Let’s do another text adventure mystery story by Peter Carlson. Listen to me read the story and make choices to solve the mystery. You can read the story with me (link below) or do the game yourself later. This is the first in a series of 3 stories from Peter’s “Victorian Detective Interlude” game on textadventures.co.uk
Hello website visitors! I hope you’re doing ok. Did you have a good Christmas (if you celebrate it)?
These three “Victorian Detective Interlude” episodes will be the last episodes of 2022. What a year it’s been! For me, the year started in our new apartment, and everything was a disorganised mess! I had no pod-room where I could record episodes in peace, and our apartment was so noisy that I even had to record a podcast outside in the street. I talked about it in episode 759. Then I managed to set up my new studio/office in a tiny room in a nearby building. I was quite proud of myself because I put up all the shelves (more difficult than you might think!), painted the room, fitted a desk, procured a free office chair and then carried all my books, equipment and other stuff to the room (up 6 flights of stairs, no less). I talked about all that “DIY” in episode 757. After a looooong time the room finally got electricity and an internet connection, I got a new computer (the old one was kaput) and was able to get back to normal podcasting.
Oh yes, then I changed podcast host in June and everything got incredibly complicated again, especially for premium subscribers! But thankfully we all survived all the stress and I was able to record some episodes that I am very happy with, and LEP Premium continued on Acast+ with more and more new episodes.
If you have recently subscribed to LEP Premium – www.teacherluke.co.uk/premium The best way to use LEP Premium is to add the episodes to a normal podcast app on your phone (not the LEP App, it’s not updating any more 😢, and not Spotify because it isn’t “normal”). Read this page for some important information to help you get started https://teacherluke.co.uk/premium/how-to-add-lep-premium-to-a-podcast-app-on-your-phone-with-acast/
Luke’s English Podcast continues to be the thing I love doing, and I’m lucky to get some income from this work now. I’m happy to say that the podcast continues to go from strength to strength. This year the audio podcast hit 800 episodes, 100,000,000+ downloads in total (incredible), 100+ premium episodes, and my YouTube channel passed 400,000 subscribers (wow!). But maybe the most satisfying thing is that I have received so many messages from listeners with positive things to say about their experiences of learning English with my content.
Thank you for choosing LEP in 2022. Thank you if you left your comments on my episodes. Thank you if you sent me messages of encouragement. Thank you if you sent donations to support this project. Thank you if you signed up to LEP Premium.
I hope you have enjoyed learning English with me in 2022. Here’s to more episodes in 2023! I have lots of plans for more content on a variety of topics – some serious, some funny, but all designed to help you to get more English into your life.
Happy New Year everyone!! 🥂
Luke
Episode 803 “The Wraith” will be published tomorrow, probably!
Sharing a disturbing true story sent in by a LEPster by email. This episode contains some slightly scary and graphic descriptions of nightmare scenarios, visions, hallucinations and bad dreams, but there is a happy ending. Video version also available.
Iñaki’s Nightmare (and how LEP came to the rescue)
Hello listeners, welcome back to the podcast. In this episode I’m going to tell you the terrifying true story of a LEPster who went through a horrible nightmare but was rescued thanks to LEP.
This episode is based on an email I received a while ago (quite a long time ago now). I have been meaning to read this out on the podcast for some time now and I am glad to say that today is the day I am doing it.
I feel compelled to share this story with you and I sincerely hope you enjoy it.
LEP Ninjas
I often talk about LEP Ninjas on this podcast and complain that the vast majority of my listeners never get in touch with me, and I wonder who you are, what you’re doing while you’re listening and what this all means to you.
I often say that, but in fact I must say that I do get a lot of correspondence from listeners in various forms – episode comments, tweets, YouTube comments and emails. I love receiving your messages because it really helps me to know that there are people on the other end of this podcast – not just numbers but people, receiving my words and connecting with what I say.
Every now and then I receive a message that I simply have to stop and respond to there and then, even if I’m in the street or something, and there are also some emails which I feel I must share on the podcast with my audience. This is one of those emails.
I absolutely felt compelled to share this particular email with you, and felt it had to be in an episode of its own. So here we go.
It’s a compelling story which you might find fascinating, stories are good for learning English, as we know, I’m sure little bits of language teaching will come up here, and in this particular story I emerge as the hero who saves the day! So, naturally I am delighted to let the world hear it! (haha)
A slightly disturbing story
Some people might find this story a bit disturbing because it involves descriptions of surgery. So this is a heads up about that.
There are references to some physical, body related stuff, but also some slightly disturbing mental images too – some nightmarish visions and bad dreams, let’s say.
You’ll just have to listen to the story to understand what I’m referring to, but FYI the story has some slightly disturbing moments.
I should also say that this story has a happy ending. Things turn out fine in the end. So, if this makes you anxious, then don’t worry, the story ends in a happy place.
So, without any further ado, let’s just get straight to the email which I received from a listener called Iñaki.
I’m going to read it out as it was sent to me. It’s very well-written, but I might make a few changes here and there – I will correct one or two little errors relating to vocabulary or grammar.
Also I will comment on certain words in this story to help you learn some things as we go.
Inaki’s Email
Email Message: Hi Luke: How are you doing? My name is Iñaki and I am writing from San Sebastian, in the north of Spain.
First of all I’d like to thank you for your podcast. I started listening to it some six months ago because my wife recommended it to me (she’s been a premium subscriber for a year or so). I have been listening to you ever since because I think what you do is very entertaining and interesting and I think that my English gets better too.
I know what I am about to tell you looks a bit boring in the beginning but please keep on reading because you show up in the middle of the story.
On the 29th of March I got a surgery operation to cure my apnea.
For your information, this operation took around 6 hours while I had general anesthesia.
They cut both sides of my jaw. Also they cut below my nose to move the position of my palate. Then they put everything together again in another (slightly different) position by using some screws.
All of this sounds a big frightening but it is a very usual operation with very low risk. All the surgery is done from inside your mouth so it doesn’t leave scars.
I took the decision to go ahead and everything went OK, and now I am fine at home and getting recovered but it is also true that when I woke up I felt a bit lost and my mind was not thinking straight and this was the most difficult part of my recovery.
So my operation was on a Monday at 08:00 and I woke up on Tuesday at 13:00. The doctor told me that the operation went fine. After, when my wife came to visit me she also said that the operation had gone right.
So why did I think that this was not true? Why did I start to suspect that something very bad had occurred during the operation?
I can’t quite explain since I don’t think I am such a negative person or I am not so hypochondriac.
But the truth is that my mind freaked out quite seriously and my paranoia was that the doctor had committed a fatal mistake during surgery and now all the doctors and nurses were backing one another up to hide this mistake.
Since this idea was on my mind I couldn’t let it go and it only went bigger and bigger. All of the things I heard or saw fitted perfectly in MY reality. For example, a nurse said to me “Iñaki, why are you so sad? The operation has been v… successful”. So my head went: “why successful? Why not VERY successful? Why did she start the word VERY but she didn’t finish it?”
And this went on and on without control. My wife was with me all the time and she did a great job but still she didn’t manage to get these ideas out of my head. Monday night I was totally sedated with the anesthesia. Tuesday night I couldn’t sleep (and I mean not even a minute) because I was so frightened… Tuesday and Wednesday I couldn’t eat anything.
So by Wednesday evening I was exhausted due to the lack of rest and food. This didn’t help my mind get stronger. So on Wednesday evening I was quite certain that their plan was to let me die on medication.
I could feel that my wife had taken part in that decision. I thought that the idea was that since my life was not going to be worth living it onward, they decided to let me go. Of course, now I see that it didn’t make any sense at all but my mind was not able to work better than that on Wednesday evening.
I accepted this idea and I decided to be collaborative in the process. They gave me medication to calm me down and I could feel that my mind was even more clumsy. My wife told me once and again that the most important thing was to rest, to sleep. In this way the next day I would feel stronger.
For me this was a soft way of saying: “If you calm down and you get to sleep soon, then your death will be more pleasant”.
This sounds terrible to me now but I also think: in some situations in your life you need to lie to the ones you love in order to protect them, don’t you?
I mean, what would my girl tell me in a situation where I really was about to die? Would she clearly say it? Would she tell me straight? I don’t know…
I tried to sleep but this was very difficult because when I closed my eyes I could see some horrible images.
These images were not dreams.
All the time I knew that I was in the hospital and my wife was beside me. So I guess the images were a result of the medication and also my lack of strength.
The images were really terrifying. All the scenarios were dark, humid and steamy. In many of these images there were thick fluids (black, brown, dark grey…) flowing in different directions.
Among these ugly liquids there were macabre things floating: a pig’s mask, the face of my son in the 3D radiography when he was still in his mum’s belly, bones, parts of bodies…. I could also see parts of machinery like gears or parts of motors. These metal parts were broken and I was looking at them from very close and I had the feeling that they were looking at me, judging me… and it didn’t feel good.
Also crazy things like a kid crawling on the ceiling (clearly inspired by the film Trainspotting) or even me crawling on the ceiling. In another moment I was like a video camera up in space and suddenly I went down to the earth, to England and I ended up inside Brian Jones’ swimming pool and I could see his corpse from the inside of the water.
I also had to say no to entering inside tunnels with a light in the end. A couple of times I was brave enough to go inside the tunnels because I thought“OK, this must be it, let’s end it all now”. But then nothing happened….
With all these images in my mind I was not getting calmer, my breathing was out of control and I couldn’t sleep. This took like 2 or 3 hours, I think.
Then my wife came up with a new idea. She said: “Iñaki, what about listening to that episode of Luke’s podcast that you liked a lot? That one in which he read the short story by Roald Dahl? Maybe that’s going to calm you down….”.
Honestly, I didn’t believe that this would work but at least it was something different and since I was desperate I agreed that it was worth giving it a try.
When I heard your voice, the images automatically changed to something different. I started listening to your words, but since the images where suddenly very nice I was paying more and more attention to them and even if I could hear your voice in the background I wasn’t listening to your words anymore.
Now the images where very colourful ones. For example I saw some based on cartoons that my kids see on the TV.
I remember seeing characters of the series “True and the Rainbow Kingdom” and “The Octonauts”. I also saw some very nice cartoons in the style of Sgt. Pepper’s artwork and the Yellow Submarine film.
Among these “visions” I remember one in particular. It was very pleasant and it stayed for a while: there where some magic carpets with stripes of very beautiful colours. They were floating in the air and my 6 year old twins were jumping on them and using them as slides.
They were laughing and having so much fun.
Mixed up with this action I could see pictures floating around in the air. These were pictures of the 4 members of the family together: my wife, the kids and me….. When your voice stopped because the chapter ended I noticed it. I was conscious for the first time that my breathing was very calm. I also was conscious that I was thinking in a more positive way. I was thinking: “OK, maybe I don’t have to die tonight”. Since my breathing was calmer and my mind was calmer too I got more relaxed and I finally managed to get to sleep.
That night I slept and woke up many times but I think I got to sleep a total of around 3 hours. Early next morning, at around 6:00 am I listened to birds singing. It made me feel good because by then I was totally convinced that I would hear that sound many times in the future.
I was also a bit ashamed that my mind had been so confused and I made my wife suffer so much. I thought a lot about you too and I felt grateful that you helped me in my recovery. I was also grateful that my wife came up with this great idea which really made the difference.
But, of course, my mind was mainly with my kids. Can you imagine the infinite happiness of knowing that I would be able to hug them again when only a few hours back I thought the opposite?
All of these words are only to explain to you how I went through a very rough situation and how you helped me get out of it. The moment I heard your voice is the exact moment that I started to get out of this horrible hole I was locked up in. So in the end all of this is only to say thank you. Just because it makes me feel good to do so. Thanks Luke!!! Iñaki
Luke: Summarise the story in your own way, in your own words.
Iñaki and I exchanged a couple of emails after this and he said he was happy for me to read this out on the podcast.
Here is my response.
Hi Iñaki,
I’m glad you’re ok with me reading out your story on the podcast. I think it’s absolutely fascinating, and of course I’m always happy to tell the world any story in which I emerge as the hero!!
Joking aside, your experience must have been absolutely terrifying and horrendous and I am genuinely amazed and pleased that the sound of my voice was reassuring for you in those moments.
I don’t know if you’ve heard my Sick In Japan episode (episode 118 – I think). I ended up in hospital in Japan once. I felt dreadful and I didn’t really know why I was there because I didn’t really understand what the doctor was saying. Thankfully it turned out that I was not seriously ill, but the first couple of nights were very frightening because I felt very bad and my diagnosis was lost in translation. \
I thought I was seriously ill and was afraid that I might die. I felt very paranoid and had to work hard to keep my mind calm. Like I mentioned – my experience wasn’t quite as bad as yours, but still – I have a slight sense of what your experience must have been like, and it’s incredible to me that the sound of my voice helped you to get through it. It’s flattering to know that, but also very reassuring and encouraging that my podcast can bring comfort to someone.
I also think your story is very compelling and well-described, so I think it should be fascinating for the LEPsters to hear it.
And, I truly believe that bad experiences become a little better in our minds when we turn them into stories which we can share.
You certainly have a great story there, and I think my audience are the perfect people to appreciate it.
So, I’m very glad you’re happy to let me share it. Hopefully it will provide something gripping for the audience and I really hope you enjoy hearing me read it out on the podcast. Congratulations on your English too by the way. You described the story very specifically and clearly.
In any case, I’m glad to hear that you’re basically back to normal again. Thank you for sharing your story with me. I read it again this morning and I found it very moving – especially the moments when the joy and colour came back into your mind when you listened to my episode, particularly the visions of your happy family.
Have a great week, and all the best to you.
Some words & phrases to review
A compelling story
A waking nightmare
A vivid dream
To have surgery
To have an operation
To have a local anaesthetic
To have a general anaesthetic
An anaesthetist
To anaesthetise
Jaw
Palate
Hypochondriac
Sedated
To (not) think straight
To suspect that something is happening/has happened
Paranoia / paranoid
To back someone up
To manage to do something
To tell something/someone straight
Macabre
Breathing / breath
Ending
Thanks again to Inaki for providing that story.
Quite a scary one!
I often wonder where you are and what you’re doing while you’re listening to this podcast, and if you have a similar story, don’t be a ninja – let me know in the comment section.
Learn English with another short story. In fact, this episode contains two stories. Listen until the end for the 2nd one. Repeat after me to practise your pronunciation. Learn some vocabulary & grammar in the second half of the episode, with an explanation of modal verbs of deduction in the past and present. Video version available.
Welcome back to the podcast. How are you doing out there in podcast land? Surviving?
Here’s a new episode. It’s time to do some more English learning with a story.
In this episode, I’m going to read another short story to you, and use it to teach you some English.
I recommend that as well as listening to me read the story out loud to you today, that you read this story out loud too, and I will give you a chance to do that by repeating after me.
We’ll also look at some vocabulary and grammar from the story during the episode. And if you listen until the end, I will tell you another story too.
That’s all going to come later in the episode. If you’re watching the video version – hello. Don’t forget to like & subscribe.
If you are listening to the audio version. Click the link in the description to visit the page for this episode where you will be able to read a transcript for the whole things. You’re welcome.
100-Word Stories
Recently I have been looking for short stories to help me teach English, the shorter the better, and I found lots of 100-word stories on several websites. A 100-word story is a story with no more than 100 words.
Anyone can submit a story to these sites. The stories are then checked by the website editors and then published for everyone to read.
The only rule for the writers, is that the stories have a 100-word limit. I think the minimum is 75 words, but the maximum is 100. So, a story with no more than 100 words.
That’s quite a challenge.
The writers need to be very disciplined. They have to choose their words carefully, and as a result these stories are very minimal and manage to convey descriptions and emotions using only a few words.
As a teacher of English, I think these stories are great because it gives us compelling and concise samples of English to work with.
Get the book
I want to just point out that there is a book full of these very short stories, which you could buy.
It’s called Nothing Short of 100: Selected tales from 100 Word Story
It is published by OUTPOST 19 and it was put together by the team behind the website, including Grant Faulkner, Lynn Mundell and Joshua Michael Stewart.
It is available for you to purchase and I recommend it if you are looking for bite size stories to use for learning or teaching English.
OK so let’s start with a story which I’ve selected from the Nothing Short of 100 book.
This story is called DOPPELGÄNGER
By the way, we don’t usually use an umlaut in English → ä
What is a doppleganger?
A doppelganger is someone who looks exactly like someone else, but it’s creepy and scary, like a ghostly copy of someone.
I think the word has its origins in German (hence the umlaut in the title), and translates directly as “double goer”. So your doppelganger is your double, a copy of you, who looks exactly like you and who goes around, walking the earth.
In my case, that would be Luka Modric, the Croatian footballer. That’s what people say anyway, that Luka Modric is my doppelganger.
Yes, he is my doppelganger. I’m not his doppelganger, ok? He’s my doppelganger. I was here first!
We do use the word in conversational English.
We say things like “Oh, I saw your doppelganger in the street today!” (meaning, “I saw someone who looked just like you”) or “It’s amazing, he’s your complete doppelganger!” etc.
I don’t know if you’ve ever experienced that. Has it ever happened to you? Have you ever seen someone who looks exactly like someone you know? Have you ever done a double take and been confused for a split second? Has anyone told you that they’d seen your doppelganger?
OK, I’m now going to read the story
Just one question 👇
How did the person feel at the end of the story? Why?
Answer: She felt shocked, upset, sad, surprised and possibly heartbroken. Maybe she couldn’t believe her eyes, because she saw her lover with another woman, or she saw someone who looked exactly like her lover with another woman.
Listen to the episode to hear me summarise and explain the story.
Let me give my comments and explanations, line by line (listen to get my comments)
DOPPELGÄNGER I almost didn’t see the you who wasn’t you. I was walking past the outdoor tables of the French café, and just at the last second, I caught a familiar hand gesture, and looked again. It couldn’t have been you though, my love, because your other hand was clasping the hand of the woman opposite. Your heads were too close. She was laughing, that abandoned laughing you do when you’re totally in the moment, totally in love. I walked on, heels tapping out a staccato rhythm, as I no longer wanted to look at the you who wasn’t you.
Possible interpretations
It was her husband/boyfriend, cheating on her, having an affair with another woman.
It wasn’t her husband/boyfriend. It was just someone who looked like him, but it still disturbed her because she’s terrified that he could cheat on her.
It was her ex, someone she is still in love with. They’re not together any more. He’s moved on, but she hasn’t.
It was a guy who she loves but they’re not together and she can’t bear the fact that he’s with someone else.
Perhaps she lost her husband (he died) and she just saw someone who reminded her of him.
Something else?
Language Analysis
Vocabulary & Grammar
The you who wasn’t you (Although you normally takes are/were, it is not plural, and so the relative pronoun who is singular)
Just at the last second
on time
in time
Familiar
A gesture
To catch (a look at) something (to get a glimpse of something)
…though
Clasping her hand
Abandoned laughing
To be totally in the moment
To walk on
Heels
Tapping
A staccato rhythm
It couldn’t have been you, my love 👇
Modal Verbs of Deduction
Present
Who is that?
I’m sure/certain it’s Dave
It must be Dave
It’s possible (that) it’s Dave-not sure
It could be DaveIt might be DaveIt may be Dave
It’s impossible (that) it’s Dave
It can’t be DaveIt couldn’t be Dave
Past
Who was that?
I’m sure/certain it was Dave
It must have been Dave
It’s possible (that) it was Dave-not sure
It could have been DaveIt might have been DaveIt may have been Dave
It’s impossible (that) it was Dave
It can’t have been DaveIt couldn’t have been Dave
Pronunciation
Repeat the story after me, line by line.
Try to say each line with no pauses between words.
Notice which word has the main emphasis (stress) in each line.
Don’t sound like a robot! 🤖
DOPPELGÄNGER
I almost didn’t see the you who wasn’t you.
I was walkingpast the outdoor tables of the Frenchcafé,
and just at the last second,
I caught a familiar hand gesture,
and looked again.
It couldn’t have been you though, my love,
because your other hand was clasping the hand of the woman opposite.
Your heads were too close.
She was laughing,
that abandoned laughing you do when you’re totally in the moment,
I’m going to read you another story. This one is also about a doppelganger.
I’ll just read the story to you, and then I’m going to do language work in a premium episode which is coming soon to the premium subscription.
OK, I am trying to persuade you to sign up to my premium subscription, but I think it’s worth it, and if you do you’ll be supporting the podcast. No pressure though.
If you don’t want to sign up or you can’t, no worries.
I’m still going to read the story to you in this free episode, now.
I hope you enjoy it.
I’ll quickly summarise it at the end (in case you don’t understand), but I’ll do the detailed language teaching in premium series, coming soon.
“This book says everyone has a doppelganger, a mirror image, and if you meet yours face to face, you’ll die.”
Janice, my flatmate, closed the book, finished her tea and toast, and slammed out of the door for her A&E shift at St. Margaret’s hospital just down the road. She loved any kind of fantasy literature, always immersed in some supernatural genre book. Not my cup of tea at all. Give me a good Nordic Noir mystery anytime.
After taking a shower I went to brush my teeth. If you meet your doppelganger face to face you’ll die, my reflection in the bathroom mirror laughed as I recited the words, but they’d begun to worm their subliminal way into my subconscious, waiting to claw their way to the surface and pounce.
One day, a couple of weeks later, I headed for the front door ready to set off into town where I worked at a music store. Doppelganger, I froze as my mind hissed the insidious word. What if I saw me on the train? Or stood behind me in the line at the coffee place? What if I came into the shop to buy a record and had to serve myself? The words shot through my mind. I let go of the door handle as if I had been electrocuted, and phoned in sick.
“Do you fancy a night out at that new wine bar down the street?” Janice bounced through the front door one afternoon, chirpy as a blue bird, her shift trauma-free for once.
“Not tonight, Janice, I’m still not feeling very good.” The image of my other self perched on a stool at the far end of the bar, possibly raising a toast, was too hard to stomach.
‘You haven’t been outside for ages, Natalie, not even for work…you’ll end up getting fired. What’s going on with you?” Janice pressed.
“I’ll meet my doppelganger and die if I go outside,” I burst into tears, knowing how ridiculous I sounded.
“You know there’s no such thing. You need to get help, Natalie. I’ve got a therapist friend who works at the hospital. I’ll fix you up an appointment.” She wrapped me in a comfort hug.
“You’re booked in for ten o’clock this morning.” Two days later Janice grabbed my arm and pulled me through the front door; I didn’t stand a chance.
“You won’t meet yourself between here and St. Margaret’s.” She smiled reassuringly and we set off down the street.
“Excuse me,” a hand tapped my shoulder as we waited to cross the busy main road. I turned around and my shriek froze the blood of everyone close by, before I stepped backwards off the footpath into the path of an articulated lorry.
“I didn’t mean to frighten her,” tears ran down the anguished face of one of the two men who’d been standing behind me. He was holding a large six-feet square mirror which they were carrying across to the framing workshop across the road. “I just wanted to ask her to step to one side.”
Summary of Story 2
The narrator, let’s call her Sue (although I realised after recording this that she’s actually called Nathalie in the story!) lives with her flatmate Janice.
One day Janice reads a line from a scary book she’s reading. It says that if you ever meet your doppelganger, you’ll die.
Sue doesn’t usually believe that kind of thing, but the idea gets into her head and as she is leaving the house one day, she suddenly gets scared that she might meet her doppelganger, and die.
So she decides to stay at home.
In fact she keeps staying at home, every day. The idea of meeting her doppelganger has made her too terrified to leave the house.
Janice gets worried about Sue and arranges for her to meet a therapist, and assures Sue that nothing can happen to her on the way.
Sue agrees to leave the house, but at the main road someone taps her on the shoulder.
Sue turns around and sees her own reflection.
The man who tapped her on the shoulder was trying to carry a mirror across the road.
He wanted to ask her to step to one side, to make space.
But Sue turned around and saw her doppelganger – her reflection in the mirror and screamed!
Then she stepped back, into the road, and was hit by a large lorry.
That’s the end of the episode, but check out LEP Premium.
I’m going to do a premium episode all about this second doppelganger story.
All the vocabulary (with a memory test), some grammar, some pronunciation practice.
I’ll go through the vocabulary and some grammar and I’ll do some pronunciation practice with it too, just like I did with the 100-word story.
Paul McCartney turned 80 this year, so let’s talk about this legend of British music! In this one, I am joined by Sam Whiles, the host of the Paul or Nothing podcast. Listen to hear an overview of Paul’s career, and some Paul McCartney stories. Video version of the interview available on YouTube.
Video Version (with no introduction or ending ramble from Luke)
Introduction (audio version only)
Hello listeners,
Welcome back to my podcast. I hope you’re doing well. Here is another episode to give you some listening practice. This one features a conversation, at normal speed, about a specific topic relating to British culture.
If you’re looking for lessons from me specifically about language – English vocabulary, grammar and pronunciation practice then check out my premium episodes, and you can sign up to LEP Premium by going to www.teacherluke.co.uk/premium
The premium episodes always involve specific language teaching. These free episodes might have language teaching too, but also they often just feature more conversational content about topics which I hope will be interesting and motivating for you.
So what about this episode?
Paul McCartney – from The Beatles, and Wings – the rock star Paul McCartney (Sir Paul McCartney in fact) – he turned 80 this year and around the time of his birthday earlier this year I received a few messages from listeners asking me to record an episode about him and, of course, as a big Paul McCartney fan I am well up for this. I think it is a great idea.
I did a few episodes last year about John Lennon so it’s only right that I would also do something about Paul McCartney.
So let’s talk about this absolute legend of music, a British national treasure, an international star, one of the most well-known British people in the world with the Queen, and someone who we are lucky to have with us in the world, performing music, releasing new songs and generally entertaining and inspiring us. Let’s talk about Sir Paul McCartney and try to put into words why he is such a beloved and significant figure.
With the John Lennon episodes last year I spoke to Antony Rotunno who has a John Lennon podcast (Glass Onion: On John Lennon), and so for this one I thought I would do a similar thing and interview a Paul McCartney podcaster, and so my guest today is Sam Whiles who hosts the Paul or Nothing Podcast – a podcast dedicated to the life and work of Paul McCartney.
Actually, Sam and Antony already know each other. They did a couple of episodes together for their podcasts a while ago, which I heard and really enjoyed, and Antony said that Sam would be a great guest for my show, so here we go.
I have heard a few episodes of Sam’s podcast and I always enjoy listening to it. Sam is full of enthusiasm, knowledge and passion for his subject. He’s very articulate as you will hear. He uses a wide variety of vocabulary and he has the gift of the gab, which means he can certainly talk and talk, which is what you want from a podcast guest.
But, get ready -because I predict that this one could be a challenge for you (depending on your level of English). By the way, just in case you are listening to this and you’re not familiar with my podcast – my show is for learners of English. I like to present natural conversations and monologues as listening practice for learners of English around the world.
So, for some of my listeners, this episode could be a challenge. I say that because Sam speaks pretty quickly, he has a slight regional accent (and learners of English often find that more difficult) and in our conversation we make references to some things you might not know about – like Paul’s work – the names of albums, the names of songs, the names of projects, the names of other people in Paul’s life, etc. So this one might be a challenge for you for those reasons.
But as usual I really hope you stick with this as, hopefully there will be plenty to learn and enjoy from this chat.
The aims of this conversation are, on the one hand to explain the appeal of Paul McCartney and on the other hand to simply to present an enthusiastic conversation about him.
First you’ll hear me get to know Sam a little bit including where in England he comes from.
Then I ask Sam how he got into The Beatles and why he chose to focus on Paul McCartney in particular for his podcast.
I ask Sam to give us a short history of Paul’s life, which he does with amazing speed. He manages to cram a lot of important moments and events in Paul’s whole life into just a few minutes. It’s a bit of a whirlwind tour of Paul’s career.
We talk about how Paul’s image has changed over the years, why he is now (arguably) more celebrated than at any other time in his life and then we share a few stories and anecdotes about Paul – seeing him perform live, moments when people we know have met him and some of our favourite Paul McCartney stories.
And of course there are some Paul McCartney impressions or caricatures – where we copy Paul’s voice and mannerisms. Long term listeners will know that I just can’t help myself in that department.
There is a video version of this on YouTube as well – just the conversation part with Sam – this wonderful introduction is only available in the audio version, and that’s also true for the bit where I ramble at the end. Those bits are only in this audio version. The video is just the conversation with Sam, and have a look at that because the visual elements might help you and you really need to check out Sam’s shirt and his Zoom background too.
OK, that’s enough of an introduction from me.
Are you ready? Are you ready for some intense listening practice, to meet my wonderful guest Sam Whiles and to learn a thing or two about the living legend that is Paul McCartney? So, here we go!
Listen to the audio version to hear 30 extra minutes of rambling about Paul McCartney…
Luke reads verses from a modernised version of this medieval poem, considered one of the masterpieces of Middle English literature. Listen to hear the rhyme and rhythm of the poetry, the descriptive vocabulary and details of the story, with vocabulary explanations and comments from Luke. This is part 2 of a double episode about this story. Video version available with on-screen text.
Sir Gawain and The Green Knight by Simon Armitage, published by W. W. Norton & Company (available in all good bookshops)
Introduction Transcript
Hello listeners,
Welcome to episode 779 of my podcast for learners of English. This is in fact part 2 of a 2-part episode.
In part 1 of this (episode 778), I talked to my dad about an old poem from the medieval period in Britain.
The poem is basically a really mysterious and wonderfully descriptive adventure about a knight from King Arthur’s table at Camelot.
King Arthur was a mythical king of Britain who people told and wrote stories about, many centuries ago.
We’re not sure if he really existed, if the stories about him are all fictional, or some combination of those two things.
Anyway, the Arthurian legends, or stories of King Arthur and his Knights from Camelot are full of magic, chivalry and adventure.
Chivalry means the rules that all honourable knights had to follow – a code of honour.
Anyway, the poem I talked about with my dad in the last episode is about one of Arthur’s knights who accepts a strange and dangerous challenge. The poem is called Sir Gawain and The Green Knight.
If you listened to episode 778, you heard my dad describing the story of the poem, the linguistic style and how it fits into British history and the history of the English language.
At the end of that episode I read some verses from a modernised version of the poem, by Simon Armitage.
In this episode I’d like to read some more verses from the poem, but this time I’d like to explain some of the vocabulary and other aspects of the language while I am doing it.
So here you will be able to hear part of a medieval poem written in middle English, which has been updated into modern English, with explanations and comments from me.
Again, the poem is called Sir Gawain and The Green Knight.
It was probably written in England in the 14th century (probably around the year 1370).
Since this text was discovered it has been studied and translated and is now considered one of the greatest works of medieval English literature.
Modernised versions have been published, including one by JRR Tolkein and another one more recently by Simon Armitage.
The one I’m going to read from here is the modernised version by Simon Armitage, which is available as a book from W. W. Norton & Company – you can get it in any good bookshop.
I do recommend it. It has a really interesting introduction and it presents both the modernised version and the original text, side by side.
In terms of language, there are three main things to notice.
These linguistic features or poetic devices were all present in the original version and Simon Armitage has done a great job of replicating them in this modern version.
Alliteration This is when the same sounds are used at the beginnings of words.
It creates a kind of rhythm or music to the lines.
Examples:
a fearful form appeared, framed in the door
a mountain of a man, immeasurably high,
a hulk of a human from head to hips,
so long and thick in his loins and his limbs
I should genuinely judge him to be a half giant,
or a most massive man, the mightiest of mortals.
The “Bob and Wheel”. This is a poetic device which can be found in poems from this era.
Each “stanza” (group of lines) ends with two syllables (the bob) and then four flowing lines which follow (the wheel)
So listen a little while to my tale if you will
and I’ll tell it as it’s told in the town where it trips from
the tongue;
and as it has been inked
in stories bold and strong,
through letters which, once linked,
have lasted loud and long.
Descriptive vocabulary The poem is full of vivid descriptions, and Simon Armitage has managed to modernise the vocabulary so most of the language used here is up-to-date and still used by people today.
So, let’s get into the poem.
I’ll read each verse one by one, and then I’ll go back through and explain the language.
You could try to repeat the lines of the poem after me. That would be a good way to practise your pronunciation.
I’m going to start reading from line 130.
Just to bring you up to speed with the story, here’s what happens between lines 1 and 129.
The poem begins by referring to Greek mythology. It briefly describes the fall of Troy and the foundation of Rome, and it makes a clear connection between King Arthur of Britain and those heroes from Greek and Roman mythology.
It’s Christmas in Camelot and King Arthur is celebrating with a big feast (a big meal which lasts for a long time).
The poem describes the celebrations, the food, the games they’ve been playing, the decorations, the seating arrangement with all the knights, ladies and their guests. King Arthur’s wife Guinevere is there, and the poem describes how beautiful she is.
They are just about to start eating, when the celebration is interrupted by something extraordinary.
Luke reads lines 130 – 466 from the Simon Armitage version of the poem.
A conversation with my dad about a great medieval adventure story originally written in middle English and updated and translated into modern English by Simon Armitage. Dad talks about the origin of this story, its connection to the history of the English language, and the poetic devices used in the writing. In the second half I read a summarised version of the story and some verses from Armitage’s modernised version.
[DOWNLOAD]
Introduction Script
Hello there, how are you? Hope you’re well. Just before we start – a quick bit of news.
So, my full time teaching schedule at school has ended now and I have about 1 week to work on LEP content, and upload it before the August summer holiday begins. I’m not sure if I will be able to work during August, because “hello” it’s holiday season – my daughter is off school, we’re going on holiday in France and in the UK, and I might not bring my computer with me and so on. So I might upload loads of content this week, which you can listen to during the summer. I don’t want to overload you, but also I don’t want to underload you (is that a word).
In any case, it’ll be like waiting for a bus again – you wait ages and then 3 come at the same time. This includes premium content. An update about LEP Premium: New episodes will be arriving very soon, including P35 part 2, which is full of pronunciation practice. As you may know, LEP Premimum is still in a transition from Libsyn to Acast and during this time I can’t upload episodes because of a slight issue relating to transferring 6 and 12 month subscriptions, but this is going to be solved very soon, and as soon as it is solved, new premium content will arrive. If you are a premium subscriber on Libsyn (the old system) with a 6 or 12 month subscription, and you’re keen to move to Acast – I will be contacting you soon with a solution to the situation. Just hold on. If you don’t understand what’s happening, check my website for updates. But mainly – just hold on.
If you are new to LEP Premium, you can go ahead and and sign up through Acast+ – it’s www.teacherluke.co.uk/premium or click the link in the description. If you do that you will be supporting this whole project and in return you will get access to all the LEP Premium episodes (well over 100 vocabulary, pronunciation and grammar practice lessons) PDFs, videos and also you get ad-free episodes of LEP. If you’re wondering how it all works, have a look at my website where you will find all the information you need, including how to access the PDFs and how to add LEP Premium episodes to your podcasting app of choice.
— Jingle —
Hello everyone,
In this episode, my dad is back, but it’s not the Rick Thompson Report, so no politics this time. Instead we’re doing an episode that we have been hoping to do since Christmas last year.
In this one, Dad is going to tell us about an old story from the Arthurian legends – that’s a set of stories about the mythical King Arthur and his Knights of the Round Table. British legends and folklore.
The story we’re talking about is in the form of a poem called Sir Gawain & The Green Knight. This long poem was probably first written down in the 14th century by an unknown poet, but the story is probably much older than that, and part of a long oral storytelling tradition.
What Dad is going to do is describe the significance of this story, give us a summary of the plot and also he will make some comments about the history of the English language, and the rhythmic and rhyming style used in the original 14th century version, which was written in what we now call middle English. My dad studied English literature at university in the 1960s and this was one of the texts that he studied, and so he knows it quite well.
Recently the old 14th century version of this poem was updated by a modern poet called Simon Armitage (the current poet laureate in the UK). Armitage has managed to write a modern version of this poem using modern English vocabulary, but it retains many of the linguistic and poetic devices of the original, including certain forms of rhyme and rhythm that made the poem so effective.
My dad got that version for Christmas and that’s what inspired us to do this episode.
It should be interesting for you to hear the story, hear my dad’s comments about it and learn how this fits into the history of the English language.
In the second half of the episode I will read you a summarised version of the full story just to make sure you get to hear an uninterrupted version, plus I will read out a few verses of the Simon Armitage version of them poem, again, to give you a good chance to hear some the rhythm and rhyme of it uninterrupted.
So, if you are sitting comfortably, let’s begin.
Ending Script
Well, how was that?
You might be keen to hear more of the story and to hear more samples of the poem. That’s what I’d like to do in this ending part.
I’m going to do a couple of readings for you now.
I thought it would be useful for you to hear a brief version of the whole story, just to give you an overview and to make sure you’ve understood the whole thing. Then I’ll read a few of verses from the Simon Armitage version, in order to give you a flavour of the poetry with its distinctive style: wonderfully descriptive language and a particular rhythm, which was originally used in the 14th century version, as my dad described.
A Summary of the Story
This is a version of the story, from a TED Ed video by Dan Kwartler.
Credit for this version goes to Dan Kwartler and there’s an animated version of it here https://youtu.be/SaQImmPev2o I have adapted this version slightly.
This doesn’t have the rhythmic style of the original poem, or the richly descriptive language.
But it does tell the story quite briefly. I’m not going to explain all the words here. I might do that in part 2 (If there is a part 2).
It was Christmas time in Camelot
and King Arthur was throwing a party.
The entire court was invited,
except for the evil sorceress Morgan le Fay.
The food and drink flowed freely.
But in the midst of all the revelry,
the castle doors suddenly split open.
A tall knight riding an emerald horse
burst into the room,
stunning the court into silence.
He was green from head to toe,
including his skin, hair and clothes.
Even his horse was green.
Then, in a deep bellowing voice, he proposed a game.
The Green Knight declared that he would allow
the bravest warrior present
to attack him with his own axe.
If they could strike him down, they would win his powerful weapon.
However, the knight would be allowed to return that blow
in one year and one day.
Arthur and his knights were baffled.
No man could survive such a strike.
How would the Green Knight be able to return the blow in a year’s time?
The Green Knight began to mock their leader’s hesitance,
and Arthur stood up to defend his honour.
But as soon as he gripped the axe,
another person leapt up to take his place.
It was Arthur’s nephew,
Sir Gawain,
who decided he could not let the king be drawn into such a macabre game.
Keen to prove himself as a worthy hero,
Sir Gawain took the weapon instead.
The Green Knight knelt down to receive the blow from the axe,
even moving his hair away to expose the naked green skin of his neck.
With one swift strike, Sir Gawain beheaded the knight.
But the moment his skull hit the ground, it began to laugh.
The Green Knight bent down,
collected his head
and mounted his horse.
As he rode off,
his severed head reminded Gawain of their contract
and told him to seek the Green Chapel
one year and one day from that moment.
In the months that followed, Gawain tried to forget this bizarre vision.
But despite the strangeness of the knight’s game,
Sir Gawain was determined to act honourably and fulfil his promise.
When the following winter approached,
he set out —
enduring foul weather
and encounters with dangerous beasts
in his quest to find the mysterious Green Chapel.
Finally, on Christmas Eve, he saw a shimmering castle on the horizon.
The castle’s lord and lady were thrilled to help such an honourable guest,
and informed him that the Green Chapel was only a short ride away.
They implored Gawain to rest at their home until his meeting with the Green Knight.
Thrilled at this news, Gawain happily accepted their offer.
However, in exchange for this hospitality,
the lord made a strange request.
Over the next three days, he would go hunting
and every night he would share whatever he caught with Gawain.
In return, Gawain must give him whatever he’d gained during his day at the castle.
At first, Gawain was perplexed by these strange terms.
But the lord’s meaning became quite clear the next day,
when his wife tried to seduce Gawain.
To rebuff the lady’s advances without offending her honour,
Gawain allowed one kiss —
which he then passed on to her husband in exchange for a slain deer.
The next day, Gawain allowed two kisses,
which he gave to the lord for a dead boar.
But on the third day,
the lady offered more than just three kisses.
She presented a magical sash that would protect Gawain
from the Green Knight’s blade.
Gawain accepted immediately,
but that evening,
when the lord returned,
Gawain offered only three kisses and did not mention the enchanted gift which he had received.
The next morning,
Gawain rode out to the Green Chapel—
a simple mound of earth
where the Green Knight was waiting and ominously sharpening his axe.
With the sash’s protection,
Gawain approached stoically —
determined to honour his agreement.
He bowed his head for the deadly blow.
He flinched twice,
but then with a massive swing,
the Green Knight cut Gawain’s neck —
but inflicted nothing more than a flesh wound.
Once more, Gawain was bewildered.
Why hadn’t the sash protected him?
And why hadn’t the knight killed him?
Bursting into laughter,
the Green Knight revealed himself to be the castle’s lord,
and that he’d been working with the sorcoress Morgan Le Fay
to test the honour and bravery of Arthur’s knights.
He was impressed with Gawain’s behavior,
and he’d planned to spare his neck entirely —
until Gawain concealed the sash,
and this is when the Green Knight chose to inflict the fleshwound upon him.
Filled with shame, Gawain returned to Camelot.
But to his surprise, his companions absolved him of blame
and celebrated his valor.
Struggling to understand this strange journey,
it seemed to Gawain that perhaps the whole world was playing a game —
with rules more wild and bewildering than any man could understand.
Ok, so that’s the story.
It’s a bit confusing and mysterious.
(Luke gives a quick summary again)
Reading Verses from the Simon Armitage version of Sir Gawain and The Green Knight
What you don’t get from that story summary (above) is the beautiful language.
Wonderfully descriptive vocabulary
Alliteration (the repetition of rhyming consonant sounds at the start of words)
The “Bob and Wheel” (a rhythmic device which ends each verse)
There are some extracts from the Simon Armitage version available in the preview of the book on Amazon (other bookshops are available)
Let me read a couple of those initial pages.
The way the Armitage version of this poem is presented is that it gives one page of the modernised version, and then on the next page you have the equivalent original text, so you can compare them side by side.
I won’t read any of the original text because the English is so old fashioned that I frankly wouldn’t be able to pronounce it all. And before you fall out of your chair in disbelief that I don’t know my own language – hardly anyone is able to pronounce sentences written in middle English. Only academic experts can do that, and a lot of them disagree about how middle English should be pronounced. So, that’s not for us. Middle English is almost like another language, so there’s no need for me to read it to you.
The modern version of this poem on the other hand, is much more appropriate for us, and Simon Armitage has done a fantastic job because as my dad said, his version of the poem manages to keep the same alliteration, the same rhythm, and the bob & wheel – that structural device where after a few lines the verse comes to an end with a distinctive two syllable break (the bob) and then four lines which follow it (the wheel). You’ll have a chance to listen to examples of that again in a moment.
Simon Armitage, while managing to keep a lot of these literary and poetic devices from the original poem, has updated it using normal modern English words. So this is still written in a literary and poetic style, but these are words that are still regularly used by people today, more or less.
Listen carefully to the rhythm and sounds of this and you’ll see what I mean.
I’m now going to read the first few verses to you. This is very rich in terms of language. Again, I am not going to stop and explain everything here, or analyse the text. I’m just going to read it to you.
I do plan to do another separate episode in which I just read out some of these verses again and then break them down for language. Hopefully I will be able to make a video version of that too. Perhaps it will be the next episode. We will see. If not, I will do my best to get it done at a later date.
But now, for your listening pleasure, have a listen to this.
Extracts from Sir Gawain & The Green Knight, by Simon Armitage.
This is a free sample of LEP Premium, available for everyone. In this episode I’ll tell you about my technique for learning English with stories and transcripts, with full details about how to improve your English with my stories. Then I’ll tell you a story about a time I had an encounter with a bear, and then I’ll give you some language practice exercises for your grammar and vocabulary, and some pronunciation drills to let you repeat after me. Full PDF transcript available + video version available too.
🏆 LEP Premium is a series of bonus episodes from Luke’s English Podcast in which I teach you vocabulary, grammar and pronunciation. LEP Premium is now available on Acast+ Episodes are usually in audio format (with some bonus videos), and you can listen to them in any normal podcast app.
Listen to Luke reading a text adventure story set in a summer camp. You can read the story at the same time as you listen, or just relax and have fun following this action packed horror story, and read do text adventure later. Includes some vocabulary explanations, differences between British & American English and some very dodgy jokes. Video version available.
My story about how I ended up in a Japanese hospital bed, scared out of my brain. Recorded live in front of an audience at the British Council in Paris.
An episode with my friend Moz from the Murder Mile True Crime Podcast. Moz returns to tell us some true stories of crimes in the London area. Expect some smalltalk about living on a boat, some murder stories and an interactive detective game in which we have to solve a murder.
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