Category Archives: Story

778. [1/2] Sir Gawain and The Green Knight (with Dad)

A conversation with my dad about a great medieval adventure story originally written in middle English and updated and translated into modern English by Simon Armitage. Dad talks about the origin of this story, its connection to the history of the English language, and the poetic devices used in the writing. In the second half I read a summarised version of the story and some verses from Armitage’s modernised version.

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Introduction Script

Hello there, how are you? Hope you’re well. Just before we start – a quick bit of news. 

So, my full time teaching schedule at school has ended now and I have about 1 week to work on LEP content, and upload it before the August summer holiday begins. I’m not sure if I will be able to work during August, because “hello” it’s holiday season – my daughter is off school, we’re going on holiday in France and in the UK, and I might not bring my computer with me and so on. So I might upload loads of content this week, which you can listen to during the summer. I don’t want to overload you, but also I don’t want to underload you (is that a word). 

In any case, it’ll be like waiting for a bus again – you wait ages and then 3 come at the same time. This includes premium content. An update about LEP Premium: New episodes will be arriving very soon, including P35 part 2, which is full of pronunciation practice. As you may know, LEP Premimum is still in a transition from Libsyn to Acast and during this time I can’t upload episodes because of a slight issue relating to transferring 6 and 12 month subscriptions, but this is going to be solved very soon, and as soon as it is solved, new premium content will arrive. If you are a premium subscriber on Libsyn (the old system) with a 6 or 12 month subscription, and you’re keen to move to Acast – I will be contacting you soon with a solution to the situation. Just hold on. If you don’t understand what’s happening, check my website for updates. But mainly – just hold on. 

If you are new to LEP Premium, you can go ahead and and sign up through Acast+ – it’s www.teacherluke.co.uk/premium or click the link in the description. If you do that you will be supporting this whole project and in return you will get access to all the LEP Premium episodes (well over 100 vocabulary, pronunciation and grammar practice lessons) PDFs, videos and also you get ad-free episodes of LEP. If you’re wondering how it all works, have a look at my website where you will find all the information you need, including how to access the PDFs and how to add LEP Premium episodes to your podcasting app of choice. 

— Jingle — 

Hello everyone,

In this episode, my dad is back, but it’s not the Rick Thompson Report, so no politics this time. Instead we’re doing an episode that we have been hoping to do since Christmas last year. 

In this one, Dad is going to tell us about an old story from the Arthurian legends – that’s a set of stories about the mythical King Arthur and his Knights of the Round Table. British legends and folklore. 

The story we’re talking about is in the form of a poem called Sir Gawain & The Green Knight. This long poem was probably first written down in the 14th century by an unknown poet, but the story is probably much older than that, and part of a long oral storytelling tradition.

What Dad is going to do is describe the significance of this story, give us a summary of the plot and also he will make some comments about the history of the English language, and the rhythmic and rhyming style used in the original 14th century version, which was written in what we now call middle English. My dad studied English literature at university in the 1960s and this was one of the texts that he studied, and so he knows it quite well. 

Recently the old 14th century version of this poem was updated by a modern poet called Simon Armitage (the current poet laureate in the UK). Armitage has managed to write a modern version of this poem using modern English vocabulary, but it retains many of the linguistic and poetic devices of the original, including certain forms of rhyme and rhythm that made the poem so effective.

My dad got that version for Christmas and that’s what inspired us to do this episode.

It should be interesting for you to hear the story, hear my dad’s comments about it and learn how this fits into the history of the English language.

In the second half of the episode I will read you a summarised version of the full story just to make sure you get to hear an uninterrupted version, plus I will read out a few verses of the Simon Armitage version of them poem, again, to give you a good chance to hear some the rhythm and rhyme of it uninterrupted.

So, if you are sitting comfortably, let’s begin. 


Ending Script

Well, how was that?

You might be keen to hear more of the story and to hear more samples of the poem. That’s what I’d like to do in this ending part.

I’m going to do a couple of readings for you now.

I thought it would be useful for you to hear a brief version of the whole story, just to give you an overview and to make sure you’ve understood the whole thing. Then I’ll read a few of verses from the Simon Armitage version, in order to give you a flavour of the poetry with its distinctive style: wonderfully descriptive language and a particular rhythm, which was originally used in the 14th century version, as my dad described. 

A Summary of the Story

This is a version of the story, from a TED Ed video by Dan Kwartler.

Credit for this version goes to Dan Kwartler and there’s an animated version of it here https://youtu.be/SaQImmPev2o I have adapted this version slightly.

This doesn’t have the rhythmic style of the original poem, or the richly descriptive language. 

But it does tell the story quite briefly. I’m not going to explain all the words here. I might do that in part 2 (If there is a part 2).

It was Christmas time in Camelot 

and King Arthur was throwing a party.

The entire court was invited, 

except for the evil sorceress Morgan le Fay.

The food and drink flowed freely.

But in the midst of all the revelry, 

the castle doors suddenly split open.

A tall knight riding an emerald horse 

burst into the room,

stunning the court into silence.

He was green from head to toe, 

including his skin, hair and clothes. 

Even his horse was green.

Then, in a deep bellowing voice, he proposed a game.

The Green Knight declared that he would allow

the bravest warrior present 

to attack him with his own axe.

If they could strike him down, they would win his powerful weapon.

However, the knight would be allowed to return that blow

in one year and one day.

Arthur and his knights were baffled.

No man could survive such a strike.

How would the Green Knight be able to return the blow in a year’s time?

The Green Knight began to mock their leader’s hesitance,

and Arthur stood up to defend his honour.

But as soon as he gripped the axe, 

another person leapt up to take his place.

It was Arthur’s nephew, 

Sir Gawain, 

who decided he could not let the king be drawn into such a macabre game.

Keen to prove himself as a worthy hero, 

Sir Gawain took the weapon instead.

The Green Knight knelt down to receive the blow from the axe, 

even moving his hair away to expose the naked green skin of his neck.

With one swift strike, Sir Gawain beheaded the knight.

But the moment his skull hit the ground, it began to laugh.

The Green Knight bent down,

collected his head 

and mounted his horse.

As he rode off, 

his severed head reminded Gawain of their contract

and told him to seek the Green Chapel 

one year and one day from that moment.

In the months that followed, Gawain tried to forget this bizarre vision.

But despite the strangeness of the knight’s game,

Sir Gawain was determined to act honourably and fulfil his promise.

When the following winter approached, 

he set out —

enduring foul weather 

and encounters with dangerous beasts

in his quest to find the mysterious Green Chapel.

Finally, on Christmas Eve, he saw a shimmering castle on the horizon.

The castle’s lord and lady were thrilled to help such an honourable guest,

and informed him that the Green Chapel was only a short ride away.

They implored Gawain to rest at their home until his meeting with the Green Knight.

Thrilled at this news, Gawain happily accepted their offer.

However, in exchange for this hospitality,

the lord made a strange request.

Over the next three days, he would go hunting 

and every night he would share whatever he caught with Gawain.

In return, Gawain must give him whatever he’d gained during his day at the castle.

At first, Gawain was perplexed by these strange terms.

But the lord’s meaning became quite clear the next day,

when his wife tried to seduce Gawain.

To rebuff the lady’s advances without offending her honour,

Gawain allowed one kiss —

which he then passed on to her husband in exchange for a slain deer.

The next day, Gawain allowed two kisses, 

which he gave to the lord for a dead boar.

But on the third day, 

the lady offered more than just three kisses.

She presented a magical sash that would protect Gawain

from the Green Knight’s blade.

Gawain accepted immediately, 

but that evening, 

when the lord returned,

Gawain offered only three kisses and did not mention the enchanted gift which he had received.

The next morning, 

Gawain rode out to the Green Chapel—

a simple mound of earth

where the Green Knight was waiting and ominously sharpening his axe.

With the sash’s protection, 

Gawain approached stoically —

determined to honour his agreement.

He bowed his head for the deadly blow.

He flinched twice, 

but then with a massive swing,

the Green Knight cut Gawain’s neck —

but inflicted nothing more than a flesh wound.

Once more, Gawain was bewildered.

Why hadn’t the sash protected him?

And why hadn’t the knight killed him?

Bursting into laughter, 

the Green Knight revealed himself to be the castle’s lord,

and that he’d been working with the sorcoress Morgan Le Fay

to test the honour and bravery of Arthur’s knights.

He was impressed with Gawain’s behavior,

and he’d planned to spare his neck entirely —

until Gawain concealed the sash, 

and this is when the Green Knight chose to inflict the fleshwound upon him.

Filled with shame, Gawain returned to Camelot.

But to his surprise, his companions absolved him of blame

and celebrated his valor.

Struggling to understand this strange journey,

it seemed to Gawain that perhaps the whole world was playing a game —

with rules more wild and bewildering than any man could understand.

Ok, so that’s the story. 

It’s a bit confusing and mysterious.

(Luke gives a quick summary again)

Reading Verses from the Simon Armitage version of Sir Gawain and The Green Knight

What you don’t get from that story summary (above) is the beautiful language.

  • Wonderfully descriptive vocabulary
  • Alliteration (the repetition of rhyming consonant sounds at the start of words)
  • The “Bob and Wheel” (a rhythmic device which ends each verse)

There are some extracts from the Simon Armitage version available in the preview of the book on Amazon (other bookshops are available) 

Let me read a couple of those initial pages. 

The way the Armitage version of this poem is presented is that it gives one page of the modernised version, and then on the next page you have the equivalent original text, so you can compare them side by side. 

I won’t read any of the original text because the English is so old fashioned that I frankly wouldn’t be able to pronounce it all. And before you fall out of your chair in disbelief that I don’t know my own language – hardly anyone is able to pronounce sentences written in middle English. Only academic experts can do that, and a lot of them disagree about how middle English should be pronounced. So, that’s not for us. Middle English is almost like another language, so there’s no need for me to read it to you. 

The modern version of this poem on the other hand, is much more appropriate for us, and Simon Armitage has done a fantastic job because as my dad said, his version of the poem manages to keep the same alliteration, the same rhythm, and the bob & wheel –  that structural device where after a few lines the verse comes to an end with a distinctive two syllable break (the bob) and then four lines which follow it (the wheel). You’ll have a chance to listen to examples of that again in a moment.

Simon Armitage, while managing to keep a lot of these literary and poetic devices from the original poem, has updated it using normal modern English words. So this is still written in a literary and poetic style, but these are words that are still regularly used by people today, more or less.

Listen carefully to the rhythm and sounds of this and you’ll see what I mean.

I’m now going to read the first few verses to you. This is very rich in terms of language. Again, I am not going to stop and explain everything here, or analyse the text. I’m just going to read it to you. 

I do plan to do another separate episode in which I just read out some of these verses again and then break them down for language. Hopefully I will be able to make a video version of that too. Perhaps it will be the next episode. We will see. If not, I will do my best to get it done at a later date.

But now, for your listening pleasure, have a listen to this.

Extracts from Sir Gawain & The Green Knight, by Simon Armitage.

There is no script for the verses, but you can check the Amazon page for this book, where you can preview the first pages of the book, including many of the lines I’m reading here.

What do you think? Leave your comments below 👇

P35 [1/2] StoryTime: Learn English with Stories (free LEP Premium Sample) THE BEAR STORY

This is a free sample of LEP Premium, available for everyone. In this episode I’ll tell you about my technique for learning English with stories and transcripts, with full details about how to improve your English with my stories. Then I’ll tell you a story about a time I had an encounter with a bear, and then I’ll give you some language practice exercises for your grammar and vocabulary, and some pronunciation drills to let you repeat after me. Full PDF transcript available + video version available too.

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Video Version with on-screen transcript

Links, PDFS & Notes

🏆 LEP Premium is a series of bonus episodes from Luke’s English Podcast in which I teach you vocabulary, grammar and pronunciation. LEP Premium is now available on Acast+ Episodes are usually in audio format (with some bonus videos), and you can listen to them in any normal podcast app.

👉 Sign up to LEP Premium on Acast+ https://www.teacherluke.co.uk/premium

👉 Click here for more information about LEP Premium on Acast+ https://www.teacherluke.co.uk/premiuminfo

👉 Already subscribed to LEP Premium on Libsyn/LEP App? Click here for important information about moving your subscription https://www.teacherluke.co.uk/premium/moving

👇 Get the full PDF transcript/worksheet for this episode

📄 PDF in normal size https://teacherluke.co.uk/wp-content/uploads/2022/07/P35-1_1-StoryTime_-Learn-English-with-Stories-free-LEP-Premium-Sample-THE-BEAR-STORY-COMPUTER-VERSION.pdf

📄 PDF with large text for your phone https://teacherluke.co.uk/wp-content/uploads/2022/07/P35-1_1-StoryTime_-Learn-English-with-Stories-free-LEP-Premium-Sample-THE-BEAR-STORY-PHONE-VERSION.pdf

📄 PDF Bear Story Transcript https://teacherluke.co.uk/wp-content/uploads/2022/07/P35-The-Bear-Story-Transcript-COMPUTER-VERSION.pdf

📄 PDF Bear Story Transcript for your phone https://teacherluke.co.uk/wp-content/uploads/2022/07/P35-The-Bear-Story-Transcript-PHONE-VERSION.pdf

774. Learn English with a Scary Story (Camp Stabbiwaka by Peter Carlson)

Listen to Luke reading a text adventure story set in a summer camp. You can read the story at the same time as you listen, or just relax and have fun following this action packed horror story, and read do text adventure later. Includes some vocabulary explanations, differences between British & American English and some very dodgy jokes. Video version available.

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Video Version (read the text on the screen – automatic subtitles are also available)

📖 👀 Click here to open the story in your browser 📖 👀

Where’s the text? Where’s the transcript? It’s up there, look! 👆👆

771. Sick In Japan (Recorded Live at the BC)

My story about how I ended up in a Japanese hospital bed, scared out of my brain. Recorded live in front of an audience at the British Council in Paris.

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YouTube version (activate automatic subtitles)

The original Sick In Japan episode (with notes/transcript)

770. Boats & Murder (but mostly murder) with Moz

An episode with my friend Moz from the Murder Mile True Crime Podcast. Moz returns to tell us some true stories of crimes in the London area. Expect some smalltalk about living on a boat, some murder stories and an interactive detective game in which we have to solve a murder.

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English Comedy Show in Paris (20 mins of stand up comedy by Luke) https://www.panameartcafe.com/shop/stand_up/paname-english-comedy-night/

The Murder Detective Story (and advert for Penguin books)

https://www.penguin.co.uk/articles/children/2018/murder-most-unladylike-quiz.html

Murder Mile True Crime Podcast

https://www.murdermiletours.com/podcast.html

765. Travelling Stories / Reverse Culture Shock (with Martin Johnston from Rock n’ Roll English)

Martin joins Luke to talk about moving back to the UK, his fundraiser for Ukrainian refugees and some funny stories about travelling experiences.

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Introduction Transcript

Hello listeners,

In this episode I am talking to Martin Johnston from the Rock n Roll English Podcast. Do you know the Rock N Roll English Podcast? This is where Martin and his Rock N Roll friends and family do podcasts for learners of English that are unfiltered and frequently involve discussions of taboo subjects, but also plenty of other stuff as well. It’s very funny and bound to be good for your English and general cultural knowledge. Martin featured me in episode 250 of RnR English and we talked about what it’s really like being an English teacher with a podcast. That was a funny chat with lots of memories and funny moments. Episode 250.

In this episode though, we’re going to have a rambling chat about moving to different countries, Martin’s fundraiser for Ukrainian refugees and then some stories of travelling and getting stuck in tricky situations while abroad.  

Martin has recently moved back to England after living in Italy for a number of years, so I thought I would ask him about his experiences of feeling like a foreigner in his own country, and some of his culture shock experiences both abroad and at home. Because this is a thing – reverse culture shock. When you feel like a foreigner in your own country after living abroad for a long time.

Martin has also recently launched a fundraiser for Ukrainian refugees. Basically it is a learning pack with 25 stories, and transcripts and exercises. All the proceeds go to help Ukrainian refugees. You can find out more at www.rocknrollenglish.com/stories 

So this is a very good cause. We know that several millions of people have been forced to flee their homes as a result of this war, invasion, operation – whatever you want to call it. This violence and aggression has separated families and made civilians homeless as well as killing thousands. This is a horrendous thing to be happening on our doorstep and so the least we can do is try to provide support in some way, so I call upon all of you to go ahead and get that PDF with those 25 stories and all the money will go towards helping these refugees. Martin talks about it  during the episode if you want more details. But let’s help out some fellow citizens of LEPland here. Plus, of course, you get tons of stories with audio versions and everything. It sounds like a win win to me.

So we chat about the project a bit, which is all about learning English with stories and this then leads us to have a story-off. This is a sort of battle of stories where Martin and I trade different anecdotes and we see who comes out on top. So there are 4 or 5 funny stories of travelling experiences we’ve had, in the second half of this episode. I hope you enjoy them.

That’s it for the introduction. There is a video version on YouTube. Don’t forget to smash that like button.

I should say there is some fairly explicit content in this episode, which means fairly graphic descriptions of things like nudity, sex and bodily functions, which is completely normal for an episode of Rock n Roll English to be honest.

I’ll speak to you again briefly at the end, but now, let’s get started.


Ending

So there you are, that was Martin Johnston. I hope you enjoyed our stories.

Don’t forget, if you want to get that pack of 25 stories by the RNR English family, go to www.rocknrollenglish.com/stories It costs just 10dollars or pounds, and all the proceeds go to help Ukrainian refugees.

This is obviously a very good cause as so many people have been displaced, made homeless and so on and these people need our help.

If you enjoyed our stories in this episode, you could check out some of the episodes with those stories told in full. 

Check out 118 Sick in Japan (although I should be doing a live version of that next month) and also Holiday in Thailand 

or A Rambling Chat with Moz for more of the spa story

763. Rambling in the new Pod-Room / Choose The Adverb / Deal or No Deal

This is a chance for me to just let loose and have a ramble while inviting you to this kind of housewarming party (or perhaps just the first part of the party) in my new pod-room. In this one I am going to welcome you into the new room and do a ramble challenge in which I am restricted to only talking about things inside the room, plus reading from some random books on my shelves. Grammar rules, adverbial collocations and a game show story.

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Episode Notes

Private Lessons with British Council English Score Tutors https://www.teacherluke.co.uk/english Episode page

LEP Premium https://www.teacherluke.co.uk/premiuminfo

LEP T-Shirts & Merch https://www.teacherluke.co.uk/merch

Rules of the Ramble

  • Welcome everyone to the pod-room.
  • Give a tour.
  • I’m restricted to only talking about things inside the room.
  • Maybe describe some of the items on the walls and pictures.
  • Include some descriptive language.
  • Pick up a book and do a random exercise from it.
  • Keep talking without pausing or saying “errr”.

Contents

  • 00:00:00 Hello
  • 00:00:52 Promo
  • 00:02:30 Introduction
  • 00:03:44 Ramble Rules
  • 00:05:26 Welcome to the new pod-room
  • 00:05:42 The Electricity & Internet Situation
  • 00:10:37 Sound Recording Setup
  • 00:17:01 Let me show you around the room
  • 00:22:32 The desk
  • 00:24:30 A Book from the `Bookshelf
  • 00:25:17 English Grammar in Use by Ramond Murphy
  • 00:25:38 Present Perfect Simple vs Continuous
  • 00:27:04 Build Your Vocabulary 3
  • 00:27:31 Choose The Adverb
  • 00:47:23 Lighting
  • 00:49:25 Random Book: Jon Ronson – Lost At Sea
  • 00:51:01 Deal or No Deal story
  • 01:00:48 Ending

739. The Escaped Man by CT Platt (Learn English with Short Stories)

Reading a short story presented on Commaful.com. The Escaped Man is a mystery full of tension and intrigue. Listen closely as I break it all down and explain the vocabulary fully. YouTube video version also available.

Audio Version

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Video Version

Introduction Transcript & Links

Hello listeners and video viewers,

It’s time to do another story on the podcast. This time I’m going to be reading a story called The Escaped Man which was written by CT Platt and is presented on the Commaful website.

Commaful.com is a website where you can find short stories, fan fiction and other reading texts and it’s all presented in quite a nice and easy-to-read format.

I’m going to read the story to you once and all you have to do is follow it, and hopefully enjoy it. I have a couple of questions for you to help you stay focused on your listening.

Then I’ll read through the story again and break it down line by line, explaining, pointing out and teaching you bits of vocabulary and grammar as I go.

Learning English through stories is a great idea and tends to work because it places language in a vivid context and is generally quite entertaining and fun.

So listen to the story and then let me break all the language down for you bit by bit.

Just before I read the story, here are a couple of questions for you.

Where does the story take place? How do you know?
Is this American English or British English? How do you know?
What is going to happen next?

OK, let’s start.

https://commaful.com/play/lisa/the-escaped-man/

Full Script of the Story

https://www.wattpad.com/543021670-suspense-stories-the-escaped-man-c-t-platt-2017

738. Do you remember…? with Mum, Dad & James / Family Stories with The Thompsons

Chatting to my family about some old anecdotes and stories from the past. Listen for some enjoyable chat, memories, descriptions and tales from days gone by.

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Introduction Transcript

Hello and welcome back to the podcast. 

In this episode I am happy to present to you a conversation with my mum, dad and brother all about old family stories and anecdotes from the past.

The episode is called Do you remember…? And that’s the title of the activity I chose for this episode. The idea is that we could generate some stories about things that happened in the past and you can follow along and see if you can pick up some English in the process, or simply enjoy a bit of storytelling on the podcast.

So you’re going to hear stories of little accidents, moments when James and I got into trouble, learning to drive and failed driving tests, how my parents first met each other and how my bottom lip was always left trembling at the end of every story.

We recorded this in my parents’ living room, sitting around after dinner and if you like you can imagine that you’re there too, listening into the conversation – not taking part though. For some reason you’re not allowed to speak, you can only listen like a weird audience in our living room just lurking in the background. Anyway, you can imagine that you’re there if you like, if it helps you to tune into the conversation and follow along more easily.

I will now leave you to enjoy this relaxed conversation, follow the stories and little jokes and I will speak to you again at the end of this episode.


Ending Transcript

So, that was my family, recorded in the living room recently while I was on holiday in England. I hope you enjoyed that.

Apologies if we repeated any stories you had heard before (perhaps all of them?) but then again it can be really helpful to hear the same stories over and over when learning English. You could even try to tell the stories yourself, and then compare your story to the recorded version.

If you want other, similar episodes from the archive, check out these ones.

79. Family Arguments & Debates (Debating things like language and politics)

https://teacherluke.co.uk/2012/01/23/family-arguments-and-debates/

322. With the Thompsons (Answering random conversation questions)

https://teacherluke.co.uk/2016/01/07/322-with-the-thompsons/

372. The Importance of Anecdotes in English / Telling 4 Family Anecdotes

https://teacherluke.co.uk/2016/08/09/372-the-importance-of-anecdotes-in-english-narrative-tenses-four-anecdotes/ 

413. With The Family 1 Talking about cooking christmas dinner

https://teacherluke.co.uk/2017/01/03/413-with-the-family-part-1-mums-cooking-vocabulary-with-uncle-nic/

414. With The Family 2 – My Uncle Met a Rock Star – Nic tells stories of meeting famous musicians including Paul McCartney

https://teacherluke.co.uk/2017/01/05/414-with-the-family-part-2-my-uncle-met-a-rock-star/ 

415. With The Family 3- Meeting Famous People – We tell stories of meeting famous people and what happened

https://teacherluke.co.uk/2017/01/10/415-with-the-family-part-3-more-encounters-with-famous-people/

542. Talking Rubbish & Having Fun with The Thompsons (More random topics and fun)

https://teacherluke.co.uk/2018/08/21/542-talking-rubbish-just-having-fun-with-the-thompsons/ 

554. ODD News Stories with Mum & Dad (Speculating about and discussing some weird news stories)

https://teacherluke.co.uk/2018/10/18/554-odd-news-stories-with-mum-dad/ 

605. Unexpected Road Trip (The story of a road trip that went horribly wrong, wth James as my co-pilot)

https://teacherluke.co.uk/2019/07/18/605-unexpected-road-trip-with-james/ 

But for now I will leave you to go back to your life, unless you choose to listen to another episode which you will find in the archive.

Don’t forget to check out LEP Premium. P31 parts 4,5, 6 are on their way and may have already been published by the time you listen to this.

But in the meantime, be excellent to each other, have a lovely day, morning, afternoon, evening or night and I will chat to you later but now it’s just time to say good bye bye bye bye bye.

736. The War of the Worlds by H.G. Wells [Part 3] Learn English with Stories

The final part of this series in which I am reading from the classic story The War of the Worlds by H.G. Wells, while explaining and clarifying the English which comes up. Full transcript available and YouTube video version too.

Audio Version

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Video Version

Full Transcript

Please watch parts 1 and 2 before watching this. Links in the description.

Click here for part 1

Click here for part 2

Recap of the story so far

Without realising it, the people of earth have been attacked by an aggressive alien species from Mars, with the intention of colonising our planet while escaping their home planet which has become uninhabitable.

The Martians are vastly superior to us in terms of their intelligence and technology. They are also unfriendly. Very unfriendly. Humans are now reduced to mere animals or insects in the presence of these things.

Human society has quickly turned to chaos and destruction as the Martians begin their campaign to take our planet.

The aliens first landed in a cylinder which fell from space with a green flash. After the cylinder opened, revealing the visitors to be awkward and clumsy in our atmosphere, their technology proved to be devestatingly powerful. They are armed with a heat-ray which they have used to clear out all life surrounding the fallen cylinder.

The narrator of the story witnessed the Martians emerging from their cylinder and the ruthless destructive power of their heat ray, but still does not yet realise the full scale of the invasion. He decides to escape the area and travel in the direction of London.

During the night, he sees another cylinder landing, and then sees the first Martian tripods striding over the countryside. These are the vehicles the Martians use and they are colossal and formidable. Suddenly the clumsy Martians are mobile and far more physically powerful than in their normal, naked form.

Reading an extract from chapter 12 (action packed stuff)

Summary of Chapter 11 (next part of the story)
From the upstairs window of his study the narrator observes the destruction of his village and the fires all around the common, as well as the outlines of three creatures moving in the pit, which he can see from a distance.

He hardly recognizes his surroundings. The narrator begins to comprehend that the creatures from the cylinder operate the tripods, comparing them to a human-driven steam engine.

He invites a soldier outside the house to hide inside. The man recounts the futile military efforts against the Martians, who easily destroyed both companies and their weaponry before emerging as tripods from the pit and destroying the railway station and a train. The artilleryman managed to escape.

The two men look again from the window to see three tripods at the pit. As the sun comes up the narrator sees destruction “so indiscriminate and so universal” as to be unprecedented in human warfare.

HG Wells describes the horrific feeling of realising that these Martians are far more powerful than humans. Each cylinder contains at least three tripods, and each tripod is armed with a heat ray. Later we learn more about the martians and their technology as the narrator manages to observe them more, but they are still completely mysterious.

Meanwhile, people have become like refugees from a warzone and there is general chaos as people attempt to escape, get resources, look after themselves etc.

Shepperton Station has become a target for the Martians in their tripods and they have been destroying it, the railway lines and trains. This is especially poignant because they are targeting our infrastructure and our technology seems infinitely primitive to that of the Martians, and we are often compared to animals, insects, bugs or even microorganisms in comparison to our alien visitors.

HG Wells makes a point of observing how society reacts to a moment like this and how fragile it is, while also contrasting the familiar cosy surroundings of the English home counties, with the bizarre, grotesque and strange images of these very bad aliens from Mars.

The narrator and the soldier he met choose to leave the house. The soldier wants to go to London and the narrator wants to go back to his wife in Leatherhead.

They end up in Weybridge which a town just on the river Thames, with London to the east and the Thames Valley to the west.

This is a place where the Thames meets The Wey, another river. It’s a sort of port where you can get a ferry across to the other side. Crowds of people are gathered there, hoping to get on a ferry. The army have placed rows of large artillery guns behind some trees as they expect the tripods to come from a nearby town that is currently under attack. This all happens close to the edge of the water and is full of really precise and specific vocabulary to describe the action that takes place.

XII.
WHAT I SAW OF THE DESTRUCTION OF WEYBRIDGE AND SHEPPERTON. (extract)

We remained at Weybridge until midday, and at that hour we found ourselves at the place near Shepperton Lock where the Wey and Thames join. Part of the time we spent helping two old women to pack a little cart. The Wey has a treble mouth, and at this point boats are to be hired, and there was a ferry across the river. On the Shepperton side was an inn with a lawn, and beyond that the tower of Shepperton Church rose above the trees.

Here we found an excited and noisy crowd of fugitives. As yet the flight had not grown to a panic, but there were already far more people than all the boats going to and fro could enable to cross. People came panting along under heavy burdens; one husband and wife were even carrying a small outhouse door between them, with some of their household goods piled thereon. One man told us he meant to try to get away from Shepperton station.

There was a lot of shouting, and one man was even jesting. The idea people seemed to have here was that the Martians were simply formidable human beings, who might attack and sack the town, to be certainly destroyed in the end. Every now and then people would glance nervously across the Wey, at the meadows towards Chertsey, but everything over there was still.

Across the Thames, except just where the boats landed, everything was quiet, in vivid contrast with the Surrey side. The people who landed there from the boats went tramping off down the lane. The big ferryboat had just made a journey. Three or four soldiers stood on the lawn of the inn, staring and jesting at the fugitives, without offering to help. The inn was closed, as it was now within prohibited hours.

“What’s that?” cried a boatman, and “Shut up, you fool!” said a man near me to a yelping dog. Then the sound came again, this time from the direction of Chertsey, a muffled thud—the sound of a gun.

The fighting was beginning. Almost immediately unseen batteries across the river to our right, unseen because of the trees, took up the chorus, firing heavily one after the other. A woman screamed. Everyone stood arrested by the sudden stir of battle, near us and yet invisible to us. Nothing was to be seen save flat meadows, cows feeding unconcernedly for the most part, and silvery pollard willows motionless in the warm sunlight.

“The sojers’ll stop ’em,” said a woman beside me, doubtfully. A haziness rose over the treetops.

Then suddenly we saw a rush of smoke far away up the river, a puff of smoke that jerked up into the air and hung; and forthwith the ground heaved under foot and a heavy explosion shook the air, smashing two or three windows in the houses near, and leaving us astonished.

“Here they are!” shouted a man in a blue jersey. “Yonder! D’yer see them? Yonder!”

Quickly, one after the other, one, two, three, four of the armoured Martians appeared, far away over the little trees, across the flat meadows that stretched towards Chertsey, and striding hurriedly towards the river. Little cowled figures they seemed at first, going with a rolling motion and as fast as flying birds.

Then, advancing obliquely towards us, came a fifth. Their armoured bodies glittered in the sun as they swept swiftly forward upon the guns, growing rapidly larger as they drew nearer. One on the extreme left, the remotest that is, flourished a huge case high in the air, and the ghostly, terrible Heat-Ray I had already seen on Friday night smote towards Chertsey, and struck the town.

At sight of these strange, swift, and terrible creatures the crowd near the water’s edge seemed to me to be for a moment horror-struck. There was no screaming or shouting, but a silence. Then a hoarse murmur and a movement of feet—a splashing from the water. A man, too frightened to drop the portmanteau he carried on his shoulder, swung round and sent me staggering with a blow from the corner of his burden. A woman thrust at me with her hand and rushed past me. I turned with the rush of the people, but I was not too terrified for thought. The terrible Heat-Ray was in my mind. To get under water! That was it!

“Get under water!” I shouted, unheeded.

I faced about again, and rushed towards the approaching Martian, rushed right down the gravelly beach and headlong into the water. Others did the same. A boatload of people putting back came leaping out as I rushed past. The stones under my feet were muddy and slippery, and the river was so low that I ran perhaps twenty feet scarcely waist-deep. Then, as the Martian towered overhead scarcely a couple of hundred yards away, I flung myself forward under the surface.

The splashes of the people in the boats leaping into the river sounded like thunderclaps in my ears. People were landing hastily on both sides of the river. But the Martian machine took no more notice, for the moment, of the people running this way and that, than a man would of the confusion of ants in a nest against which his foot has kicked.

When, half suffocated, I raised my head above water, the Martian’s hood pointed at the batteries that were still firing across the river, and as it advanced it swung loose what must have been the generator of the Heat-Ray.

In another moment it was on the bank, and in a stride wading halfway across. The knees of its foremost legs bent at the farther bank, and in another moment it had raised itself to its full height again, close to the village of Shepperton.

Forthwith the six guns which, unknown to anyone on the right bank, had been hidden behind the outskirts of that village, fired simultaneously. The sudden near concussion, the last close upon the first, made my heart jump. The monster was already raising the case generating the Heat-Ray as the first shell burst six yards above the hood.

I gave a cry of astonishment. I saw and thought nothing of the other four Martian monsters; my attention was riveted upon the nearer incident. Simultaneously two other shells burst in the air near the body as the hood twisted round in time to receive, but not in time to dodge, the fourth shell.

The shell burst clean in the face of the Thing. The hood bulged, flashed, was whirled off in a dozen tattered fragments of red flesh and glittering metal.

“Hit!” shouted I, with something between a scream and a cheer.
I heard answering shouts from the people in the water about me. I could have leaped out of the water with that momentary exultation.

The decapitated colossus reeled like a drunken giant; but it did not fall over. It recovered its balance by a miracle, and, no longer heeding its steps and with the camera that fired the Heat-Ray now rigidly upheld, it reeled swiftly upon Shepperton. The living intelligence, the Martian within the hood, was slain and splashed to the four winds of heaven, and the Thing was now but a mere intricate device of metal whirling to destruction. It drove along in a straight line, incapable of guidance. It struck the tower of Shepperton Church, smashing it down as the impact of a battering ram might have done, swerved aside, blundered on and collapsed with tremendous force into the river out of my sight.

A violent explosion shook the air, and a spout of water, steam, mud, and shattered metal shot far up into the sky. As the camera of the Heat-Ray hit the water, the latter had immediately flashed into steam. In another moment a huge muddy tidal wave, almost scaldingly hot, came sweeping round the bend upstream. I saw people struggling shorewards, and heard their screaming and shouting faintly above the seething and roar of the Martian’s collapse.

For a moment I heeded nothing of the heat, forgot the patent need of self-preservation. I splashed through the tumultuous water, pushing aside a man in black to do so, until I could see round the bend. Half a dozen deserted boats pitched aimlessly upon the confusion of the waves. The fallen Martian came into sight downstream, lying across the river, and for the most part submerged.

Thick clouds of steam were pouring off the wreckage, and through the tumultuously whirling wisps I could see, intermittently and vaguely, the gigantic limbs churning the water and flinging a splash and spray of mud and froth into the air. The tentacles swayed and struck like living arms, and, save for the helpless purposelessness of these movements, it was as if some wounded thing were struggling for its life amid the waves. Enormous quantities of a ruddy-brown fluid were spurting up in noisy jets out of the machine.

My attention was diverted from this death flurry by a furious yelling, like that of the thing called a siren in our manufacturing towns. A man, knee-deep near the towing path, shouted inaudibly to me and pointed. Looking back, I saw the other Martians advancing with gigantic strides down the riverbank from the direction of Chertsey. The Shepperton guns spoke this time unavailingly.

At that I ducked at once under water, and, holding my breath until movement was an agony, blundered painfully ahead under the surface as long as I could. The water was in a tumult about me, and rapidly growing hotter.

When for a moment I raised my head to take breath and throw the hair and water from my eyes, the steam was rising in a whirling white fog that at first hid the Martians altogether. The noise was deafening. Then I saw them dimly, colossal figures of grey, magnified by the mist. They had passed by me, and two were stooping over the frothing, tumultuous ruins of their comrade.

The third and fourth stood beside him in the water, one perhaps two hundred yards from me, the other towards Laleham. The generators of the Heat-Rays waved high, and the hissing beams smote down this way and that.

The air was full of sound, a deafening and confusing conflict of noises—the clangorous din of the Martians, the crash of falling houses, the thud of trees, fences, sheds flashing into flame, and the crackling and roaring of fire. Dense black smoke was leaping up to mingle with the steam from the river, and as the Heat-Ray went to and fro over Weybridge its impact was marked by flashes of incandescent white, that gave place at once to a smoky dance of lurid flames. The nearer houses still stood intact, awaiting their fate, shadowy, faint and pallid in the steam, with the fire behind them going to and fro.

For a moment perhaps I stood there, breast-high in the almost boiling water, dumbfounded at my position, hopeless of escape. Through the reek I could see the people who had been with me in the river scrambling out of the water through the reeds, like little frogs hurrying through grass from the advance of a man, or running to and fro in utter dismay on the towing path.

Then suddenly the white flashes of the Heat-Ray came leaping towards me. The houses caved in as they dissolved at its touch, and darted out flames; the trees changed to fire with a roar. The Ray flickered up and down the towing path, licking off the people who ran this way and that, and came down to the water’s edge not fifty yards from where I stood. It swept across the river to Shepperton, and the water in its track rose in a boiling weal crested with steam. I turned shoreward.

In another moment the huge wave, well-nigh at the boiling-point had rushed upon me. I screamed aloud, and scalded, half blinded, agonised, I staggered through the leaping, hissing water towards the shore. Had my foot stumbled, it would have been the end. I fell helplessly, in full sight of the Martians, upon the broad, bare gravelly spit that runs down to mark the angle of the Wey and Thames. I expected nothing but death.

I have a dim memory of the foot of a Martian coming down within a score of yards of my head, driving straight into the loose gravel, whirling it this way and that and lifting again; of a long suspense, and then of the four carrying the debris of their comrade between them, now clear and then presently faint through a veil of smoke, receding interminably, as it seemed to me, across a vast space of river and meadow. And then, very slowly, I realised that by a miracle I had escaped.

Summary (AKA – what the hell just happened?)

The two men reach a chaotic scene in Weybridge as people crowd the railway station and the ferry in an effort to leave.
Suddenly they hear gunfire and a large explosion, and four tripods come into view across the river.
The narrator hides in the river.
Six guns hidden in the woods fire on the nearest tripod.
One shell strikes the tripod and gruesomely kills the Martian inside.
Unguided but still moving, the tripod smashes into a church and falls into the river.
The other Martians come to the fallen tripod, shooting their Heat-Rays at the village and destroying the opposition.
The Heat-Ray from the fallen tripod heats the water in the river and scalds the narrator before he manages to escape.

Final comments and analysis

It’s possible to see various interpretations of this story, or subtexts to the story.

Here are some.

The complacency of humans
As the dominant species on earth for hundreds of thousands of years, we have become complacent about our position in the natural hierarchy, and this is a mistake. Humans could easily be removed from this dominant position by things we aren’t even aware of. In the story this means intelligent creatures from another planet. In reality this could be something like the coronavirus or just something else we don’t usually think about.

How would human society cope with a crisis like this?
This is a common theme in disaster movies, zombie films, science fiction etc. All it takes is for something to disrupt our carefully organised society and things can descend into chaos quite easily, and this often brings out the worst in people. Normal citizens can quickly become immoral and do bad things, when the structure of society collapses and we end up having to fight for our survival.

Treatment of Animals
The story makes us think about the way we treat animals, which are below us in the power hierarchy on earth. Perhaps we should be more compassionate and kind to animals. In fact this is one of the only conclusions the narrator reaches in this story, as he suddenly understands what it means to be ruled over by a superior species.

The bigger they come, the harder they fall.

Microorganisms and viruses might be the most powerful forces on earth.

More themes here including technology, fear, power, and Familiar versus Strange
https://www.coursehero.com/lit/The-War-of-the-Worlds/themes/

A sample from coursehero.com
Technology
The benefits, possibilities, and potential threats of technology—represented in the Martian tripods—make technology a pervasive theme in the novel. Following the Industrial Revolution, technology changed society dramatically—from travel, to work, to communication. Virtually no part of life was untouched by new inventions. The benefits provided by these new machines meant people could accomplish tasks faster, easier, and often independently.

But as ever with modern science fiction stories, there is an element of fear regarding advancements in technology and how we may ultimately be surpassed by technological innovations.

This is where we’re going to stop.


I seriously hope you enjoyed this!

If you’re still listening or watching, then “hello”. Thanks for sticking with this. I guess it must mean you’ve been enjoying it.

I’m sure it’s been challenging at times, but to be honest I also feel this is difficult to follow when I read it. There’s a sense that things are just beyond your imagination, and that your mind has to do quite a lot of work to understand the fairly complex descriptions being given. This is not quite the same as watching a film where everything is shown. Or maybe it’s like watching a really well-directed film where you never quite see clearly what is happening, and this adds to the drama and excitement.

Anyway – thank you for sticking with this and listening all the way through.

Let me know what you think of this, and I highly recommend reading the rest of the story. There’s a lot more action and a few more close encounters with the Martians and their tripods, and of course the ending is very clever. I won’t spoil it. The book is better than the film though, I assure you!

In terms of English, I hope you have found it interesting to hear some samples of old fashioned English from the 19th century. I would say it is broadly modern English, but with a more formal style. It’s really enjoyable though. I love the descriptiveness and the general command over the language is a joy to behold.

Don’t forget you can get the full text for this episode printed right there on the page for this episode, and there’s the YouTube video version as well to enjoy where you can see text on the screen as you read it.

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Thanks for listening.

All the best,

Bye bye bye bye