Category Archives: Cross Cultural Understanding

264. Telling Jokes in English (Part 1)

This episode is all about telling jokes, not as a comedian on stage, just in your normal life. Telling jokes is something that everybody does, in countries and cultures all around the world. We all love to make jokes, hear jokes and have a bit of a laugh. For me, jokes are fun and fascinating but I know that for non-native speakers of English they are also notoriously difficult things to manage. If English isn’t your first language, it can be difficult to understand jokes, find them funny, and also to be able to tell them effectively.
[DOWNLOAD] [PART 2] [PART 3]
Contents of this Episode
So, in this episode I’m going to tell you everything you need to know about jokes in English, and that includes these things:
What is a joke? (as if you didn’t know)
When/why do we tell jokes?
How do we tell jokes? What are the golden rules for telling a joke properly?
What’s the normal way to respond to a joke?
What are some the typical joke structures? (so you know how to identify a joke)
What are some jokes that you can remember and share with your friends?

So this is not just going to be a guide to jokes and the way they are told,  you’re also going to hear lots of jokes too – I’m going to read out loads of jokes, and explain them to you. So that means that you’re also going to learn a lot of vocabulary during the episode – because often jokes are based on the specific meanings or double meanings of words.

Most of what I’m saying to you here is written on the page for this episode – that’s right, there’s a transcript for most of this, so if you want to read what I’m saying – you can. Just find the page for this episode at teacherluke.co.uk.

Small Donate ButtonNot all of it is scripted because I expect I will go off script and say some spontaneous stuff too, but most of it is. That’s nice isn’t it? Yes it is. Mmm, very nice. I went to quite a lot of effort to prepare this episode in advance and I hope that’s obvious. It should be full of genuine insights. If you find it useful, you could consider making a donation by just clicking one of the yellow ‘donate’ buttons on teacherluke.co.uk. That is entirely optional and completely up to you of course! No pressure!

I expect this will be more than just one episode because it’s quite a big subject, and it’s a subject which is close to my heart so, naturally I have loads of things to say about this!

It might be the case that I do this first episode as an introduction to the subject of jokes, and then in subsequent episodes I’ll go through my list of jokes, and then explain them. That’s right, I’ve prepared a list of jokes. It’s quite a random list and hasn’t been fully tested for quality. It’s just a selection of jokes which I’ve managed to write down, or poach from other lists on the internet. I’ll tell you all those jokes either in this episode, or in separate episodes, depending on how long this all takes.

So this could be another series of episodes of the podcast. There’s so much to talk about and to share.

I’d also like to do an episode about telling jokes on stage and how to do stand up comedy, because stand-up is also a fascinating topic and one that more and more people are getting interested in. Telling jokes on stage is quite a different topic, so that’s another episode for another time.

I love jokes
I really do. I love hearing them and I love telling them. I love the way jokes exploit double meanings in language. Often a joke is based on a word that means two things at the same time, or two phrases that sound exactly the same. Or a joke might be a little story with a surprise which is revealed at the end. So jokes allow us to have fun with the little holes and coincidences that exist in languages. They’re like little language glitches – moments when your brain has to deal with a sudden change in meaning or something that has two meanings at the same time.
I love the surreal world of jokes – the way the normal rules can be broken – rules of language, but also the rules of physics, and behaviour too. Jokes often bend the rules of reality in order to make the punchline work. They lead you in one direction, and then suddenly surprise you with something completely different, and the only link is that the words sound the same.

What am I talking about? Here’s an example of a joke in which the punchline has two meanings.
A hole has been found in a nudist camp wall. The police are looking into it.
To get this joke you need to know that the phrase ‘to look into something’ can mean “to investigate” and also to literally “look inside”. So, someone found a hole in the wall of a nudist camp. A nudist camp is a place where people can enjoy spending time with no clothes on, in the nude. Someone found a hole in the wall and the police are investigating it, but they’re also just looking into the hole.

OK.

A hole has been found in the nudist camp wall. The police are looking into it.

I’ve said it before and I’ve said it again – explaining a joke kills the magic.

“Explaining a joke is like dissecting a frog. You understand it better but the frog dies in the process.”

― E.B. White

 

So, explaining a joke may allow you to understand it, but the joke dies in the process – you probably won’t laugh after it’s been explained. Jokes work best when they are instantly understood. It has to be instant. This is why jokes are often lost on non-native speakers, which is a pity.

However, here at Luke’s English Podcast I have a mission – and that is to try and make you laugh while you learn, and if I can’t make you laugh I’ll certainly aim to teach you something. So even if you don’t find all of the jokes I’m going to tell you (later) funny, then that doesn’t matter, because in the end you’ll learn some double meanings and you’ll be more ready to laugh in the future, because I’m going to explain lots of jokes for you. I expect that many frogs will die during the recording of these episodes…

What was I saying? That’s it – I love jokes!

Jokes can be stupid, brilliant, pointless, dangerous, harmless, disappointing, unexpected, light-hearted, dark, bizarre, rude, intellectual or even illegal.
Jokes can be just a bit of fun, or they can be used to make serious and critical points. They can be very complex things when you examine them but ultimately, jokes are about fun and laughter – and what is wrong with that?

There are all sorts of social rules that surround the telling of jokes.
They’re little bits of language, wrapped up in culture, presented via small social rituals.
Jokes, and humour in general, are often the most difficult aspect of a language to appreciate. The ability to appreciate humour is one of the last things you gain as a language learner.
To get a joke you need to be able to hear the individual words spoken, identify them, understand them, spot the punchline, grasp the pun or word-play and then know how to react appropriately, and this all has to happen instantly. Perhaps most importantly – you need to have identified that it was a joke in the first place, and not just another couple of sentences that you didn’t really understand. It can be even harder to deliver a joke – remembering the specific words, getting the timing right, emphasising the relevant words correctly using sentence stress and intonation. Oh my god! It’s complicated.

Imagine this situation – I’m sure you’ve experienced something similar. You’re in a group of people. They’re all native speakers and you’re not. One of them is speaking rather quickly but you can basically follow what’s being said – even the complex words and bits of grammar. You feel quite proud of yourself “I’m understanding all of this!”. Then the guy says something and everyone bursts out laughing, but to you it just sounded like another sentence. What’s wrong with everyone? Then it becomes clear that he just told a joke, and apparently it was a good one. “Was that supposed to be funny?” You think to yourself. Someone explains the joke to you – you think about it, you get it, but it’s just not that funny! It’s not even clever! Why did everyone laugh so much? Is everyone else weird, or is it you?

The fact is, jokes can be hard to get, and after it’s been explained to you the magic has probably gone. You’ve got to understand it 100%, and instantly. That’s why non-native speakers of English are often not very impressed by humour in English. Jokes don’t usually translate into other languages because they are based on specific sounds or similarities between words. Also the delay in understanding a joke can kill the enjoyment.

I’m not saying that non-native speakers don’t get humour in English. I know they do. Sometimes I make my students laugh a lot, although this is matched by the number of times my student don’t even identify that I’ve told a joke – is that their lack of English, or my bad jokes? A combination of the two I expect. So, even though non-native speakers clearly do laugh at a lot of things in English, I’m well aware that a lot of things are completely lost on them too.

I think that you (as learners of English) need to understand jokes – because it can help you socially, but also because you’re missing out on a lot of fun. That’s why I’ve decided to do this episode.

But don’t expect this to be a particularly funny episode! There’s nothing worse than high-expectations for a joke. If your expectations are too high, you won’t laugh. It’s like when someone says, “I’ve got a really great joke, you’re going to love this!” then the joke is never that funny. So, don’t get your hopes up. Despite the fact that this episode is all about jokes, it’s probably best if you realise at this point that there will be no laughs and no fun in this episode at all. OK?

DO NOT EXPECT LAUGHTER!

What is a joke?
It’s just anything said that is intended to produce laughter. It could be a traditional joke structure, or a comeback, a sarcastic comment or a small story or whatever. If it is intended to produce laughter, it’s a joke.

Vocabulary
There are a few words that you should know. They’re all different types of joke, or just related to jokes in some way. Here they are:
*a pun = a word joke – a short joke that is based specifically on two words/phrases that have the same meaning or sound the same. For example, “Did you hear about the guy whose whole left side was cut off? He’s all right now.”
[‘All right’ = okay, but also, ‘all right’ means ‘only the right’ – in this case, he only has a right side now because his whole left side was cut off. Yes it’s ridiculous. Yes, I like it.]
*a gag = just another word for a joke
*a shaggy dog story = a longer joke with a stupid punchline at the end (e.g. The Pink Gorilla Story or The Prawn Story)
*a one liner = a simple one line joke. E.g. “Conjunctivitis.com – now that’s a sight for sore eyes.” [Don’t get it? Don’t feel bad. Conjunctivitis = a health condition in which your eyes are infected and painful, or ‘sore’. The expression “a sight for sore eyes” = something which you are really glad to see, because you need it. e.g. “You’re a sight for sore eyes” = I’m really glad to see you (maybe because you’re attractive and nice, and I’m bored and surrounded by uninteresting people). Also “site” and “sight” sound the same. Here, ‘conjunctivitis.com is a website for people who have sore eyes. It’s literally a website for sore eyes, and I suppose it’s something you’re glad to see if you have conjunctivitis.] And if you’re in any doubt about the funniness of that joke, it won the “Joke of the Year” award in 2012. That’s an award which is given to the comedian who makes the best joke of the Edinburgh Fringe Festival which is one of the world’s biggest comedy festivals. It was written by Tim Vine, one of the UK’s top comedians. Click here to read more on this story.
*a wisecrack = a clever and funny response
*a comeback = a quick response to a criticism. Winston Churchill was famous for his comebacks. “Mr Churchill, you’re drunk!” “Yes, I am. And you’re ugly. But in the morning I shall be sober. But you will still be ugly.”
or “Mr Churchill, if I was your wife I would put poison in your tea!” “And if I was your husband, I’d drink it!” etc.
*witty (adj) = to describe someone who is funny and able to make quick and spontaneous jokes.
*the setup = the first part of a joke which sets the situation and linguistic context
*the punchline = the funny part of the joke, which is delivered last. E.g. “I couldn’t quite remember how to throw a boomerang” = the setup, “but eventually it came back to me.” = the punchline. [‘come back to me’ literally means ‘return to me’ – like a boomerang does, but it also means ‘remember’]
*a dad joke = a stupid, safe and rather bad joke. The kind of thing your dad would tell you. To be honest, most of the jokes in this series on jokes are dad jokes. They’re not very dangerous or cool. They’re pretty disposable, but they’re fun, and sweet.

Where do jokes come from?
Most jokes just seem to exist in people’s consciousness and nobody knows who wrote them. They get shared orally (or maybe written in emails) and get passed around, but nobody really owns them. When I was a kid, my friends and I used to own joke books. They were compilations of jokes. You could buy these huge books filled with hundreds or thousands of ‘knock knock’ jokes. We used to go around telling them to each other. There were so many. Sometimes I heard some pretty rude jokes too – jokes that involved sexual things that as a child I just didn’t understand. That was a weird way to be introduced to some aspects of sexual depravity – within the context of a joke told by a naughty kid at school. Only later would I understand what they actually meant.
Then there are jokes which have been made up by someone, like a professional comedian – like the conjunctivitis joke. Those ones are actually owned by those comedians and used in their stage performances, and when you tell one of those jokes it’s customary to say whose joke it is – “That’s a Peter Kay joke” or “That’s a Tim Vine joke” for example. It’s a surprisingly difficult skill to be able to write really good jokes. If you can do it well, it can make you quite rich. Some of the best comedians, writers and directors started out by writing jokes for other people. For example, Woody Allen, Steve Martin and David Letterman.
Then there are original jokes made up by people on the spot. If you’re a clever you might be able to come up with jokes spontaneously – and people might consider you to be ‘really witty’ (positive) or perhaps just a ‘smart aleck’ (negative) depending on how well received your jokes or funny comments are.

Mainly in this episode we’re talking about the first category of joke – ones that lots of people know, have no ‘owner’ and which get passed around by word of mouth. As I said, I’ll be sharing loads of them with you later in this episode or perhaps in the next one.
A lot of these jokes which are shared by friends have typical structures, which most people know. Like “Knock knock” or “Doctor Doctor” jokes.
There are also social conventions around joke telling that you need to know, for example – how to tell a joke, how to react when someone tells you a joke, how to identify when someone is joking and how to respond to a joke.
For example, if someone says to you,
“What’s the difference between a photocopier and the flu?”
You shouldn’t try to guess the answer. “Err, well, one is a kind of machine and the other one is a virus. They’re really different actually. Why?”
No – this is the wrong response. The person is clearly telling you a joke. You’re supposed to say “I don’t know” and then wait expectantly for the hilarious punchline.
“What’s the difference between a photocopier and the flu?”
– “I don’t know”
One makes facsimiles; the other makes sick families.
“Haha, good one!” you say, even if it wasn’t that good.

Telling and hearing a joke is like a little social interaction with its own specific rules and conventions that you have to know. We’ll look at this more later.

What’s the point of telling jokes? Why do we tell jokes?
It’s all about laughter and how it makes us feel good. According to Helpguide.org – a trusted non-profit online service giving advice about mental and physical health, Laughter is good for your health. “Laughter is the best medicine”.
According to them:
Laughter relaxes the whole body. A good, hearty laugh relieves physical tension and stress, leaving your muscles relaxed for up to 45 minutes after.
Laughter boosts the immune system.
Laughter decreases stress hormones and increases immune cells and infection-fighting antibodies, thus improving your resistance to disease.
Laughter triggers the release of endorphins, the body’s natural feel-good chemicals. Endorphins promote an overall sense of well-being and can even temporarily relieve pain.
Laughter protects the heart. It improves the function of blood vessels and increases blood flow, which can help protect you against a heart attack and other cardiovascular problems.

The link between laughter and mental health
Laughter dissolves distressing emotions. You can’t feel anxious, angry, or sad when you’re laughing.
Laughter helps you relax and recharge. It reduces stress and increases energy, enabling you to stay focused and accomplish more.
Humor shifts perspective, allowing you to see situations in a more realistic, less threatening light. A humorous perspective creates psychological distance, which can help you avoid feeling overwhelmed.

Social Benefits
Strengthens relationships
Attracts others to us
Enhances teamwork
Helps defuse conflict
Promotes group bonding

Jokes are crap, aren’t they?
You might be thinking: “But jokes aren’t funny. I sort of hate jokes. They’re usually awful and I don’t laugh.”
Yes, true. They’re often terrible – like the bad puns that your Dad tells you, or the awful jokes you get on lollipop sticks or inside christmas crackers, but that’s part of the charm really. It’s just a bit of fun – stop taking life too seriously! Kids like them of course, because kids don’t like to take life too seriously, and because most jokes are brand new to children. Also, when you’re a kid is when you are learning about the language and discovering any double meanings can be quite exciting. For me, it’s all about having the right attitude and being ready to laugh and find things funny. If you want to laugh at jokes, you will.

When to tell jokes
I suppose the best jokes are the ones that are spontaneous (made up on the spot).
They are usually received best when they are shared in light-hearted joke telling sessions, when everyone is telling jokes. Sometimes that happens – someone tells a joke and then everyone chips in with a joke they know. Like, “I’ve got one” or “Have you heard this one?” That way you’re not forcing your joke on someone who then feels pressure to laugh at a joke they might not find funny or understand.
Be careful of using them to impress people, break the ice or to charm people, like in a business meeting or on a date. They might have the opposite effect. You have to know when to tell jokes. Normally it’s in a moment where there’s no pressure.
The best results come from comments, or responses that happen spontaneously. If people feel that a joke is too planned or contrived – like you’ve planned it for days or weeks in advance, you’ll look like a prat. So, the best jokes are just unplanned comments that happen in that moment.
So, because the funniest things are spontaneous, it’s all about having the right attitude – being open, looking for the funny side of things, being self-deprecating (laughing at yourself), being sarcastic, joking about things that everybody experiences, not picking on anyone in particular, and wanting everyone to be happy and to enjoy themselves.

Jokes are often best told privately. For example, not announcing a joke to the whole room, but sneaking up on someone and sharing it just between you both, quietly.

Jokes can be risky
You might embarrass yourself or others if the joke is not funny or if you ‘fluff it’ – say it wrong.
Watch out for the content of jokes. A lot of them are pretty rude – and I don’t just mean sexually. They often have victims, or could be very politically incorrect. You could offend people and get yourself into serious trouble, depending on the context and the joke of course.
Watch out for these things: jokes about nationalities, jokes about disability, jokes about blondes, jokes about race, sexist jokes or jokes with rude images. I realise that I’ve just deleted most of the best jokes – but the point is, don’t underestimate how offensive a joke can be. Some people might laugh, some might not understand it, and some will take it seriously and be offended. Also, in some places, jokes are outlawed, especially if they are political in nature. So – be careful when joking.
The right joke at the right time makes everything ok.
The wrong joke, told at the wrong time in front of the wrong people could land you in serious trouble.

So:
be spontaneous
don’t pick on anyone in particular – don’t victimise anyone
be prepared to make jokes about yourself
make jokes about things that everyone is experiencing/sharing

How do you tell jokes?
Perhaps the most common structure for a joke is the Question-Answer format. That means that a joke often begins with a question. It’s quite normal to just ask someone that question, and if they’re familiar with the culture of telling jokes, they will respond with “I don’t know” and then you deliver the punchline.
E.g.
“Hey, how does Bob Marley like his donuts?”
“I don’t know”
“Wi’ jam in”.
“Do you get it? ‘With jam in’ – ‘we’re jamming”
“Ha ha oh yeah, I get it! Nice one!” etc.

So, at the right moment you can just tell your joke by asking the question like that.

Sometimes you can say “I’ve got a joke for you” or “Do you want to hear a joke?” or “Have you heard the Bob Marley joke?”

Try not to say “I’ve got an absolutely hilarious joke – you’re going to absolutely love this!” – because the person will expect too much and it’s bound to be an anticlimax.

Timing is important. It also has to be really clear. It has to be comfortably and easily told.
Make sure you learn it properly! The set-up has to be exactly right, and the punchline too!
Make sure the set up is not too long. It has to give only the most crucial information for the punchline to work.
Make sure you know your joke well, because there’s nothing worse than telling a joke wrong, or forgetting the punchline. It’s the equivalent of a magic trick going wrong – you look like a fool.
Don’t expect much of a response, and don’t expect your joke to make you popular or anything. The chances are, people won’t get it, and if they do laugh, they’ll probably just forget about it, unless the person is a joke fan like you. In the right moment though, jokes can be a lot of fun. So, jokes are not worth a lot, unless you find other people who love them, and then you can share your favourite jokes together.

When telling a joke – remember it! Run the joke through your head before saying it. Don’t get halfway through the joke and then start again because you forgot it.
Make it clear and be confident. People have to be able to hear and understand what you’re saying.
Sentence stress is very important. Usually certain words must be stressed for emphasis.
Make it look quite casual. Don’t be too desperate for a response or laughter.
The best jokes are completely improvised comments made in the moment. Sometimes there is nothing better than a very carefully worded quick response to a situation. It can make everyone burst out laughing quite magically. But again – watch out because jokes can backfire. People may find it offensive, inappropriate or just pathetic.
There are risks in joke telling. You risk losing respect from people, or offending people, but the rewards are high. If you make people laugh, they will like you, and ultimately everyone can enjoy a good laugh – and there’s nothing wrong with that. In fact, sometimes it’s the best, most honest feeling in the world – just letting yourself go and laughing uncontrollably. It’s joyful and infections, and being able to create it is a bit like being a good wizard (not an evil one).
Choose to tell good jokes which have a proven track record. Don’t tell jokes that don’t make people laugh, even if you find them funny yourself.
Don’t tell inappropriate jokes – ones that are sexual, racist or which have a victim. Instead try to tell jokes that are universal. Rude jokes can be very funny, but be aware that they are only appropriate in certain situations, and only funny for certain people.
Don’t get all angry, upset and defensive if people didn’t enjoy your joke. You can’t bully people into enjoying themselves. Just shrug it off.
You need to make it clear when the joke has ended and when people are expected to laugh, although don’t expect it to happen.
If you’re going to make a joke, try to connect it to what’s going on at that moment.
Often the best jokes are just one line responses to things happening around you.
Jokes are often best delivered with a straight face, with an understated style. Don’t make a big song and dance out of it. In the UK we normally tell a joke quite straight. We don’t laugh at our own jokes or slap our thigh when we tell the punchline. Laughing at your own joke too much is considered a bit unattractive.
Be prepared to carry on if the joke fails to make people laugh – people might not notice! Otherwise, it’s probably worth admitting that you told a joke and nobody found it funny. Then people will feel less awkward. Sometimes when I tell jokes, nobody laughs. Then I say “that was a joke, by the way, just in case you are wondering” and that sometimes makes people laugh a little bit – maybe out of sympathy if nothing else!
I realise I’m sounding a bit modest here – it may look like I spend all my time embarrassing myself with dodgy jokes. Well, it does happen sometimes, but not all the time.

English people love humour and it’s used a lot, for a lot of different purposes – including breaking the ice, as well as establishing power structures or social hierarchies, or breaking down social hierarchies.
I’m sure it’s similar in your countries too. Kate Fox says that for the English there is no right or wrong time for humour. I know what she means, but I don’t think it’s strictly true. We love joking in many situations, and we’re always ready for a joke or a funny/sarcastic comment, but of course there is a right or wrong place for it. If you just go around making crap jokes all the time, in every situation, you’ll soon become unpopular. I suppose what Kate Fox means is that humour, rather than jokes, pervades all aspects of British life and I agree with that.
The main thing is the intention you have behind your jokes – are you doing it to make people feel happy, to bond your team, to put people at ease, or are you doing it just to draw attention to yourself at the expense of other people’s comfort? If it’s the latter reason, then it’s probably better to curb your enthusiasm a bit.
Really, being funny is more about having the right attitude – being ready, prepared and confident enough to find the funniness in anything.
It’s also about being generous – just wanting to make people laugh without spoiling the situation.
It’s not about cruelty – bullying or targeting people with humour. It’s not picking on other people too much. It is about being willing to take a joke yourself. That’s the first step.
Some people just don’t want to be a person who jokes – they’d rather be serious and expect people to take them seriously too. That’s fine of course. Personally, I think that many of us take life too seriously – and a good sense of humour and the ability to take a joke are admirable, positive qualities. It’s hard to be a genuinely arrogant person while taking a joke about yourself. It’s a good leveler. It makes people equal in status.
Really, it’s just about having an attitude for laughter and jokes. For me it’s best when it’s sort of selfless.
There’s also a love of language involved. Sometimes jokes come out of picking the right words, or playing with language.
One advantage of a good joke is that people’s guard goes down when you make them laugh. You can say some outrageous things and get away with it. Also, people will warm to you if you make them laugh. It’s charming. Good jokes are harmless (and should be).
Also, there are all the benefits of laughter.

How do you react to a joke?
The worst thing you can do is not recognise it is a joke.
It’s also bad if you don’t acknowledge that a joke has been told. You have to show that you identified it as a joke, at the very least.
Some acknowledgement is good.
Ideally you’ll laugh naturally. You could fake a chuckle but don’t go over the top. You could say “good one”, or even “that’s a good joke!” (without laughing)
If you don’t understand it you say: “I don’t get it.”
If you’ve heard it before: “I’ve heard it before.”
If you understand the joke, but don’t find it funny: You can make a noise, like you’re suffering. “Ooohhh!” or even something like “Oh my god what are you like?”
If you understand it and find it funny: laughter!
It may be appropriate then to share a joke that you have too.

End of part 1

What’s the culture of jokes in your country? 
jokes1PODPIC

262. What is Britishness? (Part 2)

Welcome back to part 2 of this episode in which we are exploring the subject of Britishness. In this one we are looking at how the Brits define and understand their own national identity. [Download]
Image: Gene Bible http://www.genebible.co.uk
Small Donate ButtonHow do British People define “Britishness”?
When you ask the average British person to define “Britishness” I find that they always give certain ‘stock answers’ to this question too. As we know, it’s hard to truly define this concept, so you end up listing various associations, which don’t fully deal with the whole subject in a satisfyingly complete way.

Video
I found a video on YouTube called “What is Britishness?” by Rebecca Devaraj. It’s a short video exploring Britishness for her final-year university project.
It looks like she spent the morning in a local park, asking passers-by the question “What is Britishness?”
Listen to the audio. Can you guess which answer I think is the best?

Some vocab from the video
Having a stiff upper lip and getting on with things
Being accepting and just getting on with it
Bulldog – it has connotations with Churchill, and the advert… https://www.youtube.com/watch?v=wbz-IsEOCKo
Bad weather – torrents (torrents of rain) ***I’ve just realised that they said “tolerance” not torrents! Did you notice that?***
Progress
We get behind our sports teams
You just are British – that’s it really. If you’re British – you enter the mix.

The best comment?
For me it’s the guy (Professor Jeremy Black, author of “A Short History of Britain”) who says this:
“I would have thought that Britishness defines the characteristics of whoever are the citizens of Britain, whatever their origins at any one time. Ordinarily, we would argue that Britishness is linked to notions of liberty and freedom and in fact the very diversity that makes it difficult to define what Britishness means”.

Wikipedia Definition

Britishness is the state or quality of being British,[2][3] or of embodying British characteristics,[3] and is used to refer to that which binds and distinguishes the British people and forms the basis of their unity and identity,[4] or else to explain expressions of British culture—such as habits, behaviours or symbols—that have a common, familiar or iconic quality readily identifiable with the United Kingdom.[5] Dialogue about the legitimacy and authenticity of Britishness is intrinsically tied with power relations and politics;[6] in terms of nationhood and belonging, expressing or recognising one’s Britishness provokes a range of responses and attitudes, such as advocacy, indifference or rejection.[6] Macphee and Poddar state that although the designation of the two differing terms, Britishness and Englishness, is not simple as they are invariably conflated, they are both tied into the identity of the British Empire and nation, since these last two are altering considerably as Englishness and Britishness do too. Thus the slippage between the two words can be seen as a play between these changing dynamics.[7]

That’s interesting.

So, in summary that means it’s:
– Whatever distinguishes British people and culture from other nations, whatever is unique to the UK.
– It includes habits, behaviours, or symbols that are specific or familiar to the UK
– This conversation usually ends up with references to the power structure of the UK – politics and monarchy.
– Expressing Britishness provokes a range of feelings. For example, waving a British flag might cause people (in the UK) to go “Yey!” or “whatever” or “I find that offensive”.
– “Britishness” and “Englishness” are different things, but they are often used to mean the same thing – Britain from an international point of view, especially as an empire.

So, what’s the difference between Britain, and England? (and indeed Scotland, Wales, Northern Ireland)
Why would it be offensive to wave a British flag?

Generally in England it’s less offensive, but in Scotland, Wales or Northern Ireland you might meet people who put their countries before the union of the UK, and in fact feel that the UK was forced on them in some way.
What about waving an English flag?
In England, the UK flag is associated with unity, inclusion, multiculturalism and so on. The English flag on its own is more associated with English nationalism, which in turn is associated with empire building, colonialisation and also football hooligans. Generally, the English flag is displayed when there’s a football match, and the behaviour that goes along with that.

In terms of how Brits define Britishness… This Guardian Article Sums It Up Rather Well
http://www.theguardian.com/uk-news/guardianwitness-blog/2014/jun/09/scottish-independence-10-things-that-sum-up-britishness

What about the Scots, the Welsh & the Northern Irish?
I’m English, and British, so when I talk about Britishness, I’m also talking about Englishness to a certain extent, but Britain also includes Scotland, Wales and N.Ireland. Do they feel included in all this talk of Britishness?
Not necessarily. Some people in those countries feel strongly about independence and resent being ‘lumped in with England’. They believe their countries have unique identities too, which are not always represented when people talk about Britishness. Some would rather not be part of Britain at all, as we say recently in Scotland with the strong independence movement.
Personally, I think Britishness is quite a flexible term, and it does include Scottishness, Welshness and Northern Irishness, but I can understand they get pissed off that their culture is not always represented in this kind of discussion. Personally, I was born and raised in England, and so many of my British associations are also English. I’d like to get more Scottish, Welsh and Irish people on my podcast.
Also, it’s worth remembering that most people don’t feel all that strongly about it. I reckon most people just want to get on and don’t want too much fuss. I’m proud of that too – usually resentment between countries in the UK does not result in violence these days, although that’s not to say violence has not occurred in the past, particularly regarding terrorist attacks related to the troubles in Northern Ireland, which is a subject that deserves to be covered fully in a podcast in the future.

What I think / What I’m proud of
When my students were brainstorming their British associations, I did too. Here’s my list, of personal British associations (in no particular order).

Tolerance and acceptance (although there seems to be a
Freedom (although this is a growing movement against immigration and about taking back the country from unwelcome foreign visitors – that British identity is being lost due to too many foreigners, and the fact we’re run by the EU. Those are views held by a fairly marginal political party called UKIP, who are having a big effect on voting patterns and the political landscape in the UK)
Fairness -“It’s just not cricket” (but are we really fair?)
Pragmatism – getting things done
Humour
Resolve
Music
Comedy
Literature
The land itself
Cricket, Rugby (football too?)
The diverse accents
The NHS
Diversity & Acceptance of Diversity
Certain inventions
Sherlock Holmes & Dr Watson
Drinking Tea with milk, the proper way
Pretending to be proudly British!
Taking the piss
Pubs
Liverpool, Birmingham, London
A slight sense of guilt about Scotland, Wales, Ireland etc – but knowing that is also nonsense, but it’s there a bit.
Tolkein
Monty Python
Ali G
I could go on…

When I came back from Japan, I saw the UK with fairly fresh and objective eyes. I remember the greenness of the place, the relaxedness, the small mindedness. It was very Tolkienesque.

Some things I’m not proud of, like certain racist or small-minded people, poor public services, corruption and elitism, blind national pride, etc…

All in all, I hope that Brits, and English people too, remember that our countries are diverse places and that is what makes us strong.

Billy Bragg – England, Half English (Live)

Lyrics

My mother was half English and I’m half English too
I’m a great big bundle of culture, tied up in the red white and blue
I’m a fine example of your Essex man
And I’m well familiar with the Hindustan (This is an Indian English-language daily newspaper)
‘Cause my neighbors are half English and I’m half English too

My breakfast was half English and so am I, you know
I had a plate of Marmite soldiers, washed down with a cappuccino
And I have a veggie curry about once a week
The next day I fry it up as bubble and squeak
‘Cause my appetites, half English and I’m half English too

Dance with me to this very English melody
From morris dancing to Morrissey
All that stuff came from across the sea

Britannia, she’s half English, she speaks Latin at home
St. George was born in the Lebanon, how he got here I don’t know
And those three lions on your shirt
They never sprang from England’s dirt
Them lions are half English and I’m half English too

Le-li, umma le-li-ya, le-li Umma le-li-ya
Le-li, umma le-li-ya, bledi g’desh akh! Le-li-ya

Oh, my country, what a beautiful country you are.

The conclusion (of sorts)
Britishness, like any cultural identity, is always changing. These things never stay the same. There is always a sense that the culture is being lost. That’s just the sense of the present order slipping away and being replaced by the new one, at every moment of every minute – things are changing and nothing will stay the same. That brings some sense of fear and panic – the idea that we’re going to lose the good things we have.

People also need a clearly defined culture in order to feel secure, so they know where they are and they can trust the people around them. People tend to prefer the things they know and distrust things they don’t know. It’s quite easy to blame others for that frightening sense that things are changing for the worse.

I think this is why a lot of people have fear and hatred of immigrants and foreigners. They’re scared of the unknown agents of change who look and behave differently. I suppose it’s human nature, but it’s sad and unnecessary when it ends up in violence and suffering. Obviously, we shouldn’t tolerate certain behaviour.

Where am I going with this?

What I mean is – there is no such thing as true “Britishness” unless it is just a snapshot of what is happening right at this moment in Britain. What is going on? What are most people thinking and doing? It’s almost impossible to comprehend the subtlety of what Britishness really is at any moment, because it’s so complex. That’s why the question invites the standard mind-numbing responses, like “It’s The Queen, tea, strawberry jam, Monty Python, a game of cricket, 9 pints of lager and a fight outside the chip shop” – people just list things they associate with the UK because there’s no other way of explaining it. Just a bunch of associations.

Britishness is negotiated
Also, I believe that Britishness is not an absolute concept, it’s something which is negotiated. Everyone has their own version of Britishness, and in fact Britishness changes depending on who is in power, who’s got the money, the influence and the cultural capital. In the end, it doesn’t matter how much you say that Britishness is all about cricket, when hardly anyone plays cricket any more because there’s no money in it.

Britishness is a blanket term which is supposed to incorporate all the diverse elements of multiculturalism.
Britishness means diversity, inclusivity and a celebration of the success and positivity of multiculturalism. So, in that sense, Britishness is something which is supposed to unify us, provide us with a sense of pride and therefore duty and obligation to the country we belong to. We’re less likely to smash the system if we believe in it.

Britishness is a unifying force which just keeps everything together
After the 2005 terror attacks, the government were keen to reinforce national pride, to promote the British brand to its own people, in an effort to fight back against the destructive forces behind the attacks. The idea of a Britishness day was suggested, but it didn’t really go anywhere. What could that be? A day when we argue about what Britishness is? Also, it’s all a bit close to nationalism, and we don’t like that in the UK. Nobody wants to be associated with facism, so often people have a defensive attitude to national pride, usually along the lines of “I think it’s fine to be proud of Britain” or “I AM proud of Britain and there’s nothing wrong with that.” It’s usually that sort of thing.

What about all the bad things done in the name of Britain? Are you proud of them too?
Most people seem quite happy to pick and choose which aspects they are proud of. They usually will ignore the atrocities in our colonial past, proudly declaring their pride in English tea – despite the treatment of India during the colonial era.
I’m wary of being too proud of my country because I know that we’ve done some pretty bad things in the past. Also, I think national pride can be blinding, and ultimately quite destructive. It’s good to be proud of your roots, but there is a more important thing to remember – that there is a bigger picture – and that is that it’s stupid to think that one nationality is intrinsically better than others.

You can be whoever the hell you want to be
It doesn’t matter where you pay your taxes you can just define your own identity as you see fit. Just as long as you don’t go out of your way to hurt others, go ahead and be whatever you like. That’s the main thing. Just try to be a good person. The rest is just fluff.

LEPSTERS – What’s it all about?
Leave your comments, thoughts and opinions in the comments section, and practice your English!

Related Episodes
If you found this episode interesting, check out these ones too:
261. What is Britishness? (Part 1)
128. Luke’s Stand Up Comedy Show – Featuring jokes about British food, weather and our Royal family – Now fully transcribed
131. Rickipedia – Conversation with my Dad, in which we answer various questions from listeners, including some things about British culture.
British Slang (A-C)
British Slang (D-G)
British Slang (H-M)
British Slang (N-Z)
156. British Comedy: Ali G
172. British Comedy: Peter Cook & Dudley Moore
177. What Londoners Say vs What They Mean
192. Culture Shock: Life in London (Part 1)
192. Culture Shock: Life in London (Part 2)
195. British Comedy: Monty Python’s Flying Circus
199. The UK/USA Quiz
202. British Comedy: Monty Python & The Holy Grail
219. Scottish Independence – Key notions of national identity

261. What is Britishness? (Part 1)

In this episode I’m going to explore the notion of “Britishness”, including the stereotypes, the reality and the complexity of defining Britishness, or any other national identity. You’ll find that a lot of what I’m saying is transcribed on the page on teacherluke.co.uk for this episode, although not all of it has been prepared in advance, and there will be moments when I go off script and improvise. So, this episode is a mix of scripted and unscripted bits. This might be a long episode – I have no idea at this stage! If it is really really long, I’ll divide it into several episodes, and you’ll just get even more for your money, which is a lot considering it is a free podcast! [Download]
Image: Gene Bible http://www.genebible.co.uk
Small Donate Button

I’m British so…
I must be some kind of 19th century cross between a gentleman and a hooligan, with a newspaper and umbrella under my arm, a cup of milky tea in one hand, and a pint of warm beer in the other, eating a bag of fish and chips while talking in Shakespearean English about the benefits of the rules of cricket and the class system before getting blind drunk at a football match, invading a bunch of developing countries, and then sort of apologising a bit, like Hugh Grant, because basically we’re just a bloody nice bunch of chaps who mean no harm and live in an antique world of Downton Abbey where we all just keep calm and carry on while being awfully polite and well-mannered, except when we’re playing Germany or France at football when we all forget our national anthem before transforming into a gang of brutal thugs who smash up the local town, blame it on illegal immigrants while we continue to eat our bad food under our bad weather using our bad teeth, the whole time making bad jokes in accents that nobody can understand before stopping everything in order to camp outside a hospital to await the birth of some blue blooded bawling British baby, who, if he’s lucky enough to make it to 100 years old, will probably put on a magic golden hat in an old castle to become our unelected and powerless king, like some twisted modern real-life version of Game of Thrones in 3D.

Yes, I’m from Britain. In fact, I’m from London…

Now, what’s all this about?
Well, this episode is all about defining “Britishness”, or attempting to do that.

I asked my students to define “Britishness” and that inspired me to do this episode
Recently in some of my English classes we’ve been studying topics related to the UK, such as the political system, the monarchy, the relationship to Europe and so on. In our first lesson we considered the idea of Britishness, national identity and the citizenship test. As a warm-up exercise I invited my students to try and define “Britishness”. The results were the usual mix of stereotypes and genuine insight. It’s interesting to me, to see the difference between how my students see my country from an outsider’s point of view, and how I see it from the inside.

Britishness is hard to define
It seems that defining “Britishness” is harder than you might expect. In fact, the more you think about it, the more complex it becomes. It’s remarkably hard to put your finger on a universally true definition of Britishness. Instead you end up with the usual stereotypes – either held by foreigners who have their own view of the UK, or by British people themselves who, for one reason or another, define their culture with certain reference points. E.g. it’s fish and chips, or it’s a cup of tea and a game of cricket on the TV. But I want to go a bit deeper than that. So that’s what I want to attempt to cover in this episode – Britishness. What is it? What is it not? I might not be an expert social historian, and I might not have all the answers, but nevertheless, let’s get stuck into this topic and see what we come up with. Essentially, in this episode I’m going to talk about British images in order to give you a broader understanding of the topic, beyond just the usual stereotypes.

To prepare for this question I’ve written myself some notes. I’ll add it to the transcript collaboration page. Also, please feel free to add comments under this episode on teacherluke.co.uk.

So, let’s get started – “What is Britishness?”

The Stereotypes of the UK from Abroad
Here’s what my students all came up with. I asked them to brainstorm things they associate with Britain, including values, people, and any other aspects of culture. You’ll find a lot of that listed below. I’ve also included what I’ve heard from students, and other people I’ve met over the years. I know I’ve talked about some of these things before (and I’ve talked about the fact that I’ve talked about things before, before too, and in fact now I’m pretty sure I’ve talked about talking about talking about things before, before, before too…) Anyway, here’s the list:
Bad food
Fish & chips
Jelly
Tea
The Queen (we worship her, apparently)
Hugh Grant
Bad Weather
Drunkenness
Football hooligans
Politeness
Indirectness
Colonial past
British Empire
Marmalade
Marmite
Margaret Thatcher
The Beatles, The Clash, The Arctic Monkeys, underground music and so on.
British movies (Gritty Brit Flicks?)
Relationship with the US
Literature – Shakespeare, etc
Sherlock Holmes
Confusing differences between the UK, Britain, England, Scotland, Wales, Northern Ireland, Ireland, Republic of Ireland, The British Isles, etc.
Strange “British” humour
…The list goes on – Please add your associations too in the comments. Are they well-informed ones, or just stereotypes. Don’t worry, I’m not going to judge you harshly. I’m interested in what the commonly-held images of the UK are in your country.

End of Part 1 – Click here for part 2

Song – “Autumn Almanac” by The Kinks
It’s song time again. I’d like to play a tune which I feel sums up a lot about British life, particularly English life. It’s called Autumn Almanac by The Kinks, written in 1967 I think.
It describes various aspects of English life. Imagine a picture book of images: Gardening, the weather, the end of summer and the approaching winter, escaping from the lack of sun by staying indoors and drinking tea, eating buttered currant buns, the atmosphere of a pub on a Friday evening, football on Saturdays, a roast lunch on Sundays etc. It has a kind of nostalgic feeling to it, and a slight sense of sadness along with national pride. Perhaps the sadness is the fact that this is a version of England which is slowly disappearing as the country modernises more and more, but perhaps these values and habits will always remain.

Buy “The Kinks – Something Else” (1967) on iTunes
Lyrics & Chords
A B7 E A B7 E
Am7 D7 G
From the dew soaked hedge creeps a crawly caterpillar
D7 C D G D G D7
When the dawn begins to crack, it’s all part of my autumn almanac
Am7 D7 G
Breeze blows leaves of a musty coloured yellow
D7 C D G D G D7
So I sweep them in my sack, yes, yes, yes, it’s my autumn almanac

Em E A9 B7 E A9 B7 E
Friday evening people get together, hiding from the weather
C#m G#7 C#m7
Tea and toasted buttered currant buns
F#7 Amaj7 Ab7
Can’t compensate for lack of sun because the summer’s all gone
Am7 D7 G D7
La-la-la la-la, la la la-la la la-la-la ohh! my poor rheumatic back
C D G D G D
Yes, yes, yes, its my autumn almanac
Am7 D7 G D7
La-la-la la-la, la la la-la la la-la-la ohh! my autumn almanac
C D G D G D
Yes, yes, yes, its my autumn almanac

G D C G G D C G
I like my football on a Saturday, roast beef on Sunday’s alright
G D C G G D C G
I go to Blackpool for my holidays, sit in the open sunlight
Gm Bb Eb F
This is my street and I’m never gonna leave it

F7 Bb Dm Fm G7
And I’m always gonna stay here if I live to be ninety-nine
G7/F C Cm G E7
Cos all the people I meet seem to come from my street
A7 B7 Em B7
And I can’t get away, because it’s calling me (come on home)
G A7
Hear it calling me (come on home)

Am7 D7 G D7
La-la-la la-la, la la la-la la la-la-la ohh! my autumn almanyac
C D G D G D
Yes, yes, yes, it’s my autumn almanac
Am7 D7 G D7
La-la-la la-la, la la la-la la la-la-la ohh! my autumn almanac
C D7 G D7 C D7 G D7 C D7 G
Yes, yes, yes, yes, yes, yes, yes, yes
C D7 G
Bop bop bop-m bop-m ba -ohh! (repeat and fade)

What do you associate with Britishness?
How do you define your own country’s national identity?
Please leave your comments below & practice your English ;)

Related Episodes
If you found this episode interesting, check out these ones too:
262. What is Britishness? (Part 2) – How do British people define Britishness?
128. Luke’s Stand Up Comedy Show – Featuring jokes about British food, weather and our Royal family – Now fully transcribed
131. Rickipedia – Conversation with my Dad, in which we answer various questions from listeners, including some things about British culture.
British Slang (A-C)
British Slang (D-G)
British Slang (H-M)
British Slang (N-Z)
156. British Comedy: Ali G
172. British Comedy: Peter Cook & Dudley Moore
177. What Londoners Say vs What They Mean
192. Culture Shock: Life in London (Part 1)
192. Culture Shock: Life in London (Part 2)
195. British Comedy: Monty Python’s Flying Circus
199. The UK/USA Quiz
202. British Comedy: Monty Python & The Holy Grail
219. Scottish Independence – Key notions of national identity

247. Understanding The USA (with Sebastian Marx)

This episode is an attempt to understand The USA in more detail, getting beyond the made-up version that we see in movies and on TV in order to get a proper understanding of the country, its culture and its people. I’m joined by an American friend of mine called Sebastian Marx, and during our conversation we go through most of the main events in the history of the USA and discuss some of the most important principles in the story of the country. The ultimate aim: to understand The United States of America. [Download]

As well as being a relaxed conversation between friends, this episode is a summary of some of the main ideas and topics that I’ve covered this semester in my university classes, and in fact our conversation deals with some of the most important issues and concepts that will help you to get a proper understanding of the USA – and you’re getting it all for free in this episode! You’re welcome of course… if you fancy making a donation to support my work you can just click this button here! Small Donate Button

Speaking to Sebastian in this episode allows me to check some of the thoughts I had about the USA with a genuine American guy, as a way of getting the inside story. Ideally I would like ask all the people of the USA for their opinions, but as I can’t do that I have decided to just ask one American guy for his input, and he isn’t even in America at the moment – but that’s more than good enough for me!

You probably know Sebastian from previous episodes of LEP. He was in 130. A Cup of Tea with Sebastian Marx and also 183. Luke’s D-Day Diary (Part 1). He’s a stand-up comic who performs a one-man show in English and French, entitled “A New Yorker in Paris”, and he’s a very funny and interesting bloke. For more info on Sebastian go to www.sebmarx.com.

As usual, I would like to know your opinions, so if anything occurs to you, please leave your comments below this episode. I’m actually quite pleased with the outcome of this one because I think there is some genuine insight in this episode, even if it is delivered by two guys just having a chat.

America

244. Urban Myths

This episode is all about urban myths. Get your thinking hat on in this episode because it’s time to evaluate a few stories and beliefs and decide if they are based in reality or if they’re just the product of an overactive imagination, or rumours, or just plain old-fashioned bullcr*p! I will also teach you some very useful language connected to expressing if you think something is true or not. There are vocabulary notes, transcriptions and more details below. [Download]

Small Donate ButtonIn This Episode we will:
Consider what an urban myth actually is
Look at a news story about a commonly held belief from another country (and decide if it’s really true or not)
Look at some useful language – phrases and sentences we use to say “That’s true” or “That’s not true” – useful, natural vocabulary!
Consider some commonly told and surprising ‘facts’ and decide if they’re true
Talk about some of the UK’s favourite superstitions (if we have time – if not, that will be another episode in the future some time)

What’s an urban myth?
Essentially, this is a story or a fact which people spread around as if it is true, but in fact it is probably just made up. Often these urban myths or urban legends are personal stories or anecdotes, typically 2nd hand ones (like, “this happened to a friend of my brother’s girlfriend’s cousin and it’s absolutely true!”) and often involve something horrible, scary and shocking. Urban myths may also be just commonly held beliefs about something which are not based on any real evidence or fact, but are perpetuated out of misinformation, or as a hoax.

Superstitions on the other hand are similar but not the same. A superstition is the widely held belief that certain actions are lucky or unlucky, like the idea that the number 13 carries some magic power, or that not making eye contact when you take a drink and say “cheers” with someone, you’ll have 7 years of bad sex. Where’s the evidence that this is true? There is none, and yet many rational people still hold on to these ideas. In fact, many rational people still have that element of suspicion in the backs of their minds whenever they do some potentially unlucky behaviour, like walking under a ladder or opening an umbrella inside a house. Perhaps some of these superstitions are grounded in truth, but in many cases they’re just weird little glitches in our thinking. Every culture has its own unique urban myths and superstitions. In this episode we’re going to explore a few urban myths – one from Korea, some from The UK or America. I’ll tell you some things and you can use your critical thinking to decide if they’re really true or just a myth.

Then if we have time I’ll tell you about some of the most commonly held superstitions in the UK.

Examples of urban myths?
I’ll tell you a couple of stories that I remember being told by kids at school as if they were true.
The caller
The worm
The spider’s nest

All those stories are supposed to make you go “Oh my god!” and people make them true just to add some extra horror. None of them are true.

Discuss
1. Do you believe everything you read in the papers?
2. What about things you read on the internet?
3. How about things you hear by word of mouth?
4. Where does misinformation come from? Is it always shared by word of mouth or online?
5. How do you know if a story is true or just an urban myth?

Believe it or not? Truth or Urban Legend?
1. Look at the newspaper headline “The Cool Chill of Death” (The Metro, Monday 14th July) What is the article about? Make some predictions.

Vocabulary (before we read the article)
2. Match these words with their synonyms & definitions before you read the text.
Words & Expressions in the Article
1. on the loose (c)
2. humble (g)
3. rumble & grumble (b)
4. to be convinced that… (d)
5. a vacuum (e)
6. hypothermia (a)
7. an urban myth (f)

Synonyms & Definitions
a. a fatal condition caused by low body temperature
b. scary noises (e.g. made by thunder or a monster)
c. not in prison – free
d. be sure/certain that…
e. a space with no air in it
f. a story which is not true, but which people think is true
g. modest

3. Read the first paragraph & check your predictions.

Reading Comprehension Questions
4. Now read the rest of the article and find answers to these questions.
a. What is fan death?
b. What are two explanations of fan death?
c. Which of these is a realistic explanation?
d. According to Dr Yeon Dong-Su, what two factors could cause hypothermia to occur?
e. According to the article, why is fan death unlikely to be real?
f. What did Robin Prime do?
g. What two things shocked him?
h. How do tall stories become widely held beliefs?
i. Could a fan suck all the air out of a room? Why/why not?

The Metro, 14 July
THE COOL CHILL OF DEATH
Be afraid, be very afraid. For as summer continues, there’s a new killer on the loose. It rumbles and it grumbles and it is the humble electric fan. For in South Korea from Seoul to Seongnam, people are convinced you can die by leaving one turned on in your bedroom overnight.
Various explanations have been given for how the fans kill people – from their cooling effect resulting in hypothermia to the vacuum created around the victim’s face. These explanations fly in the face of medical opinion, yet Korean newspapers report an annual average of ten fan deaths and some Korean doctors are convinced of the hazards of sleeping with a fan switched on.
Clinical support
Dr Yeon Dong-su, dean of Kwandong University’s medical school, has investigated dozens of cases of fan death and insists they do occur. ‘Many people say these victims die from lack of oxygen but that is not true,’ he says. ‘Hypothermia does not only occur in the winter when it is cold. The symptoms can also take place if a person has been drinking and turns on a fan in a closed room. Most people wake up when they feel cold but if you are drunk, you will not wake up, even if your body temperature drops to below 35°C (95 °F), at which point you can die from hypothermia.’
It seems more likely than not that fan death is actually little more than an urban myth – most of the newspaper reports omit other causes of death from heart attack to gunshot wound – but it’s very hard to find a Korean who doesn’t believe in the phenomena – to the point where fans in Korea are fitted with timer switches to ensure their owners avoid certain death.
Possible ‘cot death’
A spokesperson for the Korean tourist board says: ‘This is certainly a serious and widely held belief in Korea. It appears to come from reports of people dying in the night and the common factor is the fan was running. The actual cause of death could have been something totally different, including cases of what people in the West would call cot death.’
Fan death has also become a cult internet phenomenon, thanks to message boards populated by English teachers in Korea who are baffled by their students’ belief in this notion. Robin Prime, who set up the website www.fandeath.net, says: ‘I was shocked at how powerful my Korean friends’ and students’ belief was and at the lack of critical thinking about the issue.’
Urban myth expert Dr Robert Matthews of Aston University explained how a shaggy dog story becomes a widely held belief across a country. ‘Urban myths often have a grain of truth in them that then suffers from the ‘Chinese whisper’ effect, with the facts being lost behind ever more embellishment,’ he says. ‘Clearly, it’s true that an extractor fan could suck all the air from an airtight box. And it’s also true that people sometimes die from inadequate ventilation. It’s a safe bet that many of those deaths will also have occurred in homes fitted with fans simply because many homes in South Korea have them. Hey, presto! You’ve a dodgy link, plus an irrelevant scientific fact to back it up. The truth is, of course, that buildings are notoriously leaky, and fans don’t have a hope of sucking out all the air.

To be clear: Some Koreans (not all) believe that if you go to sleep in a closed room with a fan blowing directly on you, that you can die.

I have spoken about it with numerous Korean students, and many of them were adamant that it is true. But is this true or just a myth? Is this something that happens everywhere, or just something that affects Koreans?

5. Discuss the Article
What do you think of the article?
Do you think the writer is being a bit snobbish about South Koreans?
Do you believe in fan-death?
Do you ever sleep with a fan on at night?
Fan death is said to be just an ‘urban myth’. Do you know any other urban myths like this?

Arguments For Fan Death (by people who say it really is real!)
It slices the oxygen molecules in half, you can’t breathe them and then you suffocate to death.
You can die of hypothermia because the fan prevents you from sweating and then you freeze to death.
It creates an air-sucking vortex, like the eye of a tornado, which creates a vortex/vacuum and then you can’t breathe.

More details & opinion on the Wikipedia page
http://en.wikipedia.org/wiki/Fan_death

Useful Language For Saying “It’s true” or “It’s not true”
Do we use these expressions to say we think something is true or not true?

That’s not true
There’s no way that’s true
That is so obviously made up
It can’t be true
It sounds pretty far-fetched to me
I think it’s not true
It smells a bit fishy to me
It’s possible, but unlikely

That’s true
I reckon that’s definitely true
There’s a good chance that’s true
That sounds pretty likely to me
I’d say that’s probably true
It sounds pretty convincing to me
That might/could be true

More Stories – Are they TRUE or just URBAN MYTHS? – You decide!
You are going to listen to descriptions of 6 stories which people talk about, but which may or may not be true.

Are the stories true, or just myths? You decide.

  1. Coca-Cola used to contain cocaine
  2. If you give alka seltzer to a seagull, it will explode
  3. Walt Disney’s body is cryogenically frozen
  4. There are albino crocodiles living in the New York sewer system
  5. Red Bull contains extracts from bull’s testicles
  6. Santa Claus was invented by Coca-Cola company

Remember the useful language above.

TRANSCRIPTS

Coke used to have cocaine in it
Luke: Hi Deb. Do you like coca-cola?
Deb: It’s ok, it’s very very sweet.
Luke: Yes, but it’s quite moreish don’t you think?
Deb: Yeah, well when I open a bottle I tend to drink most of it in a night.
Luke: Right, which is probably the caffeine.
Deb: Yeah
Luke: There is a lot of caffeine in Coca-Cola, which makes it quite addictive, but apparently there used to be more than just caffeine in it.
Deb: Well, like what?
Luke: Well, apparently in the early days it used to contain cocaine.
Deb: No!
Luke: Yep. Now, as we all known cocaine is a, kind of, an illegal drug, and actually you could find cocaine in Coca-Cola, right?
Deb: So is that, does that explain its name then, where it gets its name from?
Luke: Well, perhaps yeah. I mean, the… Cocaine comes from coca leaves. That’s where it’s derived from, and if you look at the ingredients on a can of Coca-Cola you’ll see coca leaves there, but these days they actually extract the cocaine from the coca leaves before they make the Coca-Cola.
Deb: So you’re not going to get high when you drink Coke nowadays.
Luke: Unfortunately not, but it used to contain cocaine. There you go. So…
Deb: I didn’t know that.

Feed Alka Seltzer to a seagull and it will explode
Luke: Right, Deb, you know Alka Seltzer, right?
Deb: Yeah, that’s the stuff you take if you’ve got a bit of a dodgy stomach, right? Dissolve it in water and it makes you feel better.
Luke: Yep, that’s it, exactly.
Deb: What about it?
Luke: Well, have you ever fed alka seltzer to a seagull?
Deb: No. Why, should I?
Luke: No you shouldn’t.
Deb: Why not?
Luke: Because it’ll, kind of, go off like a bomb. Now, apparently, right, the chemicals and stuff inside a seagull’s stomach react to the Alka Seltzer. There’s a strong reaction and it produces lots of carbon dioxide, and because seagulls can’t burp or fart there’s nowhere for the gas to go and it just builds up inside the seagull until eventually “boom” it just explodes everywhere.
Deb: So the seagull just gets bigger and bigger and bigger and then bang, gone…
Luke: Exploded, splat. Exactly.

Walt Disney is cryogenically frozen
Luke: OK Deb, right, here’s a good one.
Deb: OK
Luke: You know Walt Disney?
Deb: Yes, he created Disneyland, didn’t he?
Luke: That’s right. He was the founder of Disney, the very well-known film studio. Well, apparently, he used to be a very very rich man, you know, when he was alive, of course. He was a very private man, and quite a strange man, right? And actually when he died, yeah, people say that his body was frozen.
Deb: What do you mean, frozen?
Luke: Well, put into liquid nitrogen, in a cryogenic chamber.
Deb: Why would he do something like that?
Luke: Well, it’s that his body could be perfectly preserved in ice so that in the future when the technology is ready, scientists can bring him back to life. He thought when he died that in the future there would be the technology to allow him to be brought back to life.
Deb: It sounds like the kind of film that he would have created.
Luke: It does. It sounds like something out of a science fiction movie.
Deb: Yeah totally.
Luke: It’s pretty strange. If you can imagine Walt Disney frozen in a chamber somewhere in a big castle in Disneyland. It’s a bit like Dracula or something.
Deb: Or sleeping beauty, but you know, he’s not probably…
Luke: I don’t know whether he was good looking or not. Let’s stick with Dracula, it sounds cooler.

There are albino crocodiles living in the New York sewer system
Luke: Right, okay Deb, now, you know New York.
Deb: Yep, Big Apple, big city on the east coast of America.
Luke: That’s right, they call it The Big Apple. I don’t know why. Anyway…
Deb: Maybe they have big apples there.
Luke: Who knows. Apparently New York has a massive sewer system under the city. Huge underground tunnels with big reservoirs of water. There’s, like, lakes of drinking water and tunnel filled with water that run under the whole city.
Deb: It’s all connected to the Hudson isn’t it.
Luke: It’s connected to the Hudson River. It may also be connected to the sea as well in some way. Right, now according to this website that I was looking at, yeah? There are loads of things, like, living down there.
Deb: What, rats and stuff?
Luke: Yeah, but more than rats. I’m talking about alligators.
Deb: Rubbish!
Luke: Well, apparently there’s, like, quite a few down there, and they’ve been there since the 1930s. Originally what happened was, rich families from New York would go on holiday to Florida. There are loads of alligators in Florida, and they’d bring back tiny little baby alligators as pets for the kids, and then when the alligators got too big, yeah, this is like in New York… Once the alligators got too big…
Deb: And then became a bit dangerous I suppose.
Luke: Yeah!
Deb: They might eat the kids.
Luke: Exactly, yeah! Well, once the… even about a foot or two long they’re difficult to keep. They would flush them down the toilet.
Deb: Oh, that’s really mean!
Luke: It is mean, but what happened to those alligators is that they didn’t die. They just went into the sewer system and then survived down there, because apparently it’s quite warm, there’s lots of water, lots of food for them to eat like rats and things, and so they managed to survive, yeah. So, apparently there are reports of sightings of these things by sewer workers, but they’ve never been caught. But what’s interesting about these things is, because they’ve never actually seen the light
Deb: OK because it’s always dark down there
Luke: Because it’s always dark. They’ve gone blind, and the colour of their skin has changed. They’re actually albino.
Deb: So they’re white.
Luke: They’re white with red eyes, and they eat babies.

Red Bull contains extracts from bull’s testicles
Luke: Do you ever drink Red Bull?
Deb: No I can’t stand the stuff. I got drunk on it once, with vodka and it now makes me very ill.
Luke: OK, well apparently, it’s got loads of caffeine in it, which kind of gives you that energy.
Deb: It gives you a high doesn’t it?
Luke: It gives you wings. But apparently, caffeine is not the only thing in Red Bull.
Deb: Water?
Luke: There’s also, well, water and sugar and stuff, but also there’s another ingredient called taurine.
Deb: Taurine.
Luke: Well, taurine basically is extracted from bulls’ testicles. It’s like a magic ingredient which gives you energy and vitality and it comes from bulls’ balls, bulls’ testicles.
Deb: Don’t the bulls mind, people sneaking up on them and taking their taurine!?
Luke: Well, I expect so. I don’t know how they get the stuff out of the bulls’ testicles.
Deb: I wouldn’t want to do that job.
Luke: I wouldn’t want to do that job either! But apparently the taurine is extracted from the testicles, and this is one of the ingredients that gives you the energy. If you think about it, yeah, the word taurine comes from the latin word taurus, which actually means bull, and we know that bulls have a lot of energy and a high sex drive, and they get the taurine from the bull’s testicles and put it in the drink and the result is you get more energy and you become, sort of, more powerful and maybe a better lover.
Deb: GOh so it can affect your sex drive too.
Luke: Yeah, haven’t you ever…? Well,…
Deb: Well I might start drinking it again.

Santa Claus was invented by Coca-Cola
Luke: Ok, Deb, here’s a well-known one.
Deb: OK, go ahead
Luke: We all know the image of Santa Claus, right?
Deb: Yeah, big fat guy, red clothes, big beard.
Luke: White hair, yeah red clothes, very jolly.
Deb: Big rosy cheeks.
Luke: Says “ho ho ho” a lot. He’s the symbol of Christmas.
Deb: Yeah
Luke: Now, what’s the history of Santa?
Deb: It’s got something to do with Germany, hasn’t it? Something to do with Saint Nicholas?
Luke: Yeah, that’s what people say. Some connection to Christianity perhaps. Well, the fact is, it’s actually related to Coca-Cola. Apparently, the Santa that we know today was just created by Coca-Cola for their advertising campaigns.
Deb: Really?
Luke: Yep. It has nothing to do with old folklore or traditional stories or Christianity. It was actually just designed by an artist in the 1930s to sell Coca-Cola. Now, if you think about it, he’s wearing Coke’s corporate colours.
Deb: The red and white.
Luke: Red and white, and Coke have always done big advertising campaigns at Christmas.
Deb: Yeah
Luke: So he was just invented by Coca-Cola.
Deb: Oh that’s really sad. I thought it had a bit more history and tradition to it.
Luke: No, it’s just an advertising campaign.
Deb: Oh, that’s rubbish.

So, which ones do you think are true, and which are not true?
Leave your comments below this episode. Use some of the language in this episode.
I will post the answers here later.

That’s it, thanks for listening!

SHARE YOUR THOUGHTS
Share your thoughts by leaving comments below this episode, and by completing this massive poll!
[socialpoll id=”2233095″]
urbanmyths

URBAN MYTHS – THE ANSWERS

243. A Life-Changing Teaching Experience in Ghana

My friend Mike tells me about his incredible experience of teaching English in Ghana.

Small Donate Button[Download]
Hello and welcome to another episode of Luke’s English Podcast! In this episode I’m going to interview my friend Mike Bruce about his recent teaching experience in Ghana in West Africa. Mike is an old friend and colleague of mine, he’s originally from Scotland, although he doesn’t have a particularly strong accent, and he has lived and worked in places all over the world. I’ve known him for about 13 years and he was one of the first people I ever worked with as a language teacher in Japan. Mike has an amazing CV. He’s taught in lots of countries around the world. He’s very highly qualified, and as well as teaching students of English as a second language he also teaches teachers how to teach. So, he’s pretty much a Jedi Master of English teaching in my opinion.

Mike recently came back from a teaching mission in Ghana, and judging by the Facebook photos and statuses, it was quite an epic experience for him. I thought it would be interesting to talk to him about it on Luke’s English Podcast. My aim for this interview is to have a bit of a chat with Mike, just a bit of a chat, introduce him to the LEPsters? LEPans? LEPians?LEPenese? LEPlanders? LEPish? LEPaholics? and then find out about his African teaching experience.

Below you’ll see questions and notes I used during the interview, and a slide show of Mike’s pictures.

Click here to read more about the Ghana Education Project.

Background
How do we know each other?
What do you remember about that time in our lives?

Mike’s CV
How did you get into teaching in the first place?
How long have you been teaching?
Where have you worked/lived in the past?
Which place was memorable it you? (And why)
What do you do professionally these days?

Ghana
Tell me about the Ghana experience.
Why did you go?
What was the mission? What did you expect?
What were you concerned about or looking forward to?
What were your first impressions?
What were the challenges?
What were the great things?
What did you learn from the experience?
Has it changed you as a teacher? And as a person?


MikeBrucePODPIC

My Appearance on the Talk2Learn Chatcast

Today I was featured in a Skype conversation + podcast, known as a “Chatcast”. You can listen to it below, and take part in future chatcasts yourself in the future.

[Download]
logo150There’s a growing community of LEPpers who are practising their English by talking together on Skype. There’s a thread in the forum in which listeners are exchanging Skype details and then practising their English by chatting together. Click here to visit that forum thread. Also, some listeners are now uploading their own podcasts in which they practice their English. Most of these podcasts are collated on a website called Talk2Learn.ch – run by Guillaume from Switzerland. Guillaume organises a ‘Chatcast’ every Sunday in which people chat on Skype about various topics. The conversation is then uploaded to talk2learn.ch as a downloadable podcast. Today I joined their 2nd chatcast and I joined a group with 4 other people to talk about cultural understanding and stereotypes. It was a very pleasant experience. You can listen to it by clicking the player above.

Anyone can take part in future chatcasts. It’s a very friendly group and a great way to improve your English. Just click this link to find out more.

Thanks for listening!
Luke

232. YEP! Runners Up (Part 2)

Hi everyone. In this episode you can listen to conversations I had with YEP competition runners up Yannick, Aritz, Phil and Javier. They won their groups in the competition. In the next episode you’ll be able to listen to my conversation with the overall winner, Edgar from Mexico. [Download]

p.s. I’m a little bit frustrated by a technical issue in some of these interviews. There’s a slight delay on some of the Skype recordings – my interviewees responses are a bit late, and my responses come too quickly. It sounds like I’m rudely interrupting my interviewees sometimes. I hope it doesn’t bother you too much, or make me sound too rude!

Listen to Phil’s favourite episode “Hip Hop Lyric Analysis” by clicking here.

231. YEP! Runners Up (Part 1)

Here are my conversations with runners up from the YEP competition. In this episode you’ll hear me talk to Kevser from Turkey, Max from Italy and Giovanni from Italy – all of whom won their groups in the competition. In the next episode you’ll hear from the other runners up, Yannick, Aritz, Phil and Javier, and then finally a longer conversation with the main winner Edgar from Mexico. Enjoy! [Download]

p.s. I’m a little bit frustrated by a technical issue in some of these interviews. There’s a slight delay on some of the Skype recordings – my interviewees responses are a bit late, and my responses come too quickly. It sounds like I’m rudely interrupting my interviewees sometimes. I hope it doesn’t bother you too much, or make me sound too rude!

221. A Cup of Tea with Corneliu Dragomirescu (Part 2)

Here’s the rest of my conversation with “The Son of the Dragon Tamer”. Right-click here to download this episode. Click here to listen to part 1.

In Part 2
– The difference “pleasshure” and “pleasure”, “bio” and “B.O.”
– The importance of ‘passion’ in France
– Jamie Oliver’s (fake?) cockney accent
– British & American English
– Corneliu’s experiences in America, his acting and his accent
– Corneliu’s learning experiences with a great teacher when he was a child
– The interesting course-book (Essential English for Foreign Students by C. E. Eckersley) which Corneliu used in his English lessons
– The myth of ‘the English gentleman’
– Depictions of Englishness in films
– Stereotypes of Romania
– Romania & Bulgaria’s entry into the EU and the media panic related to migrant workers
– Vampires, Dracula and Romania

Please leave your comments in response to this episode! We want to read your thoughts here. Thank you!
Essential English for Foreign Students by C. E. ECKERSLEY