? What good had it ever done to him?

“The school is not quite deserted,” said the Ghost. “A lonely child, neglected by his friends, is there still.”

Scrooge said he knew it. And he cried.

They soon approached a large house, its windows broken, and the many rooms cold, and bare of food.

They went, the Ghost and Scrooge, to the back of the house, and a room with desks. At one of these a lonely boy was reading near a feeble fire; and Scrooge sat down, beside his poor forgotten self as he used to be. He said “Poor boy!” and cried again.

“I wish,” Scrooge muttered, after drying his eyes with his cuff: “but it’s too late now.”

“What is the matter?” asked the Spirit.

“Nothing,” said Scrooge. “Nothing. There was a boy singing a Christmas Carol at my door last night. I should have given him something: that’s all.”

The Ghost smiled thoughtfully, and waved its hand: saying as it did so, “Let us see another Christmas!”

And there he was, alone again, when all the other boys had gone home for the holidays.

The door opened; and a little girl came darting in, and put her arms about his neck.

“I have come to bring you home, dear brother!” said the child. “We’re to be together all the Christmas long, and have the merriest time in all the world.”

“Your sister,” said the Ghost. “Always a delicate creature. But she had a large heart!”

“So she had,” cried Scrooge. “You’re right, Spirit!”

“She died a woman,” said the Ghost, “and had, I think, one child – your nephew”

Scrooge answered sadly, “Yes.”

All at once they were in a busy city. Here too it was Christmas time again; but it was evening, and the streets were lighted up.

The Ghost stopped at a warehouse door, and asked Scrooge if he knew it.

“Know it!” said Scrooge. “I was apprenticed here!”

At sight of an old gentleman, behind a high desk, Scrooge cried in great excitement:

“Why, bless his heart; it’s Fezziwig alive again! My old boss!”

Scrooge’s former self, now a young man, came in, beside his fellow apprentice.

Old Fezziwig laid down his pen, and looked up at the clock. He rubbed his hands and called out in a rich voice:

“No more work to-night, my boys!” said Fezziwig. “Christmas Eve, Dick. Christmas, Ebenezer! Clear away, lads!”

It was done in a minute. The floor was swept, the lamps were trimmed, fuel was heaped upon the fire; and the warehouse became a snug, warm, and bright ball-room.

In came a fiddler with a music-book. In came Mrs. Fezziwig, and the three Miss Fezziwigs,. In came all the young men and women employed in the business, the housemaid, the baker, the cook, the milkman. Away they all went, twenty couples at once!

There were dances, and games, and there was cake, and Roast Beef, and mince-pies, and plenty of ale.

During all this time, Scrooge had acted like a man out of his wits. He enjoyed everything. Now that he remembered the Ghost, he became conscious that it was looking full upon him.

“A small matter,” said the Ghost, “to make these silly folks so full of gratitude.”

“Small!” echoed Scrooge. “It isn’t that, Spirit. He has the power to make our work a pleasure or a toil. The happiness he gives, is quite as great as if it cost a fortune.”

He stopped.

“What is the matter?” asked the Ghost.

“Nothing particular,” said Scrooge.

“Something, I think?” the Ghost insisted.

“No,” said Scrooge, “No. I should like to be able to say a word or two to my clerk just now. That’s all.”

Scrooge and the Ghost again stood in the open air.

“My time grows short,” observed the Spirit. “Quick!”

Again Scrooge saw himself. He was older now. He was not alone, but sat by a pretty young girl: in her eyes there were tears.

“It matters little to you,” she said, softly. “Another idol has taken my place. It is the love of money. Good-bye. May you be happy in the life you have chosen!”

“Spirit!” cried Scrooge, “show me no more! I cannot bear it! Leave me! Take me back. Haunt me no longer!”

He was conscious of being exhausted, and of being in his own bedroom. He had barely time to reel to bed, before he sank into a heavy sleep.

PART 3 – The Second of the Three Spirits

Scrooge waited again.

Now, when the Bell struck One, he saw a ghostly light coming from the next room. He shuffled to the door.

A strange voice called him by his name, and bade him enter.

The room was hung with holly and mistletoe, and a mighty blaze went roaring up the chimney. Heaped up like a throne were geese, pies, plum-puddings, chestnuts, oranges, pears, cakes, and punch. Upon this food couch, there sat a jolly Giant, who held a glowing torch high up, to shed its light on Scrooge.

“Come in!” exclaimed the Ghost, “and know me better, man!” Scrooge entered timidly, and hung his head.

“I am the Ghost of Christmas Present,” said the Spirit. “Look upon me!”

Scrooge reverently did so. It was clothed in a green robe, bordered with white fur. Its feet were bare; and on its head it wore a holly wreath, set here and there with shining icicles.

“You have never seen the like of me before!” exclaimed the Spirit.

“Spirit,” said Scrooge, “conduct me where you will. I went forth last night and I learnt a lesson which is working now. To-night, if you have anything to teach me, let me profit by it.”

“Touch my robe!”

Feast, fire, room all vanished instantly and they stood in the city streets on a snowy Christmas morning.

The sky was gloomy, and yet was there an air of cheerfulness like a summer day.

Soon the steeples called the people to church, and away they came, flocking through the streets in their best clothes, and with their happiest faces.

The good Spirit led him straight to Scrooge’s clerk’s, holding on to his robe; and at the door the Spirit smiled, and stopped to bless Bob Cratchit’s dwelling. Think of that! Bob had but fifteen shillings a-week himself; and yet the Ghost of Christmas Present blessed his little house!

Then up rose Mrs. Cratchit, dressed poorly in a worn dress.

“What has ever got your precious father then?” said Mrs. Cratchit to the little Cratchits. “And your brother, Tiny Tim.”

In came Bob, the father, in his threadbare clothes; and Tiny Tim upon his shoulder. Sadly, Tiny Tim held a little crutch!

“And how did little Tim behave?” asked Mrs. Cratchit.

“As good as gold,” said Bob. “He told me, that he hoped the people saw him in the church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day, who made lame beggars walk, and blind men see.”

At last the dishes were set on, and grace was said. Bob said he didn’t believe there ever was such a goose cooked. Mrs. Cratchit brought in the pudding, like a speckled cannon-ball, blazing with brandy, and with Christmas holly stuck into the top. A wonderful pudding!

Bob proposed a toast:

“A Merry Christmas to us all, my dears. God bless us!”

“God bless us every one!” said Tiny Tim, the last of all.

He sat very close to his father’s side upon his little stool. Bob held his withered little hand in his, as if he loved the child, and wished to keep him by his side, and dreaded that he might be taken from him.

“Spirit,” said Scrooge, with an interest he had never felt before, “tell me if Tiny Tim will live.”

“I see a vacant seat,” replied the Ghost, “in the corner, and a crutch without an owner, carefully preserved. If these shadows remain unaltered by the Future, the child will die.”

“No, no,” said Scrooge. “Oh, no, kind Spirit! say he will be spared.”

“If these shadows remain unaltered by the Future, he will die this year,” repeated the Ghost. “What then? If he is going to die, he had better do it, and decrease the surplus population.”

Scrooge hung his head, ashamed to hear his own words.

“Man,” said the Ghost, “will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man’s child!”

But now Scrooge heard his own name.

“Mr. Scrooge!” toasted Bob; “I’ll give you Mr. Scrooge, the Founder of the Feast!”

“The Founder of the Feast indeed!” cried Mrs. Cratchit, reddening.

“My dear,” was Bob’s mild answer, “Christmas Day.”

“I’ll drink to his health, for your sake and the Day’s,” said Mrs. Cratchit, “Long life to him! A merry Christmas and a happy new year!”

The children drank the toast after her, but they didn’t care for it. Scrooge was the Ogre of the family. The mention of his name cast a dark shadow on the party.

By-and-bye they had a song from Tiny Tim, who had a sweet little voice, and sang it very well indeed.

They were not a handsome family; they were not well dressed. But, they were happy, grateful, pleased with one another, and contented with the time. Scrooge watched them, and especially on Tiny Tim, until the last.

And now, they traveled through coal miners’ homes, past ships on the dark sea. And everywhere they went, no matter how poor, every person hummed a Christmas tune, or had a Christmas thought. And every person, good or bad, had a kind word for another on that day.

Scrooge heard a hearty laugh and recognised it as his own nephew’s. He found himself in a bright, gleaming room, with the Spirit standing smiling by his side.

“Ha, ha!” laughed Scrooge’s nephew. “He said that Christmas was a humbug, as I live! He believed it too!”

“More shame for him, Fred!” said Scrooge’s niece, indignantly.

“He’s a comical old fellow,” said Scrooge’s nephew, “and not so pleasant as he might be. However, his offences carry their own punishment, and I am sorry for him. Who suffers by his ill temper! Himself, always.”

They had some music and played at games; for it is good to be children sometimes, and never better than at Christmas.

They all played and sang, and so did Scrooge, singing quite loud. He begged like a boy to be allowed to stay until the guests departed. But this the Spirit said could not be done.

Much they saw, and far they went, and everywhere the Spirit went he left his blessing. It was a long night, and Scrooge noticed that the Ghost grew older, and he noticed that its hair was grey.

“Are spirits’ lives so short?” asked Scrooge.

“My life upon this globe, is very brief,” replied the Ghost. “It ends to-night at midnight. Listen! The time is drawing near.”

The bell struck twelve. And the Spirit disappeared. As the last stroke ceased to vibrate, he remembered the prediction of old Jacob Marley, and lifting up his eyes, beheld a solemn Phantom, draped and hooded, coming, like a mist along the ground, towards him.

PART 4 – The Last of the Spirits

THE Phantom approached, in a deep black garment, which left nothing of it visible save one boney hand.

“I am in the presence of the Ghost of Christmas Yet To Come?” said Scrooge. “You are about to show me shadows of the things that will happen. Is that so, Spirit?”

Scrooge’s legs trembled beneath him.

“Ghost of the Future!” he exclaimed, “I fear you more than any spectre I have seen. But I know your purpose is to do me good, and I am prepared to bear you company, and do it with a thankful heart. Will you not speak to me?”

It gave him no reply. The hand was pointed straight ahead.

“Lead on!” said Scrooge. “Lead on! The night is precious time to me, I know. Lead on, Spirit!”

The Phantom moved away.

They were in the heart of the city; amongst the merchants; who hurried up and down, and chinked the money in their pockets, as Scrooge had seen them often.

The Spirit stopped beside one little knot of business men, pointing to them, Scrooge advanced to listen to their talk.

“No,” said a great fat man with a monstrous chin, “I don’t know much about it. I only know he’s dead.”

“When did he die?” inquired another.

“Last night, I believe.”

“What has he done with his money?”

“I haven’t heard,” said the man with the large chin, yawning. “It’s likely to be a very cheap funeral, for I don’t know of anybody to go to it.”

“I don’t mind going if a lunch is provided,” laughed one gentleman.

Scrooge knew the men, and looked towards the Spirit for an explanation.

Scrooge fancied that the Unseen Eyes of the ghost were looking at him closely. It made him shudder, and feel very cold.

They went into a dirty part of town where the shops and houses reeked with filth and misery.

There was a shop where greasy junk was bought. Scrooge and the Phantom came into this shop of Old Joe’s, just as two women and a man carried in bundles, laughing.

The man produced his plunder first. A pencil-case and a brooch were all. Old Joe added up his prices, upon the wall.

“I know those things,” Scrooge said. “They are just like mine – and they are worth much more than this man is paying!”

“Who’s next?” said Joe.

Mrs. Dilber was next. Sheets and towels, two old-fashioned silver teaspoons, a pair of sugar-tongs, and a few boots. Her account was stated on the wall in the same manner. “I paid two shillings ten for teaspoons just like those,” Scrooge objected.

“And now undo my bundle, Joe,” said the next woman.

Joe dragged out a large and heavy roll of some dark stuff, the same fabric and color as Scrooge’s bed curtains..

“Bed-curtains!” said Joe. “You don’t mean to say you took ’em down, rings and all, with him lying there dead?”

“Yes I do,” replied the woman. “Why not?”

“His blankets too?” asked Joe.

“Whose else’s do you think?” replied the woman. “And that’s the best shirt he had, and a fine one too. They’d have wasted it, if it hadn’t been for me. Putting it on him to be buried in,” she laughed. “But I took it off again.”

Scrooge looked at a shirt just like his own shirt and listened in horror.

“Ha, ha!” laughed the same woman, when old Joe paid the three out. “This is the end of it, you see! He frightened every one away from him when he was alive, to profit us when he was dead!”

“Spirit!” said Scrooge, shuddering from head to foot. “I see, I see. The case of this unhappy man might be my own. – Merciful Heaven, what is this!”

He recoiled in terror, for the scene had changed, and now he almost touched a bed: a bare, uncurtained bed: on which, beneath a ragged sheet, there lay the body of this man.

He lay, in the dark empty house, with no one to tell his story or mourn his death. “Spirit!” Scrooge said, “this is a fearful place. Let us go!”

The Ghost conducted him to poor Bob Cratchit’s house; and found the mother and the children seated round the fire.

Very quiet. The little Cratchits were as still as statues in one corner, with Peter, who had a book before him. The mother and her daughters were sewing. But surely they were very quiet!

The mother laid her work upon the table, and put her hand up to her face. “ It must be past your father’s time,” she said .

Peter said, shutting up his book. “But I think he has walked a little slower than he used, these few last evenings, mother.”

At last she said, “He used to walk with Tiny Tim upon his shoulder, very fast indeed. But he was very light to carry, and his father loved him so. Ah – there is your father at the door!”

She hurried out to meet him. Bob broke down all at once and cried. He couldn’t help it.

They drew about the fire, and talked. Bob told them of the extraordinary kindness of Mr. Scrooge’s nephew, whom he had scarcely seen but once. “‘I am heartily sorry for it, Mr. Cratchit,’ Fred had said, ‘and sorry for your good wife.’ I am sure we shall none of us forget poor Tiny Tim—shall we?”

“Never, father!” cried they all.

“Spectre,” said Scrooge, “tell me what man that was whom we saw lying dead?”

The Ghost of Christmas Yet To Come did not answer, but led him straight on, until they reached an iron gate.

A churchyard. Here, then; the wretched man whose name he had now to learn, lay underneath the ground

“Answer me one question,” said Scrooge. “Are these the shadows of the things that Will be, or are they shadows of things that May be, only?” The Spirit stood among the graves, and pointed down to one. Scrooge followed the finger, and read upon the stone of the grave his own name, EBENEZER SCROOGE.

The finger pointed from the grave to him, and back again.

“No, Spirit! Oh no, no!”

The finger still was there.

“Spirit!” he cried, tightly clutching at its robe, “hear me! I am not the man I was. Why show me this, if I am past all hope!”

For the first time the hand appeared to shake.

“Good Spirit,” he pursued, “I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach. Oh, tell me I can sponge away the writing on this stone!”

In his agony, he caught the spectral hand. The Phantom’s hood and dress shrunk, collapsed, and dwindled down into a bedpost.

PART 5 – The End of it

YES! and the bedpost was his own. The bed was his own, the room was his own. Best and happiest of all, the Time before him was his own, to make amends in!

“I will live in the Past, the Present, and the Future!” Scrooge repeated, as he scrambled out of bed. “The Spirits of all Three shall strive within me. Oh Jacob Marley! Heaven, and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!”

His face was wet with tears.

“They are not torn down,” cried Scrooge, folding one of his bed-curtains in his arms, “they are not torn down, rings and all. They are here—I am here—the shadows of the things that would have been, may be dispelled. They will be. I know they will!”

“I don’t know what to do!” cried Scrooge, laughing and crying in the same breath. “I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. I am as giddy as a drunken man. A merry Christmas to everybody! A happy New Year to all the world.”

He had frisked into the sitting-room, and was now standing there.

“There’s the door, by which the Ghost of Jacob Marley entered!” cried Scrooge, starting off again, and going round the fireplace. “There’s the corner where the Ghost of Christmas Present, sat! There’s the window where I saw the wandering Spirits! It’s all right, it’s all true, it all happened. Ha ha ha!”

Really, for a man who had been out of practice for so many years, it was a splendid laugh.

“I don’t know what day of the month it is!” said Scrooge. “I don’t know how long I’ve been among the Spirits. I don’t know anything. Never mind. I don’t care!”

The churches began ringing out louder and clearer than he had ever heard. Clash, clang, hammer; ding, dong, bell. What a glorious, glorious sound!

Running to the window, he opened it, and put out his head. No fog, no mist; clear, bright, cold. Golden sunlight; Heavenly sky; sweet fresh air; merry bells. What a glorious Glorious day!

“What’s to-day!” cried Scrooge, calling downward to a boy in Sunday clothes.

“EH?” returned the boy.

“What’s to-day, my fine fellow?” said Scrooge.

“To-day!” replied the boy. “Why, it’s CHRISTMAS DAY sir.”

“It’s Christmas Day!” said Scrooge to himself. “I haven’t missed it. The Spirits have done it all in one night. They can do anything they like. Of course they can. Of course they can. Hello, my fine fellow!”

“Hello!” returned the boy.

“Do you know the poultry shop, in the next street, at the corner?” Scrooge inquired.

“I certainly do,” replied the lad.

“An intelligent boy!” said Scrooge. “A remarkable boy! Do you know whether they’ve sold the prize Turkey that was hanging up there?—Not the little prize Turkey: the big one?”

“What, the one as big as me?” returned the boy.

“What a delightful boy!” said Scrooge. “Yes, yes!”

“It’s hanging there now,” replied the boy.

“Is it?” said Scrooge. “Go and buy it.”

“What!” exclaimed the boy.

“I am in earnest,” said Scrooge. “Go and tell ’em to bring it here, that I may give them the direction where to take it. Come back with the man, and I’ll give you a shilling. Come back with him in less than five minutes and I’ll give you half-a-crown!”

The boy was off like a shot.

“I’ll send it to Bob Cratchit’s!” whispered Scrooge, rubbing his hands, and splitting with a laugh. “He sha’n’t know who sends it. It’s twice the size of Tiny Tim!”

He wrote the address somehow, and went down-stairs to open the street door, ready for the coming of the poulterer’s man. As he stood there, waiting his arrival, the knocker caught his eye.

“I shall love it, as long as I live!” cried Scrooge, patting it with his hand. “It’s a wonderful knocker!— Here’s the Turkey! Hello again! Merry Christmas!”

It was a Turkey!

“Why, it’s impossible to carry that to Camden Town,” said Scrooge. “You must have a cab.”

The chuckle with which he said this, and the chuckle with which he paid for the Turkey, and the chuckle with which he paid for the cab, and the chuckle with which he paid the boy, were only to be exceeded by the chuckle with which he sat down breathless in his chair again, and chuckled till he cried.

He dressed himself up “all in his best,” and at last got out into the streets. The people were by this time pouring forth, as he had seen them with the Ghost of Christmas Present; and Scrooge regarded every one with a delighted smile. Three or four good-humoured fellows said, “Good morning, sir! A merry Christmas to you!” And Scrooge said often afterwards, that of all the happy sounds he had ever heard, those were the happiest in his ears.

He had not gone far, when coming on towards him he beheld the gentleman, who had walked into his counting-house the day before. It sent a pang across his heart to think how this old gentleman would look upon him when they met; but he knew what path lay straight before him, and he took it.

“My dear sir,” said Scrooge, quickening his pace, and taking the old gentleman by both his hands. “How do you do? I hope you succeeded yesterday. It was very kind of you. A merry Christmas to you, sir! Allow me to ask your pardon. And will you have the goodness to allow me to give you” —here Scrooge whispered in his ear.

“Goodnss me!” cried the gentleman, as if his breath were taken away. “My dear Mr. Scrooge, are you serious?”

“If you please,” said Scrooge. “Not a farthing less. A great many back-payments are included in it, I assure you. Will you do me that favour?”

“My dear sir,” said the other, shaking hands with him. “I don’t know what to say—”

“Don’t say anything, please,” retorted Scrooge. “Will you come and see me?”

“I will!” cried the old gentleman. And it was clear he meant to do it.

“Thank you,” said Scrooge. “I am much obliged to you. I thank you fifty times and god bless you!”

He went to church, and walked about the streets, and watched the people hurrying to and fro, and patted children on the head, and found that everything could give him pleasure. He had never dreamed that anything could give him so much happiness. In the afternoon he turned his steps towards his nephew’s house.

He passed the door a dozen times, before he had the courage to go up and knock. But he made a dash, and did it:

“Is your master at home, my dear?” said Scrooge to the girl.

“Yes, sir.”

“Where is he, my love?” said Scrooge.

“He’s in the dining-room, sir, along with mistress. I’ll show you up-stairs, if you please.”

“He knows me,” said Scrooge, with his hand already on the dining-room lock. “I’ll go in here myself, my dear.”

“Fred!” said Scrooge. “Why bless my soul!” cried Fred, “who’s that?”

“It’s I. Your uncle Scrooge. I have come to dinner. Will you let me in, Fred?”

Let him in? It is a mercy he didn’t shake his arm off. He was at home in five minutes. Nothing could be heartier. Wonderful party, wonderful games, won-der-ful happiness!

But he was early at the office next morning. If he could only be there first, and catch Bob Cratchit coming late! That was the thing he had set his heart upon.

And he did it; yes, he did! The clock struck nine. No Bob. A quarter past. No Bob. He was full eighteen minutes and a half behind his time. Scrooge sat with his door wide open, that he might see him come into the Tank.

His hat was off, before he opened the door. He was on his stool in a jiffy; driving away with his pen, as if he were trying to overtake nine o’clock.

“Hello!” growled Scrooge, in his accustomed voice, as near as he could feign it. “What do you mean by coming here at this time of day?”

“I am very sorry, sir,” said Bob. “I am behind my time.”

“You are?” repeated Scrooge. “Yes. I think you are. Step this way, sir, if you please.”

“It’s only once a year, sir,” pleaded Bob, appearing from the Tank. “It shall not be repeated. I was making rather merry yesterday, sir. Ive got a bit of a hangover to be honest, but I’m good for work I promise.”

“Now, I’ll tell you what, my friend,” said Scrooge, “I am not going to stand this sort of thing any longer. And therefore,” he continued, “and therefore I am about to raise your salary!”

Bob trembled. He had a momentary idea of knocking Scrooge down, holding him, and calling to the people in the hospital for help and a strait-jacket.

“A merry Christmas, Bob!” said Scrooge, with an earnestness that could not be mistaken, as he clapped him on the back. “A merrier Christmas, Bob, my good fellow, than I have given you, for many a year! I’ll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, Bob! Make up the fires, and buy another coal-scuttle before you dot another i, Bob Cratchit!”

Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did NOT die, he was a second father. He became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world. Some people laughed to see the alteration in him, but he let them laugh. His own heart laughed: and that was quite enough for him.

He had no further meetings with Spirits ever afterwards; and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!

christmas

312. The Words of the Year (Part 3) with Amber & Paul

Here’s the third part in this series about the Collins Dictionary Words of the Year 2015. Listen to the episode to hear Amber, Paul and me discuss the rest of the words in the list. I’ll also explain and clarify some vocabulary, grammar and pronunciation from our discussion. There are vocabulary notes below.

Small Donate Button[DOWNLOAD]
Welcome back to another episode of LEP. We’re still talking about the Collins Dictionary Words of the Year.
This is the third episode on the series, and we still have about 7 words to deal with.
I think we can wrap this up inside one episode, but let’s see.
I’m going to keep this intro as short as possible because recently my introductions have got out of control.
So, let me keep it short and simple.
This is the 3rd part in a mini-series about The Collins Dictionary New Words of the Year.
I’m joined by Amber and Paul and we’re talking about this list of new words that Collins are putting into their dictionary this year.
These are new words and their use in both spoken and written form has increased significantly over the last 12 months.
Collins consider them worthy of addition into the dictionary.
But what are these words? What do they mean? And why have we been using them a lot lately?
Amber, Paul and I are going to explain them for you and just ramble on a bit as well.
I’ll play you all of our conversation but every now and then I’ll pause the podcast to explain things you’ve heard in our conversation.
That way you get the best of both worlds: you can listen to us talking to each other naturally, but also you can pick up a lot of new language when I break it down and explain it to you.
Alright, so without any further ado, let’s get started, and here’s word 7 in this list of 10 new words.

Word 7 – “manspreading”
manspreading (noun): the act or an instance of a male passenger in a bus or train splaying his legs in a way that denies space to the passenger sitting next to him
To take up space
well-contained within my seat allocated space
Not spilling over
You’re obliged to sit there, coyly, between his legs
Splaying his legs
You’re sitting there, minding your own business, not taking up much space…
His leg is pressing up against your leg.
If they were a bit too scary I probably wouldn’t say anything. I’d probably just cower.
He went out into the, whatchacallit, into the corridor.
whatchacallit
whatsisname
a thingamajig
a thingamybob
a widget
The corridor in the bus (or the aisle)
Suddenly the bus put the brakes on and he went flying.
Small kids, the metro stops suddenly or people get on and they crush them, they don’t even notice them, so they stand on them.
Children aren’t that strong holding on.
They’re hyperactive. They want to, like, run around.
A grumpy tired child is not good for anyone.

Word 6 – “ghosting”
Ghosting
The act or an instance of ending a romantic relationship by not responding to attempts to communicate by the other party
You’re not manning up or womaning up if you do that (to ‘man up’ = to be strong and act like a real man, or woman)
We got jiggy with it (like the Will Smith song, but in this case it means that we’d had sex, or ‘sexy time’)
Ghosting someone as a way of finishing a relationship is lame. All it takes is a bit of honesty.
It did do my head in for a while. (expression)

Word 5 – “dadbod”
Dadbod
An untoned and slightly plump male physique, especially one considered attractive
Broad shoulders
well-toned muscles
six-pack
I’m a bit more laid back
Comparatively, you’ll feel all saggy and not attractive
Landscape gardener
“Don’t all rush out at once!” (Sarcasm – Paul’s saying that nobody’s going to come. This is a typical way to be sarcastic. E.g. “Don’t all rush out at once!” or “Don’t sound too enthusiastic!” or “Don’t get over excited” or “Don’t everyone rush to my help or anything”)

Word 4 – “corbynomics”
Corbynomics
The economic policies advocated by Jeremy Corbyn, leader of the UK Labour Party from 2015
Reaganomics

Word 3 – “contactless”
Contactless
Referring to payment systems which use RFID technology and do not require the customer’s signature or pin number
To type in a pin or sign
contactless payment
Card details
We’ll be floating around in pods
It’s all going to become fingerprint eyeball scanning, thing.
That’s probably what’s going to happen

Word 2 – “clean eating”
Clean eating
The practice of following a diet that contains only natural foods, and is low in sugar, salt, and fat
If the WHO comes up with it
Audiobook recommendation: Salt Sugar Fat by Michael Moss

Word 1 – “binge-watch”
Binge-watch
To watch a large number of television programmes (especially all the shows from one series) in succession
I can’t help myself
Flipping heck
Flippin’ ‘eck
I find myself pushing the pram around
YOu’re so tired you can barely stay awake to watch it!
Jack Bauer’s Power Hour (what does this mean? N.Irish accent)
The Beatles book – hefty, fat, an extremely large tome, an exhaustive book,
How much of it have I actually read? (pron – weak form of ‘have’)
I finished the whole thing in no time
Audiobook recommendations: David Copperfield by Charles Dickens, read by Martin Jarvis, The Beatles – Tune In: All These Years, by Mark Lewisohn, The Dummies Guide to British History and You Say Potato by David & Ben Crystal.
(stop after I mention “You Say Potato” )

Add some negative comments from The Guardian’s comment section
Here’s a comment from a Guardian reader who basically disagrees with the implied suggestion that there’s some guilt involved in watching many episodes of a TV show back-to-back. RayMullan (pointing out the negative association with the word ‘binge’)
Given that I spent most of my free time last weekend working my way through A Brief History of Seven Killings by Marlon James, was I binge–reading? Of course not. That’s the only way to enjoy a good book. The beauty of bulk access to serialised film and television productions is that we can view an interesting programme in much the same way.
The requirement to follow a serial at a fixed point in the day over several weeks or months are long gone, thankfully. I was barely able to follow the broadcast of Wolf Hall last year, missing one and a half episodes quite simply because I had other things to do. In fact I’m sorry I didn’t just wait for the DVD release and enjoy the production in my own good time — no “binging” about it even if I choose to watch all six parts in a single evening.
Collins should really take a leaf from le livre de l’Académie française and exploit some discretion when it comes to faddish language patterns of teenagers and inarticulate young adults. Most of these new “terms” reflect lazy intellects blunted by the networked chatter of buzzfeeds and will amount to little but crude embarrassment a couple of years from now.

But I think that’s the point – Collins will see if we’re still using these words in 2018 when the printed dictionary comes out. Some of them might survive, some of them might fall away. It depends on what we’re all doing in a few years.

Listen to the post-chat – You’ll hear a quick memory test for the words. Can you remember them all? See if you can guess them from memory.

OK I’M GOING TO STOP NOW! :)

Final thing: I’ve done a lot of explaining in this episode. I want to know if you like that or not. You know I think it’s useful but I want to know what you think.
So, a couple of quick questions:
[socialpoll id=”2311146″]
[socialpoll id=”2311147″]
[socialpoll id=”2311148″]

I will take your comments into account, but in the end it’s Luke’s English Podcast – I’m the boss and I have the final word!

Thanks for listening to the end, you are a wonderful human being and the universe is smiling on you right now.

Remember, the force will be with you… always…

Bye

Here’s some other stuff you heard in the final part of our conversation:
I’m a bloody bloke (bloody – just an old swear word for emphasis, and a bloke is a man of course)
To nationalise the railways (when the state buys something which is privately owned, like the railways for example. The opposite is to privatise something)
Some more chat about drinking games you could play while binge watching, if you want to binge drink and binge watch at the same time (not recommended).
What’s a drinking game? It’s just a fun way to get drunk. There are various games with different rules. I dread drinking games these days because I can’t drink much alcohol any more. People sometimes play drinking games while watching films or TV shows. E.g. taking a drink every time a character in the TV show does something in particular. We mention House of Cards (Frank talks to the camera), Homeland (Claire Danes’ character cries), The X-Files (Scully expresses scepticism etc) and The Walking Dead (when someone kills a zombie, or when you see certain kinds of zombie).
One of the last phrases you’ll hear is “and on that bombshell!” (this is how a comedy character called Alan Partridge ended one of his shows, and then it was taken by Top Gear presenter Jeremy Clarkson as the way to end a TV show. It is used as a sensational end to a broadcast. A bombshell is a sensational moment – for example, a sudden piece of news or a shocking moment. POW! And that’s the end!
words of the year 3

310. The Words of the Year (Part 1)

In this series of three new episodes Amber, Paul and I talk about a list of the 10 Words of the Year which have been added to the Collins English Dictionary. We’re going to explain the words and discuss the issues behind them and I’ll also explain and clarify a lot of the language you’re going to hear in our conversation.

Small Donate Button[DOWNLOAD]
Links
Article in The Guardian about the 10 Words of the Year
Collins Dictionary Q&A about the Words of the Year

Transcript to the Introduction and some notes for language analysis
Hello everyone – welcome to another episode of LEP. I hope you’re doing well… etc.

This introduction is being recorded on 18 November, on a Wednesday, but the rest of this episode and the other 2 episodes in this series were recorded a couple of weeks ago.

This episode is all about the Collins Dictionary Words of the Year 2015.

What’s that?

let me break it down.

First of all, Collins are a publisher of dictionaries, and so it’s their job to monitor the usage of words in order to decide which words should be added to the dictionary every year. They do this by noticing new words and seeing how often they have been used in the last 12 months. They then pick some of the more commonly used new words and add them to the dictionary. These are their ‘words of the year’.

How do they monitor the words? They have a special database of word usage called a Corpus. This is a quote from the Collins website:

“This evidence is based on our 4.5-billion-word database of language called the Collins Corpus. The words in the Corpus are taken from a huge range of sources of spoken and written English, including newspapers, radio and other types of media, from all over the world.” Link here.

The ‘words of the year’ list is an interesting way to identify trends in language, but it’s also quite revealing about modern British life because these are the things we’ve been talking and reading about.

Some people complain that these words aren’t serious enough, and that adding them to the dictionary is an example of the decline of language in some way. I think it’s fine to add these words into the dictionary because they just reflect changes in culture and in the end with new words needed to explain new concepts. Also, we need a record of the words people are using – especially if you’re a learner of English. You want to be able to learn the real English that people actually use, don’t you? Then you’ll want the dictionary to include the words that people really use. It’s not Collins intention to decide if people should or shouldn’t use these words, rather to see which words are being used a lot just so that they can be added to the dictionary to reflect the language as a living thing.

As ever I’m curious to know what you think about these new words. What do you think of Collins’ list? How is the dictionary managed in your country?

In this episode, Amber, Paul and I are going to go through all the words in this list, explain what they mean and discuss the issues that relate to them. This episode is also going to be a kind of review of the trending issues of the year.

As usual our discussion is pretty fast and busy, which is normal when friends discuss things.

To help you to understand everything and to give you a chance to maximise your learning from this episode I’ve decided to break up the discussion into chunks.

What’s a chunk? It’s just a substantial piece, a part, a lump. Like, a chunk of meat, tear off a chunk of bread from a loaf, a chunk of rock, you can also talk about chunks of language – like fixed expressions or phrases. In this case, we’re talking about chunks of a conversation.

What I’m going to do is play you each chunk of the discussion and then explain some of the language you heard. That way you’ll understand and learn much more.

I really think this is the best way to do it because you’re getting the best of both worlds – you can listen to our natural and spontaneous conversation, and then I’ll break it down to help you understand everything and learn even more from our conversations.

This episode contains just one conversation chunk, and it’s just the pre-chat we had before we even talked about any of the words of the year! In fact, I started recording and said hello to Amber and Paul, asked them how they were, and we started chatting about different stuff like the weather and the November 5th and we talked before dealing with the words of the year. However, this pre-chat is so full of language content that it has taken up the whole of this first episode.

It’s a bit ridiculous – you won’t actually hear us discussing the words of the year in part one! So, before we listen to the pre-chat, let me just list the words of the year for you now, even though you won’t hear us discussing them until part 2 of this series. I like to make things complicated.

OK, so the Collins Words of the Year are (in reverse order – and all these words will be explained and discussed in this series of 3 episodes – you might not understand them now but you will by the end of the series I promise)

transgender, manspreading, contactless, swipe (left or right), ghosting, clean eating, Corbynomics, shaming, dadbod and binge-watch.

I will only say those words once. You will hear them again, and hear explanations, later in this series, but for now, let’s listen to the pre-chat I had with Amber and Paul

Pre-Chat
This includes stuff about climate change, November 5th, and some other things. So, let’s finally start listening to the conversation shall we? (I do go on a bit don’t I?)
Listen to the pre-chat

Language Analysis: Pre-Chat (The bits in brackets are notes for my comments)

Conspiracy theories (Paul talks about climate change as if it’s a conspiracy theory)
It’s a hot topic.
Is it a conspiracy theory? (upward intonation for surprise, doubt)
Some people say that climate change isn’t a thing.
some people deny climate change.
(climate change deniers / to deny climate change)
We are exacerbating the environmental trend.
We’ll be dead before anything bad happens.
We might not be (elision).
Would it be bad if we were still alive in 100 years? (pron – weak sounds)
There are already too many people (pron)
China – they’re getting rid of the one baby ban (a ban on having more than one baby)
Old people who are in retreat (he means in retirement)
China should open it’s arms to Syria (an interesting political idea – but I didn’t want to talk about it because it’s a sensitive topic and I didn’t want to go down a rabbit hole – get sidetracked).
It’s unusually warm, which is kind of nice in a way because we don’t have to wear big coats and everything. (pron, but also using a relative clause to refer to a while clause).
There was a plot to blow up the houses of Parliament.
1605 (how to say years – normally divide it in two, except: when it’s 05 06 etc, 1900 1800 etc, 2000-present = “two thousand and…”)
Passives – Guy Fawkes and his gang were caught in the act of trying to blow up Parliament. He was sentenced to be hung, drawn and quartered.
And we’ve never forgot. (Nursery rhyme. “Forgot” isn’t it “forgotten”. Amber is referring to the old rhyme. Forgot here is poetic licence – it should be “forgotten” but that’s ok because of the poem and it’s old)
Words of Nathalie Portman there (Paul is referring to the film V for Vendetta which takes place in the future and has a character similar to Guy Fawkes. You hear the rhyme in the film. Obviously the quote is not from Nathalie Portman. In fact it’s an old rhyme from English folklore – we don’t know who wrote it)
http://www.potw.org/archive/potw405.html
Amber talked about the Lewes fireworks. http://www.lewesbonfirecelebrations.com
They make effigies and burn them. It’s very pagan.
Didn’t life change after that? (downward intonation – it’s a rhetorical negative question – it means – “life changed a lot after that, didn’t it”. “Didn’t she do well?” “Didn’t we have a good time?”)
(Obviously, 9/11 changed more than just the bottles of water not being allowed on planes and it was a very tragic event)
(Everyone laughed – not because 9/11 was funny, but because I was stuck in a serious topic suddenly and it was difficult for me to somehow get from this serious topic to the main topic – The Collins New Words of the Year.)
“How do I transition this to the actual theme of the podcast?”
“How do I get away from this potentially sensitive subject, which obviously is very serious, you know I don’t mean to make fun of THAT” (Features of spoken English – unfinished sentence, relative clauses, connected speech – all of it, and sentence stress)
2018 is when the next physical dictionary will be brought out. Some of these words may end up in that dictionary too. (phrasal verbs)
It depends if the words stand the test of time. (expression)
Article link: http://www.theguardian.com/books/2015/nov/05/binge-watch-2015-word-of-the-year-collins

End of the pre-chat.

End of Part 1: We haven’t even started talking about the words of the year yet!

Part 2 will be available soon.

[socialpoll id=”2310152″]
Words of the Year 1

303. The Battle of Britain

This year marks the 75th anniversary of The Battle of Britain, and since this is such a pivotal moment in British history, I thought it would be appropriate to cover it in some way in an episode of this podcast. Also, I was asked recently by a listener in the comments section of my website to talk about the story of the Battle of Britain, specifically the role of one particular group of Polish pilots known as Squadron #303. So, here it is – the story of one of the most important moments in modern British history – The Battle of Britain, and the contribution made by a small group of pilots from Poland.

Small Donate Button[DOWNLOAD]
The Battle of Britain is often cited as a proud moment in British history, particularly by nationalistic Brits who also believe that we shouldn’t let any immigrants into our country. Squadron 303 killed twice as many German fighters as any other squadron, and one pilot in particular became something of a flying legend, with a record number of kills. But the thing is, these heroes of the Battle of Britain weren’t actually British, they were foreigners, fighting in British made Hurricanes and Spitfires. Where did these brave and skilful pilots come from? Poland. So, this episode is not just a history lesson about Britain, but also a bit of a shout-out to my Polish listeners out there – I know there are quite a few of you. If you’re not Polish, then I hope you appreciate the telling of this story of danger, bravery and global warfare.

The Battle of Britain
First of all, this is Churchill speaking, before the battle of Britain begun.
*Churchill speech 1 – “Their finest hour”
So, what was the situation?
It was 7 September 1940.
Northern France was occupied by the Germans, and airfields everywhere were covered in bombers, loaded up and ready to begin bombing raids on strategic targets all over the UK. Hitler was about to take a bit crap all over Britain.
This was a year after Britain had declared war on Germany after Hitler invaded Czechoslovakia and then Poland. It had been a pretty good year for Hitler. He’d basically marched across most of Western Europe and seized it, just like Napoleon and the Romans had done before. Hitler had a pretty effective strategy which we now call Blitzkrieg, or ‘lighting war’ which involved using planes to bomb the crap out of an area before sending in infantry and tank divisions to quickly mop up enemy troops. It was devastatingly effective as it took advantage of speed, mobilised mechanical heavy weapons, surprise and the general disorganisation of the enemy as a result of the air bombing. He used this approach to great effect in the invasion of Poland and then The Netherlands, Belgium, and France. In just one year Hitler’s troops were in control of large parts of mainland Europe.

British forces had been forced to evacuate the continent after effectively being chased away by the Germans. There was a big retreat and escape from France at Dunkirk. It was a military defeat for the Brits who ended up in a pretty desperate situation. The Nazis controlled the continent. The USA wasn’t in the war yet so we couldn’t rely on their full assistance. Britain was basically alone, cut off from the mainland, just separated from the enemy by a few miles of water, waiting to be attacked and invaded by the Germans. Not a good position to be in.

Perversely, this is often the moment that many Brits feel very nostalgic about. As I said, it’s often referred to as our finest hour. I think there may be something in the British consciousness that actually enjoyed the idea of being completely separated from the rest of the continent, as if it clarified the ‘us against them’ attitude of some people. This was perhaps our darkest hour. We faced total oblivion and invasion by the nazis. Certainly, thousands of Brits were going to be killed. Beloved properties and national monuments would be destroyed in the bombing, but for some Brits looking back on the Battle of Britain, this was a moment to be proud of, like it made us a great nation. I suppose the reason people say that is because it was a time when Britain showed some character and spirit. The whole country sort of pulled together and formed a united front. Churchill made his famous speech.
*Churchill Speech 2 – “We shall fight them on the beaches”

It was rousing stuff. Ultimately, Britain survived the invasion attempt. People feel proud of that.
But, it’s ironic that many of the people today who are still nostalgic for that moment are also the ones who preach a certain kind of politics – anti-immigration, nationalistic values, something approaching a kind of English or British fascism. They’re the ones who love that moment when Britain was alone, facing the invading hoards from the continent. It’s ironic because during that battle we were fighting against fascism. Now it seems that it’s the fascists at home who like to remember it.

Anyway, it looked pretty bleak for Britain.
Hitler decided that before attempting any kind of land invasion, he would attempt to thoroughly smash The UK from the sky. He planned to target industrial centres in the big cities, key points of infrastructure and even some national monuments and residential areas. The aim was to cripple the country, both physically and mentally. Ooh, scary stuff.

So, on 7 September 1940 the Luftwaffe were all ready and prepared to launch operation.

Britain at this moment was steadily making weapons from anything they could get their hands on. All heavy metals were being thrown into factories. All the money was being spent on defence and weapons. A lot of Brits felt the squeeze. Obviously it wasn’t as bad as in the occupied countries, I imagine. I don’t know, I wasn’t there. But I imagine having a bunch of nazis from another country marching around your home town making themselves comfortable was rather difficult to take. So the Poles, the Czechs, the Belgians, Dutch and French (well, most of them anyway) were no doubt having a pretty awful time too, not to mention any other nations that I haven’t mentioned. This was a world war of course – so if I don’t mention your country in this episode I am sorry. This is after all the Battle of Britain.

Anyway, Britain was preparing itself for a rather bad time. A lot of planes were being constructed, men were being trained to fly and fight in the air.

The Germans were feeling pretty good about themselves. Morale was high. They’d just walked all over Europe and felt on top of the world. They basically felt absolutely superior. Whipped up by the rhetoric of their charismatic (albeit completely insane) leader, they’d been led to believe that the world was theirs and this was the natural order of things. Wrong.

So, the nazis were pretty chuffed and probably couldn’t wait to have a go at Britain, this global superpower of the time.

This was the biggest aerial attack of World War 2 so far. At 5pm on 7 September the first wave of bombers reached their targets in London. Apparently the sound they made was pretty scary. A kind of low, depressing drone sound. Ominous.

It was a Saturday afternoon in London. When I think of Saturday afternoons back home I think of tea, sandwiches, football with my Dad. I don’t imagine death from above, or death from any direction for that matter. The planes targeted the industrial areas, but a lot of workers lived right next to them and their homes got bombed too.

But that was just the beginning. What followed was a rain of bombs that no other city had ever seen in history. 12 hours of bombing without a break, continuing through the night. A lot of people died, and others were convinced they would follow.

How did the pilots feel? According to interviews they just hoped that they’d hit their targets, but they knew that civilians were probably getting killed. Really, they were a bit cut off from what was happening on the ground. I expect they didn’t feel too proud of themselves.

For the British people, particularly Londoners I think this bombing created hopelessness in some, but also a gritty determination in others, as well as a visceral hatred of the germans.

The fires caused by the bombing lasted for 57 nights, and in fact these fires were more damaging than the bombing raid.

The Nazi strategy was to continue to bomb, terrorise and demoralise the nation. Hitler expected Britain to give up and surrender to Germany, so he could then turn his attention on the East. He knew that it would be unwise to attempt to invade Russia (correction: The USSR) while also fighting on the Western front. So victory in the west was a crucial part of his plan. He expected Britain to surrender. He underestimated us.

It became a battle of wills, embodied by two men – Hitler and Churchill. It was Churchill who rallied the British people. He inspired them to carry on. He echoed the sentiments of the nation, that they would never ever surrender.

*Churchill Speech 3 – The Blitz*

Hitler didn’t expect Churchill to refuse to deal with him. This may have been a bit of a surprise. Britain was not going to be a walkover.

The German air force had already knocked out a lot of our warships in the English channel and planned to launch surprise air attacks on England, but England had a technological advantage: radar. This is now used in airports all over the world. It’s a kind of tracking device to monitor the skies. Radar was used as an early warning system, to let the RAF know if German bombers were on their way to England on missions. This allowed the RAF to scramble fighter planes into the skies in order to engage the German parties in combat. The Luftwaffe had no idea that radar even existed, so when RAF planes suddenly turned up to meet them in the skies it must have been a bit of a surprise. The fighting in the sky was essentially a duel of fighter pilots in single-man planes. Dog fights, one on one battles. Tracers from bullets flying through the sky. Chaos and destruction in the air.

It must have been incredibly frightening for the pilots. So many people were killed. Dogfights lasted seconds. It was a question of being aware of your surroundings and planning your attacks. If you had the right strategy you’d have the advantage and you’d find the enemy in a vulnerable position from which you could open fire and take out the plane. If your strategy was bad, you’d leave yourself open to attack.

The Germans were flying Messerschmitt 109s, the Brits in Hurricanes and Spitfires.

There were so many deaths during these fights that the pilots accepted that they would almost certainly die sooner or later. Everyone just expected to die. Imagine how that felt for these men. Living like that, in the knowledge that tomorrow or the next day, would be your last. What would that do to your mind? I’m sure it was the same for both sides. For the Germans there was the added fear that they would run out of petrol, or that they would be forced to crash land in enemy territory and then taken captive. The German pilots were forced by their superiors to always accompany the bombers, even if their smaller planes were running out of fuel. Sometimes these amounted to suicide missions for the fighter pilots who simply didn’t have enough fuel for the whole mission. Many pilots drowned as they had to bail out of their planes, landing in the English channel, miles away from the land.

Many wives, mothers, sisters and girlfriends lost men who were close to their hearts, again on both sides.

Women didn’t all stay at home worrying though. In the RAF the Women’s Auxiliary Air Force were an integral part of the British defences. They worked in the operations room and helped to coordinate the fighters.

So, in the summer of 1940 the Germans failed to break the RAF. That’s when Hitler decided to launch the large scale bombing attacks on London and other locations, and that was the true beginning of the battle of Britain.

Like on 7 September, waves of German bombers came across the channel, and RAF planes took off to meet them, engaging them in mid-air. The German bombers were well armed with machine guns, and also flanked by fighter planes too, which engaged the RAF in more one-on-one dogfighting. There were a lot of bullets in the air. The German escorts managed to keep the RAF at bay, allowing the bombers to continue to London. Large parts of the city were reduced to rubble. To this day, it remains one of the characteristic things about the city – there are gaps in the old buildings in which more modern buildings have been constructed. It doesn’t have the consistency of a city like Paris, because large parts of the city were completely destroyed during the war and then re-built later. Of course it wasn’t just London. All the main industrial cities took a beating, particularly Coventry in the midlands which got absolutely smashed in a huge bombing raid. It’s very sad. It was a beautiful and proud city with a magnificent cathedral. That’s now gone and is replaced by more modern structures, but something essential was lost, and for years Coventry was like a ghost town for the people growing up there in the aftermath of the war.

Londoners had to hide from the bombing in cellars under houses, or in specially made bomb shelters, even in underground stations like Oval in South London.

Between September and November 1940 London was bombed over 300 times. Thousands of individual bombs were dropped. London’s children were evacuated, meaning they were sent away for their own protection. Most of them went north into the countryside, away from the industrial targets. That must have been a very emotional moment, having to say goodbye to children and parents. I expect many of the parents thought they’d never see their kids again. Some children were taken all the way to Canada from Liverpool, and many were killed when their ship was torpedoed by a German submarine.

Back in London, the RAF with their radar and the brilliant Spitfire fighter plane had something of an advantage in the air, although it was a very slight advantage. Goering the military commander did not achieve the results he’d hoped for and decided to carry out all his bombing raids on London at night. The skies were lit up with fire as London burned, and with the lack of accuracy in the dark many residential areas all around London were hit and many civilians were killed. Nevertheless, Londoners kept their morale and managed to carry on as normally as possible during the day. Clearing up bomb damage but also attempting to go about their daily business. This is one of the things that kept the Germans at bay. The spirit of the people of Britain. Perhaps that’s what makes people so proud and causes them to say that this was Britain’s finest hour.

But the normality of daily life came to a sudden stop at approximately 5pm every day when everyone got into bomb shelters and the raids began again. Even though many people managed to carry on, I’m sure that many of them were basically walking around like zombies, expecting it all to be over by the end of that day. Many of them were ready for surrender, but they didn’t.

*Audiobook recommendation – “The Battle of Britain: From the BBC Archives”

The bombing continued all the way into the next year, until May 1941. Hitler called off the attacks on Britain, choosing instead to focus his attention on the east and Russia (Correction: USSR). However, that proved to be a problem for him because it left him open in the West, and later when America joined the war, Britain became a vitally strategic position for the allies. It was from the south coast of England that the allies launched their major counter attack against the Nazis with a land invasion in Normandy, Northern France which ultimately led to allied forces getting all the way to Berlin. Despite being a hero to the Brits, Churchill didn’t emerge from WW2 completely clean. There were large scale bombing raids on Germany from Britain, including the destruction of Dresden and massive damage to Berlin, largely as a response to the attacks on British cities.

In the east the Nazis struggled through bitterly cold and tough conditions fighting against the Russians (I mean Soviets). Many many Russian (Soviet) lives were lost as well as Germans. Ultimately Hitler couldn’t sustain a war on two fronts. The size and resilience of the Russian army (Red Army) in the east proved too difficult for Hitler, but also his inability to crush the spirit of the Brits left him open on that side too. The Battle of Britain proved to be Hitler’s first major defeat and was a decisive moment in World War 2, representing a turning point in favour of the allies. Nazi soldiers didn’t put a foot on British soil. The invasion never happened.

But that’s not the end of the story, because I’d like to turn my attention to a particular squadron of pilots who made an extraordinary contribution to the Battle of Britain, a contribution that could have made all the difference. During the battle, Britain was hanging on by its fingernails. Every single day of combat, British resources were stretched to their absolute limit. Dozens of pilots and planes were lost every day over British skies. They couldn’t have carried on much longer. If Hitler had continued, he would probably have crushed the British spirit, but he didn’t and Britain managed to hold on just long enough to keep the Germans at bay.

Churchill called it Britain’s finest hour, and famously said that “Never was so much owed by so many to so few”.
*Churchill Speech 4 – “Never was so much owed by so many to so few”

What gave Britain the edge? Well, it was partly radar, partly the brilliantly engineered Spitfire – which was specifically made as a bespoke fighter to keep up with and out-speed the German planes, while holding extra fuel to keep pilots in the air longer. The Spitfire is now a national icon, and it has to be said, is a rather beautifully designed plane, with its rounded and curved wings and fuselage.

But also it was the individual pilots involved in the fighting. There was one squadron which stood out, the 303rd. You might imagine them to be a band of plucky young British gentlemen, but in fact they weren’t. These men who may have saved Britain were in fact foreigners, from Poland.

303 Squadron
303 squadron was one of 16 Polish squadrons who flew with the RAF during the Battle of Britain. They were pilots who had flown against the Germans previously, but who had escaped to England when Poland was invaded. They turned out to be the highest scoring RAF squadron during the Battle of Britain. One of the pilots in particular was not in fact Polish but of Czech origin and was called Josef František. He is perhaps the most famous member of the squadron and is famous for being one of the highest scoring allies in the Battle of Britain.

The squadron chose its own name, The Kościuszko Squadron – named after another flying squadron that had taken part in the Polish/Russian war of the 1920s. In fact the 303 contained some members of that squadron. So they were already a pretty distinguished flying team. It was made up of about 21 pilots and a number of ground staff, and what was the prime reason for their success during these air battles? Anger and a vicious hatred of the nazis. This was like a high-energy fuel for these men, who just couldn’t wait to take down Nazi planes at the earliest opportunity.

But their opportunities were slow to come. The team was based in Northolt in England, and were assigned two RAF officers to look after them. The officers were responsible for training the Polish pilots in RAF protocol, but also in the basic English necessary to follow orders and instructions. So, before the pilots even got a chance to take to the skies, they were forced to sit through weeks of English lessons, and I imagine in those days it was pretty mind numbing stuff! There was no LEP that’s for sure.

Apparently the Polish pilots were so desperate to get at the Germans that during a training flight, when a party of German planes was spotted in the vicinity, one of the Polish pilots, called Ludwik Paszkiewicz, broke formation and tore after the German planes engaging them in combat. He shot down a German Messerschmitt Bf 110. The RAF officers were convinced and the next day the squadron was immediately put into action. This was the beginning of an incredible run of missions in which the 303 squadron scored a record breaking number of kills in the air. Apparently, these guys were absolutely incredible. Again, fuelled by a bitter hatred of the Germans, the pilots just pushed everything that bit further, going out of their way, taking incredible risks to take down as many planes as possible. But also, their use of British Hurricane fighter planes was a big advantage for them too. Previously they’d flown planes that were less powerful and less well-engineered. This had honed their flying skills considerably. IN their previous planes they’d been used to having to fly much closer to the enemy in order to get accurate hits. In the Hurricanes, with their increased speed and firepower the pilots continued to fly very close to enemy planes like they had done before, but this time the results were devastating. The German planes didn’t stand a chance. Later the squad were equipped with Spitfires and this made all the difference.

No. 303 Squadron claimed the largest number of aircraft destroyed of the 66 Allied fighter squadrons engaged in the Battle of Britain, even though it joined the fray two months after the battle had begun.

Josef František was a particularly successful pilot. He was considered by his commanding officers to be ill-disciplined and a danger to other pilots when flying in formation, but he was devastatingly successful at taking down Germans. In the end, he was given the right to break formation and go out on solo missions to pick off as many enemy planes as he wanted. In this way František was able to fight his own private war against the Germans, allowing him to take down at least 18 planes in one month, and was awarded the Distinguished Flying Medal.

Sadly, on 8 October 1940, František’s Hurricane crashed in Ewell, Surrey during a landing approach after a patrol. Reasons for the crash are not known, but according to some theories, he may have been making aerobatic figures to impress his girlfriend, or it might have been a result of battle fatigue and physical exhaustion. So he never lived to see the end of the war.

The success of 303 squadron in combat can be mainly attributed to the years of extensive and rigorous pre-war training many of the long-serving Polish veterans had received in their homeland, far more than many of their younger and inexperienced RAF comrades then being thrown into the battle. Tactics and skill also played a role, as well as a daring commitment to bringing down the enemy; on one occasion, No. 303’s Sgt Stanislaw Karubin resorted to extreme tactics to bring down a German fighter. Following a prolonged air battle, Karubin was chasing a German fighter at treetop level. As he closed in on the tail of the German fighter, Karubin realised that his Hurricane had run out of ammunition. Rather than turning back to base, he closed the distance and climbed right above the German fighter. The German pilot was so shocked to see the underside of the Hurricane within arm’s reach of his cockpit that he instinctively reduced his altitude to avoid a collision and crashed into the ground.

After World War 2, Poland was occupied by Soviet forces and its borders were redrawn as part of the 1945 Potsdam Conference. Poland became enveloped in the Soviet Union (correction: Not the Soviet Union, but the Soviet controlled Eastern Bloc), behind the iron curtain. I’m not sure how many Polish people feel about what happened after world war 2. I understand there is some bitterness at the allies, and probably Britain in particular about this, that perhaps we sold-out the Polish or forgot them, or betrayed them by not securing their freedom. Many sad things happen at an international diplomatic level during or in the aftermath of war. They’re regrettable. I wonder how the Poles generally view Britain these days. Is there resentment there? Or is that just a thing of the past. I hope we can all let bygones be bygones.

Nowadays a lot of Polish people live and make their living in the UK. In London for example there is a very large Polish community. Where I used to live in Hammersmith there is the Polish cultural centre just up the road, and many Polish people live in the area. I guess for many of them it’s a chance to get more opportunities for living in the UK, and I’m pretty proud to be part of a country that offers opportunities for people from other countries, and it’s clear to me that residents from other nations can bring a lot of skills and benefits to the country they move to. I’m not one of these people who complains about immigrants stealing people’s jobs. Immigrants are often skilled people who can contribute a lot, as we saw from the example of the 303 Squadron, who might have given the RAF an edge over the Germans in the Battle of Britain. Maybe they saved the day and helped Britain stay free, allowing us all to indulge in these nostalgic memories about our “finest hour” in which we stood up to the Nazis when all hope was lost.

That is the end of the story and that’s the end of this episode. Please leave your thoughts on the page as usual. Have a good day.

Luke
BR2

7 Reasons Why The Brits Should Love the Poles (Thank you Piotr Perliński)

300. EPISODE 300 (PART 1)

Hi everyone, this is it – the 300th episode of the podcast. This is a landmark episode. I’ve been doing this podcast now for 6.5 years. If you value my work and if you feel like I’ve helped you or at least entertained you with these free podcast episodes, then please consider supporting me and my podcast by giving me a donation. It’s very easy to do – just find one of the yellow “donate” buttons on my website. It’s all done through PayPal which is probably the world’s most popular online payment method. You can choose any amount you think my podcast is worth – it’s completely up to you. Also, there’s no obligation to do it at all if you don’t feel like it. But if you do contribute a donation, that’s going to help me continue this podcast and help me to record another 300 episodes in the future, and it is probably the most sincere way for you to say thanks for the episodes! Now let’s get started!

Small Donate Button[DOWNLOAD]
It’s here – 300 episodes of Luke’s English Podcast.

In this episode I’m just going to mess around a bit, talk about some stuff that comes into my head and generally enjoy the moment of having recorded my 300th episode.

I’m going to talk a little bit about the significance of the number 300 in history, because obviously this is a deeply significant moment which no doubt resonates through time, across the ages, as the stars align and the universe is united in one moment of peace and tranquility. So, we’ll do that, which should be nice.

We will also be taking a little trip down memory lane as we remember some of the moments and some of the people I’ve spoken to in previous episodes of the podcast, over the 6.5 years I’ve been doing this. I’ve received a few voice messages from some special guests and I’m going to play them to you in this episode.

Finally we’ll hear some messages and impressions of me from some of my listeners.

300 episodes in 6.5 years.
48 episodes a year on average.
That’s about 3.8 episodes per month.
That’s about 7.5 minutes of me speaking to you every day.
Imagine if I just called you every day for 7.5 minutes, for 6.5 years. That’s kind of what you’ve got with the whole back catalogue of LEP.

I was wondering whether I would do anything special for the 300th episode…

300The Instances of 300 Throughout History
I’ve been thinking of all the famous instances of the number 300 in history.
It’s just the movie 300 isn’t it? The 300 spartans who fought against the Persians. That’s it.
It’s a perfect score in bowling. But that’s not particularly relevant for LEP.
As far as I can tell by looking at historical reports, absolutely nothing happened in the year 300 AD.
So, 300 is almost insignificant in history.

Maybe I will be the first to stamp the number 300 into the human collective consciousness.

The Significance of the Number 300
In my search for significance behind the number 300 I’ve ended finding a page which relates to numerology, which is a superstitious belief in the divine and mystical power of numbers. I don’t really believe in that stuff. Personally I think it’s a load of old tosh if I’m honest, and the scientific community seems to agree as numerology is often labelled a pseudoscience as there’s no proper evidence of the psychic power of numbers.

That being said, let’s have a look at the significance of the number 300 shall we?
So according to http://sacredscribesangelnumbers.blogspot.fr/2011/08/angel-number-300.html here’s what the number 300 represents. I’ve got absolutely no idea of the source of this information. It could just be completely made up. Nevertheless, let’s see the significance of ‘300’. Does this resonate with you at all?

Number 300 is a combination of the vibrations and attributes of the numbers 3 and 0, with the number 0 appearing twice, amplifying and magnifying its own energies as well as those of the number 3.
Number 3 relates to optimism and enthusiasm, communication and self-expression, inspiration and creativity, expansion and growth, manifesting and manifestation. Number 3 also relates to the Ascended Masters, who help you to focus on the Divine spark within yourself and others, and assist with manifesting your desires. They are helping you to find peace, clarity and love within.

Number 0 brings a message to do with developing one’s spiritual aspects and is considered to represent the beginning of a spiritual journey and highlights the uncertainties that may entail. It suggests that you listen to your intuition and higher-self as this is where you will find your answers. Number 0 carries the ‘God force’ and Universal Energies and amplifies the vibrations of the number 3, making 300 an important and powerful number.

Angel Number 300 is a signal to get your attention and make you take notice. It is time to listen to and follow your intuitive messages and angelic guidance and take appropriate action in the direction of your Divine life purpose. You are encouraged to communicate with the angels and the higher spiritual Beings to receive constant guidance and protection.

Angel Number 300 is a message from your angels and the Ascended Masters that they are with you, assisting and supporting you. The strong and clear connection you have with the spiritual realm allows for communication, assistance and guidance from the angels whenever you need it. Angel Number 300 encourages you to accept and develop your spiritual gifts and abilities and use them to enhance your own life as well as the lives of many others.

Use your natural creativity and communication skills to teach and enlighten others.

What It Means To Me
Regardless of what the numerology says… Let me say a few things about having reached 300 episodes.
I’m really pleased to have hit 300. The last 12 months have been particularly productive, with nearly 80 episodes recorded. That’s over 1.5 episodes per week. Which is about 12 minutes a day on average, probably more. 12 minutes of me speaking to you every day for the last 12 months. Not bad for your English I’d expect. I didn’t realise I’d been so productive, especially since this has been one of the busiest years of my life, with my wedding(s), honeymoon and work. Obviously, I absolutely love doing LEP and I think I’m somehow compelled to do it out of some sort of obsession.

Here are a few things that I love about it:
– It’s a chance to be creative. Every episode is like a blank canvas and I can choose to fill it with whatever I want. The possibilities seem endless. As long as you find it useful and enjoyable and I’m satisfying some creative urge, then I’m doing the right thing.
– It helps people around the world. After all the many many messages I’ve received, I’m convinced that regularly listening to my podcast can significantly help your English. I’ve been doing this for over 6.5 years and some people who have listened for that length of time, and who started out with pretty basic English can now contact me and communicate really well. They often say that LEP is what gave them an edge.
– I get responses from my audience.
– My audience are cool, lovely people. I guess like-minded people gravitate to my podcast and I’ve discovered that the people who contact me seem lovely, enthusiastic, intelligent and open-minded people. That’s awesome. I reckon if I got everyone in a big room together and we had a big party with food and music, everyone would get on really well and people would make friends, and fall in love, families would be created that would last for generations. It would be like an injection of clever, attractive and of course very literate people.
– This is a platform for other projects. I really think it has only just begun and I’ve only just scraped the surface of what I’d like to achieve. I’ve said it before, but I intend to transfer a lot of the teaching skills, knowledge, experience and expertise I have from the classroom online in some way, to help people improve their English. The podcast will stay free, but I’m currently working on other ways to help you improve your English more directly.
– I’m into the technology side of things these days, with nice microphones and stuff.
– Podcasting is becoming more and more established and I’m proud to be part of that.
– It’s good to be a bit independent and out of the school system.

A Journey Through Time – Messages from Former Guests on LEP
Some messages from guests and other special appearances.
Dad – 2. Easter, Family Arguments & Debates, Rickipedia, Marooned with my Music + more
Mum – 3. The Beatles, Family Arguments & Debates, Marooned with my Music
Howard – 5. Joaquin Phoenix, Men vs Women
Ben – 9. Travelling in India
Lee – 32. Doctor Who
Andy – 45. Luke & Andy’s Crime Stories, Culture Shock: London
Claudia – 48. Travelling 49. Stand up comedy
Jim – 53. Discussing Grammar with my Brother, How to Swear, Going to the Pub, Luke’s English Braincast, Skype Chat, Dislocated Shoulder, Making Choons & more…
Paco – 63. A German Comedian in London
Oli – 76. How to use the London Underground, Luke vs Oliver, Criminal Law
Paul – 104. The Brigton Episodes, The Drunk Episode, On a Boat
Moz 104. The Brigton Episodes, The Drunk Episode, On a Boat
Alex 104. The Brigton Episodes, The Drunk Episode, On a Boat
Kate Fisher – 107. Messing Around with Accents and Voices
Pierre G – 129. A Cup of Tea with Pierre Gaspard
Seb – 130. A Cup of Tea with Sebastian Marx

End of Part 1!

Please leave your comments below, and do consider giving a donation. It would make my day. :) Small Donate Button
300aa