Tag Archives: english

758. Pub Quiz Trivia with Sarah The Paris Quiz Mistress

Chatting to pub quiz host Sarah Toporoff about her love of trivia, and asking each other quiz questions about history, geography, literature, language & pop culture. Can you answer the questions and follow the conversation?

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Introduction Transcript & Notes

Hello listeners! I hope you’re well. Welcome back to my podcast for learners of English around the world. That’s you, I assume. You are a learner of English and you are around the world. 

Welcome to another episode of my podcast. This is where you can get English into your life in the form of some regular listening practise. This time you’re going to hear me in conversation with a guest and the guest in this episode is my friend Sarah Toporoff who also goes by the name The Paris Quiz Mistress.

This is the first time she’s been on the show and that means this one will probably be a little more difficult for you to follow, but that’s alright – it’s all good practice. 

Sarah is originally from the USA (so you will be hearing an American accent from her, and a British accent from me in the same conversation – and yes, we actually understand each other of course) Anyway, Sarah is from the states, but these days she lives in Paris like me and basically – Sarah loves pub quizzes. In fact, she loves them so much that she decided to run her own pub quiz nights here in Paris, in English, which she does every Sunday evening. 

She writes questions and reads them out in a local pub for teams of people to answer in competition with each other. Sarah also has her own podcast in which she quizzes her friends on various bits of trivia relating to their interests. Her podcast is called The Paris Quiz Mistress Podcast.

So, in this episode I thought I would chat to Sarah about her love of quizzes, and then we could quiz each other with some fun questions, and you can see if you know the answers and generally try to keep up with the conversation and develop your English in the process.

So that’s what you’re going to get – and this is a swapcast, which means that both Sarah and I are publishing this on our respective podcasts. 

Before we continue I think I should give you a little bit of support before I throw you into the deep end and make you listen to this fairly fast conversation between two native speakers. 

So, let me just clarify a couple of bits of vocabulary and some culture which are key concepts for this episode, and I also have a few questions for you to consider, in order to help you prepare to understand this episode more easily.

Some words and concepts

A quiz

(Forgive me if I am stating the obvious here) A quiz is a fun game or competition in which someone tests your knowledge by asking you questions and you compete with others to answer those questions. Quizzes are usually done just for fun, unlike tests or exams for example, which are done not for fun. They usually involve questions relating to trivia…

Trivia (noun) / Trivial (adjective)

…and trivia basically means trivial information or facts which are interesting or amusing but not really presented for a specific purpose. “Oh, that’s quite interesting isn’t it?” ← that’s usually as deep as it gets. That’s trivia.

It’s just random bits of general knowledge, just for fun – facts and figures, names, dates, places, moments in history, pop culture and so on.

A pub quiz 

As the name suggests, a pub quiz is a quiz done in a pub. Big surprise there. But pub quizzes are a very common feature of normal life in the UK where any good pub will have a quiz night. If you’ve ever spent time living in the UK you might have noticed this. Perhaps on a weekday evening in the local pub you might see teams of people sitting at tables competing against each other to answer questions which are read out by a host who might be speaking into a microphone. It’s sort of an excuse to just be in the pub and have a few drinks, but it’s also a really fun way to spend an evening with other people.

A good host will prepare some tricky but achievable questions that make you think and that could spark some conversation later in the evening, and the host might throw in some funny comments here and there just to keep things light. The questions are often quite convoluted and might sound more difficult than they actually are. At the end, the answer sheets from each team are marked and the winning team wins a prize, typically a bottle of wine or something like that. Pub quizzes are also known as trivia nights in some places. 

Does that sound familiar? This is the world of the pub quiz. Are they a common feature in your country? Do they happen in pubs? Do you have pubs? Do you have questions? Do you have facts where you live? Are there other people? I don’t know where you are. 

Fun quizzes like this also take place in other situations – and I’m talking about the UK and other English speaking places too and often things are similar in our cultures. I’m sure it’s the same for you, but is it? I don’t know. Anyway, where I’m from quizzing is sort of part of our DNA. Any excuse for a quiz – in pubs but also at family get togethers, at school or even at work Christmas parties and things like that. 

Sorry for rambling here but seriously – thinking about this stuff might help you to focus your attention on the topic of this conversation  bit more closely and follow things more easily, and therefore learn more English from this and as a result get a feeling of accomplishment which you carry with you in your life, bringing extra positivity and confidence which ultimately helps to make you a more successful and fulfilled person in your life, which then impacts on other people in similar ways and the benefits spread out from you in concentric circles improving the lives of other people around you and they start smiling a bit more and ultimately the world becomes that bit better which makes all the difference to the global balance of everything and basically I save the world with my podcast. That’s all I’m trying to do, so don’t stand in my way, ok? The fate of the world depends on this, alright?

Now, just in case this introduction wasn’t long enough, I am now going to quickly read out the questions that Sarah and I are going to ask each other in this episode, just to give you a chance to understand them in advance so you don’t get lost in the conversation.

You see, I am COMMITTED to helping you learn English and that means I am willing to make these episode introductions at least 3 minutes longer than they should be in order to give you a helping hand in understanding fast-paced and naturalistic dialogues between native speakers of English. That is how much I care. 

Quiz Questions in this Episode

So listen to these questions, understand them, can you answer them? You’ll be more prepared. Listen to the episode to get the answers.

  • How many countries make up the UK and can you name those countries?
  • Which Eastern European country shares zero of the same borders with countries that it shared borders with in 1989 although its physical borders have not moved? (note: I hope you don’t mind the term “Eastern European country”)

Sarah’s Questions for me

These might seem a bit random, but Sarah is a great quiz mistress and there is a link between all the answers to these questions, and it’s a link that is tailored to me somehow. 

  1. For which film did the MPAA refuse to allow use of Ben Stiller’s character’s last name in the title, unless filmmakers could find an actual person with that last name?
  2. What 2nd novel by English author Charles Dickens is alternately titled “The Parish Boy’s Progress?”
  3. What film series began in 1988 and stars Bruce Willis as John McClane?
  4. In British English it means “eraser”, in American it means “condom”. What is it?
  5. What is the type of gun that features as a weapon in the board game “Cluedo”?
  6. “Scar Tissue” is the name of Anthony Keidis’ autobiography as well as one of his hits, with which band?
  7. PD James, Edgar Allan Poe and Gaston Leroux are all writers specialising in what genre? 
  8. The flags of Romania, Colombia and Moldova all primarily feature which 3 colours?
  9. The first episode of what television drama opens with the news that that RMS Titanic has sunk?

Luke’s Questions for Sarah

My questions are really quite stupid and in fact I am not listing them here because they are too silly and I will let you discover them in all their glory as you listen to the episode. So just listen on if you want to hear my questions for Sarah – but to give you a heads up they focus on music, movies (well, one movie) and British English slang, so there is definitely some vocabulary to learn here!

MMMBop by Hanson

Mmm Bop – Lyrics

Can you tell me any of the lyrics from the first verse?

Answers:

You have so many relationships in this life

Only one or two will last

You go through all the pain and strife

Then you turn your back and they’re gone so fast

Oh yeah (so much wisdom from someone so young)

And they’re gone so fast, yeah

Oh, so hold on the ones who really care

In the end they’ll be the only ones there

And when you get old and start losing your hair

Can you tell me who will still care (Hair was important to them)

Can you tell me who will still care? (interesting discussion point)

Oh care

Mmmbop, ba duba dop

Ba du bop, ba duba dop

Ba du bop, ba duba dop

Ba du, oh yeah

Mmmbop, ba duba dop

Ba du bop, ba du dop

Ba du bop, ba du dop

Ba du, yeah

Said oh yeah

In an mmmbop they’re gone

Yeah yeah

Yeah yeah

Plant a seed, plant a flower, plant a rose

You can plant any one of those

Keep planting to find out which one grows

It’s a secret no one knows

It’s a secret no one knows (Is it really a secret?)

Oh, no one knows

MMMM MMMM MMMM MMMM by Crash Test Dummies

Anaconda – 1997 (Trailer)

Luke’s British Slang Questions

  • If you describe something as pants, how do you feel about it?

“That film was pants. Total pants.”

Answer: bad

  • How would you feel if you’d run out of bog roll?

You’d feel gutted of course.

Answer: Bog roll means toilet paper

  • Can you give me a reason why you might feel “chuffed”?

Answer: chuffed means pleased, delighted, happy

  • What would a British person probably say if they wanted to claim something, like perhaps a chocolate biscuit or a comfortable chair?

Answer: Bagsee!

  • If someone needed to get some kip, how would they probably feel?

Answer: You’d feel sleepy or tired, because kip means sleep (noun)

  • What F word is used to say that someone is physically attractive? (It’s like saying “hot”)

Answer: fit

  • What L word is a generic sickness – like the flu or a bad cold? (a pre-covid expression)

Answer: The lurgy

  • Where do you put suitcases in a car in the UK?

Answer: in the boot

  • What about the engine?

Under the bonnet

In any case, whether you can answer these questions or not, I hope you enjoy listening to this conversation about trivia and that you manage to keep up with it all and pick up some English. I will chat to you again very very briefly at the end, but it’s now time to get started properly and here we go…

Listen to the episode to get all the answers to the questions!

In other news…

My pod-room still isn’t ready but it should be connected to electricity and internet in a couple of weeks.

I’m still waiting to get a WIFI internet connection at home.

My shelves haven’t fallen down yet :)

I am working on LEP Premium series 33 parts 3 and 4 and they should be uploaded soon.

Video versions of episodes will return when I have a decent internet connection (and a new computer which is coming too…)

753. Visiting the Louvre Museum with Amber & Paul

Join Amber, Paul and me as we take a tour of the famous Louvre museum in Paris and describe some of the world’s most amazing artwork and artefacts, including stunning Greek sculptures like Venus de Milo, fascinating renaissance paintings by Leonardo da Vinci such as the Mona Lisa and many more incredible pieces. The video version has photos of all the work being described. Photos are also shown on the website page.

Audio Version

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Video Version with Photos of all the artwork in the episode

Introduction Transcript

Hello dear listeners and welcome back to the podcast!

Let me just say a few words before we begin. This is not going to be a massive introduction, but I do need to say a couple of things before we start, in order to prepare you for what you are going to hear in this episode, so you can understand it better and really make the most of it.

The pod-pals Amber & Paul are back! Just in case you don’t know – Amber Minogue and Paul Taylor are my English comedian friends who also live in Paris. They’ve been on the podcast many times in the past, but not since May this year. But now they’re back. 

This episode was recorded a couple of weeks ago, not in my flat as usual, but on location at one of the world’s most famous museums – The Louvre in Paris. You probably know it. “The Louvre” – that’s how we say it in English. In French it sounds like this *Mme Google says the word*. 

During the episode you will hear the three of us walking around parts of the museum, describing the the things we are looking at, including some very famous pieces that you will definitely know. 

The art that we talk about comes from 4 main periods. There are marble sculptures from the Hellanistic period of Ancient Greece (about 2000 years ago), some French medieval paintings (from about 1000 years ago), and then some Reneissance-era paintings (from about 500 years ago) mainly by Italian artists – including a certain portrait by Leonardo da Vinci – I think you know which one I mean – The Mona Lisa of course – and yes, we will be talking about that painting in some detail. We mention it briefly as we walk past it, but then we come back to talk about it more – so keep listening for that. We also talk about some impressive French paintings from the early 19th century too (about 100 years ago).

So, watch out for descriptive language and also general knowledge about the various periods of art on display, the ways they were created, what they mean and how they fit into history. 

This might be challenging for you, depending on your level of English, so be prepared!

It all goes quite quickly, we talk quite fast, there’s background noise and also references to specific art work that you can’t see unless you’re looking at them too. 

If you’d like to see the sculptures and paintings, then have a look at the episode page where I’ve added photos, or the video version. It’s not a full video – I didn’t have a camera, but I’ve added photos into the video, which will appear as you listen.

I do recommend looking at pictures of the work we are describing. It’ll help you understand this and will help you contextualise the language we’re using, which is obviously important.

Some strong language and swearing

Also, watch out – There is some strong language – I mean, some swearing – rude words. Of course – it’s an Amber & Paul episode! There’s usually a bit of swearing. Most of you are fine with that because you know it’s what happens when friends chat together, but, if you are sensitive to strong language, or you’re listening to this with a group of young learners maybe – be warned, there is some strong language ahead, including at least one use of the C word. If you’re not sure what that is, listen to episode 83 of my podcast, which is a complete guide to swearing in English.

Thanks to Amber & Paul

I must say thanks to the podpals for their involvement here, especially Amber who was our tourguide for this trip, and she brings a lot to the table here as she has a lot of knowledge about this museum and the artefacts that can be found there.

Check out Amber’s podcast – panamepodcast.com

Just a reminder – if you like Amber’s voice and want to listen to her talking more about the history of Paris, you’re in luck because she has her own podcast. It’s called Paname Podcast (spell it) and each episode is about a different aspect of Parisian history. There are loads of fascinating stories and atmospheric sound effects and it’s all written and recorded by Amber herself. Paname Podcast is the name and the website is www.panamepodcast.com 

Also, if you want more Amber, Paul and Luke action – then check out Paul Taylor’s Happy Hour Live – specifically the episode recorded on Monday 6 December. This is Paul’s weekly YouTube livestream, and on Monday 6 December, his guests were Amber and me. 

Paul Taylor’s Happy Hour Live from Monday 6 December. Watch it here.

You will be able to see the replay on Paul’s channel (and here).

OK that’s enough from me now, except that I really hope you enjoy coming with us on this cultural trip, that you are able to follow it, and that like Paul and me, you learn some things from the experience.

I’ll chat to you again briefly at the end, but now, let’s head down to The Louvre – just a 10 minute bike ride from my flat here in Paris, to meet up with Amber & Paul, and here we go. 

Vocabulary Definitions added during the episode

A fresco is a type of wall painting. The term comes from the Italian word for fresh because plaster is applied to the walls while still wet. (National Gallery website definition)

A sculpture is a work of art that is produced by carving or shaping stone, wood, clay, or other materials (CollinsDictionary.com)

A sculpture which is atteched to a flat piece of stone which can be displayed on a wall – that’s a relief.

Phew, that is a relief, I mean – I’m glad we cleared that up.

Photos of Artwork

Here are pictures of almost all the things we described in this episode. The YouTube video version also contains these images.

Ending Transcript

Well, there you are. That was a whirlwind tour wasn’t it! There was a lot packed into that one. I hope you enjoyed it and maybe learned one or two things.

Remember, you can see pictures of everything (I think) that we saw and talked about – you can see all those pictures on the page for this episode on my website and also on the YouTube version. Don’t forget to whack that like button with a hammer.

Thank you again to the pod-pals. It’s always great to have them on the show.

Now, if you liked this, then you must listen to Amber’s Podcast, which she is still doing by the way. It’s called Paname Podcast and you can get it wherever you get your podcasts. Also, her website is panamepodcast.com

In her episodes you can hear Amber telling some fascinating stories about the history of Paris. Check it out!

Amber and I were on Paul Taylor’s Happy Hour Live – Monday 6 December. (Video available above

Thank you for joining us. Let me know your thoughts, comments and responses to this episode. 

Speak to you soon, but for now – good bye bye bye  bye bye!

748. Karl Pilkington’s 3-Minute Wonders / Manchester Accent [Part 2]

Understand more of Karl Pilkington’s rambling as we learn about the Manchester accent and pick up vocabulary along the way. Video version available on YouTube.

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Episode Transcript

Introduction

Hello everyone. Welcome back to LEP. This is part 2 of a double Karl Pilkington themed episode. I would recommend that you listen to part 1 of this first – it contains important context about who Karl is plus more details about Karl’s pronunciation and accent. 

Listening to that first will help a great deal in understanding this one.

I got plenty of good responses to part 1 of this, so let’s carry on.

In this part we are going to continue as we did before – listening to Karl Pilkington talking about various subjects, understanding exactly what he says, looking at features of his Manchester accent and picking up vocabulary along the way.

Karl is basically just a normal bloke from Manchester and his accent is fairly typical for people from that area so this episode aims to help you understand his accent and pick up vocabulary too.

Some responses to part 1

I disagree with Karl on most things.

Is he arrogant?

I just enjoy the way he puts things. He speaks like a comedian in the way that he expresses a point of view and has a certain way with words, but he’s not a comedian.

This is the enigma of Karl Pilkington – is he really just being himself, or is he playing a comedy character, and in real life he’s a lot more erudite.

I actually think it’s the former not the latter and that he’s just being himself. He just happens to have a funny way of putting his opinions across. 

Sometimes the best comedy comes from someone sharing a specific opinion. I think this is what I enjoy about this, rather than the opinions he is expressing, and as I said I disagree with Karl about most things, and some things he says are quite laughable – especially stuff he’s said on the Ricky Gervais podcast, like his Monkey News stories.

One other thing – apparently it is possible to be choked by a live octopus as you eat it. What I meant was that it would be impossible for an octopus to strangle you from the inside, as strangling means choking from the outside of the throat, with your hands for example, but of course a live octopus could choke you from within, by sticking its arms up into your throat or your windpipe. So, fair enough, it is possible for an octopus to choke you.

Also, in the UK we do eat oysters – which are raw seafood, so I think raw fish are generally ok in the UK but most other raw things would be considered a bit strange for us.

Quick Pronunciation Recap

In part 1 we listened to Karl talk about life, health and food and in terms of his accent I talked about H-drops

  • I’m 32, I think I’ve got the hang of it.
  • Look, how many do you need?

glottal stops 

  • I’ll have a look at the meteorites.
  • If you’re going to eat a live animal, don’t eat one that’s got eight arms that can get hold of your neck.

The ‘bath/trap’ split 

  • podcast/podcast
  • laugh/laugh
  • path/path
  • bath/bath

/ʊ/ not /ʌ/

Do you go to the gym much? 

Topics: Holidays & Karl’s Fridge

This time he’s going to talk about holidays and his fridge and we will look at more features of his accent.

There’s a video version of this on youtube with text on the screen, plus you will find all the text presented on the page for this episode on my website. 

Just one more thing before we start – I have premium episodes in the pipeline for these two episodes of LEP. The Premium episodes will be a chance to review and remember the vocabulary that comes up in these episodes, and then pronunciation drills too. So, I’ll do a sort of memory quiz with you to see how much vocab you remember and then the usual pronunciation drills – but in my accent, not Karl’s. 

Sign up to LEP Premium

www.teacherluke.co.uk/premiuminfo 


#4 Karl on Holidays

(not Karl on Holiday)

Karl is on a camping holiday, sitting in a tent and moaning. 

  1. Why does Karl think holidays are stressful?
  2. What does Karl think of Lanzarote’s nickname?
  3. What did Karl do on his holiday there?
  4. What’s the problem with holidays in the UK?
  5. What did he think of the seal sanctuary he went to?
  6. What’s the best place Karl has been? Why?
  7. What does Karl think of holidays to the moon?

Vocabulary

You’ve got free time on your hands which you’re not used to.

We ended up walking around this seal sanctuary. 14 quid. £

They were just floating about, hardly moving.

I’m not having a go, but don’t charge me to come in, or at least let me see them again when they’re better.

The coliseum, they don’t do it up.

There’s no overheads.

That’s a mess. Get it knocked down.

At the end of the day the moon is just a big rock. You may/might as well go to Lanzarote.


PRONUNCIATION #3

Nasal

Alright so I went on holiday and it was great and all that.

  • I’ll have a look at the meteorites.
  • If you’re going to eat a live animal, don’t eat one that’s got eight arms that can get hold of your neck.
  • When’s the last time you heard about a tortoise having a heart attack?

Works well with glottal stops.

Nasal sound in /aʊ/ and /ai/ sounds

/aʊ/ in words like about and now sounds more nasal.

What’s he going on about now?

If there were dinosaurs about now and that.

If we’ve run out we need to go outside and get some more.

Nasal sound in /ai/ sound

The /ai/ sound in words like alive, inside, survive, fighting, riot and dying sounds more nasal.

You’re not supposed to eat them alive.

We’ve got to stay inside if we want to survive.

If they were running about fighting and dying and that.

Running riot (sounds like “roonin raiyut”)


#5 Karl on his fridge

Karl’s fridge is broken and he called out a guy to fix it. 

Naturally he’s moaning about workmen who come to your house to do different jobs.

  1. Why does the guy charge £80?
  2. What is Karl’s main problem with engineers, plumbers, workers who have to come to his house?
  3. What advice does the fridge guy give to Karl?
  4. What’s the problem with Karl’s new fridge?

Vocabulary

The fella turned up, right.

Yeah, it’s broke. (broken)

That’s why I called you out.

That’s 80 quid

I said, “you what?” 

An 80 quid callout charge.

I tell you. They wind me up.

I had a fella come round to do the tiling

Turned up late with a carrier bag.

A pot noodle

A copy of the Daily Mirror

A crossword book

He was asking what the pub was like across the road. “What is …. like?”

Having a laugh

When did you last vac it out

Vacuum cleaner

You’re meant to vac them out, because dust and that gets in.

Can’t afford any food to put in it.

It needs wiring in. It’s got one of those fancy plug things.


PRONUNCIATION #4

A lot of other vowel sounds are nasal too.

Turn the corner /ɔː/

They becomes thee

It depends what they do with it.

Why have they only just found that? 

How did they miss that?

Also, he adds little fillers like:

(Do you) know what I mean?

Right? (just sounds like a nazal grunt, almost)

… and that

Like that

And whatnot

And stuff like that

Do you know what I mean?

I tell ya…

Watch out for those things if you like.


Ending

Ladies and gentlemen, this brings us to the end of this episode, as we now prepare to exit the world of Karl Pilkington and re-emerge blinking into the light of the normal world.

Welcome back to yourself, your own attitudes and your own personality again.

I urge you to (just wanted to use that phrase) check the page for this episode on my website where you will find a downloadable full transcript, the audio file for download in mp3 format, a text video version of this episode where you can read the entire thing as you listen and it’s all presented in a rather majestic looking font before your very eyes and of course there’s the comment section where you can share your thoughts not to mention the episode archive with all the previous episodes plus lots of bonus extra stuff. 

Teacherluke.co.uk

LEP Premium 
LEP App
LEP Merch

Have a good one and I will speak to you again soon, bye!

746. Karl Pilkington’s 3-Minute Wonders / Manchester Accent

Understand English as it is spoken by native speakers. Let’s listen to Karl Pilkington rambling about life, the universe & everything, and see what we can understand and learn. Karl is from Manchester, so we’ll be looking at some features of his accent, picking up plenty of vocabulary and having a bit of a laugh along the way.

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Full Episode Transcript

Hello LEPsters,

Welcome back to the podcast. How are you doing today? 

In this episode we’re going to do some intensive listening and use it as a chance to learn some vocabulary and pronunciation.

This episode should be a bit of a laugh as we’re going to take a deep dive into the world of Karl Pilkington and listen to his thoughts on some big issues like health, food, animals, holidays and just existence itself.

We’ll be looking at the different features of his Manchester accent, and there will be lots of vocabulary to pick up too as we are covering a range of different topics. You can also consider this as a little intensive listening test, as I will be setting questions that you have to find answers to, then going through each clip in detail and breaking it all down for language.

We last heard about Karl Pilkington on my podcast in episode 656 in which we listened to a couple of his Monkey News stories about a chimp that works on a building site and another chimp that pilots a space rocket. 

Do you remember that? If you don’t, then get the LEP app and listen to episode 656. It was a very popular episode and it should make you laugh out loud on a bus maybe. 

That was pretty funny stuff, and Karl is very funny even though he’s not actually a comedian.

Who is Karl Pilkington?

To be honest, Karl Pilkington was most well-known about 10 years ago
and these days he’s not in the public eye as much as he used to be,
but he’s still a fairly well-known person in the UK, especially for Ricky Gervais fans.

Karl is just an ordinary bloke from Manchester who met comedians Ricky Gervais and Stephen Merchant when he worked for them as a radio producer in London. 

Later, Ricky invited Karl to be on his podcast in order to broadcast his weird ideas and inane ramblings to the whole world, and the rest is history. 

The Ricky Gervais Podcast became a world record-breaker with over 300,000,000 downloads.

In episodes, Ricky, Steve & Karl would talk about big topics like religion, evolution, philosophy, nature, birth and death and Karl would often say some bizarre and hilarious things, apparently without intending to be funny.

Ricky was always slightly obsessed with Karl, and he always described him as “an idiot with a perfectly round head like an orange”. 

After being on Ricky’s podcast, Karl went on to become a fairly well-known figure in the UK, doing more podcasts with Ricky, then TV shows, books and documentaries like “An Idiot Abroad”.

Karl is known for his funny and slightly odd musings and observations about life. 

He comes from a working class background in the Manchester area, and his accent has many of the features that you would expect from that. 

Accent / Pronunciation

We will be going into the specific features of his accent in more detail as we go and this kind of follows on from episode 682 which was all about common features of pronunciation in England which are different to RP.

Which accent should you have?

So this episode is about one of the UK’s regional accents.

You might be thinking – Luke, by doing this episode are you saying that we should all learn to speak like Karl?

I’m not saying that. You can choose your accent, and many learners choose a neutral accent to learn, but it’s not all about learning an accent, it’s also about learning to understand different accents, and learning about the varieties of English that are out there.

So, you might not want to speak like Karl, but I certainly want you to understand Karl and the many millions of other people who speak English in a non-standard way.

So this episode is all about understanding an accent, rather than copying it. But of course you can copy Karl’s Mancunian accent if you like.

Vocabulary

There will also be plenty of vocabulary coming up too as we pick apart the things that Karl says and the way he says them.

You’ll find it listed on the screen on the video version and also presented in text form on the page for this episode on my website.

Video

We’re going to be using a series available on youtube in which Karl ponders certain big questions in just 3 minutes of video, originally broadcast on Channel 4 in the UK as part of their “3 Minute Wonders” series. 

These are short videos in which Karl talks about his fridge, health, food, animals and holidays, covering each topic with his usual ramblings, all delivered in that Manchester accent, know what I mean?

I have about 6 recordings, which are about 3 minutes each (this could become two episodes).

Before I play the recording I’ll give you a little bit of context and I’ll set some questions. 

Then you listen and try to get the answers. 

Then I’ll break it down – listening to each bit again, with some explanations if necessary.

We’ll also pay attention to pronunciation – specifically his Mancunian accent. I’m going to break that down too, exploring the main features of that particular accent.

And I’ll sum up some of the vocab from each clip before moving on to the next one.


#1 Karl on Life

Karl goes around a museum looking at meteorites, dinosaur skeletons and endangered animals (stuffed ones or models) and muses about life in general medical science.

  1. What does Karl wonder about the big bang?
  2. What makes the meteorite room a bit disappointing?
  3. What’s Karl’s main criticism of humanity today?
  4. What does Karl think would happen if a dinosaur got loose and started to “run riot”?
  5. What’s Karl’s main point?

Vocabulary

  • The big bang
  • Did it only seem big because there was no other noise to drown it out at the time?
  • Meteorites (on earth)
  • Meteors (flying in earth’s atmosphere)
  • Asteroids (flying in space)
  • The edge is taken off it because that isn’t the only one.
  • I’m not surprised they went extinct, they’re all in here.
  • Enough’s enough. If your body is that done in, call it a day.
  • The more we know, the more we interfere.
  • Don’t interfere with nature and that.
  • Even if it was going round running riot they’d go “We don’t want it to go extinct
  • The panda is dying out.

Notes on Karl’s accent

Here’s a summary of the main points regarding Karl’s Manchester accent. 

Many of these features are common in people from the Manchester area, although not all people from Manchester will speak like this, and there are different degrees of it. 

This is certainly Karl’s Manchester accent in any case. 

A lot of what I’m about to say will include things brought up in the episode I did about Key Features of English accents, episode 682.

PRONUNCIATION #1

H dropping

  • Look, how many do you need?
  • I’m not surprised they went extinct, they’re all in here.
  • She’d had a new lung, a new heart
  • He puts his hand in and goes “Yep, it’s broke”
  • They weren’t doing anything. They weren’t jumping through hoops. (talking about animals in a zoo)
  • I don’t know if it’s cruel or not, to have them in there.
  • I’m 32, I think I’ve got the hang of it.

Glottal stops (/t/ sounds get replaced by /ʔ/ )

  • I’ll have a look at the meteorites.
  • If you’re going to eat a live animal, don’t eat one that’s got eight arms that can get hold of your neck.
  • Let me see them again when they’re better.

Go back to my episode called 682. Features of English Accents, Explained to find out more about glottal stops.


#2 Karl on Health

Karl recounts a conversation he had with a woman about going to the gym.

  1. Does Karl go to the gym?
  2. What does he think of the idea of breathing classes?
  3. What does he think of drinking 7 pints of water a day?
  4. What’s Karl’s argument for not going to the gym? Heart beats, tortoise

Vocabulary

  • I know what’s probably putting you off – the fact that it’s hard work.
  • Breathing classes – I’m 32 I think I’ve got the hang of it
  • My Dad’s like 60-odd. I’ve never seen him drink a pint of water, yet they’re telling us we should have, like, 7 pints a day or something, and then they wonder why there’s a water drought on.
  • They keep coming up with daft ways of keeping fit.
  • Chucking paint at each other. 

PRONUNCIATION #2

/æ/ not /ɑː/ (the “bath/trap split”, again)

Short A sound /æ/ in bath, podcast 

(gas and glass have the same vowel sound in Karl’s Manchester accent).

This is normal across all northern accents, and many accents in the midlands. I would use /ɑː/ because although I lived in the midlands for many years (half my childhood), my accent is mostly from the south because I’ve lived there more and my parents don’t have strong regional accents.

Come to my class. We do breathing classes.

/ʊ/ not /ʌ/

The U sound in but, enough and much.

I pronounce it /ʌ/ but Karl pronounces it more like /ʊ/

Do you go to the gym much? 


#3 Karl on Food

Karl talks about a new trend – eating things which shouldn’t be eaten. 

Coming from England, Karl thinks it’s weird to eat certain things that might be eaten in other cultures, like live octopus, insects, frogs, snails, probably raw meat, raw fish and sushi.

  1. What is the danger of eating a live octopus?
  2. What’s Karl’s issue with kids and food today?
  3. What does Karl think about eating dog?

Vocabulary

  • They choke you. Why would you want to eat that?
  • If we’re eating octopuses, why are dogs getting away with it?

END OF PART 1 – TO BE CONTINUED IN PART 2

745. Mental Factors in Learning English (with Ray Addam) [English with Ray SwapCast]

Talking to English teacher Ray Addam from Glasgow in Scotland about mental factors in learning English, such as anxiety, confidence, stress and motivation. Video version available on YouTube.

Audio Version (with extra ramble + song)

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Introduction Transcript

Hello dear listeners,

This is a swapcast between LEP and English with Ray, which means we are both uploading this to our podcasts/youtube channels.

Ray is an English teacher from Glasgow in Scotland (and you’ll be able to notice his accent, which is not the strongest Glaswegian accent I’ve ever heard but it’s definitely noticeable – which is great, because I love Scottish accents). Ray has recently started making videos on YouTube for learners of English. 

One of his students – Ivan (from Russia I think) who is also a LEPster, suggested to Ray that he start doing that and that he also contact me for an interview, so that’s what you’re going to listen to or watch here. This is Ray Addam interviewing me for his channel.

This is a fairly relaxed and free-ranging conversation, and after chatting a bit about playing music and performing in front of people, we ended up talking about the psychology of learning English, particularly how to manage anxiety or nerves when using English in stressful situations, and then our comments about how to work on your confidence and how to have the right mental approach to learning a language, which is one of the most important steps to take.

So listen on for some comments and tips about how to manage your stress levels in English, how to become more confident in English and how to take control of your communication skills in general.

Thanks to Ray for sending this recording to me. You might want to check out his channel on YouTube, which is called English with Ray. He only has a few videos there at the moment, but everyone’s got to start somewhere. I’ve noticed that Ray also speaks fluent Arabic so any Arabic speaking LEPsters might be particularly interested in Ray’s content as he might have some insights into differences between Arabic and English. I haven’t actually asked him about that yet, but maybe it’s something he could work on in a future video.

Anyway, that’s it for this introduction and I will now let you listen to this conversation with Ray Addam, firstly about playing music in front of audiences of people, and then about the challenges of managing your confidence when using English in stressful situations. I will probably speak to you again briefly at the end of this chat, but for now, let’s get started.

Links for Ray

Take online English lessons with Ray Addam on Preply https://preply.com/en/tutor/447455/

English with Ray on YouTube https://www.youtube.com/c/EnglishWithRay/featured

Song (audio version only) – “Questionnaire” by The Rutles https://genius.com/The-rutles-questionnaire-lyrics

743. Give me Tea, Please – Practical Ingredients for Tasteful Language (with Natasha V Broodie) + ramble / song

Talking to author Natasha V Broodie who has written a book which aims to help learners of English understand the subtle codes of polite language when making requests and giving information in professional and personal contexts. In the conversation we explore the topic and consider some tips for making your language more culturally appropriate.

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Introduction Transcript

Hello listeners,

In this episode I am talking to author Natasha V Broodie who has written a book which aims to help learners of English to find the right tone in their speaking and writing. Tone is something which is very much affected by culture and often relates to things like being direct, indirect, formal, informal, the use of modal verbs and phrasal verbs and so on. In English the general tone is often quite friendly, indirect and polite, and this can sometimes cause problems for English speakers coming from different places where codes of politeness or professionalism are different.

Natasha has worked as an English teacher and has also worked in international contexts for the UN and so she has direct experience of observing people communicating in English and not quite getting the tone right.

So in her book, “Give me tea, please. Practical Ingredients for Tasteful Language” she lays out a sort of style guide with theory, practical tips and a glossary of defined vocabulary at the back.

It sounds like an interesting book which could be a worthwhile read for my listeners, so I thought it would be good to chat with Natasha a little bit and explore some of the ideas presented in her book.

“Give me tea, please” is currently available on Amazon but from 24 September should be available from all other providers too.

Right, so now you know what sort of thing we’re going to be talking about, let’s meet Natasha Broodie and find out some of those practical tips for tasteful language.


Give Me Tea, Please on Amazon


Ending

So that was Natasha V Broodie, talking about her book Give me tea, please – available from all good bookstores. Go ahead and pick up a copy and if you like it, leave a review on Amazon.

Thanks again to Natasha for her contribution in this episode.

A Short Ramble

T-shirts
Design comp – link here for details https://teacherluke.co.uk/2021/09/22/742-new-lep-t-shirts-merch-lep-design-competition-2021-with-james/
Premium
YouTube

Sneezing caused me to take a trip to tangent town…

Song – “Trouble” by Coldplay

https://tabs.ultimate-guitar.com/tab/coldplay/trouble-chords-16491

742. NEW LEP T-SHIRTS & MERCH + LEP DESIGN COMPETITION 2021 with James

LEP merch is now available, including t-shirts, mugs and more featuring special LEP designs made by James Thompson. Luke and James discuss the new designs and launch a new design competition to give you the chance to get your design in my merch store and a cash prize of £80.

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VISIT THE TEE-PUBLIC MERCH STORE 🌎 (Everywhere else)

VISIT THE RED-BUBBLE MERCH STORE 🇷🇺🇨🇳 (Russia & China)

Introduction

Hello listeners, it’s nice to be talking to you on this fine morning. I’m also joined by James, my brother.

If you’ve seen me on YouTube in a t-shirt with a magnificent LEP logo on the front of it, or drinking tea from a lovely looking mug with an LEP logo on it, or perhaps writing something down on my special LEP notepad, then you might be thinking…

Where can I get one of those t-shirts?
Where can I get one of those mugs?

Where do I get one of those amazing pads?

Or even: How can I get one of my designs on some LEP Merch?

Your questions are finally being answered today, because the LEP merch store is back open, and I am launching a design competition to give you the chance to get your design on an LEP t-shirt, and a special cash prize of £80!

The merch store is now open. That’s where you can get t-shirts, sweaters, mugs, stickers and loads of other things with the LEP logo on, but also there are various other new designs which you should love if you are a LEPster. 

I suspect that you’re going to want more than just one of the things on offer for you today – In fact I’ve already ordered some and I am wearing one now.

In this episode I’m going to talk a little bit about the different merchandise available just to make sure it’s clear and that you understand everything.

Also in this episode I am launching a design competition – this is your chance to have your design on an official LEP t-shirt. Not only that, but there are cash prizes available too for the winners. I will explain more later.

My brother James is the one who did all the design work to produce the various images which are available across a range of products, so he is joining me for this one.

We’re going to talk about each design one by one, I’ll give you a little tour of the store to make sure you can use it properly, I will give you the full details of the LEP Design competition and then we’re going to open things out to have a larger conversation about merchandising and stories related to that.

Tips for Using TeePublic – http://tee.pub/lic/LEP

Click on the design you like, then choose the products using the list on the left.\

Some t-shirts are double sided.

Check the different types of t-shirt available using the little drop-down menu (classic, heavy, tri-blend, etc)

TeePublic often does sales and discounts on their website.

Tips for Using RedBubble – https://www.redbubble.com/people/LEPLuke/shop?asc=u

I opened this store so Chinese & Russian LEPsters could buy merch too. The website is simple enough. It shows t-shirts in the thumbnail pictures, but check the list on the left to see all available products.

Various types of t-shirt are available.

RedBubble doesn’t do double sided t-shirts.

Avoid buying dark designs on a dark colour t-shirt (although personally I think an LEP Ninja design on a black tri-blend t-shirt looks really cool)

Let me know what other ideas or changes you’d like to make to the store, and I will see what I can do. So, if you have any other design ideas, or suggestions for things you’d like to see in the store, or changes you’d like to make – let me know. luketeacher@hotmail.com

LEP DESIGN COMPETITION 2021

We are looking for cool t-shirt designs by LEPsters, for the LEP Merch Store.

  • Think of a t-shirt that LEPsters would want to wear
  • PRIZE: The winning design will be put on t-shirts, mugs and other merch, and the winner will also win £80!
  • SPECS: A high-resolution transparent .PNG at 150dpi.  Minimum dimensions of at least 1500px by 1995px (not including outer transparent pixels).
  • CLOSING DATE: 22 October 2021
  • Send your t-shirt designs to podcastcomp@gmail.com

James and I will consider all designs which are sent to me, and a selection of designs will be displayed on the website so you can leave your comments. James and I will also discuss them in a podcast episode.

Ultimately, James and I are the judges and we make the final choice on the winner(s).

741. Top Jokes from Edinburgh Fringe 2021, Explained

Learn English from some jokes in this episode as we go through 9 jokes chosen as the best of the Edinburgh Festival Fringe stand up comedy scene this year (2021). Let me tell you the jokes, see if you understand them, and then I will break them down for language learning opportunities. Video version available.

Audio Version

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Episode Transcript / Notes

Top Jokes from Edinburgh Fringe 2021, Explained

Hello listeners, hello video viewers. How are you? How is the world treating you today? Not too badly I hope. 

Here’s a new episode. So stick with me. Listen closely. Pay attention. You can definitely learn some new English from this. Let’s get started.

Introduction

It’s time to dissect the frog again as we look at some of the most popular jokes from the Edinburgh Festival Fringe of this year 2021. I’m going to read them to you and then explain them so you can understand them fully and also learn some new vocabulary in the process. 

This is something I’ve been doing every year at the end of the Ediburgh Festival when the list of the most popular jokes is published in the newspapers. 

Last year I didn’t do one of these episodes because Ed Fringe got cancelled due to Covid-19. 

But the festival was back this year, so here we go again. Let’s find some popular jokes told by comedians at the fringe and use them to learn English.

Edinburgh Festival Fringe

Just in case you don’t know, the Edinburgh Fringe (full name: The Edinburgh Festival Fringe) is a huge comedy festival that happens every August in Edinburgh, the capital city of Scotland.

Sometimes it’s called The Edinburgh Festival Fringe, Edinburgh Fringe, The Edinburgh Comedy Festival, Ed Fringe, just The Fringe or simply Edinburgh.

It’s one of the biggest comedy festivals in the world, and every August comedians travel to the city in order to perform comedy to the large crowds of people who travel there. 

For comedians August in Edinburgh is a huge opportunity to get exposure and experience, but it is very tough, especially at the beginning when you have to drum up an audience of people to come to your shows every day.

Just in case you didn’t know, stand-up is a form of entertainment that involves one comedian standing on stage with a microphone telling stories and jokes in an effort to make the audience laugh. It is an extremely popular form of entertainment in the English speaking world.

This episode is about specific jokes told by comedians during the fringe this year, but stand-up comedians don’t really just go up and tell individual jokes one after the other (except in the case of some specific comedians), rather they fit their jokes into stories, observations about the world or confessions about themselves.

However, this list of the “best jokes from the fringe” just picks simple one or two line jokes from people’s performances.

Lower Your Expectations Now 😅

I expect that taking these jokes away from their original performances will not help the jokes. 

They will probably be less funny outside the comedy show that they came from because we’re going to remove the context of the joke, the attitude and personality of the comedian who told the joke and what was happening in the room that particular evening. All those elements have a huge impact on how funny the joke will be.

So, it’s not very fair to judge these jokes on their own like this, outside of their original context, but this is still an interesting experiment in learning English, so here we go.

Here’s how we’re going to do this

  1. First I will read each joke one by one. 
  • There are 9 jokes in total. 
  • How many jokes do you “get”?
  • If you “get” a joke, it means you understand why it is funny.
  • Ideally you will laugh, but you can also groan.
  • If you don’t understand it you need to say “I don’t get it!
  • The main thing is: You have to notice and acknowledge that a joke has been told to you.

So, listen to the jokes, do you get them all?

  1. Then I will go through each joke one by one and I will break them all down, explaining exactly how they work, showing you double meanings, explaining any specific vocabulary or cultural reference points and giving you all the information you need to be able to understand these jokes properly.

There is a lot of vocabulary to be learned from this, which I will highlight as we go through and recap at the end.

So, get ready, it’s time to dissect the frog again.

Of course, I have to say the quote: 

Explaining a joke is like dissecting a frog. You can learn something from it, but the frog dies in the process.

I expect I will be killing all these jokes by explaining them. 

You’re not meant to explain jokes, and if you do, the joke suddenly becomes less funny. 

Most jokes work by surprise. 

Getting the double meaning instantly is usually the only way to find a joke funny. 

So I can’t guarantee that you will laugh at these jokes, but this is certainly going to be good for your English in any case.

Joke types

A lot of these jokes use 

  • synonyms (different words with a similar meaning),
  • common fixed expressions and sayings
  • homophones (different words that sound the same)
  • similies (finding similarities between otherwise different things), 
  • pull back & reveal (revealing extra information to change the situation)

Top Jokes from Edinburgh Fringe 2021

I’m getting this list from the website Chortle.co.uk which is the UK’s number 1 comedy website.

https://www.chortle.co.uk/news/2021/08/22/49087/masai_graham_wins_the_dave%2A_joke_of_the_fringe

1. “I thought the word ‘Caesarean’ began with the letter ‘S’ but when I looked in the dictionary, it was in the ‘C’ section.”

– Masai Graham 

2. “My therapist told me, ‘A problem shared, is a hundred quid’.” 
– Ivor Dembina

3. “Me and my ex were into role play. I’d pretend to be James Bond and she’d pretend she still loved me.” 

-Tom Mayhew

4. “The roman emperor’s wife hates playing hide and seek because wherever she goes Julius Caesar.”

– Adele Cliff

5. “Marvin Gaye used to keep a sheep in my vineyard. He’d herd it through the grapevine.”

– Leo Kearse

6 “My grandparents were married for forty years, but everything took longer back then.”

– Will Mars

7. “I think Chewbacca is French because he understands English but refuses to speak it.” 

– Sameer Katz

8. “I don’t know what you call a small spillage from a pen but I have an inkling.” 

– Rich Pulsford

9. “People say zoos are inhumane. But that’s because they’re for animals.” 

– Sameer Katz

Vocabulary Focus

Now let’s go through those jokes again and break them down so you can understand them fully, picking up bits of vocabulary along the way.

Broken down versions (sorry frogs)

1. “I thought the word ‘Caesarean’ began with the letter ‘S’ but when I looked in the dictionary, it was in the ‘C’ section.” 

– Masai Graham

Vocabulary

A caesarean

A C-section


2. “My therapist told me, ‘A problem shared, is a hundred quid’.” – Ivor Dembina

Vocabulary

Common phrase: “A problem shared is a problem halved.”

Quid

Halved (verb)


3. “Me and my ex were into role play. I’d pretend to be James Bond and she’d pretend she still loved me.” – Tom Mayhew

Vocabulary

To be into role play

Role play – pretending to be someone else, often during sex to make it more interesting.

To pretend to be someone / to do something

He pretended he was James Bond

She pretended she still loved him.


4. “The Roman emperor’s wife hates playing hide and seek because wherever she goes Julius Caesar.” – Adele Cliff

This is a pun – a word joke and it’s just that one thing sounds like something else.

“Julius Caesar” sounds like Julius sees her, which is why his wife hates playing hide and seek because Julius always sees her. Julius Caesar. I think you get it.

Vocabulary

To play hide and seek

5. “Marvin Gaye used to keep a sheep in my vineyard. He’d herd it through the grapevine.” – Leo Kearse

Oooh, this is a bit of a groaner. That’s where you go Oooooh like it almost hurts. 

“Heard it through the grapevine” is one of Marvin Gaye’s most famous songs.

“Herd” can mean to move a group of animals in a certain direction, like sheep or cows. You herd your sheep into a field.

Marvin used to keep a sheep in my vineyard. A vineyard is a place where you grow grapes for wine. 

The grapevine is where the grapes grow, but there’s also an idiom “through the grapevine” meaning when you hear people gossiping about something, or you over hear people talking about something. 

In the case of the song, he hears that his girlfriend is cheating on him and he hears it through the grapevine. 

He heard it through the grapevine. He heard rumours or gossip about it.

He’d herd it through the grapevine. He attempted to move the sheep around through the grapevines of the plants in the vineyard.

Vocabulary

To herd sheep

To hear something on/through the grapevine

Vinyard

This is too much of a stretch and if you get the joke please let me know. Write a comment in the comment section – do you get the Marvin Gaye joke?


6. “My grandparents were married for forty years, but everything took longer back then.” – Will Mars

This is quite a clever little joke. Everything took longer in the past – travelling, communicating etc. 

Marriages seemed to last longer, but everything took longer back then.


7. “I think Chewbacca is French because he understands English but refuses to speak it.” – Sameer Katz

This is quite funny and of course it hits two of my favourite notes, well three in fact: Star Wars, France and speaking English. 

There is a common misconception that French people arrogantly refuse to speak English in Paris let’s say, 

but I find that French people are more willing to speak English than it seems, and in fact they’re a bit more shy than arrogant, and if a French person in Paris speaks French to you, that’s quite normal as you are in France. 

Also, rather than being arrogant, a lot of French people just feel quite self conscious about their accent and certain common mistakes that French people often make. They also might have bad memories from English lessons at school which knocked all the confidence out of them, and they’re afraid to be judged by each other. So it’s more likely to be shyness than arrogance.


8. “I don’t know what you call a small spillage from a pen but I have an inkling.” – Rich Pulsford

This is a clever little joke. 

To have an inkling means to have a suspicion or an idea of something.

“I don’t know who stole the last biscuit, but I have an inkling. Or I have an inkling of an idea who took that biscuit, and I think it was you!”

But an inkling does sound like a small spillage of ink from a pen. A small puddle of ink, or ink on your hand. An inkling. 

What do we call that? I don’t know, but I have an inkling!”

Vocabulary

To have an inkling

A spillage


9. “People say zoos are inhumane. But that’s because they’re for animals.” – Sameer Katz

I’m not sure I have to explain that, do I?

Being humane means treating people in reasonable and humanistic manner. 

Treating people with respect, dignity, justice. 

Inhumane is the opposite – and although it includes the word human, we do use this word to refer to the cruel treatment of animals.

Keeping animals in a cage is inhumane. 

Even though they’re animals, we still use the word inhumane, and this is just a funny little thing that can make you laugh when you notice it.

Vocabulary

Humane

Inhumane


Vocabulary Review

  • A caesarean
  • A C-section
  • “A problem shared is a problem halved.”
  • Quid
  • Halve (verb)
  • To be into role play
  • To pretend to be someone / to do something
  • To play hide and seek
  • To herd sheep
  • To hear something on/through the grapevine
  • Vinyard
  • To have an inkling
  • A spillage
  • Humane
  • Inhumane 

739. The Escaped Man by CT Platt (Learn English with Short Stories)

Reading a short story presented on Commaful.com. The Escaped Man is a mystery full of tension and intrigue. Listen closely as I break it all down and explain the vocabulary fully. YouTube video version also available.

Audio Version

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Introduction Transcript & Links

Hello listeners and video viewers,

It’s time to do another story on the podcast. This time I’m going to be reading a story called The Escaped Man which was written by CT Platt and is presented on the Commaful website.

Commaful.com is a website where you can find short stories, fan fiction and other reading texts and it’s all presented in quite a nice and easy-to-read format.

I’m going to read the story to you once and all you have to do is follow it, and hopefully enjoy it. I have a couple of questions for you to help you stay focused on your listening.

Then I’ll read through the story again and break it down line by line, explaining, pointing out and teaching you bits of vocabulary and grammar as I go.

Learning English through stories is a great idea and tends to work because it places language in a vivid context and is generally quite entertaining and fun.

So listen to the story and then let me break all the language down for you bit by bit.

Just before I read the story, here are a couple of questions for you.

Where does the story take place? How do you know?
Is this American English or British English? How do you know?
What is going to happen next?

OK, let’s start.

https://commaful.com/play/lisa/the-escaped-man/

Full Script of the Story

https://www.wattpad.com/543021670-suspense-stories-the-escaped-man-c-t-platt-2017

736. The War of the Worlds by H.G. Wells [Part 3] Learn English with Stories

The final part of this series in which I am reading from the classic story The War of the Worlds by H.G. Wells, while explaining and clarifying the English which comes up. Full transcript available and YouTube video version too.

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Full Transcript

Please watch parts 1 and 2 before watching this. Links in the description.

Click here for part 1

Click here for part 2

Recap of the story so far

Without realising it, the people of earth have been attacked by an aggressive alien species from Mars, with the intention of colonising our planet while escaping their home planet which has become uninhabitable.

The Martians are vastly superior to us in terms of their intelligence and technology. They are also unfriendly. Very unfriendly. Humans are now reduced to mere animals or insects in the presence of these things.

Human society has quickly turned to chaos and destruction as the Martians begin their campaign to take our planet.

The aliens first landed in a cylinder which fell from space with a green flash. After the cylinder opened, revealing the visitors to be awkward and clumsy in our atmosphere, their technology proved to be devestatingly powerful. They are armed with a heat-ray which they have used to clear out all life surrounding the fallen cylinder.

The narrator of the story witnessed the Martians emerging from their cylinder and the ruthless destructive power of their heat ray, but still does not yet realise the full scale of the invasion. He decides to escape the area and travel in the direction of London.

During the night, he sees another cylinder landing, and then sees the first Martian tripods striding over the countryside. These are the vehicles the Martians use and they are colossal and formidable. Suddenly the clumsy Martians are mobile and far more physically powerful than in their normal, naked form.

Reading an extract from chapter 12 (action packed stuff)

Summary of Chapter 11 (next part of the story)
From the upstairs window of his study the narrator observes the destruction of his village and the fires all around the common, as well as the outlines of three creatures moving in the pit, which he can see from a distance.

He hardly recognizes his surroundings. The narrator begins to comprehend that the creatures from the cylinder operate the tripods, comparing them to a human-driven steam engine.

He invites a soldier outside the house to hide inside. The man recounts the futile military efforts against the Martians, who easily destroyed both companies and their weaponry before emerging as tripods from the pit and destroying the railway station and a train. The artilleryman managed to escape.

The two men look again from the window to see three tripods at the pit. As the sun comes up the narrator sees destruction “so indiscriminate and so universal” as to be unprecedented in human warfare.

HG Wells describes the horrific feeling of realising that these Martians are far more powerful than humans. Each cylinder contains at least three tripods, and each tripod is armed with a heat ray. Later we learn more about the martians and their technology as the narrator manages to observe them more, but they are still completely mysterious.

Meanwhile, people have become like refugees from a warzone and there is general chaos as people attempt to escape, get resources, look after themselves etc.

Shepperton Station has become a target for the Martians in their tripods and they have been destroying it, the railway lines and trains. This is especially poignant because they are targeting our infrastructure and our technology seems infinitely primitive to that of the Martians, and we are often compared to animals, insects, bugs or even microorganisms in comparison to our alien visitors.

HG Wells makes a point of observing how society reacts to a moment like this and how fragile it is, while also contrasting the familiar cosy surroundings of the English home counties, with the bizarre, grotesque and strange images of these very bad aliens from Mars.

The narrator and the soldier he met choose to leave the house. The soldier wants to go to London and the narrator wants to go back to his wife in Leatherhead.

They end up in Weybridge which a town just on the river Thames, with London to the east and the Thames Valley to the west.

This is a place where the Thames meets The Wey, another river. It’s a sort of port where you can get a ferry across to the other side. Crowds of people are gathered there, hoping to get on a ferry. The army have placed rows of large artillery guns behind some trees as they expect the tripods to come from a nearby town that is currently under attack. This all happens close to the edge of the water and is full of really precise and specific vocabulary to describe the action that takes place.

XII.
WHAT I SAW OF THE DESTRUCTION OF WEYBRIDGE AND SHEPPERTON. (extract)

We remained at Weybridge until midday, and at that hour we found ourselves at the place near Shepperton Lock where the Wey and Thames join. Part of the time we spent helping two old women to pack a little cart. The Wey has a treble mouth, and at this point boats are to be hired, and there was a ferry across the river. On the Shepperton side was an inn with a lawn, and beyond that the tower of Shepperton Church rose above the trees.

Here we found an excited and noisy crowd of fugitives. As yet the flight had not grown to a panic, but there were already far more people than all the boats going to and fro could enable to cross. People came panting along under heavy burdens; one husband and wife were even carrying a small outhouse door between them, with some of their household goods piled thereon. One man told us he meant to try to get away from Shepperton station.

There was a lot of shouting, and one man was even jesting. The idea people seemed to have here was that the Martians were simply formidable human beings, who might attack and sack the town, to be certainly destroyed in the end. Every now and then people would glance nervously across the Wey, at the meadows towards Chertsey, but everything over there was still.

Across the Thames, except just where the boats landed, everything was quiet, in vivid contrast with the Surrey side. The people who landed there from the boats went tramping off down the lane. The big ferryboat had just made a journey. Three or four soldiers stood on the lawn of the inn, staring and jesting at the fugitives, without offering to help. The inn was closed, as it was now within prohibited hours.

“What’s that?” cried a boatman, and “Shut up, you fool!” said a man near me to a yelping dog. Then the sound came again, this time from the direction of Chertsey, a muffled thud—the sound of a gun.

The fighting was beginning. Almost immediately unseen batteries across the river to our right, unseen because of the trees, took up the chorus, firing heavily one after the other. A woman screamed. Everyone stood arrested by the sudden stir of battle, near us and yet invisible to us. Nothing was to be seen save flat meadows, cows feeding unconcernedly for the most part, and silvery pollard willows motionless in the warm sunlight.

“The sojers’ll stop ’em,” said a woman beside me, doubtfully. A haziness rose over the treetops.

Then suddenly we saw a rush of smoke far away up the river, a puff of smoke that jerked up into the air and hung; and forthwith the ground heaved under foot and a heavy explosion shook the air, smashing two or three windows in the houses near, and leaving us astonished.

“Here they are!” shouted a man in a blue jersey. “Yonder! D’yer see them? Yonder!”

Quickly, one after the other, one, two, three, four of the armoured Martians appeared, far away over the little trees, across the flat meadows that stretched towards Chertsey, and striding hurriedly towards the river. Little cowled figures they seemed at first, going with a rolling motion and as fast as flying birds.

Then, advancing obliquely towards us, came a fifth. Their armoured bodies glittered in the sun as they swept swiftly forward upon the guns, growing rapidly larger as they drew nearer. One on the extreme left, the remotest that is, flourished a huge case high in the air, and the ghostly, terrible Heat-Ray I had already seen on Friday night smote towards Chertsey, and struck the town.

At sight of these strange, swift, and terrible creatures the crowd near the water’s edge seemed to me to be for a moment horror-struck. There was no screaming or shouting, but a silence. Then a hoarse murmur and a movement of feet—a splashing from the water. A man, too frightened to drop the portmanteau he carried on his shoulder, swung round and sent me staggering with a blow from the corner of his burden. A woman thrust at me with her hand and rushed past me. I turned with the rush of the people, but I was not too terrified for thought. The terrible Heat-Ray was in my mind. To get under water! That was it!

“Get under water!” I shouted, unheeded.

I faced about again, and rushed towards the approaching Martian, rushed right down the gravelly beach and headlong into the water. Others did the same. A boatload of people putting back came leaping out as I rushed past. The stones under my feet were muddy and slippery, and the river was so low that I ran perhaps twenty feet scarcely waist-deep. Then, as the Martian towered overhead scarcely a couple of hundred yards away, I flung myself forward under the surface.

The splashes of the people in the boats leaping into the river sounded like thunderclaps in my ears. People were landing hastily on both sides of the river. But the Martian machine took no more notice, for the moment, of the people running this way and that, than a man would of the confusion of ants in a nest against which his foot has kicked.

When, half suffocated, I raised my head above water, the Martian’s hood pointed at the batteries that were still firing across the river, and as it advanced it swung loose what must have been the generator of the Heat-Ray.

In another moment it was on the bank, and in a stride wading halfway across. The knees of its foremost legs bent at the farther bank, and in another moment it had raised itself to its full height again, close to the village of Shepperton.

Forthwith the six guns which, unknown to anyone on the right bank, had been hidden behind the outskirts of that village, fired simultaneously. The sudden near concussion, the last close upon the first, made my heart jump. The monster was already raising the case generating the Heat-Ray as the first shell burst six yards above the hood.

I gave a cry of astonishment. I saw and thought nothing of the other four Martian monsters; my attention was riveted upon the nearer incident. Simultaneously two other shells burst in the air near the body as the hood twisted round in time to receive, but not in time to dodge, the fourth shell.

The shell burst clean in the face of the Thing. The hood bulged, flashed, was whirled off in a dozen tattered fragments of red flesh and glittering metal.

“Hit!” shouted I, with something between a scream and a cheer.
I heard answering shouts from the people in the water about me. I could have leaped out of the water with that momentary exultation.

The decapitated colossus reeled like a drunken giant; but it did not fall over. It recovered its balance by a miracle, and, no longer heeding its steps and with the camera that fired the Heat-Ray now rigidly upheld, it reeled swiftly upon Shepperton. The living intelligence, the Martian within the hood, was slain and splashed to the four winds of heaven, and the Thing was now but a mere intricate device of metal whirling to destruction. It drove along in a straight line, incapable of guidance. It struck the tower of Shepperton Church, smashing it down as the impact of a battering ram might have done, swerved aside, blundered on and collapsed with tremendous force into the river out of my sight.

A violent explosion shook the air, and a spout of water, steam, mud, and shattered metal shot far up into the sky. As the camera of the Heat-Ray hit the water, the latter had immediately flashed into steam. In another moment a huge muddy tidal wave, almost scaldingly hot, came sweeping round the bend upstream. I saw people struggling shorewards, and heard their screaming and shouting faintly above the seething and roar of the Martian’s collapse.

For a moment I heeded nothing of the heat, forgot the patent need of self-preservation. I splashed through the tumultuous water, pushing aside a man in black to do so, until I could see round the bend. Half a dozen deserted boats pitched aimlessly upon the confusion of the waves. The fallen Martian came into sight downstream, lying across the river, and for the most part submerged.

Thick clouds of steam were pouring off the wreckage, and through the tumultuously whirling wisps I could see, intermittently and vaguely, the gigantic limbs churning the water and flinging a splash and spray of mud and froth into the air. The tentacles swayed and struck like living arms, and, save for the helpless purposelessness of these movements, it was as if some wounded thing were struggling for its life amid the waves. Enormous quantities of a ruddy-brown fluid were spurting up in noisy jets out of the machine.

My attention was diverted from this death flurry by a furious yelling, like that of the thing called a siren in our manufacturing towns. A man, knee-deep near the towing path, shouted inaudibly to me and pointed. Looking back, I saw the other Martians advancing with gigantic strides down the riverbank from the direction of Chertsey. The Shepperton guns spoke this time unavailingly.

At that I ducked at once under water, and, holding my breath until movement was an agony, blundered painfully ahead under the surface as long as I could. The water was in a tumult about me, and rapidly growing hotter.

When for a moment I raised my head to take breath and throw the hair and water from my eyes, the steam was rising in a whirling white fog that at first hid the Martians altogether. The noise was deafening. Then I saw them dimly, colossal figures of grey, magnified by the mist. They had passed by me, and two were stooping over the frothing, tumultuous ruins of their comrade.

The third and fourth stood beside him in the water, one perhaps two hundred yards from me, the other towards Laleham. The generators of the Heat-Rays waved high, and the hissing beams smote down this way and that.

The air was full of sound, a deafening and confusing conflict of noises—the clangorous din of the Martians, the crash of falling houses, the thud of trees, fences, sheds flashing into flame, and the crackling and roaring of fire. Dense black smoke was leaping up to mingle with the steam from the river, and as the Heat-Ray went to and fro over Weybridge its impact was marked by flashes of incandescent white, that gave place at once to a smoky dance of lurid flames. The nearer houses still stood intact, awaiting their fate, shadowy, faint and pallid in the steam, with the fire behind them going to and fro.

For a moment perhaps I stood there, breast-high in the almost boiling water, dumbfounded at my position, hopeless of escape. Through the reek I could see the people who had been with me in the river scrambling out of the water through the reeds, like little frogs hurrying through grass from the advance of a man, or running to and fro in utter dismay on the towing path.

Then suddenly the white flashes of the Heat-Ray came leaping towards me. The houses caved in as they dissolved at its touch, and darted out flames; the trees changed to fire with a roar. The Ray flickered up and down the towing path, licking off the people who ran this way and that, and came down to the water’s edge not fifty yards from where I stood. It swept across the river to Shepperton, and the water in its track rose in a boiling weal crested with steam. I turned shoreward.

In another moment the huge wave, well-nigh at the boiling-point had rushed upon me. I screamed aloud, and scalded, half blinded, agonised, I staggered through the leaping, hissing water towards the shore. Had my foot stumbled, it would have been the end. I fell helplessly, in full sight of the Martians, upon the broad, bare gravelly spit that runs down to mark the angle of the Wey and Thames. I expected nothing but death.

I have a dim memory of the foot of a Martian coming down within a score of yards of my head, driving straight into the loose gravel, whirling it this way and that and lifting again; of a long suspense, and then of the four carrying the debris of their comrade between them, now clear and then presently faint through a veil of smoke, receding interminably, as it seemed to me, across a vast space of river and meadow. And then, very slowly, I realised that by a miracle I had escaped.

Summary (AKA – what the hell just happened?)

The two men reach a chaotic scene in Weybridge as people crowd the railway station and the ferry in an effort to leave.
Suddenly they hear gunfire and a large explosion, and four tripods come into view across the river.
The narrator hides in the river.
Six guns hidden in the woods fire on the nearest tripod.
One shell strikes the tripod and gruesomely kills the Martian inside.
Unguided but still moving, the tripod smashes into a church and falls into the river.
The other Martians come to the fallen tripod, shooting their Heat-Rays at the village and destroying the opposition.
The Heat-Ray from the fallen tripod heats the water in the river and scalds the narrator before he manages to escape.

Final comments and analysis

It’s possible to see various interpretations of this story, or subtexts to the story.

Here are some.

The complacency of humans
As the dominant species on earth for hundreds of thousands of years, we have become complacent about our position in the natural hierarchy, and this is a mistake. Humans could easily be removed from this dominant position by things we aren’t even aware of. In the story this means intelligent creatures from another planet. In reality this could be something like the coronavirus or just something else we don’t usually think about.

How would human society cope with a crisis like this?
This is a common theme in disaster movies, zombie films, science fiction etc. All it takes is for something to disrupt our carefully organised society and things can descend into chaos quite easily, and this often brings out the worst in people. Normal citizens can quickly become immoral and do bad things, when the structure of society collapses and we end up having to fight for our survival.

Treatment of Animals
The story makes us think about the way we treat animals, which are below us in the power hierarchy on earth. Perhaps we should be more compassionate and kind to animals. In fact this is one of the only conclusions the narrator reaches in this story, as he suddenly understands what it means to be ruled over by a superior species.

The bigger they come, the harder they fall.

Microorganisms and viruses might be the most powerful forces on earth.

More themes here including technology, fear, power, and Familiar versus Strange
https://www.coursehero.com/lit/The-War-of-the-Worlds/themes/

A sample from coursehero.com
Technology
The benefits, possibilities, and potential threats of technology—represented in the Martian tripods—make technology a pervasive theme in the novel. Following the Industrial Revolution, technology changed society dramatically—from travel, to work, to communication. Virtually no part of life was untouched by new inventions. The benefits provided by these new machines meant people could accomplish tasks faster, easier, and often independently.

But as ever with modern science fiction stories, there is an element of fear regarding advancements in technology and how we may ultimately be surpassed by technological innovations.

This is where we’re going to stop.


I seriously hope you enjoyed this!

If you’re still listening or watching, then “hello”. Thanks for sticking with this. I guess it must mean you’ve been enjoying it.

I’m sure it’s been challenging at times, but to be honest I also feel this is difficult to follow when I read it. There’s a sense that things are just beyond your imagination, and that your mind has to do quite a lot of work to understand the fairly complex descriptions being given. This is not quite the same as watching a film where everything is shown. Or maybe it’s like watching a really well-directed film where you never quite see clearly what is happening, and this adds to the drama and excitement.

Anyway – thank you for sticking with this and listening all the way through.

Let me know what you think of this, and I highly recommend reading the rest of the story. There’s a lot more action and a few more close encounters with the Martians and their tripods, and of course the ending is very clever. I won’t spoil it. The book is better than the film though, I assure you!

In terms of English, I hope you have found it interesting to hear some samples of old fashioned English from the 19th century. I would say it is broadly modern English, but with a more formal style. It’s really enjoyable though. I love the descriptiveness and the general command over the language is a joy to behold.

Don’t forget you can get the full text for this episode printed right there on the page for this episode, and there’s the YouTube video version as well to enjoy where you can see text on the screen as you read it.

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Thanks for listening.

All the best,

Bye bye bye bye