Playing a text adventure game about the zombie apocalypse, with text on the screen so you can read with me while you listen. Video version available. Play the game with me – follow the links below.
Play “Zombolocaust” by Peter Carlson https://textadventures.co.uk/games/view/5kjlubyvzuitox6z52xipq/zombolocaust
Text Adventures website http://www.textadventures.co.uk
Part 2 will be available here https://wp.me/p4IuUx-oBv
Notes (used at the start of the episode)
Let’s Play Another Text Adventure Game – Zombie Survival
Let’s just have some fun in this episode, and also work on your English a bit.
I’m going to play another text adventure game.
Read the text and make decisions to progress through the game.
This is good for your English because you can practise your listening and reading, and there’s bound to be some vocabulary that you can pick up too.
This works best if you can read the text that I’m reading too, either by visiting the text adventures website or by watching the video version of this.
I’ll give you some learning tips in a second.
As well as the audio version of this, there is a video version on YouTube and the episode page on teacherluke.co.uk
I’m sharing my screen, so you can see the text that I’m reading.
I’ll try to be clear and to explain things as we go, so this should also work as an audio episode.
textadventures.co.uk – “Zombolocaust” by Peter Carlson
Previous episodes like this in the episode archive at teacherluke.co.uk (search for episodes 338, 339, 425, 426, 612, 613, 614)
Peter Carlson emailed me once and said he was OK for me to do more of his games on the podcast. Nice one Peter 👍
COVID-19 is real (but this game isn’t)
We’re going to try to survive a zombie apocalypse
but there’s a real pandemic happening outside (have you noticed?)
So – wash your hands! Wear your mask! Be careful, good luck!
We will get through this.
The COVID-19 pandemic is serious, but we still have to have fun.
Video versions are now available free on YouTube (after being locked in the premium section for 18 months)
Sign up to LEP Premium to exclusive content https://www.teacherluke.co.uk/premium
Episode notes and transcriptions
Hello listeners and welcome to episode 614. In this episode I’m going to continue reading through this online text adventure that I started in episode 612. This should be the 3rd and final part of this murder mystery story.
You have to listen to parts 1 and 2 first before you listen to this. They are episodes 612 and 613. If you don’t listen to them first, none of this will make any sense, ok!
So I’m assuming you’ve heard those two parts.
Let’s just recap the story quickly.
We’re on the hunt for the killers of 3 prominent academics in London 1861. Intelligent and brilliant people keep turning up dead, completely naked and with their hearts torn out.
After lots of investigation by us (a brilliant Holmes-style detective) and our partner Mardler, we’ve worked out that the killings have been done by a weird religious cult that worships King Cobras and likes to eat the hearts of people as a way of absorbing their intelligence. So they’ve been preying on academics, scientists, surgeons, historians and so on.
We’ve managed to catch two of the principle murderers – a wealthy member of the upper-classes, a woman posing as a nurse in local hospital and now we are on the tracks of the main bad guy, an old man by the name of Lynch who we suspect is currently holding a French intellectual hostage with a plan to murder him and eat his heart in the next few hours. Earlier in the story we got shot and had to jump out of a window so we are nursing an injury and not at our full strength.
We’ve managed to track down Lynch to a house outside London and now we are about to enter the house and hopefully save the life of the French man and bring Lynch to justice. Let’s see what happens next and what kind of score I’m going to get at the end of this game!
I have a feeling that we’re getting close to the end of the story, based on how it’s going. I reckon this should be finished in the next 15-30 minutes, but we will see. If there is time in this episode I will go through a list of vocabulary items that I’ve picked up from the story.
By the way, there are videos for episodes 612, 613 and hopefully this one available for Premium subscribers. You can see me reading through the story, and there are also some bonus extras including a song in 613 part 2. Sign up to LEP premium at teacherluke.co.uk/premium
Right, let’s carry on then!
Word list
an acclaimed historian
the odour of varnish
a furrowed brow
a loner
Julian chuckles
I thought I had you for a minute
a ravinglunatic
a bookmark
bags under your eyes
confident footsteps
a mutilatedcorpse
gutted like an animal
She has blisters on her left fingertips from the strings
Gray rummagesthrough his desk drawer for a moment
Marilyn is taken aback
Marilyn hastily digs through her bag
her hand returns clutching two ticket stubs
This is a pretty good alibi, assuming we can hear from some witnesses that confirm her whereabouts
you don’t rule her out as a suspect entirely just yet
birch tree pollen
They got into a violent scuffle
scraping your palms on the hard road
You stumble back onto your feet and catch up with Mardler
sweat forming on your brow
sprint across the road
tripping on a discarded piece of garbage
Dilated pupils, bloody nose, hoarse voice
lurking at Hollowleaf Hospital, he’s trying to score some drugs
Dr Yates slumps down on the ground, defeated
Another dead end!
footprints on the floor
dried mud
following the faintfootprints
a fist
a bruise on Julian’s face
The floorboards creak noisily as you walk over them
you tackle him to the ground
Most of the doctors and nurses have gone home for the night, but a few stragglers are left caring for the sick and wounded.
You wince in pain.
Your kneecap and head are throbbing.
a cane
Sorry I have to ambush you like this
gears turning
Crisp morning air fills your nostrils
You feel winded by the time you reach Palomer’s door
a shard of glass
Mardler ponders your theory.
He was brushing up on German translations when we saw him last
Join Luke as we continue to work through this mystery story following a serial killer through the streets of Victorian London. Read the story and play the text adventure game as you listen.
Listen to Luke investigating a ‘choose-your-own-adventure’ detective story and read along if you like! Learn English in fun ways with stories on Luke’s English Podcast. Video available for premium subscribers.
Video versions are now available free on YouTube (after 18 months in the premium subscription)
Sign up to LEP Premium for exclusive content https://www.teacherluke.co.uk/premium
Episode notes and transcriptions
Hello folks and welcome to the podcast.
In this one I’m going to go through another online text adventure in order to try to solve a murder mystery set in Victorian London.
It’s been a while since I did one of these on the podcast.
Several times in the past I have read through online detective adventure stories written by Peter Carlson and available at textadventures.co.uk
There were episodes 338 & 339 (A Murder Mystery Detective Story) and episodes 425 and 426 (Victorian Detectives) in which I was joined by Amber in Paul. (links at the bottom)
These are based on stories and text adventures that you can find at textadventures.co.uk I usually use the ones done by Peter Carlson and in fact after recording the first one, Peter got in touch with me to tell me that he liked the way I did it and was welcome to use his other stories. So, kudos to Peter for being behind us on this one.
In the first episode I read through the story entitled Victorian Detective, and then second one was the sequel “Victorian Detective 2” and now we are on to the third instalment of the series, that’s right it’s “Victorian Detective 3”.
So the idea behind these text adventures is that you read through some text on a webpage and there are certain words highlighted which you can click on for extra information and every now and then you have to make a decision which can affect the way the story turns out. Each decision relies on your observational skills and your reading of the information provided. You have to be like a Sherlock Holmes style detective, or a text detective if you will, to work out the right choices based on the evidence you’ve read.
This sort of thing is great for learning English because you can do tons of reading with very specific goals each time. It’s online so you can check out new words when you come across them and the fact that you’re part of the story makes it extra engaging. You can also read along with me as I play the game, or play it on your own later. And if you do that, consider leaving a comment or review at textadvantures.co.uk thanking Peter Carlson for his work.
You can check out loads of these games at textadventures.co.uk and I’ll let you explore them in your own time.
Right, so what about Victorian Detective 3?
In this series we play the part of a brilliant detective who has skills similar to those of Sherlock Holmes. You have perfect memory, demonstrated by the fact that you can re-read any text so far. Your super fast decision making ability is represented by the unlimited time we have to make our choices in the game. And our vast knowledge is represented by the internet and we are encouraged to google any things we don’t know about.
As a detective we have a police partner that we work with called Mardler. He’s a bit like the Lestrade character in Sherlock Holmes in that he is a police officer who often gets things wrong and is a bit competitive with you. So Mardler is our partner.
So here’s how it’s going to go.
I’ll read through each section and read all the other peripheral info that you get by clicking on different words. I’ll explain things as we go if I think it’s all getting complicated. I’ll invite you to think about the right option each time and if you want you can read along with me by following the link on the website.
I have no idea how long this will take! It might be several episodes, we’ll see. I haven’t done the game before so I don’t know how long it will last. In this episode I think I’ll go for about an hour and then I’ll find a good place to pause the story. Some kind of cliffhanger would be good.
Your task is just to try and keep up with the story, perhaps think about each decision too. If I make a mistake at any point, jump into the comment section and explain your thoughts.
But mainly, just try to follow the story and I hope you find it interesting and enjoyable as a way to learn English through listening.
I’m slightly concerned that my reading of texts might distance you from the story slightly. I really want you to concentrate on imagining the surroundings of each scene. It helps if you really visualise each situation as you listen to it. Use any descriptive language you can find to help you paint a visual image of what you’re hearing in the story. This can make a big difference to your ability to keep up and to stay involved all the way through.
So for this story we’re in London in 1861. Victoria is on the throne. The American Civil War is breaking out in the USA. London is probably quite a dirty, smokey, foggy sort of place with some very upmarket areas and also some slums. People used horses and horse-drawn carriages to get around and do things. It’s the world of Sherlock Holmes basically.
Right, so without any further ado, let’s begin the story.
There’s a little bit of chess at the beginning and I admit that I’ve done this several times to get the right sequence of moves. QUEEN – PAWN – PAWN
Also, as we go through I’m picking up or losing points based on my decisions. I think it’s not possible to die in the game, but the outcome might be different and your score can be different each time.
Introduction Transcript (story script available as a pdf below)
Hello folks, how are you doing?
Summer is over, everyone’s going back to their jobs and their normal lives. Sun tans are fading fast. The days are getting shorter. The leaves are turning. It’s back to reality.
I hope you had a good summer. As I said to you in June or July, my podcast uploading was quite inconsistent over the summer. I didn’t manage to post as many episodes as normal. That’s because I had quite a busy time, going away on hols to different places and also looking after our daughter who was not in day care, because day care was closed during August.
In fact, her day care still hasn’t started again, so I’m being a stay at home Dad this week, looking after her during the day time. This means that it’s a bit difficult to record and upload episodes of the podcast. The baby (and she’s still a baby) tends to demand all your attention, whether it be playing, feeding, cleaning, changing, bathing or all manner of other things, it’s hard to do anything else when I’m the only one looking after her. This week my wife has some important work related deadlines which she has to attend to, so I’m looking after the little one.
What this means is that I still can’t get fully back into my podcast rhythm. That’ll happen probably mid next week when day care starts again properly and I have time to work on episodes of both LEP and LEP Premium.
By the way, LEP Premium is going well. There are now about 14 episodes – including audio and video content, with PDFs. If you want to sign up, go to teacherluke.co.uk/premium The premium episodes are where I really focus on language, helping you to improve your grammar, vocabulary and pronunciation.
I have lots of plans for new episodes coming up, but they all require some time and also silence in the background.
I wanted to upload something fairly quickly and simply in this episode, so I’ve decided to read you a short story written by Roald Dahl, who is one of the UK’s favourite authors. This doesn’t take much preparation from me, so it’s pretty easy to do.
Roald Dahl is most famous for his children’s stories – like The BFG, Charlie & The Chocolate Factory, James and the Giant Peach, George’s Marvellous Medicine, but also he wrote some books of short stories for adults. I grew up reading his children’s books, but then also took an interest in the books of short stories too when I’d grown up a bit. So, I’ve always enjoyed Roald Dahl’s work.
I’d like to recommend his books of short stories for you to read. If you’re looking for something to read in English (and you should always have an English book on the go – it’s vital) then these could be great.
Here are some reasons why Roald Dahl is so great for reading (for your English)
The stories are short, so it’s less demanding and less intimidating. You can finish them. Yey!
They’re very well written – descriptive language and just good plain English that is easy to read and modern in style
They’re great little stories full of curiosities, mystery, strange things, funny things.
You could get any of Roald Dahl’s books of short stories, but a good recommendation from me would be “The Complete Short Stories: Volume 1 & 2” by Roald Dahl. Should be available from all good bookstores, including Amazon.
So, I highly recommend that you check out his work. It could be great for your English. Roald Dahl’s work is also available as audiobooks, which you could check out using Audible. Remember they still sponsor my podcast. If you use my link, you can sign up for a free 30 day trial which includes a free download of any audiobook you like.
www.audibletrial.com/teacherluke check it out. You could get a Roald Dahl book – and many of them are read by great British actors that you might know.
Now, in this episode I’m going to read out one of Dahl’s short stories. This one always sticks in my mind. I read it when I was a teenager. One of the things that always stuck in my mind was the descriptive language – describing the car he drives and the people he meets. Those descriptions really stuck with me. It’s one of the reasons I’m sure his stories are great for learning English.
It’s quite simple. I’m going to read the story to you. You can check out the story by following the link on my website, or if you have a copy of his book you can read it with me. This one is called The Hitch Hiker and it appears in volume 2 of The Complete Short Stories.
A hitch hiker is someone who waits by the side of the road and hopes to get a lift from someone. They don’t have a car or money for a bus or train, so they stick out their thumb and hope someone will stop and take them where they want to go.
I don’t know if you’ve ever hitch hiked. I’ve done it a couple of times. It felt a little risky. These days I wouldn’t do it probably. Feels a bit dangerous.
Anyway, here is the story called The Hitch Hiker. It’s only a few pages long. There’s a link on the page for this episode (below) which will allow you to read the story too.
Things I like about it / What to look out for
The various descriptions of the high performance car (very modern for when the story was written)
How it looks, the electric windows and sunroof, automatic radio aerial, the sounds of the engine, the responsiveness of the steering and brakes. He doesn’t just drive at 70, he whispers along. He doesn’t just slow down, he touches the brakes.
His descriptions of the hitch-hiker – comparing him to a rat
The descriptions of the appearance and manner of the police officer
The mystery surrounding the hitch hiker
The way the hitch hiker’s “job” is described in rather exciting and glamourous ways
My friend Moz (Michael J. Buchanan-Dunne) from the Murder Mile True Crime Podcast tells us some more true stories about murders from London’s past. Contains some gruesome details and explicit descriptions, and some fascinating and unbelievable true stories! Intro and outtro transcripts available. *Adults only: Contains gory details and explicit descriptions*
This episode features another conversation with one of my friends for you to listen to as part of your learning English diet, and yes let’s imagine that learning English is a bit like having a diet plan, but instead of limiting your intake like you do with a food diet, with this English diet the plan is just to consume as much English as possible and really enjoy it. Just binge on English as much as you like – yum yum yum yum yum.
So yes, here is some more natural English conversation for you to indulge in.
The friend I’m talking to in this episode is my mate Moz, who has been on the podcast a couple of times before. You can find all his episodes in the archive. Just search for Moz – m o z. The long-term listeners will know Moz but if you’re fairly new around here, here is a 2-minute summary of what you need to know about him.
I met Moz (whose real name is actually Mike or in fact Michael J Buchanan-Dunne) doing stand-up comedy back when I was living in london a few years ago.
He lives on a canal boat, spending most of his time in London where there is a canal network that crosses the city.
Moz gives guided walking tours around parts of central London – especially Soho. The theme of these walking tours is murder, and Moz takes groups of visitors to different locations and then describes real murders that happened in those places. The tour includes stories of serial killers, crimes of passion and mysteries that have never been solved. Quite a lot of my listeners have actually taken his tour when visiting London and you can do it too if you’re in town. Just go to murdermiletours.com to get the details and to book a tour. It’s a really different way to explore parts of central London with a local person. It’s much more interesting than the normal boring tourist walks, and it has a 5-star rating on TripAdvisor. Not bad.
Moz also has his own podcast called the Murder Mile True Crime Podcast in which he describes, in plenty of detail, the stories that he tells briefly on his walking tours, and more. He started the podcast just 7 months ago and since then it’s gone from strength to strength. It got a nomination in this year’s British Podcast Awards in the True Crime category.
So Moz is something of a specialist when it comes to describing the stories of true crimes in London. His stories are painstakingly researched using court and police records from the national archives, and Moz is a well-experienced and enthusiastic storyteller.
And it’s the storytelling that I’m interested in here, as much as anything else, because stories can be really great resources for learning English, especially when the storyteller is enthusiastic and the content of the story is gripping. They help to draw you in, make you focus on the details and just get more English into your ears, which is so important, as we know!
Well, Moz is certainly keen to describe the events in his stories and you have to agree that there is something fascinating about the subject of murder. Of course it’s horrible and tragic – especially for the victims and their families of course – these are often appalling crimes, but at the same time it’s hard not to wonder about the motivations of murderers, the lives they led, the conditions in which it could be possible for one person to take the life of another.
This is why crime and mystery novels, TV shows and documentaries are so popular. Apparently we can’t get enough of this kind of thing. So, although their subject matter is dark and quite explicit, I think that these stories are compelling and well-told and that is reason enough for me to present them to you in this episode.
Now, as I usually say when Moz comes onto the podcast and talks about murder – I think I should warn you here – Moz’s accounts often contain some very graphic and explicit descriptions of some truly horrible acts of violence and moments of horror.
So, if you’re sensitive to this kind of thing – if you don’t like blood and violent imagery – if you’re squeamish – you might want to proceed with caution. If you’re playing this with children around, like if you’re in the car and the kids are listening – you should probably pick another episode. My episodes are usually aimed at adults anyway, but this one in particular is not suitable for children. So, that should be clear – if you don’t like gory details, proceed with caution, if kids are present, listen to this later when they’re not around.
Ok we’re very nearly ready to begin here.
A coot – “as bald as a coot”
At the beginning, you’re going to hear Moz’s quick report from the British Podcast Awards ceremony which he attended just a couple of weeks ago and then he goes on to tell us about some of the murder stories he’s been researching over the last year or so.
So, without further ado, let’s go!
“Outtro” Transcript
Moz is getting very good at telling these stories isn’t he?
If you enjoyed this conversation, let me recommend Moz’s podcast – just in case you’re looking for more stuff to listen to in English. As he said it is available on all the usual platforms that you use to get your podcasts. Search for Murder Mile True Crime Podcast. Quite a lot of you already listen to his show, which is great.
The next episode is going to include a Vocabulary Quiz focusing on the language of crime – different nouns and verbs for various types of crime. So vocab hunters, watch out for that.
Well done for listening to the end. Good luck with your English. Keep it up!
Leave your comments on the website as usual. Join the conversation and practise doing some writing in English.
Download the app for convenient access to the whole archive of episodes and some bonus content.
Hello everybody, and welcome to this brand new instalment of Luke’s English Podcast – a podcast for learners of English.
In this episode my dad is going to tell you some true crime stories from England’s history. There are six stories in total and they all involve curious crimes and their punishments which can tell you quite a lot about what life was like in England in the mid 19th century.
We have established the value of listening to stories on this podcast before, right? Listening to stories can be a great way to improve your English, especially when they’re told in an interesting, clear and spontaneous way and of course I’m always happy to get contributions from my dad on this podcast – so I’m feeling good about this episode. I think it should be a good one.
These days my dad is semi-retired but he keeps himself busy doing various things, including some volunteer work for an organisation based in the town where my parents live – Warwick, in the midlands, in England.
The organisation is called Unlocking Warwick and it is a volunteer group based in a restored building in the centre of town.
This building used to be a court-house – a place where, in the past, people who had been accused of committing crimes were sent to be tried and possibly sentenced to various punishments, and back in the Victorian times those punishments could be quite harsh. The building operated as a court room from the early 16th century all the way through to the 1970s when it eventually closed. Then, a few years ago the building was fully restored to its former glory and is now a cultural centre for the town of Warwick. The volunteer group that my parents belong to, Unlocking Warwick, does various events and activities in this building as a way of helping people to explore the history of the town, which is also the site of one of the UK’s best medieval castles. Warwick is a place that’s worth visiting if you’re into English history and it’s only about 30 minutes away from Stratford Upon Avon – the birthplace of William Shakespeare.
Last year you heard me talk to my Mum about the Unlocking Warwick project and she mentioned the regency ballroom in the building, where they organise events like dances with historical themes, and since the building used to be the location of a court room, the group also presents dramatic reconstructions of real court cases that happened there.
These are like plays based on real records of the court proceedings which are stored in local archives, and my dad is the one who writes these dramas. He reads the details of old cases from the archives, picks the ones that sound interesting and then turns them into plays which are performed for the public by volunteer actors. They even get members of the audience to shout things out and generally play along, a bit like they would have done during the real trials back in the 19th century.
So, because he’s written these plays, Dad has a few stories at his disposal and I thought it might be fun, interesting and good practice for your English to hear him describe these stories in an episode of the podcast, so that’s what you’re going to get; six true stories of crimes that actually happened in Warwick, told to you by my dad – and almost all of it is told using past tenses – so straight away, there’s some grammar and pronunciation for you to look out for. I’m not going to go into all the details of those narrative past tenses here, but if you’d like to listen to episodes in which I explain those tenses, give examples and help you to pronounce them then you can check out episodes…
Other episodes dealing with Narrative Verb Tenses in more detail
They’re all (also) in the episode archive on the website.
But right now, let’s jump into this conversation that I had with my dad just the other day when my parents were visiting us. So, without any further ado – let’s get started.
The Six Stories
I’d like to summarise those six stories again now, just to make sure you got the main details and to help reinforce some of the language that you heard in the conversation.
You can find the notes I’m reading from here, written on the page for this episode on the website.
The Case of the Notorious Window Smasher
A woman who would go up and down the high street in Warwick and also in Birmingham, smashing shop windows (cutting up her arms in the process) and stealing goods, including a roll of top quality French material – and she was sentenced to time in the house of correction where she probably had to do hard labour all day, including walking in the treadmill – a kind of human-powered machine for grinding corn or wheat. Imagine being a sort of hamster in a wheel all day long – like going to the gym, but doing it for 10 hours or more and I’m sure the conditions were very dusty and awful. The Victorians, being sort of puritanical and protestant had a strong work ethic, and believed that hard work was the right remedy for people’s problems. You can see how this went together with a certain industriousness that marked that period of British history.
What Happened to the Extremely Drunk Man?
He was brought into the court by a policeman simply for being very very drunk, and was sentenced to 6 hours in the stocks.
The Story of the Poor Lunatic Woman
Her husband took her to the authorities claiming she was hysterical and completely impossible to live with, and she was promptly taken to the local lunatic asylum where she probably spent the rest of her life – but was she really mad, or did her husband just want to get rid of her?
The Woman Who Ran Away from the Workhouse
There were different places you could end up if you were found guilty of a crime, or simply didn’t have the means to look after yourself. The worst would be Australia, which was probably a very tough place to try and survive back in those days and the long boat journey would probably kill you anyway. Then there was prison, and I’m sure 19th century prisons would have been full of disease and all kinds of hideous misery. You heard about the hulks – these broken old ships that were moored on the river Thames in London, which worked as prisons. I expect the ones on the land weren’t much better. Then there were the houses of correction – essentially prisons where you did hard labour all day long. Then there were workhouses – not exactly prisons, but places that would house people who had no money. They’d give them accommodation and food in return for work. Honestly, I think places like this still exist in many parts of the world and it’s really sad and terrible, especially when we realise that some of the products that we consume might have been made in places like these – we call them sweatshops these days – places where people work long hours in awful conditions. The woman in this story ran away from her workhouse because, as she claimed, they weren’t feeding her. I expect that could be true. I think the food given to people in workhouses was often just very weak and watery soup (called gruel) which probably contained next to no nutritional value, and I wouldn’t be surprised if some people were denied food as punishment in a workhouse. There was so much cruelty in those days. This woman ran away, and was caught – but she hadn’t really committed a crime, had she? A workhouse wasn’t a compulsory place to stay. It’s not a jail. She ran away of her own free will. But they caught her and charged her with theft of the clothes she was wearing. I expect the clothes were provided for her by the workhouse – so that’s how they got her. It makes me wonder if there wasn’t some sort of personal revenge or some kind of personal vendetta against this woman, or some kind of conspiracy against her. Her sentence? 3 months hard labour in the house of correction. I’m sure some people profited from all this free labour.
Why did Joseph Smith Break a Lamp in the Market Square?
Just to get arrested and put in the house of correction – because he had no money and no food. So he did it just to get fed and housed, even if it meant having to do menial work. It sounds like he was pretty desperate. There was no such thing as welfare or social security in those days. That didn’t arrive for nearly another 100 years, after WW2.
What Happened to the Shoemaker’s Rabbit?
It was stolen – and footprints were found in the garden of the house where the theft happened. Emmanuel Cox was charged with the theft – and accused of stealing the rabbit and cooking it in a pot. The police officer that arrested Cox seems to have been tipped off by someone. The constable mentioned “Information received” – so did someone tip him off about Emmanuel Cox? Was someone trying to set Cox up, or did they have genuine information about Cox? In any case, when Cox’s place was searched they found a rabbit skin hanging up in the kitchen, which the shoemaker identified. It looked like an open and shut case. The evidence was a dead giveaway! But during the trial a woman in the audience defended Cox (she turned out to be someone he lived with – so probably not a great witness) and it was claimed that there was a witness who could testify to Cox’s innocence – but he couldn’t be found. In the end Cox was acquitted – the magistrate let him go without a charge, because he said the evidence was not sufficient. I wonder what the punishment would have been, for stealing and eating a pet rabbit? I’ll hazard a wild guess at 3 months in a correctional house, because it seems that doing pretty much anything would land you in the correctional house for 3 months, if you were a petty criminal and you lived in Warwick.
Well there you have it, the case of the shoemaker’s rabbit and 5 other stories.
I hope you enjoyed it, that you learned some English or at least you had some nice and nourishing listening practice – yum yum yum.
You can find notes and some transcriptions on the page for this episode on the website, where you can see some of the words and phrases used in this episode.
Don’t forget to download the LEP app for your smartphone. It’s free – that’s where you’ll find the entire episode archive on your phone and there are various app-only episodes and other bonuses for you to check out.
Join the mailing list on the website to get an email whenever I upload new content. That email will contain a link that’ll take you straight to the page for that content – usually a new episode and sometimes some website-only content, like when I’m interviewed on someone else’s podcast or if I want to write to you about something in particular that I think might interest you.
Sometimes episodes arrive on the website a day earlier than everywhere else, so being an email subscriber might be the fastest way to find out about new episodes when they’re released.
So, be an email subscriber, be an app-user and if you enjoy my episodes and find them useful and if the spirit moves you – please recommend this podcast to at least one person who you think might like it, leave LEP a review on iTunes or the Google Play store, and you could consider sending a donation to the podcast to help with running costs and perhaps as a sincere way to say thanks for my work.
In any case, I’d just like to say thanks for listening and I’ll speak to you again soon!
Hello, welcome back to Luke’s English Podcast, this podcast for learners of English hosted by me Luke Thompson. Hi.
The general idea of this podcast is to help you to improve your English by providing you with content to keep you listening regularly, for longer periods of time, to authentic English as it really is spoken. Sometimes I teach you things on the podcast and other times I play conversations for you to follow, like in this episode.
This episode is entitled 36 Questions that Lead to Love
In this one you’re going to hear the tangential trio of Amber, Paul and me talking about this set of 36 questions, which was compiled by a group of psychologists as part of a study into ‘interpersonal closeness’ or intimacy between people.
Amber first found out about it in a podcast published by the New York Times. Here’s what the NYTimes website says about this study, which is where the 36 questions come from.
The study by the psychologist Arthur Aron (and others) explores whether intimacy between two strangers can be accelerated by having them ask each other a specific series of personal questions. The 36 questions in the study are broken up into three sets, with each set intended to be more probing than the previous one.
The idea is that mutual vulnerability helps to create closeness and intimacy. To quote the study’s authors, “One key pattern associated with the development of a close relationship among peers is sustained, escalating, reciprocal and personal self-disclosure.” Allowing oneself to be vulnerable with another person can be exceedingly difficult, so this exercise forces the issue.
The questions are now used to help build intimacy or personal closeness typically between couples that want to fall in love, but also between anyone looking for ways of finding out more about each other and developing a closer or deeper relationship.
Amber’s going to tell you more about it in a moment.
These 36 questions are available for you to use or read online at NYTimes.com https://www.nytimes.com/interactive/projects/modern-love/36-questions/
In this episode you’ll hear Amber, Paul and me asking each other those questions.
Let’s see what happens.
Will the questions bring us closer together?
To what extent will the intimacy level rise?
Will they make us fall in love with each other?
Or will we just learn weird truths about each other that will disturb us, ultimately causing us to drift apart as friends, and then they’ll never appear on this podcast again?
Will these questions help you get to know us more?
What could be revealed by this set of questions designed by psychologists to become more and more intimate as they go?
Is it possible for 3 British friends to take the whole thing seriously enough for the questions to have the intended effect?
Listen on to find out more.
Here we go…
Outtro
OK so if you were counting the questions you’ll see that we skipped some but that’s our choice isn’t it!
I think, on balance, we probably did become slightly closer than before. There were some particularly revealing moments there where Paul was talking about his lack of confidence in social situations, which is a bit of a surprise considering how I often observe him showing no obvious signs of social awkwardness.
Of course, we didn’t take it all completely seriously. For example, you’re supposed to stare into each other’s eyes at the end of the questions, for four minutes, but that wouldn’t have been particularly interesting for you to listen to.
All the questions are available on the NY Times website – here https://www.nytimes.com/interactive/projects/modern-love/36-questions/
So check them out and use them yourselves – either on a date, with friends, or with your language partners or language groups.
They could provide a nice way for you to practise talking about feelings and personal thoughts in English.
And, if you fall in love with someone as a result, that’s a nice bonus isn’t it!?
If you’ve fallen in love with Amber’s voice and you’re wondering when Amber’s podcast is coming out – it’s not ready yet and I will announce it on the podcast as soon as it is online. It takes a long time to get these things ready – getting your head around the technology, writing, recording, working out how to publish, building a website, setting up your podcast feed, getting on the iTunes store and all of that stuff – it takes time and it’s not as easy as you might think, so just hold your horses for a bit, it’s on its way.
Part 2 of this Film Club episode looking at the award-winning documentary “Touching the Void” which tells the story of a mountain climbing expedition which goes wrong. Listen to this episode and then watch the film on Netflix or DVD for that extra bit of English input.
Their plan was to climb back down the North ridge and then abseil down a part of the north face.
Abseiling is when you use ropes to kind of lower yourself down. But the clouds started coming in again.
The walk along the north ridge was much harder than expected. It was vertical on one side (with overhangs) and steep flutings (like grooves going down) on the other side. You wouldn’t know if you were stepping on something safe or not.
As they were descending, with the weather setting in, things got a bit out of control.
They got lost and they were in a whiteout – unable to see anything.
Their plan was to get down that day. But, by the time the sun went down they were still very high up the mountain, still over 6,000m up.
That night while they were making a brew of water, their gas ran out.
Day 4
The next day they could see that they’d managed to get down the worst part of the ridge and Simon thought they’d get down the rest of the mountain that day. He thought the whole climb was “in the bag” (if something is ‘in the bag’ it means you’re certain to achieve it, you’re definitely going to get it.)
Simon thought it was in the bag. He was wrong.
Joe was climbing in the front, before Simon. He reached a vertical wall, a fall in front of him, so he started to lower himself off it.
The method of lowering yourself down an ice wall, using pick axes and spikes on your feet.
Joe swung his pick into the ice, and it made a strange sound, so he decided to take it out and place it in again.
He was about to swing again, and the whole piece of ice he was attached to with his left hand just came off like a pancake, so he fell through the air.
And he landed hard, on his leg.
It broke, really badly. Not just a fracture.
Pain flew up his thigh from his knee. Incredibly painful.
I’ve never broken my leg and I hope I never do because I’m sure it’s horrible.
I have injured myself before. Of course, I’ve cut my fingers on knives etc. When you do injure yourself there is a shock, especially a kind of shock where you think it could be serious. That kind of shock lasts a few moments, when you don’t just feel pain but you feel a kind of panic, thinking “I’ve seriously hurt myself”. Most of the time that feeling goes away when you realise it’s not bad.
But if it is serious, you get this dreadful feeling that comes on. A truly dreadful feeling that comes from the realisation of just how difficult and inconvenient things are going to get. Not just the pain, but the fact that you now have this injury which is going to make everything so damn hard for you.
Now imagine that feeling when you’re 6000 metres up the side of a freezing mountain in Peru with no water and no medical services anywhere near you.
I don’t know about you, but I would feel more than dread, I’d feel pretty hopeless. I imagine I would feel more than the pain and the inconvenience, there would also be all this emotion coming, like anger, tragedy, sadness.
Anyway, Joe at this point was mainly feeling the intense pain of a badly broken leg.
Here’s what happened, and this is really horrible, ok?
The impact of the fall caused his knee joint to actually split. The joint split and the bone from the lower leg went up through the knee joint, split the end of his femur (the thigh bone) and carried on up the leg.
Unimaginable really. All those ligaments completely ruined, the bone, cartilage, nerve endings, and of course the blood vessels broken by it.
The whole leg would have been unusable of course, and there was a lot of internal bleeding inside his leg.
Apparently he couldn’t cope with the pain at all at the beginning, but after breathing for a while he started to get a grip on it.
But he thought he was done for. He was still level with the peaks of some of the other mountains.
He tried to stand on the leg – impossible.
Simon eventually arrived, and he describes seeing Joe’s face – a complex mix of terror, pain and anguish.
Simon said “Are you ok” and Joe nearly said “I’m fine thanks” – because that’s what we say to that question, even if you’re not fine!
But he said “No I’ve broken my leg” and immediately Simon thought, “Oh god, we’re stuffed”
Now. What would you do if you were Simon and Joe here?
Let’s imagine you’re Joe.
You say, “mate, you’ve got to help me” or “Go ahead without me, I’m stuffed!” or “Don’t you dare leave me!”
Let’s say you’re Simon, what do you say here?
“Mate, don’t worry. We’ll get you down this mountain.”
“Look, you’re not going to make it. Do you have anything you want me to say to your parents?”
“Wait here, I’ll go and get help. I’ll come back for you I promise!”
Obviously, Joe is the one with the broken leg and the pain, but Simon also is in a difficult situation here because they’re partners.
According to Joe, Simon gave him some painkillers which did nothing, and they didn’t talk about it for a few moments because they both knew that Simon was going to have to leave Joe there, because they couldn’t get Joe down from the mountain without risking both their lives in the process.
Joe thought Simon would leave him there because there was no other choice.
Meanwhile, Richard, the third guy is sitting at base camp wondering what has happened to them, thinking that they both might be dead and that he’d find them at the bottom of the mountain because they’d just fall all the way to the bottom! There wasn’t really anything Richard could do because they were many many miles away from civilisation. There was no ambulance service to call. No mobile phones in the 80s. He just had to wait and see.
Back on the mountain, Simon pulled himself together to think about how he was going to get Joe down the mountain.
He decided to try and save him and had to come up with a practical solution.
The plan was, he’d just lower Joe down the mountain on a rope. Just slide him down.
He tied two 150ft ropes (there are about 3.3 feet per metre) together, with a knot in the middle and Simon was attached to one end, and Joe on the other.
Slide Joe down, letting the rope through the belay device. When the knot got to the belay device, stop letting Joe slide. Joe would stand up to take the weight off the rope. Simon would then unattach the rope from the device, let the knot through, then reattach the rope and then let it continue for the rest of the 150feet.
Then when Joe was at the end of the rope, Simon would downclimb to join him.
They continued like this for quite a long time, repeating the process. Letting Joe slide down, then letting the knot through the rope, letting Joe slide down further, then Simon climbing down.
Simon was letting Joe slide down quite quickly, conscious of the time running out and the fact they needed to get down to the bottom as quickly as possible.
It must have been excruciating for Joe.
But there were still these interpersonal things going on.
Apparently Joe kept wondering if Simon was pissed off.
These are the things you think about when you’re with a friend, doing something. Is he pissed off? Does he mind? Apparently Joe was wondering if Simon was annoyed by it all.
But I think Simon was also suffering from shock and panic too, and to an extent he held a lot of responsibility now for both of them, because Joe was out of action. It was basically a single-handed mountain rescue by Simon, in extremely difficult conditions.
It must have been a desperate desperate feeling for both of them.
What they didn’t know at the time though, was that this was just the start and that it would get a lot worse, and that something awful was approaching that they had no idea about.
They continued going down the mountain in this fashion – Joe badly injured, in shock and losing blood into his leg, both of them exhausted, both dehydrated at altitude and close to hypothermia.
A race against time.
The weather turned bad again, and within an hour or two they were descending in a full storm, with wind chill factor of something like -80 degrees.
They couldn’t dig a cave and rehydrate because they’d run out of gas. There was nothing they could do. Apparently at this point they lost control and started panicking, flying down this mountain in this desperate fashion.
As they made some good progress, albeit in such awful conditions, Simon started feeling a sense of hope because he could see that they were virtually down. Almost down at the bottom.
Things were looking up.
I say “reach the bottom” – in reality there were lots of different sections and terrains between the summit and the camp. From top to bottom it was like this:
Peak
Ridge
Face
Less-steep part of the face (approach to the face)
Glacier (like a huge river of ice that flows from the top of the mountain range down to the river bed at the foot of the mountain – slowly moving down, carving out the valley as it goes, crushing rock underneath it) – full of crevasses (massive cracks in the glacier with drops that went down all the way to the floor – to the river bed of the glacier)
The bottom of the glacier – full of huge boulders and stones, with water trickling deep underneath them.
A long section of this rocky terrain.
The base camp next to a glacial pool.
God knows how far from civilisation this base camp was.
Anyway, they were nearly down the mountain face, approaching the glacier. For Simon, he could see a glimmer of hope.
Until suddenly, Joe slipped off a cliff.
Neither of them realised it was coming, but Joe suddenly felt the ground under him get icier and more and more steep, and he started slipping faster and faster – going like a rollercoaster downwards, screaming at Simon to stop, but Simon couldn’t hear him and had no idea it was happening, just assuming that Joe was going faster over some steeper ground..
And then -whoosh, Joe slipped right off the edge of a cliff and was left dangling in the air, right above a massive crevasse – a huge crack in the mountain that went straight down into pure darkness. Joe was dangling over a huge abyss. About 80 feet between him and the opening of the crevasse.
Describe the problem from Joe’s point of view.
He gave up hope and would have died as hypothermia began to set in.
From Simon’s point of view.
Simon’s decision. What would you have done?
What Simon did.
Night fell – Simon dug a snow cave.
Meanwhile, Joe wasn’t dead. He survived the fall and had landed on a ledge in the crevasse, not far from the top.
Day 5
Follow Simon as he goes down.
He was suffering from shock and was also in a serious condition with dehydration, hypothermia and exhaustion. He was also seriously traumatised by what had happened. Apparently he said he was convinced that he was going to die too.
But what about Joe?
Attached himself to the ice wall of the glacier.
Called for Simon.
Pulled the rope.
Saw it had been cut.
Impossible to get out – broken leg, overhangs. Ice.
Joe lost it.
He came face to face with his own death.
He didn’t have a religious moment. He knew nobody was coming to save him. There was no god, just the abyss. It filled him with fear.
Imagine the worst darkness. Fear of the dark – it’s primal.
He was also extremely angry and felt like this was not the end of his life.
Joe’s bravery and refusal to give up.
One of the most impressive moments that has stuck with me.
“You’ve got to keep making decisions, even if they’re wrong decisions, you know. If you don’t make decisions, you’re stuffed.”
Joe could have stayed on the ledge. He could have given up.
He chose to keep making decisions. He chose to keep moving forwards.
It just shows that you must not let things happen to you. Don’t just let yourself be carried away by events. Don’t stop making decisions and let yourself be carried away.
Even if you feel hopeless, like all options are screwed and that you’ll fail no matter what happens. Don’t stop making decisions.
You have to continue and keep going.
Like the famous quote, often attributed to Churchill – “If you’re going through hell, keep going!”
Don’t give up when things are hard and hellish. Keep going.
Don’t just stop and let things happen to you, especially when you’re in hell.
That’s no time to stop! You’re in hell. Keep moving! You’ll get out.
Joe decided he’d use the remaining rope he had to lower himself into the crevasse and possibly reach the bottom.
Bottom.
Crawled along.
Horrible sound – imagine the fear.
A spot of light. Hope.
The incredible joy of the light and emerging, born again.
But out of the frying pan into the fire.
This was still just the beginning of his challenge.
He started following Simon’s tracks.
Night fell. He crawled in the dark until he couldn’t go further and managed to create a snow cave.
Day 6
Simon’s tracks had gone.
He could see the massive challenge ahead of him. He nearly gave up when he realised how far he had to go. The challenge overwhelmed him almost completely.
He was presented with this massive maze near the bottom of the glacier, where it was full of crevasses, creating all these little pathways with huge holes down the sides. Joe had to shuffle through all of this.
He got to the rocks at the edge.
Much harder terrain.
Created a splint using his sleeping mat. Discarded his other gear.
Horrendous experience of trying to get through the boulders and through the rocks. Hopping, falling onto the rocks, getting up, continue. Falling virtually every hop, like breaking his leg again every time.
Just 25 yards but it took so long and with so much pain.
But he describes himself as insanely stubborn at times (spell it correctly this time!)
This worked to his advantage because he was determined not to be beaten. He wanted to have it his way.
This is where the second most impressive part came.
He broke up the challenge into bits. He said – right, I’ll get to that rock in 20 minutes. Everything became about getting to the next rock in 20 mins, then the next 20 minute challenge and so on.
He became obsessed with these targets. If he got to the rock in 18 minutes he’d be over the moon, ecstatic. If he made it in 22 minutes he’d be furious with himself.
This is another thing we can learn about achieving something big. It’s true – trying to achieve one huge thing can seem impossible. You might look at the whole challenge and think, “oh my god, there’s no way I can do that, it’s too big”. But the key to it is to set a series of small goals and just try to reach that, then another small goal. Break it down into little chunks and you will be able to do it. Looking at the whole challenge doesn’t help. It dwarfs you.
I’ve said this before and I’ll say it again – it’s like something my Dad said to me about how to eat an elephant (that sounds weird because you might think – why are you trying to eat an elephant? But it’s just a metaphor that my Dad said to me once).
The thing about my Dad is that he often tends to be right about things. It’s quite annoying when you’re having a discussion or debate because he always somehow ends up being right, but it’s also great because I have learned some pearls of wisdom from him. I don’t know where he got this one from himself, maybe his Dad.
Anyway, when I was a child I think I was talking about how I was finding a school project difficult – I think we were even walking in the garden, but that sounds like it’s too good to be true – walking in the garden with my Dad and he gives me a piece of wisdom, like something out of a Hollywood movie or something. Tell me father, how can I train in the force and become a jedi? Etc.
Anyway, I said “I can’t do my history project Dad…” and he dropped some wisdom on me, saying “How do you eat an elephant?”
The point is this:
Seeing the challenge as one whole thing can destroy your motivation, but step by step, bit by bit – that’s how you get a big thing done. And don’t give up.
Also, you just have to have drive – you have to be stubborn, you have to be motivated. Listen to that army captain you have in your head and obey him!
Joe says that at times he felt like there were two voices in his head. One saying, “let’s rest here in the sun it’s nice” and another part of him which was completely unsympathetic, saying “No, you’ve got to get to that rock. Now get up and go!”
We all have that inside us. That cold, pragmatic voice, which seems frightening or something, but we just have to listen to it sometimes, just to get things done.
Obviously Joe was in seriously bad physical condition at this point. Exhaustion, the badly broken leg, internal bleeding, shock, frostbite, hunger, injuries from his falls.
But also he started falling apart mentally too.
That feeling of there being several voices in his head or several parts of his mind got stronger and stronger – with one part being this cold pragmatic feeling of just relentlessly getting to the next point and the next after that, and the other part of him was just almost disconnected as his mind wandered away from what was happening as if he was observing it all from a distance. It must have been seriously strange and disturbing.
Sound of water driving him mad.
Night fell and he lay on the rock staring up at the stars and his consciousness became quite unhinged, having psychedelic out-of-body experiences. He says he felt like he was becoming part of the rocks and part of the mountain itself, and he lost all sense of time, feeling that he had lain there for centuries.
Day 7 – Joe still isn’t dead!
Meanwhile, Simon and Richard are preparing to leave the next morning.
Joe finds water.
Peeing himself, enjoying the sensation.
Feeling totally robbed of his dignity.
Realises he could make it.
But hit hard by the realisation that Simon and Richard might have gone.
The delusions – thinking that Simon and Richard were, for some reason, following behind him but choosing not to come and help him because they didn’t want to embarrass him.
Then realising that they weren’t there and feeling utterly hopeless and alone and distraught.
Considered just getting in his sleeping bag. But felt it was too pathetic.
Sun went down and he completely lost it. He couldn’t hold his mind together any more.
Confusion and madness. He tried to look at his watch but couldn’t work out what time it was.
The worst thing – he got a song caught in his head. Boney M – Brown Girl in the Ring. It went on and on for hours.
You know when you can’t sleep and you get a song caught in your head, really vividly. Imagine that but 1000x worse.
Like being trapped in hell.
It really upset him because he really wanted to think of other things but he couldn’t because of the song.
“Bloody hell I’m going to die to Boney M”
He would drift off, then wake up thinking he was in a pub car park drunk, he kept losing it. Totally delirious.
He woke up (or became conscious) because of a strong smell – it acted like smelling salts.
He’d crawled into the toilet area of the camp site.
After all that – he ends up crawling through their own shit at the end.
But it gave him hope that Simon and Richard might still be there. He had reached the camp. He called out to Simon, but got no reply.
That was the end for Joe.
This is when he finally knew he was finished.
He described how he lost himself completely at that moment. Ego death.
Simon and Richard were still in their tents, ready to leave the next morning. Apparently, Richard woke up because he thought he heard something.
Imagine you’re in the tent. This is about 4 days after Simon got back. They both thought Joe was dead.
Imagine you’re in the tent, feeling terrible, ready to leave the next day. Darkness.
The wind, blowing across the fabric of the tent. The shadow of the mountains in the background, with the knowledge that the body of your friend is still up there.
You wake up and you freeze because you’re sure you’ve just heard something.
There it is again, but it can’t be true. It sounded like a voice on the wind.
Apparently Richard waited, listening, and heard it again, and it really scared him because he wasn’t sure if it was real, or he was imagining it, or if it was a ghost.
He decided to check on Simon and discovered that he was already up – Simon had heard it too and was convinced it was Joe.
They searched for him shouting his name and found him on the ground a few minutes from the camp site.
What they found was the body of Joe, like a ghost or some kind of monster.
Joe was in such bad condition, covered in earth, crap, frostbite and sunburned, thin, starving, dehydrated and nearly dead.
They carried him to the camp and began the process of trying to rebuild his strength.
That’s where the story ends. We know that eventually Joe was brought down to a nearby civilisation where he received medical attention.
The challenge was not over there of course. I understand that he received some poor medical help in the basic hospital he ended up in, had to be flown back to the UK and his leg had to be amputated.
About the decision to cut the rope.
Joe has always defended Simon’s decision, saying that he would have done the same thing.
I can’t really understand why anyone would have a problem with what Simon did. Why should they both have died? It doesn’t make sense.
In fact, when you think about it, by cutting the rope, Simon saved Joe’s life, or helped to save him.
If Simon hadn’t cut the rope, they both would have fallen and it’s likely that one of them would have died. Let’s say that Joe would have landed on the ledge like before. Simon would probably have died. It’s unlikely that he would have landed on a ledge too. He probably would have fallen into the crevasse, dragging Joe in too. They both would have died.
Anyway what do you think?
Again, I urge you to watch the documentary film on Netflix, on DVD or on what other platform you can find.
Also, consider reading the book, or Joe Simpson’s other books – because apparently he had even more near death experiences on mountains too!
Let me also leave you with this
If you’re going through hell, keep going.
How do you climb a mountain? One step at a time. How do you get down a mountain? One step at a time too! Or you slide, or you drag yourself, or you hop. But you break down the challenge into achievable steps.
Nobody even broke their leg learning English – so, enjoy your studies and seize the day!
Hello everyone, welcome back to the podcast. Here’s a new episode, you’re actually listening to it. It’s really happening and here is my introduction. This was a very fun episode to record and I hope it’s going to be a fun episode to listen to. It’s going to be a two-part episode and this is part 1 and here is the introduction.
Amber & Paul are back on the podcast in this episode, and this time we’re going to play a game in which we imagine that we are detectives trying to solve a mysterious series of kidnappings in Victorian London and you’re going to join us.
In the recording that you’re going to hear, the three of us are reading through an online text adventure game – one of those games where you read part of a story and then make a decision which affects the way the story continues. I have done this on the podcast before. It’s always a fun thing to do so let’s do it again. And the cool thing about this is that the entire text is available online for you to read too. It’s all there if you want to read it, just visit the page for this episode and you can see the link to the game.
Click that link (or just go to textadventures.co.uk and find the story called Victorian Detective 2 by Peter Carlson) and if you check out the text for this story you can then not only listen to this episode but also play the game and read all of the text too.
This opens up lots of possibilities for using this episode to improve your English.
Here are some ways you can do that:
You just listen to this. Maybe you’re doing the ironing or something. Just listen to us going through the story, try to follow it all, follow our choices and try to enjoy it as an entertaining detective story even if there are some bits that you don’t quite understand. You will hear the entire story from start to finish in this episode and the next one. So, just listen and enjoy it!
After you listen (like when you get home or whenever you’re in front of a computer) play the text adventure game yourself. That way you’ll get lots of reading done and it’ll be a bit easier to follow the story because you will have already heard us reading through it, it will reinforce the things you heard in this episode, and it’ll allow you to check out words that you didn’t catch by using an online dictionary and so on. Also, as you play the game you can make different choices if you want and you can experience a completely different story.
You listen and read at the same time, following everything we do, clicking on the same things as us, making the same choices and effectively just reading along with us. You can pause the episode whenever you want if you want to use online dictionaries to check the meanings of any words.
So, there are some options – just listen, or listen then read, or listen and read at the same time.
There’s a bit of graphic violence in this story (blood and stuff…)
Another thing you should know is that this is a crime story and it involves some descriptions of violence and a few gory details. It’s no worse than an episode of a crime thriller on TV or something like that, but there are some descriptions of violence involving blood and mortal danger, so if you’re a bit squeamish, then I suggest that you have a bottle of brandy nearby so you can revive yourself in the typical 19th century fashion, or take a few deep breaths or have a cup of tea to calm your nerves if necessary.
I understand that this episode might be a little difficult to follow
Or maybe not – you might have no problem following it all, but I have a feeling it will be a bit trickier because the three of us get quite animated and excited at times and we speak rather quickly, interrupting each other and talking over each other sometimes, but as we’ve established before on this podcast, that’s actually quite good practice for your listening skills – being able to follow a group conversation. There are many situations like that you could face in the future – imagine for example a business meeting involving you and three other people and everyone’s enthusiastically taking part, sharing ideas, working together quickly to make decisions. It’s good to listen to that sort of thing, rather than just always listening to one person giving a monologue or just two people discussing something. In episodes like this you can get used to hearing multiple voices discussing things and making decisions together.
Try to notice specific language – decision making, verbs of movement and modal verbs for speculation and deduction
From a language point of view, I want you to watch out for this type of language:
Try to notice language for making decisions. Listen out for the ways we ask each other for opinions on each decision, the ways we agree or disagree, the ways we speed things up or slow things down, the way we clarify meaning and the way we summarise or recap information. These things are often done very quickly, yet they’re important practical bits of English for team work.
The story has some moments of action, and so there’s a variety of verbs used to describe different types of movement. Watch out for them and remember to read the text to help you.
Watch out for the language of speculation and deduction. Since we are working together to analyse evidence in order to work out what’s going on, there’s a lot of language of speculation and deduction. So that includes simple ways like, like just putting maybe or perhaps at the beginning of the sentence. For example, “Perhaps she ran away” or “Maybe she was kidnapped”, but also more complex ways using modal verbs to speculate about the past. For example, when you’re talking about possibilities with might or could: “She could have run away” or “She might have been kidnapped” or when you’re certain that something happened by using must, e.g. “She must have escaped through the window” (in the past) and “He must be at the hotel” (in the present), and using ‘can’t’ to talk about something that’s not possible, e.g. “He can’t have escaped through the window, it’s not big enough” or “It can’t be the father!”. So watch out for might have, could have, must have, can’t have for deductions about the past, and watch out for the way we say those auxiliary verbs – “He must have gone through the window” – ‘have’ is hard to hear, but you know it’s there because of the extra syllable and the fact it’s followed by a past participle. “He can’t have done it”.
OK, keep in mind that kind of language, and also the fact that you can read the text for this story too whenever you want, and you’ll see there is a lot to be gained from this episode in terms of English learning.
Just enjoy the story!
But also, I hope you just enjoy listening to the story and spending some more time in the company of Amber, Paul and me.
Alright, that’s enough of an introduction. Here we go!
*** The recording with Amber & Paul starts here ***
Hello Amber & Paul. How are you? … What’s the situation while we record this? … We’re sitting in front of the TV screen and we’re going to play a game.
A Detective Story with Deductive Reasoning
Have you read any detective stories, or watched Sherlock? (Paul has read the Goosebumps series, Amber has read loads of Sherlock Holmes and Agatha Christie)
Are you any good at deductive reasoning? Are you good at working things out?
Deductive reasoning:Your deductive reasoning is your ability to recognise certain clues and then put them together to make correct judgements.
Let’s test your deductive reasoning with a quick riddle.
Riddle
Can you answer this cunning Sherlock-style riddle?
There are three light switches in front of you. The light is in an upstairs room and you can’t see it. You are only allowed to take one trip up to the room. How do you work out which switch controls the light?
Answer:
1.Turn two of the switches on, say switch A and switch B. Leave them on for a few minutes. Then turn switch B off. Run upstairs into the room. If the light is on, switch A controls the light. If it is off, feel the bulb. If it is still warm, then switch B controls the light; if it is not warm, then switch C controls the light.
Victorian Detective – Episodes 338 and 339
Last year I did a couple of episodes in which I read through an online text adventure called Victorian Detective on textadventures.co.uk . I read through the story, making decisions based on the evidence, trying to solve a murder mystery. The whole thing was written by a guy called Peter Carlson.
I didn’t ask permission from Peter before reading out the story on the podcast, although I did make a point of giving credit to Peter.
Then, the other day I got an email from Peter Carlson in my inbox. Ooh.
Here’s what it said.
Dear Luke,
I’m the author of the VictorianDetective game, which you read on podcast 338. You did a really good job! Thank you for picking my work to read.
Peter Carlson
I replied:
Hi Peter,
You’re the one who did the great job. Your story was excellent. I hope that it brought a bit more traffic to the site and that more people read your story.
Would you mind if I did Victorian Detective 2 on my podcast as well?
All the best,
Luke
Peter replied:
Thank you, I’m glad you enjoyed the game.
That would be really great if you read VictorianDetective 2 as well.
Peter
I was very pleased to get this endorsement from Peter and he’s clearly quite happy for me to be reading through his stories on the podcast.
Victorian Detective 2
So, let’s do another detective story on the podcast. This one is called Victorian Detective 2 and this time I’m joined by Amber & Paul. Let’s see if we can put our heads together to solve the mystery in this story.
What we’ll do is read through the story as we play it. We can discuss and explain our decisions one by one. The listeners can follow the whole thing and they can even read along with it by going to textadventures.co.uk and finding Victorian Detective 2 – the link is on the page for this episode. That can help you check all the words, the spelling and so on and play the game yourself if you think we are making the wrong choices.
The link: http://textadventures.co.uk/games/view/rl6-r253x0aca-y-v_vnvw/victorian-detective-2
Remember, listeners, that we will be experiencing this story for the first time as we read it, so we have no idea what’s coming next or what happens at the end. In fact, I understand that there are multiple possible endings for this story.
The game will tell us if we’re making good or bad choices along the way. It counts a score as you go. E.g. if you make a good deduction it says “deductive reasoning success” or “deductive reasoning fail” and gives you a + or – score for each decision. And then at the end you get a score which explains what kind of detective you are. E.g. if you’re like Sherlock or you’re Shernot.
OK let’s get started.
We should choose the name of our detective agency.
Thompson, Taylor & Minogue? or Taylor, Thompson & Minogue?
Have you managed to keep up with the story so far?
Here’s a brief summary of what has happened so far, just to make it clear.
The story so far
Girls keep getting kidnapped in London. So far 3 girls have gone missing. At the scene of each kidnapping there’s a calling card left by the kidnapper. It’s a creepy smiley face scratched into the floor.
Taylor, Thompson & Minogue (all of us playing the part of one detective with a particular set of skills) are called to the house of the Worthington family, where the daughter Chloe has disappeared. Using our deductive reasoning skills, we work out that she must have run away with her lover – a poor Italian paper seller called Joseph. They planned to run away together but their romantic escape was interrupted violently and unexpectedly when they were attacked at Joseph’s home in a poor part of London. Joseph was hit on the head with a hammer and Chloe was taken away, her body hidden inside a coffin on the back of a carriage. We deduce that the carriage, with Chloe’s body on board must have been taken to a local mortuary by one of the men who works there. There at the mortuary we work out that his name is Cade Brewer, and he’s a kind of creepy loner. Physically he’s huge and strong and he has an appetite for opiate pain killing drugs, woodwork and kidnapping, but we don’t know where he is, so we can’t ask him any questions. Now we have gone back to the police station to consider the situation more carefully.
Four young girls from different social backgrounds have been kidnapped and they all look quite similar – they all have light coloured hair. Then we receive a note from the kidnapper, who calls himself Mr Burlap. The note is written in broken English. It seems that he wants us to find him. He’s playing some kind of sick cat & mouse game. We suspect that Mr Burlap the kidnapper is in fact Cade Brewer, the huge creepy man with the opiate addiction who works at the mortuary. We decide to try and track him down. We first search cemeteries in the area, assuming that Cade Brewer has hidden her in a coffin, but we’re on the wrong track! Our deductive reasoning has failed us. Obviously this is Amber’s fault – just listen back to it and you’ll see, but it also didn’t help when I clicked the wrong option at one point, losing us points and valuable time. Anyway, it turns out Chloe Worthington is not being kept at the cemetery at all. In fact, closer inspection of the evidence shows us that Mr Burlap must be keeping her hostage at an abandoned hospital. So, we decide to go and investigate the hospital. But we’ve just lost precious time by investigating the wrong place, in the cemetery. Have we lost too much time? Will we find the mysterious kidnapper Mr Burlap who wrote us the note in broken English? Will we find Cade Brewer – and is he in fact the kidnapper Mr Burlap as we expect? Will we manage to find Chloe Worthington and the other 3 girls? Will we manage to save them? Or did we waste too much time? What will we discover at the abandoned hospital? And why is Mr Burlap playing such a sick and twisted game?!
I suggest that you immediately check out part 2 (if it’s available) in order to continue this story and to find out if we discover the identity and motives of the kidnapper and how many of the missing girls we manage to rescue.
Thanks again to Peter Carlson. All credit goes to him for writing this exciting detective thriller. Remember you can check out textadventures.co.uk to play more of these games – and there are others written by Peter Carlson.
Any comments? Write something in the comment section below.
Cookies on teacherluke.co.uk
Click “Accept All”, to consent to the use of all cookies on this website, or visit "Cookie Settings" to control your consent settings.
This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.
Cookie
Duration
Description
cookielawinfo-checkbox-analytics
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics".
cookielawinfo-checkbox-functional
11 months
The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional".
cookielawinfo-checkbox-necessary
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary".
cookielawinfo-checkbox-others
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other.
cookielawinfo-checkbox-performance
11 months
This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance".
viewed_cookie_policy
11 months
The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data.
Functional cookies help to perform certain functionalities like sharing the content of the website on social media platforms, collect feedbacks, and other third-party features.
Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.
Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.
Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customized ads.