Category Archives: Story

202. British Comedy: Monty Python & The Holy Grail

[The Constitutional Peasants Scene] Here’s another episode about Monty Python’s Flying Circus, and in this one we’re going to be covering some very interesting topics, such as medieval history, old myths legends & folklore, the British monarchy, marxism and radical politics. In terms of language we’re going to look at some old fashioned formal poetic language, some political vocabulary and also some intonation and sentence stress, and we’ll be doing all of that while understanding and hopefully enjoying a funny scene from a classic British comedy film. So, you really are getting everything in this episode (well, maybe not everything but you know what I mean). A lot of this is transcribed at teacherluke.co.uk. If you find this episode on the website you’ll also see a video, a script for that video and more information. So let’s get started. Right-click here to download this episode.

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Last time I did an episode about Monty Python we had a look at a sketch from the TV show. There are many more sketches which I hope to come back to in the future, but in this episode I’m going to focus on a scene from their first feature film, which is called “Monty Python & The Holy Grail”.

As a reminder: Do consider purchasing MP DVDs, CDs, audio & video downloads and even tickets to see live a live broadcast of their stage show. Details here: http://www.montypythonlive.com

Please remember – this is not a blog post, but an audio podcast episode. To get the full explanations and detail of this episode, you should listen to the whole podcast episode!

Monty Python & The Holy Grail
When was it made, who directed it, and all that stuff?
In 1975. It was written by all the Monty Python team but was directed by Terry Gilliam and Terry Jones. The two Terries were quite controlling & ambitious and decided they wanted to be in charge of the film, and in fact, during the production I think they agreed that the film could be directed by anyone called ‘Terry’, as an effort to keep control of the film.

What’s it about?
It’s about King Arthur’s search for the Holy Grail. It’s set in the 10th century – the middle ages, or ‘dark ages’, a time of mystery and legend! King Arthur is a legendary King of Britain. The legend of Arthur dates back to the 5th & 6th centuries and the story of Arthur has been told many times since. Historians disagree about whether Arthur really existed or not. In the stories, Arthur is said to be the magical leader who defended Britain against real and supernatural enemies. He carried a magical sword called Excalibur, which was given to him by a mysterious spirit known as The Lady of the Lake. The Lady of the Lake is an important figure in the Arthurian legend – she’s a kind of magical woman who got her powers from the wizard Merlin. She’s a bit like Galadriel in the Lord of the Rings stories. In Arthur’s story, This lady emerges from a lake, holding Excalibur and then presents it to Arthur, and in so doing chooses him as the rightful leader of the Britons. It’s hardly a democratic way to choose the executive commander of Britain, but that’s how things were done back in the 5th century!

The Grail in this story is another aspect of Arthurian legend. Apparently, this grail once carried the blood of Jesus, and was sent by Joseph to Britain where it would be protected. Perhaps this is true, perhaps this is just a myth, but the grail is still a potent symbol in British folklore, either as a connection to Jesus, or as a magical cup which can give magical powers to whoever drinks from it (it’s the same cup in the Indiana Jones movie “Indiana Jones and The Last Crusade”)

What happens in the film?
Arthur is sent on a mission by God to find the Holy Grail.
He travels around Britain, visiting castles and collecting a group of knights to help him on his quest.
It’s just an excuse to visit lots of old castles and film a bunch of medieval themed sketches.
Most of it was filmed in Scotland, and the scenery is absolutely beautiful.
It was filmed on a budget of just $400,000, which is tiny in comparison to today’s standards. The Hangover 3, for example, had a budget of $103 million!
The film was financed partly by rock stars Pink Floyd, Led Zeppelin and Elton John.
It’s now considered one of the funniest British comedy films of all time, and in 2005 it was used by Eric Idle as the basis for the Monty Python musical “Spamalot” which you can see in theatres in London and around the world.
There are a few classic sketches in the film, and I’d like to play one of them for you.

“Constitutional Peasants” – King Arthur Has an Argument with Some Left-Wing Peasants
Arthur is travelling the land, trying to recruit knights to join him on his quest. He visits lots of castles. In this scene, he is approaching a castle, and meets some peasants working on the land. The peasants appear to just be collecting mud & filth from the floor in a field. They’re disgusting & dirty, and yet surprisingly articulate in the language of politics (which is part of the joke). King Arthur decides to ask them for information about the owner of the castle. The peasants don’t give him any useful information. Instead he gets into an argument with one of the peasants about the constitution, monarchy, democratic government and the oppression of the masses in an absolute monarchy.

Constitutional Peasants – Video (you’ll find a script below)

What’s So Funny About This?
One of the funny things about this scene is the anachronism (I mean, the fact that different time periods are mixed up). The king is from the medieval period, but the peasants are basically modern working class people. So it mixes up people from different time periods. The scene also mixes two different speech registers and two different political ideologies as the characters represent different political systems, and we see them argue. It’s unexpected because peasants in the middle ages were unaware of Marxist ideology, and certainly wouldn’t have been intelligent or educated enough to criticise the system in such an articulate way. Arthur speaks in a poetic & medieval way, and represents the system of absolute monarchy which was in place at the time. The peasant speaks like a modern left-wing radical using ideas founded by Karl Marx in the 19th century.

It’s also a joke about conventions of movies or stories set in medieval times in which peasants are always presented as old, dirty and inarticulate servants of the king. When these peasants speak like Marxists from the modern era, it’s quite a surprising & amusing shock.

I realise that now I’ve explained this scene, you probably won’t find it that funny, because explaining humour takes all the immediate fun out of it, but so be it. If you get the humour, good for you! The main thing is: We’re learning English aren’t we, so let’s focus on understanding the scene before trying to see the funny side. This scene is very rich in vocabulary, in either a poetic medieval register, or the language of left-wing politics. Listen to it once to see if you understand it all, and then I’ll explain it all to you afterwards. If you find any of it funny, then that’s a bonus as far as I’m concerned. :)

Vocabulary & Explanations
So, in a nutshell, King Arthur wants to know who lives in the castle, and he asks a couple of peasants, but they don’t help him. Instead he gets involved in an irritating argument about the exploitation of the working classes in this medieval monarchy.

Concepts
There are a few concepts which we need to study in order to fully appreciate this scene. Let’s look at some of those concepts before listening to the scene again. These concepts relate to different constitutional frameworks – I mean, different ways in which a country can be run. We’re talking about political systems like ‘absolute monarchy’, ‘democracy’, ‘Marxism’ and ‘anarchism’.

Absolute Monarchy – in this case a king (monarch) is not elected, but gets their supreme power by divine provenance. This means that the monarch has a special agreement with god. God has chosen the monarch to be the leader of these people. Usually, this is tied to old mythical stories which involve some supernatural intervention in which the king is chosen by god. In the case of King Arthur this was when he was given a holy sword (Excalibur) by a magical & mythical woman called The Lady of the Lake. The story goes that this lady is a kind of supernatural & mythical spirit who holds magical and religious authority. In the story she walks out of a lake and presents Arthur with his magical sword, which signifies that he is the divine ruler of Britain. Most monarchies justify their existence by suggesting they have some kind of special connection to god. In this sketch, Arthur believes he is the rightful ruler of the Britons because of his divine right given by god.

Democracy – in this case, the people give executive power (decision making power) to a representative by voting for him/her. The people give this leader a ‘mandate’ – which means a responsibility to run the country. It’s the government by the people, of the people and for the people. Churchill said that democracy is not perfect, but it’s better than the alternatives. In the UK today we have a democratic monarchy, which is basically a democracy (we vote for MPs in elections) but with a monarch as head of state with almost no executive power. The Queen has very minor powers, and she doesn’t exercise them. It’s like there is an understanding between parliament and the monarchy that the monarch just lets parliament run the country. The monarch doesn’t interfere. That’s the way our country works. Some people are concerned that Prince Charles might decide to exercise his power if/when he becomes king, which could cause a constitutional crisis, but that’s another story for another time.

Marxism – this isn’t really a constitutional system, but an political ideology, or a way of understanding the way in which most industrial/post-industrial capitalist systems work. Karl Marx was a German born philosopher, economist, sociologist and historian who basically stated that the ruling classes manage to maintain control of the system by owning the means of production, and that the working classes are therefore dominated and repressed. The only way in which true equality can exist is if the people own their own land, their own factories and the means of producing goods. His ideas formed the basis of many left-wing political models including communism, and also form the basis of many criticisms of the capitalist system in general. In the UK, we sometimes associate Marxist ideologies with certain types of people. Although their views may be valid, I think most ordinary people find Marxists to be a bit extreme and even boring – banging on about politics and the class system all the time, while not necessarily doing anything about it.

Anarchism – this is the idea that there should be no leaders at all, and in fact no formalised system of government or state at all. Instead, local communities should be run by free and open groups with no leader. The idea is, that formalised governments, or power structures are essentially corrupting – that when power is given to one or several representatives, elected or not, that this ultimately will corrupt them and that this leads to inequality. So, anarchists argue that there should be no system at all, and that people should be free to govern themselves in a completely open way – without adopting any kind of political ideology or dogma. For me, in principle this sounds great, but on a practical level it sounds chaotic, confusing and impractical. Ultimately, it would be great to remove the corrupting power of government, but are we ready for it? We’d need an intelligent and activated population. Education is key. The problem, to an extent, is that many people don’t really care about these issues and instead just find political discussion boring, therefore making it very hard for true anarchy to take effect. A bit like Marxism, many people find anarchists to be either boring, confusing or somehow threatening to normal life.

Vocabulary
OK, so we’ve looked at some ideological concepts at the heart of this sketch, but we’re not finished because there’s plenty of language to deal with too. It’s complex isn’t it!? You see – British comedy is intelligent and deep, particularly Monty Python. It’s not just weird.

Here’s some vocabulary that you should know in order to understand this sketch further. Remember that Arthur speaks in old fashioned language, and Dennis the peasant speaks like a modern man with radical political opinions. Listen to the episode to hear all the bold words defined.

What knight lives in that castle over there?
– a knight is (in the Middle Ages) a man who served his sovereign or lord as a mounted soldier in armour. In this context it means a leader.
you automatically treat me like an inferior

exploiting the workers!
– exploiting means to benefit unfairly from the work of (someone), typically by overworking or underpaying them: “women are exploited in the workplace”.

hanging on to outdated imperialist dogma which perpetuates the economic and social differences in our society
-dogma = a principle or set of principles laid down by an authority as incontrovertibly true: the dogmas of faith | [ mass noun ] : “the rejection of political dogma”.

Dennis, there’s some lovely filth down here.

I didn’t know we had a king. I thought we were an autonomous collective.
– autonomous = • having the freedom to act independently: “school governors are legally autonomous”.

You’re fooling yourself. We’re living in a dictatorship: a self-perpetuating autocracy in which the working classes–
– an autocracy = a system of government by one person with absolute power.

Oh, there you go bringing class into it again.

Please! Please, good people. I am in haste. Who lives in that castle?

Dennis: I told you. We’re an anarcho-syndicalist commune. We take it in turns to act as a sort of executive officer for the week,…
Arthur: Yes.
Dennis: …but all the decisions of that officer have to be ratified at a special bi-weekly meeting…
Arthur: Yes, I see.
Dennis: …by a simple majority in the case of purely internal affairs,…
Arthur: Be quiet!
Dennis: …but by a two-thirds majority in the case of more major–
– ratify = sign or give formal consent to (a treaty, contract, or agreement), making it officially valid. “both countries were due to ratify the treaty by the end of the year”.
– a simple majority = this candidate receives more votes than anyone else (but it doesn’t have to be more than 50% of all votes cast) e.g. if Obama, Bush & Clinton are in an election and Clinton gets 40% and Obama & Bush get 30% each, Clinton gets a simple majority. She just gets more votes than the others.
– a two-thirds majority = at least 66% of all the votes
– an absolute majority = at least 51% of all votes

Woman: Well, how did you become King, then?
Arthur: The Lady of the Lake,… [angels sing] …her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water signifying by Divine Providence that I, Arthur, was to carry Excalibur. [singing stops] That is why I am your king!
– samite = a rich silk fabric interwoven with gold and silver threads, used for dressmaking and decoration in the Middle Ages.

Dennis: Listen. Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.

I mean, if I went round saying I was an emperor just because some moistened bint had lobbed a scimitar at me, they’d put me away!

Dennis: Oh! Come and see the violence inherent in the system! Help! Help! I’m being repressed!
Arthur: Bloody peasant!
Dennis: Oh, what a give-away. Did you hear that? Did you hear that, eh? That’s what I’m on about. Did you see him repressing me? You saw it, didn’t you?

What I love about this is that it’s a well written script, with different types of English and it manages to mock both the idea of a medieval monarchy, and also the irritating verbosity of political radicals. Monty Python are making fun of history & taking the piss out of everyone, while at the same time celebrating the language. Complex language, delivered at speed by colourful characters is at the heart of the humour in this sketch.

Intonation & Sentence Stress
I really enjoy the performances in this scene – particularly Michael Palin who plays Dennis the peasant. The lines are delivered with quite exaggerated and characterful intonation and sentence stress. To highlight this, I’m going to read the script of this scene, just to make it a bit clearer. You could listen to the original version again in order to, hopefully, appreciate it a bit more.

Constitutional Peasants – Script
Arthur: Old woman!
Dennis: Man!
Arthur: Man. Sorry. What knight lives in that castle over there?
Dennis: I’m thirty-seven.
Arthur: I– what?
Dennis: I’m thirty-seven. I’m not old.
Arthur: Well, I can’t just call you ‘Man’.
Dennis: Well, you could say ‘Dennis’.
Arthur: Well, I didn’t know you were called ‘Dennis’.
Dennis: Well, you didn’t bother to find out, did you?
Arthur: I did say ‘sorry’ about the ‘old woman’, but from the behind you looked–
Dennis: What I object to is that you automatically treat me like an inferior!
Arthur: Well, I am King!
Dennis: Oh, King, eh, very nice. And how do you get that, eh? By exploiting the workers! By hanging on to outdated imperialist dogma which perpetuates the economic and social differences in our society. If there’s ever going to be any progress with the–
Woman: Dennis, there’s some lovely filth down here. Oh! How d’you do?
Arthur: How do you do, good lady? I am Arthur, King of the Britons. Whose castle is that?
Woman: King of the who?
Arthur: The Britons.
Woman: Who are the Britons?
Arthur: Well, we all are. We are all Britons, and I am your king.
Woman: I didn’t know we had a king. I thought we were an autonomous collective.
Dennis: You’re fooling yourself. We’re living in a dictatorship: a self-perpetuating autocracy in which the working classes–
Woman: Oh, there you go bringing class into it again.
Dennis: That’s what it’s all about. If only people were aware of–
Arthur: Please! Please, good people. I am in haste. Who lives in that castle?
Woman: No one lives there.
Arthur: Then who is your lord?
Woman: We don’t have a lord.
Arthur: What?
Dennis: I told you. We’re an anarcho-syndicalist commune. We take it in turns to act as a sort of executive officer for the week,…
Arthur: Yes.
Dennis: …but all the decisions of that officer have to be ratified at a special bi-weekly meeting…
Arthur: Yes, I see.
Dennis: …by a simple majority in the case of purely internal affairs,…
Arthur: Be quiet!
Dennis: …but by a two-thirds majority in the case of more major–
Arthur: Be quiet! I order you to be quiet!
Woman: Order, eh? Who does he think he is? Heh.
Arthur: I am your king!
Woman: Well, I didn’t vote for you.
Arthur: You don’t vote for kings.
Woman: Well, how did you become King, then?
Arthur: The Lady of the Lake,… [angels sing] …her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water signifying by Divine Providence that I, Arthur, was to carry Excalibur. [singing stops] That is why I am your king!
Dennis: Listen. Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.
Arthur: Be quiet!
Dennis: Well, but you can’t expect to wield supreme executive power just ’cause some watery tart threw a sword at you!
Arthur: Shut up!
Dennis: I mean, if I went round saying I was an emperor just because some moistened bint had lobbed a scimitar at me, they’d put me away!
Arthur: Shut up, will you? Shut up!
Dennis: Ah, now we see the violence inherent in the system.
Arthur: Shut up!
Dennis: Oh! Come and see the violence inherent in the system! Help! Help! I’m being repressed!
Arthur: Bloody peasant!
Dennis: Oh, what a give-away. Did you hear that? Did you hear that, eh? That’s what I’m on about. Did you see him repressing me? You saw it, didn’t you?

185. The Trip to New York

As promised, here is a description of my holiday in The Big Apple! In this episode I tell you what I did, what I saw and what it was like for me. You can read some vocabulary in the notes (not necessarily full sentences) that I’ve added below. There’s a slideshow of photos at the bottom if you fancy looking at that.

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Ambient music in the background – Bloom app by Brian Eno
This is an experiment to see how it sounds and how it affects the episode. I put music on in the background from time to time just to give episodes another element. This might make you fall asleep! I hope not. Well, if you do fall asleep we can blame the music and not me! The music is made using an app developed by Brian Eno. It’s a really clever app that allows you to compose ambient music that slowly loops and evolves over time.

Holiday Stories
People’s holiday stories can be boring, especially if they go to the beach.
People sometimes bore you with holiday photos, or even worse a long video of their holiday.

I certainly hope that this episode holds your attention. It should, because NYC is a very vibrant and interesting place and there are lots of things to say about it. You’ll also hear me using all kinds of phrases and vocabulary during the episode – the sort of language that is used to describe a holiday or a trip, or language for describing places and experiences, although I have not formally planned to teach you any specific items of vocabulary, we’ll just see what comes up.

So, let’s start.
I went in April, and that’s about 6 weeks ago. It’s still pretty fresh in my memory.

Times Square

Times Square

Context: I’ve lived in a few cities. London, Yokohama/Tokyo, Paris, Liverpool. I’ve also visited quite a few other cities, like Berlin, Barcelona, Milan, Rome, Oslo, Ho Chi Min City and others. Each city has its own unique atmosphere, story and appeal. New York though seems to be like the king of cities. I’ve never been to Moscow, Sao Paolo, Madrid, Prague, Seoul (except the airport) or many many other places. One day I would love to go. New York sticks in my imagination as the king of cities though. Perhaps it just has the best marketing – with all the movies and so on. But overall, New York seems to be the best example of a modern metropolis – a super-city.

Also, there are different levels of experience you can have when you visit a place. If you’ve lived there all your life, you’ll know one version of it. If you are a permanent resident, but you’ve lived in other places, you’ll have a different perspective, and if you’re just visiting as a tourist you’ll have another vision. As a tourist I realise I’m just scraping the surface really. The reality of living there must be quite different. I expect it can be a tough place to live just like anywhere else. NYC is know for being quite a stressful place for its residents, with the stereotype of the impatient New Yorkers who rush around, shouting “I’m walking here!” or desperately trying to get a cab, or arguing with someone in the street. Also, New York must hold lots of secrets for the people who know it well. The best places to go, the best food joints, the shortcuts though the streets, and the little tricks that you pick up regarding how to get by in the city. For example, in London you learn fairly quickly that you’re expected to do things in a certain way. Queueing etiquette, how to book a table, areas in town that you should avoid at certain times. So, as a tourist I was just scratching the surface. But NYC has a lot to offer to everyone – either permanent residents or temporary visitors. It’s a vast, sprawling place which has many faces. It’s pretty clear by now that I loved it and I think it’s incredible.

How does New York compare to the USA as a whole.

Why New York? Why not one of the other wonderful places in the world?

The flights
The in-flight entertainment
What it’s like being on a plane for about 7 hours. What are the difficulties and what are the joys?
I pissed off a stewardess and she ignored me forever after that.
They’re not so much there to serve you, but to dictate to you what you must do. She felt like Nurse Ratchet.
“I need you to turn that off for me please”
In-flight entertainment – Walther Mitty, All Is Lost – made me cry. Why do we get more emotional when we’re in the air?
Best and worst places to sit?
Fears about landings and take-offs?
Jerry Seinfeld – Airports & Flying (Seinfeld is the king of observational comedy and this is a classic routine about airports & flying.)

Arriving in America
Views of cars from the air. Big American cars.
Immigration – long queue, quite strict staff (I need you to turn off that cell phone! – Sir! Put the cell phone away! I’m turning it off. You don’t need to turn it off, just put it in your paaackit. etc)
Made jokes with the immigration officer guy. “Is he with you?” “No” Do you have children sir. “Not as far as I know” “Now would be a weird time to find out”…
Arriving in the airport – the first thing that hit us – the smell of french fries, and ketchup. That was the first smell. We took the train – quite loud and aggressive announcements to put bags up, but we couldn’t.
People were immediately friendly and helpful.
We got off at the wrong stop and ended up in New Jersey.
Arrived in Penn station finally – in the middle of Manhattan. Classic New York. Big buildings, yellow cabs, Madison Square Garden. Lots of people.
Everything is BIG!
Buildings, cars and PEOPLE.
Some people seem to be kind of square in shape.
Some classic NYC accents – train staff, police officers, a girl who helped us buy train tickets.
Cab ride to our neighbourhood. Looking out the window at the skyscrapers.
TV in the back of the cab.
Dropped off in our neighbourhood – lower East side. Clinton Street.
Quite downmarket & a bit rough, but very cool and hip. It felt safe, and very trendy. Organic cafes serving bagels and good coffee.
It felt like 100 movies and TV shows.
We were pretty knackered when we arrived.
We unpacked and then discovered the area a bit.

Katz Deli
The first thing we did was go to a place called Katz Delicatessen, which is a famous place for several reasons. 1. It has featured in a few films, notably “When Harry Met Sally”. 2. The food is amazing, particularly the pastrami sandwich. Massive amounts, really delicious. Just what the doctor ordered.
The place was amazing. Super friendly service. Full of locals.

Brooklyn
Sesame Street vibe.
Flea market.
Buildings.
Brownstones. Stoops.
Cops taping off an area with yellow police lines. NYPD Blue?
Ate lunch on steps listening to soulful house music blaring out of a speaker in the market, while a bearded hipster mended fixie bikes and mixed-race families let their kids run around and dance to the music. It was cool and hipsterish, but really it was a good atmosphere with a community spirit.
It reminded me of London – but a massive London on steroids.
Some areas were similar. Brooklyn felt a bit like South London, or the trendy parts of East London. Soho felt exactly like Soho, but massive. Times Square was like Leicester Square/Piccadilly Circus, but much bigger. Parts of Broadway felt like Oxford Street, but, yes, much bigger.
Everything is bigger – have I already said that?
Food portions & drinks – which is convenient because you can always order the small size.
Drink bottles are about 25% bigger than back home.
We walked back from Brooklyn to Manhattan via Williamsburg, which is a super-cool area full of very trendy people and hipster shops and cafes etc. It was very sunny and hot. On the way back we stopped near the river to rest. There was a large open area with a sports field, grass, and bars with big barbecues outside. Lots of people were drinking and eating in the sun, and there was an amazing view of the Manhattan skyline across the river in front of us.
We kept walking and came across a latin bar that was playing loud Salsa music, and loads of people were drinking and dancing outside the bar. This was just on a street corner near the Williamsburg bridge. It was about 6pm. I realised how multicultural the place is. There’s a large latin community and it’s reflected int he music. In fact, New York is famous for its diverse music. There’s the afro-American thing, the latin thing, disco and hip hop, a Caribbean influence, a jazz tradition, funk & soul music and also a folk and rock music tradition. It all combines to create a pretty brilliant melting pot. One of the cool things was to listen to music coming out of people’s cars. All of it sounded good.
The street where we stayed – cars blaring out music.
Took a taxi over Williamsburg Bridge.

Skyscraper district
The cool things about skyscrapers or big buildings that are on the skyline (and Mt Fuji in Japan) is that you see them from lots of different angles in the city. You can be walking around any part of New York and you’ll catch the Empire Stage Building or the Chrysler Building from a new angle and it immediately gives that area a kind of distinction. It happens in London now too. You can see The Shard from the north, south, east and west.
We took the subway to the central part of town and just walked around with our jaws on the floor. Amazing buildings towering above us.
I expected to see Spiderman flying between the buildings or something. We made our way to the Rockefeller Plaza and took a lift way up to the top. The Top of the Rock as it’s called. There’s an amazing view from up there. You can see the entire city and all the skyscrapers. Don’t go up the Empire State because you can’t see The Empire State Building, which is one of the coolest buildings in the city.

Shopping
I bought some shoes.
“Sneakers” as they call them in the states. In NY everyone wears sneakers.
I don’t know why they call them that.
I don’t think anyone’s using them for sneaking. (Walking quietly, like a robber)
It’s not like everyone in New York is going “Shhh! You’ve got to walk quietly! This is New York! don’t make too much noise!”
In the UK we call them “trainers”. I don’t know what I’m training for. Maybe to get some better shoes.
“Sports shoes” although I’m pretty sure I won’t be doing any sport. Probably the opposite of sport – just standing around & drinking.
Customer service culture.
Everything is massive.
Big salads.
You can just buy a small anything. Small drink, small coffee, small salad.

Metropolitan Opera House
Madame Butterfly. Amazing visuals. Beautiful opera house – art deco design. Modern, but classic. Lovely open space and some chic New Yorkers in the audience. The stage is big and it was well used in the production. It was directed by Anthony Minghella – a British director who directed The English Patient, Cold Mountain etc. His films seem to tell similar stories – lovers who are separated by large distances and who live with the impossible hope of reuniting with their lovers. Madame Butterfly tells a story like this. To be honest, I wasn’t impressed by the story, and the script was pretty awful in my opinion. Maybe it’s because it’s a translation from Italian, and because it’s opera. It’s a different medium, not like cinema. Perhaps it’s not about the script, but about the visuals, and the singing. It’s probably more impressive in Italian. Anyway, I found the script and story to be pretty cheesy, and pretty stupid in fact. I don’t mean to be a philistine or anything, but let’s have a quick look at the story. It’s mainly the characters who I don’t like, I think. I fail to see the romance in it, and instead I just see people being really irresponsible. Story…

Weather
Sunny, then snowing and freezing! (It seems that the weather is pretty variable everywhere these days)
Freezing our asses off, and hiding in a meatball bar – drinking beer and eating spaghetti & meatballs while a small storm raged outside. Bliss!

Madison Square Garden & The Basketball Game
The Chicago Bulls vs The New York Knicks.
Amazing American Entertainment. The good and the bad. The food, the constant entertainment. Is it just an excuse to eat hot dogs?

Central Park
It’s like Hyde Park really, but bigger. The combination of the skyline and the greenery is very appealing. It makes you think of all kinds of Hollywood films. It also makes me think of John Lennon and Yoko Ono walking around in the late 1970s. We saw the disco dancers and roller skaters, and the other performers. It’s very crowded and full of tourists.

Other Highlights
The Comedy Cellar + Seeing Louis CK!

The Highline
Wall Street
Wholefoods Supermarkets
Getting fit from walking
Old buildings – it must get very cold
Classy restaurant in Soho

The McKittrick Hotel & “Sleep No More”
It was a surprise.
This turned out to be one of the strangest and mysterious experiences I’ve had for a long time.
The McKittrick Hotel is a 6 or 7 storey building which has been converted into a bar on one floor, and the rest of the floors have been taken over by a theatre company from London called “PunchDrunk”. They’ve converted all these rooms on all these floors (about 100 rooms) into an elaborate and interactive theatre space. Every evening a performance takes place within this space, and you as the audience can just walk around, exploring the space, investigating rooms, and there is a whole performance also going on around you. Sometimes you see performers, sometimes you follow them around from room to room observing the action from inside the space. The closest thing I could compare it to, was a computer game such as Resident Evil 2, or other suspenseful horror mystery games.
Go through the experience from the beginning – that may be the best way to explain it.
Queue up – normal restaurant or night club in New York.
When you enter – you leave your coats, and a silent woman gives you a playing card. I got number 13, and my girlfriend got a different card. Then we walked into a corridor and it was really dark. We laughed a bit at this because the illusion was beginning. We walked up stairs and into a bar, but it was like a scene from Twin Peaks. There was a girl singing a jazz tune, and people in 1920s costumes standing at the bar. The place was dark and smokey and it felt like Twin Peaks or some American noir thriller. I expected to see Jessica Rabbit at any moment. We got some drinks and waited. Every now and then a man in a tuxedo with a posh British accent would call out numbers, and groups of people would disappear out of the room…
Click here to visit the website for Sleep No More at The McKittrick Hotel.

New York Slideshow

183. Luke’s D-Day Diary (Part 1)

Join me on a trip to Normandy for the commemoration of the World War 2 D-Day landings. Podcasting on my feet, some unexpected things happened during this trip.

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Introduction
Friday 6 June this year was the 70th anniversary of the DDay landings in Normandy. My Grandad Dennis was one of the soldiers who landed on the beach that day. Along with thousands of other men he risked his life to fight the Nazis in the 2nd World War. Many of his fellow soldiers did not survive. Last Friday I went to Caen in Northern France to take part in the D-Day commemorations and to see my comedy hero Eddie Izzard performing stand-up in 3 languages. I recorded a podcast during my trip, and some unexpected things happened! Listen to the episode to join me on my adventure.
6 June 1944 – D-Day
D-Day was a very important moment in World War 2. This was when the Allies fought back against the Nazis on the Western European front. It was a key victory for the Allies, but it was also very costly, particularly for the Americans, who lost thousands of men on June 6 alone. For more information about why D-Day was so important, click here to visit the website of the Imperial War Museum in London.

Ultimately, D-Day was a success, but it came with great destruction and loss of human life. The success was due in part to the very careful planning of the Allied forces before the day, but also to the extremely tough fighting in which the Nazis were engaged in the east with the Soviets.

Why was it called D-Day? Click here to find an answer to this question on the BBC Newsround website.

My D-Day Diary
In this episode you’ll join me on my journey to Caen, a town in Normandy that was a very important location during the Normandy campaign in WW2. Caen is where most of the commemorations were taking place (or so I thought). On Friday the town was visited by lots of people including heads of state such as The Queen, Barack Obama, Francoise Hollande, Vladimir Putin and Angela Merkel. They were all very excited to learn that Luke from Luke’s English Podcast was also going to be in town ;)

I was podcasting regularly during the trip. First you hear me on the train, then walking through the streets of Caen on the way to my rented apartment room, then sitting on the steps of a church with my friend Sebastian Marx (from episode 130), then in a car with Yacine, on the street again, and finally in the train on the way home the next day. In the episode I talk about D-Day, my Grandfather’s involvement in D-Day 70 years ago, my experience of seeing Eddie Izzard’s comedy show, the dumbfounding excitement of having dinner with Eddie Izzard. All in all it was quite an emotional experience all round. I hope you enjoy the episode…

My Grandad, Dennis Hallam

Dennis is 94 this year. 70 years ago he was just 24 years old but he was an officer in the army, in charge of 35 young soldiers. It was his responsibility to lead these men off the boat, up the beach and ultimately all the way through France and deep into enemy territory. It was very brave of him, and he fought for my freedom. Without Grandad, I wouldn’t be here today and there would be no Luke’s English Podcast. Thanks Dennis.

Recently my Dad (Dennis’s son-in-law) wrote to Dennis to thank him for what he did on D-Day. Here is a copy of Dennis’s reply, typed onto a computer by my Mum (Dennis’s daughter). Some words are defined below.

Dear Rick,
Thank you for your “Thankyou” card which made me feel both proud and embarrassed – I was only one of thousands.

It was pretty hairy, and for me and many others it started long before we reached the beach. The Channel crossing was vile – I was dreadfully sick. At some point during the night it was my turn to be Duty Army Officer on the bridge and I had to climb up there being sick and miserable. So it was almost a great relief to get onto the beach, even though wet through, having had to wade ashore, and even though there were assorted bits of metal flying around. What amazes and horrifies me is to think that I was just 24 and in charge of and responsible for a platoon of 35 soldiers. If there were privileges attached to commissioned ranks – and there were, of course, I think we deserved them – a lot was asked of us.

However, it was a war that had to be fought, I think, and one simply called on one’s training and did what seemed right at any situation.

I hope the celebrations will go well and it is good to know that what we did is remembered and honoured.

Thank you again – it was very kind of you.

Yours, Dennis.

Thank you too Grandad.

Eddie Izzard
He’s a stand-up comedian from the UK. I’m a huge fan. I won’t write more about him here because I’m planning to do an episode about him soon, in which I’ll play you some of his stand-up comedy. On 6 June he put on a special show, doing 3 performances – one in German, one in English and one in French. That’s really impressive, especially considering he is learning both German and French as second (or third?) languages. I was pretty awestruck to actually meet Eddie on Friday and then sit down to dinner in his company. I still can’t believe it happened because he’s sort of a hero of mine. Listen to the podcast to hear my reactions. I was quite excited.

Here’s some video of Eddie talking about how Anglo-Saxon English evolved, including his version of how English became a non-gendered language, distinct from the gendered French which existed in England at around the same time.

Here is a video showing footage of the D-Day operation. To be honest, the video doesn’t really show us how big the operation was. It was the biggest naval armada the world had ever seen, and has ever seen since. It must have been an overwhelming sight to behold.

War Is Hell

“Some of you young men think that war is all glamour and glory,
but let me tell you, boys, it is all hell!”
-General William T. Sherman

180. How my Brother Dislocated his Shoulder (with James)

aka “My Brother’s Skateboarding Injury”, or “Breaking Up is Hard to Do”, or “A Cup of Morphine with James Thompson”.

Two days ago my brother fell off his skateboard and dislocated his shoulder. In this episode he tells us all about what happened. We also chat about how he still loves skateboarding after 30 years and lots of injuries.

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The episode is an authentic Skype call between my brother me. It is full of vocabulary for describing accidents, injuries, hospitals and medical treatments. You can find a lot of that vocabulary listed below, and I will explain it for you in the next episode of the podcast. We also talk about skateboarding, and so you’ll hear quite a lot of vocabulary on that subject too.

Vocabulary
Let me help you understand and learn the vocabulary! I have listened to the conversation again and I’ve typed out bits of vocabulary from the first 15 minutes. That’s when he explains how he had his accident, and how he received treatment for it. You can find that vocabulary in a list of sentences below. What I’m going to do now is to record another episode in which I clarify and explain the vocabulary from the interview. I’ll publish that as soon as I’ve finished it. So, in order to get definitions of these phrases, just listen to the next episode.

Transcript
The transcript writing collaboration is going really well, with more episodes being transcribed by listeners all the time. If you fancy transcribing some of this episode, you can. Just click here to access the Google document.

Vocabulary List
Listen to the next episode of the podcast to hear me explain all these things in more detail.
First of all – sorry for my brother’s fiddling and fidgeting!
I’m not too bad thanks, considering…
The day before yesterday I came a cropper on my skateboard and dislocated my shoulder
The arm popped out of its socket
I feel a bit, sort of, run down, I suppose would be the word. A bit tired and achy.
Just the twatty landlord using the garden as some sort of rubbish tip as usual.
I was skating a block-sort of-bar thing. “Skating the block“, not “skating on the block“. (The difference is quite important if you’re a skater)
I was doing a board slide on it but it kept sticking.
I leant back a little bit more.
As I was coming off the block I landed fine but slightly on the tail of the board. (Nose, tail, wheels, trucks, grip tape, bearings – skateboard parts).
Slightly off-balance.
I put my hand down to stop myself falling but I carried on sliding out. My feet slid underneath me and I overextended my arm behind my head, and kind of slammed down on my body. My weight came down on my arm.
I immediately jumped up and it felt really really weird.
I felt a shelf where the shoulder-blade (he means collar bone I think) stopped and then there was a 2 inch gap and then the arm. (ouch!)
I knew at that point that I’d dislocated my shoulder. (Past perfect tense)
To start with there wasn’t any pain, the pain came a few minutes in.
I don’t normally get an ambulance for a self-inflicted injury. (what a tough and modest guy he is!)
I normally get a bus or a taxi to A&E but this time I thought it warranted it because I couldn’t move at all.
[It was] extreme muscular pain, like when you tear ligaments or sprain an ankle.
They were going “ooh” which makes you feel uncomfortable if someone’s wincing, you know.
They tried to get a needle into me for a drip. They couldn’t get a vein to bleed properly. (they couldn’t find a vein)
They put some intravenous paracetamol into me, which didn’t really do anything.
It’s an over-the-counter pain-relief pill.
Why are there no aspirins in the jungle? Because the parrots eat them all (the ‘paracetamol’ – yes, it’s a terrible joke)
I gritted my teeth and tried to ignore what was going on.
They drove me with the ‘woo-woos’ on.
(I tell James to stop fiddling… and he says…) I can’t remember where we were now.
They wheeled me into the hospital. (I attempt to highlight the irony of getting injured on a wheeled vehicle and then being taken into a hospital on another wheeled vehicle – it’s an unsuccessful joke, but never mind)
An Indian-looking doctor looked at me.
You can relax a bit when the doctor seems quite in-control.
He told me exactly what was going to happen. I’d need an x-ray to check that nothing was broken, then if nothing was broken then they’d give me some more drugs and then put it back in, and then they’d give me another x-ray to check that nothing had broken while they were putting it back in, which kind of made me think it might be quite a painful process having it set back.
They gave me some morphine, and it didn’t seem to do anything and I was, like, grimacing a bit, so they gave me some more.
They gave you morphine and they gave you nitrous oxide?
You’re breaking up a little bit.
Do you find that breaking up is very hard to do? (This was probably quite confusing, but it’s my brother’s attempt at a sardonic joke – referring to a famous song which uses the same phrase, but with a different meaning)
“You’re breaking up” (your phone/skype signal is not clear)
“Breaking up is hard to do” (Separating, splitting up with your boyfriend or girlfriend – there are two songs that use this phrase, “Make it easy on yourself” by The Walker Brothers & written by Burt Bacharach, and “Breaking Up is Hard to Do” by Neil Sedaka. You can listen to those original songs below. Sorry about my singing.
(James receives a phone call from his girlfriend because she wants to check that he’s okay. How sweet.)
She was a bit worried about me because I was a bit sort of groggy yesterday.
I feel a bit sort of run down, a bit beaten up, but fine.
Good thing you didn’t hit your head.
I didn’t shatter my collar bone or something like that, that would have been horrible.
It could have been something worse.
You don’t need a cast. Nothing’s broken.

That’s as much as I’m able to do at this moment. You’ll just have to listen to the rest of the conversation unaided and try to work out exactly what we’re saying. It’ll be good for your English!

The Selfie of Jim in Hospital
IMG_9692-3

 

 

 

 

 

 

 

Songs and Videos

Here are some videos and songs that James and I mention during this episode.

Real skating at Stockwell skate park in Brixton, South London. This is where my brother goes skating. The video was filmed and edited by James himself.

“Make it easy on yourself” by The Walker Brothers

“Breaking Up is Hard to Do” by Neil Sedaka

The French Connection (1971) with Gene Hackman – The amazing car chase scene (A big inspiration for the computer game “Driver” by the way…)

“Speedfreaks” 1989 Skate Movie (Santa Cruz Skateboards)

https://www.youtube.com/watch?v=NvS72jdFbEk

176. Grammar: Verb Tense Review

This episode is all about grammar, specifically verb tenses such as: present simple, present continuous, present perfect simple, present perfect continuous, past perfect, past perfect continuous and different future forms. Part of this episode is transcribed, and part of it is spontaneous.

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I’m going to go through lots of verb tenses in English. I’ll demonstrate them first, and then go through them with you, explaining their form, use and pronunciation.

It’s been a while since I did an episode on grammar, and so I thought I’d give you a really thorough look at different verb tenses. It’s a bit ambitious to try and cover lots of tenses in one episode, but I’ll try and keep it brief and practical.

This could be a really useful episode, which you could listen to again and again, in order to get the full value.

I don’t normally do many episodes on grammar, because let’s be honest, it’s pretty boring. Unless you’re a grammar geek, it can be pretty mind numbing stuff. In one ear and out the other. The trouble is, that in explaining the basics of grammar you end up using all kinds of complex and abstract language, which makes the whole thing more complex than it really is. For example, if you can’t use the present simple tense correctly, then you’re hardly able to understand the rules that underpin that tense.

We don’t learn a language by learning the rules first and then applying them. Instead we learn by trying to communicate a message in that language. In doing that we learn the limitations and possibilities. But, it does help to get an insight into the structures at work because you can identify areas where you’re making mistakes, or particular tenses that you’re not using.

So listen carefully while I’m talking here and try to notice the different tenses. That’s your task. Notice the different tenses I use, as I’m using them. Like, oh that’s present perfect, or that’s a 1st conditional structure, or that’s the future perfect continuous passive there, I love that one. Etc.

Then I’ll go through it all and explain it at the end. You can read this on my website.

So, let’s start. Listen closely as I tell you a few things about myself. Notice the tenses, and I’ll explain them afterwards. Eventually, the plan is for you to perhaps practise this by talking about yourself in a similar way, using the tenses as I do. Then you’ll be speaking more like a native. Some of this is written down, and some of it is improvised.

OK, it’s grammar time!

Spot the Tenses
m5e8dHello. I’m Luke. I’m from London, but at the moment I’m living in Paris. I’ve been living here for just over a year. It’s great. I’m really enjoying it. You know that originally I’m from England. I was born in a town just outside London, and then I lived in West London for a long time. My Dad was promoted and got a job in the midlands, so we moved there, and stayed for many years. I went to university in Liverpool and lived there for 4 years, and then I moved back to Warwickshire. That’s when I decided to become an English teacher. I’d finished uni and I was working in a pub, not really going anywhere. As well as studying at university and college, I’d also been playing in lots of bands over the past few years, but it hadn’t really worked out, so I needed to think of something to do. I ended up deciding to become a TEFL teacher in 2001 and then I went to Japan and lived there for 2 years. That was an awesome time. had loads of really cool experiences and met loads of people, but I didn’t want to get stuck there, and I was keen to get back to my home country. I moved back to London and I worked there for a long time. It was while I was living in London that I came up with the idea to launch an amazing podcast for learners of English, that would save the world from the forces of evil. That’s when I created the now legendary Luke’s English Podcast, and a new cult of language learners was created. Who knows, maybe the LEPPERS will one day rise up and, just speak really fluently, and then give everyone free ice-cream sandwiches. It’s just a dream maybe, but who knows, it might just happen.

I moved to Paris in 2012. Living in Paris is pretty cool. It used to be quite difficult, because I couldn’t speak the language but I’m getting used to it now. When I first came here, I’d never visited Paris before, but my girlfriend had told me a lot about it, so I was kind of prepared. I’d also been to France quite a lot as a child on holiday. But when I first arrived it was quite hard because I didn’t speak much French. I took some French lessons at school when I was a kid but I don’t remember learning much. In fact most of the time those French lessons were a bit of a doss. So, when I first arrived I couldn’t really communicate, which was not very helpful. It was usually okay because I could get by, but I remember once I was walking down the street and this guy came up to me and started talking, but I couldn’t understand him, and he got angrier and angrier and started following me down the street. It was a bit scary and weird, and I wish I could have understood him and told him to piss off or whatever.

These days things are much easier, and Paris is an amazing place to live in. I’ve seen and done quite a lot of stuff here.

things I’ve done

– I’ve been up the Eiffel Tower. I’ve visited Notre Dame. I’ve been to Shakespeare and Company. I’ve tried lots of delicious French wine.

Things I’ve been doing

– I’ve been doing lots of comedy. I’ve been doing lots of gigs.

– I’ve been working at the university.

– I’ve been recording episodes of the podcast

-learning french

Today I’ve drunk a bit too much coffee so I’m pretty hyperactive. Normally I drink tea, but more recently I’ve been drinking coffee. I’ve had about 9,000 cups already today.

Work

– At the moment I’m working at the university

– I teach English, but I’m teaching at a university at the moment.

The future

– Hopefully it’ll last. Hopefully they’ll take me on again.

– I wonder what’s going to happen in the future.

going to / present continuous

– We’re going to visit New York next month

– I might do a special report from New York

– We’re going to stay in an AirBnB apartment that we’ve found

– We’re planning the trip at the moment.

– We’re flying there in the middle of April. It’s going to be good.

Will

– England will probably win.

– We probably won’t win. I imagine it will be someone like Spain or Brazil.

– It’s going to be a challenge.

– We probably won’t get to the final, but if we do it’ll be amazing.

5 years from now

– Who knows what I’ll be doing

– Hopefully I’ll still be recording episodes of LEP

– I might have had kids by then.

– I’ll probably have children. That’ll be…

– Hopefully, I will have done many more episodes of LEP and perhaps I will have expanded my work online in some way.

10 years from now

– If I’m still doing Luke’s English Podcast , I will have been doing LEP for 15 years.

– I will have been being listened to for 10 years (!!!)

The Tenses

Present simple
– I teach English, but I’m teaching at a university at the moment.

Present continuous
– I’m from London, but at the moment I’m living in Paris.
– At the moment I’m working at the university
– I teach English, but I’m teaching at a university at the moment.

Past simple
– (for) I lived in West London for a long time.
– (sequence of finished actions) My Dad was promoted and got a job in the midlands, so we moved there, and stayed for many years. I went to university in Liverpool and lived there for 4 years, and then I moved back to Warwickshire.

Past continuous
– I’d finished uni and I was working in a pub, not really going anywhere.
– It was while I was living in London that I came up with the idea to launch an amazing podcast for learners of English
– I was walking down the street and this guy came up to me and started talking, but I couldn’t understand him

Used to do vs. Get used to doing
– It used to be quite difficult, because I couldn’t speak the language but I’m getting used to it now.

Present perfect
– I’ve been up the Eiffel Tower. I’ve visited Notre Dame. I’ve been to Shakespeare and Company. I’ve tried lots of delicious French wine.
– Today I’ve drunk a bit too much coffee so I’m pretty hyperactive. Normally I drink tea, but more recently I’ve been drinking coffee. I’ve had about 9,000 cups already today.

Present perfect continuous
– I’ve been doing lots of comedy. I’ve been doing lots of gigs.
– I’ve been working at the university.
– I’ve been recording episodes of the podcast
– I’ve been living here for just over a year.

Past perfect
– That’s when I decided to become an English teacher. I’d finished uni and I was working in a pub, not really going anywhere.
– When I first came here, I’d never visited Paris before, but my girlfriend had told me a lot about it, so I was kind of prepared.

Past perfect continuous
As well as studying at university and college, I’d also been playing in lots of bands over the past few years, but it hadn’t really worked out, so I needed to think of something to do.

Modals to talk about the past
– I wish I could have understood him and told him to piss off or whatever

Going to / present continuous
– We’re going to visit New York next month
– I might do a special report from New York
– We’re going to stay in an AirBnB apartment that we’ve found
– We’re planning the trip at the moment.
– We’re flying there in the middle of April. It’s going to be good.

Future with will (not plans, but judgements, opinions, predictions)
– Who knows, maybe the LEPPERS will one day rise up.
– Hopefully it’ll last. Hopefully they’ll take me on again.
– England will probably win.
– We probably won’t win. I imagine it will be someone like Spain or Brazil.

1st Conditional
– We probably won’t get to the final, but if we do it’ll be amazing.

Future continuous
– Who knows what I’ll be doing
– Hopefully I’ll still be recording episodes of LEP

Future perfect
– Hopefully, I will have done many more episodes of LEP and perhaps I will have expanded my work online in some way.

Future perfect continuous (in a 1st Conditional structure, no less!)
– If I’m still doing Luke’s English Podcast , I will have been doing LEP for 15 years.

Future perfect continuous passive!
– I will have been being listened to for 10 years (!!!)

Modals for the future
– it might just happen.

Test Yourself

Complete the gaps in this text. Scroll up to see the answers.

Hello. I’m Luke. I’m from London, but at the moment I _______________________ (live) in Paris. I _______________________ (live) here for just over a year. It’s great. I’m really enjoying it. You know that originally I’m from England. I _______________________ (born) in a town just outside London, and then I _______________________ (live)  in West London for a long time. My Dad _______________________ (promote) and got a job in the midlands, so we _______________________ (move) there, and _______________________ (stay) for many years. I _______________________ (go) to university in Liverpool and _______________________ (live) there for 4 years, and then I _______________________ (move) back to Warwickshire. That’s when I _______________________ (decide) to become an English teacher. I _______________________ (finish) uni and I (work) in a pub, not really going anywhere. As well as studying at university and college, I _______________________ (also play) in lots of bands over the past few years, but it hadn’t really worked out, so I _______________________ (need) to think of something to do. I _______________________ (end up) deciding to become a TEFL teacher in 2001 and then I _______________________ (go) to Japan and _______________________ (live) there for 2 years. That was an awesome time. I _______________________ (have) loads of really cool experiences and _______________________ (meet) loads of people, but I _______________________ (not want) to get stuck there, and I was keen to get back to my home country. I _______________________ (move) back to London and I _______________________ (work) there for a long time. It was while I _______________________ (live) in London that I _______________________ (come up with) the idea to launch an amazing podcast for learners of English, that would save the world from the forces of evil. That’s when I _______________________ (create) the now legendary Luke’s English Podcast, and a new cult of language learners was created. Who knows, maybe the LEPSTERS _______________________ (rise up one day) and, just speak really fluently, and then give everyone free ice-cream sandwiches. It’s just a dream maybe, but who knows, it might just happen.

I moved to Paris in 2012. Living in Paris is pretty cool. It _______________________ (be) quite difficult, because I couldn’t speak the language but I _______________________ (get used to) it now. When I first came here, I _______________________ (never visit) Paris before, but my girlfriend _______________________ (tell) me a lot about it, so I was kind of prepared. I _______________________ (also go) to France quite a lot as a child on holiday. But when I first _______________________ (arrive) it was quite hard because I _______________________ (not speak) much French. I _______________________ (take) some French lessons at school when I was a kid but I don’t remember learning much. In fact most of the time those French lessons were a bit of a doss. So, when I first arrived I couldn’t really communicate, which was not very helpful. It was usually okay because I could get by, but I remember once I _______________________ (walk) down the street and this guy _______________________ (come) up to me and _______________________ (start) talking, but I couldn’t understand him, and he _______________________ (get) angrier and angrier and _______________________ (start) following me down the street. It was a bit scary and weird, and I wish I could have understood him and told him to piss off or whatever.

These days things are much easier, and Paris is an amazing place to live in. I _______________________ (see and do) quite a lot of stuff here. I _______________________(go )up the Eiffel Tower. I _______________________ (visit) Notre Dame. I _______________________(go) to Shakespeare and Company the bookshop. I _______________________ (try) lots of delicious French wine. It’s great.

Check the top of the page for the answers.

175. The Phrasal Verb Chronicles #1

This is both a phrasal verb review, and a random made-up story. 50 phrasal verbs reviewed within the context of a completely improvised comedy story. Click here for The Phrasal Verb Chronicles #2.

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I decided to do this episode as a way to remind you of the first 50 phrasal verbs I’ve taught you in my Phrasal Verb a Day series of mini-episodes. When I’ve reached 100 phrasal verb episodes, I’ll do another episode of The Phrasal Verb Chronicles, to help you remember #51-100.

Here are the phrasal verbs I use in this episode. Can you notice how I use them in my weird story? You could also attempt to make up your own story using these phrasal verbs. You don’t have to do all 50. Try just using 5, then 10, then 20 and so on. Eventually you should be able to make meaningful sentences using all the phrases.

I wonder what you think of the idea of “Story Time Club with Luke from Luke’s English Podcast”? Let me know ;)

Extracts with Vocabulary from this Episode (thanks to Jack from the comment section)

I’ve been meaning for a while to go through these phrasal verbs…..
Check them out.
Chronicles
To make up a story off the top of my head.
Try and jog your memories regarding these phrases.
A make up story / situation.
Try and spot the phrasal verbs.
Think also about the grammatical context I’m using them in.
But the aim is for me to try and use these phrasal verbs in this weird long drawn out situation.
I’m gonna try and ask her out.
Sorry you sound a little bit sarcastic.
I’m not up for it any more.
How am I gonna bail out of this?
I walked back over to the other side of the pub with my mates and I felt devasted!
I really thought that we were going to get on with each other.
We might start going out with each other.
But she was annoyingly sarcastic and I don’t know if I can take it.
You usually bounch back from this kind of situation.
If I get flung into a corner I just bounce back
So bring it on
Don’t get carried away
It’s all cool and groovy brother.
Come on catch up!
Can I just chip in?
Bizarre
Look! Never mind that!
It’s twenty quid. Come on cough up
I overheard a guy in the pub.
I listened in and he was going……
I think the police need to crack down on crime.
Do you mind if I just chip in?
I get the impression that nothing is occurring at this moment because you can’t work out what kind of crime it is that police should be cracking down on.
You are actually buying time so that you can think of a funny crime so that then you can use the expression to crack up.

You are very intuitive.
Get on with it!
Schizophrenic
May be I’m cracking up – I’m losing it.
Curl up on the sofa
I’ve got to dash off
I’ve got to doze off
I got on the bus.
I started to drop off to sleep.
I turned on the TV. The commercials were on.
It’s the dumbing down of modern culture.
I’ve got to get out now.
I’ll treat myself to a meal in a nice restaurant.
I’m going to eat out in a lovely restaurant.
I have just a very meagre salary which I have to eek out over the whole year.
Hold your horses Luke! Don’t get carried away.
What I probably should do is work out how to move this story forward.
To hell with my savings!
I started building myself up.
I was really egging myself on.
I went out – I had a really nice time.
I could help noticing that she was eyeing me up.
I’ve had enough of faffing about.
I’m going to take her out for dinner.
You are just kind of ironic.
I’m gonna fess up at this point.
I was devastated.
I had my pint glass, I was just fiddling with a glass in my hand.
Do you want to feel me up or something?
I’m just flagging this up! You shouldn’t say that kind of thing.
I wonder if my listeners are managing to keep up with all these phrasal verbs……
I grabbed the newspaper.
I sat there flicking through the newspaper.
A story which has no drama……
Just biding my time……
I started gearing myself up to kind of announce to the pub that it was story time.
How I’m going to get through this idea.
Get this message across
Gather around in a group and really get on with each other.
No one will be getting at each other.
You wonder if I’ll get away with this because they might not go along with it.
It’s a crazy idea but I might just get away with it.
I’d probably better just check with him if it’s OK.
You want to set up a story club?
I’ll get back to you.
Nothing, nada, zero, zip, zilch.
Summon them up like Spanish
What have you got back to me with?
Nought (nothing)
Don’t get down about it.
They’ll be caught up in the spirit of things.
They’ll be forced to drink in order to down their sorrows.
In which case, you put on the music and every one gets down.
Yes! Get in! I would love to start tonight.
I wanna get in on this!
Because that story time club is where it’s at.
Everyone will have to take their shirts off.
I think we should just get on with this.
I’m gonna go for it.
Old traditional folk tales.
Put your mobile phones away.
Bloke
My dreams were dashed onto the floor of a traditional club.
I mean there was a vague notion of a story line.

173. The Curse of The Lambton Worm (Short Story)

Listen to a disturbing story from English folklore about a horrendous and mysterious worm.

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Introduction
The Lambton Worm is a legend from the north east of England in the UK. The story takes place around the River Wear, in the town of Lambton and at Penshaw Hill which is between Durham and Sunderland in the north east of England. It is one of the area’s most famous pieces of folklore, having been adapted from written and oral tradition into pantomime and song formats, which are still performed to this day. I’m going to keep up that tradition here on Luke’s English Podcast by telling you my version of the story.

The tale is about a man called John Lambton, who was the heir to the Lambton Estate in County Durham, and his battle with a giant worm (dragon) that had been terrorising the local villages. As with most myths, details of the story change with each telling. I’m not from that part of England, but I love this story because I remember reading about it in a book of monsters that my brother used to have when we were kids. Remember before I told you about a ghost book that I used to own when I was a kid? Well, my brother had a similar book, from the same series, and it was all about monsters. I was fascinated by these books (Click this link to read some pages of those books!) So was my brother. I remember there was a picture of John Lambton fighting the worm, and a brief account of the story. It was fascinating, horrific and exciting for me as a kid, and the memory of the story has stayed with me. There’s just something about an old scary story that really excites me. I think this one must be a good one because it has endured for hundreds of years. It dates back to the time of the crusades, so about 1,000 years ago – medieval times. If a story survives that long, being told over and over again and being handed down through the generations, it must mean there must be something in it which interests people.

This is a local legend from country Durham and I expect it’s a strong part of their local culture. There’s an old folk song which tells the story, and it is still sung in old pubs by beer-drinking men with beards and acoustic guitars. I love those old folk songs. It’s proper traditional culture, as performed and told by real local people. I’m not from that part of the country, I’m from the midlands, and the south, but the story means something to me because of the connection I have with it from childhood. Also, I just think that you might like to hear it.

I’m going to tell you the story in my own way. It’s normal for folk tales like this to be changed by the storyteller, and there is no official version of the story – just a general outline. The details get adapted and improvised by each storyteller. So, I’m going to give you my version, which means that I will stick to the main elements of the story, but yes, as usual I will be improvising a lot of other details too. The challenge for me is to try and make it engaging, and entertaining and understandable for you. As well as practising your English, we can also consider what makes a good story. I think it’s about the passion of the storyteller, and the attention to certain details. Your challenge is to follow the story, and perhaps learn it well enough to be able to tell your friends, if you fancy that. Just remember to mention that the roots of this story are in the folklore of the county Durham area, in the North of England. It’s important to remember that this is a bit of local culture. If you’re from that area, and you’re  listening to this – I hope you don’t mind my version of the story, and realise that, really, I love this story too and I’m just adapting it a little bit for the purpose of letting people practise their English listening.

lambton worm pic

Illustration by John Dickson Batten from More English Fairy Tales.

The Main Elements of the Story
Note that I use past tenses to tell my story (past simple, past perfect & past continuous) but below the story is presented using present tenses.
John Lambton is the heir to the Lambton Estate – so he’s a young member of the gentry. A landowner from a fairly rich and well known family in the area.
He’s a rebellious character.
He skips church and he skips school.
He doesn’t care. He just loves fishing. He disrespects his parents.
He skips church one Sunday, and goes fishing.
He meets an old man – an old hermit, who tells him that no good will come of skipping church. He ignores the old man, and yet it puts him in a bit of a bad mood.
He catches nothing all morning.
Then, as the church bells are ringing for the end of service, he gets a bite on his line.
It’s a powerful bite and he has to wrestle hard to bring in the catch. The water crashes around and gets deeply churned up. He fights hard and brings in his catch.
It’s a truly disgusting and horrifying catch.
It’s a slimy and wriggly black worm. It’s dripping slime, it’s writhing and snapping, and it stinks.
He brings it to rest on the soil. It sits there breathing, completely malevolent. It has 9 holes down the side of its mouth, and John can’t really make sense of its other features. It’s really weird, and makes him feel sick.
He pukes, quite hard. What the hell is this thing?
He takes another look at it, and it opens its eye. It’s yellow and red, and it seems to look right into his soul.
This is a life-changing moment, although he doesn’t realise it.
At that moment, the old man reappears, and says with some certainty that he senses the work of the devil, and that Lambton is now responsible for this worm.
Lambton can’t throw it back, so he quickly puts it in his basket, to carry it home.
On the way back, the basket is so heavy and the worm keeps thrashing around inside it, and hissing. Even when it’s still, the basket seems impossible to carry. It’s so heavy, but also, he feels miserable. The good mood he was in at the beginning of the day has been replaced by a very grim feeling of depression. It’s like he’s suddenly aware of all the time he has wasted, and how everything seems quite hopeless, including his family  life.
He can’t take it any more, and feeling desperate, he chucks the worm into a nearby well. The worm struggles quite a lot, but down it goes. Lambton waits to hear the worm hit the bottom, and it does, after a pause, with a splash.
He quickly goes home.
Feeling guilty, and more aware of his responsibilities, he decides to join the army in order to fight in the crusades, as much out of guilt as duty to his family and the church.
He goes to Palestine to fight in the crusades. He’s away for 7 hard years in which he sees many things, makes many friends and sees many friends die in battle. He becomes a man.
Meanwhile, back at home, the worm is still alive in the well. The well becomes infected, and causes anyone who drinks from it to become violently ill, and die, with horrible symptoms.
The worm grows inside the well, and after it has reached a massive size, one moonlit night, it slides out from the well, and it’s massive. It wraps itself around the local Penshaw Hill – several times, and lies there waiting, warming itself in the morning sun. It’s a hideous and vicious creature. It has small legs, with claws on the end, which it uses to scrape and scratch the earth. It is incredibly long, and it slithers like a snake. It’s covered in smooth yet tough scales. Around its head it has a mane of rubbery spikes. The 9 holes that run along the side of its face, under its jaw, ooze a nasty black slime which burns the grass and sends an evil black smoke into the air. It coughs up the bones and remains of the bodies it has eaten, leaving this foul waste on the ground wherever it rests. Its eyes are yellow and deep, and malevolent. It has rows of razor sharp teeth like a shark’s except that they’re black and yellow, and his eyes, like that of a shark, roll back into its head when he takes a bite, leaving him looking white-eyed and blind during its moments of feeding frenzy.
It attacks a local farmer, squeezing him to death after he tries to fight it with his pitchfork. It then eats all his cattle, and his dead body, before returning to the hill.
It then terrorises the area, eating cattle and sheep, and wild animals.
The countryside becomes deathly silent, as it is all scared or killed by the worm. It’s a foul and sickening presence which seems to poison the earth wherever it goes.
Its confidence grows and it enters town.
The town mayor, as an attempt to distract it, empties all the milk supplies from the market into a trough in front of the town hall. The worm eats it all, and returns to the hill, where it sleeps.
The best men of the town get together a fighting force and arm themselves with the best weaponry they can find, and go to attack the worm, but it’s in vain as the worm is very strong and ruthless. Whenever anyone manages to slice the worm, the pieces, shuddering, just grow back together again. The worm seems indestructible.
For the next 7 years, the town gives the worm almost all of its supplies of milk in order to satisfy it. The worm grows bigger, and the town gets more and more exploited, until people are starving to death, and all life is sucked out of the place. When no milk is provided, the worm angrily attacks the residents, killing and eating men, women and children.
John Lambton returns from the crusades a scarred man, but a man nonetheless. He has learned how to fight, and he carries a sword and a suit of armour.
He sees the state of the town, and learns about the worm from his father.
He realises it is the same worm that he discarded all those years ago, and immediately realises that he is responsible for the curse and must fight the worm himself.
He visits a local wise woman for advice. She tells him that the worm has cursed him, his family and the town, and that only he can kill it.
She tells him to visit the blacksmith, and to have spikes and blades fitted to his armour, and that he must  lure the worm into the river Wear before doing battle.
She also tells him that to lift the curse, after killing the worm, he must kill the next living thing that he sees.
Lambton gets his special suit of armour made, and arranges with his father that when he has killed the worm, he will blow a note on his hunting horn as a signal that he has won and that the father must release Lambton’s favourite hunting hound. The hound will run straight  to him and Lambton will kill it, lifting the curse.
He heads towards the hill and finds the worm.
The worm recognises him and uncoils itself from the hill, hissing, puking black bile and generally being hideous.
Lambton realises how difficult this will be because this worm is really big and strong looking. The worm approaches and he backs away.
He walks backwards towards the river, the worm steadily moving nearer and nearer, flanking him. Lambton gets very tired just walking in the armour – which is extra-heavy because of the fittings.
Eventually, he enters the water, which is cold.
The worm slides down the bank and raises itself up to strike.
They fight and whenever the worm attempts to coil itself around Lambton, it gets sliced up on the blades and spikes.
Lambton is so tired that all he can do is just try not to be washed away by the current. He hacks at the worm and struggles to breath. The fumes from the worm are poisonous. Each time parts of the worm are hacked off, they are washed away, and eventually, just a section of the worm is left and Lambton hacks off its head. The pieces can’t join back together and the worm is no more.
Lambton blows a note on his horn, but his father is so happy to hear it that he forgets to release the hound and instead he runs to see John. Lambton sees him , and is dismayed. he can’t bring himself to kill his father, and so the go back to the house and he kills his hound.
The wise woman appears and tells him that despite killing the worm, he failed to lift the curse and that for 9 generations, the Lambtons will not die in their beds.
injured and sick, Lambton collapses.
That’s the end of the story.

What does this all mean? You tell me.

This curse seems to have held true for at least three generations, possibly helping to contribute to the popularity of the story.
1st generation: Robert Lambton, drowned at Newrig.
2nd: Sir William Lambton, a Colonel of Foot, killed at Marston Moor.
3rd: William Lambton, died in battle at Wakefield.
9th: Henry Lambton, died in his carriage crossing Lambton Bridge on 26 June 1761.
(General Lambton, Henry Lambton’s brother, is said to have kept a horse whip by his bedside to ward off violent assaults. He died in his bed at an old age.)

The Old Folk Song
Here is Tony Wilson singing the folk song in the local dialect
[youtube http://www.youtube.com/watch?v=XsO7SeCvgMw&w=500&h=375]
Song Lyrics
Here are the lyrics with some meanings added too. Remember, this is sung in an old dialect. Not many people actually speak in this dialect any more, although there is a distinct accent from that region.

One Sunda morn young Lambton went
A-fishing in the Wear;
An’ catched a fish upon he’s heuk (=caught) (=his hook)
He thowt leuk’t vary queer. (=thought looked very strange)
But whatt’n a kind ov fish it was (=what kind of)
Young Lambton cudden’t tell-
He waddn’t fash te carry’d hyem, (=could not be bothered to carry it home)
So he hoyed it doon a well (=threw it down)
Chorus
Whisht! lads, haad yor gobs, (=Be quiet, boys, shut your mouths)
An’ aa’ll tell ye aall an aaful story, (=I’ll tell you all an awful)
Whisht! lads, haad yor gobs,
An’ Aa’ll tel ye ‘boot the worm. (=about)
Noo Lambton felt inclined te gan (=go)
An’ fight i’ foreign wars.
He joined a troop ov Knights that cared
For nowther woonds nor scars, (=neither wounds)
An’ off he went te Palestine
Where queer things him befel,
An varry seun forgat aboot (=very soon forgot about)
The queer worm i’ tha well.
But the worm got fat an’ grewed an’ grewed,
An’ grewed an aaful size;
He’d greet big teeth, a greet big gob,
An greet big goggly eyes.
An’ when at neets he craaled aboot (=nights) (=crawled around)
Te pick up bits o’ news,
If he felt dry upon the road,
He’d milk a dozen coos. (=cows)
This feorful worm would often feed (=fearful)
On caalves an’ lambs an’ sheep,
An’ swally little bairns alive (=swallow) (=children)
When they laid doon te sleep.
An when he’d eaten aall he cud (=all he could)
An’ he had had he’s fill,
He craaled away an’ lapped he’s tail (=wrapped)
Ten times roond Pensha Hill.
The news ov this myest aaful worm (=most)
An’ his queer gannins on (=goings-on)
Seun crossed the seas, gat te the ears (=soon) (=got to)
Ov brave an’ bowld Sor John.
So hyem he cam an’ catched the beast, (=home he came and caught)
An’ cut ‘im in twe haalves, (=cut him in two-halves)
An’ that seun stopped hes eatin’ bairns
An’ sheep an’ lambs an’ caalves.
So noo ye knaa hoo aall the foaks (=now you know how all the folk)
On byeth sides ov the Wear (=both)
Lost lots o’ sheep an’ lots o’ sleep
An leeved i’ mortal feor. (=And lived in mortal fear)
So let’s hev one te brave Sor John (=let’s drink to brave Sir John)
That kept the bairns frae harm, (=from)
Saved coos an’ calves by myekin’ haalves (=making halves)
O’ the famis Lambton Worm. (=famous)

166. The Prawn Story

An undersea tale of identity loss, and shrimp; this is one of those rather ridiculous improvised stories which is loosely based on an old joke. This kind of episode is for listeners who just enjoy listening to some silly fun. Normal educational podcasting will be resumed in due course. Have a good day!

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To get the joke you have to know this expression: “I’ve found God, and I’m a born again Christian”. That’s not an indication of the plot of this story, it’s just a phrase you should know in order to get the (frankly terrible) punchline at the end of the story. It’s not tale of religious belief, although you can interpret it that way if you want (I’m not sure how!). But anyway, j
ust hold that sentence in the back of your mind while listening to this story. The story is based on an old joke, and should be 2 minutes long but I’m going to make it last about half an hour.

Some of you might not understand this – and that’s okay. You don’t have to get it. I’m not really teaching you anything. I’m just telling you a colourful and silly story, which I’m just making up off the top of my head. I do these episodes from time to time, and they prove very popular with some of my listeners. It’s a challenge for me, because I’ve got no idea how I’m going to make it last an hour, while making sure it makes some sense. Normal podcasting will be resumed very soon, including planned episodes about memory, slang, and more.

If you fancy transcribing this episode, click here to access the google doc.

153. The Talking Dog Story

Another funny improvised story to entertain you while you do more English listening practice.

Right-click here to download this episode.

In this episode I decided to improvise another story for you. A lot of listeners really liked episode 125. The Pink Gorilla Story (full transcript available), which I improvised into a microphone earlier this year. I received some very nicely written messages from people saying they’d like more of that kind of story on Luke’s English Podcast, so here is another one in a similar style. You’re a fan of Lukes English Podcast which means you must be a bright minded person, so I’m sure you’ll get a kick out of The Talking Dog Story!

The story is based on an old joke about a talking dog. The joke is usually just a minute long, but I decided to extend the joke into a longer story. Most of the details in this episode are just improvised while I talk. I’m just making it up off the top of my head. As a learner of English, your challenge is to keep up with me. Can you follow what is going on? Do you get the self-referential elements and the surreal or ironic humour? Can you identify the punch-line to the joke? I’m sure you can if you listen! As you are a fan of Luke’s English Podcast you are probably the kind of person who understands and appreciates this kind of  humourous story telling. So, get stuck in!

Keep listening to the end, because you’ll hear the short version of the story told by someone else. If you fancy it, why not have a go at transcribing some of this. It’s a really good way to develop your English in an intensive way.

Enjoy the story. You can listen to it by clicking “play” on the embedded player at the top of this page. You can download it by right clicking on the ‘download’ text, also at the top of this page.

All the best, and have a great day.

Luke