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172. British Comedy: Peter Cook & Dudley Moore

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Listen to two comedy sketches from the 1960s, learn some popular cultural history, pick up some vocabulary and hear some posh English accents.

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I highly recommend that you purchase this BBC DVD of The Best of Peter Cook & Dudley Moore. It’s really funny!

Introduction (with transcript)
Hello everyone, welcome to the podcast. In this episode we’re going to listen to a sketch from a comedy show called “Not only.. but also”, which was first broadcast on the BBC back in the sixties, when TV was in black and white and there were only 3 channels.

I’d love to tell you all about this show, and the people who made it. Peter Cook and Dudley Moore are basically the fathers of modern British TV comedy. I’d love to tell you all about how before Monty Python even existed, Peter Cook & Dudley Moore were doing surreal, satirical and anti-establishment comedy on BBC TV, and getting huge audience ratings, and inspiring generations of people. I’d also love to tell you more about the history of British comedy, because for some reason it’s very important to me. It’s one of my favourite subjects. It just feels significant, and I want to share it with you. Listening to these things is good for your English, but ultimately the reward is even greater than that – you can enjoy listening to something that’s a little bit special. But I also realise that you might not have the same level of slightly fanatical interest in the history of comedy, as I do. I could bang on about some comedians from the 1960s, but you might think “this is interesting Luke, but let’s just listen to some of their work shall we?” So, I’ve decided to just skip through all the stuff about the history of comedy and go straight to a couple of sketches, tell you about them, help you to understand them, and then later in this episode I’ll give you a little history lesson on Peter Cook and Dudley Moore, and their place in the history of pop culture, and then not only will you be able to enjoy their comedy, but you’ll learn more about British cultural history.

So, let’s focus on the sketch. I’m just going to explain the context for you and then you can listen to it, and see if you get what’s going on.

First sketch: Peter Cook & Dudley Moore “A bit of a chat” aka “The facts of life”
In this scene you’ll hear a father talking to his son about a slightly sensitive topic. The scene was written and filmed in the early sixties, probably 1964.

First, just listen (there is a script below, but try listening without it first)
Just listen to this and try and work out what is going on. Then I’ll explain things, and you can hear it again. There’s a script available for this sketch on my webpage.
As you listen you should try to work out what’s happening here. Why is this such a strange conversation? And why is the audience laughing? You might need to “read between the lines” which means look beyond what is just being said in order to discover the hidden meanings or suggestions at work.

How much of that did you understand? Did you get the humorous aspects of it? Let me explain the context, and the main points of the sketch.

*Sketch starts – “A Bit of a Chat”*
(See below for the script)

What happened?

Context
What do you know about Father/Son relationships in the UK in the 1950s & 60s?
They were more formal, especially among upper-class or upper-middle class families. Sons would call their father ‘sir’. They’d be very respectful, as if talking to someone of much higher status. They probably didn’t spend a lot of time together. These days, fathers and sons from normal middle-class families are quite close. They share quite a lot, and are able to talk quite openly about sensitive subjects like relationships or sex education. It might be embarrassing for the boy, but basically, the father feels quite comfortable doing it, and it’s normal and accepted. Back in the 50s or 60s, it wasn’t exactly the same. I suppose British men were less ‘in touch with their feelings’ and found it very awkward to discuss sensitive personal topics openly. Instead they may have dealt with them in the same formalised and distant way as they would talk about other topics. Also, we wonder how much most people really knew about sexual education in those days. Back in the 1950s or early 60s, before the era of sexual liberation, I think that a lot of people were completely in the dark about reproduction and all that kind of thing.
How about now? Are people more comfortable when talking about topics such as reproduction and sex?
Not completely, but certainly more so than 50 years ago.

The Class System & Boarding Schools
A little bit about the class system – particularly the upper class.
Nowardays, most people are middle class. In fact, many people believe that we don’t have a formalised class system these days. 50 years ago, the UK was more divided by class. Lower class (working class), middle class and upper class. Let’s look at traditional upper class culture. The upper class, or upper middle classes were considered to be:
Wealthy, educated, respectable and quite formal. Not liberated sexually, but bound by polite & formal social conventions. They would have been quite prudish about sex, finding it very embarrassing to talk about the subject. Many of the men would have been educated in exclusive, single sex boarding schools, which by all accounts would have been pretty cold, very formal and quite brutal. The boys never mixed with girls and grew up to be pretty clueless about sex. Kids and their parents didn’t spend a lot of time together, because of the boarding schools, and a father was more like a master than a friendly Dad.

Vocabulary
It seems that very posh people, from this period, often don’t really say exactly what they mean. They might make something sound more trivial than it actually is. For example “I had to give someone rather a ticking off” = means “I quite forcefully reprimanded someone for doing something wrong”
rugger – rugby
grubby – dirty / muddy
having a crafty smoke – secretly having a cigarette
give someone rather a ticking off – telling someone off
it’s a filthy habit – it’s a dirty habit
to cope with someone – to deal with someone
to get up to something – to do something (naughty)

Remember – it’s all about reading between the lines. What’s really going on? What really happened?

What does each line of dialogue really mean. E.g. the line about “there’s a cup of tea in here if you’d like one” means – come and sit down because I need to talk to you. The lad doesn’t want to, because, well, it’s probably awkward to talk to the old man, and this sounds like it could be serious.

Let’s listen to it again now, and consider each line, what is going on, and what is funny.

Second Listen

Questions
What does the Father want to talk about?
Why does the Father feel he has to talk about this?
What does the Father mean by “The opposite number?”
Why does the Father talk about sitting on a chair, etc?
Who is Uncle Bertie?
What is Uncle Bertie’s relationship with the boy’s mother?

A Bit Of A Chat (Script)
Roger, aged almost eighteen, arrives home from school, whistling: All Things Bright and Beautiful. His Father wants to have a bit of a chat with him about something. Just, a bit of a chat…
Father: Is that you, Roger?
Roger: Yes, father.
Father: There’s a cup of tea in here, boy, if you’d like one.
Roger: It’s very kind of you, sir, but I’ve just come in from rugger, and I’m a bit grubby. I think I ought to go and have a shower first, sir.
Father: Well pour me a cup, there’s a good chap, would you?
Roger: Certainly sir, yes, of course.
Father: Thank you. How was school today?
Roger: Oh, much as usual, thank you sir, but I caught someone having a crafty smoke behind the wooden building. I had to give him rather a ticking off — such a filthy habit, you know.
Father: It’s a filthy habit, Roger.
Roger: There we are, sir. Now, if you’ll excuse me.
Father: Roger.
Roger: Yes sir?
Father: Er — sit down. Roger, your mother and I were having a bit of a chat the other day, and she thought it might be a good idea if I was to have a bit of a chat with you.
Roger: Er… a bit of a chat, sir?
Father: A bit of a chat, yes, Roger, just…
Roger: Er…
Father: A bit of a chat.
Roger: What about, sir?
Father: Well, there’s nothing to be worried about, Roger, it’s just that, er, well, to be perfectly frank… how old are you?
Roger: Well, to be perfectly frank, sir, I’m coming up to eighteen.
Father: Coming up to eighteen…
Roger: Well, on the verge of…
Father: On the verge of eighteen… Yes, well, I thought it might be a good idea to have a bit of a chat now, because I remember, from my own experience, that it was when I was just, you know, coming up to eighteen…
Roger: On the verge…
Father: …on the verge of it, that I first began to take a serious interest in the – um – in the – er – opposite… the opposite… number. Now I don’t know, Roger, if you know anything about the method whereby you came to be brought about.
Roger: Well, sir, some of the boys at school say very filthy things about it, sir.
Father: This is what I was worried about, and this is why I thought I’d have a bit of a chat, and explain, absolutely frankly and openly, the method whereby you, and everybody in this world, came to be. Roger, in order for you to be brought about, it was necessary for your mother and I to do something. In particular, it was necessary for your mother… it was necessary for your mother – to sit on a chair. To sit on a chair which I had recently vacated, and which was still warm from my body. And then, something very mysterious, rather wonderful and beautiful happened. And sure enough, four years later you were born. There was nothing unhealthy about this, Roger, there’s nothing unnatural. It’s a beautiful thing in the right hands, and there’s no need to think less of your mother because of it. She had to do it – she did it – and here you are.
Roger: Well sir, it’s very kind of you to tell me. One thing, actually, slightly alarms me; um, I was sitting in this very chair yesterday sir, and I vacated it, and the cat sat on it while it was still warm. Should we have it destroyed?
Father: Its a lovely chair, Roger…
Roger: I mean the cat, sir.
Father: Destroy… oh, no Roger, you don’t understand. This thing of which I speak can only happen between two people who are married. And you’re not married.
Roger: Not yet, anyway sir.
Father: Not to the cat, in any case. Well, Roger, now that you have this knowledge about chairs and warmth, I hope – I hope you’ll use it wisely, and take no notice of your school friends, or what Uncle Bertie may say.
Roger: Dirty Uncle Bertie they call him.
Father: Dirty Uncle Bertie – and they’re right, Roger. Bertie’s a dirty, dirty man. He’s been living with us now for forty years, and it does seem a day too much… You know, if it hadn’t been for your mother, Roger, I don’t know where we would have been. She’s the only person who can really cope with Uncle Bertie, she’s the only one who can really deal with him. I don’t know if you realise this, Roger, but your mother even has to sleep in the same bed as Uncle Bertie, to prevent him getting up to anything in the night. If only there were more people like your mother, Roger.
Roger: Well, I’m very pleased that you’ve told me this, sir, because, as I say, I’m very glad I don’t have to believe all those filthy things that the boys at school say, and only yesterday, Uncle Bertie said to me…
Father: Take no notice of Uncle Bertie, Roger! He’s a sick, sick man, and we should feel sorry for him.
Roger: Well, I’ll try, sir… well.. thank you sir. Er – I wonder if I should take a cup of tea up to mother, while…
Father: I – er – I wouldn’t do that, Roger – she’s upstairs at the moment, coping with Uncle Bertie…
Roger: Poor Uncle Bertie…
Father: Poor Uncle Bertie…

And here’s the garden party sketch. It comes from another great BBC TV show called “The Fast Show”, which was Johnny Depp’s favourite British TV show.

The Psychiatrist Sketch (Script)

Braintree: Come in.
[Enter Roger.]
Hullo, Roger.
Roger: Hullo, Dr Braintree.
B: Hullo, come in.
R: I’m sorry I’m late.
B: That’s quite all right – how are you?
R: I’m very well, thank you.
B: Would you like to sit down, or would you prefer to lie.
R: Uhm, I’ll sit, thank you.
B: Right, well, sit down. Tell me, how are you in yourself?
R: I’m feeling just great.
B: Oh, this is terrific.
R: Yes, and it’s more than I expected from our sessions. You know, if anyone had told me that talking to psychiatrists could have help me at all, I would have laughed in their faces.
B: Yes.
R: But I can honestly say that our little chats together have really been of tremendous help to me.
B: I’m so glad, Roger: of course a lot of people are instinctively suspicious of psychiatry, but it can help at times.
R: Well, I really think it can, because you know, I’ve got so much self-confidence now. I’m much less self-conscious in the company of the opposite sex, whichI wasn’t, as you know.
B: Yes, yes, yes, yes. You’re less inhibited, are you?
R: [Suggestively] Oh yes, I should say so.
B: Good, this is terrific.
R: And the wonderful thing about it all is … well, I’m in love.
B: Well, this is wonderful news, Roger – you’re in love. – With a woman?
R: Yes.
B: So much the better – that’s terrific.
R: You know, it’s so wonderful to be in love – I can’t tell you the absolute joy I have. … this girl, this creature
[emotional]
, this goddess …
R: I mean, she’s
B: Yes …
R: She’s so, you know, it’s so right. Everything is so wonderful, you know.
B: Yes, yes – you really click together.
R: Yes. Oh, it’s so marvellous, but – the only trouble is that, apart from this wonderful light-hearted love I have, I seem to be saddled with this tremendous burning sense of guilt.
B: You have guilt as well as love: well, this is unfortunate, Roger. You know, sex is the most wonderful natural, healthy thing in the world. There’s no reason at all to have any guilt about it. I mean,why should you have guilt about sex?
R: Well, it’s not really as simple as that, you know – it’s rather difficult to explain. Uhm, I don’t reallyknow where to start. It’s rather difficult to explain. Uhm, I don’t really know where to start.
B: Well, begin at the beginning. That’s always the best place. What’s the girl’s name.
R: [Pause] Stephanie.
B: Stephanie. That’s a lovely name, isn’t it – well, my wife’s name in fact, isn’t it?
R: Yes, it’s Stephanie.
B: Yes, it’s Stephanie.
R: Yes, it’s Stephanie.
B: No, it’s Stephanie.
R: Yes, it’s Stephanie: it’s your wife.
B: Oh, you’re in love with my wife, Stephanie. Well, this is a perfectly understandable thing, Roger. She’s a very attractive woman – I married her myself. I don’t see why you should feel upset about that.
R: But she’s in love with me.
B: Well, this is again perfectly understandable, Roger. I mean, you’re a perfectly attractive human being, as I’ve told you over the last few weeks. There’s nothing repulsive about you, is there? There’s no reason why a highly sexed woman such as Stephanie shouldn’t fall in love with you. And I must explain to you, Roger, that I’m a very busy man: I have many, many patients to see – I see rather less of my wife perhaps than I should, and I think it’s very understandable she should seek some sort of companionship outside the marriage – I don’t think that’s unreasonable at all.
R: But she’s not seeking anything outside marriage – nor am I. We want to get married.
B: Well, this again is perfectly understandable. After all, you’re two young people in love and you want to express your feelings within the confines of a bourgeois society through marriage. I think it’s very appropriate.
R: The awful thing is, you see – I should feel so grateful to you for what you’ve done. And all I can feel is this burning jealousy – I can’t bear the thought of you touching her.
B: Well, of course, I understand this. One is tremendously possessive about someone one loves … it would be unhealthy not to have this jealous reaction, Roger.
R: But don’t you see – I hate you.
B: Of course you hate me, Roger.
R: I hate you for being so near her.
B: Yes, of course you hate me, Roger. You love to hate the one who loves the one you hate to love the one you hate. This is a very old rule, Roger – there’s nothing to feel ashamed about. It’s absolutely reasonable.
R: Don’t you understand – I want to kill you.
B: Of course you want to kill me. Because by killing me , Roger, you eradicate the one you hate. This is a perfectly natural reaction, Roger.
R: You’re so reasonable, aren’t you.
B: Yes, I am.
R: [Getting cross]
You understand it all so much …you are so logical.
[Gets up to strike him.]
B: Yes, I am – it’s my job.
R: I’m going to have to kill you
now
!
B: Ah – Roger – this is a little inconvenient, because I have another patient a six-thirty and then there’s someone else at seven after that. I wonder if you could make it some time next week.
[Standing over him.]
Could you make it early in the week, say?
R: [Pause – relax] When do you think?
B: How are you fixed on Wednesday morning? Say nine-thirty – would that be convenient?
R: Yes, that’s perfect.
B: Right, well, if you could pop along at nine-thirty and kill me then.
R: Once again, Doctor Braintree, I’m amazed, you know, really. I’m so grateful to you for showing me the way.
B: That’s what I’m here for, Roger.
R: Thank you very much. Thank you.
B: And with a bit of luck, this should be the last time you need to visit me

Comments
I think it’s pretty clear what’s funny about this. The psychiatrist has cured Roger and he feels so happy to be in love, but it turns out that Roger is in love with the Psychiatrist’s wife Stephanie. The psychiatrist doesn’t fly into a jealous rage – in fact he’s ridiculously logical and reasonable about it. This sketch allows us to imagine what the psychiatrist must be like at home – so reasonable all the time, he must be no fun at all. No passion, just plain dedication to his job; the rational understanding of psychology at the expense of natural human emotions and feelings, which is unnatural and ridiculous, as well as frustrating. It could be a wider statement about psychiatry, but let’s not analyse it too much. It’s just funny listening to the reactions, and the nicely written lines.

Vocabulary
There may be some words and expressions that you don’t know, or that could be useful to you. Let’s have a look:

terrific
our little chats together have really been of tremendous help to me
I’m much less self-conscious in the company of the opposite sex, which I wasn’t, as you know.
B: Yes, yes, yes, yes. You’re less inhibited, are you?
you really click together.
I seem to be saddled with this tremendous burning sense of guilt.
There’s nothing repulsive about you
There’s no reason why a highly-sexed woman such as Stephanie shouldn’t fall in love with you
You want to express your feelings within the confines of a bourgeois society through marriage.
I can’t bear the thought of you touching her.
Because by killing me , Roger, you eradicate the one you hate.
If you could pop along at nine-thirty and kill me then.

That’s it! Don’t forget to listen several times to get the full benefit!

Feel free to leave comments and questions below.

Thanks for listening,

Luke

156. British Comedy: Ali G

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Check it! This is the first in a series of episodes about British comedy. In this one we look at a character called Ali G. In the episode I’ll explain everything you need to know about him, then we’ll listen to an interview from his TV show and I will explain all the language and vocabulary that you hear. In the end, you’ll understand all of it, just like a native speaker innit.


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Aiiiight?! So, in this episode you’ll learn about lots of things, including some slang vocabulary, some pronunciation features of a London dialect, and some terms relating to education. You’ll also learn more about British pop culture.

Please be aware that there is some explicit content and rude language in this episode. The audio that you will hear contains some adult content including references to sex and drugs. If you’re easily offended then watch out! If you don’t mind, then great! Let’s have a good time learning some more British English, shall we? Yes Luke! Ok great…

NUFF RESPECT! Below you will find vocabulary definitions and other notes, and a youtube video for the interviews you hear in this episode of the podcast. I recommend that you watch the videos – it will help you to enjoy the comedy more. BOOYAAA!

Vocabulary Definitions and Notes
Here are some bits of language you’ll hear in this episode.
Ali G – Education. An interview with Sir Rhodes Boyson. Slang terms are written in italics.
Corporal punishment = this is a kind of physical punishment which used to be used in schools as a way of instilling discipline into childen
a cane / to cane someone / to get caned / to be caned = a cane is a long, thin stick which is used to hit a child as punishment. The word is also a verb (regular)
to get caned / to be caned = this is also a slang expression which means to get  stoned/high on cannabis/weed/marijuana
my main man = this is a slang expression to refer to someone you like or someone you respect a lot
wicked! = a slang term meaning “brilliant!”
respect = this is said just to show respect to someone – “respect man” “nice one”
you have to have a good cane = in its slang sense, this means you have to smoke a lot of weed
“they have more boning experience than anybody else”
boning = having sex
a boner = an erection
me feelin dat (I’m feeling that) = I understand that, I get that impression
for real = definitely
to deal in ounces, half ounces, quarter ounces, eighths of ounces = in the UK cannabis is usually sold by the ounce, quarter ounce etc
one ounce (1 oz = about 28 grammes)
he’s down for a 40 year stretch = he’s going to prison for 40 years / he’s facing a 40 year prison sentence
“boys would spend all their time chasing muff”
muff = a woman’s ‘private parts’, her genitals, her vagina
“I got an A+ in pounani”
pounani = the same as muff !
you know what I’m getting at = you know what I’m trying to say, you know what I’m suggesting

Video of Ali G interviewing Sir Rhodes Boyson
[youtube=http://www.youtube.com/watch?v=OV1fq75aWtY&w=500&h=375]
Sacha Baron Cohen on Letterman
[youtube=http://www.youtube.com/watch?v=GrBfaUDUlt4&w=500&h=375]
Sacha Baron Cohen won the outstanding achievement to comedy at the British Comedy Awards
[youtube=http://www.youtube.com/watch?v=lcjpP6dKuS0&w=500&h=281]
Fluency MC’s Present Perfect Rap (what do you think?)
[youtube=http://www.youtube.com/watch?v=wDl3T339718&w=500&h=281]

103. The Queen and The Royal Family

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Opinions, facts and gossip about The Royal Family, as The Queen celebrates her Diamond Jubilee this weekend.

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Listen to Luke have a conversation with English Robot 4000 about The Royal Family. We talk about everything you need to know about the Royals, including the shocking rumour about Prince Harry (listen to find out more).
Thanks for listening, and remember your donations make this podcast possible.
Luke

78. Christmas – It’s all about Family (with James)

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This episode is all about Christmas. Learn plenty of general English vocabulary and culture.
You will find some vocabulary and definitions below.

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In this episode I talk to my brother (James) about Christmas, and plenty of other things too!

*Caution – this episode contains some rude language and swearing :)*

This is a natural conversation between my brother and me. We talk mainly about Christmas and what it means to us as Londoners in England, UK. We also talk about other things as we naturally get sidetracked during the conversation.
The intention of the conversation is to explain what Christmas really means to us. Some of the things we say are intended to be humourous, which means sometimes we use irony, but most of the time we are being serious.
It might be difficult for you to follow everything we say, but we explain many things while talking. I have made a list of vocabulary and expressions that we use in the conversation. You will find this list of vocabulary and definitions below. Many of the definitions come from this website: http://www.thefreedictionary.com/, and some of the definitions are written by me.

I recommend that you check the vocabulary and expressions in your own dictionary too, and look for examples of the expressions online by googling them. Listen to this podcast several times to really catch all the expressions and to listen to them being used in the natural context of our conversation. Then try to use the expressions yourself, in your own conversations or just while practising English alone.

TRANSCRIPT
Vocabulary is defined below the transcript.

[0:00]
L – Luke
J – James

L: Hello and welcome to this Christmas episode of Luke’s English Podcast. Now, today I’m joined once again by my brother James. Hello James.
J: Hello.
L: And today we’re going to tell you all about what a typical Christmas is for most people in the UK. The UK?
J: Well, yes. I suppose we are specifically Southern England. You know, there are slightly different traditions around the UK such as Scotland may do things slightly differently up north of England things. So, I suppose, we can only really claim to represent Southern England.
L: Or like London. To be honest really, I think, we can only talk for ourselves. So mainly what we’re going to do in this episode is just tell you about what Christmas really means to us.
J: But I suppose it is fairly typical of English and British people.
L: That’s true, that’s absolutely right. So, we’re going to tell you about a typical Christmas for us, here in London, in England, in Britain, in the UK, in Europe, in the world etc. Right? And also we’re going to teach you, along the way… we are going to teach you bits of vocabulary and expressions that relate to Christmas and New Year and all the things and celebrations and various aspects of Christmas. Okay? So, cultural stuff and a bit of vocab in the process.
J: Okay.
L: Yeah. So, how are you doing?
J: I’m okay. I’ve got a bit of a cold, but I’m fine.
(sound of phone ringing)
L: Oh, the flimmin [this is not a word] phone , I bet that’s a cold caller.
(sound of phone ringing)
J: Luke’s just gone to answer the phone. This is sometimes a common thing.
L: (answering the phone ) Hello, Luke’s English Podcast.
(after a while)
L: No.
(sound of hanging up the phone)
J: Yes, very common thing. People get hold of your phone number through the telephone directory and they phone you up trying to sell you stuff or sometimes is just a robotic voice trying to sell you something. Very annoying and very little you can do about it.
L: That was a robot voice then it said: “Hello, this is an important recorded message for Luke Thompson.” And so immediately I knew it was a cold caller. Right?
J: It’s borderline illegal although…
L: It’s very annoying.
J: It’s very annoying. It’s well into the annoying category. Yeah.
L: We call them “cold calling”, because it’s a way for companies to just call someone without any warning…
J: Without any previous interactions, so as sort of a warm contact would be if they already answered a question essay and they wish to receive more information, but in this instance he hadn’t been asked. So that’s why it’s a “cold call”.
L: Because they’re just calling you without any previous contact at all. Cold call, which is ironic, because when the phone rang, you were just telling everyone that you had a cold.
J: Different meaning of cold. Cold is just, well I guess it’s the same around the world, a mild flu.
L: Yeah. It’s like a virus that goes round. And everyone kind of catches it. Because people always say: “Oh yeah, there is a cold going round”, you know. “It goes round” that means that, you know, it passes from person to person.
J: Especially in a place like London, where we have very tight concentration of people on public transport and cold and minor diseases, that sounds disgusting, but sorry it’s true…
L: Minor diseases.
J: Minor diseases can spread quite easily through the handrails and the shared air that you got on the ground.
L: Yeah, it’s right.
J: It’s common thing in London to get cold quite a lot.
L: Basically the London underground is just…
J: …a breeding ground for disease and infection.
L: A breeding ground for disease and infection. So that’s true.
J: There you go. Some people say this podcast is too positive. So, there you go. We’re given you a negative there.
L: My brother believes that sometimes in this podcast I just… I’m just too positive about things. I don’t agree, I think, you haven’t really listened to many of the episodes.
J: No, I’ve hardly listened to any of them, to be honest.
L: You haven’t really listened to the episode that you’re in.
J: No, I haven’t, I was too embarrassing.
L: And I did say “you’re in”, I didn’t say “urine” there.
J: Good.
L: We don’t ever mention urine on the show…
J: …in this house.
L: …until now.
J: Let’s get to the point.
L: Can I just explain what happened there? Sometimes in English words can sound like other words. Right? Like if you say the word “you’re” meaning “you are” and “in”, “you are in” it can sound a bit like the word “urine”. Right? “You’re in”, “urine”.
J: It’s not a very good joke, but some examples of this work better than others.
L: I don’t think that’s really a joke, it’s more just a coincidence.
J: It’s a double meaning.
L: Urine/You’re in.
J: So you could for instance… I don’t know if should say this, if I were to offer you a coffee

[5:00]
L: Go on.
J: I could say: “You’re for coffee?”.
L: Like “You’re for coffee?” as a question like “You’re for coffee?”, but also sounds like a rude word.
J: It sounds a little bit like a…
L: “You’re for coffee?”, “You fuck off-y?”.
J: Okay, okay. I think they get it. Sorry about that.
L: Anyway, so you haven’t really even listened to the episodes that you’re in, have you? Don’t tell me to fuck off at this point.
(laugh)
J: Enough swearing. I think we should delete that bit.
L: Let’s get down to business and talk about Christmas, shall we? But we’re both… before we do that, we both suffering from ever so slight colds.
J: That’s why we sound sort of slightly bunged up. There is a phrase for you.
L: Bunged up. I’ll write this down. I must write down…
J: So write down call cold, bunged up.
L: Urine.
J: No, not that one.
L: I should write it down. Call cold, bunged up.
J: Bunged up, that’s just means blocked up nose.
L: You’re for coffee.
J: We’re not going to do that one.
L: I don’t know, I might write it down anyway. Urine. You’re in.
J: Things not to say in a business meeting for instance. You don’t lean over to the managing director and say “You fuck off-y?”. That would be a social faux pas, which is French.
L: A faux pas. That is. Faux pas is a French word.
J: And some English phrases are just literally a French phrase which we quite like a sound of. It’s been picked up over the years and accepted as English phrases, for instance: cliche, faux pas.
L: Yeah, a cul-de-sac.
J: Yeah.
L: It’s true.
J: Cul-de-sac…
L: Wait, wait, wait. What is first of all… What is a faux pas? What is a cliche? And what is a cul-de-sac? What’s a faux pas? Well it’s a French word.
J: Fake. “Faux” means “fake”, doesn’t it?
L: Maybe. I don’t know what the original…
J: I don’t know what the literal thing means, we’re very embarrassing. If you know, write in the comment underneath.
L: I’m sure. I’ve got lots of listeners who speak French, who can tell us exactly what “faux pas” means in French, but in English…
J: It’s just means a minor mistake.
L: It’s a social mistake.
J: A social mistake, yeah.
L: So for example, if you go to a business meeting and you…
J: …are wearing trainers.
L: …and you’re wearing sport shoes, trainers, sneakers, pumps, that kind of thing, to a business meeting, where you should be dressed in formal way. That would be a faux pas, like a social mistake. Okay. Next one was a cliche, another French word.
J: It’s because that we don’t have a literal translation for that in English, so we use the French, which means a cliche. A kind of… it’s very hard to explain.
L: Welcome to my job.
J: It’s very hard to explain without using the French.
L: I think the cliche is something which has happened many, many, many times and to the point which it’s now become really sort of predictable and not even necessarily true.
J: Slightly embarrassingly obvious, maybe.
L: Obvious, predictable. It’s been repeated many times.
J: So for instance a cliche would be an English bloke swigging lager with an England top on watching the football.
L: So that’s a cultural cliche.
J: A cultural cliche.
L: Which is very similar to a stereotype.
J: It is, that’s the word I was looking for. It’s similar to a stereotype, but it doesn’t just have to fit a person. It could fit a style or…
L: Usually stereotypes describe a type of person, don’t they? Like the German stereotype, the American stereotype, French stereotype.
J: And all the best stereotypes have an element of truth in them as well, obviously.
L: Like the English stereotype. There’s two English stereotypes for me. One is that we are very posh, stuck up, kind of gentlemen…
J: Drinking tea, wearing bowler hats.
L: And being very posh and going “Oh, my dear… my good man…” that kind of thing, which you know the Americans love that kind of English stereotype. But the other stereotype is…
J: It’s a football hooligan. Somebody goes (sound of hooligans).
L: Right? I think actually most English people have both.
J: A bit of both.
L: Yeah. They can be very reserved and polite and “Oh sorry”, but on the other hand they can… if they have a few drinks…
J: They can be quite ignorant and stupid.
L: They become ignorant and stupid.
J: And I include myself in that, unfortunately.
L: I think, you’re more hooligan than gentleman. I am maybe more gentleman than hooligan, but it depends…
J: So you like to think.
L: I don’t know, I don’t know if it’s true. It depends. Sometimes you’re more gentlemanly than I am and sometimes…
J: I don’t watch football, I want to point that out, I don’t follow a team. I never drink lager.
L: How many time have you had a fight in your life? Physical, a physical fight.
J: A few, but they were really asking for it.

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30. The Mystery Continues

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Part 2 of the mystery story which I started in the previous episode.

Small Donate Button[DOWNLOAD] [LISTEN TO PART 1] [FREE AUDIOBOOK OFFER]

Part 2 of the strange story from the last episode. Use this podcast to improve your listening, reading, vocabulary and pronunciation. You should listen to it after listening to the previous episode “Mystery Story / Narrative Tenses”.

This episode of the podcast is continues the story of the last episode. Find out the answers to the mystery of the strange Doctor.

This podcast includes:

  • Lots of very descriptive language – learn how to describe people, places and feelings
  • Complex sentences and examples of effective use of narrative tenses
  • Clear pronunciation in a couple of slightly different accents – raise your awareness of connected speech and intonation
  • Some amusing cultural information about London’s heritage – learn more about the culture of the language

How to use this podcast to improve your English:

I recommend that first, you listen to the podcast and just follow the story. Second, listen to pick up language – use the tapescript if you like. Third, pronunciation – use the script to copy sentences from the story. Fourth, record yourself telling the story, and try to make it sound really interesting, and alive and funny. Listen to yourself and do it again, focussing on the weak points from the first time. You will improve more quickly, and develop an instinct for the structure of the language, which helps you make quick decisions about what is right and wrong in English. There is no other way to do it: exposure to natural English is very important in learning the language.

So, now! Enjoy the story…

The Man & The Moon, part 2…

When I arrived home that night, I immediately wrote everything that had happened into my diary.
“I could make a great podcast out of this”, I thought to myself…

The next day I told my friend what had happened.

“I know just the person who can help you!” he said, “There’s a man who lives in Baker Street, in the centre of London”, he said.

“Yes, I know where Baker Street is – it’s quite a famous street y’know”

“Yes! Anyway, this man is the best detective in London! He’s the most brilliant mind there is. The police have to use him to solve all their crimes, and some say that even the Queen asks him for help when she has lost her TV remote control down the back of the sofa! You should go and visit him. I’m sure he’ll be able to help you.”

I took the address and immediately went to Baker Street on the underground. I took the Picadilly Line from Hammersmith, and changed at Green Park station, but the Jubille line was closed, so I had to get back on the Picadilly Line and then change at Leicester Square onto the Northern Line, but that was delayed due to engineering works and a signal failure at Waterloo station. But finally, after an hour an a half on the underground, I arrived at Baker Street. I found the address: Flat number 21b and knocked on the door. An elderly woman answered.

“Yes?” she said.

“Umm, hello, I’m here to get some help. A friend told me to come”

“Alright, come in then.”

We walked through into the hallway. I could smell pipe tobacco, and what sounded like a cat being murdered in the next room. Then I realised it was a violin being played, very badly.

The woman knocked on the door of the front room, and the violin stopped playing.

“There’s a man here to see you” “Yes, yes, I know” said a loud, commanding voice from inside the room. “Show him in Mrs Hudson, thank you”

Mrs Hudson stepped aside, and I walked into the room.

I immediately felt nervous and awkward. There, standing at the fireplace was a very unique looking man. He was tall and thin, and old. I’m not sure how old he was exactly. His hair was going grey, and his skin was wrinkled, but his eyes were bright and youthful. He could have been as old as 80, but he had the spirit of a much younger man.

He was wearing a brown suit, with a waistcoat, and long leather winter boots. In his hand, he was holding a Stradivarius violin, of very fine quality. On the mantelpiece next to him was a smoking pipe.

“Umm, my friend Smith recommended you. He said that you would be able to assist me” I said.

“Smith? Hmmm?” said the man. “And…?”

“Oh, and, well, the thing is, I need your help… it’s…”

“Well, what do you think Watson?” Said the man, quickly, and only then did I realise that there was a third person in the room. To my right, in a dark leather armchair, there was a red faced man, probably about 65 years old. He had a large brownish red moustache which covered his top lip. In his hand was a large glass of Brandy, and in his other hand, a cigarette. He seemed very comfortable, as if he had just woken up from a lovely sleep by the fire”

“Huh…? Oh, hello! How do you do?” he said, smiling at me and yawning.

“What do you think Watson?” Snapped the man with the violin.

“Oh, err… a student? Perhaps a waiter… erm… ah! An unemployed librarian!”

“No no no! Watson. Completely wrong! Don’t overcomplicate matters! Now, let me try…”

I stood there, feeling confused. The tall man looked at me. “Your name is Thompson, am I right?”

“Well, how on earth did you guess…?”

“Not a guess Mr Thompson… Not a guess… Allow me to demonstrate something for you, if I may”

I stood in silence. I was in the presence of a great mind, I could understand that now.

“Let me see…”

He looked me up and down for a second.

“I would say that you are an English teacher… of no more than 10 years experience, but no less than 5. Let’s say 8 and a half years.”

I was gobsmacked.

“You worked in the far east, didn’t you?” “In Japan?”

“yes! Yes I did!”

“Kanagawa prefecture?”

“Oh my god, yes!”

“Now, I suppose something happened to you, near the river, which you don’t understand, and you need answers, so your friend told you to come and see me so I could sort it all out for you, is that right?”
“Oh – My – GOD! How did you know…? It must be magic, or … a trick!”

“Alright, I’ll tell you” he said, with a bored look on his face.

“Using simple empirical methods of observation and deduction, the truth will almost always reveal itself to you as the most reasonable answer. You just look at the evidence, and think logically. Usually, the simple answer is the best.”

“Would you like a cup of tea? He might take a while” It was Mrs Hudson.

“Oh, yes please” “two sugars”…

The man continued… “One simple look at your hands revealed your occupation. Your nails are badly chewed and damaged. This must be due to stress. A common problem for any teacher, but especially one that has to deal with demanding students from different countries who all want to know about the difference between all the past perfect continuous passive conditional verb tenses, and adjectival noun phrases and reduced non defining relative participle clauses and such matters.” I looked at my fingers, he was right. The nails were a terrible mess… “I saw also that your hands are very dirty with blue and red ink. This must be from using whiteboard marker pens. You write on the board, and in your haste you make a mistake, and then quickly rub it off with your hand, hoping that no-one notices…”

“Umm, yes, that’s true.”

“That’s the evidence which told me that you must be an English teacher.”

“Wow!” I said

“Yes, that and the fact that you’re holding a copy of New Headway Upper Intermediate Teacher’s Book by Liz and John Soars, which kind of gave it away… oh, and Watson googled you before you arrived, but anyway… On your face I noticed wrinkles – around your mouth and eyes. This is from smiling all the time, to keep your students happy, is it not?”

“Yep. Well done. Right again”, I said, sipping my tea, getting a little impatient. “Umm, sorry but could you hurry up a bit? It’s just that this is going to be a really long podcast, and I don’t want anyone to stop listening…”

“Yes yes! I counted the wrinkles on your face, and estimated that since graduating from university, you have been smiling at students for exactly 8.5 years. Simple: Count the wrinkles on the face, divide by 5 (the average teaching hours per day) and the result: 8.5 years.”

“Fair enough” I said.

“And when you entered the room, you bowed slightly. This must be body language which you picked up while living in Japan.”

“Yep. Well done… very good”

I was getting annoyed and impatient. I gulped down my sugary tea.

“OK, you’ve convinced me, you’re a brilliant detective. Now, will you help me out please, Mr…?”

“It’s Holmes, Sherlock Holmes, and this is my companion, Dr Watson”

“Wow, it really is Sherlock Holmes”, I thought. “I’ve read so much about him, but I never thought he was real! And his faithful companion Dr Watson! Fantastic!” I looked again at Watson. He was fast asleep in his chair.

“WAKE UP WATSON!” shouted Holmes, throwing a chess piece at him. It bounced off Watson’s head, and he woke up suddenly, and smiled at me sleepily. “So, how can we help you then Mr Simpson?”

“It’s Thompson you fool!” Shouted Holmes quickly” “And we must hurry to the riverside in Hammersmith immediately! There’s another mystery to solve! Come Watson!”

“How did you know it was Hammersmith…?”
“Oh, never mind…” said Holmes.

The three of us jumped in a cab on Baker Street and drove to Hammersmith bridge. On the way there, I told Holmes about how I’d sat down by the river the night before, how it had been a full moon, how a green monster had nearly grabbed me, how I’d heard weird noises and seen a strange blue light and how I’d been saved by a mysterious man called The Doctor. When we arrived I took Holmes and Watson to the spot where everything had happened. A cold chill ran down my spine as I remembered it all again.

“This is where it happened Mr Holmes” I said.

“Excellent” Said Holmes, a magical light shining in his eyes. “Stand back! I shall investigate the area.”

“He always does this” Said Watson. “He’ll be busy for an hour or two I reckon.”

Holmes was bent over, studying the ground next to the river with a magnifying glass. Occasionally he stopped suddenly, and picked something up and placed it carefully in his pocket. He walked close to the water and looked in. He looked up at the sky and down at the river again. He sniffed the air with his big nose. He picked up a stone and dropped it into the water, and then went back to look at the steps where I had been sitting the night before.

Watson yawned, and said to me “There’s a pub over there, fancy a pint while Holmes does his investigation stuff?”

Watson pointed at a pub called The Black Lion. “Umm, alright. Yeah, why not!?” I replied.

“We’re just off for a pint in that pub” shouted Watson.

“Hmmm” said Holmes, as he studied some markings on the ground.

Watson and I sat in the pub next to the fire, and made small talk.

“So, you’re a doctor, are you?”

“Yes, that’s right”

“Hmm, that’s interesting…”

“Yeah, it’s alright, I suppose. Most of the time I just hang out with Holmes to be honest. Do a bit of writing. That sort of thing. It’s pretty boring really. I like a quiet life, you know?”

“Yeah, I suppose so. The man I met last night said he was a doctor. You don’t know who he is, do you?”

“A doctor? Doctor who?”

“I don’t know, he didn’t say his name. He just said ‘you can call me The Doctor…’ and then he disappeared. It’s really annoying…”

ly: ‘book antiqua’, palatino;”>Just then Holmes burst into the room.

“Come with me Watson, we must walk up the river bank and investigate the mud near the sewage outlet for evidence!”

“Umm, do we have to? I mean, why don’t we just stay here in the pub, and you go and look in the mud near the sewage outlet? How about that?” said Watson, sipping another pint of beer and warming his feet by the fire.

“Oh Watson, you stay here then, if you must. Your love of the local Chiswick ale will be the end of you Thompson, what about you? Fancy getting up to your knees in mud??”

“Erm, I think I’ll stay here with Watson actually, if that’s all right.”

“Fine, stay here, both of you! I shall return within one hour.”

59 minutes and 59 seconds later, Holmes returned. His leather boots were covered in brown mud, and he had a grim look on his face. He suddenly looked much older, and tired. I was a little bit worried about him.

< /p>

We took a cab back to Baker Street and Holmes remained quiet and moody for the whole journey. I stared out of the window and dreamed about the present perfect continous passive tense. Watson fell asleep.

When we got in, Mrs Hudson brought us some cake and Watson opened the drinks cabinet. “Brandy anyone?” he said, pouring himself a large glass.

Holmes ignored him, and sat in his chair, smoking his pipe.

For what felt like 2 hours, Watson drank brandy and nodded off by the fire, while Holmes sat silently in the chair surrounded by clouds of his own smoke, his face tight with concentration. The sun went down, and Holmes stayed in the chair, and his pipe smoke stretched outwards across the room, running along the ground and wrapping itself around my legs like claws. The moon shone in through the window, and I began to fall asleep.

Suddenly Holmes jumped out of his chair, a young man again. The room seemed brighter.

“THOMPSON! I have solved your mystery!” Shouted Holmes, confidently!

“Wow, that was quick!” I said. I looked over at Watson. He was fast asleep.

Holmes proceeded to walk around the room, rubbing his hands and laughing to himself.

“So! What’s it all about??” I asked, impatiently.

“I have read about cases such as this before Thompson, and I have been very much looking forward to having the opportunity of working on one myself. And this Doctor of yours… well, I never thought I would be lucky enough to…”

“To what?? I asked… just tell me what’s going on, please! This is going to be such a long podcast, and I’m really worried that all my listeners will be really bored, and they’ll stop listening, and, there’s not enough pedagogical content, and…”

“ENOUGH!” Shouted Holmes. “I will explain everything. You would be wise to listen carefully. I have looked at the evidence, which has been presented to me. There wasn’t much, but there was enough. First, you told me that this happened near the river. Inspection of the riverbank revealed several things to me.”

“I discovered some vital clues. I found two green hairs, which must have come from the ‘monster’ which you talked about. I checked the hairs, and they perfectly match hairs which have been discovered near the Thames before. They are hairs from a lunaris goblarmunas – a moon goblin!”
“Yes, I already know that! What the hell is a Moon Goblin!”

“Oh, it’s a monster which lives in the water, and which comes out when there’s a full moon to eat people. They worship the moon, and some people say that they are aliens which once lived on the moon, but they escaped to earth millions of years ago when the moon lost its atmosphere.”

“Oh, right… wow, I never knew about that. How did they travel to the earth, through space”

“Oh, err, well, they’re actually robots”

“Robots, what do you mean?”

“Oh never mind, it’s too difficult to explain…Yep, it’s true, there’s loads of them in the Thames. They’re responsible for a lot of stuff actually. The Queen knows all about it, so does the Prime Minister…”

“They do?”
“Yeah. Anyway, when I investigated the mud up the river, I noticed that there were lots of goblin footprints. They’re very active. In fact, there’s many more of them than I first thought. I will have to tell her majesty all about it. She will want to know.”

“I’m sure she will… Anyway, what about this Doctor guy…”

“Oh yes, while you and Watson were having such a lovely time in the pub, I inspected the area near where you were sitting last night. I found some very interesting scratches on the ground. They were blue scratches. They must have been caused by something very heavy, blue in colour, and square in shape.”

“What, like a big blue box?” I said.

“Exactly Thompson! Exactly!” I estimate that it was similar in size to a telephone box. It must have been there for a moment, and then it moved away quickly.

“So you’re telling me there was a big blue telephone box there one minute, and then the next minute it was gone?”
“Precisely”

“I also found some footprints near where the box had been. Those must have been the footprints of your Doctor. The size of the feet match the description you gave me. I also found this lying on the ground, near where the blue telephone box had been”

He showed me a silver ticket. It was a concert ticket, made of an amazing shiny material. It said “Prince Michael Jackson II – Live in Concert – Wembley Arena September 16th 2021”

“Oh my god! Prince Michael II? That’s Michael Jackson’s son! But, how is this possible!? How can the doctor have a ticket for a concert from the future?”
“Let me explain. Look at the evidence. The goblins from space, the blue ‘telephone box’, the strange sound, the blue flash of light, the man who called himself the doctor who appeared and disappeared out of nowhere, the thing he pointed at that goblin, the special knowledge he had about the moon goblins, the ticket from the future. It all means one thing.”

“What!? What does it mean?!” I demanded.

Holmes stared at me with dark eyes. Watson snored in the corner of the room.

“There is no other answer. The Doctor you told me about. Well, he must be a Timelord.”

“What? Is that your answer? What the hell is a Timelord?” I asked him.

Holmes stood up, and said.

“If you want to find out, then YOU’LL HAVE TO LISTEN TO THE NEXT EPISODE OF LUKE’S ENGLISH PODCAST!!!!”

I sighed with frustration.

“Don’t worry Thompson.” Said Holmes. “I know an expert on Timelords, and he will tell you everything he knows about The Doctor. Just wait for the next episode of the podcast, and you’ll learn everything.”

I left 21B Baker Street wishing I had never gone there in the first place. Holmes wasn’t quite the brilliant man I thought he was, but I was still determined to get to the bottom of this mystery. I had managed to get some answers: The Doctor was a Time Lord who travelled around through space and time in a blue telephone box. That explained the strange light, the sound, and how The Doctor appeared and disappeared so quickly. But who was he really, where had he come from and what on earth was going on?”

With the address of the Timelord expert in my hand, I jumped on a number 27 bus towards Hammersmith, desperately hoping to get some final answers to this mystery, and silently hoping that none of my listeners got really bored with this stupid Sherlock Holmes story and stopped listening and decided to unsubscribe from Luke’s English Podcast because it’s gone a bit strange, and where are the phrasal verbs and idiomatic expressions that he said he would teach us…? I decided that I had to end this mystery as soon as possible, and then I could go back to teaching useful expressions and pronunciation… But before that, I was determined to find out about Timelords, and The Doctor… I arrived at the address, and went inside to meet the Timelord expert who Holmes had recommended…

To be continued…

 

16. Michael Jackson

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This podcast is about the life and death of Michael Jackson, and is produced to help people learn English by practising their listening skills and developing their vocabulary. Luke’s English Podcast is a free audio programme for learners of English. Luke is a well qualified English teacher of 8 years experience. He lives and works in London.

Small Donate ButtonRight-click here to download this episode.
Two weeks ago the death of Michael Jackson was announced. Since then, people all over the world have been mourning his loss. In this podcast, you can listen to short interviews with English people from London and their opinions on Michael Jackson’s music, dancing, children, plastic surgery, fans and his death.

Before that though, here’s some news!

The school that I work for (The London School of English) has recently started a blog. It’s called The London School of English World Blog. On this blog you can read about news and stories about the teachers, the school and London. It is written by some of the teachers at the school, including me (and Ben from the podcast about India). We also teach some vocabulary on this blog.

Visit the blog by clicking here:
The London School of English World Blog

Visit The London School of English here:
The London School of English

Also, I am now on Twitter. You can follow all my ‘tweets’ (news updates on Twitter) by clicking here: Luke’s English Podcast on Twitter

I will use Twitter to write very short updates to tell everyone what I’m doing and to give you little bits of news (e.g. on what my next podcast will be, or what I’m doing at the weekend). I will also teach you cool little words using Twitter, so keep visiting the page. Twitter is a really good way to keep up with what is happening in the world, and it is really easy to use.

The Life & Death of Michael Jackson

I thought it would be interesting for you to listen to the opinions of some ordinary Londoners, so I decided to interview some of my friends about Michael Jackson. Below, you can read their comments. Listen to the podcast to hear me explain some of the words and expressions they use.

1. Kevin (actually from Norwich, not London) on MJ’s music:
“I do find that I quite like Michael Jackson’s music. It’s quite catchy and errr melodic. The only thing for me is, the ‘kid thing’ kind of stained it a bit so every time I listen to it, I have to sort of put that bit out of my head… but… erm… I’ve got to admit, when I do hear a Michael Jackson tune I do feel like getting up and doing a bit of the moonwalk and everything. So, err, my favourite Michael Jackson song is Man In The Mirror. I proposed to my girlfriend with that one, so, it’s got a special place in my heart. Obviously, if we have kids, probably, won’t like it as much, but… it’s good stuff!”

2. Florence on MJ’s face:
“OK, so, Michael Jackson’s face. Well, it’s quite a weird face, it’s probably one of the most famous faces in the world. Erm, I think the weirdest thing is when you just look at pictures of him as a child and he’s completely unrecognizable. You wouldn’t even know that it’s the same person. But I do slightly get the feeling that it’s just gonna fall off any minute, because it just looks really… I don’t know! The skin just doesn’t look normal. It looks very frail, very pale. And, yeah, the fact that he denied having any plastic surgery or anything to change the colour, I just find very odd. I mean… maybe there’s some truth in it, but he’s obviously had a lot of work done on it. So, yeah, I find the whole thing… it’s quite depressing really, just knowing he must hate his face so much, or the face that he used to have so much that he’s changed it to the point where he just doesn’t, I mean he just doesn’t look like a normal human being, he looks like some sort of weird, y’know, parts of a face put together.” Luke: “It’s just a little bit weird.” Florence: “Very weird” Luke: “Slightly strange”

3. Raphael (actually from Liverpool, not from London) on MJ’s fans:
“Yeah, so, Michael Jackson’s fans. I dunno, I mean, I feel a bit sorry for his fans, I think, actually, because I think he’s one of these people with truly obsessive fans, you know? And actually, it’s actually quite tragic because some people have actually been killing themselves because they want to be with Michael, which I think is just, ummm, y’know, completely mental to be honest with you. Umm, I wouldn’t really say that I am a fan. I like him, or liked him, but I wouldn’t say I’m like a… I mean I didn’t have posters or anything like that. I had, like, one or two albums when I was a kid, but, yeah he’s got a lot of them and I think it was estimated that he was going to bring about a billion pounds to London or something through these 50 concerts, so I guess that just shows you how many people were out there and how many people are going to be, like, pretty err, pretty devastated now that he’s no longer with us.”

4. Shirley on MJ’s death and funeral:
“Well, when I first heard that he’d died, when I woke up in the morning and heard the it on the news it was a shock but I think I was over it in about 5 minutes. I think it’s all a bit hyped up. It’s very sad that he’s dead, it’s very sad when anybody dies, but I don’t really get it. I don’t really understand why people are, you know, gone into full mourning over the whole thing. I watched the funeral actually, because I was in a situation where I didn’t get to switch over… and well, it was like watching a concert really, and there was lots of people jumping on the band-wagon and everyone loves Michael and everyone was his best mate and err, yeah, Uri Geller, everyone was his best mate and then the thing that I didn’t like at the end is, his daughter was on the stage and she was really upset and one thing that he had done was try and keep them out of the spotlight their whole lives and the first thing that happened when he died is that they’re in the middle of it. I didn’t really like that very much but, anyway I suppose it’s a… well it’s sad but like I said I don’t think I’m going to lose any sleep over it.”

5. Claudia on MJ’s children:
“I suppose the first thing I think about when I’m trying to remember Michael Jackson’s kids, are, is, Bubbles his monkey because that’s the first thing I really associated with him when I was a kid, and then I guess I didn’t really think about his children much until he dangled Banket over the balcony and everyone thought he was nuts, erm, and I know he’s got three, I think three children. Paris, Prince Michael the 1st or 2nd and the 3rd or something, err, the little one’s called Blanket, I know that, erm… and… I know there’s a lot of scandal over whether or not they’re his. He always covered up their faces so no-one really knew. Some people thought it was to protect them. Some people thought it’s because he’s a freak. So, no-one really saw them but then when I did see them, they didn’t look anything like him. Actually, the oldest, the boy, the older boy weirdly looked a bit like he does or he did recently after his plastic surgery and whitening of his skin, so I don’t know quite how it works. But, erm, I think one of them has a different mother or something. I know there’s a lot of discussion about what’s going to happen to them now he’s dead. I read somewhere that he wants Diana Ross to have them, but she’s not that up for it. Erm, maybe his parents might have them. Errrr, and, yeah I suppose the latest thing is that they’ve been revealed on TV and Paris has moved the world with her emotional tribute to her daddy, so, erm, yeah that’s about all I know.”

6. Michelle (actually from Norfolk, not from London – but she lives in London now) on MJ’s dancing:
“Well Michael Jackson was a completely amazing dancer ok? I can remember trying to moonwalk in the kitchen and it all ended in tears. I think I ended up smashing my face on the tumble dryer. Our Mum actually banned us from moonwalking in the kitchen, so, err…”
Luke: “Seriously?”
Michelle: “Yeah, this truly did happen. Yes, we did, we did yeah. Because trainers didn’t work, you need slippery shoes and err, it all got a bit dangerous but he was amazing. Thriller was a great video wasn’t it?”
Luke (rudely interrupting): “It was dangerous because you didn’t have slippery shoes? So would it have been safer with slippery shoes?”
Michelle: “If we’d had slippery shoes it would have been so much safer…”
Luke (not making any sense): “I think what this is, is, errr, a joke, right?”
Claudia: “Justin Timberlake… everyone says he’s an amazing dancer”
Michelle: “Justing Timberlake doesn’t compare”
Luke: “Justin Timberlake… this has just broken down into nonsense… OK, so final point?”
Michelle: “Michael Jackson rules”
Luke: “And on that bombshell, I’m going to press ‘stop'”

7. Dong-Jin (from Korea) on MJ & Korea:
“He was the person who was interested in Korea, because, you know, in Korea there are some problems between North and South and he was trying to help us, you know? And also, yeah yeah yeah, that’s why most Korean people love him. Because, they, he had a concert and also, I don’t know exactly. We knows that, we know that… I don’t know how can I explain… My favourite song is, We Are The World… sorry sorry. Honestly, for me ‘Dangerous’ because his performance is really nice. Michael Jackson, we love Michael Jackson, especially for his personality, because, you know, even though he’s got a lot of rumours, we don’t believe. Honestly, I don’t want to believe, you know. I want to just focus on his achievements, something like that. And, err, even… errr. I really like him. That’s all…”

8. Andy P(from Birmingham):
Luke: I’m going to ask some of my friends about the whole Michael Jackson thing now. Err, Andy.
Andy P: Hello
Luke: Err, where were you when you heard that Michael Jackson had died?
Andy P: I was at home.
Luke: Right… and how did you find out?
Andy P: Err, on a website, on the Guardian website.
Luke: What time did you discover the bad news?
Andy P: In the morning. 9 o’clock-ish
Luke: Right… So what did you do when you realised the truth of the situation?
Andy P: Well, I realised the truth quite quickly that he had died, so that was not much of an issue. Umm, and then I just looked at some other news.
Luke: What, did you cry at all?
Andy P: No.
Luke: RIght, ok, thanks Andy!

9. Neil (from Birmingham):
Luke: Neil! Neil, so just err, what thoughts ran through your head in the hours after you realised Michael Jackson had passed away?
Neil: I’m going on holiday.
Luke: Ok, but didn’t you, sort of, feel any emotions at the time?
Neil: Err, I was in quite a big hurry. Errr…
Luke: ‘Hurry’ isn’t technically an emotion, Neil, so… talk about your feelings. Ok? Don’t worry, don’t be shy. What happened, on that fateful morning?
Neil: I went on holiday.
Luke: Ok. You can see I’m getting a lot of information here.

Dave (from Birmingham):
Luke: Dave, Dave! Dave’ll tell me lots of things. Tell me about Michael Jackson.
Dave: Well, he was a large part of my life for many years. Certainly towards the latter part of the 20th century, his music, in my opinion, became less and less of the kind of thing I’d like to listen to…
Luke: So you like his early stuff rather than his late stuff
Dave: I think that’s not that outrageous. Most people, felt similarly about him. The day he died, I was awake in bed, it was around 4.30AM when I found out and the BBC news started to do blanket coverage… that means they were doing it all the time…
Luke: So they weren’t reporting any other news, it was just Michael Jackson
Dave: Absolutely, yes.
Luke: Blanket coverage. Like a blanket over your bed. So bizarrely, you were in bed…
Dave: …with the blanket over me…
Luke: …when the BBC started doing blanket coverage…
Dave: …of Michael Jackson’s death. I texted a friend of mine who takes particular interest in this, but he’d already found out off three other people that Michael Jackson… that The Jackson 5 were now the Jackson 4…
Lizzie: Soundbite!
Dave: I certainly wasn’t upset! I think, you know, “MAN DIES” isn’t necessarily news…
Luke: Right, well, if it’s Michael Jackson it’s news, isn’t it?
Dave: That’s arguable. That’s contentious.
Luke: I’ll explain what contentious means later…
Dave: But, erm, yeah it’s upsetting for family members, but from a personal perspective it’s not something I necessarily consider to be newsworthy.
Luke: Right. Can you sum up the whole thing in a word, perhaps?
Dave: Overblown.
Luke: How about a sound?
Dave: Heeeeeehehhhh heh eh heheh eheh
Luke: Right, thank you. Thank you very much. I don’t think I’ll use that. But that was very… David’s comments were a lot more interesting than everyone elses. Liz, do you have anything to say on the subject? … No? Ok, she want’s to go back to sleep I think. Erm, right, everyone wants to go home. That’s it. That was, erm, slightly underwhelming…

Jim (Dave’s brother, from Birmingham):
Luke: How did you feel when Michael Jackson died Jim?
Jim: Nothing.
Luke: No change of emotions at all.
Jim: Nah. It happens to everyone eventually.
Luke: It does, yeah. Very philosophical. Erm, generally what did you think of Michael Jackson?
Jim: Errr, he had a hard life.
Luke; yeah? What about all that money? That was quite nice for him…
Jim: Yeah, but he was pushed into, err, celebrity-ism.
Luke: Ok, I’ll explain what celebrity-ism means later… It’s good. It’s a good word, but I expect that all the listeners won’t understand what that means, but that’s fine. What did you think of his music?
Jim: Yeah it was wicked. [wicked is a slang word which means ‘really good’]
Luke: Ok, erm, what about his face?
Jim: That was a shame… err… could have had a bit of work… err… do to…
Luke: Yeah, ok, he had a bit too much work done, didn’t he? Well thanks for… Any other comments about him?
Jim: No.
Luke: OK! Thanks! Liz! Liz!

Liz (Dave & Jim’s younger sister, also from Birmingham):
Luke: Go on… what did you think of Michael Jackson?
Liz: Erm, I found him quite a bizarre character. I did like his 90s music and I always will. Dirty Diana, and Man In The Mirror being my two particular favourites.
Luke: What about the, sort of, news reports about him? You know, the negative reports… Where do you stand on that?
Liz: I think that child molestation is a very serious accusation
Luke: Yes it is. It is very serious. I don’t know why we’re all laughing,
Liz: Erm, the very fact that that does have so much evidence around it does make me question in some depth Michael Jackson and his character.
Luke: Right, so you think he might have actually done it?
LizL Potentially, there is always that case if you take something to trial, is it not?
Luke: Yeah, there’s the possibility that it’ll be proven that he did do it, yeah. Ok, thanks for your comments.
Liz: No problem.
Luke: Jolly good.

michael-jackson-facelift-before-after

Very interesting Michael Jackson interview with Martin Bashir – MJ does a British English accent at the start :)

Let me know if any of these YouTube videos is out of date. (BTW if you think this sentence is grammatically wrong – “shouldn’t it be ‘any of these videos are…?” then click here to find out more)

Some pictures of my friends from Birmingham

10. Extra Podcast – Quick Hello 2

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Just a quick “hello” from me and a chance to practise your listening skills with a funny comedy sketch. Full transcript available below.

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Full transcript to this episode
10 Extra Podcast – Quick Hello 2

You are listening to Luke’s English podcast. For more information visit teacherLuke.podomatic.com.

Hello, you are listening to Luke’s English podcast. This is not a full episode today.

This is just a quick message to say “hello” to everyone and to let you know that I am going on holiday for about five days. I am going to Spain, Alicante in the South of Spain to go rock climbing with some friends. So, I’ll be on holiday for a few days which means that I won’t be uploading another full podcast for about another week. I’ve got one prepared. It’s half finished but it’s not ready to be uploaded onto the internet, yet. So I’ll load that up when I get back from my holiday. It was my birthday yesterday and I had a little celebration down next to the river in a pub which is close to my house and some of my friends came and joined me and we had a few drinks and stuff and that was really great fun. I am on holiday from work for two weeks, now. So five or so of these days we’ll spend in Spain rock climbing. I’m looking forward to it very much. It’s gonna be great.
So this podcast is just a little extra message, just to kind of let you know that a new full podcast will be uploaded soon. So don’t worry, I haven’t forgotten about everyone and I haven’t forgotten to upload one. It’s just that I am busy having fun on holiday. Now I thought that just to give you something to listen to and to enjoy and to study while you wait for the next podcast, I would play you a little comedy clip. The comedy clip that I am gonna play you is by a comedy group from the UK called: Monty Python’s Flying Circus. – Now you might have heard of them. Let’s see – probably the most famous member of the group is John Cleese. And John Cleese is an actor who – he was in some James Bond movies as Q, the guy who gives James Bond all these machines and weapons and things and he is also in a very successful comedy called Fawlty Towers which is probably the most famous thing he’s ever done. But Monty Python’s Flying Circus was a group of comedians who came out of Oxford and Cambridge universities joined together to make one of the best and one of the most influential comedy programmes on television here in the UK. Everyone knows Monty Python and everyone loves them here and they are very, very popular. So I am going to play you a little comedy scene that they did. They performed it live at the Drury Lane theatre and I think 1974 – the title of this sketch is called The Four Yorkshire Men. Now a Yorkshire man is just a man who comes from Yorkshire.
Yorkshire is an area in the north of England, okay?
And basically the kind of comedy or the funny part of this sketch is….well, the fact that these four Yorkshire men basically are sitting together – if you can imagine – they are sitting together, drinking some very expensive wine because now, they are rich. They are old and rich, now. But they didn’t use to be rich. When they were children, and when they were growing up, they all had very, very difficult lives and they all were working-class-men who had to work very, very hard in a difficult life in order to get rich.
So, one of the things about this is that, when old men like that get together, they always talk about how hard their lives were in the past and how it’s really easy for young people, nowadays. And typically men like that will say things like, you know: The kids today don’t know they are born. Life is much easier for them than it was for us. They just don’t know, they are born. Or for example if they told a younger person how difficult their lives were, they might say things like: You tell the kids of today that and they won’t believe you, right? So it’s kind of typical things that old men say when they’re complaining about how their lives were very hard in the past and how young people’s lives now were easy in comparison.
And the conversation that they have is, they talk about how, when they were younger in their lives were so hard and they describe the difficult conditions that they had to live in when they were growing up.
But as they all talk about it, it becomes like a competition because they all have to describe a much harder life. So, if one says that he had to….for example, you know …when he drank tea..because they had no electricity he had to drink cold tea. And the other one would say: You were lucky, cold tea, you were lucky. We used to have to drink old water out of a rolled up newspaper.
So, they were kind of trying to explain they had much harder lives. And it is like a competition. Anyway, I think it’s very funny and you can listen to it here on the webpage. I’ll post a script of the sketch, so you can read that and understand it and hopefully enjoy it. And I will upload another podcast for you very soon and you can look forward to that.
So, thank you very much and I will speak to you again, soon.
Thank you!
Bye, bye, bye, bye!

Monty Python’s Flying Circus – The Four Yorkshiremen – Live at Drury Lane 1974 (buy the CD here)

FIRST YORKSHIREMAN:
Aye, very passable, that, very passable bit of risotto.
SECOND YORKSHIREMAN:
Nothing like a good glass of Château de Chasselas, eh, Josiah?
THIRD YORKSHIREMAN:
You’re right there, Obadiah.
FOURTH YORKSHIREMAN:
Who’d have thought thirty year ago we’d all be sittin’ here drinking Château de Chasselas, eh?
FIRST YORKSHIREMAN:
In them days we was glad to have the price of a cup o’ tea.
SECOND YORKSHIREMAN:
A cup o’ cold tea.
FOURTH YORKSHIREMAN:
Without milk or sugar.
THIRD YORKSHIREMAN:
Or tea.
FIRST YORKSHIREMAN:
In a cracked cup, and all.
FOURTH YORKSHIREMAN:
Oh, we never had a cup. We used to have to drink out of a rolled up newspaper.
SECOND YORKSHIREMAN:
The best we could manage was to suck on a piece of damp cloth.
THIRD YORKSHIREMAN:
But you know, we were happy in those days, though we were poor.
FIRST YORKSHIREMAN:
Because we were poor. My old Dad used to say to me, “Money doesn’t buy you happiness, son”.
FOURTH YORKSHIREMAN:
Aye, he was right.
FIRST YORKSHIREMAN:
Aye, he was.
FOURTH YORKSHIREMAN:
I was happier then and I had nothin’. We used to live in this tiny old house with great big holes in the roof.
SECOND YORKSHIREMAN:
House! You were lucky to live in a house! We used to live in one room, all twenty-six of us, no furniture, half the floor was missing, and we were all huddled together in one corner for fear of falling.
THIRD YORKSHIREMAN:
Eh, you were lucky to have a room! We used to have to live in the corridor!
FIRST YORKSHIREMAN:
Oh, we used to dream of livin’ in a corridor! Would have been a palace to us. We used to live in an old water tank on a rubbish tip. We got woke up every morning by having a load of rotting fish dumped all over us! House? Huh.
FOURTH YORKSHIREMAN:
Well, when I say ‘house’ it was only a hole in the ground covered by a sheet of tarpaulin, but it was a house to us.
SECOND YORKSHIREMAN:
We were evicted from our hole in the ground; we had to go and live in a lake.
THIRD YORKSHIREMAN:
You were lucky to have a lake! There were a hundred and fifty of us living in a shoebox in the middle of road.
FIRST YORKSHIREMAN:
Cardboard box?
THIRD YORKSHIREMAN:
Aye.
FIRST YORKSHIREMAN:
You were lucky. We lived for three months in a paper bag in a septic tank. We used to have to get up at six in the morning, clean the paper bag, eat a crust of stale bread, go to work down the mill, fourteen hours a day, week-in week-out, for sixpence a week, and when we got home our Dad would thrash us to sleep with his belt.
SECOND YORKSHIREMAN:
Luxury. We used to have to get out of the lake at six o’clock in the morning, clean the lake, eat a handful of hot gravel, work twenty hour day at mill for tuppence (two pence) a month, come home, and Dad would thrash us to sleep with a broken bottle, if we were lucky!
THIRD YORKSHIREMAN:
Well, of course, we had it tough. We used to have to get up out of shoebox at twelve o’clock at night and lick road clean with tongue. We had two bits of cold gravel, worked twenty-four hours a day at mill for sixpence every four years, and when we got home our Dad would slice us in two with bread knife.
FOURTH YORKSHIREMAN:
Right. I had to get up in the morning at ten o’clock at night half an hour before I went to bed, drink a cup of sulphuric acid, work twenty-nine hours a day down mill, and pay mill owner for permission to come to work, and when we got home, our Dad and our mother would kill us and dance about on our graves singing Hallelujah.
FIRST YORKSHIREMAN:
And you try and tell the young people of today that ….. they won’t believe you.
ALL:
They won’t!

Okay, I hope you understood that. I am sure that they will be things that you didn’t understand and in that case, you should go to the webpage. You can read a script of everything they are saying and if there are words that you don’t understand, you can check those words in the dictionary and that will help you. Another thing about that sketch is .because they are all Yorkshire men, they are speaking in a Yorkshire accent. So, you know all sorts of speaking are a bit like this.

In those days we were happy even though we were poor
So, that’s the sort of typical Yorkshire accent, I suppose.
If you are actually listening to this and you are from Yorkshire, I apologize if my Yorkshire accent wasn’t very good.
So, anyway, right! So, check the webpage. You can read this script there and it’ll help you to understand it. That’s the end of this short podcast and I will speak to you again soon.
Take care! Bye, bye, bye, bye