Category Archives: Writing

819. What does it really mean to be “good at English”?

How do we know when someone’s English is good? Is it just about having the right accent, or speaking with no errors? In fact, there is a lot more to it than that. IELTS can show us how someone’s level of English is properly assessed by looking at a wide range of skills and sub-skills and there is a lot more to it than making no errors while speaking with a “British accent”. This episode should help you consider your own level of English level, get some perspective on what language competence really means, and hopefully cause people to think twice when making snap judgements about other people’s English.

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Transcript

What does it really mean to be “good at English”? 

  • How do we assess someone’s English level? 
  • How can IELTS help us to understand what “good English” is?
  • Why is all of this important anyway?

Here’s an episode which I hope will be really useful as a way of helping you to understand what it really means to be good at English. 

We’re going to consider some things about

  • how English is assessed (how your English level is judged), 
  • the different skills which are involved in using English, 
  • and what aspects of English are the most important.

I hope this episode gives you a bit more perspective on what it means to have a good level of English.

Also there will be a lot of vocabulary for describing English skills and English levels or assessment in English, and that includes a lot of metalanguage – the language we use for talking about language. So try to notice all that vocabulary too.

Hopefully this episode will help you think about 

  • your level of English, 
  • how to assess a person’s level of English 
  • and also how to talk about both of those things.

It’s important for any language learner to get a sense of what they should be aiming for in their learning, so that they don’t spend their time on the wrong things, and that they have the right things prioritised in their learning.


Do you remember the episode I published at the beginning of the year (2023) with Santi from Spain, working in a top job at Oxford University Press? 

806. PERSEVERANCE, POSITIVITY & PRACTICE with Santiago Ruiz de Velasco from Oxford University Press

806. PERSEVERANCE, POSITIVITY & PRACTICE with Santiago Ruiz de Velasco from Oxford University Press

You will find it in the episode archive and if you haven’t heard it, go back and check it out.

This episode follows on from that one. I was inspired to do it after seeing some responses from my audience.

Just as a reminder, Santi learned English mostly as an adult when he moved to London after studying at university in Spain. 

He had some very challenging experiences being immersed in the English language and eventually found his way to a top job in the English teaching industry itself – not as a teacher, but in publishing. He ended up as the Managing Director of English Language Teaching at OUP, and he got to that position despite the fact that his English is not “perfect”. 

I was pleased with that episode because it allows us to use Santi’s personal experience as a way to consider the importance of motivation and attitude in dealing with challenges in learning English (or any language) and also it raised questions about what “good English” really means.

With Santi, “the proof is in the pudding”, which means that we know his English is good because he uses it successfully every day.

Every single day at work he uses English to successfully perform a number of different communication tasks. I expect he writes emails and reports in English, conducts interviews in English, does presentations, has meetings, probably does negotiations, sells products and services in English, and builds relationships with people in English – no doubt both professional relationships but also meaningful personal relationships too. 

I’m assuming a lot of that because I don’t know every single thing he does in his job every day – but I’m pretty sure that he does all of those things. They’re just totally normal communication tasks at work. And it’s not just at work for Santi. I’m sure he also socialises in English. 

So, I think the fact that he does all those things, seemingly successfully, this is proof of his competence in English, right?

I think it would be very hard to be the Managing Director of the ELT Dept of Oxford University Press without those kinds of communication skills in English. 

But, as I mentioned, his English is certainly not “perfect” by any means (and he says this himself too), and a number of listeners in the comment section on YouTube pointed this out, saying things like “He clearly has a Spanish accent” or “He made mistakes which made me surprised that he is in that position” and “I expected someone with RP English.” etc. I am paraphrasing there, but that’s the gist of it. 

What does it actually mean to have a “bad accent”?

Maybe he could use some different fillers, just to avoid repeating the same thing. But why did this person focus only on that when there were so many other positive things to take away from the episode?

What is wrong with saying “you know” ?

  • It doesn’t stop us understanding him. It doesn’t stop him expressing himself.
  • It’s just an aesthetic issue, not a functional issue.
  • It’s just annoying for some people, but it doesn’t actually change the message or cause anyone misunderstandings. 

Perspective here – it’s not such a big deal, unless you’re really focused on it. Sure, Santi could work on this, but we all have things to work on. 

Fair enough, that one is quite funny.

I shouldn’t focus on the negative comments. The vast majority were positive, I must say. But I notice that whenever I feature someone on this podcast who is not a native speaker, and even some guests who are native speakers but have accents that are not RP, some listeners have to comment or criticise what they are hearing. I don’t think this is really the right attitude to have.

It’s not a competition, is it?

But, the fact that Santi has that job, has achieved that and continues to do that in English is something that can’t be taken away from him. I mean, people can point out errors in his English, but ultimately, the fact remains that he uses English very successfully on a daily basis. That’s important – the fact that he uses English “successully”.

Because this is the point of language. It is functional and it should be judged first and foremost on that – whether it works as a communication tool.

Sure, aesthetics are important too. The absolute best communicators also have English which is a pleasure to listen to, which is easy on the ears and is rich, pleasant and entertaining. But that stuff is also a matter of opinion and taste, and is really just the cherry on the top of the cake most of the time. Why focus on the cherry? You need to have a cake first, before you can have the cherry. You need something for the cherry to go on, right? 

Priorities – focus in the really important things first – the cake – and then work on the aesthetics – the cherry on the top.

I’m getting a bit lost in this metaphor now, but I hope you get what I mean. 

Common attitudes and assumptions about “good English” 

The point is that these comments are indicative of certain attitudes about English proficiency. They show us what a lot of people think makes someone “good at English”, namely:

  • Accuracy (using English without making errors) especially grammatical accuracy is the most important thing and speaking with zero errors is what makes you good at English. No mistakes.
  • All learners of English should have RP as their target in terms of pronunciation, and if you speak with a different accent or with obvious traces of your first language then this is a problem. And hearing someone use English with an accent is somehow “shocking” or even “unpleasant”.
  • You’re good at English if you use complex English, meaning longer words, formal words, idioms and convoluted sentence structure.

So, basically, you need to make no “pronunciation errors” or “grammar mistakes” and use complex “impressive” language.

That short list of assumptions is based on the things I’ve heard and read from learners of English during my teaching career. I’ve met thousands of learners of English and also read thousands of online comments from learners of English too and I often notice those attitudes. 

I suppose it is understandable really, that some people think like that. 

Not everyone has thought about this subject a lot because they don’t work in language teaching, people have been taught that English is all about correct grammar and correct pronunciation, and these things are obvious “low hanging fruit” in terms of English assessment.

It’s not everyone’s job to think about how to assess someone’s language level, and to be honest I only learned about this from doing professional training, reading academic books, teaching IELTS courses and working out the assessment criteria for Cambridge Exams and stuff. 

And we’re going to look at that official assessment criteria for judging someone’s language level later in this episode in order to find out that it’s not just about grammar and pronunciation errors and that there are other important factors. Obviously, being “correct” in pronunciation and grammar are important things, but only to a certain extent.

Like with the example of Santi. I feel like some of those comments are trying to take away Santi’s achievements, but you can’t, can you? 

The fact remains that although he makes a few mistakes in grammar, and clearly has a Spanish accent when he speaks English – despite those things, he is a very successful user of the English language and you can’t take that away from him. So how does he manage it, without being “perfect”?

What makes someone good at English then? What else is important? 

What I’d like to do now is to talk about actually what makes someone good at English and to show that there is a lot more involved than just accuracy (making no errors) and also complexity (using big impressive, rare words that nobody else knows).

Defining what makes someone good at English should be an important thing for us all to consider and remember. 

For you, if you are a learner of English, this is all about how you can get a sense of what you should be focusing on and what you should be trying to achieve. Also it can help you get out of a negative frame of mind when learning English. If you’re afraid that your pronunciation is not perfect or that you know you make errors, it might help to know that those things are not the be-all and end-all in this English speaking game.

Also, if you are a teacher of English, like me, thinking about this can help us to guide our students and provide the right kind of teaching to help them to achieve things in English. 

How do you assess someone’s English level?

Let’s use IELTS as a way of helping us to answer this question. By looking at how IELTS measures someone’s English level, we can work out what “good English” actually means.

What is IELTS?

The International English Language Testing System, is an international standardized test of English language proficiency for non-native English language speakers. It is jointly managed by the British Council, IDP: IELTS Australia and Cambridge Assessment English, and was established in 1989. (Wikipedia)

Basically it is probably the standard international test for assessing someone’s level of English as a foreign or other language. 

Working out someone’s level of English accuractely and reliably is not easy. Sure, I could speak with a learner of English for 10 minutes and get a good idea of their level, but to get a fully detailed assessment including different reading, writing, listening and speaking skills, a longer and more rigorous test is needed.

This is why the IELTS test is quite long and quite complex. It takes a few hours to do the test and it’s divided into lots of different parts. It’s all done in a serious and thorough way.

IELTS is a test that has been developed over a very long time, by experts in English language teaching and testing, based on a lot of academic research and professional experience into how people learn and use the English language. 

IELTS was developed by academics, teachers and examiners from Cambridge University and The British Council. These people know what they’re doing when it comes to finding out someone’s level of English. They want to do it properly, because this is important. 

Universities and employers want to get a reliable sense of the level of English of potential students or employees so they can be sure that those people will be able to use English to study or work successfully. A reliable test is vital for this, and that’s what IELTS is for. 

It might not be a perfect test. There’s probably room for improvement. In fact, it probably could be even longer and even more thorough, but that might just be impractical.

Anyway, let’s look at the way IELTS works, and we’ll see if we can draw from it some conclusions about the whole question of what it means to be good at English.

IELTS is in 4 sections – Speaking, Listening, Reading, Writing.

Already this shows that there are 4 skills involved in someone’s English ability, and of course this reflects the type of things that you might need to do in English.

You have to speak to people, listen to people speaking in various situations, you have to read English in different forms, and you have to be able to write in English. OK. 

So it’s not just speaking skills. That’s just one part of the picture. 

Speaking

Of course speaking is often considered as the most important skill. It’s the obvious skill. This is what we notice in people. As well as being vital for functional social communication, speaking is very closely connected to our identity and the way we express who we are to the world. 

Naturally, it is often the way your English is judged. Because people meet you, talk to you and then immediately get a sense your English level from that conversation. Fair enough. Speaking is important, but in IELTS it is only 25% of the test. It represents 25% of your final IELTS score. And as we will see, speaking can be divided into different sections too – and pronunciation is only one of those sections.

Listening

This is underestimated in terms of its importance. I’ve talked before about how, perhaps surprisingly, we spend more time listening than doing any of the other skills. 

Episode 586. The Importance of Listening | Luke’s ENGLISH Podcast

This YouTube video from a couple of years ago 👇

Also, it is absolutely vital that we understand the people we are talking to. If not, everything breaks down. 

One way that I judge someone’s language level when I’m talking to them, is the amount of effort I have to make for me to be understood by that person. This is a way for me to judge their listening skills in conversation. 

If I just talk normally, without having to adapt my English or pay close attention to make sure the other person is following me, if I can just talk normally and be myself, it means their English is great. 

I have met people who have had good English on paper and who were capable of producing sophisticated spoken English, but they were simply bad at having a conversation because their listening skills were not so great. They didn’t seem to be listening or just did not pick up on a lot of the things I was saying. 

For example, while listening to me talk, they didn’t seem to realise how I felt about certain things we were talking about, they didn’t notice little jokes I was making, they didn’t react to certain points I made and did not respond to my efforts to talk about certain things, and it wasn’t because they were just bad communicators even in their own language. It’s because their listening just wasn’t good enough and they were not able to follow what I was saying, and in fact didn’t even realise it. 

Listening also relates to being able to deal with different accents. English is a diverse language and people speak it slightly differently all over the world, and this is a good thing and a beautiful thing, so being good at English means being able to understand English in all its diversity. 

Only a very small percentage of people speak English like me, with my accent (let’s call it standard modern English RP). If you hear someone from, well, anywhere, and they have an accent which is in any way different from my standard British English, or whatever accent you consider to be neutral, and you don’t understand it then I’m afraid that is not the fault of the accent or the person speaking it. 

It’s because your listening skills are still not good enough. You are still not familiar with spoken English. Don’t feel bad about it though, that’s not the point. 

The point is, listening skills are a huge part of the puzzle. Think of Santi. He described struggling so much every day when working in London as a waiter. He did not understand what people were saying to him. 

People were asking for a coke and he was bring them their coat. His first arrived in London and actually heard real English being spoken and he freaked out. It wasn’t like in the text books at school. 

In London I expect he met various English people from different parts of the country. The English he heard was unrecognisable to him at the beginning, because he simply had never heard it before. 

His English listening skills improved dramatically while living in the UK. When I spoke to him I felt he was completely on my wavelength and I didn’t have to struggle or make a lot of effort to kind of adapt my English or myself during the conversation. I could relax and I felt like he would be able to follow my train of thought. 

A lot of listening is connected to pronunciation. Good listening skills also relate to an ability to understand the way people produce the oral version of English, and this means being familiar with things like connected speech, elision, sentence stress, word stress, weak forms and all of those things. It’s about knowing the oral version of the language, which is often very very different to the written version. This doesn’t just mean knowing it academically (understanding the phonology), but knowing it through familiarity – having heard a lot of English from diverse sources so that you have kind of trained your ears to it, so it’s not a huge shock or surprise when you actually hear it being used in the normal way.

Reading

I don’t have so much to say about this except that reading is not just about knowing the words that you are seeing, and knowing which grammatical forms are being used. It involves being able to identify the bigger picture – what those words and that grammar are really communicating to you. 

  • Can you identify the opinion or attitude of the person who wrote the text? (What they think, or whether they are being serious or humorous in their writing)
  • Can you identify their mood, their intentions, the overall purpose of the writing? 
  • Can you identify what kind of text it is – an article in a newspaper, a business report, an advertisement, a formal email, a personal email, an internal email, an external email, a piece of fiction, a humorous true story, a religious text, an old fashioned piece of writing, something modern? 
  • Are you aware of the different stylistic and linguistic conventions of different types of text? 
  • Are you able to read between the lines? 
  • Can you identify specific information as well as more general things? 

It’s more than just knowing individual words and grammar forms. It’s also about overall text structure, organisation, and tone.

Again, it’s not just about speaking. In the real world, all of these things come into play, all the time. It’s all a mix of dealing with input, understanding it, and responding to it, while managing the pragmatics of communication – what impact language has on other people.

Writing

This relates to reading in the way that’s it’s not just about knowing lots of words or grammar points, but knowing how to put those words and structures together to make a piece of writing that is coherent (easy to understand), cohesive (logical and organised) and which does what it is supposed to do (persuade, inform, request information, entertain, etc). 

With writing, sometimes the whole is greater than the sum of its parts. It’s a bit like cooking a good meal. It’s not just the ingredients and the cooking utensils, it’s about having the overall vision for making a delicious meal and then using those ingredients and utensils to produce the intended result, and deliver it at the right time and have your guests say “Mmm, this is delicious” at the end of the process. Writing is a bit like that. 

In terms of words that you might use in writing (or speaking) it’s not about knowing a lot of words. That helps of course but some people might judge their English by the number of words they know – like, the higher the number, the better they are at English. 

And it’s not about how fancy or obscure those words are. Some people might judge their English by the rarity of the words they know – e.g. knowing some words that even a lot of native English speakers don’t know. That’s not necessarily an indication of being good at English. What’s the use of writing something that most people just can’t understand because you’re using very old or very obscure words? 

It’s not about the number or the value of each word on its own, it is about using the right words, in the right combinations, at the right moments, to achieve the right result. 

It’s no good writing an email to someone and filling it with loads of complex and literary words than nobody really uses on a daily basis. The effect on the reader will be just to confuse them. That’s failing to communicate.

Watch out for those teaching materials, videos, whatever that say things  like “Use these 5 words to get a high score in IELTS”. It’s not just about using certain fancy words. It’s all about whether you are able to achieve certain results in English communication. 

I’ve said it before and I’ll say it again:

English is not just about what you know, it’s about what you can do.

It’s about your ability to complete tasks in English effectively. To understand other people and then have other people understand you. It’s about knowing when to use simple English and when it is appropriate or necessary to use something more complex, or something more specific. Right words, right form, right order, right time.

So I just talked about the 4 skills in English – speaking & listening,  writing & reading. 

Speaking & listening are together because they deal with the oral version of the language. The language in the air.

Reading & writing go together because they deal with the written version of English – the language written down.

Now, because I’m referring to my interview with Santi, which was an oral interview, let’s focus our attention for the rest of this episode on the spoken word, on speaking skills. 

I did say that speaking is only a quarter of the whole picture, but I think for many of you out there, speaking is what you want to focus on, right? 

So let’s consider what makes someone a good speaker of English? 

What I’m going to do now is look at IELTS assessment criteria. 

Assessment criteria means the specific ways in which English is judged. The specific standards by which English is assessed.

How do IELTS examiners judge someone’s level of English?

When you take an IELTS speaking test you will receive a score. 

This score is calculated by the examiner after they have listened to you and then marked you in a few sub-categories. Speaking is broken down into a few sub-categories and you’re given a score for each category, and then those scores are added together and then an average score is worked out. 

What are those categories?

  • Fluency & coherence
  • Lexical resource
  • Grammatical range & accuracy
  • Pronunciation

Each category is defined further and certain criteria or standards are defined which help the examiners decide what score to give in each category. 

In other Cambridge Exams, like FCE and CAE, speaking scores are assessed with similar criteria to IELTS, but there’s also a score for Global Achievement. This is like a score for overall task achievement. 

When you do a speaking test, you’re given a few tasks to do (short interview, having a discussion, doing a short monologue or presentation) and global achievement basically means “did the person manage to complete the task effectively”.

Quote from the CambridgeEnglish website explaining how speaking scores are measured for FCE. https://www.cambridgeenglish.org/images/210434-converting-practice-test-scores-to-cambridge-english-scale-scores.pdf 

Candidate speaking performances are assessed using scales which are linked to the CEFR. The assessor gives 0–5 marks for each of the following criteria: 

Grammar and Vocabulary; 

Discourse Management; 

Pronunciation; 

and Interactive Communication. 

Marks for each of these criteria are doubled. 

The interlocutor gives a mark of 0–5 for Global Achievement. 

This mark is then multiplied by four. 

Basically, this means that “global achievement” is more important than any other single criteria.

What is “global achievement”? For me, this is how well the person succeeded in the communication task. 

Your ability to complete a communication task effectively is more important than just your correct pronunciation or grammar. Having a few errors in your English is not the end of the world and what’s more important is task achievement. And that includes all that stuff about getting things done in English and getting the right result from a bit of speaking. 

For example, did you work well with your speaking partner in order to achieve the task you were doing – maybe to discuss some travel options before deciding together which one was the best, or having to make another joint decision.

Actually, let’s have a look at a sample part 3 section from a CAE speaking test.

Here you will see extracts from a sample speaking test from this page https://www.cambridgeenglish.org/exams-and-tests/advanced/exam-format/

By the way, CAE is another English test, designed by Cambridge English. If you pass the test, you get a certificate which proves that you have advanced level English at C1 level. 

CAE is similar to IELTS, is based on the same research and conclusions that have been used in creating IELTS, so it can also help us to understand how English is assessed. 

Let’s look at the extracts to see an example of a speaking task that people have to do when taking CAE. In part 3 the examiner is interested in seeing how people use English to achieve something in collaboration with someone else. It’s about interaction and working together for a common goal. Important communication skills, right?

You should see how Global Achievement or Task Achievement is important here. This is about how you were able to use English to complete a communication task and I think that is a really important thing to be included in the exam and for people taking the exam to consider. Remember what language is for – it is for achieving things and completing tasks effectively. 

If you can do that, you’ll get a good score for Global Achievement.

So this means that having good English is not only about the individual words being used, the accuracy of the grammar or the accuracy of the pronunciation. It is about those things, but it is also about whether you organised your ideas correctly and clearly, whether you listened carefully to the other person, understood their intentions and responded with relevance to what they said, and that you were both able to complete the task.  

It’s not about any one single thing, any one single aspect of English. It’s about all of them, in combination. 

Ultimately, communication is a means to an end (a tool for a job). The means (the tool) is the language, but the end result is to actually make an agreement, make someone feel something, make someone understand something, organise something with someone, and successfully complete a specific task.

So, Santi didn’t pronounce some words and sentences “correctly” or in the same way that I would, but in the grand scheme of things, it didn’t matter. 

He might have conjugated some verbs wrongly (like getting a few ED endings wrong, or forgetting 3rd person S or even just using present tenses when he should have used past tenses, sometimes) but in the grand scheme of things, it didn’t matter. 

Now, those things are still important to get right – don’t misunderstand me. I’m not saying that you don’t need to be correct in grammar or pronunciation or that it doesn’t matter which words you’re using. Santi would get more points in an exam if he improved some of those little errors.

Of course those things are important. The point I’m making is that it’s about the bigger picture and there are plenty of other factors involved.

Specific IELTS Speaking Band Descriptors

I’m going to get really specific now. Let’s look at the specific IELTS speaking band descriptors.

What the hell does that mean Luke?

IELTS scores are given in bands. 

Band 0, Band 1, Band 2, Band 3, 4, 5, 6, 7, 8, 9. 

9 is high, 0 is low.

Cambridge English (IELTS.org) publishes a list of “descriptors” for each band score. These describe what the different bands mean in terms of specific speaking skills. This should reveal the ways in which speaking is assessed in IELTS.

You can consider your English as we talk about these “descriptors”.

We’re going to look at them all in a moment, on a PDF from the IELTS website.

First, let’s picture the IELTS speaking test.

Image: https://ielts.com.au/australia/prepare/ielts-preparation-material/speaking 

How do IELTS examiners assess someone’s spoken English?

I’ve done IELTS training before and I’ve done mock IELTS tests quite a lot of times. I’ve also done the same with FCE, CAE, BEC Vantage, BEC Higher etc. They’re similar. 

If I was doing a mock IELTS test with my students and I was the examiner, I would interview the candidate, give them speaking tasks to do and at the same time I would have to work out their score.

On the desk in front of me I would have a script for me to follow, different tasks and questions for the test and some paper and a pen for writing the person’s score.

But it’s not just a single score for speaking. 

I wouldn’t just have a single category on that paper called “Speaking” with a space for a number.

Instead, I would have a piece of paper in front of me with at least 4 sub-categories on it.

✅ 

      Overall score / average: _________

I’d give a score in each category and then work out an average across the 4 categories. 

I’m not an official IELTS examiner, I’m a teacher who is trained to prepare students for IELTS, so that’s just the way I do it. 

But I know for certain that the examiners use at least 4 sub-categories when assessing a candidate’s speaking.

Here are those categories. 

  • Fluency & coherence
  • Lexical resource
  • Grammatical range & accuracy
  • Pronunciation

Note that accuracy is only half of one of those categories.

What do the categories mean?

Let me talk about what those categories actually mean, and then we will look at the descriptions of different scores for each category. What’s the difference between an IELTS 6 and IELTS 7 for example.

This information is from IELTS.org again 👇

Speaking test: How are bandscores awarded for Speaking?.

What is “Fluency & Coherence”?

Fluency and coherence refers to the ability to talk with normal levels of continuity, rate and effort and to link ideas and language together to form coherent, connected speech.

The key indicators of fluency are speech rate and speech continuity.

The key indicators of coherence are logical sequencing of sentences; clear marking of stages in a discussion, narration or argument; and the use of cohesive devices (e.g. connectors, pronouns and conjunctions) within and between sentences.

What is “Lexical Resource”?

Lexical resource refers to the range of vocabulary the test taker can use and the precision with which meanings and attitudes can be expressed.

They key indicators are the variety of words used, the adequacy and appropriacy of the words used and the ability to circumlocute (get around a vocabulary gap by using other words) with or without noticeable hestitation.

What are “Grammatical range and accuracy”?

Grammatical range and accuracy refers to the range and the accurate and appropriate use of the test taker’s grammatical resource.

The key indicators of grammatical range are the length and complexity of the spoken sentences, the appropriate use of subordinate clauses, and the range of sentence structures, especially to move elements around for information focus.

The key indicators of grammatical accuracy are the number of grammatical errors in a given amount of speech and communicative effect of error.

What is “pronunciation”?

Pronunciation refers to the ability to produce comprehensible speech to fulfill the Speaking test requirements.

The key indicators will be the amount of strain caused to the listener, the amount of the speech which is unintelligible and the noticeability of influence from the test taker’s first language.

Now let’s have a look at some of those descriptions from IELTS.org

https://www.ielts.org/-/media/pdfs/speaking-band-descriptors.ashx

Perhaps use my level of French as an example, also Santi’s English.

We could compare the different levels (maybe the difference between 5 and 7) across each sub-category.

Which categories are the most important?

The 4 categories are of equal importance in the exam, I expect, but if I had to choose, I would say that they go in order of importance from left to right, but of course if any one of those categories is significantly weak, they will drag down the overall level. For example, if you are unintelligible in pronunciation, it sort of doesn’t matter how many words you know or if you don’t pause to think.

Grammatical accuracy is mainly significant if errors cause misunderstandings, but I guess errors can give the wrong impression. 

Interestingly, I feel like pronunciation, grammar and lexis all help us to achieve fluency. Fluency is where those three systems combine. Without a wide range of words which we can recall and use instantly, we can’t express ideas quickly, specifically and coherently.

Without grammatical structures, we can’t link ideas together clearly and express complex things without our speech breaking down and falling apart.

Without pronunciation we can’t get our words out fluidly and clearly, with words linked, and yet stressed to give emphasis and impact. 

Assessing Santi’s English (I hope you don’t mind Santi!)

I wonder what score Santi would get if he took an IELTS speaking test. 

I shouldn’t really speculate about that, but I can say that his weak spot is probably pronunciation, (although this is still at a good level because I was able to understand him and after all he is Spanish and so it’s normal that he has a Spanish accent)

and then perhaps grammatical accuracy (he made a few grammar mistakes which probably stuck out because we were looking for them – I bet a lot of people listening were focusing intently on his English and judging him a lot – and he handled that very well), 

but he really makes up for his weak spots by having:

  • Good grammatical range. He was able to employ a range of structures which allowed him to have control over what he was saying and to express some complex ideas.
  • Strong Lexical resource. He was able to find just the right words, he used words which were appropriate for the conversation (switching from bits of slang when it was appropriate, to more formal language to describe his work etc) and generally used some very nice, descriptive, idiomatic and frequently used expressions, phrases and words.
  • Excellent fluency and coherence. He organised his ideas with clarity, he didn’t seem to struggle any more than someone might in their first language, he didn’t pause excessively, he was able to keep going and going, linking one idea to the next.

So there you have it. Some things to think about.

Conclusions

Being good at English is not all about having “a British accent” or never making a grammar mistake. There are plenty of other things involved in being “good at English”.

Of course, it is up to you. If your goal is to have a British accent (which one?) then I’m not going to stop you, but I do want you to put that in perspective and to realise all the many other things which you can focus on.

And finally, at the end here, I just want to give you a message of encouragement, because one of the main lessons learned from my conversation with Santi was that perseverance, positivity and practice are 3 of the most important factors in this game that we call learning English.

So keep your chin up! Keep practising! 

Don’t stop, even if it seems difficult! 

Don’t let your weaknesses stop you! There are other areas where you can be strong.

Don’t worry about achieving perfection! 

Just keep going and do your best and you might find that is enough or more than enough! 

And enjoy it! You only get one life and it’s happening right now, so what are you waiting for – go ahead and use English and make some connections with people. 

Be curious about others, be keen to connect with them and be kind. Be kind and generous with your time and your attention, to other people you meet and talk to, and be kind to yourself as well. 

Don’t judge other people’s English too harshly. It’s not a competition.

I hope you’ve enjoyed this episode.

If you did, and you found it useful – give me a like or a comment or a review.

Have a nice morning, afternoon, evening or night and I will speak to you soon.

818. Monster Bogey (A Children’s Book) with Anna Brooke

My friend Anna has written a book for children (7+) which has a full publishing contract and is available in all good bookshops now. The book tells the story of a boy who accidentally creates a monster when his secret collection of nose bogeys gets struck by lightning! This conversation includes lots of talk of snot and bogeys, as well as stories from Anna’s time as a travel writer.

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Get your copy of Monster Bogey here! https://www.chickenhousebooks.com/books/monster-bogey/

Read an extract from the book here https://www.chickenhousebooks.com/wp-content/uploads/2022/10/Monster-Bogey-chapter-1-for-website-COMPRESSED.pdf

815. A River Avon Year: The Wildlife & History of Shakespeare’s Avon, by Rick Thompson (Dad’s New Book!)

My dad has written a new book and he’s come on the podcast to tell us about it. The book follows the path of the river Avon as it flows through the middle of England, telling stories of key moments in British history, nature and the current condition of Britain’s rivers.

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A River Avon Year: The Wildlife and History of Shakespeare’s Avon by Rick Thompson is available now! 👇

📖 Amazon

📖 Book Depository

📖 Goodreads

747. Social Awkwardness / Very British Problems (with Michael Lavers from Level Up English)

Talking to Michael Lavers from the Level Up English Podcast about learning Japanese, embarrassing moments in language learning, social awkwardness and some “very British problems”. Are you as socially awkward as a British person? Let’s see how you and Michael would respond to some quiz questions that will test your British awkwardness to the max. Video version available.

Audio Version

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Introduction Transcript

Hello listeners and video viewers,

Today on the podcast I am talking to Michael Lavers who is an English teacher from Cornwall in the South West of England. Michael also has a podcast for learners of English. It’s called The Level Up English Podcast – you might want to check it out if you haven’t already done so. It’s available wherever you get your podcasts.

As well as being an English teacher, Michael is also a language learner himself and in his podcast episodes he often talks with guests about experiences of learning other languages, including those embarrassing or awkward moments that happen when you feel shy or you make mistakes. Also, Michael has described himself as a socially awkward person who lacks a certain amount of confidence in himself. In fact, he says that one of the reasons he started his podcast was to try and gain some confidence by going out of his comfort zone.

So this is what I thought I would ask Michael about: his language learning experiences and those awkward and embarrassing moments, and then I’d like to chat about social awkwardness and whether this is a uniquely British thing. And we’re going to go into some specific examples of how this so-called British awkwardness manifests itself.

That’s the plan, so now, let’s meet Michael Lavers from the Level Up English Podcast.


Awkward Situations – Very British Problems

Here are some questions based on some tweets by the popular Twitter account, Very British Problems. Each one describes a specific problem that British people typically experience in social situations. They seem to sum up the experience of being a British person. We’re socially awkward – I don’t know why.

Let’s see how you respond to these questions. And listeners, I want you to consider your answers to these questions too, then we’ll see what Michael says, and then we’ll see the original tweets and we can see if they match up.

Questions & Tweets

How do you feel when you walk through the “nothing to declare” gate at an airport?

You’re sitting with a group of people. It’s time for you to leave. What do you say as you kind of slap your hands on your knees and stand up?

If someone says something to you but you don’t hear it, how many times are you willing to ask them to repeat themselves?

What do you say to your taxi driver as they approach the point where you want to get out of the cab?

If you’re on a train, sitting in the window seat with a passenger next to you, and your stop is approaching, what do you do to signal to the passenger in the aisle seat that you will need to get up?

You’re standing at the exit door of the train as it is pulling into the station, slowly coming to a stop, and there is a crowd of other passengers right behind you, eager to get off the train. The “Open door” button isn’t yet illuminated. What do you do? Do you press the button?

How do you feel when the ticket inspector inspects your perfectly valid ticket?

What do you say, modestly, to guests arriving in your home, even though you spent some time before their arrival, tidying things up?

There’s one last roast potato on the table at Sunday lunch. You want to eat it. How do you achieve this?

  1. Just take it and eat it
  2. Ask if you can eat it
  3. Offer it to everyone else first

Do you ever tell your housemates or family that you are “off to bed” but then just stare at your phone in bed for an hour?

Imagine you are walking through a hallway with lots of doors in it, like in a library or something and you’re walking just behind a stranger who keeps having to hold the doors for you. How many different ways of saying “thanks” can you think of?

How do you end an email? Is there a subtly less friendly difference between kind regards and just regards?

What do you do when you get an incoming call from an unknown number?

How good are you at overtaking someone on foot?

Do you feel it necessary to speed up at all, when walking over a zebra crossing?

If you pay for something with exactly the right change, and you know it’s exactly the right change, do you wait for the cashier to count the money?

Links

www.ewmichael.com

www.levelupenglish.school

A reminder of the LEP Design Competition

I have had some entries already. If you’ve sent me something, then thank you. Please send your designs to podcastcomp@gmail.com and my brother and I will review the entries we receive, talk about them on the podcast and pick at least one to be featured in the LEP Merch store.

  • Think of a t-shirt that LEPsters would want to wear
  • PRIZE: The winning design will be put on t-shirts, mugs and other merch, and the winner will also win £80!
  • SPECS: A high-resolution transparent .PNG at 150dpi.  Minimum dimensions of at least 1500px by 1995px (not including outer transparent pixels).
  • CLOSING DATE: 22 October 2021
  • Send your t-shirt designs to podcastcomp@gmail.com

743. Give me Tea, Please – Practical Ingredients for Tasteful Language (with Natasha V Broodie) + ramble / song

Talking to author Natasha V Broodie who has written a book which aims to help learners of English understand the subtle codes of polite language when making requests and giving information in professional and personal contexts. In the conversation we explore the topic and consider some tips for making your language more culturally appropriate.

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Introduction Transcript

Hello listeners,

In this episode I am talking to author Natasha V Broodie who has written a book which aims to help learners of English to find the right tone in their speaking and writing. Tone is something which is very much affected by culture and often relates to things like being direct, indirect, formal, informal, the use of modal verbs and phrasal verbs and so on. In English the general tone is often quite friendly, indirect and polite, and this can sometimes cause problems for English speakers coming from different places where codes of politeness or professionalism are different.

Natasha has worked as an English teacher and has also worked in international contexts for the UN and so she has direct experience of observing people communicating in English and not quite getting the tone right.

So in her book, “Give me tea, please. Practical Ingredients for Tasteful Language” she lays out a sort of style guide with theory, practical tips and a glossary of defined vocabulary at the back.

It sounds like an interesting book which could be a worthwhile read for my listeners, so I thought it would be good to chat with Natasha a little bit and explore some of the ideas presented in her book.

“Give me tea, please” is currently available on Amazon but from 24 September should be available from all other providers too.

Right, so now you know what sort of thing we’re going to be talking about, let’s meet Natasha Broodie and find out some of those practical tips for tasteful language.


Give Me Tea, Please on Amazon


Ending

So that was Natasha V Broodie, talking about her book Give me tea, please – available from all good bookstores. Go ahead and pick up a copy and if you like it, leave a review on Amazon.

Thanks again to Natasha for her contribution in this episode.

A Short Ramble

T-shirts
Design comp – link here for details https://teacherluke.co.uk/2021/09/22/742-new-lep-t-shirts-merch-lep-design-competition-2021-with-james/
Premium
YouTube

Sneezing caused me to take a trip to tangent town…

Song – “Trouble” by Coldplay

https://tabs.ultimate-guitar.com/tab/coldplay/trouble-chords-16491

730. Marie Connolly Returns (+ 2 songs)

Talking to author Marie Connolly about her new books for children, plus a story about how Jerry Seinfeld came to one of our comedy shows, with two songs on guitar at the end.

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Introduction & Ending Transcripts

Hello listeners,

Hello, hello, hello.

How are you doing? How is everything in your particular part of LEPland today as you listen to this? What’s going on? Where are you? How are you? Who are you? How’s your English? OK I hope. 

This podcast is here to help by giving you a source (not sauce) of authentic English to listen to on a regular basis. There are various ways you can use the podcast to improve your English but let’s just keep it simple and say – all you need to do is listen, try to follow what is being said and hopefully enjoy the process, even if it’s a bit difficult to understand every single thing. Sometimes you will find notes and transcripts on the page for each episode on my website. Checking them can also be a good idea.

I have another guest today. Marie Connolly is back on the podcast in this episode. She came over to the flat a few weeks ago to record this conversation.

I know Marie from doing stand up comedy both in London and Paris. Like a lot of my friends she does stand-up, and she has also worked as an English teacher but these days the main thing she does is write – she is mainly a writer now – an author – writing books both for adults and for children.

You might remember Marie from episode 683 in October last year, when she told us some funny stories about moments when French men have flirted with her, and the book that she wrote which contains all those stories. Episode number 683 – that’s the last time Marie was on the show.

But she is back again to tell us about a new series of books she has written, this time for children. So, if you know any kids aged 8 or above, and you want to encourage them to read something fun in English, these books could be a good choice. They are written for people with English as a first language, so they’re not for beginners, but they are fun and if your kids can read English, they might like these stories.

She’s going to tell us about those stories and the process of writing and self-publishing them  but this conversation also contains lots of other stuff too – including different types of extreme sports, the classic old topic of doing comedy to audiences from different countries, an anecdote about the time Jerry Seinfeld came to one of our comedy shows, some comments from listeners in response to Marie’s last apperance, and more stuff for your listening pleasure.

Right then. So let’s now enjoy the company of Marie Connolly once again. I will speak to you a bit more on the other side of this conversation, and here we go…

—–

Click here for links for Marie’s books: Dude’s Gotta Snowboard & More

—–

Ending Notes

Thanks again to Marie Connolly there. You can find her books on Amazon – her writing alias is Muddy Frank, and you could search for Dude’s Gotta Snowboard. 

There are also links on the page for this episode on my website.

So thanks again to Marie.

So how’s everything going with you?

I will say that things are pretty busy here, with a lot of work going on and also some fairly complicated general life stuff – basically, we are in the process of moving to a new flat, and if you’ve moved flat or moved house, you’ll know how complex and disruptive that can be. 

Of course, all our possessions will have to be packed in boxes, moved to a completely new place and then unpacked, and that’s after all the decoration and work we’re having done on the new place and all that stuff. I will be leaving my pod room, taking everything down. All the books are coming off the shelves, all my equipment will be boxed up, all the guitars are coming down, everything is moving. 

What is cool is that I am going to have my own dedicated office/recording space/pod-room. 

It’s going to be incredibly small – more of a cupboard than an office, but it will be my HQ for LEP, and it’s not going to be part of our new flat. It’s in a completely different location, but it’s 5 minutes on foot from our new place. Anyway, we have a LOT of stuff to get done and our lives will be kind of turned upside down over the next couple of months, plus we want to do a trip to the UK for a holiday and various other things, so I don’t know how this is going to affect the podcast. I suppose there’s a chance I won’t be able to record, which would be a pity, although I’m sure you’d understand. I would have to publish some premium content though.

Luckily I have a few episodes recorded and edited and ready to be published, and they will continue to arrive over the next few weeks, but meanwhile, things in LEP HQ are a little bit chaotic at the moment. I won’t go into it in further detail at this moment, but as I said I will try to publish a rambling episode with news and comments about what’s going on and maybe I’ll respond to some listener comments and stuff like that soon, ok. In any case, podcasts will be arriving as normal at least for the next 4 or 5 weeks, so everything should be ship shape in podcastland, even if things are a bit crazy behind the scenes. We will see if I can continue to create and publish content during the madness of the next few months.

I said I wouldn’t ramble here. I’ll save it all for a full on rambling episode next time.

In any case, I hope you are well out there in podcastland.

At the end of the episode I thought I would sing a couple of songs which I’ve been playing recently. 

They’re both by Beck.

Song Lyrics

Lost Cause by Beck https://genius.com/Beck-lost-cause-lyrics

Dead Melodies by Beck https://genius.com/Beck-dead-melodies-lyrics

729. TOEFL and the Duolingo English Test (with Josh MacPherson from TSTPrep.com)

Talking to Josh MacPherson about tips and advice for taking TOEFL and the Duolingo English Test. YouTube version also available.

Audio Version

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Introduction Transcript

Hello listeners, here is an episode about English Tests like TOEFL and the Duolingo English Test which I hope will still be an interesting episode even for those who have no plans to take one of these tests. I’m joined by online English teacher Josh MacPherson. I guess you have heard of TOEFL, and the Duolingo English Test is a test made by Duolingo, that company which helps you learn languages on your phone, and which seems to be managed by a green cartoon owl, who is some kind of master of learning English. They make a test now, and it’s getting really big.

Some time is spent describing the tests but we don’t just spend an hour describing TOEFL. Most of the time we are doing samples from the test, commenting on my performance in a TOEFL speaking task, discussing testing methods in general and giving comments on ways to perform well, particularly in the speaking parts of a test like TOEFL and IELTS.

Also, tests should be reliable and having genuinely good English skills should (of course) cause you to get decent results, so a lot of the tips relating to getting a better score are also generally good tips for improving your level of English, so even if you’re not planning to take one of these tests, the tips and advice here should be applicable to your English anyway.

There is a video version of this episode on YouTube and you can see Josh’s screen and can observe our conversation as if you are taking part in a Zoom call with us. You can find the video on the page for this episode or on my YouTube channel.

Again, the audio is not tip top this time round and that was caused by things like microphone echo, which I have managed to fix, but in any case I think you can still hear everything clearly.

That’s it, I hope you enjoy it and you will find all the links you need on the page for this episode on my website.

Let’s get started

I am joined today by Josh MacPherson from TSTPrep.com and the TST Prep YouTube channel.

Josh is an English teacher who specialises in helping learners of English prepare for English tests, particularly TOEFL and also the fairly new DuoLingo English Test.

I thought I’d interview Josh to find out more about these tests and to get some tips from him about how to get the best result that you can.

Also, we’re going to do some test questions during this interview, so we can see how well I perform in these tests too.

Links

  • TST Prep website www.tstprep.com
  • TST Prep Youtube channel – https://www.youtube.com/channel/UCL0ZOT3eKp4RvKcQyBZJ4bw
  • How to think or reasons for your opinion document – https://drive.google.com/file/d/1NpEhd9BLNVKOuOO08LpJ6lA2NSLOZgJO/view?usp=sharing
  • Duolingo English practice test – https://englishtest.duolingo.com/home
  • Duolingo English test list of institutions – https://englishtest.duolingo.com/institutions
  • Duolingo Research articles – https://englishtest.duolingo.com/research

Ending Transcript

Thanks again to Josh for his contribution to this episode.

Don’t forget, links are available on the page for this episode for all the things Josh mentioned there including test practice, sample answers, tips and videos.

Thank you as ever for listening all the way up to this point.

There’s not much more for me to add here. I haven’t played the guitar on the podcast lately, but I will be coming back to that soon, but for now I will just wish you a fond farewell and until next time, good bye bye bye bye bye

701. Legal English with Louise Kulbicki

Discussing some of the most important terms and concepts in legal English, while also learning about key cases through some amusing stories, with legal English trainer Louise Kulbicki.

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Text Video Version

Uploading soon… here www.youtube.com/lukesenglishpodcast

687. WISBOLEP Problem / Polite Requests / An Inspiring Email / Fly Me To the Moon

A rambling episode with some news about a problem I have with the WISBOLEP competition (ooh!), some tips on making polite requests, an inspiring email from a LEPster and a song on guitar at the end.

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Episode Transcript (95% complete)

Hello everyone,

How are you doing? 

This is a weird period of history in which we are living? I hope you’re getting on ok. Here in France the government has just put some new lockdown restrictions in place and we’re all trying to work out what they really mean. I don’t want to go on about covid on this podcast too much, except to say “hang in there everyone” and keep calm and carry on. Check out my episode from earlier this year which is all about language for talking about lockdown and dealing with lockdown, including the word lockdown, if you’re wondering what that is.

Here’s an episode in which I’m on my own, doing a bit of housekeeping – general podcast admin. I’m mainly going to talk about the WISBOLEP competition (as you can see from the title of the episode), but also I’m going to ramble about a few other things too including teaching you a bit of English – just some simple advice about making polite requests, also an inspiring message from a listener and maybe a song on the guitar at the end, we will see.

I’m publishing this episode hot on the heels of the last episode, which was my conversation with Christian from Canguro English (LEP686). Have you heard that? I only published it a few days ago and conventional podcasting wisdom says that you shouldn’t publish another episode so quickly after the last one, because the last one will sort of get ignored, lost, forgotten or sidelined as people won’t notice it and it won’t get as many listens as it should. 

I think it’s a good episode, so if you haven’t heard it – be sure to listen to episode 686 with Christian. There’s also a video version of it on YouTube. It’s had a great response with people saying generally positive things, which is nice. Some people are requesting more video content. My position on this is that most of my content will always be audio, because that’s what I do – I make audio content, but every now and then I’ll do video versions of episodes and stick them on YouTube as well. OK. So subscribe to LEP on YouTube to make sure you get notified when I publish a video episode. I’ll probably tell you on the podcast too.

Also the episode before last has had some really interesting comments on the website. That was the episode about bilingual children in which we heard Alex in Moscow and his daughter Alice. Very interesting to read the comments from LEPsters or LEPlanders who are also bringing up their kids to speak English. Go to the episode archive and find 685 and read the comments. It’s all interesting stuff. I will do more of those bilingual kids episodes at some point. It’s a bit hard to mentally keep track of everything. There are a lot of ins, a lot of outs, a lot of what-have-yous – a lot strands in this old dude’s head, man.

WISBOLEP Problem

The deadline for sending in your entries was 15 October, so that’s long gone. One person is now freaking out.

The results aren’t ready yet or anything. You still have to vote for your favourites and all that – “how can we vote?” Steady on, the voting’s not ready yet either. All in good time. 

All the recordings are sitting there in my inbox and I haven’t had a proper chance to work on the next stage of the competition yet. Things take time around here, you know how it is. 

First of all I should say that it was great to get all the entries. I’ve managed to listen to almost all of them. I should say that it’s amazing to hear the voices of some of my listeners (some of them – obviously only a tiny portion of you sent in recordings because the vast majority of you are ninjas as we know, and that’s fine). It’s inspiring to hear little snippets of people’s stories of learning English, with the help of this podcast in many cases. That’s also quite flattering –  that’s not the point of it all of course – just to flatter me or something. The point was to encourage you to step out of your comfort zone a little bit and record something and send it in, to celebrate my audience a bit and also to just find a new guest with an interesting story to tell in an episode of the podcast. I want to say well done for everyone who plucked up the courage to record a sincere entry into the competition. Some of them are particularly inventive and… well, you will see.

It’s going to be very difficult to choose a winner, because there are quite a lot of really interesting people and I’m sure you are going to want to hear more from many of them. 

But the thing is, I have a bit of a problem. We have a bit of a problem with this competition. It’s a logistical issue. Logistical refers to the organisation of something complicated.

It’s not a major problem. It’s not like a Tom Cruise jump out of a plane to save-the-world Mission Impossible to problem or anything – no explosions. It’s quite a good problem really, but still, I’ve been scratching my head and wondering what to do about it.

What’s the problem Luke?

The problem is… I’ve had 100 entries – each one 2 minutes in length – that’s about 200 minutes in total, and that’s about 3 and a half hours if I play all the entries back to back without any pause or comment from me between them and without any introduction from me, and I will have to do some kind of introduction at the start, and it will also be necessary for me to say the names of each person again plus maybe one or two other things to help you remember them. 

So, 200 minutes or 3.5 hours, plus an introduction in which I explain the voting rules etc, and little comments from me –  that’s at least 4 hours of audio.

It’s too much, isn’t it? It’s too much audio for me to expect everyone to listen to. And I need everyone to listen to it all because I want to do some kind of fair voting process for this. Hmmm.

I like doing long episodes, but this goes beyond that, especially since I would like every single two-minute entry to be heard and you’ll need to remember which one or ones are your favourites in order to vote for them on my website.

Imagine a presidential election with 100 candidates, all presenting themselves to you one after the other. You’d never remember who they were, even if they were all extraordinary.

So this is the issue. Too many entries. It’s become a bit of a logistical nightmare.

It’s my fault. I take full responsibility of course. I set the 2-minute time limit for each recording because I thought you’d need that long to say something meaningful.

What did I expect though? For some reason I thought not many people would enter, but I don’t know why I thought that. I should have known that I’d get at least 100 entries! 

Anyway, what’s the problem? You might think.

Let’s go through the options I have ahead of me now and we’ll see.

Why am I telling you this? 

Transparency – I want everyone to know what’s going on, so that I don’t get loads of messages from people asking my why I’m doing it this way, and not that way and why didn’t you do this, and I thought you would do that, and I’m disappointed with this and why didn’t you play my recording, and I thought you’d play them all, and I was disappointed by the last Star Wars film and English is too complicated because the spelling and pronunciation are weird and there are too many accents and why can I understand you Luke but I don’t understand other native speakers and can you explain the Russian Joke and why why why and all that kind of stuff. 

To avoid confusion and questions, I want you to know the situation like I do.

Also I’m curious to see what you think and I would like you to tell me your thoughts because it can help me make the right decision. (although to be honest I think I’ve already made up my mind)

I’d like to have some input from you but ultimately, I do maintain supreme executive power, so I will still do what I personally think is best, but nevertheless, I am interested in your ideas and I want you to know my decision making process.

Some of you will think this is all unnecessary and that I’m overthinking it, but I disagree. I think it’s necessary and I’m applying the appropriate amount of thinking and talking time to this. So there. 

The main things we need to do are:

  • I want you, the audience, to be able to hear all the entries that have been sent to me (because I think people sent them to me with the understanding that they would be published for public scrutiny) and I want you to be able to vote for your favourites, rather than it just being a solo decision from me. 
  • I would like to give an introduction before playing all the entries, because there are things I need to say about the voting process and stuff like that. Also I would like to make one or two little comments after some or all of the entries, as well as repeating the names of the contestants. All those things will increase the time this will all take, of course – so we’re looking at 4hours plus in total.
  • Then, based on the voting by you the audience, I will interview the winner. There might be a couple of runners up too, we will see.
  • I want to do this in a way which is fair, and which gives everyone an equal chance (because I am committed to maintaining some democratic standards in this world!)

Options

Here are the different options which I’m considering. None of them are perfect, because of the whole “too many entries” issue. (by the way, saying “too many” does sound negative, but like I said before, this is quite a good problem in a sense. It’s a bit like having too much chocolate in your cupboard or something, or too much cake. Oh we’ve got too much cake! When and how will we eat it all? We can’t throw it away can we?) You see? Yes, you see. The cake metaphor is good. 

So, the options I’m considering. And I’ll say right now that I think I’m going to choose option 4. Anyway, here we go.

Option 1

I play all the entries (in alphabetical order, or chronological order) in one single epically long episode – probably about 4 hours long or more.

Problem: This is obviously far too long and just not a practical length for one single episode of the podcast. The chances are, people will not listen to the whole thing and most of the entries will not be heard and so the voting will be unfair.

Option 2

I play all the entries, but in a series of episodes (that all get uploaded on the same day). It would probably be 5 or 6 episodes → Introduction, WISBOLEP 1, 2, 3, 4 & 5. 20 entries in each episode. Each episode is about 45 minutes long.

Problem: It’s more or less the same as option 1. Will people listen to all the entries? The people in parts 4 and 5 might not get as much attention as the ones in the first part. 

Also, I have to say that I have to be a bit careful about what I publish to my podcast feed.

Dropping 5 episodes of only competition entries into my podcast feed is not the greatest idea – and I say that as a podcaster and podcasters must be fairly careful about what they publish. I have to be honest, I think that the majority of my audience aren’t that invested in the competition and the entries. 

I have a survey on my website asking people to vote for their favourite types of episode (find it in the CONTANT section) and this kind of episode – competition entries from listeners – is actually the least popular type of episode that I do. I like doing them, but I have to make sure I do it right. I think the reason this type of episode got low votes in my survey is because the last time I did this (YEP competition) I published all the entries from round 1 (8 episodes in total, all in a row) and it probably wasn’t what a lot of people wanted in their podcast feed. I shouldn’t really do that again.

Option 3

I choose what I think are the best entries and create a shortlist of something like 20 entries, and play them in one episode, and let people vote on just those 20.

Problem: 80 people’s entries just get rejected and never get played or published in any way, which is a pity and I think that would disappoint about 80 people who took the time to record something thinking that it would appear on LEP. I don’t think I ever said that all the entries were guaranteed to be played on the podcast, but I may have given that impression.

This would essentially solve the main problem of there being too many entries, but I don’t really want to just just chuck 80 recordings in the bin. Those people recorded them expecting them to be heard by more than just me.

Option 4

I create two rounds of voting. 

The first round is done on the website only, meaning that all the entries are posted on my website but not played in an episode of the podcast.

That way, the people who really want to listen to all the entries and vote for them, can do it by going to the website and listening there. I would probably post all the audio as an unlisted YouTube video because I can create time stamps for each entry, making it easier for you to find them and hear them.

So, the episodes would all be available for listening on the website (so they are made publically available) and people can vote for their favourites there. The winners of the first round could be decided by a combination of votes from listeners and my own choices.

Round 2 would be something like the most popular 20 entries from round 1 and all of them would be played in an episode of the podcast.

This would make it much easier for the whole audience to vote.

The winner of round 2 would be interviewed on the podcast.

It might be possible for some runners up to be featured too.

So, which option do you prefer? 

To be honest, I’m leaning towards option 4. I think I’m going to choose option 4 but I’d also like to run it by you to see what you all think.

The chances are, you’ll all have different opinions and different advice, which is fine.

I get the final say and you’ll just have to trust me on that.

Let me just recap

  • Option 1 – one mammoth 4 hour episode with all the entries. No.
  • Option 2 – one mammoth 5-part WISBOLEP series. I don’t fancy it.
  • Option 3 – I choose the top 20 entries and publish them, and just bin the rest, never to be heard by the public.
  • Option 4 – Put all the entries on the website and those people who want to listen to every single one, can do it, and they can vote too.The most popular 20 (let’s say) will then be published in a single WISBOLEP episode for the second round of voting. The selection process will be based on a combination of the listener voting and my own judgement (which will probably be more or less the same I expect).

Again, some of you might say I’m overthinking this whole thing. But I’m just trying to do it properly and fairly.

I think I’m going to choose option 4, but as I said, let me know your thoughts. 

You might have an idea for an option 5 for example, so feel free to share that. 

But do bear in mind that I also have to limit the time and cost that is involved on my side for this.

For example, if your idea for Option 5 could be for me to do a YouTube live stream in which I play all the entries one by one, with some comments from me… well, that could be fun, but it would also mean me live streaming on YouTube for a lot more than 4 hours probably, and it’s rare that I ever get 4 free consecutive hours in my life these days! So, that would just not be practical from my side. [Do it at night!] No, sorry. I need my beauty sleep.


My name is Luke not Luck / look / Mr Luke / luke (lower case L) or Luke’s

I’ve been doing this for 11.5 years, nearly 700 episodes (a lot more in fact) and I’m still talking about how to spell my name (I remember saying this in episode 1 of the podcast).

People often spell my name Luck → but maybe it’s autocorrect!

Proofread your emails and comments before you send them! (advice for us all)

So this whole “Luck English Postcard” thing might just be a conspiracy by computers and phones that are “just trying to make the world a better place” by helping us with our spelling (and yes, “postcard” is often what people type when they mean podcast – maybe that’s because they think the word is postcard – it is the sort of word people learn in lower-level English classes, or it’s because your computer doesn’t have very good English and it’s “helpfully” autocorrecting podcast to postcard. I don’t know.)

Having said that, I remember many many times when I was actually called Luck, look, ruku or rook or whatever by learners from around the world that I have met, but again that’s probably because it’s hard to pronounce Luke, or people don’t realise that Luke is a name and they think my name is Luck. 

For example, if I was learning Chinese or Russian or any other language with words that look different to English I am sure I would make similar errors and worse probably. I do it in French. 

Basically, what I’m saying is I forgive you. But please do remember to proofread your emails and comments. ;)


Making Polite Requests

Another language point here with reference to people getting in touch with me: making requests.

People often request certain things from me. Like for example they’re very keen to hear me talk about a certain topic.

  • Luke, make an episode about Peaky Blinders.
  • Luke, do more videos.
  • Luke, publish an episode about Ricky Gervais.

Honestly, when I read that, probably in the queue at the supermarket or something, my first reaction is “no”. “No-one tells me what to do! … well, except maybe my daughter, and my wife, and my boss at work, and the government, and.. well ok fine, some people tell me what to do, but you get the point.”

Even though I would quite like to do an episode about Peaky Blinders, or Ricky Gervais and I like doing videos when I can. 

My first, stressed out, overloaded mind, trying to not catch COVID reaction is “no – don’t tell me what to do!”

I think this is just because of the way the request has been presented to me.

In most cases, when people request things from me, I am sure they are being very well-meaning and there is no malice behind it at all, quite the opposite. They’re showing their enthusiasm and it’s motivated by positive feelings. They like the podcast and would love to hear something about Peaky Blinders or whatever it is.

What I’m saying is, think about how you word your requests. 

Think of the difference between a request and an order (or an imperative).

Requests are polite (they should be), orders are not really polite. Orders are what the police do, for example. “Get in the back of the van!” 

I could get into the fine details and all the linguistic specifics, but this is not LEP Premium, so let’s just keep it simple.

Order / imperative

Make an episode about Ricky Gervais.

Even your boss at work doesn’t use imperatives.

Write this report and send it to me by 5pm Friday, and also come in to work on Sunday, we need you.” –> if you work in a horrible place with a boss who doesn’t care about your feelings even a little bit.

Usually bosses will at least sugarcoat their requests a little bit, to help the medicine go down.

If you could wrap up this report and ping it to me by end of play on Friday, that would be great, and I’m afraid you’re going to have to come in on Sunday – there’s nothing we can do about it – I’ll see if I can get you a day off later in the year maybe.

Request

Let’s consider how to turn an imperative into a simple and polite request.

Luke, make a new video with Amber and Paul.

You could add a “please” to that, because we all know that adding please makes it more polite, right? 

Luke, please make a new video with Amber and Paul.

That’s better, but adding please to an order isn’t enough. It is still an order, and it just sounds like you are a rich person giving commands to a member of staff or something. 

Also, adding thanks at the end makes it sound a bit dismissive and a little bit rude even. 

Luke, please reunite the Beatles on the podcast. Thanks.

Saying thanks for something before it’s been done, I think, sounds a bit pushy. It’s like assuming it’s going to be done.

We sometimes write “Thanks in advance” at the end of an email with a request, but it can still come across as a bit pushy. [Thinks: I need to do an online course about writing emails…]

The issue is with the structure. Any imperative structure still sounds quite rude even if you add lots of stuff at the start or end, because it is still an imperative. It’s still an order.

Luke, please consider making an episode about James Bond. [good, you’ve added “please consider” – a nice bit of hedging but you’re still ordering me to do it.]

Luke, if you have time, please consider making an episode about James Bond. [“If you have time” is a thoughtful thing to add, but again this is still an order.]

Both those things are better, but this is still not what I’m looking for.

What are you looking for Luke?

You need to make your request into a question. To cut a long story short I just recommend that you add “Could you” at the start and “please” at the end. That’s it. That’s probably enough, probably. Don’t forget the question mark.

Luke, could you make an episode about Ricky Gervais please? 

This is much better. It just comes across as much more polite and nice and I don’t feel like I’m being ordered to do something. I’m more willing to have an instantly positive response to that.

Even better would be a bit more hedging (adding things before or after the main statement), just to show more respect. 

You don’t have to go too far. 

Luke, your podcast is a work of genius unrivalled in all forms of art, culture and human endeavor, and I am certain that in your infinite wisdom have you have considered all possible topics for an episode of your esteemed podcast. Having said that, and I pose this most humble of requests to you with the deepest level of respect, sir, would it be at all possible if you could consider spending even a tiny speck of your most valuable time on the consideration of an episode devoted to the subject of Richard Gervais. I am certain that you would bring new insights and depth to this topic, and that all other commentary on it would pale in comparison to the profound work that you would undoubtedly produce.

That’s obviously too much.

But you could do this:

Hi Luke, thanks for your episodes. I particularly enjoy the ones about comedy, especially the one you did about Karl Pilkington. Could you do an episode about Ricky Gervais at some point, please? I’d really like to hear your thoughts on his stand up and TV shows. Don’t know if you’ve already considered that, but it would be really interesting to hear your thoughts.

Or, more simply – Luke, could you do an episode about Ricky Gervais please? 

I know online culture is to just put things in the simplest and quickest way possible, but let’s not abandon the pragmatics of politeness in the process.

This is not just me by the way – I’m not just ultrasensitive or anything – this is a cultural thing and I think it’s true across the English speaking world. 

Some of you might think that my comments here are waaaay too much and that it’s completely mad, unnecessary and over-sensitive to phrase your requests like this, but if you want my professional opinion I’d say → this is the right way to do it.

And that’s it. 

Just to recap. If you are requesting something from me, just add “Could you…” at the start and “please?” at the end. Nice one.


Inspiring message from Daniel ER on Facebook

Dear luke, [actually it should be Luke with a captal L :) ]

I´m not sure whether you will have time to read this comment but here it goes anyway.

Three years ago, I got a ticket to Australia. With no English at all, I was determined to have an amazing adventure, live in another country, and obviously, learn English.

To be honest, it was really hard at the beginning. I had to play music in the street to earn some cash and I felt bad when I couldn´t say what I thought to the kind people of Australia.

Six months went by like nothing so I grabbed my backpack and accordion and took a road trip towards the north of Australia (Queensland).

I could [was able to] get a job in a resort as maintenance and although I [‘ve] gotta say that Australian English “is a thing”, all of them helped with my English, they were really patient with me.

Most of the time I was sad: People speak too fast, where is that accent from? What do you mean by “smoko” mate? It was then when I found your podcast. I had lots of time to listen to Spotify while I was fixing something at the resort so I took advantage of that. This really helped me a lot, I couldn´t be more grateful. I won´t forget episode 297 called “be positive” as I listened to it just on time, just when I was feeling that this fight wasn´t worth it.

Now, being fully aware that my English is not the best one, it is at least functional and that´s the point of all this, isn´t it? We must keep improving but at the end of the day you should be nicer to yourself, I mean that we have to recognize the achievements done so far.

I am back in my country (Chile) and I could [was able to] get an amazing job in which I speak English all day long, and you don´t know how awesome that is to me.

I honestly believe that maybe you are not fully aware of what do you actually do… you help people to achieve their dreams so be proud of all your efforts because we – your listeners- will be eternally grateful.

If someone out there is reading this comment and you are feeling frustrated and sad, just keep going! You can do this, it is not impossible and you have everything you need to learn this beautiful language. The key, in my opinion, you must be willing to go through the tough and uncomfortable moments that are on this path. You will remember them since they are the ones that teach us most. (quite sure I wrote that badly hahaha)

Thanks a lot for everything and I´ll certainly be listening to the podcast.

A huge hug from Chile.

Daniel — in Santiago, Chile.


www.teacherluke.co.uk/premiuminfo

I’m working on Premium content which will arrive soon. This will be audio premium episodes and hopefully some pronunciation videos too. 


SONG – Fly me to the moon

Lyrics & Guitar Chords

https://tabs.ultimate-guitar.com/tab/frank-sinatra/fly-me-to-the-moon-chords-335196

680. Park Life – A Year in The Wildlife Of An Urban Park (by Rick Thompson) / Animal Collective Nouns

My dad has written a book and it’s all about the wildlife you can find in an urban English park. He’s on the podcast to tell us all about it, and there are some collective nouns for animals too, plus some bonus stand up comedy at the end.

[DOWNLOAD]

LEP Premium Promo www.teacherluke.co.uk/premiuminfo 

Hello  listeners, this is a reminder about LEP Premium, which is my other podcast service. With episodes of LEP Premium I focus specifically on language, helping you understand, remember and pronounce target vocab and grammar. I’m currently still deep into premium series 24 which is about homophones, but also you can access an archive of over 80 episodes now both audio and video, all about teaching you the kind of English that I speak, and there are plenty of stupid improvisations and jokes and things too. Get started by going to www.teacherluke.co.uk/premiuminfo 

Introduction Transcript

Welcome back to Luke’s English Podcast – this award-winning podcast for learners of English. Yes, the podcast has won a few awards over the years, but not lately. The last few years have been quiet, on the award front. If you see any competitions for best podcast for learners of English, or something, let me know!

Speaking of competitions, I’ve been thinking of launching another listener competition, and I’m wondering what you think. The competition would involve you recording yourself speaking and sending it into the podcast, then people would vote for their favourite and that person would then get interviewed in a full episode of the podcast. This idea was sent to me some time ago by a listener called Vadim. What do you think? I haven’t fully decided to do it yet, so let me know what you think of this new competition idea from Vadim.

But anyway, what about this episode then?

Park Life – A Year in the Wildlife of an Urban Park

As promised, this episode features my dad, which should be good news for all the Rick Thompson fans out there. As you might know we sometimes call my dad Rickipedia because he knows so much stuff about so many things, although it might be unreliable from time to time.

People often say that my dad should start his own podcast, as his episodes are so popular. He still hasn’t created a podcast of his own, but I am glad to say that he has written a book. 

The book is called “Park Life – A year in the Wildlife of an Urban Park”

The book is available for you to read. You can find it on Amazon.com and also Bookdepository.com (free shipping).

In this episode I’m going to talk to my dad about the book he’s written including a broader discussion of urban parks in the UK – green public spaces which perform an increasingly important role in UK life.

We start by talking about the book, what it’s about, how he was inspired to write it and what style it’s written in. Then we move on to describe some of the wildlife you can find in a local English urban park. Then we discuss some history of urban parks and the health benefits of spending time in green spaces. 

Also there are some collective nouns for different animals, including things like “a murder of crows” and “an unkindness of ravens”. Keep listening to hear some more.

I hope you enjoy the conversation. I’ll chat with you a bit afterwards, but now, here is Rick Thompson talking about his new book.

—–

Ending Transcript

Thanks again to Dad for being on the podcast today. Once again, check Amazon or BookDepository for Rick Thompson Park Life to pick up a copy of my dad’s book for yourself.

In fact the book has already picked up a 5 star rating on Amazon from someone called Princesslizzykins

I have no idea who she is, but this is her review.

5.0 out of 5 stars

 A wonderful read.

Reviewed in the United Kingdom on 5 September 2020

What a beautifully and thoughtfully written book.

A super balance of content between wildlife and local history, with some lovely poetic references thrown in, this book shows how anyone can escape the haste of urban life and take a moment to look at and love the world around them.

I live in Warwick, so have the added benefit of knowing the localities mentioned, but would recommend this to absolutely anyone that has an urban park near them and enjoys a damn good read.

Thumbs up for Dad. Nice one.

We’re not done here yet, I have some more things to do in this episode.

First of all, you heard me mention the stand up comedy gig that I had on Sunday and I did the gig and it went fine. I recorded it so I’ll play a few minutes of that at the end of the episode.

But first, let me go through some more collective nouns for animals. This is a really interesting and curious aspect of English – the way we use different words to collectivise different animals.

You heard us mention some there, and I’ve included them in this list too. So here is a list of common collective nouns for animals.

More Collective Nouns for Animals

  • A school of whales
  • A murmuration of starlings
  • A flock of sheep
  • A nest of rabbits
  • A litter of puppies
  • A flock of pigeons
  • A parliament of owls
  • A troop of monkeys
  • A pride of lions
  • A swarm of insects / flies / bees
  • A colony of gulls
  • A charm of finches
  • A murder of crows
  • A shrewdness of apes
  • A pack of dogs
  • An army of frogs
  • An array of hedgehogs
  • A mischief of mice

That’s it for this episode then! Don’t forget to check out LEP Premium at www.teacherluke.co.uk/premiuminfo 

As promised earlier, here are a few minutes from my stand up set on Sunday evening. There was one LEPster in the audience by the way, who had come because he’d seen the gig advertised on my facebook page https://www.facebook.com/lukecomedian So, shout out to that LEPster!

Anyway, this was my first gig since Christmas, but it was great to be back on stage again and I should be doing more gigs this year, lockdown permitting.

So this is me on stage at the New York Comedy Night in Paris last Sunday. Thanks for listening and speak to you again soon. Bye…