Category Archives: Entertainment

246. Funny Flight Stories

Listen to some stand-up comedy and true stories about flying experiences, learn some vocabulary and consider what makes these comedy routines funny. [Download]

Small Donate ButtonIntroduction
This episode features a few humourous accounts of people’s experiences on aeroplanes. Why have I chosen this topic? Well, why not? There’s no Christmas connection or anything, it’s just an episode I’ve been thinking about for ages and I finally got around to doing it. Actually, the main reason is so I can play you some stand up comedy, which hopefully you will both learn from and enjoy.  I always want to play you some stand up comedy – because it’s brilliant and I want to share it with you! The subject of flying is something that is pretty universal, so I thought there was a good chance you’d be able to relate to it. Also, comedians all seem to have material based on flying. it’s a really common topic for stand-up, precisely because it’s universal but also because it’s a pretty bizarre experience in some ways!

Please be aware that there is some rude language in this episode.

Let’s listen to some stories of people flying.
Almost all of these are comedy routines by stand up comedians.
One of them is an inspirational story, which has some laughs in it.

3 things I wonder:

  • If you get the details of the stories
  • If you find them funny
  • If you know all the vocabulary

To understand the subtleties I’ll give you a quick summary of each story before you listen. Then you’ll know the main events, leaving you to focus on the funny details.
To deal with the humour, I will explain what I find funny about each sketch. Obviously, humour is totally subjective – it depends on the person and there is no universal form of humour. However, I also find that humour is one of the last things that you can pick up when you’re learning a language. Learners tend not to find the same things funny as native speakers – perhaps because they don’t get the cultural reference points, or because you can’t understand it well enough to get all the jokes immediately. Instant comprehension of all the subtle shifts in tone and meaning is very important for finding something funny. Most of the funny aspects of these routines are not obvious jokes. It’s far more subtle than that. So, let’s see if you can pick up on those subtle things and see the humour in each bit. I’ll give you my assessment of “what I think is funny” after each bit.

So, you’ll get summaries for general understanding, and some commentary on the humour as well.

There’s also vocabulary, which I don’t think will be such a problem but we will see. I’ll explain some items of vocabulary that appear.

And as if that’s not enough already, there are scripts of every stand up routine that you hear in this episode. You can check them out on the webpage and use them to understand every single word if that’s what you fancy doing.

So, I would like to know which is your favourite story or routine in this episode. you’re going to hear 5 stories/routines. Please vote for your favourite using the poll on the page for this episode.

In no particular order you will hear these things:

  • Louis CK – The Time I Thought I Would Die
  • Eddie Izzard – Biscuits On A Plane
  • Jerry Seinfeld – At the Airport
  • Ric Elias – 3 Things I Learned When My Plane Crashed

Louis CK’s Story
Summary

  1. Louis talks about a time when he was scared for his life. He thought he was going to die. It’s a true story.
  2. He was flying from Indianapolis to New York and there was a delay because of a technical problem with the plane. The fuel guage was broken.
  3. The pilot decided to fly even though he didn’t know how much fuel was in the plane.
  4. Louis just assumed that the pilot knew what he was doing. He unquestionably put his trust in the pilot. Why do we do this?
  5. Louis expresses some concern about the rather relaxed approach to safety which the pilot is taking.
  6. The plane is still delayed because of bad weather at their destination.
  7. The pilot informs the passengers that he is going to lie to the tower, telling them they’re going to Philadelphia, even though they’re going to go to new York.The plan is to say they’re going to Philadelphia, and then at the last minute, ask for permission to land in New York. He thinks the weather is not so bad there.
  8. Again, Louis expresses concern about the attitude of the pilot and he wonders why the pilot is sharing this information with him.
  9. Louis and the other passengers basically accept the situation because, perhaps stupidly, they have faith in the pilot and the whole situation.
  10. The weather during the flight is terrible. There was a big storm.
  11. He managed to listen to the conversation between the plane and the tower in new York.
  12. The tower didn’t allow the plane to land in New York because of bad weather.
  13. They could have run out of fuel and fallen out of the sky at any moment.
  14. suddenly the tower in NY announced that the airport was closed due to bad weather.
  15. The pilot panicked and requested urgent permission to land.
  16. The tower guy allowed him to land, but he was quite annoyed.
  17. The pilot immediately went in for landing.
  18. It was an extremely stressful and dangerous landing in low visibility.
  19. The pilot and all the passengers were extremely emotional at the end.
  20. Even the taxi drivers at the airport were surprised by the dramatic landing of the plane.

Louis CK – When I Thought I Was Going to Die (From the album “Word – Live at Carnegie Hall”)

Buy “Word – Live at Carnegie Hall” by Lous CK here https://www.louisck.net/purchase/word-live-at-carnegie-hall

I’ll tell you this story about one time that I thought I was going to die. I think it’s the only time where I thought “why wouldn’t this be when I die?”

I was on a plane. I’ve been on a lot of planes in a lot of shitty weather and stuff, but this shit was fucked up.

I was in Indianapolis on a plane, waiting to take off, and we’re sitting there and the pilot comes on, and he says “Hi folks, erm, the fuel gauge is broken so we’re waiting for maintenance.”

So, we wait, about 20 minutes. Then he comes back on,

“Folks the fuel gauge is still broken, but we’re going to go anyway. We don’t know how much fuel we have, but we feel confident that it will be okay so we’re going to go.”

And I’m thinking, okay, well, he’s a pilot, I’m sure he’s going by some manual that says, you know, ”(if) the fuel gauge breaks, call maintenance. If they’re not there in 20 minutes, fuck it. Fuel gauges are overrated, just go, you’re fine. Just top it off and remember what happened.”

So then we still don’t take off and the guy comes back on, “err folks we have another problem, LaGuardia Airport in New York won’t give us clearance to take off because the weather’s been bad there intermittently, so we’re going to wait for that.”

So we wait 20 minutes. Then he comes back on, “Folks, LaGuardia still hasn’t given us clearance, but we’re going to go anyway. We’re looking at the radar, we think the weather will be fine. So what we’re going to do is say that our destination is Philadelphia, we’ll get clearance to go there. Halfway to Philadelphia we’ll switch courses to LaGuardia airport and we’ll be probably there in a few minutes.”

I swear to god he said this.

First of all, I’m pretty sure you’re supposed to be honest with the dude in the tower. Does the tower have to go “Really? You’re going to… come on! Tell me where you’re going!”

And why is he telling us this shit? Am I going to have to corroborate this lie if we get pulled over by the sky police at some point in the flight? “Oh no we’re totally going to Philly, I’ve got a brother there and err, we’ve got a thing in Philly”

But I’m still fine with it because we’re travellers on the plane, like “yeah, I’ve got a thing, fuck it, I’m immortal, just go please. Yes, go into marginal weather, with shoddy equipment, secretly. I totally support this plan.”

So, we take off. We get above where we are right now, and it’s just a black motherfucker of a cloud. It’s just like The Wizard of Oz. It’s just there are trees throwing apples at us, it’s crazy. It’s just horrible, and we’re “GUGGGGGUGUGUGU” the whole flight, and we’re making these circles, and me and the guy next to me are both listening to the tower. You know how you can plug into your seat sometimes and you can listen to the tower talk to the airplanes, and we keep hearing our guy trying to get clearance to land, from LaGuardia.

PILOT: “Ah; this is Delta 288 requesting clearance to land.”

TOWER: “Ah, that’s a negative 288. Low visibility.”

A few minutes go by.

PILOT: “Ah, this is 288. We would really like clearance to land.”

TOWER: “Yeah, that’s a negative 288.”

Like he was getting annoyed. And meanwhile, we’re just circling, and burning this vague amount of fuel. We could just stop being an airplane at any second.

And then we hear this. This is all true. The LeGuardia guy comes on and says,

“This is LaGuardia airport to all area airplanes, we are closed for the night, zero visibility, not safe for landing, please divert to Philadelphia, Pennsylvania or Boston.”

And then we hear our guy.

“This is Delta 288, we need to land now! We have no fuel! We have no fuel we have to land right now!”

Interesting.

Then there’s a pause, and then we hear this.

“Well, then, clear to land then 288”

That’s how he said it, like “Dude… (sighs) No-one can see okay? But, just, I … (sighs) I guess all the dumb decisions you made today have made this a good one. Just take a shot, I’m going home. Just fuckin’, turn the lights off after you crash, I don’t give a shit frankly. By the way you’re not supposed to be here you fucking liar you said you were going to Philly.”

So as soon as we get clearance, we just “nyaaaaaaa”, like we start bulleting, “nyaaaaaaa…” We’re either flying desperately towards the ground or falling. I don’t know that there’s a difference.

We come out of the clouds and there’s the fucking earth, right fucking there! It’s right there! That’s what low visibility means. We come out of the clouds and “Oh fuck it’s right there oh jesus!”

And the plane just “nyaaaaaa…” And you can feel the plane go “Oh fuck, I can’t do that, what are you nuts?” We go “brrrrrrr” and veer over the highway, and I swear to god I saw people in their cars go “what the fuuuck?”

And we hit the runway like sideways, like “kapoof!” And the pilot comes back on, all true I swear to god, he’s totally out of breath, he’s like (heavy breathing & shaky voice) “welcome to LaGuardia airport, New York City, (crying) you may turn on your cellphones now and you may call your loved ones.”

He said that. He said “You may call your loved ones” and everybody on the plane was crying and rocking back and forth just sobbing, calling their husbands and their wives. I’m divorced, what am I (going to say) “Hi remember you hate me? Well I almost died.”

And I got in a cab, and the cab driver goes “that was a very bad landing.” I was like, “How did you know that was me?”

“That’s the only plane that landed in 4 hours. We all watched, the drivers, we said ‘they are going to die’”

What I think is funny about this

It’s always a bit of a bad idea to try and explain humour, because it usually kills all the comedy, but what the hell, let’s do it anyway.

Firstly, there aren’t really any jokes in this bit. It’s just the way Louis tells the story, adding some descriptions, some sarcasm, some attitude and drama. That’s it really. The first big laugh comes from the line “fuck it”. As if a manual for a pilot would say “If the fuel guage doesn’t work, fuck it. Just go.” Of course a manual wouldn’t write that. Instead, this indicates the negligent attitude of the pilot who is flauting the safety regulations. This is what is going through the pilot’s head, and is clearly a huge act of negligence.

There’s something funny about copying the voice of a pilot, especially when he’s acting rather irresponsibly. We all hear those pilot’s announcements. This is the guy who we are all trusting our lives to. He usually sounds quite relaxed. Pilots have a certain kind of voice, thankfully. If they sounded different it could be worrying. Anyway, copying his voice is quite amusing.

“I think you’re supposed to be honest with the dude in the tower”. This is a really funny line. It’s understating the formal protocol the pilots must follow. Being honest with the ‘dude’ in the tower is a fundamental responsibility of the pilot. The choice of the word ‘dude’ is also funny because we’re talking in informal terms about normally formal things. This highlights the careless attitude of the pilot.

“Why is he telling us this shit? Do we have to corroborate his story?” True – why was he telling them? The character of the pilot is like a shitty friend who expects you to lie for him.

Everyone on the flight just accepts everything that’s happening. This is a really good observation. We put our trust in people in authority positions very easily. We consider ourselves immortal when we’re not responsible for our own safety. It’s the same in taxis. We never put on our seatbelts in the backs of taxis. Why not?

Louis is just a great storyteller. He brings the story alive with certain detailed descriptions to elicit fear, surprise and so on. He knows just how much detail should be given in the correct places. The humourous bits are delivered with excellent timing. They’re not obvious jokes. He’s a master. He makes it look easy. This is not easy.

Then we have the irritated conversation between the pilot and the tower. The pilot is a total dick and the tower is getting annoyed with him. You don’t expect a pilot to behave like that.

Then the dramatic moment when Louis hears the pilot panicking, which he describes as “interesting”, clearly understating how alarming it must have felt to hear that.

The tower is so pissed off, and this is expressed with the line “Well, clear to land then” which is delivered with so much frustrated despondency by Louis, as if the guy in the tower is a tired parent who has run out of patience with his child. This kind of frustration in a conversation is usually over something like homework or another petty disagreement. In this case people’s lives are involved. Louis’ performance is great. He adds loads of attitude into the conversation between the pilot and the tower. Again, the pilot is a dick, who has everyone’s lives in his hands.

Louis even gives a voice to the plane which has a personality of its own, complaining that the pilot is pushing it too hard – “Dude, I can’t do that!” Expressing how low to the ground they were he mentions people in their cars who he could actually see mouthing the words “What the fuck?” which must have been very scary!

This is just a dramatic and engaging story, which seems to be true, told in a way which highlights the general irony of being at the mercy of a pilot making bad decisions.

By demonstrating that the pilot is emotional and out of breath after the landing, Louis allows us to imagine what we couldn’t see in the cockpit of the plane: the pilot had a really hard time landing the plane and is seriously traumatised. For some reason, letting the audience imagine something for themselves is quite funny. Also, Louis’ impression of the emotional pilot is just quite amusing.

The choice of phrase “You may call your loved ones” also emphasises the emotional nature of the landing. Louis considers calling his ex-wife, who hates him, which clearly would be a pointless move. This highlights Louis’ sense of alienation, and the fact that nobody really cares about him. Louis is like a classical comedy character – lonely, sad, alienated. We also get another character – that of the taxi driver who we learn justwatched the plane land, fully expecting everyone on board to die.

That’s it. Again, explaining it does NO JUSTICE to the quality of Louis’ work. Generally, I find that it helps if you care about the story you’re listening to. If you’re emotionally invested in it, it’s more engaging and therefore funnier. If you believe it’s true for example, it’s likely to be funnier. I expect that’s why Louis often says “I swear this is true”. Please listen to the routine again. Please care about it – you’ll find it more enjoyable and rewarding.

In case you were in any doubt about the comic value of that routine, Louis CK is widely considered to be perhaps the funniest stand-up working on the scene at the moment. He is a celebrated comedian. Anyone who knows anything about comedy knows that he’s great. If you were doubting if he really is that funny, well, I would say yes he is. In the end of course, humour is subjective – but it may help you find it funny if you know that many others do too.

Eddie Izzard – Biscuits on a Plane
Here’s my basic version of Eddie’s routine about eating biscuits on a plane. Again, I’m doing this so you can understand the main point, and then compare this description with Eddie’s version. It may allow you to notice the humourous aspects of it.

  1. Eddie describes a flight from Cork in the Republic of Ireland to Belfast in Northern Ireland. It’s not a long flight, and so the plane is really small. In fact there were only about 6 people on board.
  2. He walked across the runway to the tiny plane, carrying his bags. It felt like he was in the Beatles.
  3. The pilot was waiting by the plane, which reminded him of going on holiday with his Dad when he was a kid.
  4. He describes a few things which felt odd about being on such a small plane. The pilot was right there in front of them, and yet he still did the formal announcement like on bigger flights.
  5. He talks about the fact there was no co-pilot, but that the pilot had brought coffee and biscuits to share with everyone.
  6. He talks about the safety considerations of flying, including the idea of ‘bird strike’ which is when birds can go through the jet engine of a plane, causing an accident, although Eddie doesn’t agree with the term bird strike, because the birds aren’t choosing to strike the engine, but rather they are being sucked into the engine against their will.
  7. The pilot on the tiny plane gave the safety announcements, but people don’t usually listen to the safety announcements, so perhaps the staff should make it sound like there’s going to be an accident just to make sure people listen properly.
  8. Eddie makes fun of the life jacket and other safety procedures.
  9. Eddie describes the fact that the in-flight refreshments were some coffee and biscuits shared by the pilot. He notices that the pilot has a secret stash of chocolate biscuits and jammy dodgers, which he doesn’t share with the other passengers. He gets into an argument with the pilot over why he deserves to be given chocolate biscuits. This ends in the pilot crashing the plane into a mountain in order to win the argument.
  10. Eddie dies at the end of the story.

Eddie Izzard – Biscuits on a Plane
Download “Glorious” by Eddie Izzard in iTunes here https://itunes.apple.com/us/movie/eddie-izzard-glorious/id334208655

I had to do a flight last year on a tour which as from Cork to Belfast. There were only 6 passengers, and someone turned up and said “Well, we’re not going to put you on the 747 because that would be laughable, so we’ve got a Volkswagon Beetle with wings for you.

We had our bags, we didn’t give them to anyone, we just walked with them. Obviously I didn’t walk like this, that was comedy, I was walking like this, because that’s a better mime position, otherwise you just think I’m walking, but that’s with bags you see, in case you ever need it, you know in Nigeria and… They’re very big in mime in … anyway…

So yes I was walking along with the bags and going through. It’s a very small airport, you just go through a wooden door and someone goes “beep” “Oh there’s a problem there, I’d better check”.

And walking across the runway to get to the plane. If you ever do that, walking with your bags across a runway to an aeroplane you feel like The Beatles with squirrels going “Aahhhh”

We got there and the pilot was right by the plane. It was just like going on holiday with your Dad. He was going “Come on! Come on! Come on you don’t need that! Right!”

“That’s my bag! Bloody hell”

“Come on get in we’re going to miss the clouds, come on!”

So we get in and he was taxiing over to the runway, “Come on heads down put your head down I can’t see! Come on!”

And he was right there. We were sitting right here. I could touch him on the shoulder, just like in the car with your Dad. He was doing… even though you could turn around and talk to us he was still doing “This is your pilot speaking. Welcome to flight 1 from here to there. We’re going to be flying at a height of 10 feet, going up to a height of 12.5 feet if we see anything big. Your co-pilot today is a thermos of coffee.”

I thought there was a rule in flying that you have to have two pilots in case one goes “Oh for fuck’s sake” (and collapses) and the other one goes “I’ll take over!” Dun-da-de-dun-da-daa “I’ve got one of my own!”

People in the back “I’ve got one!”

We had a thermos of coffee that was going to fly us home.

And he’s there and doing the stuff and we’re getting into flying and, they have a word in airports, the industry, the airways industry have a thing called bird-strike, bird-strike it’s called. It’s when a flock of birds, just flying along “oh what a wonderful day, the sun’s…” splat! They go straight through a jet engine! It’s called bird-strike and it’s a misnomer, it’s not true because the birds aren’t striking, it’s an ‘engine-suck’. It’s an ‘engine-making-bird-soup-melange’ you know?

These birds aren’t going, “Who’s for bird strike eh? Johnny Human’s got these big metal buggers and they piss me off! I vote we go for bird strike! Alfie, Ginger, Stevie, Feathers, Stephens, Big Beak O’Reilly, Jimmy The Penguin, are you with me? Oh you’re a penguin so you stay here. Come on let’s do bird strike! Dun-da-de-dun-da-daa Faster faster! 747!” SPLAT

And just before they go through, do they go “look there’s Rod Stewart in first class” splat.

We don’t know.

But umm, they do the safety announcements there. My guy on my plane was going, “the safety instructions… the safety instructions are here, next to me. If you see me go through this door then please follow me quickly.”

If you’ve been in a big aeroplane recently, no-one is listening. It’s a problem I believe because noone’s listening to the security announcements, you know the safety things, because everyone’s going “yeah yeah, there there there lights, flash flash … and death”

Umm, it’s a kind of “yeah alright, you know, huuu”

But the pilots have been told to sort of, you know, pick up the importance of these speeches, and there going “please do listen to the safety… please do because we’ve changed things around now, so yeah you don’t know what we’re doing. We’re putting the lifejacket on back to front. Some of the safety exits are false now, they’re not true at all. Listen very carefully because I’ve got a bad feeling about this flight. I don’t think we’re going to make it.”

After that announcement everyone’s going “Show me! Show me! Show me everything! Private showing – show me again, that’s good, now I’m putting it on now, fuck it I’m putting it on now!”

Let’s all have a cup of coffee thanks. And they have these lifejackets, and they, you pull it and pffffff and you’ve got a little pipe here for top up. I don’t know about you but I don’t want top up. I want stays up. Top up implies hole in, implies having to (blows heavily) I want fucking stays up no hole in the first place thank you very much! Bloody top up? No, it’s all a bit, sort of, ‘tea and crumpets with the vicar’ “top up” you know. You crash in the atlantic, bobbing around, going “oh you survived as well… care for a top up? You couldn’t top me up could you? No I didn’t need it I’m just trying to break the ice. Hey float over here float over here. Look: two pipes – pan pipes! Doo doo doo doo doo.”

It’s 2000 miles to Europe, 1000 miles to America, you’ve got your whistle “Peeeeee” The little light going “beep beep” And after a while a pilot fish comes up and goes “Eh Eh! That’s my gag! WHat weird people” And there’s Noah shooting around in a speedboat going “Nurrrrrr-  If anyone’s got big ears you can get in and sit on the side. Photos for the Bible”

So I was in my aeroplane in my small aeroplane and the guy’s there, and we have drinks and light refreshments, when we get above the clouds, and coffee comes back from the thermos, and you go ooh, cheers, ta mate and that goes back, and he had this wicker basket with biscuits in, digestive, you know not terribly interesting. So I take the best ones, and it goes back to the guy at the back who goes “all these are crap”. You know when you’re not hungry but you get offered a biscuit, you want better than that, you know. “I didn’t want anything, but err, what have you got? Ohh”

So I’m nibbling my biscuits and drinking my coffee and I notice out of the corner of my eye the pilot reaches under his jacket and pulls out chocolate biscuits and in a flash I realise he’s hidden them there and taken them out of the wicker basket and hidden them underneath, and I knew that because that’s what I would have done. You know when you’ve got friends round, “Do you want some biscuits, I’ll just go and get you some biscuits and you’re in the kitchen and you go “Oh, I’ll just have one” Someone comes over, “Do you want a hand?” “Oh no no no. Just letting this mouse run over my hands here” [This is a VISUAL JOKE]

So the pilot’s there eating chocolate biscuits and I’m there going “Heeeeey, chocolate biscuits? Eh! Digestive! Crap, biscuit.”

He’s going “Get off! (I’m the) pilot! You know, stress! Chocolate biscuit! What the hell?”

And I’m going “No! Customer! Customer’s always right. Digestive crap biscuits?”

“Fuck off! Five years training for this! Hard time! Chocolate biscuits. Perks of the trade.”

“I don’t agree…”

“Fuckin’…” Naaaaaaaaaa (He starts flying towards the ground)

“Hold on hold on!”

Naaaaaaaaa

“What were you saying about chocolate biscuits?”

“No, fine! HAve the chocolate biscuits! I don’t care I don’t care!”

Nyaaaaaaaa (he steadies the plane) “…chocolate biscuits”

20 minutes later, reaches in and pulls out jammy dodgers!

“Jammy dodgers?!”

NAAAAAAAA (he flies at the ground again)

BOOM!

And we hit a mountain, and I died.

So that was the end of that plane flight, and err… and that is also the end of the show, so thank you very much for being here. Good night.

What’s Funny About This? (In my opinion)

Really, it’s all about Eddie and his idiosyncratic style. It’s a cute story, with some observational comedy around the subject of flying, but really it’s Eddie’s unique postmodern approach which makes it special for me.

The way he talks is amusing to me.

He bends reality. It’s surreal.

He deconstructs the whole performance – doing mime jokes and generally being self-conscious.

You know, I think with Eddie, either you get it or you don’t and no amount of explaining will change your mind. He’s a bit like Marmite.

Some specific things from the routine:

“We’ve got a Volkswagon Beetle with wings for you” – an image to describe the crappy little plane.

The visual mime joke about the way he walks. This is just a joke about how miming an action has to be quite specific because different mimes suggest different things. You have to watch the video.

You go through the wooden door and someone goes ‘beep’. The security is so basic that it’s just a person saying ‘beep’, not a security system.

The comparison between the pilot and his Dad, which highlights how small and cosy the flight was, while also having nostalgiac comedy value. Sometimes comedians will get lots of laugh from inciting the audience to just remember something from the past – like old mobile phones described in detail or in this case those memories of going on holiday with your parents. Comedians often do this – describe shared past memories in detail and the audience gets a pleasant nostalgic thrill from it.

The other thing is just making observations, with a specific attitude. This is the basis of a whole form of stand up comedy – observational humour. Lots of comics do this. Just observe or notice specific details about commonly experienced things, and express them with an attitude (usually questioning the strangeness of these small details we all experience). Jerry Seinfeld is the master of this. Eddie Izzard does it a lot, and in this routine he does quite a lot of this – talking about the safety routines on planes, the lifejacket and so on. We can all relate to this. Also, the juxtaposition of these familiar things in such a small plane.

Questioning the logic behind the term ‘bird strike’ and renaming it ‘engine suck’, and then voicing the thoughts of birds who team up to take down aeroplanes. For some reason they are portrayed like brave young WW2 era British pilots, like in the battle of Britain.

Then there’s the whole scene with the pilot and his secret supply of biscuits. I don’t really know why this is funny – I can’t explain it. I just enjoy Eddie’s account of arguing with the pilot and the reasons why they should or shouldn’t be allowed to share the chocolate biscuits.

Then the cheeky ending in which he dies, which is a playful deconstruction of first person story archetypes. Of course it’s impossible for him to have died at the end of the story. In the video I love the cheeky look on Eddie’s face at this point.

I just love Eddie.

Did I mention that I met him and had dinner with him earlier this year? Just saying…

Jerry Seinfeld – Airplane Flights
This is a famous comedy routine by one of the most well-known comedians in the world, but I shouldn’t build it up because it could end up being an anti-climax. Don’t expect too much, just try to follow what he’s saying. Basically, Jerry talks about various aspects of airports and flying, zoning in on some of the more ridiculous or pointless aspects of that experience. Observational comedy. Here are the observations. For me, it’s all about Jerry’s delivery, timing and choice of words.

Jerry’s Observations

  1. Jerry sarcastically points out that the people who work in airport security are quite incompetent and unmotivated, and probably not very bright. He wonders why the staff are so bored and lazy, using sarcasm.
  2. He describes the fact that the woman you typically see at security is quite fat and her trousers are stretched almost to breaking point. This would be quite cruel if it wasn’t so well worded. Jerry has a reputation for being a clean comic, but if you look more closely he is actually quite aggressively anti-social. He holds the whole world in contempt, which is hugely enjoyable because let’s face it – we hate queueing up in the airport and having to listen to the safety announcement. He’s just voicing the thoughts we all have in our heads in those situations. “What’s with these people? I mean, really?”
  3. He suggests that the x-ray machine is useless because it’s impossible to identify any objects, and the guy looking at the screen is unable to identify any bombs or weapons or anything.
  4. He wonders why the taps (or faucets) in airports have those special ‘on-off’ buttons. Why don’t they have normal taps? Don’t they trust us to use normal taps?
  5. He wonders why sandwiches are sooo expensive in airports.
  6. He wonders why the pilot tells us everything he’s going to do, and in a self-satisfied voice. We don’t need to know really. All we care about is that we get to our destination.
  7. He observes that the safety announcement is patronising – as if we need to be told how to open that old fashioned belt buckle. Of course he doesn’t mention this is explained to us for legal reasons, instead focusing on the fact that it’s just odd and annoying the way we are patronised so much in these situations.
  8. He notices that the stewardesses are very vague when pointing out the emergency exits during the safety announcement. The arm movements are always pretty vague aren’t they? It also looks like some sort of musical number in a Broadway production.
  9. He mentions that everything on the plane is tiny, even the language they use to diminish problems during the flight.
  10. He points out the idiosyncrasies of the aeroplane toilet, particularly the presence of a hole for razor disposal. Who is shaving on these flights?



Jerry Seinfeld – Airplane Flights

But I love to travel. I love it whether it’s a car or whether it’s a plane.

I like to get out there, I like to keep it moving.

I love airports. Feel safe in the airports thanks to the high caliber individuals

we have working at X-ray security.

How ’bout this crack squad of savvy motivated personnel?

The way you wanna setup your airport’s security, is you want the short, heavy set women at the front with the skin tight uniform.

That’s your first line of defense.

You want those pants so tight the flap in front of the zipper has pulled itself open, you can see the metal tangs hanging on for dear life.

Then you put the bag on the conveyor belt. It goes through the little luggage car wash.

Then you have the other genius, down at the other end, looking at the little X-ray TV screen.

This Eistein has chosen to stand in front of X-rays 14 hours a day as his profession.

Looking in that thing…

I have looked in that TV screen. I cannot make out one object.

He’s standing there… “What is that? A hairdryer with a scope on it?”

“That looks ok. Keep it moving.”

“Some sort of bowling ball candle? Yeah, I got no problem with that, just…”

“You know, we don’t wanna hold up the line.”

So, I go to the bathroom in the airport.

What is the story on the sinks in airport bathrooms that they will not give us a twist-it-on twist-it-off, human-style faucet?

Is that too risky for the general population?

Too dangerous? We gotta install the one-handed, spring-loaded, pain-in-the-ass Alcatraz-style faucet.

You know, those ones you gotta go: “Hey, boy I got a little water there”

“Hey I got a couple of drops.”

What is it they think we would do with a faucet?

Turn them all on full, run out into the parking lot,

laughing, pushing each other into the bushes?

“Come on, the water’s on, let’s go!”

“I turned it on full blast.”

“You idiot! We’re businessmen, we’re gonna miss our plane.”

“Who cares! Water!”

That’s how they think we’re gonna act.

Do the people that work in these little shops in the airport have any idea what the prices are every place else in the world?

“Yeah, $14 a tuna sandwich. We think that’s fair.”

Then you get on the plane. The pilot of course always has to come on the PA system.

This guy is so excited about being a pilot, he can’t even stand himself.

“Well, I’m gonna take it up to about 20,000.”

“Then I’m gonna make a left by Pittsburg.”

“Then I’m gonna make a right by Chicago.”

“And then I’m gonna bring it down to 15,000.”

He’s giving the whole route, all his moves.

We’re in the back going: “Yeah, fine.”

“You know, just do whatever the hell you gotta do. I don’t know.”

“Just end-up where it says on the ticket, really.”

Do I bother him with what I’m doing?

Knocking on the cockpit door: “I’m having the peanuts now.”

“Yeah, that’s what we’re doing back here.”

“I thought I’d keep you posted.”

“I’m not gonna have them all now, I’m just gonna have a few.”

“I don’t wanna finish it because it’s such a big bag.”

Then the stewardesses have to come out.

They have to do their little emergency equipment show.

You know, that thing they do. One of them reads it, the other one acts it out.

“Hey, we have seatbelts and oxygen masks.”

“Things for you to use.”

They show you how to use the seatbelt, in case you haven’t been in a car since 1965.

“Oh, you lift up on the buckle! Oh!”

“I was trying to break the metal apart.”

“I thought that’s how it works.”

“I was gonna try and tear the fabric part of the belt.”

“I thought if I could just get it started…”

Then they’re always pointing out the emergency exits,

always with that very vague point though, isn’t it?

“Where the hell would these places be?”, would you say.

The plane’s at a 90 degrees angle, your hair is on fire,

you’re looking for this.

How you think you’re gonna do there?

She’s thinking: “I’m getting out before you’re getting out.”

“You’re dead, you’re dead, I’m gone.”

Then they always have to close that first class curtain, too.

They always give you that little look.

“Maybe if you had worked a little harder… I wouldn’t have to do this.”

It’s all a tiny world on the airplane, isn’t it?

There’s always that little tiny table there, tiny computer,

little cramped seats, tiny food, tiny utensils,

tiny liquor bottles, tiny bathroom, tiny sink, tiny mirror, tiny faucet.

So, there’s a small problem, there’s gonna be a slight delay,

we’re gonna be a little late.

I always go in the airplane’s bathroom, even if I don’t have to go,

I gotta go in there.

It’s nice. It’s like your own little apartment on the plane, isn’t it?

You go in there, lock the door, the light comes on after second.

It’s like a little surprise party.

But I’m always impressed with the amount of equipment that they have in that place.

I mean it’s little, but they got tissues, towels, closets, compartments,

tiny slot for used razor blades. They always have that.

Who is shaving on the plane?

And shaving so much they’re using up razor blades?

Is this what’s happening?

What? Is the wolf man flying in there, for Christ’s sakes?

Who could shave that much?

What’s funny about this?

Well, it’s the wording, the timing, the delivery, the world-weary attitude, the fact that I know exactly what he means, and all the observations he points out.

I simply suggest that you listen again, and read the transcript and buy “I’m Telling You For The Last Time” on CD or DVD. It’s a masterclass in observational comedy.

The stuff about the staff is sarcastic. He describes them as ‘high-calibre’, ‘Einstein’ and ‘geniuses’ when in fact they’re quite the opposite. My favourite line is “Look at this crack squad of savvy motivated personnel.” A crack squad is a specialised team, like a team of excellent soldiers. The best of the best. ‘Savvy’ means that they have expert knowledge. ‘Motivated’ you know, and ‘personnel’ is a professional word to refer to members of staff. He’s describing them like a highly skilled team of experts. Obviously, they appear to be lazy, unmotivated and unambitious.

The bit about the x-ray machine always cracks me up. He describes the thoughts of the ‘Einstein’ who has chosen to sit in front of an x-ray machine for 14 hours a day. The guy is looking into the screen, completely misidentifying dangerous items – “What is that? A hairdryer with a scope on it?” – This is clearly some kind of gun.

“That looks ok. Keep it moving.”

“Some sort of bowling ball candle? Yeah, I got no problem with that, just…” – This is obviously a bomb.

But he lets all of them through.

Voicing the decision making process of the people who priced the sandwiches always amuses me. “14 dollars a tuna sandwich? Yeah we think that’s fair.” It’s clearly unfair, and  ‘it’s funny because it’s true!’

I love the bit where he voices the smug pilot explaining the route,

This guy is so excited about being a pilot, he can’t even stand himself.

“Well, I’m gonna take it up to about 20,000.”

“Then I’m gonna make a left by Pittsburg.”

“Then I’m gonna make a right by Chicago.”

“And then I’m gonna bring it down to 15,000.”

He’s giving the whole route, all his moves.

We’re in the back going: “Yeah, fine.”

“You know, just do whatever the hell you gotta do. I don’t know.”

“Just end-up where it says on the ticket, really.”

Do I bother him with what I’m doing?

Knocking on the cockpit door: “I’m having the peanuts now.”

I love that bit about “I’m having the peanuts now”

 

It goes on.

To be honest, it’s just a class act, it really is. I hope you enjoy it. That’s the point, it’s for your enjoyment. Sometimes it’s worth remembering that you should just go with this kind of comedy. Don’t try too hard to understand it on a deep level or anything. Just enjoy the delivery, the choice of words, the to and fro with the audience, the rhythm of the comedian telling jokes and constructing stories and the audience coming back with laughter at regular intervals. It’s very pleasant and pleasing to me. I can’t imagine something better to listen to as a way of improving your English, except just any episode of LEP of course ;)

Ric Elias – 3 Things I Learned When My Plane Crashed

This is not a stand-up routine, it’s just an awesome true story and we love engaging true stories on LEP don’t we? I thought it would be a good way to end this episode of the podcast.

This is an account of someone who was on board US Airways Flight 1549 which had to crash land in the Hudson River after a bird strike during take-off from LaGuardia airport in 2009. The pilot was a real hero as he managed to land in the Hudson River with no loss of life.

Here the storyteller reflects on what it is like to face your death, and what he learned from that. It’s worth remembering that we shouldn’t take anything for granted!

Ric Elias – 3 Things I Learned When My Plane Crashed

[ted id=1130 lang=en]

Imagine a big explosion as you climb through 3,000 ft. Imagine a plane full of smoke. Imagine an engine going clack, clack, clack, clack, clack, clack, clack. It sounds scary. Well I had a unique seat that day. I was sitting in 1D. I was the only one who could talk to the flight attendants. So I looked at them right away, and they said, “No problem. We probably hit some birds.” The pilot had already turned the plane around, and we weren’t that far. You could see Manhattan. Two minutes later, three things happened at the same time. The pilot lines up the plane with the Hudson River. That’s usually not the route. (Laughter)He turns off the engines. Now imagine being in a plane with no sound. And then he says three words –the most unemotional three words I’ve ever heard. He says, “Brace for impact.” I didn’t have to talk to the flight attendant anymore. (Laughter) I could see in her eyes, it was terror. Life was over.

1:22
Now I want to share with you three things I learned about myself that day. I learned that it all changes in an instant. We have this bucket list, we have these things we want to do in life, and I thought about all the people I wanted to reach out to that I didn’t, all the fences I wanted to mend, all the experiences I wanted to have and I never did. As I thought about that later on, I came up with a saying, which is, “I collect bad wines.” Because if the wine is ready and the person is there, I’m opening it. I no longer want to postpone anything in life. And that urgency, that purpose, has really changed my life.

2:02
The second thing I learned that day — and this is as we clear the George Washington Bridge, which was by not a lot — I thought about, wow, I really feel one real regret. I’ve lived a good life. In my own humanity and mistakes, I’ve tried to get better at everything I tried. But in my humanity, I also allow my ego to get in. And I regretted the time I wasted on things that did not matter with people that matter. And I thought about my relationship with my wife, with my friends, with people. And after, as I reflected on that, I decided to eliminate negative energy from my life. It’s not perfect, but it’s a lot better. I’ve not had a fight with my wife in two years. It feels great. I no longer try to be right; I choose to be happy.

2:52
The third thing I learned — and this is as your mental clock starts going, “15, 14, 13.” You can see the water coming. I’m saying, “Please blow up.” I don’t want this thing to break in 20 pieces like you’ve seen in those documentaries. And as we’re coming down, I had a sense of, wow, dying is not scary. It’s almost like we’ve been preparing for it our whole lives. But it was very sad. I didn’t want to go; I love my life. And that sadness really framed in one thought, which is, I only wish for one thing. I only wish I could see my kids grow up. About a month later, I was at a performance by my daughter — first-grader, not much artistic talent … … yet. (Laughter) And I’m bawling, I’m crying, like a little kid. And it made all the sense in the world to me. I realized at that point, by connecting those two dots, that the only thing that matters in my life is being a great dad. Above all, above all, the only goal I have in life is to be a good dad.

4:06
I was given the gift of a miracle, of not dying that day. I was given another gift, which was to be able to see into the future and come back and live differently. I challenge you guys that are flying today, imagine the same thing happens on your plane — and please don’t — but imagine, and how would you change?What would you get done that you’re waiting to get done because you think you’ll be here forever? How would you change your relationships and the negative energy in them? And more than anything, are you being the best parent you can?

4:40
Thank you.

4:42
(Applause)

He described the crash landing as a miracle, but was it really?

What do you think?

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flightstories

241. Film Club: Star Wars

“Luke’s Film Club” continues with one of my all-time favourites: Star Wars! In this episode I’m going to ramble on about the Star Wars franchise, including the original trilogy (episodes 4-6), the prequel trilogy (episodes 1-3) and the upcoming new trilogy (episodes 7-9). If you’re a Star Wars fan, this one’s for you! If you don’t like Star Wars, I hope this episode will give you some idea of why people are so crazy about these movies. [Download]

Small Donate ButtonContents
In this episode I talk about these things:
– The new Star Wars Episode VII Trailer
– A history of the Star Wars films
– An overview of the storyline for the original trilogy and prequel trilogy
– Some reasons why I like the original films so much
– Some sound effects from the films!

Videos
Here’s the Episode VII Teaser Trailer

Here are some must-see video reviews of the prequel trilogy by RedLetterMedia. For me, these explain (in a very funny way) exactly what is wrong about episodes 1-3. They’re genuinely brilliant reviews, which must have taken a long time to make.



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236. OPP: Other People’s Podcasts (Part 1)

This episode is about other people’s podcasts that I love listening to and that I’d like to share with you. [Download]

Small Donate ButtonThis episode is not about podcasts for learners of English. It’s also not about podcasts made by LEPPERS. It’s just some podcasts that I love to listen to and that I’d like to share. They aren’t for learners of English specifically. This could mean they’re hard to understand for you. However – it could be really good for you to at least try listening to one of these podcasts and see if they click with you. It could be really good for your English, especially if there’s one that really grabs your attention.

I listen to podcasts on my phone, or on my mp3 player when I’m out and about or when I’m doing something. How about you?

LEPPER Podcasts
Zdenek’s English Podcast
Guillaume’s English Podcast (www.talk2learn.ch)
Chris’s English Podcast
Learning with Myself
There’s also a Skype group which you can find out about in the forum. Click here for the LEP Skype thread in the forum.

My Favourite Podcasts
jcwn10. Wireless Nights with Jarvis Cocker (UK)
I just started listening to this so I don’t have much to say except:
– I discovered it on the BBC podcasts website (http://www.bbc.co.uk/podcasts) by just browsing and clicking.
– Jarvis Cocker is great. He used to the lead singer in a band called “Pulp” who were one of the biggest bands in the UK during the 90s (and after). They were one of the top bands in the musical movement known as Britpop, along with groups like Oasis and Blur. Jarvis is a really cool guy. He’s intelligent, ironic, humorous and has really wide-ranging interests. He’s pretty much interested in everything. Also, he’s my neighbour! I recently discovered that he lives just two doors away from me here in Paris and in fact I see him in the street sometimes.
– The podcast is called “Wireless Nights with Jarvis Cocker” and it covers all kinds of different topics. They’re all like mini-documentaries in which he deals with different subjects each time, all with the aim of “taking listeners on a nocturnal journey around stories of night people.” So, it has this cool, late-night atmosphere in which you go on a little journey into a fascinating new world. Recent episodes have covered subjects like The Moon (including tales of people who have somehow been touched by the various manifestations of the moon, including astronauts who actually walked upon its surface) and this one from last week: “In front of a studio audience, Jarvis Cocker and the BBC Philharmonic weave tales of insomnia, nocturnal inspirations and dark imaginings from the world of classical music – against the backdrop of a President embroiled in the Vietnam War.”
– It won the Prix Italia for Extraordinary Originality and Innovation, a top European radio prize. Originally broadcast on BBC Radio 4.
– Let’s listen to a bit from his most recent episode. Play the intro to the Moon episode.

adamandjoe9. Adam & Joe (UK)
This was my absolute favourite podcast for a few years, and it’s probably the podcast that inspired me more than any other. I’ve talked about Adam & Joe on the podcast before (in an episode about anecdotes). Unfortunately they’re not doing the podcast any more, which is a great pity, but they’re all still available in iTunes – not all of them, but what is available is a kind of ‘best of’ selection. By the way – avoid the Adam&Edith episodes – they’re crap, but all the Adam&Joe episodes are great.
– They’re comedians, radio & TV presenters, Joe is a film director.
– Personally I like the podcast because I feel that I’m totally on the same wavelength as them. Their humour is both stupid and clever at the same time. They observe a lot of funny details about life in the UK and typical experiences that everyone shares, like going to the cinema, how it feels to come back from holiday or going to the doctor. The podcast is full of amusing little jingles and ironic jokes. Adam & Joe have been friends since childhood and that really comes through on the podcast. They’re quite childish but really sweet, funny and charming.
– Play a clip called “Bikes on a train / Posh bloke”

041811browimage8. John Lennon – The Rolling Stone Interviews (UK)
As well as being a great musician, John Lennon was also a fascinating speaker. I find all of The Beatles to be really interesting and funny, but John is the one who catches my attention more than the others. Paul is great, but I often get the sense that he’s being careful about his public image and putting on a slightly contrived ‘upbeat’ persona in interviews. George was very funny, dry and honest – in a similar way to John, but sometimes he could be a little bit evasive as well, and his spiritual beliefs could dominate his interviews. Ringo is great but doesn’t really have that much to say. John is perhaps the most open and honest of The Beatles – in a way that draws you into his heart and mind, revealing his vulnerability, his anger, his intelligence and his humour too. He had an extraordinary life, from childhood all the way through to his untimely death. This set of podcasts is an audio interview he did for Rolling Stone magazine in 1971, and it catches him at quite a vulnerable period in his life. At that time he was still dealing with the breakup of the Beatles, attempting to find a place for himself in the world, breaking down the Beatles myth and setting himself up as an individual in his own right, with Yoko Ono by his side. He’s outspoken, sincere, angry, defensive, aggressive, humorous, and passionate in these conversations. If you’re a Beatles fan, this is essential listening because it gives you real insight into the innermost thoughts and feelings of John Lennon, but if you’re not a Beatles fan I think you’d still find this fascinating because it is such an open, honest and frank interview with one of the most extraordinary people of the last century. The audio quality is a bit sketchy because this is taken from the original tape recording of the interview. The interviewer is not really audible – his questions are very quiet, but John’s answers are easy to hear.
Listen to:

startalk-radio-show-by-neil7. Startalk Radio (USA)
Neil De Grasse Tyson is an astrophysicist with a talent for speaking in a very accessible, engaging and entertaining way about science. His podcast deals with all kinds of different subjects from a scientific point of view. For example, he did one all about zombies, one explaining scientific errors in films and others about robots, aliens, hip hop and sex. He brings intelligent guests onto his show, and is almost always joined by a comedian called Eugene Merman who provides some light comic relief. Ultimately, Tyson inspires your thirst for knowledge and wonder and also provides us with a sense that science can be a kind of spiritual pursuit, or certainly a very meaningful and emotional thing, not just a cold and soulless subject. He’s also very funny!
– Listen to the clip “The most astounding fact about the universe”
– Listen to another clip in which he deals with a question about UFOs

did6. Desert Island Discs (UK)
This is an absolute institution on BBC Radio. This programme has been broadcast on the BBC for over 70 years, with a format that has basically remained unchanged for that whole period. As a child the radio was often playing in the kitchen at home and often this is the programme that would be on. It’s now part of the landscape of not only my childhood, but so many other children too. For me it is on the same level as The Beatles, Doctor Who, BBC News and all these other cultural landmarks of my life and childhood over the years.
It’s basically just an interview programme with a twist. The twist is that we, the interviewer and the guest all imagine that the guest is going to be sent to live on a desert island for the rest of their life. The guest (or ‘castaway’) is allowed to take a few things with them – namely, 8 pieces of music, a book and a luxury item. In the interview they talk about their life, explain their musical choices (usually these relate to specific moments or feelings from their life) and explain their choice of luxury item. The format is a success because it creates an intimate atmosphere in which the interviewee is encouraged to share deeply personal reflections on their life so far, and we get to listen to some of their favourite music too. It’s absolutely delightful and a great way to get under the skin of each guest, and there have been some really great guests on the show.
The interviewer has changed a few times. It used to be a woman called Sue Lawley, who spoke with a crisp RP accent. Now it is presented by Kirsty Young who comes from East Kilbride in Scotland. Kirsty’s accent is absolutely delicious – I mean, it’s very lovely to listen to (and it helps to know that she’s a very attractive and intelligent woman). She very deftly and carefully manages to ask some very revealing questions and guests are usually more than glad to take part and share themselves with the audience. The combination of Kirsty’s lovely accent, her intelligent questioning, the candid intimacy of the guests and the little bits of music we can hear make for a really rewarding listening experience. It’s a BBC podcast so the sound quality is excellent.
You can either subscribe to the current podcast with all the latest DID episodes, or search through the DID archives. I’d recommend that you search through the archives and find names of people you know, like Sir Michael Caine, Ricky Gervais, Steve Coogan, Morrissey or Emma Thompson.
Listen to: Morrissey
Search for Desert Island Discs in YouTube.

Click here for part 2.
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OPPPIC

234. Making “Choons” with My Brother

Hi everyone, how are you doing? In this episode I’m joined again by my brother James. The last time you heard from him he was talking about how he had dislocated his shoulder after falling off his skateboard. In this episode he gives us an update on his shoulder injury and then we talk about the music (his “choons”) that he has been making recently. What is a “choon”? Basically, it’s a “tune” – a piece of music, typically a piece of dance music, hip-hop, house music, drum & bass or techno. When you hear a really good tune, it’s quite typical to say “Ah this is a CHOOOON!” My brother makes instrumental hip-hop CHOONS. You can hear him talking about his music making process in this episode. [Download this episode] [Update 2021: Jim has lots of new music on Bandcamp which you should check out here –> https://jimthompson.bandcamp.com/music ]

Small Donate ButtonJim’s Choons
Jim is quite modest about his music making, but for years he has been quietly producing lots of instrumental hip-hop on his own using an old Akai MPC2000, which is a bit of music making hardware used by some of the most well known hip-hop, drum and bass and techno producers from the past 15 years or more. Jim bought a second-hand MPC2000 about 5 years ago and he’s been learning how to use it, producing lots of tracks, and they’re getting better and better all the time, and now he’s at a point where he’s released a 10 track album which is available for purchase online via the website Bandcamp – click here to listen to or download his albums. He doesn’t like to talk about his stuff too much because it’s very personal, but in this episode he was quite willing to talk about how he comes up with ideas and how he then turns them into pieces of music. In our conversation you’ll hear us using various technical language related to music and music production.

Download Jim’s Album
Jim’s album is available here: Jim’s page on Bandcamp
You can download it free, or if you think he deserves to be paid, you can choose to purchase the music and you can choose the price! $0 – $1,000,000 – it’s your choice.

Listen to Jim’s tune “Sympathy” (Unofficial remix of “Life’s a Bitch” by Nas) on YouTube here:

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229. Zombies! (Part 2)

This is the second in a 2-part series all about zombies. In part 1 I talked about the zombie in popular culture, analysis of the zombie as a metaphor and then some rules for surviving the zombie apocalypse. To listen to part 1 – click here. In episode 2 I’m going to take a couple of zombie survival quizzes and then do a language focus on conditionals. [Download]

Small Donate ButtonPart 2: Zombie Survival
The Zombieland 32 Rules of Zombie Survival
Pick a survival quiz and go through it.
The Ultimate Zombie Apocalypse Survival Quiz
The Walking Dead Survival Test

Part 3: Conditionals
I’m going to explain them and give examples. For pronunciation you should repeat the sentences after me. Listen for connected speech and weak forms.

Generally speaking, conditionals refer to sentences with an ‘if’ clause (the conditional clause) and a consequence clause. Sometimes other conjunctions are used, like ‘when’, ‘as soon as’ or ‘unless’.

0 Conditionals
These are used to refer to facts that are always true and the consequences that always happen. It’s a present tense in the ‘if’ clause and a present tense in the consequence clause. For example, “When the sun comes up, the day begins” or “When the sun goes down, the night-time begins and all the evil monsters come out!”
Sometimes we use “when” instead of “if” and this just emphasises that this always happens. Using “if” suggests that it doesn’t always happen, but nevertheless the consequence is always the same. “If I talk about zombies, my girlfriend gets scared”. You could also say, “Every time” or “whenever”.

Also, we can use imperatives in the conditional clause. “If I get bitten, shoot me in the head before I turn into a zombie.”

1st Conditionals
These are used to talk about a future event (which you think is likely) and its logical consequence. It uses a present tense in the ‘if’ clause and a future form in the consequence.
*Don’t put ‘will’ (or any future form) into the ‘if’ clause.
“Shh! Be quiet! If you make too much noise you’ll attract more zombies!”
“If we see another zombie again I’ll lose my mind”
Use ‘when’ to emphasise that you think it’s definitely going to happen.
“When we arrive, we’ll need to check all the rooms for walkers”
Use ‘as soon as’ to emphasise that the consequence will happen immediately.
“As soon as he comes in the room, I’ll smash him in the head with this baseball bat!”

2nd Conditionals
Use these when you’re talking about hypothetical future or present events – not the past. For the future it means things that you don’t expect to happen, but you’re speculating on them anyway. If you think they’re likely, use 1st conditionals. If you think they’re unlikely, use a 2nd conditional. Use a past tense in the ‘if’ clause and then would in the other clause.
*Don’t put ‘would’ in the if clause.
“If I met a zombie in real life, I’d probably be fine”
“You’d be screwed if you met a zombie in real life”
“I reckon I’d survive if a zombie outbreak happened”
It’s also for imagining an alternative present.
“If I was a zombie I’d just stay at home.”
“If I were you I’d get yourself a weapon.”

3rd Conditionals
Here we are imagining an alternative past. It’s not the real past, but a hypothetical one. Use ‘had + past participle’ in the ‘if’ clause and then ‘would + have + past participle’ in the other clause. This one’s tricky because of all the auxiliary verbs.
“If you hadn’t saved me I would have been absolutely fucked” (You saved me and I wasn’t absolutely fucked)
“If he’d been more careful he wouldn’t have got bitten”.
“We wouldn’t have survived very long if we hadn’t stayed together!”

Mixed Conditionals
This could be a hypothetical past action with a present result.
“If he’d been more careful he’d be alive today”

Or a hypothetical present with a past result (yes it’s possible).
“If the government wasn’t so corrupt, this would never have happened.”

That’s it!

228. Zombies! (Part 1)

This is part 1 of a two-part series about zombies! Right-click here to download.

Small Donate ButtonThis episode is all about zombies – the undead, flesh eaters, walkers, biters, the infected – whatever you want to call them, zombies have become an indelible part of our popular culture now. There are zombies in the cinemas, zombies on TV in shows like AMC’s The Walking Dead, zombies in computer games, zombies online, even zombie walks in which people get together in large groups in order to dress up like zombies and walk around going “uhhhhh”. We’re pretty obsessed by zombies, and I am too. I love zombies and zombie films. Maybe that makes me some kind of sick and twisted individual, but I’m not alone. In fact, I think that zombies are perhaps as popular and present in our culture as vampires and ghosts. But, what is some of the history behind the zombie phenomenon? Where do they come from? What do they want? Why are we obsessed by zombies? How can you survive if zombies really attack? And, how do we talk about zombies in English? That’s the focus of this extra-special and extra-creepy episode of Luke’s English Podcast.

This episode is in 3 parts (and 2 episodes). In the first part we’re going to examine the zombie as a popular cultural phenomenon, then in the second part I’m going to test my survival skills by taking a zombie survival quiz. You can join me as I make various decisions that will affect my chances of surviving the zombie apocalypse. In part 3 we’re going to consider some conditional structures. That’s 0, 1st, 2nd, 3rd and mixed conditionals.

Part 1. The Zombie in Popular Culture
Zombies seem to be more popular than ever, but why? (The Walking Dead, zombie films like Zombieland, Shaun of the Dead and computer games like Left 4 Dead or Resident Evil)

The origin of the word “zombie”.
The concept has been popularly associated with the Vodou religion, but it plays no part in that faith’s formal practices.
In Haitian folklore, a zombie is an animated corpse raised by magical means, such as witchcraft. Zombies featured widely in Haitian rural folklore, as dead persons physically revived by the act of necromancy of a bokor sorcerer (the bokor is a witch-like figure). Zombies remain under the control of the bokor as their personal slaves, since they have no will of their own. Some people say that zombie voodoo magic is real, but others claim that it’s just a chemical or hypnotic control of a living person – causing them to act like mindless slaves of the bokor sorcerer. That’s certainly very creepy and fascinating from a social, biological, chemical and psychological point of view.

The history of zombies in movies and games
There were a few books and films made in the 1930s that used the voodoo legend to create creepy stories, but it wasn’t until I Am Legend, a 1954 horror fiction novel by American writer Richard Matheson and then principally the film “Night of the Living Dead” by George A. Romero that zombies properly entered popular culture. Romero’s film created the image of the zombie that we know today: dead people who return from the grave – the undead, who pray on the living and feed on their flesh, a world in chaos, the individual against masses of brainless enemies. One of the most interesting things about Night of the Living Dead is the subtext of the film. The hero is a black man in America, during the era of the civil rights movement. The ending is particularly relevant as we see that not only does the hero have to deal with the zombies, he also has to deal with the living and their prejudice.

George A. Romero went on to make a number of other zombie films, and really defined the genre and the whole zombie subculture, including most of the ‘rules’ for zombies and the general standards by which all other zombie culture is measured. The thing about zombie movies, and zombie culture in general is that there is always some kind of subtext – a criticism of consumer culture, a comment on the horror of the uneducated masses or the brainlessness of the population at large. For example in his 1978 classic “Dawn of the Dead” the main characters find shelter in a large shopping mall. The zombies too choose to go to the mall, but only out of some distant memory of being alive – they brainlessly walk around the mall in death just like they brainlessly walked around the mall in life. I suppose the subtext is that consumer culture is turning us into mindless mall zombies – unable to think for ourselves, acting like sheep, easily manipulated by marketing, branding and the allure of materialism.

Computer games took over from movies in the 1990s with the release of the Japanese computer game series “Resident Evil” which perfectly captured the lingering dread, the sudden horror and enjoyment of the zombie subculture. Resident Evil…

Then around the millennium we got Danny Boyle’s film “24 Days Later” which brought back zombies, but with a twist. They’re now able to run really fast! This re-booted zombie movies and it wasn’t long before we got a remake of Dawn of the Dead complete with running zombies.

The genre began to ‘eat itself’ and got even more postmodern with the brilliant comedy/horror/romcom (zom-rom-com) “Shaun of the Dead” which was directed by Edgar Wright and starred Simon Pegg and Nick Frost. This is such a brilliant film as it combined the romantic comedy with the zombie movie. In it we follow Shaun, who is not going anywhere in his life. In fact, he is becoming increasingly like a zombie by not challenging himself, being lazy and unabitious, getting stuck in a routine. His girlfriend dumps him and he has to grow up, realise his responsibilities, change his life and try to get her back. While this is all happening to him he doesn’t realise that London has become over-run with zombies. He ends up having to battle them while also saving the girl he loves. It works on lots of levels, it’s quite scary and it’s really funny.

More recently the film Zombieland was a big hit. That was an American made comedy featuring zombies and it’s definitely worth checking out. Now we have the massive hit TV show “The Walking Dead” which is one of the most successful American shows on TV at the moment. At it’s worst it’s just a soap opera with zombies. At it’s best it is a terrifying look at the ways in which people have to survive genuine hardship – how it unites people, how it tests courage and fortitude and how it can test the limits of a person’s morality.

Rules of Zombies
Like vampires, zombies have rules too. Let’s just evaluate those rules.
They’re ‘undead’, meaning they were dead and have come back to life.
You have to die to become a zombie.
Usually you become a zombie by being bitten by one. The bite kills you by infecting you with a virus and then you turn into a zombie.
Usually zombies are caused by some kind of virus, but the outbreak can have more mysterious origins.
Often the cause of the outbreak is somehow connected with the actions of secretive government departments. It’s usually the government’s fault. They’ve been doing medical tests, testing on animals, or have caused some kind of radiation leak that somehow causes the dead to come back to life and start feeding on the living.
Zombies have a taste for human flesh, not dead flesh, although they have been known to feast on recently deceased bodies.
They don’t have super powers, although their powers are a bit ambiguous. Do their muscles retain their full strength? Probably. What actually causes them to move? We’re not always sure. I think it’s an infection of the central nervous system which causes the brain to ‘turn’ and then operate the muscles, usually with one intention – to feed on living flesh, especially brains.
How do you kill a zombie?
You have to remove the head or destroy the brain. That’s it.
Zombies are quite sensitive to sound, and they can see.
If you don’t do that, the zombies will keep on coming, even crawling across the floor without legs.
Some things I’m not sure of: How long can zombies keep going? Can they swim? Is it possible to hide among zombies if you copy them? If you remove their jaws and teeth do they become harmless?

What do zombies represent to us? Some different ‘readings’ of the zombie as a metaphor.
– Disease or viral infection
– The herd mentality of people in society – mindless followers of religion, politicians, or social convention and the way that zombies want to annihilate individuality.
– The drudgery of every day life. Habits turn us into zombies.
– Consumer society and cultural imperialism.
– Fear of overpopulation and the potential for catastrophe, or natural disaster.
– Blaming the establishment (it’s usually due to a failing by the government, or some big thing which is out of the control of ordinary people)
– USA Libertarian fantasy
– Back to basics fantasy
– Post-apocalyptic fantasy

Part 2: Zombie Survival
The Zombieland 32 Rules of Zombie Survival

That’s it! Click here for episode 229. Zombies! (Part 2)
Videos
Nick Frost & Simon Pegg’s Guide to zZombies:
Part 1
Part 2
Part 3

225. Film Club: “Taken”

This episode is all about the film “Taken” starring Liam Neeson as an ex-CIA agent who uses his ‘particular set of skills’ to save his daughter who is kidnapped while on a trip to Paris. Right-click here to download.

Small Donate ButtonYou might remember hearing me talking about this film in a recent episode of the podcast with my friend Corneliu. Remember that? Well, I’m a little bit obsessed by this film, and I talk about it in my stand-up shows, so I’ve decided to devote this episode just to this subject: The film Taken, starring Liam Neeson.

For ages on LEP I’ve been talking about doing episodes about films. I’ve done some movie themed episodes before, but this is the first episode in what I hope will become a series devoted to some classic moments from cinema history. (What Luke, another series – how many series have you started now? – accents, slang, British Comedy, Your English Podcast)
I’ve decided to call the series “Luke’s Film Club” or LFC. (Not Liverpool Football Club)
I could easily have called it “Luke’s Classic Movie Moments” but my brother thought that sounded too American, which put me off slightly. I quite like “Luke’s Classic Movie Moments” or LCMM, for short, so that is the other name of this series.
So, welcome to “Luke’s Film Club” or LFC, which is also known as Luke’s Classic Movie Moments, or LCMM.

taken-filmIn each episode in this series we’re going to look at a classic moment from the movies, and in this one I’ve decided to focus on “Taken” (2008) starring Liam Neeson. Director: Pierre Morel
Writers: Luc Besson, Robert Mark Kamen.

Plot synopsis: A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.

Score on IMDB: 7.9/10
Score on Rotten Tomatoes: 58%

This is not one of the greatest works of cinema history. It’s certainly not Citizen Kane or The Godfather or anything. To be honest, it’s a slightly trashy exploitation thriller which pushsd emotional buttons in order to keep you engaged throughout. It has revived the career of Liam Neeson, who is a great actor with a lot of screen presence and gravity. I think Liam Neeson is one of the greatest actors of his generation. Perhaps his most famous role is from Schindler’s List, but he’s been in plenty of other movies and has worked with some of Hollywood’s top talent, including George Lucas, Ridley Scott and Christpher Nolan. Since making Taken, Neeson has become somewhat typecast as this kind of brooding, revenge obsessed middle aged man. He’s made several sequels (Taken 3 is coming soon) and a couple of other similar films since this one.

Now, why have I chosen to bang on about Taken for a whole episode. Well, if you’ve seen the film, you’ll probably agree that it was a wild ride – it’s a thrilling film, but when you think about it, it’s quite ridiculous, and has some very questionable ethics and undertones of racism. But for some reason we’re all expected to leave our brains at the door, and not think about that stuff too much. It pushes some rather strong emotional buttons, and that makes you ignore the dodgy politics and subtext of the film.

I expect a lot of you have seen it because it was a big hit around the world, but many of you won’t have seen it. If you haven’t seen it then don’t worry – I’ll explain the plot and other details you need to know. I should say “Spoiler alert” at this moment – which is something you say before you give away the details of the plot before people have seen it. Don’t worry though, because in my opinion it’s impossible for me to spoil this film. Honestly, it can’t be spoiled. If you’ve seen the trailer for the film you’ll know exactly what happens, and it’s still enjoyable. In fact, the title of the film tells you all you need to know: “Taken” – his daughter is taken (kidnapped) and he does everything he can to get her back. That’s it. It’s a ride, with very few surprises along the way. It does exactly what it says on the tin.
“It does exactly what it says on the tin”

So in this episode we’re going to hear a classic moment from this film, and then I’m going to give you my viewpoint on the film as a whole, and then we’ll go back to analyse some of the language in the classic scene.

You might be thinking: Luke, you’re thinking about it too much. Don’t over-analyse it. Well, I find it hard to leave my brain at the door when I see films and I don’t think I should. Why should I stop thinking when I see a film? No, I like to analyse and intellectualise films, and I LOVE to intellectualise trashy movies like this one. One of my favourite things is to sit around with friends and just take the piss out of a film while watching it. I studied films at university and I learned that any film can be analysed as a text and that everyone is free to take their own interpretation of a movie. I also love talking about films and popular culture in my stand-up routines and I find that they’re a great source of comedy.

So let’s deal with Taken.

1. The classic moment: “I will find you, and I will kill you.”

2. Taken: My point of view (it’s a rant really)

3. Intonation & Sentence stress from the classic scene. (plus some versions in different accents)

The Classic Moment -“I will find you, and I will kill you”
Liam Neeson is a retired CIA agent. While his daughter is on holiday in Paris she is kidnapped. He manages to speak to one of them on his mobile phone. This is his only opportunity to speak to the kidnappers and then save his daughter.

The speech

I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t, I will look for you, I will find you, and I will kill you.

[after a long pause] Good luck.

Taken Kill Map

Here’s a review of “Taken” from my favourite film review podcast Mark Kermode & Simon Mayo’s Film Review.

222. Luke’s Late Night Podcast (Music Mix)

Take a musical trip through Luke’s hard-drive, in the middle of the night. Right-click here to download this episode.

Small Donate ButtonLate one night recently, I decided to record a podcast while randomly picking some pieces of music from my hard-drive and talking to you at the same time. This is the result.

There’s no language agenda in this episode in particular. It’s just me talking to you about various things while interspersing the episode with some music and other bits and pieces from my hard-drive.

Any music or other content in this episode is presented for educational purposes as part of my effort to aid people in their learning of English and culture.

Below you can read lyrics of some songs from this episode if you’d like to read to check your listening comprehension or pick up vocabulary.

Thanks for listening.

p.s. Competition Update: Voting closes this evening, and then I will count votes and eventually publish an episode with the names of the winner(s). Thanks for voting!

Song Lyrics

Arctic Monkeys – “Mardy Bum”
Buy “Mardy Bum” on iTunes here.
Well, now then Mardy Bum
I’ve seen your frown
And it’s like looking down the barrel of a gun
And it goes off
And out come all these words
Oh there’s a very pleasant side to you
A side I much prefer

It’s one that laughs and jokes around
Remember cuddles in the kitchen
Yeah, to get things off the ground
And it was up, up and away
Oh, but it’s right hard to remember
That on a day like today when you’re all argumentative
And you’ve got that face on

Well, now then Mardy Bum
Oh I’m in trouble again, aren’t I?
I thought as much
‘Cause you turned over there
Pulling that silent disappointment face
The one that I can’t bear

Well, can’t we just laugh and joke around
Remember cuddles in the kitchen
Yeah, to get things off the ground
And it was up, up and away
Oh, but it’s right hard to remember
That on a day like today when you’re all argumentative
And you’ve got that face on

Yeah I’m sorry I was late
But I missed the train
And then the traffic was a state
And I can’t be arsed to carry on in this debate
That reoccurs, oh when you say I don’t care
But of course I do, yeah I clearly do!

So laugh and joke around
Remember cuddles in the kitchen
Yeah, to get things off the ground
And it was up, up and away
Oh, but it’s right hard to remember
That on a day like today when you’re all argumentative
And you’ve got that face on

Black Sabbath – “The Wizard”
Buy “The Wizard on iTunes here.
Misty morning, clouds in the sky
Without warning, the wizard walks by
Casting his shadow, weaving his spell
Funny clothes, tinkling bell

Never talking
Just keeps walking
spreading his magic

Evil power disappears
Demons worry when the wizard is near
He turns tears into joy
Everyone’s happy when the wizard walks by

Never talking
Just keeps walking
spreading his magic

Sun is shining, clouds have gone by
All the people give a happy sigh
He has passed by, giving his sign
Left all the people feeling so fine

Never talking
Just keeps walking
spreading his magic

Charles Bukowski – “The Life of the King”
Unfortunately I can’t find the lyrics to this, but here is a video featuring Bukowski reading his poem “The Life of the King”, if you’d like to listen to it again.

Curtis Mayfield – “Pusherman”
Buy “Pusherman” in iTunes here.
I’m your mama, I’m your daddy,
I’m that nigga in the alley.
I’m your doctor when in need.
Want some coke? Have some weed.
You know me, I’m your friend,
Your main boy, thick and thin.
I’m your pusherman.

Ain’t I clean, bad machine
Super cool, super mean
Dealin’ good, for The Man.
Superfly, here I stand.
Secret stash, heavy bread,
Baddest bitches in the bed,
I’m your pusherman

Silent life of crime
A man of odd circumstance,
A victim of ghetto demands.
Feed me money for style
And I’ll let you trip for a while.
Insecure from the past,
How long can a good thing last?
No, no, no

Got to be mellow, y’all
Got to get mellow, now
Pusherman gettin’ mellow, y’all

Heavy mind, every sign
Makin’ money all the time
My LD and just me
For all junkies to see
Ghetto Prince is my thing
Makin’ love’s how I swing
I’m your pusherman

Two bags, please
For a generous fee
Make your world what you want it to be
Got a woman I love desperately
Wanna give her somethin’ better than me
Been told I can’t be nuthin’ else
Just a hustler in spite of myself
I know I can break it
This life just don’t make it
Lord, Lord, yeah

Got to get mellow, now
Gotta be mellow, y’all
Got to get mellow, now

I’m your mama, I’m your daddy,
I’m that nigga in the alley.
I’m your doctor when in need.
Want some coke? Have some weed.
You know me, I’m your friend,
Your main boy, thick and thin.
I’m your pusherman.
I’m your pusherman.
I’m your pusherman.
I’m your pusherman.
Lord, Lord

Victor Wooten – “Music as a Language” Click here for a version with subtitles.

220. A Cup of Tea with Corneliu Dragomirescu

aka “The Son of the Dragon Tamer!” or “The guy with the longest name ever on LEP”
*The conversation starts at 11.39 – so please skip my introduction if you like* Right-click here to download.

Small Donate ButtonThis is one of those episodes in which I invite a friend onto the podcast and we chat about various things. I like these episodes because it gives me a chance to get to know someone on the podcast, and you can listen to some natural free-flowing conversation in English.

Let me tell you a bit about Corneliu. He is a film maker and comedian originally from Romania. He lives in France now where he writes, directs, produces and acts in films and television projects. Corneliu is a polyglot (he speaks Romanian, French and English), he’s a movie-buff and an he’s an all-round great conversationalist and therefore is the perfect guest for another episode of LEP.

Corneliu also has the longest name of anyone ever to appear on LEP so far. His name (first name and surname, but not including middle names) has 9 syllables in it. As far as I know, that’s longest so far on LEP. It’s not a competition or anything – I mean, that’s not the purpose of LEP – to find the guy with the longest name, but still, it’s an achievement of sorts.

Speaking of competitions – thank you for voting for your favourite recordings in the YEP! series of podcasts – episodes 211-218. I’m getting votes all the time. Voting closes at midnight Paris time on 30th September of this year, that’s 2014. I’ll then count the votes and announce the winners – yes, winners. I’ve decided that there will be a winner from each episode. That’s how I roll, okay? Also, if you were wondering about how I will be counting votes, and if I can prevent people voting for themselves again and again – I can see unique codes for every person who comments, so I know when comments are coming from the same computer again and again. I’m not going to count votes which are obviously repeated votes from the same computer, either intentional ones or accidental ones. So, you can put your mind at rest on that one, if indeed you had been thinking about it.

Thank you too if you have left a comment on my last episode which was about Scottish Independence. It’s great to see that lots of people are interested in this subject, and can see parallels with the situations in their countries too in some cases. The referendum is going to take place tomorrow. We’re all waiting with bated breath to see what happens. Will Scotland leave the union? Is the UK as we know it going to change forever? Will the Scottish people make the right decision? Only time will tell.

Now, let’s get back to this episode. Corneliu is an awesome bloke with a proficient level of English and I’m really happy to have him on the podcast. I invited him into the flat and onto the podcast with the intention of asking him some of the usual questions, such as “What do you do?”, “How did you manage to learn English to your current level?”, “Could you tell us about the common myths around your home country?” We ended up chatting for something like 2 hours and got sidetracked by all kinds of interesting things including films, his son, the fall of communism in Romania and 90s pop music. In fact, it felt like it was hard to contain the inspiration in this episode, and the conversation flowed very freely. I hope that comes through in this episode.

Sometimes I find it a bit tricky to begin an episode, and I have to work out a little introduction, but in this one we had already been chatting over a pot of tea for about half an hour and I just hit the record button mid conversation, so we just hit the ground running at the beginning. If you “hit the ground running” it means you start when you’re already moving or in progress. Imagine running in the air, and then you fall, you’d hit the ground running and you’d immediately be off at some speed. That’s what happened in this episode – we hit the ground running because we were already quite deep in conversation and I just hit the record button. That’s why the episode begins quite abruptly.

You will hear a bit of strong language at the beginning – so be prepared for that. I say the “F” word quite early on. What’s the “F” word? Well… it’s the word “Fuck” isn’t it? It’s a bit silly to call it the “F” word – but I suppose it’s a way of referring to the word without actually saying it, because, you know that is a very rude word which you shouldn’t use because it’s not big and it’s not clever. I realise that I’ve just said the word, just a second ago, which defeats the purpose of warning you about the word in the first place… Anyway, you’ll hear me say it in a moment, in the form of the noun phrase “a fuck up” or “a couple of fuck ups”. “to make a fuck up” (noun phrase) = a mistake or “to fuck something up” (verb phrase) = to do something badly, to make a mess of something, to make an error and ruin something. It’s a versatile word – but remember, just because you’ve heard it on LEP it doesn’t mean you should start throwing it around in conversation. Ok, I don’t mean to patronise you, I just felt it was necessary to say that. Anyway, let’s now join my conversation with my mate Corneliu. And here it is…

In Part 1:
– Hitting the ground running, and talking about the challenges of beginning an episode of LEP
– How to say Corneliu’s full name, and how it actually means ‘son of the dragon tamer’, and how awesome that is
– How we know each other
– My (slight) obsession with the film “Taken” starring Liam Neeson
– Fatherhood, Star Wars and how lack of sleep caused Darth Vader turned to the dark side of the force
– The birth of Corneliu’s son Alexander
– The fall of communism in Romania and the film “Independence Day”
– The shock of discovering that Milli Vanilli were fake
– The effect of pop music & capitalist culture on Romania after communism
– Throwing a TV out of a window
– Seeing Hollywood films in Romania in the early 90s
– “Chaplin” by Richard Attenborough, starring Robert Downey Junior
– Martin Scorsese
– Summarising what we’ve said in part 1 so far!

Coming Up In Part 2 (soon):
– The difference “pleasshure” and “pleasure”, “bio” and “B.O.”
– The importance of ‘passion’ in France
– Jamie Oliver’s (fake?) cockney accent
– British & American English
– Corneliu’s experiences in America, his acting and his accent
– Corneliu’s learning experiences with a great teacher when he was a child
– The interesting course-book which Corneliu used in his English lessons
– The myth of ‘the English gentleman’
– Depictions of Englishness in films
– Stereotypes of Romania
– Romania & Bulgaria’s entry into the EU and the media panic related to migrant workers
– Vampires, Dracula and Romania

Please leave your comments in response to this episode! We want to read your thoughts here. Thank you!