Category Archives: Music

330. Let’s Play… Grand Theft Auto 5 (and learn some English while doing it)

Hi listeners – this is a multitasking episode in which I record a podcast while doing something else at the same time. In this case I’m playing the classic computer game “Grand Theft Auto 5”. Listen to hear some general discussion of the game, descriptions of what’s happening while playing and some other bits and pieces. Transcripts & Vocabulary Extracts Available. Enjoy :)

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Introduction – Men can’t multitask, really?

Here’s another episode in which I talk to you and teach you some English while doing something else at the same time. It’s another multitasking episode. Last time I did this I was cooking dinner while recording the podcast. I’ve done others before in which I was either driving or just walking around somewhere and talking to you at the same time. I’m doing this again today because I hope it will be an interesting episode of the podcast, but also as some sort of ongoing mission to prove that men are in fact able to multitask, unlike the fairly commonly-held view that we actually are not able to do several things at the same time.

I do think men can multi-task, despite the fact that people often say that we can’t. Of course we’re capable of doing two things at the same time. Just think, for example, of David Beckham who must be an expert at multitasking, because not only does he have to play football really well, but he has to look handsome while he’s doing it! Or consider Liam Neeson in the film “Taken” who has to punch people’s teeth down their throat with the edge of his hand, and be a good father at the same time. So, it’s clearly possible.

To be honest, I think that this myth of men not being able to multitask probably comes from the fact that there is one situation in which we definitely can’t do it, and that’s when we try to complete a task while also listening to a wife or girlfriend.

Because when your wife is talking to you, you have to stop everything and focus! We can’t multitask in that situation because if you’re not concentrating and you miss something then it will come back to you later, when she remembers and you forget and then you’re in trouble!

So, “men can’t mulitask” and “men don’t listen” are closely linked to each other I think. It’s not that we can’t multitask, it’s just that listening to you is already a kind of multitasking – because not only do we have to understand what you’re saying, we also have to identify important bits of information which might get dropped into the conversation – clues about what you want for your birthday, indications about how you feel about certain people, basically – anything that could go into the “I told you” category. The “I told you” category is obviously a category of information that your wife or girlfriend has told you, but for which you have absolutely no memory. It could be, for example, like this:
“I’m going to the football tonight babe, ok?”
“But it’s our half anniversary tonight”
“What?”
“It’s our half anniversary”
“Half anniversary for which day? When we met or, when we…?!
“Babe! I told you!”

Now, this might be followed by “You never listen to me”.

For example,
“It’s our half anniversary of six months since our previous anniversary – I told you!”
“Umm, no you didn’t.”
“Yes, I did – you never listen to me!”

“…Sorry, what did you say? I wasn’t listening…”

So, it’s important to listen to your partner to prevent this kind of thing. Which is why women think men can’t multitask. We just can’t listen to you, and do something else at the same time.

For example, you’re doing the shopping, trying to buy the right food so you can prove that you’re able to buy the right food.
Your girlfriend calls you, and you answer the phone because you love her.
She then starts talking to you about nothing in particular.
Stop shopping. Just stop.
Stop what you’re doing.
Put that grapefruit down and listen.
This might seem like a meaningless conversation.
She might just be calling you because she’s finished work and she likes to call you as she’s walking to the bus stop.
She might be speaking to you while buying some bread in the bakery, or even while speaking to a colleague in the street.
But you still have to concentrate on every word she says, or you might miss fluffy the cat’s birthday or something and then you’ll be in trouble.
Because if you continue shopping, and try to make fresh fruit choices while talking to her – either you’ll miss something vital or you’ll seem distant and not fully involved in the conversation and she’ll say “What are you doing?” and you’ll have to say, “I’m buying some grapefruits – you know the pink ones you like” and she’ll say “Can’t you do that and listen to me too?”
NO. Actually.
No I can’t.
And now men can’t multitask.
David Beckham can’t buy fruit and talk to Victoria about the kids at the same time. Neither can Messi or Ronaldo or any of those other over-paid multitaskers.

Even RAF fighter pilots who are the best multitaskers in the world, are probably standing in supermarkets right now not doing anything, on the phone to their wives, because they love them.

So anyway, maybe men can multitask, maybe they can’t. Maybe we’ll find out in this episode.

This could be a series, perhaps called the multitasking series

Last time I cooked a chicken dinner and taught you some words for cooking. That was quite popular and I had a few comments from listeners about it, and even a couple of suggestions for other episodes I could do. For example I had a message from Ethan Lee from South Korea who said on Twitter, “I enjoyed the cooking episode a lot. Why don’t u try another thing like house cleaning? Looking fwd to it! Cheers!”

OK, so now I’m getting requests to do the housework on Twitter as well as at home. Only kidding…

That would be great Ethan because I’d be able to teach you all the language we use for cleaning, like “rub, wipe, rinse” etc – but the only problem is, I’d actually have to do some cleaning, and… I hate doing the housework, but then again maybe that could be a really good way of getting things done – just making mundane acts of housework into episodes of my podcast. There are so many possibilities for new episodes! Luke does the ironing while talking about clothes and fabrics (while trying not to burn the clothes – my wife told me to say that), Luke cleans the windows while teaching you some phrases about glass. Luke builds some IKEA furniture while teaching you some of the most commonly used swear words in the most authentic way possible. So many ideas…

Well, this time, rather than doing the housework, or doing something else useful, I’m playing a game on my new PLayStation 3. I’m going to play Grand Theft Auto 5, and while I’m playing I’m going to just describe everything I’m doing in the game, and also just ramble on about the whole GTA phenomenon (and it is a phenomenon – the series has made over 220 million dollars worldwide, which is quite a lot of money – I think it’s officially a lot of money), and anything else that occurs to me during the episode.

So, in terms of language teaching in this episode

I’ll just see what comes up while I’m playing – you know, I’m just going to kick back and see what happens (really cool English teacher character – yeah, we’ve got no agenda today, so close your book – let’s just stick on GTA5 and see what language stuff happens… yeah, chill out, no homework today – just a DVD…) but I will aim to explain and highlight certain expressions in English as I talk to you.

I expect the language that you’re going to hear in this one will fall into these categories

– General vocabulary for playing a game, with verbs such as ‘start up’, ‘plug in’, ‘unplug’ and so on
– Phrases for describing what is happening, so that means vocabulary of movement, phrases for navigating around the city, travelling, describing dramatic action, accidents, violence, explosions, shootings, murder – just the usual things that happen in a normal game of GTA5
– Exclamations of surprise, shock, anger, tension (yes, there may be some swearing)
– Ways of describing the gaming experience, such as the emotions and feelings you experience while doing it
– Ways of commenting on the game as a cultural phenomenon – so, some fancy language for discussing how games fit into society, and the usual arguments about violent computer games like this

I have done a full episode on computer games before in which I go through a history of gaming and discuss some of the issues around the subject. Click here to check that out.

The microphone should pic up some background noise while I’m doing this, which I hope should provide some context.

So, let’s go!

Things to say

– Explain the point of the game for people who have never played it.
What type of game is it?
What’s the objective?
What’s the story?
What do you actually do?
How does it work?

– It’s many things – a kind of pulp gangster movie, a sandbox game, a collection of mini-games, an online playground, a very controversial franchise and a work of social satire

– The history of the GTA franchise
It’s a British game!
Originally created by DMA Design – a games company based in Edinburgh Scotland!
DMA created Lemmings and some other games like Uniracers and Body Harvest before creating GTA for the PC and PlayStation consoles. DMA was bought by Rockstar Games – another British company based in London. Later Rockstar games was bought by Take-Two games, based in NYC. So, GTA is a British/American production. The games have all been developed by British game developers, and marketed by American companies.
GTA – 1997
GTA London 1999
GTA 2 1999
DMA became Rockstar North when it was acquired by London company Rockstar Games
GTA 3 2001
GTA – Vice City 2002
GTA – San Andreas 2004
Various GTA games for handheld franchises
GTA 4 2008
GTA 5 2013

– Controversy
According to The Guinness World Records 2008 and 2009 Gamer’s Edition, it is the most controversial video game series in history, with over 4,000 articles published about it, which include accusations of glamorising violence, corrupting gamers, and connection to real life crimes.

– The violence in the game. Is it ok? Or is there something wrong with this?

– The satirical elements of the game

– Some fun things to do while playing
* escaping from the cops
* causing total mayhem
* blowing things up
* driving through the hills
* stealing different vehicles
* skydiving
* going up Mount Chiliad
* diving in the sea
* setting challenges for your friends
* starting a gang war

– How it feels to play it for an extended period of time

– What might happen with the GTA franchise in the future (combining this with google maps, Oculous Rift, social networking, bitcoins – we could have a fully immersive, virtual reality earth in which we go round doing whatever we want, with no consequence – a world that has its own currency, but which has almost no boundaries)
gta5

Extracts with Vocabulary For This Episode (Thanks to Jack from the comment section)

They are read out by professional actors.
So why not instead of reading your next book; choose to kick back put your headphones on and let some professional actor read the story to you.
……so essentially it’s a free audio book for you.
Now lets get down to this new episode and here we go !
The microphone sound might be a bit different today because I’m using a different arrangement.
…….unlike the commonly held view that we are actually not able to do several things at the same time.
…..not only does he have to play football really well…..
Or consider liam neeson in the film taken who has to punch people’s teeth down their throat with the edge of his hand and also be a good father at the same time.
Myth
……important bits of information which might get subtly dropped into the conversation……
You are doing the shopping…..
Put that grapefruit down and listen.
If you try to make fresh fruit choices…..
Vital
I’m buying some grapefruits.
Over-paid multitaskers
Even a couple of suggestions for other eoisodes that I could do.
Housework
Rub
Wipe
Rinse
Just making mundane acts of housework into episodes of my podcast….
Iron
Luke builds some IKEA furniture while teaching you some commonly used swear words.
It might be the best game ever created.
The GTA phenomenon
It’s one of the biggest entertainment franchises in the world.
I’ll kind of give you a running commentary…
I’m going to kick back and see what happens.
We’ve got no agenda in the lesson today so close your books let’s just stick on GTA 5 and see what kind of language stuff happens. Chill out no home work today.
……exclamations of surprise or shock or anger…….
I might just spontaneously come out with some swearing.
Pedestrians
I have the microphone resting on the coffee table in front of me and I also have my laptop on the table too so when I type on the laptop you can hear the vibrations coming through the microphone.
The microphone should pick up some background noise while I’m doing this.
……if I tap the table or bump into something (I hope) that that doesn’t disturb you much.
I do hope that the background noise should provide some context to what’s going on in the game as I play it.
I just don’t have the facility to record this.
……stick it in your computer…..
Get a video camera and point it at the TV.
Just make sure my TV is turned on.
OK! Get a grip Luke! Stop dropping the microphone.
I’ve just started up my PlayStation
I’m now going to hit the x button on my gamepad.
That’s just a sound in the background for one of the kind of idents for rockstar games.
To skip through something
Or you have had some experience with this game.
Large open world sand box game.
Usually you start out as low-level crook.
Each one has its own narrative.
Heists
Shoot your way out of the bank
Extravagant way.
……you load up GTA 5
…..follow different missions as part if the narrative of the game.
Ex-gangster
Ex-mafia
Family man
Witness protection
He’s going through therapy
Dragged back into the criminal underworld.
Ghetto
Repossess vehicles
Repo man
He joins up with Michael.
Franklin learns the ropes from Michael.
He’s completely unpredictable.
For 10 years Trevor has thought that Michael is dead.
Trevor lives in the sticks. (Country side)
Trailor park.
Extortion
And to work out what’s going on
I’m not sure how far into the game I’m.
He lives in a nice big mansion in the foothills of Hollywood.
A replica of Hollywood
Based on Los Angeles
You get the downtown areas of los Angeles you get upmarket areas of Beverly hills.
Districts
…….names of celebrities engraved in the ground.
Wilderness
A living breathing city
…..going about their general business.
……all sorts of people just milling around…..
I’ve just got into Michael’s car.
I’m going to switch off the radio so that there is less distraction…..
You can hear general street noises, the engine as it’s driving along.
The sun is just going down.
The level of light changes
Woops! I just crashed into a BMW.
I’m in the middle of setting up a mission.
Trying not to crash into too many people.
I’m going to create some mayhem…..
You can hear the tyres screeching
The skidding sounds of the tyres
I just ran into a pedestrian
Commit some kind of crime.
…. shooting someone from within the car.
Lawsuits
Arguments about this game.
You might have strong feelings about that.
It is horribly violent
The game is very tongue-in-cheek.
Disposability of modern American culture.
Satire
I’m a law-abiding citizen in the real world.
It doesn’t mean we are sick and twisted.
Creative and wholesome
To create music
Grow crops
There are games that are all nice and fluffy…..
Wholesome values
Blow up cars
Drive your motorbike off the bridge.
I’ve dealt with the ethical stuff.
Simulation
The brain is designed with many different sorts of electrical frame works.
It basically operates like a human would operate.
When does AI cease to be an object and when does it start to become a person in its own right….
Interesting philosophical situation
The violence is so colourful; disgusting.
Having very up close and personal fights with the enemy.
Comical
I happen to driving at the moment some dodgy car.
An estate car
Boot
Hatchback
Attract the attention of the police
The police will start to follow you…..
Some police will be searching for you
Helicopters with machine guns
Swat teams with guys wearing armour….
Military
Jeeps
Armed tanks to come and get you down.
If you bump into a police car; they will then chase you down and hunt you down and kill you.
Traffic violations
Over the top
Gun friendly states in the USA
Over reacting
They will be driving after you
Drive after you shooting you with machine guns.
I’m fed up with this family car
I just shot him down in cold blood. That was mean and violent.
I’ll shoot the police car
I’ll go on a rampage
I’m going to shoot up some cars here.
I just shot up a car
They have knocked the bloody door off ! (You are not supposed to knock the bloody doors off of a Jaaaaag. Stupid traffic!)
The Jaguar has been ripped off by an ambulance.
Drive up into the hills
They will now aggressively hunt me down.
They are pretty full on!
They set up police road blocks for you
They put down stingers down on the ground
If you drive over the stingers then the tires on your cars will burst and it will be much harder to drive away.
I’ve just driven off a cliff; luckily I’ve landed on my wheels.
I’ve got helicopter in the sky which is also following me.
To escape from the police
I’m going to get shot.
Driving across the grass in the hills.
The police can’t follow me – They stick to the roads.
The police have lost me.
I’m going to lose the police.
I’m over the top of this hill; the landscape.
It’s a very misty morning
Haze
Silhouettes of the mountains
Stunts
I’m crashing my car down the mountain.
The dynamics in the are amazing.
Physics
The damage mechanics are amazing.
Collisions
The car gets dented.
The windows smash
The doors can fall off
The bumpers can fall off
That is messed up
Could you give me a lift home? I don’t want to walk home on my own.
She is just staying off Signora road
You can pick up people in taxis
Across the hills
It’s pretty weird and humorous.
Social satire
Narsicisst
It’s basically a big piss-take on modern consumer culture
American consumerism
Celebrity culture.
She didn’t seemed to be bothered.
It is a modern phenomenon in popular culture.
Give you a little account to the history of Grand Theft Auto.
DMA designed lemmings.
Unicycle
Original forerunner to the 3D version of Grand Theft Auto.
Police chase videos.
Quite dramatic chases as you see from above.
Sick humour
….. young people feel disenfranchised and powerful and they seek to express themselves by using guns…..
It’s very convenient to point the finger at computer games……
Although saying that maybe there are some individuals who are not very stable…..
Cathartic experience.
Afterwards you feel exhilarated
It put you in London in 1969
They really have their finger on the pulse of modern culture.
We are going to skip through some radio stations
Reggie music station
Cycle through music stations.
Soul music
Rock music
Punk music
RnB gangsta music
Country music and rockabilly
Hip Hop
Turn the volume down on the TV so that it doesn’t disturb us too much.
…….they brought out GTA 2.
……. they had a very ambitious approach to GTA 3.
They really wanted to push it into overdrive.
Some GTA games were brought out for the hand held franchise.
And in 2008 GTA 4 came out which was like another big step because it became a lot more nuanced.
It’s a sprawling gaming world.
……which include accusations of glamorizing violence…..
I don’t like when people give me the finger.
I’m going to have to go closer in order to gun this guy down…..
I’ve got three stars on me; I think it’s time to run away from the police
…. You have got to escape by driving into the tunnel.
I’ve a rocket launcher in my arsenal. In my arsenal.
Arsenal ( collection of weapons)
Police have set up a road block for me.
I got shot in the back by a cop…..
Shit! I have been talking for an hour and twenty seven minutes! That is insane! I had no idea that it had gone on for this long.
I have got the rocket launcher. I’ve pulled it out of my arsenal.
The car that was behind me ran me over.
Heinous acts of ultra violence on the streets of Los Santos.
I’m going to equip my machine gun.
Let’s wait for the cavalry to arrive.
I’m going to drive away as quick as possible.
They chase after you and they try to shoot out your tires.
I’ve crashed into the wall
The front part of my car has fallen off
I’m determined to do it even though I have got only 3 tyres.
There’s a swarm of police on my tail.
You can hear the scraping sound. (Wheel arch hitting the ground)
Mountain lions
I’m going to make a run for it.
I’ve hot wired the car.
I’m driving through the winding country roads…….
Just did a huge jump off the mountain.
Train tracks
I’m going to use the map to find the nearest train tracks.
I can drive the train track into the tunnel………
The car is in terrible condition. It has rolled down the mountain several times.
I need to drive over this hill and then I’ll be able to access train tracks.
A big lump of my car just fell off.
Can you hear some dramatic music?
Just at the mouth of the tunnel I’m going to get out.
I’m now on foot.
I’m going to go out by being run down by a moving train.
I got run over by the train – I think that is a fitting end to this podcast.
I have just walked out of the hospital. Apparently they managed to fix me up.

Thanks Jack!

329. A Rambling Chat with James (News, Stories & Jokes)

My brother has been visiting me in Paris this week and so just the other day I made him a cup of tea and got him on the podcast for a rambling chat. We talk about lots of different things including news, politics and some funny stories. I hope you enjoy the conversation. There will be more episodes about language learning coming soon.

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In this episode you’ll hear us discussing these things

  • What we’ve been up to in Paris this week
  • Jim’s first stand up comedy performance
  • Last Thursday’s performance of “Sorry, we’re English” with Paul Taylor
  • Differences between Paris and London
  • Some UK politics about the EU referendum
  • Some USA politics about the presidential elections and candidates like Donald Trump, Hilary Clinton and Bernie Sanders
  • Other news stories about drones, eagles, mosquitos and why women yawn more than men
  • Jim’s ‘talking dog’ joke
  • Jim’s dog anecdote

That’s it!

Thanks for listening!

Luke

JimPOD

326. Catching up with Oli (Part 2) Future Predictions

Here’s the second part of the recent chat I had with my cousin Oliver. In this one we talk about becoming a Dad and predictions for the future. What will society be like in the next 10-20 years? What changes will we see in communication, technology, travel and other areas? What kind of world will Oliver’s daughter grow up in? These are all questions we discuss in the episode. Watch out for language related to the future, technology, communication and childcare. Also, listen until the end to hear Oli play a nice tune on the guitar. :)

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There is no text related to this episode.  All you have to do is listen. :)

UPDATE – BABY NEWS

Hello everyone – I’m just adding a bit of extra content here after the jingle because I’ve got some good news to tell you! I just wanted to let you know that since I published this episode last week Oliver has become a proud father. Yes, Valentina was born just yesterday. I’m happy to report that both mother and baby are well, and are currently resting, eating, sleeping and generally recovering from the birth. According to Oliver, the baby is not only fit and healthy, but also “perfect”. So, there’s a new Thompson in the world! I can’t wait to meet her. Maybe one day I’ll have her on the podcast. If you want to congratulate Oliver and his wife, you can leave a comment under this episode or even send me an email which I can then pass on to the proud parents. I am sure they are both absolutely delighted. It’s amazing to think that a whole new chapter has just opened in their lives. OK – that’s enough cheese!

However, if you like a bit of cheese, and if you’re wondering what to say when congratulating someone who has had a baby, here are some ideas:

When you meet someone (spoken English)

Hey congratulations (on the new baby)! You must be delighted! That’s fantastic, I’m really happy for you. 

When you write a message (e.g. in a card)

Wishing all the happiness to the new mum and dad! May life be especially sweet for you and your little baby!

You must be sooo happy! Wishing you happy moments with your little girl/boy.

I’m really excited that your little baby has arrived safe and sound! Congratulations on this lovely news.

Congratulations and welcome to the world of parenthood! May little one be blessed with every happiness.

:)

Here’s the Simpsons video I mention in the conversation with Oli.
“So this stuff really works?”
“Certainly does”
“Well, lots of LUCK!”

Oculus Rift

Solar Roadways

A solar roadway sceptic

326pic

325. Catching Up with Oli (Part 1) Past Challenges

Here’s a 2-part episode featuring a conversation with my cousin Oliver in which we talk about first some challenges he faced over the last few years (including dramatic things like a scooter crash, a tropical disease, a burglary and how he completely flooded his own house) and then some more positive things about being a father and predictions for how society will be different in the future. Also, listen for some general news and announcements about Luke’s English Podcast.

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Announcements & News

  • I hope you enjoyed the episodes I recorded as a tribute to David Bowie. Unfortunately, so soon after we lost Bowie, the news came that another great person has died – the British actor Alan Rickman, who like Bowie was 69 years old and died from cancer. He’s most famous for playing the part of Severus Snape in the Harry Potter films, and the part of Hans Gruber the bad guy in the film Die Hard with Bruce Willis – both very enjoyable and distinguished performances, but he played many other roles too. Alan Rickman was known for his sardonic humour, his wonderfully rich and unique voice, and for bringing a great amount of weight and humanity as well as humour to his roles. He will be missed too.
  • And, I haven’t even mentioned Lemmy – the lead singer of the group Motorhead, who also died recently. Lemmy played a massive part in the invention of heavy metal music, and was generally a huge personality in the world of British rock. He was on the scene all the way from the 60s until this year when he passed away due to cancer. Lemmy was known for his gravelly voice, his appearance (he looked like a biker dressed in leather with big mutton-chop sideburns and moles on his face – he wasn’t a pretty guy like Bowie by any means), his hard-drinking speed fuelled lifestyle and his bizarre obsession with Nazi regalia – clothing, weapons and so on from the Nazi era. He wasn’t a bad guy, he just liked the designs and imagery from that time – it had nothing to do with the ideology, and at heart he was just committed to playing loud and fast music and living a loud and fast lifestyle – and he will surely go down in history as a true legend of the music world. So, that’s three people, at least. So, can famous British people stop dying please!? If we carry on at this rate there’ll be none left by the end of the year.
  • But let’s not dwell on these dark things any more! I’m glad to present you this episode today because this one is all about the future, and new life because my cousin Oli is going to be a Dad for the first time – his wife is expecting a baby daughter at any time, so let’s look to the future, with new life and positivity and all that stuff! We’ll start that in just a minute, but first – a little bit of admin…
  • The comments issue on the website is fixed. I just needed to do a few updates. You can now post comments on the homepage again. No worries!
  • Email subscribers – are you still receiving emails when I post new episodes? I had a couple of messages from listeners recently who said they hadn’t received emails with new episodes. How about you? If you’re an email subscriber, could you let me know if you received emails for the David Bowie episodes, the episode called With the Thompsons, and the Star Wars spoiler review.
  • Picture comp is finished – so, don’t send me any more photos please! Thank you for the photos I have received in my email account, and, of course, I have loads of pictures. They’ll go up on the website soon and you can pick your favourite. I’m a little bit concerned about how that’s going to work because there are about a billion photos, but I’ll work something out.
  • I’ll be meeting Paul and Amber again soon. Firstly to catch up with them both – because quite a lot has happened since we last spoke on the podcast. Amber went to Costa Rica, and Paul Taylor is now something of a celebrity as his comedy video about kissing in France went super-viral over the last few weeks. His video, “Paul Taylor – La Bise” is about his frustration with the French custom of kissing people when you meet them. It was uploaded onto Robert Hoehn’s YouTube channel French Fried TV on new year’s day and within the space of just a few days it got over 1 million views. He was featured on lots of French websites, radio and TV, and then the video went global on the BBC’s website and more. Paul also has a new solo comedy show every Saturday (as well as the one with me on Thursdays) and it’s completely sold out for the next 10 weeks or something. Wow! Remember when he was on this podcast talking about how he quit his job to do comedy? Remember how difficult it was in Edinburgh? Well, things seem to be working out for him now! Good news!

  • Also, I hope to get Amber and him on this podcast again (if he’ll come on now that he’s such a big celebrity) in order to do that interactive version of the Lying Game – remember that? Listen to “318. The Rematch (Part 2)” to find out the details. Basically, this is a chance for you to get involved in another version of the lying game.  All three of us said some statements, and you now have to write questions in the comments section for episode 318. IN the episode we’ll ask each other your questions, and answer them. Then you can decide if they’re true or lies. Again, listen to 318. The Rematch (Part 2) for all the details (listen until the end).

Introduction to this Episode

As you know at Chrimbo I want back to the UK and stayed with my family, and with my cousin at his home in Bristol. It’s been a while since he was last on the podcast, and quite a lot has changed with him. In our conversation we talk about lots of things and I really think this is an interesting episode, and a very valuable one from a language point of view. The topics we talk about are diverse and quite in-depth and as a result we use lots of different features of grammar and vocabulary. I always encourage you to notice language while listening to native speakers on this podcast, so try to do that in this episode if you can. First we talk about what happened to Oli since the last time he was on the podcast, so watch out for the ways in which we talk about the past – tenses, and other forms. Oli faced a few difficulties and challenges, so watch out for the ways he describes those things. Essentially, he tells me a few anecdotes about some of his difficulties in London, watch out for past tenses and so on. Then we talk about the future, and about various predictions for the next 10-20 years, so naturally you can try to notice the specific language, tenses and modal verbs that we use to describe the future, make predictions and make judgements about the future. As well as that, there’s a lot of vocabulary related to technology, transport and communication.

In my opinion this is a very useful conversation for you to listen to. I loved catching up with Oli and I sincerely hope you enjoy listening to it, and by the way, listen all the way to the end to hear Oli play a bit of guitar – and he’s a really good guitarist.

That’s it!

olipodnew1

324. David Bowie (Part 2)

Hello, welcome to Luke’s English Podcast, which is a  podcast for learners of English around the world. This is part 2 of a special episode about English musician David Bowie who died just a few days ago on 10 January 2016. The aim of this episode is to talk about David Bowie’s significance as an artist, to consider some of the themes of his work and to look at why so many people had such a strong emotional attachment to him. Hopefully after listening to this episode you’ll be better able to have conversations about David Bowie, but also about art and culture in general. You can find almost everything I’m saying transcribed on the page for this episode – see below.

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In part 1 I talked about Bowie’s career up until about the year 1975. So let’s carry on in just a moment, but before that I just want to say that since I recorded this episode I’ve realised that there are lots of other things didn’t mention. For example, I could have talked more about his first wife Angie and his second wife Iman. They say that behind every great man there’s a great woman. If that’s true then Bowie must have had two great women in his life – and probably quite a lot of average ones as well I expect… Anyway, joking aside, I’m sure they had big parts to play in his life, and I hope they’re alright. It’s hard for us to lose an artist we love, but I can’t imagine what it’s like for his close family who must have cared about him in so many other ways.

Anyway, let’s get back into this episode and I’ll carry on from where I stopped last time in the mid-70s.

Part 2

It’s hard to explain everything that happened in the 1970s! It was a whirlwind of different things, and incredible music. Everything moved so fast for Bowie during that period, and he was really ahead of everyone else in terms of fashion. Bowie was very ahead of his time.

Around this time he starred in a film called The Man Who Fell To Earth, directed by Nicholas Roeg. In it he plays the character of an alien who lands on earth and attempts to make sense of the place. He was perfect for the part and it is still a mesmerizing performance. He was a great actor. IN the film he’s very thin and his otherworldliness and his vulnerability were perfect for the part of an alien, alone on earth.

If you’ve seen the film “Under the Skin” with Scarlett Johannson, I think it borrowed a lot from “The Man Who Fell To Earth”.


Why was he so thin? Drugs and his excessive lifestyle.
It’s amazing that he survived that period.
You can see him in quite a dark place in the documentary film about him called “Cracked Actor”.
This is partly due to the ravages of his rock and roll lifestyle – touring, performing and being a celebrity can have a weird effect on a person, but add drugs into the mix and things can get seriously out of control.
Bowie took a lot of cocaine in the 70s. http://ultimateclassicrock.com/david-bowie-cocaine/
He did this mainly to help him work, but also because it was fun of course (in the beginning). I think cocaine can give you lots of energy which allows you to keep working much more intensively and for longer periods than people who are not using it, but it comes with a price of course – to your wallet, but to your mental and physical condition. Apparently it is incredibly habit-forming and very difficult to break away from. Ultimately, if you continue to use it then eventually it will use you. “Sometimes you eat the bar, and sometimes the bar eats you.” I don’t know where that quote comes from, but I guess it means that “you might use drugs, but eventually the drugs will use you.” And I don’t know what drugs will use you for… it’s probably best not to let drugs use you or dictate your life. They’ll take you to bad places.

Paranoia, weird eating habits, alcohol, obsessions.
He was incredibly thin and seemed to be quite out of his mind during that period.
Check out some of his interviews and TV appearances, and photos of him at the Grammy Awards with John Lennon and Yoko Ono in 1975. He looks almost like a skeleton.
Grammy Awards in 1975 - from left to right: Bowie, Art Garfunkel, Paul Simon, Yoko Ono, John Lennon

He later described this period as horrible. Imagine being so far out of your mind and yet so lost within yourself that all your demons are made real and are talking to you in persuasive, frightening and seductive voices. Apparently Bowie was so disturbed and paranoid that he could only bear to eat certain foods. Apparently he lived for quite a while just drinking milk and eating green peppers, while snorting cocaine all the time and drinking alcohol. It’s amazing that he survived.

I think his problems at that time were not just drug related, but also identity related. Apparently he had let the Ziggy Stardust persona take over his real life. He wasn’t sure where Ziggy or Aladdin Sane ended and David Bowie began. The lines became blurred. Reality and performance were all messed up, and he lost a sense of who he really was. He must have nearly lost his grip on reality for a while. Again, he was the astronaut spinning into deep space.

Nevertheless, despite the craziness in his personal life at the time, he continued to make some of the best music of his career and it’s all there for us to listen to, like great albums such as Young Americans and Station to Station. Always such fantastic music and well written songs. That’s the bedrock of all of it – he wrote very good songs. He combined appealing and popular music which also contained some very complex and avant-garde elements, like a crazy freeform piano solo here, some very unorthodox string arrangements, some totally distinctive chord changes, and some incredibly versatile singing. Some people say Bowie couldn’t sing, but it’s not true. He had quite a narrow sounding voice, but he used it in a lot of different ways and could sing low or very high. Sometimes he would sing in a kind of cockney accent, and sometimes he’d use a posher, deeper and more distinguished voice.

The Berlin Period
My Dad didn’t have any records by Bowie from 1975 until 1983, so I missed the whole Berlin period, and I still haven’t really explored it, which is, on one hand terrible because how can I be a fan without really knowing those records, but also great because I’m going to explore all those albums now. My uncle sent me 3 CDs not long ago – Low, Lodger and Heroes. I’m going to feast on those LPs. He’s always been good that way, my uncle Nic. Never been on the podcast, but he’s a huge music lover and a massive fan of Bowie. When I was 16 Nic made me a tape. It had Jimi Hendrix, Neil Young, David Bowie and The Clash on it. What an education. My uncle saw Bowie perform live 3 times. At one of those performances it was 1975 or 1976 and he was right at the front of the audience. He actually saw Bowie performing as the Thin White Duke, just a few metres away. It must have been incredible. I’ve been chatting a bit with Nic, and my brother who is also a big fan. Here are some of the things that my Uncle said to me via text just yesterday.

Nic: I feel really very sad about it, more than I can imagine for someone I never actually knew. Except of course I did in a way. Such a soundtrack through my adult life. The highlight for me was being near the front at Wembley Pool for the Thin White Duke, maybe the best concert we ever went to. The greatest artist of my generation.

Saw him three times but The Duke was the best, mainly also because we saw him swept away in the back of a huge black limousine after the gig, this little white genius in the back of this huge black car.

Luke: I’m about to do a podcast about Bowie, but I really don’t know where to start.

Nic: What you have to say is that part of his genius was the utter unpredictable nature. Each successive album was unique and different, you never knew what to expect. But it was always different and fascinating.

Good luck with the podcast I’m sure you’ll manage it but don’t worry if you can’t. Such a huge subject.

Luke Thompson: I’ll do what I can! Didn’t someone once say that art is never finished, it’s just abandoned? I’m not saying my podcast is art or anything, but I think you know what I mean.

Nic: I do. I think you and David would’ve got on really well!

Luke: Oh man, what a thought!

My bro sent me a little voice message. Here it is.
(James’ audio message)

Anyway, back to the Berlin period. I think what happened is that Bowie decided to get out of LA in order to escape all the drugs and madness. He moved to Berlin with Iggy Pop. I think they believed that there would be no drugs in Berlin, but they were wrong – apparently there was lots of heroin. I don’t think Bowie used heroin. Good – that’s the real killer and must be avoided at all costs. His friend Iggy Pop (real name James Osterberg) was a heroin addict, so I think he may have succumbed to it there, I’m not sure. But for Bowie, Berlin was a chance to start piecing his life together again and work on new projects. He also split from his wife Angie during this period. (Yes, during all the madness of the previous few years he had married and had a child, now called Duncan Jones – he’s a filmmaker who did a really great science fiction film called Moon, which is quite reminiscent of Bowie’s song Space Oddity).

Anyway, Berlin was Bowie’s attempt to begin again, and although it must have been a difficult and troubling time for him, it was also an extremely creative period, again. Some say it’s the peak of his career, but David Bowie had so many different peaks. Just pick one.

Berlin and the art scene there influenced him a lot. His records from that period were a collaboration with Brian Eno, and they have a totally different feel to the Thin White Duke period. They’re stark, sparse, quite low-fi, quite gritty, depressing yet with an air of grounded optimism and a sense of rebirth. It’s amazing how he managed to change and find new creativity with each step. I think artists are always struggling to find that inspiration to be creative. You can’t always manufacture the creative urge, it just comes to you and you have to try and put it into music or paint or whatever you’re using. I’m amazed at how Bowie managed to follow his creative muse so consistently and regularly. He was really in touch with something – a creative channel, that most of us don’t have access to. It makes us think that Bowie knew things that the rest of us don’t know. I don’t really understand that, but it’s true of all great artists I think – that they have direct access to something that we don’t, and they are able to put it into their art and then we can have access to it too. I feel like that about The Beatles too.

Song: Ashes to Ashes.
This was made just after the Berlin period and it’s his way of saying goodbye to the 70s. The song is incredible, especially when performed live. It has a really cool funk groove, but it also has some really weird and original chord changes and melodies. For me the lyrics are about him looking at his recent past and putting it behind him. It’s about letting the past be the past and moving on. I really can’t do justice in words to how poignant this song feels for me whenever I listen to it. It just grabs my feelings and throws them around all over the place. I don’t want to sound pretentious, that’s genuinely what the song does to me. I care about it in personal ways that I can’t go into now. I love the strength in the song. That you can move on and change and that you are not defined by your past. That’s incredibly brave and positive.

My Dad had another album – Let’s Dance, released in 1983. Perhaps Bowie’s biggest commercial hit. Produced by Nile Rogers.
On the cover Bowie was dressed as a boxer and is throwing a punch. There are also some diagrams for dance steps. I like the analogy of boxing and music. Dancing can be like fighting, when you dance on your own that is. It can be like sparring with your demons, if you like.
Bowie was still in a suit in this period and had bleached blonde hair. He still looked super cool as always.
The production on the album is absolutely massive. It sounds incredible.
The vinyl was in much better condition.
Maybe my Dad listened to it less (I think having kids and a job took up most of his time) or maybe the technology had improved since then, and vinyl records were just better made.
“Let’s Dance” blew my socks off completely. Still does.
“China Girl” also sounded incredible. The musicianship was so tight. It was produced like an up-front commercial dance album. Apparently Bowie didn’t like it that much. I think it just didn’t match his artistic vision, but I love it – because I love the work of Nile Rogers (think tracks like “Good Times” by Chic or “He’s the greatest dancer” by Sister Sledge, and many other records).
My Dad told me that he thought China girl was a song about heroin. That was really intriguing to me. “How could those romantic lyrics be about drugs?” and also, I was interested to know if Bowie had used heroin, because I know how dangerous that drug is – just watch the film Trainspotting and you’ll know.
It turns out the song was written by Iggy Pop. That explains it. Iggy was the heroin addict.
Listening to it, there’s a lot of pain and despair in the lyrics. Bowie screams in pain, including the line “It’s in the whites of my eyes!” to describe the depth of Iggy’s drug addiction. That’s scary, but it’s a pop song.
In fact, the raw upbeat power of the song overwhelms the dark sentiment of the lyrics. Maybe that’s why Bowie wasn’t so keen on it.

Since listening to that album as a teenager (and throughout my life) I’ve learned that by 1983 Bowie had managed to get clean and had left his drug habit behind. That was always really impressive to me. He always managed to maintain such distinction and class, even when he must have been feeling so terrible sometimes. He really kept it together, but there must have been some pretty dark and difficult times. I respect him for having the strength of mind to stop. Lesser people would have been destroyed by the lifestyle he had. Apparently, to help him stay clean, Bowie had a tattoo on his leg of the serenity prayer, which is the common name for a prayer authored by the American theologian Reinhold Niebuhr (1892–1971). It has been adopted by Alcoholics Anonymous and other twelve-step programs. The best-known form is:

God, grant me the serenity to accept the things I cannot change,
The courage to change the things I can,
And the wisdom to know the difference.

Which means I think – he wanted to remember that he could never go back to using drugs. I think some addicts slip back into using when they think they have the power to stop again, but they have to remember that their drug addiction is something they can’t change. If you believe you can control the addiction, you’re wrong. But you can control yourself by choosing to stay clean.

It’s something like that. But to me it’s impressive that he tattooed that onto his leg. He was really committed and strong-minded.

The 80s were a slightly mixed period artistically for Bowie. I think he probably got his personal life together but his art suffered a bit. Fair enough. I think he deserved to have some happiness and stability for a while and so what if some of his work in the late 80s wasn’t that great.

I remember seeing him again in about 1986 or 1987 when as a family we went to the cinema to watch a film called Labyrinth. David Bowie played the bad guy in the film – called Jareth The Goblin King. Basically it’s a kind of dark fairy tale about a girl who goes on adventure into a maze in order to rescue her baby brother who has been kidnapped by the goblin king. Bowie’s performance is pretty hilarious. He’s dressed up in a very camp outfit with big hair and tights. He sings a couple of songs. I remember being a bit disturbed by the film but I didn’t know why. Watching it back more recently I think I realised what it was – it’s Bowie’s tight trousers. They were… well… a bit too tight. I mean, you could see everything. The film was supposed to be scary and there were a few monsters in it, but really the most frightening monsters were on display under David’s tight pants. If you don’t know what I’m getting at, watch the film and you might see what I mean. I’m not the only one to have made that observation by the way. Apparently it was intentional too. The director wanted to create a villain who was attractive yet dangerous – like a rock star.

Bowie came back again in the 90s with another creative period. He reinvented himself as a kind of godfather of British rock music. He wore an awesome jacket with a union jack on it, and collaborated with drum and bass artists like Goldie.

For me the rest of his career is interesting but not quite as great as his earlier work, in terms of music. But he did lots of TV interviews and live performances and many of them are on YouTube. I like to think of his later period as his interview period, but of course he was involved in loads of other projects. There are plenty of things I’m not mentioning here just because it would be impossible to cover everything. One thing he did was use the internet to share his music, right from the beginning, before most other artists or companies used the internet for publishing. He really had his finger on the pulse. He was always ahead of his time.

His TV interviews on YouTube are great. He was always really interesting to listen to. He was very thoughtful, intelligent and articulate, and funny. He was really witty and had a fantastic sense of humour. That’s perhaps one of the most attractive things about him. He never ever took himself too seriously. He took the art really seriously, but never himself. His attitude was so refreshing. No ego.

He had a characteristic voice and way of speaking. It’s fun to do impressions of him and many comedians have done that over the years. My favourite impressions of Bowie are done by Hugh Cornwell on a TV show called Stella Street, and by Adam & Joe who are both Bowie obsessives, particularly Adam Buxton. They do great Bowie impressions. Check out the page for this episode to see those Bowie impressions and to listen to a long documentary that Adam did about Bowie. It’s brilliant.

Bowie released a few albums during the 2000s that were well received by critics, including Heathen and Reality.

Then he went quiet for a while after having a heart attack. He sort of disappeared from the media, except to help promote his son’s film “Moon”.

Then, more recently he came back with The Next Day, and just a week before his death his final album called Blackstar.

What’s interesting about this last couple of albums is that he seemes to be singing about his career as a whole, revisiting some of the themes, places and images that he created earlier.

What none of us predicted is that his latest album Blackstar is about his mortality. Listening to it now, immediately after his death, the songs and videos take on a much deeper significance. The album is very poignant and moving, and is full of puzzles and enigmas that seem to express his experience of coming to terms with his own death, and then dying, leaving us with a completed body of work. It is the perfect ending to his career.

Just over a week ago Bowie released his new album on his birthday.
Lots of people were talking about it, and Bowie fans were excited as usual to get some more music to explore.
We were all celebrating his return and wishing him a happy birthday.
So when we heard about his death, it came as a painful shock.
It was so unexpected, because we had no warning. We had no idea he was sick. He’d kept it secret.

It might seem like a small thing, but a new album of music from an artist you love can make a difference to your life in subtle ways.
A week before he died, early on a dark Monday morning while eating my corn flakes, I had watched the video to his song Blackstar. I found it to be really strange and quite frightening, yet with an appealing and catching song in the middle of it.
Just like much of Bowie’s best work, it’s both avant-garde and poppy. It’s not easy listening, it’s quite dark and moody, but I like that. Music shouldn’t always be safe. It should be challenging sometimes.
Anyway, the video disturbed me a bit. It was full of nightmarish visions, and seemed to be symbolic of something but I couldn’t put my finger on what it was.
I went to work that day and put it to the back of my mind, deciding to just come back and listen to the whole album at some point later.
Then a week passed and last Sunday evening came around. I couldn’t sleep.
I just couldn’t get to sleep.
That doesn’t always happen to me. Usually I get to sleep quite easily. I love sleeping.
This was one of those nights when I couldn’t rest. My mind was just wide awake and it was racing in lots of different directions at the same time. I ind it very frustrating and annoying, especially if I have work the next day. I just want to sleep but my mind seems to be connected to something and won’t switch off. (perhaps I should have listened to my own sleep episode – or tried the relaxation techniques, but I couldn’t focus)
It was disturbing to be still awake at 4am, just lying there in the darkness, with the stars in the sky outside, just staring into space even though my eyes were closed.

Eventually I dropped off and got a couple of hours of sleep, but I was feeling pretty delicate on Monday morning. You know how it is if you haven’t slept.
I had corn flakes again like normal. I have to get up extra early on Mondays in order to teach. My wife was still sleeping peacefully. Lucky her!
I got to school in the rain.
I was holding it together, getting my lessons prepared and someone came in the room and just said to me “David Bowie’s dead”.
Immediately I just said “WHAT???”
In fact, the news spread around the teachers’ room pretty fast. Usually people are busy getting their lessons planned but everyone just stopped.
It’s hard to comprehend that someone is just not in the world any more.
There’s a period where you can’t come to terms with it.
I felt a bit empty or something.
Then I had to go and teach.
During the classes that morning, when I wasn’t interacting with my students, like when I was getting the CD prepared, or when I turned away from them to write on the board, it came back to me quite quickly, and I got surprisingly emotional and had to try to get control of myself!
Fair enough I hadn’t slept much so I was feeling a bit weird anyway.
But I’m still quite surprised at how moved I was.
It was so unexpected.
It’s like David Bowie himself had punched me in the stomach.
Apparently he used to train as a boxer to keep fit.
Well, apparently he was still pretty fit because laid a combination of punches on me that morning that I didn’t expect.
In those moments when I wasn’t occupied by something else I couldn’t help thinking of the times when David Bowie’s music was in my life. They were all key moments for me somehow. Like being in the car with my Dad, discovering new feelings as a teenager in the corner of the living room, dancing in a nightclub somewhere with girls, doing Bowie impressions with my best friends, singing a Bowie song to try and seduce my girlfriend (it worked – the song? “The Prettiest Star”).
They all struck me, but I wasn’t the only one of course. Millions of people around the world were feeling pretty much the same things as me at that moment.

And later on I thought about that scary video that I’d seen exactly a week before and it made a lot more sense to me.
Bowie knew what he was doing. He new he was sick with cancer and he knew that he was going to die, but he didn’t tell the public. We had no idea. So he decided, probably very quickly, to make this music and throw into it all his feelings and experiences when confronted with his own mortality. Apparently he had 6 heart attacks in the year before his death, while recording the album, but he kept fighting to finish the album. Wow.

Apparently he was very close to the edge during the period when the album was due to be released. But he managed to time it somehow so that he would die a week after his birthday and the release of the album.

Even his death was a flawlessly judged artistic act.

Imagine my sleepless night, the frustration of not sleeping, the weird thoughts and fears that passed through my head in that condition. It was weird but what must it be like to be lying in bed, not waiting for dawn to come, but waiting for the end to arrive? What would you be thinking and feeling? I think Bowie has done a great job of expressing that in this music. It’s scary I know, but it’s powerful, and it’s not just morbid and depressing. There are moments where I feel he’s exstatically happy, looking back on some of the victories and joy he had in his life.

Also, the music is good. It’s got some bubbly electronic sounds and some jazz/funk drumming, and some soulful elements and sweeping string arrangements and saxophone.

But what’s mind-blowing is that Bowie used his death as a way of delivering his art to us. That punch in the stomach is a great way to get someone’s attention. Now he has everyone’s attention and we’re all listening. It’s the perfect exit! He really left with a bang.

Now what we have is a complete body of work with a distinct beginning and end, which makes it all the more powerful. I’m sure that all his best music will stand the test of time. In 100-200 years, if we’re all still here, I think Bowie will still be considered one of the most influential and significant artists of this age.

For me personally, I hope there will be many more moments coming in the future that I can share with David Bowie and his music, like the ones I had in the past.

The man may be gone, but the artist remains – preserved in the music, in the images and in our memories.

Thank you David Bowie.

Here are lots of David Bowie Links and Videos.
Just take your pick and dive in.

Space Oddity studio version with lyrics

Space Oddity live on TV in 1969
https://www.youtube.com/watch?v=dFhKM8AW1Js

Ziggy Stardust sings Starman on BBC Top of the Pops in 1972

David Bowie announces the end of Ziggy Stardust on stage
https://www.youtube.com/watch?v=_-G1Uy0OkCw

Aladdin Sane

Bowie interviewed by Dick Cavett in 1974, clearly under the influence of cocaine

Thin White Duke
https://www.youtube.com/watch?v=Shnrnqx_wsY

https://www.youtube.com/watch?v=G4_0bVgIRjg

Bowie in Berlin
Guardian article http://www.theguardian.com/music/2016/jan/13/david-bowie-berlin-years-heroes-just-a-gigolo

Fascinating interview from 1979

Bowie in 1983 criticises MTV for not playing black music

Bowie talks about acting and touring in 1983
https://www.youtube.com/watch?v=DqiTgApODBk

Nile Rogers describes meeting David Bowie

Bowie – “The Interview Years”

Bowie & Comedy – Ricky Gervais described meeting Bowie

Phil Cornwell on Stella Street (skip to 5:00 for the David Bowie impression)
https://www.youtube.com/watch?v=oIot-vgqJBA

Documentaries

https://www.youtube.com/watch?v=gRiTngOAQps

Adam Buxton’s Audio Bowie Documentary
This is my favourite Bowie tribute.
https://archive.org/details/AdamBuxtonOnDavidBowie31stMarch2013
YouTube version here but with the songs removed
https://www.youtube.com/watch?v=mpCrIZamdQE&spfreload=10

The new tracks – Blackstar (the creepy video I watched on Monday morning while eating corn flakes) and Lazarus

Adam & Joe talk about Bowie and do some impressions
If you watch just one of the videos in this list, please watch this one. Adam & Joe obviously love Bowie very much, and their impressions and improvisations are a lot of fun.

323. David Bowie (Part 1)

This episode is all about the life and work of David Bowie, the English musician who died just a couple of days ago. In the episode you’ll hear me talk about the cultural significance of Bowie as an artist, why he is such a legend of British music, and what his music means to me personally. I hope you can use this episode as a way to learn more about British culture. Almost 100% of the episode is transcribed below.

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David Bowie was an English singer, songwriter, record producer, painter and actor. He was a figure in popular music for over five decades, and was considered by people around the world as a cultural innovator, particularly for his work in the 1970s. I am a big David Bowie fan, and in this podcast my aim is to explain to you the appeal and significance of David Bowie as a cultural icon. I’ve had a few messages from listeners over the last couple of days asking me to talk about this subject, and I am very happy to be able to do that on my podcast.

This subject is significant to me personally, and I expect to many of you too, but also it’s a very significant to British culture in general, and I think it’s important to teach you about British culture or English language culture on Luke’s English Podcast, as well as to teach you the language itself, because ultimately, it’s all part of the same thing. The language exists within the culture, or perhaps the culture exists within the language – they are intertwined together in complex ways. So, to learn the language like a native I think it helps to know about the culture of that language too, so you can start thinking in the same way that native users of that language think too. Also, if you ever talk to native speakers of English you need to know the cultural references. For example, at the moment and no doubt for a long time afterwards, people will be talking about David Bowie, his music, his art and its significance. Would you be able to hold down a conversation about Bowie? Hopefully this episode will help you do that.

David Bowie changed our culture, not just in Britain but also around the world. How did he do it? What did he do that was so significant? Why is his death such a big deal? What was his appeal? What do most people know about David Bowie? What did he do during his life? What were the messages he communicated through his art? Why will he be considered one of the greatest artists of our time?

There are so many questions to answer. I don’t have the answers to all of them. Some questions will go unanswered. But there are always more questions than answers, aren’t there?

I think the world still doesn’t fully understand what Bowie was doing or what it was all about – or at least we can’t easily put it into words, but those people who value his work certainly feel a powerful emotional connection to David Bowie and his work. He was an artist, and I suppose part of the work of an artist is to express ideas and feelings in other ways – not using words alone, but using anything else as a way of conveying a message or feeling. David Bowie definitely did that. Not only was he a musician, but he was an artist, maybe one of the greatest artists of our time, and he used everything he could in order to communicate with us – music primarily, but also video, theatre, mime, the internet (he was an early adopter), the media and even his own body, his fame, his image and ultimately his identity itself. He even used his own death as a way of communicating his art to the world.

David Bowie’s whole life turned out to be a work of art itself, and as an artist he used his life to tell a captivating, mysterious and complex story.

Here are the main questions I’m going to try and talk about
Who is* David Bowie? (*was ?)
Why is he significant?
Why is Bowie significant to me personally?

I have to say that this is a really difficult episode for me to do because there’s just so much to cover, and I want to do justice to the subject. I don’t think I can say everything I want to say about Bowie in this episode. I would love you to just listen to his music with an open mind. Listen to the beats, the grooves, the moods and let your imagination do the rest. he was also a great speaker in interviews – he was articulate, charming and very funny too. I’m not going to play you any interview footage or any of his music (except perhaps for a couple of seconds per song) on this podcast. But what I have done is collect some videos and other links for you on the page for this episode and I strongly recommend that you check them out. There are other documentaries, interviews, podcast episodes and music that are really really great and will give you loads more perspective on the subject. So go to the page for this episode and just dive in. Please do watch and listen to Bowie in his own words, and in the words of other people who have talked about him too.

I’ve been a fan of Bowie almost all my life. I grew up with his music and it has been with me at various important emotional moments for me.

When did I first hear Bowie’s music?
In the car as a child.
Night time.
Space Oddity.
The song is fascinating – it tells the story of an astronaut on a space mission. He goes out alone into space and loses touch with the earth. The astronaut is afraid, and it is scary – the idea of being so alone, drifting into the void of space, but also it is full of the wonder of the universe – seeing the earth from a distance, and wondering what it’s all about. The song is deep – as deep as the film 2001 A Space Odyssey, which was a direct influence on Bowie.
Looking back on it now, that car was like a spaceship floating through the dark with my Dad at the controls, the lights of suburban London street lamps passing overhead.
The song is like a metaphor for his career somehow.
The astronaut is Bowie the artist, and the spaceship is his work – the different characters he portrayed and inhabited, the multimedia structure around him that he built during his career – like a cocoon, which he has now departed.
Now, after his death, we have just the cocoon, the spacecraft. His life’s work is left with us.
I’m not sure what I’m saying here. And I’m sounding a bit pretentious I expect.
What I mean is that the image of a man in spaceship travelling through space is a bit like a metaphor for the work of the artist going on a journey. I can’t explain it. IN fact, I don’t quite understand it fully. It’s just beyond my understanding, just out of reach, somewhere in space.
That’s space oddity.

Then, later, at other times in my life, I had other moments with David Bowie’s music.
I gave a Bowie album to my Dad for his birthday in 1987. I remember the front cover of the album. I was 10. Bowie was Blue. It felt important that I was giving the record to my Dad. I think my Mum bought it, and I gave it to him.

Then when I was a teenager I started exploring my parents record collection. I discovered a lot of old music, but it was new to me. In our house the record player and the vinyl records were in the corner of the living room. I remember spending quite a lot of time in that corner, with the headphones on, exploring the music while my family were doing other things.

There was an album called “Changes – One Bowie”, which was a greatest hits compilation. I think it was released in the mid 70s and it had songs from his whole career up to that point. It was music from his psychedelic period, his hippy-in-a-dress period, the Ziggy Stardust period and the thin white duke period. These are all different incarnations of Bowie’s rock star identity.

The album cover to “ChangesOneBowie” – the compilation LP that I found in my parents’ record collection.

There was a photo of Bowie on the front of the album – it was a black and white pic and he looked like a Hollywood star from the classic Hollywood period of the 1930s or 40s. I couldn’t quite date the photo. Normally I’m good at predicting the period in which the picture was taken, or predicting when a record was recorded by listening to it, but this photograph just looked completely timeless. I couldn’t work out when it was taken.

The photo could come from any time and that was pretty fascinating. Also, he just seemed so cool and handsome and I thought – how could I be like him? How can I take some of that style and confidence and attractiveness and apply it to my own life. He seemed to be above everything, but not in a bad way – not in an arrogant way. I thought, how could any girl resist this guy? And that was very exciting for me – because I definitely fancied girls but I just wasn’t confident enough. I had no clue about how to talk to girls, let alone get them to fancy me. What Bowie showed me about that is that you shouldn’t fake it – just be confident, express yourself, let your natural style come out and don’t show any fear and you’ll attract girls. In fact, what was really attractive about Bowie is that he didn’t do things for egotistical reasons – the guy in the photo was distant – he wasn’t looking at the camera, he wasn’t begging for your attention, he was looking off into the middle distance somewhere. His mind was elsewhere. He was occupied by his work and by big ideas. I think Bowie’s enthusiasm and commitment to his work made him as attractive as his looks. But it was his looks too. He was the complete package.

I asked my Mum what she thought of Bowie and she said she just found him weird and a bit creepy. I was a bit disappointed, but I was still convinced that Bowie was the essence of coolness. What I saw in that picture was a lot of what is appealing about Bowie. His good looks and cool style, but also his class, his elegance, mystery and weirdness.
Let me describe the album cover.
You see his face and shoulders. He’s looking to our left, into the distance. It’s a black and white photo. His hair is quite short and is combed back with a slight parting on the side. His finger is resting on his bottom lip as if he’s thinking of something.
After a while I noticed that his eyes were different. The pupil of his left eye in the photo is dilated wide, but the other pupil is normal. I wondered if that was an effect added to the photo, to perhaps hint at the fact that he was high on something. It wasn’t obvious, but it was fascinating. Later I learned that Bowie had 2 different eyes – it looked like they had different colours, and the pupil of one was always larger than the pupil of the other. Apparently he had an accident or a fight over a girl when he was fourteen and got punched. The punch caused damage to a muscle in his eye, and since then one of the eyes always looked different to the other. It was another part of Bowie’s allure – there was just something different about his face.

In the photo he’s thin and has ridiculously high cheekbones and chiseled features, like a Hollywood movie star from the 1940s.
He had classical good looks, but there was something else about him – the lines on his face, the shape of his nose – there was something otherworldly and alien about him, like he might have come from outer space.

Also he has femininity in his features, and I think there’s nothing wrong with being in touch with your feminine side.
His ambiguous gender wasn’t the main thing I liked about him, but for many other teenagers throughout the years – teenagers who struggled with their gender identity, David Bowie was someone who gave them self-esteem and confidence. He showed that if you felt confused about your gender, that it was nothing to be ashamed of and that it didn’t matter, and that you could be whoever you wanted to be, and do it with pride. As a rock star, David Bowie was a huge ego boost to so many fans, and for many reasons. For me Bowie was just cool, confident and he made really great music. His confidence and his style commanded respect.
I grew up a bit when I looked at that album cover.

Then I listened to the record. I took the vinyl out of the sleeve and put it on the record player, with the headphones on. My parents had an old pair of 70s headphones. They were really good quality ones.

The first track was called Changes, released in 1971. There was a scratch on the record and it used to jump quite a lot during the introduction to the song. For years, I only heard the scratched version. The song would skip from the intro to the first verse, and then to the chorus quite quickly. It still sounded good to my ears.

It had a piano riff, chunky sounding drums and a good baseline. It sounded amazing in the headphones. Bowie sang words like
I watch the ripples change their size
But never leave the stream
Of warm impermanence and
So the days float through my eyes
But still the days seem the same
And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They’re quite aware of what they’re going through
Changes

As a 15 or 16-year-old I was quite aware that I was going through changes of my own and at the time I was feeling for the first time that I was actually having more complicated feelings than just “I want to play football” or “Star Wars is cool”. Listening to this song, even though I didn’t completely understand the lyrics, I felt that I was suddenly part of something much larger and deeper, and it felt really cool. What it meant to me at the time was that we go through changes in our lives and we don’t always know why, but they’re significant and meaningful and we should be prepared for them, and others should let us change and we shouldn’t try to hold each other back or tell each other what to do – that we should have respect for each other’s complex worlds. I didn’t really understand it all, but it meant a lot – I just felt it.

Also, as I learned more about David Bowie’s music I knew that he was something of a changeling himself. He went through many image changes during his career, especially in the 70s, and that was and still is fascinating to me. How could someone become all these different people – and still hang onto himself? What was identity all about?

Here’s a ‘brief’ history of David Bowie.
South London in 1947. His real name was David Jones. Another performer had the name Davy Jones so he changed his name. He tried a few others, including Tom Jones and David Cassidy, before sticking with David Bowie. Good judgement. He chose Bowie because it was the name of an American knife and he liked the symbolism of that. The knife.
Grew up in postwar UK – the same generation as the Beatles and so many other great artists of his generation.
The main theme of his childhood seems to be – boredom and dullness. Living in suburbia was dull and everything looked the same. It seems to me, looking back on that period in the 1950s that life was in black and white. Just boring and quiet. The older generation just wanted peace and quiet after the hell of world war 2.
Like his peers he got hooked on American rock and roll and R&B but also plenty of other forms of music. This new music which he heard on the radio must have brought some colour into his life.
America was the place that seemed to be really exciting and interesting.
He got involved in the London music scene but never really found his style or confidence.
There was a boom in youth culture associated with music and fashion. This was the mid-late sixties.
Drugs and psychedelia were involved, amphetamines for energy and probably LSD for its mind expanding qualities.

Bowie recorded Space Oddity and it was released and became a hit, eventually, particularly as it coincided with the NASA moon landing in 1969. Some people thought of Space Oddity as a novelty song – just a funny story about an astronaut going into space. But it was deeper, more meaningful than that. Space Oddity is now a timeless classic that is not just about an astronaut. It’s an existential comment about the human condition. But it’s also a great little pop song that you can hum along to and which gets stuck in your head.

Despite some success with that song he still felt unsure of himself as a performer, and searched for ways to bring new dimensions and confidence to his performance art.

He started taking risks with his performances and was influenced by avant-garde artists and various forms of theatre, like clowning, mime and Japanese kabuki. He brought those influences into his rock and roll shows.
He collaborated with a guitarist called Mick Ronson who perhaps deserves more recognition than he gets. He’s the one who played those amazing riffs on a lot of Bowie’s glam rock classics like Rebel Rebel and Ziggy Stardust.

Bowie also came out as gay/bisexual during that period, but it’s not clear to all of us if he really was gay or if it was all part of some kind of provocative and experimental performance both on and off stage.

Nevertheless, he attracted devoted and passionate fans who loved his daring style and his outrageous performances. Being a David Bowie fan was a statement of liberty and freedom. He made it ok, and maybe even cool, to be androgynous.

Also, his music at the time just kicked arse. His band made really raunchy and catchy glam rock. It was heavy, fast, funky, romantic and glamorous. The confidence and mystery that he exuded on stage was like a gift to his fans, who were empowered by having him as a role model.

He first became really huge as a star when he created the character of Ziggy Stardust in around 1972.
Up until that point Bowie had not really found his feet as a performer. Apparently, when performing as himself he felt shy. It’s hard to imagine, but apparently it’s true. He didn’t really enjoy performing as David Bowie, because he just felt a bit awkward.

So he invented a character, and played him during the performances.
Ziggy Stardust was just a character – like a character in a movie or a play, and Bowie was the actor.
People still refer to Bowie as Ziggy, like it was his nickname. It wasn’t a nickname for Bowie, it was an alter-ego. Ziggy disappeared in the mid 70s.

Becoming Ziggy allowed Bowie to really let go of himself and become a rock god, and his performances as Ziggy were really extravagant, involving big costume changes, make up and all sorts of rude and lewd acts on stage.

Apparently Bowie was Ziggy not only on stage, but also off the stage, in public appearances, interviews and so on.
So, David Bowie was really an actor playing the part of an outrageous rock star. That’s interesting for me because Bowie’s acting performance was not just confined to the stage, it bled out into every aspect of his public life. His fame was his medium. He used that medium, fame, very well, to convey his art to us, even with his death.

It’s as Ziggy Stardust that Bowie became really well-known all over the UK and then in the USA, where he was embraced as a big star by the rock music scene.

Apparently Bowie’s main influences for Ziggy Stardust were on one hand NY based musicians Lou Reed & Iggy Pop, but also mime artists, Japanese kabuki theatre performers. Bowie loved the way Lou Reed managed to combine avant-garde art with pop and rock music. He loved the outrageousness and energy of Iggy Pop and the mystery and magic of the kabuki theatre tradition. All of it combined to create something extraordinary in Ziggy Stardust. These incredibly theatrical live shows, with stomping fast rock music and avant-garde lyrics. He released an album called Ziggy Stardust and the Spiders from Mars. It’s now a classic.

Part of Bowie’s genius was always that he could take very weird and abstract art and bring it to a wide audience via good old-fashioned rock and roll, and pop music. That’s the genius of pop. A pop song is so short, and so simple. Just 3 minutes with a couple of verses, a chorus and a bridge section. Played on the radio for mass appeal, full of catchy melodies and instant appeal. Bowie, like all the other great pop stars, used this medium to deliver some very powerful and clever ideas. Bowie’s pop songs were not just disposable trash. They had deep hidden meanings that are hard to comprehend, but which really stand up under scrutiny. He wasn’t just lucky either, like some artists who make one or maybe two hit records in their career. Bowie had hit songs throughout his career, and his greatest hits albums that you can buy now stretch over 2 or sometimes 3 CD collections. He knew what he was doing and his music is pure pop art.

He was a mainstream pop act, but he was also a radical avant gardist. Using pop to deliver abstract ideas right into people’s every day lives. Usually abstract art is to be found in galleries, and let’s face it, not enough ‘ordinary’ people see it. Through his records and videos and other projects, Bowie brought that stuff right to hearts and minds of a massive audience. IN that way, he’s way more of a successful artist than so many others. People would play his songs on the radio. He appeared on Top of the Pops on BBC1 – a very mainstream show, and he brought into the homes of normal people some of the craziest and most over the top concept art, simultaneously fascinating and frightening the nation. He sang a song called “Star Man” on BBC TV, dressed in a bright green costume, with his hair dyed bright red. Starman seems to be about an alien who wants to come to earth but is frightened of how the humans will receive him. It seemed to many that Bowie was the alien.

What did Ziggy Stardust look like?

I remember watching a movie about a Ziggy Stardust live concert, with my brother…

Ziggy was Bowie’s way to celebrate rock and roll, and comment on all its conventions. Again, he knew what he was doing. He wasn’t just aiming to get as many fans as possible. He wanted his fans to really think about what was going on in the live show, in music and in life in general. He really encouraged his audience to use their own intelligence and to interpret his work in their own way. I feel a great amount of respect from the artist when I listen to the music and watch his performances. I don’t feel like he’s patronising me or being arrogant. I just feel like he’s doing the performance, but that some part of him is completely conscious of what he’s doing objectively and that he has no ego.

Apparently, according to the things I’ve heard and read about him, Bowie was a really nice and down to earth person. In interviews he was always very intelligent, articulate, sweet and funny. Apparently he was also quite a private man. The characters he played in his songs are really different to the character of the artist himself.

Bowie made a few albums using the Ziggy Stardust persona, and toured America, and moved there I think. He recorded a couple of albums as Ziggy, but the character did change bit by bit, with a slightly different look emerging over time. He released a couple of albums with the Ziggy Stardust persona I believe. These are absolute bona fide rock classics. I’m talking about albums like Diamond Dogs.

I think by the mid 70s his life was moving extremely quickly and that’s evident in his music and his image. He went through so many different changes during that period and produced some wildly inventive yet accessible music. Eventually he killed off Ziggy (you can see video footage of him announcing it during a live concert – the audience seem devastated! He says, this is our last live concert, ever – and you hear gasps from people in the audience.
But he didn’t quit of course, he just came back with a new image, a new character.
Aladdin Sane.
He looked a bit like Ziggy, but he was darker and even more mysterious.

Then within just a year or two, Bowie changed again. Ziggy Stardust, then Aladdin Sane, and then a character was eventually called The Thin White Duke. He wore sharp suits and had his hair combed back. He used to walk around with a cane, and sometimes wore a hat. He was extremely debonair and suave looking, yet very thin and bony. Again, his combination of handsomeness, androgyny and alien weirdness gave him an allure and a charisma like nobody else.

At that time he was influenced by the soul and funk musicians of New York in the mid seventies. I can’t really explain all the influences and details of his different clothing choices. Essentially, he had his own style – and it influenced a lot of fashion that followed him. I think he had a huge influence on the styles of the 1980s. A lot of what musicians and fashion designers did the 1980s, Bowie had already done in the 70s. Bowie basically created the 1980s.

I think the Thin White Duke is my favourite Bowie period, although I love all of his changes. He was called that because he was thin (due to his lifestyle), he was white! (obviously – but this was more evident because of the fact that he had started playing soul and funk music, which were associated with a black audience – so compared to many of the black artists in his band and black people in his audiences he looked really white. And he was very pale anyway during that period, so I think he was pretty much the whitest dude on the planet, but playing what was considered to be black music.

And the music is the main thing I like about Bowie during this period. I generally love funk and soul music from the 70s, regardless of who is playing it – whether they’re black or white doesn’t matter much to me, in fact I prefer to have my music in with the full colour spectrum please – black, white, and everything in between – purple, brown, yellow, green, pink – if it’s a colour, I want it in my music! No black and white music please. So, Bowie’s funk period is really great. My favourite album from that time is Young Americans. It’s got tracks like “Young Americans” and “Fame” on it – deeply groovy, tough and yet smooth soulful dance tracks. He collaborated with John Lennon on Fame. Imagine that! A funky dance classic, with John Lennon of the Beatles.

END OF PART 1


CLICK HERE FOR PART 2

Here are lots of David Bowie Links and Videos.
Just take your pick and dive in.

Space Oddity studio version with lyrics

Space Oddity live on TV in 1969
https://www.youtube.com/watch?v=dFhKM8AW1Js

Ziggy Stardust sings Starman on BBC Top of the Pops in 1972

David Bowie announces the end of Ziggy Stardust on stage
https://www.youtube.com/watch?v=_-G1Uy0OkCw

Aladdin Sane

Bowie interviewed by Dick Cavett in 1974, clearly under the influence of cocaine

Thin White Duke
https://www.youtube.com/watch?v=Shnrnqx_wsY

https://www.youtube.com/watch?v=G4_0bVgIRjg

Bowie in Berlin
Guardian article http://www.theguardian.com/music/2016/jan/13/david-bowie-berlin-years-heroes-just-a-gigolo

Fascinating interview from 1979

Bowie in 1983 criticises MTV for not playing black music

Bowie talks about acting and touring in 1983
https://www.youtube.com/watch?v=DqiTgApODBk

Nile Rogers describes meeting David Bowie

Bowie – “The Interview Years”

Bowie & Comedy – Ricky Gervais described meeting Bowie

Phil Cornwell on Stella Street (skip to 5:00 for the David Bowie impression)
https://www.youtube.com/watch?v=oIot-vgqJBA

Documentaries

https://www.youtube.com/watch?v=gRiTngOAQps

Adam Buxton’s Audio Bowie Documentary
This is my favourite Bowie tribute.
https://archive.org/details/AdamBuxtonOnDavidBowie31stMarch2013
YouTube version here but with the songs removed
https://www.youtube.com/watch?v=mpCrIZamdQE&spfreload=10

The new tracks – Blackstar (the creepy video I watched on Monday morning while eating corn flakes) and Lazarus

Adam & Joe talk about Bowie and do some impressions
If you watch just one of the videos in this list, please watch this one. Adam & Joe obviously love Bowie very much, and their impressions and improvisations are a lot of fun.

312. The Words of the Year (Part 3) with Amber & Paul

Here’s the third part in this series about the Collins Dictionary Words of the Year 2015. Listen to the episode to hear Amber, Paul and me discuss the rest of the words in the list. I’ll also explain and clarify some vocabulary, grammar and pronunciation from our discussion. There are vocabulary notes below.

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Welcome back to another episode of LEP. We’re still talking about the Collins Dictionary Words of the Year.
This is the third episode on the series, and we still have about 7 words to deal with.
I think we can wrap this up inside one episode, but let’s see.
I’m going to keep this intro as short as possible because recently my introductions have got out of control.
So, let me keep it short and simple.
This is the 3rd part in a mini-series about The Collins Dictionary New Words of the Year.
I’m joined by Amber and Paul and we’re talking about this list of new words that Collins are putting into their dictionary this year.
These are new words and their use in both spoken and written form has increased significantly over the last 12 months.
Collins consider them worthy of addition into the dictionary.
But what are these words? What do they mean? And why have we been using them a lot lately?
Amber, Paul and I are going to explain them for you and just ramble on a bit as well.
I’ll play you all of our conversation but every now and then I’ll pause the podcast to explain things you’ve heard in our conversation.
That way you get the best of both worlds: you can listen to us talking to each other naturally, but also you can pick up a lot of new language when I break it down and explain it to you.
Alright, so without any further ado, let’s get started, and here’s word 7 in this list of 10 new words.

Word 7 – “manspreading”
manspreading (noun): the act or an instance of a male passenger in a bus or train splaying his legs in a way that denies space to the passenger sitting next to him
To take up space
well-contained within my seat allocated space
Not spilling over
You’re obliged to sit there, coyly, between his legs
Splaying his legs
You’re sitting there, minding your own business, not taking up much space…
His leg is pressing up against your leg.
If they were a bit too scary I probably wouldn’t say anything. I’d probably just cower.
He went out into the, whatchacallit, into the corridor.
whatchacallit
whatsisname
a thingamajig
a thingamybob
a widget
The corridor in the bus (or the aisle)
Suddenly the bus put the brakes on and he went flying.
Small kids, the metro stops suddenly or people get on and they crush them, they don’t even notice them, so they stand on them.
Children aren’t that strong holding on.
They’re hyperactive. They want to, like, run around.
A grumpy tired child is not good for anyone.

Word 6 – “ghosting”
Ghosting
The act or an instance of ending a romantic relationship by not responding to attempts to communicate by the other party
You’re not manning up or womaning up if you do that (to ‘man up’ = to be strong and act like a real man, or woman)
We got jiggy with it (like the Will Smith song, but in this case it means that we’d had sex, or ‘sexy time’)
Ghosting someone as a way of finishing a relationship is lame. All it takes is a bit of honesty.
It did do my head in for a while. (expression)

Word 5 – “dadbod”
Dadbod
An untoned and slightly plump male physique, especially one considered attractive
Broad shoulders
well-toned muscles
six-pack
I’m a bit more laid back
Comparatively, you’ll feel all saggy and not attractive
Landscape gardener
“Don’t all rush out at once!” (Sarcasm – Paul’s saying that nobody’s going to come. This is a typical way to be sarcastic. E.g. “Don’t all rush out at once!” or “Don’t sound too enthusiastic!” or “Don’t get over excited” or “Don’t everyone rush to my help or anything”)

Word 4 – “corbynomics”
Corbynomics
The economic policies advocated by Jeremy Corbyn, leader of the UK Labour Party from 2015
Reaganomics

Word 3 – “contactless”
Contactless
Referring to payment systems which use RFID technology and do not require the customer’s signature or pin number
To type in a pin or sign
contactless payment
Card details
We’ll be floating around in pods
It’s all going to become fingerprint eyeball scanning, thing.
That’s probably what’s going to happen

Word 2 – “clean eating”
Clean eating
The practice of following a diet that contains only natural foods, and is low in sugar, salt, and fat
If the WHO comes up with it
Audiobook recommendation: Salt Sugar Fat by Michael Moss

Word 1 – “binge-watch”
Binge-watch
To watch a large number of television programmes (especially all the shows from one series) in succession
I can’t help myself
Flipping heck
Flippin’ ‘eck
I find myself pushing the pram around
YOu’re so tired you can barely stay awake to watch it!
Jack Bauer’s Power Hour (what does this mean? N.Irish accent)
The Beatles book – hefty, fat, an extremely large tome, an exhaustive book,
How much of it have I actually read? (pron – weak form of ‘have’)
I finished the whole thing in no time
Audiobook recommendations: David Copperfield by Charles Dickens, read by Martin Jarvis, The Beatles – Tune In: All These Years, by Mark Lewisohn, The Dummies Guide to British History and You Say Potato by David & Ben Crystal.
(stop after I mention “You Say Potato” )

Add some negative comments from The Guardian’s comment section
Here’s a comment from a Guardian reader who basically disagrees with the implied suggestion that there’s some guilt involved in watching many episodes of a TV show back-to-back. RayMullan (pointing out the negative association with the word ‘binge’)
Given that I spent most of my free time last weekend working my way through A Brief History of Seven Killings by Marlon James, was I binge–reading? Of course not. That’s the only way to enjoy a good book. The beauty of bulk access to serialised film and television productions is that we can view an interesting programme in much the same way.
The requirement to follow a serial at a fixed point in the day over several weeks or months are long gone, thankfully. I was barely able to follow the broadcast of Wolf Hall last year, missing one and a half episodes quite simply because I had other things to do. In fact I’m sorry I didn’t just wait for the DVD release and enjoy the production in my own good time — no “binging” about it even if I choose to watch all six parts in a single evening.
Collins should really take a leaf from le livre de l’Académie française and exploit some discretion when it comes to faddish language patterns of teenagers and inarticulate young adults. Most of these new “terms” reflect lazy intellects blunted by the networked chatter of buzzfeeds and will amount to little but crude embarrassment a couple of years from now.

But I think that’s the point – Collins will see if we’re still using these words in 2018 when the printed dictionary comes out. Some of them might survive, some of them might fall away. It depends on what we’re all doing in a few years.

Listen to the post-chat – You’ll hear a quick memory test for the words. Can you remember them all? See if you can guess them from memory.

OK I’M GOING TO STOP NOW! :)

Final thing: I’ve done a lot of explaining in this episode. I want to know if you like that or not. You know I think it’s useful but I want to know what you think.
So, a couple of quick questions:
[socialpoll id=”2311146″]
[socialpoll id=”2311147″]
[socialpoll id=”2311148″]

I will take your comments into account, but in the end it’s Luke’s English Podcast – I’m the boss and I have the final word!

Thanks for listening to the end, you are a wonderful human being and the universe is smiling on you right now.

Remember, the force will be with you… always…

Bye

Here’s some other stuff you heard in the final part of our conversation:
I’m a bloody bloke (bloody – just an old swear word for emphasis, and a bloke is a man of course)
To nationalise the railways (when the state buys something which is privately owned, like the railways for example. The opposite is to privatise something)
Some more chat about drinking games you could play while binge watching, if you want to binge drink and binge watch at the same time (not recommended).
What’s a drinking game? It’s just a fun way to get drunk. There are various games with different rules. I dread drinking games these days because I can’t drink much alcohol any more. People sometimes play drinking games while watching films or TV shows. E.g. taking a drink every time a character in the TV show does something in particular. We mention House of Cards (Frank talks to the camera), Homeland (Claire Danes’ character cries), The X-Files (Scully expresses scepticism etc) and The Walking Dead (when someone kills a zombie, or when you see certain kinds of zombie).
One of the last phrases you’ll hear is “and on that bombshell!” (this is how a comedy character called Alan Partridge ended one of his shows, and then it was taken by Top Gear presenter Jeremy Clarkson as the way to end a TV show. It is used as a sensational end to a broadcast. A bombshell is a sensational moment – for example, a sudden piece of news or a shocking moment. POW! And that’s the end!
words of the year 3

302. Bad Dentist / Star Wars / Adam Buxton / Headphone Jams / Jarvis Cocker (A rambling episode)

Hi, this is the second part of a two part episode in which I’m telling you a few things about recent trending news stories, some anecdotes and other things that are in my head at the moment. There’s no specific language focus this time. Instead I’m focusing on general cultural information. Last time I talked about David Cameron and the pig, a story of a bad gig, and who the hell is Ronnie Pickering? In this one I’m going to ramble on about a bad trip to the dentist, some rising excitement about the new Star Wars film, Adam Buxton’s new podcast, some music that has been bouncing around inside my head, some news about a new jingle which is in the pipeline and how I want to hunt Jarvis Cocker for my podcast but I don’t know how to do it! If you don’t really understand those things, then listen on! All will be explained! All you have to do is listen. :)

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In the previous episode:
1. The UK political situation, and trending news relating to it – this is less boring than you might expect because it seems from recent reports that our Prime Minister David Cameron once had sex with a dead pig. Seriously. (Did PM David Cameron really have sex with a pig? What’s all this about Jeremy Corbyn? What’s going on?)
2. “Sorry, we’re English”
3. Tell a story or anecdote about something.
4. Who is Ronnie Pickering?

In this episode:
5. A trip to the dentist in Paris.
6. Star Wars Episode VII: The Force Awakens – I can hardly contain my excitement, but I am attempting to avoid the hype.
7. OPP: The Adam Buxton Podcast
8. In my headphones recently: The Juan MacLean “A Simple Design”, The Who: “Who Are You?”, Erland Oye: “Lies become part of who you are”, DJ Krush & Ronny Jordan: “Bad Brothers”, Leyla McCalla: “Heart of Gold”. (Plus, the intro song: “Groove Holmes” by Beastie Boys)
9. Jingle news: Possible new jingle in the pipeline
10. Jarvis Cocker
11. That’s probably it, isn’t it?
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294. California Road Trip (Part 7) Earthquakes & Hippies

Hello listeners and welcome back. This is part 7 in this series which is based on my recent trip to California. I didn’t expect this to be a 7-part series, but it just keeps going because I’ve found more and more things to talk to you about! It’s like the podcast episode that refuses to die, it keeps coming back for more! It’s like the Lambton Worm or something – just when I think I’ve finished it off, it gets longer! I think this will be the last episode, but who knows. Time seems to shrink when I’m recording episodes of this podcast. An hour seems to disappear in just a few minutes because I get really involved in what I’m saying. I wonder if it’s the same experience for you. I hope so.

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If you haven’t heard the previous 6 episodes in this series then I suggest you go back and listen to them first. So far I’ve talked about lots of things including the history of California, some British & American English, Venice Beach, Segways, Baywatch, The Red Hot Chili Peppers, Hollywood & Celebrity Culture, Hotel California by The Eagles, Yosemite National Park, bears, The church of Scientology, an interview with AJ Hoge from Effortless English, a biography of Robin Williams, and descriptions of the things I did and saw while on my honeymoon with my wife.

In this episode I’m planning to talk about San Francisco, earthquakes, the hippie movement, customer service, the California coast and some more British and American English vocabulary.

A lot of what I am saying is transcribed on the page for this episode at teacherluke.co.uk. Look for episode 294.

*I’m expecting a package to be delivered by the postman at some point, so you might hear a knock at the door or the buzzer. It goes ‘buzz’, so it’s not a doorbell it’s a buzzer.*

Let’s get straight into it.

August 16
Cemetery & view of Golden Gate Bridge.

Fisherman’s Wharf & tourist area. Sea lions that weirdly arrived in the harbour just after the 1989 earthquake. Why did they suddenly arrive after the quake? Perhaps their previous social spot had been damaged or something like that. I’m not sure.

Cable car. Long delay and pretty grumpy service but it’s a great experience, hanging on to the side of the car as the driver pulls various weird levers, making the car move up and along the steep streets. We met an American couple who had been married for over 30 years. The wife did all the talking. Apparently they’d been to a Giants game (baseball) and he had caught a loose ball that had flown into the crowd. Apparently this is quite an honour in the states. You can keep the ball.

I met AJ Hoge in the afternoon. Listen to the previous episode for that interview.

That evening we ate dinner in a really well-reviewed Japanese restaurant just near our hotel – Sanraku – incredible sushi! This is the best Japanese food I’ve ever had outside Japan, and I had a load of sake and a couple of beers. Sake is really nice and a little dangerous to drink because you get drunk without realising it because it has such a light taste.

August 17
Earthquake in the morning!
A bit about earthquakes.
Tectonic plates.
They move against each other. Sometimes they overlap, sometimes they press against each other.
Sometimes pressure builds up and then the plates suddenly move at the fault lines. This causes ripples of movement through the ground, or the whole ground to suddenly shift position. The movements, ripples, vibrations or whatever you want to call them can last some time, and they can cause huge amounts of damage.
If the quake happens off-shore, then there’s likely to be a big tidal wave or tsunami after the event. As the ground is displaced very quickly, it can displace massive amounts of water. For example, it might cause the water level to rise suddenly. Imagine filling a plate with water and then tipping the plate slightly. It would cause some of the water to run off the side of the plate. It’s like that but on a much larger scale of course. The water has so much volume and mass that it is almost impossible to stop. When it reaches the land it carries lots of earth and all kinds of detritus with it, turning the wave into an incredibly powerful and unstoppable wall of destruction. You can see footage of this from the Japanese tsunami of 2011. What a tragedy that was (although the Japanese showed characteristic strength and determination in the way they recovered from it).

It pretty much impossible to predict an earthquake, but it seems that along the San Andreas fault at this particular spot near San Francisco, there is a really big earthquake every 70 years or something, and the big one is long overdue. In fact, the whole region of California is subject to earthquakes quite regularly.

Earthquake Myths and Facts
Here are some myths and facts about earthquakes, from the U.S. Geological Society website.
http://www.usgs.gov/faq/taxonomy/term/9830

San Francisco style
Everyone’s wearing sports gear and they’re all really health conscious. They’re constantly in their gym gear and they look very active and healthy. In fact, being healthy and looking after yourself seem to be important aspects of life in this part of the country.

Acai bowls
My wife persuades me to switch to these instead of the big plates of pancakes and its a good move.
Acai are berries that grow in Brazil and apparently they contain everything you need. Vitamins, nutrients, amino acids and all that stuff. These acai bowls are popular all along the coast. They’re a bit hipsterish, but they’re good. The acai berries are turned into a kind of powder, which is mixed with things like almond milk or hemp milk, and frozen fruits, and then blended to form a sort of sorbet. This is then put into a bowl and mixed with granola, nuts, cut banana and strawberry, and is topped with coconut flakes or other things. They’re really good and they keep you going for ages without making you feel bloated. In fact, you don’t feel that full, but you’re not hungry either, and it gives you plenty of energy and no guilt.

My wife is now on a mission to make acai bowls popular in Paris!

Haight Ashbury
We then walked towards the Haight Ashbury area. The plan is to walk all the way over to that part of town, picking up some coffee on route. Then we’d walk through HA, pick up lunch at Wholefoods there, and eat a picnic in Golden Gate Park where apparently there is live music every Sunday. I’m quite curious about Haight Ashbury, because I’ve heard about it and read about it so many times, especially in documentaries about music and art from the 1960s.

History of Haight Ashbury & the Hippy Movement
What happened in Haight Ashbury in the 60s? What was the hippy movement all about?

There was a counterculture movement, a youth movement in the USA (and in many other places of course) that started in the late 1950s but really gathered momentum in the 1960s, seemed to peak in the middle of that decade, and was pretty much over by the early 1970s. I’m sure you know what I’m talking about, as I know that a lot of you listening to this are fans of the music that we associate with that time, and you may well know as much about this subject as I do, but nevertheless here is a brief history of the hippy movement.

This was a subculture and ideological movement which started with the beatniks earlier in the decade. “Beatniks” – that’s kind of a nickname given to the movement that came before the hippies. The beatniks were writers, artists, intellectuals and radicals who were united in a general feeling of dissatisfaction with the status quo. They rejected materialism (e.g. the idea that happiness in the USA can be found by marrying, getting a steady job, buying the right home with the right car, and the right modern accessories in your home and all that kind of square thinking). The Beats were more interested in soul-searching and trying to find some deeper meaning to life. This seems pretty normal now, and part of the dominant culture these days. Everyone has their soul-searching teenage period where they write a diary, write poetry and get all deep and meaningful. Well, that was common for teenagers of my generation in the UK, who got into indie music, started dressing like goths and smoked self-rolled cigarettes. The beats were the first to do that (although I expect there were other movements in Europe that did essentially the same thing, like the Bohemians). The Beats were heavily inspired by jazz musicians like Charlie Parker and Miles Davis and like this kind of jazz music, life for the Beats was a free-form search for truth and inspiration in the creative process. It was like a big improvisation with no boundaries. Sounds pretty groovy, hip and cool right? In fact those are words that come out of that time. All of them were probably coined by jazz musicians, but the beat generation appropriated them, or at least used them too. So, if things were good they were ‘cool’, or ‘hip’. You ‘dig’ things which are ‘cool’. The opposite of ‘cool’ was ‘square’.

We associate the Beat movement with certain writers, who are called the Beat writers, or Beat poets. These are people like Jack Kerouac, Allan Ginsberg, William S Burroughs and Ken Kesey. Some of the beats were into buddhism, sexual liberation and drug use. Out of this subculture came the hippies, who pretty much based their whole way of life on the ethos of the beat generation, and used books like “On the Road” by Jack Kerouac as a starting point for their own rejection of materialism and ‘normal’ life.

The word ‘hippie’ comes from the word ‘hip’, meaning ‘cool’ or in tune with this way of thinking. People also used the word ‘hipster’, but now we know we use the word ‘hipster’ for another kind of modern subculture – those uber-cool people who you find in East London who grow their own denim butter, have long beards and skinny jeans, use no electricity, ride fixie bikes, reject mainstream products in favour of vintage or handmade stuff, reject the dominant political system, and live in an apartment paid for by their rich parents. They’re similar to the beat generation or the hippies but today’s hipsters just seem to be more interested in just being cooler and more culturally aware than everyone else, and don’t have the same sort of communal spirit or mission as the hippies did.

Anyway, a whole generation of young people in the USA and in other parts of the world in the 1960s were really influenced by the beat generation and took on their values, and pushed them further – not everyone did this – not everyone at the time was a hippie. No, it was a subculture after all, but enough people lived the lifestyle for it to be a significant cultural movement. The hippies took it a bit further and embraced the whole concept, forming communes (shared living communities) in certain places – notably Haight Ashbury in SF and Greenwich Village in NYC (where the likes of Bob Dylan were playing protest songs and folk music in cafes).

The introduction of certain drugs, especially LSD into these communities really accelerated the whole movement, along with certain key events like the escalating conflict in Vietnam and the release of records like Bob Dylan’s first album, and albums by the Beatles. LSD was a drug that was created by accident by a pharmacist/chemist. It ended up being appropriated by the hippie movement because of the way it gave users incredibly transcendent mind trips, which made the hippies feel like they were experiencing things on a whole new level of consciousness. The innocence, youth, energy and vitality of this movement peaked in 1966/1967 particularly in the community of Haight Ashbury where, according to the accounts of lots of people, there were all kinds of open, free gatherings of people who took LSD, danced, made love and generally were very peaceful and transcendent, when they weren’t organising protests against the Vietnam war or other injustices. The hippies were for harmony with nature, sexual liberation, the use of drugs for mental liberation (aka consciousness revolution), peace, free love, communal living and eastern influenced spirituality. For the hippies, their immense optimism, fuelled by psychedelic drugs and perhaps a certain amount of naive idealism created the feeling that their love was going to change the world, and that there would be a sort of consciousness revolution which would cause the whole world to realise a totally new way of thinking and to start living in peace. The soundtrack to this period was albums like Sargent Pepper’s Lonely Heart’s Club Band by the Beatles. The thing is though, all the drug taking and free love did not come without a price, and it was naive of the hippies to think that their lifestyle was sustainable. True spiritual transcendence could not be achieved by simply taking a 2 dollar hit of acid, and many people just ended up mentally damaged by their use of LSD, and when harder and more addictive drugs like heroin arrived, the scene became much darker. In fact, hard drugs and other things like the later threat of AIDS pretty much killed the innocence and youthful spirit of the movement.

The optimism of the hippie movement and its decline were really well described by writer Hunter S. Thompson in his book Fear & Loathing in Las Vegas. There is one particularly famous passage in which he describes the essence of the movement as like a wave that travelled across the country, then broke and flowed back again, leaving a sort of cultural high-water mark, or a cultural mark on the country. This is probably Thompson’s most celebrated bit of writing. There is a film version of the book, directed by Terry Gilliam and starring Johnny Depp, who does an amazing acting performance in the role of the main character, who is a version of Hunter S. Thompson. Let’s listen to the scene from the film when Thompson talks about Haight Ashbury and the hippie movement. This is Hunter S. Thompson, played by Depp, in 1971, looking back at the previous 5 or 6 years, surveying what had happened before.

Fear & Loathing In Las Vegas – The High Water Mark

The Woodstock Music Festival was probably the culmination of this whole movement. It didn’t take place in San Francisco, but near New York. That was a massive happening, with hundreds of thousands of people who gathered together to celebrate love and peace, with some of the great bands and musicians of the time, like The Who, Jimi Hendrix and Crosby, Stills & Nash playing the soundtrack.

The end of the dream came with a few events that showed the dark side of all that drug taking and chaos – Charles Manson, Altamont (a Rolling Stones concert that involved the Hell’s Angels who killed a guy), hard drugs and their damaging effects, AIDs.

How does this relate to that Eagles song? They’re singing about people damaged by loss of innocence – the same people who used to be idealistic, but ended up lost in decadence and the temptations of sex, drugs and rock & roll.

Talking of rock & roll, let’s listen to George Harrison, who of course was a member of the Beatles and someone who was at the heart of this whole scene. Here he is from the Beatles Anthology documentary talking about how he visited Haight Ashbury in 1968 expecting it to be a kind of hippie heaven of peace and love, but in fact by 1968 it had become quite a scary place with lots of people just living in the street, begging and taking hard drugs (he described them as ‘bums’). I think it was quite a shock to him and that’s when he decided to stop taking LSD and he sort of rejected the hippie movement and instead chose to embrace Indian transcendental meditation – a much more disciplined and well-established form of spiritual exercise.

George Harrison (originally from Liverpool, UK) – Haight Ashbury 1968

What’s Haight Ashbury like now?
It still has that general atmosphere, but the original feeling is long gone I think. But it’s still a really cool place, and I was very interested in visiting it in order to see what it was really like. Now it’s artisanal coffee shops, a mix of branded clothing stores and unique clothing boutiques. Really it’s just another tourist destination where you can buy Bob Marley posters, hippie clothing, bongs, pipes and fake retro t-shirts. It’s a bit like Camden Town or something. It’s not a genuine place of consciousness revolution any more although there are still some communes of hippies living there and I think that there’s a lot of housing which is offered to homeless people, or people of no fixed address. In the surrounding streets I saw quite a few homeless people, or homeless looking people and people who seemed to be suffering from mental illness, or on medication for drug addiction. You also find some interesting murals painted on the walls with anti-capitalist messages written on them. That’s partly the feeling of the area, but also there’s a sense that the place is a bit of a tourist attraction. There’s Nike store there for example, which is like a temple to individualism and materialism.

Many people think that the place is not what it used to be. I can’t help feeling a bit sad about this, because the hippies were onto something good. Their intentions were good, but maybe they were idealistic and naive. Maybe they were reckless with their drug use and their free sex, or maybe their movement got crushed by the establishment. Anyway, now in Haight Ashbury there are just remnants of those old values. Lots of organic shops and incense and stuff like that, and certainly some people who believe in ethical and sustainable living, but still a sense of increasing commercialisation. I wonder about some of the locals who have lived in the area for a long time and who now find themselves living in a commercialised tourist attraction.

I think I may have come across one of these people during a visit to CVS – a chain of pharmacies that you find all over the USA. We went in to buy some bottled water. We chose one bottle of Californian water and one bottle of Fiji Water, which is bottled in Fiji and then shipped to shops around the world, including California. We got to the counter to pay and the middle-aged woman who served us just said, in a very passive aggressive manner, “Yeah, why NOT buy bottled water from the other side of the world”.

I recognised the sarcasm, and immediately felt judged. What was she really saying?

Guilt trip! This made me feel pretty bad for a while, until I snapped out of it.

What do you think? I expect most of you are thinking – ignore her, she was being really rude! And you’re right, but…

I think she had a point to be honest, but I’m not sure if she made it in the right way. (I mean, giving someone a guilt trip about a product they are selling someone may not be the best way to get your message across, or maybe it is – it had an effect on me!) The woman was certainly rude to me, but does that matter if her point is valid? I wonder what it must be like for her working in CVS, while having these values. Maybe she doesn’t have to work there, maybe she has no choice. Who knows. I don’t even know her background, but just that one comment tells me a lot. What do you think? Did she have a point? Is it wrong to buy bottled water which is sourced in another country? Should the woman have said something to me? Is she a hypocrite for working in the shop even when she disagrees with some of the products it sells? Let me know your thoughts as usual.

I did have another couple of experiences with slightly passive aggressive, weird behaviour.
Another guy by the side of the road who seems to be homeless, tried to attract my attention: “Oh did you drop something…hey!” I just kind of shook my head and smiled a bit, but said no. He said “oh no it’s just my brain entrails you’re stepping on” There is a slightly bad vibe from some of these old hippies, but nothing more than that really. I didn’t feel unsafe there or anything, just a bit freaked out by some of these people.

In the park there was a guy who could have been homeless, or mentally ill, I’m not sure really. He was busking, and by busking in this case I mean playing classic American songs, like Motown, The Beach Boys, Elvis on a loud tape player and just singing along – loudly and badly, like a bad public version of karaoke that nobody wanted to listen to. There were three youngish people sitting on the bench next to him, looking pretty awkward because this guy was pretty loud and acting quite crazily and I think it was a bit off-putting for them. After a while they got up to leave and didn’t really acknowledge him or give him any money, and he said “Hey, thanks for the tip!” – A pretty passive aggressive comment considering they hadn’t given him a tip. I think they were a bit put off and possibly slightly scared of him, and they didn’t respond but kept walking away. He repeated, louder and louder “Hey, thanks for the TIP!! HEY THANKS FOR THE TIP!!!” – a slightly disturbing moment, but nothing bad actually happened.

Despite some of these little scenes had a really nice relaxing time in Golden Gate Park, even though there was no music when we were there, except for the “thanks for the tip” guy. We lay on the grass reading and napping a bit, digesting our food.

More Audiobook Recommendations – www.audibletrial.com/teacherluke
Let’s continue to look at a few recommendations for California-related audiobooks you could download free by going to www.audibletrial.com/teacherluke

The two books I’d like to recommend are associated with the Beat movement of American literature, which was so important to the values of the later hippy movement.

“On The Road” by Jack Kerouac
This is probably the book which inspired the hippy movement more than any other. This is what is written in the summary for this book on audible.com: Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac’s classic novel of freedom and longing defined what it meant to be “beat” and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that “set them free”.

Do you fancy listening to an actor read that book to you? Visit www.audibletrial.com/teacherluke to sign up to a trial membership. You can download any audiobook you want, and then either cancel your membership and keep the audiobook, or continue as a member and enjoy more audiobooks every month.

“One Flew Over The Cuckoo’s Nest” by Ken Kesey
Ken Kesey was part of a group of writers called The Merry Pranksters, which also included a man called Neal Cassady who was one of the inspirations for a principle character in On The Road. Kesey and the Merry Pranksters were a group who advocated a particular way of life that inspired the hippy movement. The Merry Pranksters sounded like a cool and funny bunch of people. They drove around America in a big bus. That was the inspiration for The Beatles “Magical Mystery Tour” film. Basically, Ken Kesey is a very important figure in the American counter cultural movement of the 1960s. A key writer in the Beat generation. Beat writers like Kesey influenced so many important cultural figures that followed them, including pretty much all of the famous rock musicians who emerged from the 60s and 70s, including The Beatles, The Rolling Stones, The Doors, The Byrds, Neil Young and everyone else basically. They’re the ones who defined that whole lifestyle that is now so globally pervasive.

“One Flew Over the Cuckoo’s Nest” is the story of a charismatic criminal who ends up in a mental hospital when he’s not really mentally ill. He fakes it in order to avoid prison, thinking it will be much easier. What he discovers is that the mental institute is far more sinister than he’d imagined, and he ends up in a great mental power struggle against the strict nurse who runs the hospital. It’s all about the corrupting nature of power, about fighting against the establishment, about the fine line between sanity and insanity, and the idea there is something rotten at the heart of the American administration. What’s more, it’s just a great dramatic story, terrifically well written with some fantastic surprises. The main character is a lot of fun, and the evil Nurse Ratched is a great villain.
It’s sad, joyful, moving, and powerful, particularly at the end. There’s also a great film of this book, starring Jack Nicholson.
You can download the original version, narrated by Kesey himself (abridged and only 3-4 hours), but I recommend the 50th Anniversary Edition read by actor John C. Reilly (who I’m sure you’d recognise if you saw him – he’s a brilliant actor, with a really distinctive voice). It’s unabridged, so you get the whole book which comes to 10+ hours of audio.

End of Part 7. Part 8 coming soon, and I’m sure it will be the final chapter in this series. :)
Haight Ashbury

291. California Road Trip (Part 4)  Stars on Hollywood Blvd / Songs & Movies / UK & US English

Hi everyone, here’s part 4 in this road trip mini-series. How are you? Are you keeping up with all these new episodes? I suppose if you’re listening to this it means you are keeping up, but don’t feel rushed. Take your time, listen to them at your leisure, in your own time and at your own speed. I hope you’re finding this series interesting. In this one I’m planning to cover these things: Hollywood Boulevard and celebrity culture, an analysis of the mysterious lyrics to Hotel California by The Eagles, a visit to the extremely wealthy area of Beverley Hills, some more differences between American and British English vocabulary, the church of Scientology and then Yosemite National Park.

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Let’s see how much of that I can actually get through in this episode. I expect there will be one or two more in this series before we get back to normal podcasting as usual.

L.A. Continued… Hollywood Boulevard
I can’t remember which day this was as I’m losing track of time, but it doesn’t matter. At some point we took a walk along Hollywood Bld – that’s the one with all the stars on the ground and the names of celebrities. If you make it as a celeb, they put a star on the pavement here and you know you’ve made it because hundreds of tourists walk all over you and spill coke and ketchup on you every day. That’s the American Dream isn’t it.

Walking along Hollywood Blvd, and looking at the stars there, I wondered – how do you actually get your name on a star here? (Not that I want to of course) I just wondered – who decides which names are added and how does it happen? Since then I’ve done a bit of research (I read a TIME article based on an interview with a member of the selection committee – you can read it here: http://newsfeed.time.com/2013/07/16/how-to-get-a-star-on-the-hollywood-walk-of-fame/), and so…

How to get your star on Hollywood Boulevard
Essentially anyone can apply, as long as they have $30,000 dollars to spare, but the application will not be accepted unless it meets these criteria:
1. Do some iconic work in entertainment.
This means that you have to have produced something genuinely notable and celebrated in the entertainment world, like made a popular film, done some great acting on TV or in movies or made some music that’s popular enough to have made you famous. The emphasis is on accomplishing some expertise in the entertainment field, which means that reality TV stars are excluded, because it’s not counted as proper work. So that means no Kardashians. But they do accept animals. In fact several animals have their names embedded into the ground there, including Lassie and even fictional animal characters like Kermit the Frog, Mickey Mouse and Donald Duck. Weird. You also need to have been working for at least 5 years. The main point is that this is a tourist attraction for the entertainment industry, so your name needs to be famous enough to attract tourists to come and see it. Apparently it’s working because the street is jam-packed with tourists and it’s almost impossible to actually walk along the street in some places.
2. Promise that you really want a star.
All applications require a signed statement from the applicant saying that they really want one, and that they will come to an unveiling ceremony if the application is a success. Basically, the star selection committee that is in charge of the process wants to make sure the celebrities are fully prepared to come and promote the addition of their star on the pavement. Again, this is to make sure it gets the proper media coverage, and those tourists keep coming with their dollar bills, their mobile phones and their instagram accounts.
3. Pay $30,000.
That’s how much it costs to enter the application process. Usually it’s not a problem for celebrities to pay this because other people pay on their behalf, for example management companies or other sponsors who have an interest in the person become more and more famous. Half of the fee goes to the Hollywood Historic Trust which maintains the whole street. The rest is used to pay for the paving stone with he star embedded in it, and also the security and photographers at the unveiling ceremony. It seems that people’s desire to be recognised as a famous person is what fuels the economy around here.
4. Impress the selection committee.
It’s a bit like a job interview process I suppose. In your application you need to impress the committee and show them what you’ve achieved in your career, proving that you really are a big star.
5. Choose your spot on the Boulevard.
It is possible to choose where your star is placed. The bigger you are as a celebrity, the more control you have over this. Do you want to be placed in front of McDonald’s or in front of the famous Chinese Theatre Cinema where all the premiers happen? Your power to negotiate this depends on your status in Hollywood. Apparently Clint Eastwood, a high ranking member of the Hollywood establishment, was accepted by the committee years ago but never completed his application, but nevertheless they have kept a space free for his star in a prime location – in front of that famous cinema. That’s how much of a star he really is in Hollywood – they’ve kept the best space free for him. Muhammad Ali didn’t want people walking on his name, so the committee agreed to put his star on the wall – the wall of what? You might ask. Ali’s name is on the wall of the Hollywood and Highland Shopping Centre. I wonder if you can buy a George Foreman grill in that shopping centre.

So that’s how you do it, if you’re interested.

What’s it really like there on Hollywood Boulevard?
Essentially, it’s like a bigger version of Oxford Street. It’s full of cheap attractions and huge crowds of tourists, and it’s a bit tacky. You can’t get much decent food there except burgers and pizza. I don’t recommend it really.
As we walk along the street, squeezing between people, we see names of people. Most of them are dead. There are loads that I’ve never ever heard of.
I’m struck by the thought that fame is fleeting. I mean that it doesn’t last. What’s the attraction of fame? To be so well-known that your name is embedded into the ground or onto a monument so people never forget you. Maybe people are attracted by this because they feel like it’s a way to live forever. But true long lasting fame is only gained by a tiny minority and even then it isn’t immortality it’s just a version of yourself that lives on in popular culture. A ghost.

I’ve said it before and I’ll say it again: L.A. is a mysterious place.
I’ve tried to describe this already in this series. It’s just a general feeling that’s hard to put into words.
There’s a lot of light and dark here. Movie stars shine bright, and there’s so much glamour, but there’s also poverty, homelessness and broken dreams. So many young people have come to L.A. and then ended up corrupted by the place, or hurt by their own idealism and naivety. Some of them died young in tragic circumstances. Think of the girl Peg Entwhistle who jumped off the Hollywood sign in 1932, or young movie stars who died or hurt themselves as the result of a dangerous intake of drugs. River Phoenix for example. He was a fresh faced young movie star and musician, who died from an overdose on the doorstep of the Viper Club, which at the time was owned by Johnny Depp. Why so much oblivion?

Also, so much of the writing, films and music – the really good stuff at least, seems to be essentially about some sense of a loss of innocence, the end of the American dream, the darkness under the surface of American values or dealing with vice – particularly in the form of alcohol and drugs, and the dark side of these things. As if California represents the highest attainment of the American Dream, and is also the place that can turn into a grim and empty wilderness of the soul. Think of the detective stories of Chandler, the songs of The Eagles (not as sunny and nice as you expect) and other bands, the writing of Ginsburg, Bukowski, Burroughs, Kerouac, the comics of R Crumb and so on.

I realise that I’m talking about slightly dark themes here, in what you might have expected to be just a description of a romantic honeymoon. Well, we did have some really nice romantic moments together of course, and there was plenty of sunshine and good times, but as well as that we had a really great time getting to know the place and soaking up the atmosphere of the places we visited and one of my aims in these episodes is to get under the skin of California a bit.

Let’s consider some songs that deal with the things I’ve been talking about.

Songs about California
One example is the song Californication by the Red Hot Chili Peppers. Californication Lyrics here.

Also, we could go back to “Hotel California” and explore the meaning of the song. In fact, let’s do that.

The Eagles – Hotel California – Song Meaning
Click here for the full lyrics to the song: http://www.azlyrics.com/lyrics/eagles/hotelcalifornia.html

There are loads of interpretations of the meaning of this song, including some pretty far out suggestions that it’s about satanism, drug addiction. I think the latter is far more likely than the former but let’s see.

Here is a summary of the song’s meaning – both the narrative of the lyrics and the themes the song explores. In fact, this song seems to sum up pretty well what I’ve been trying to say about LA and the excesses and dark side of the American Dream.

In this part of the podcast I’m going to read from a page on Shmoop.com. Here’s a citation and a link:
Shmoop Editorial Team. (2008, November 11). Hotel California Meaning. Retrieved August 25, 2015 from http://www.shmoop.com/hotel-california-eagles/meaning.html
So, if you want to follow what I’m saying just click the link above.

LA movies
LA Confidential, The Big Lebowski, Beverly Hills Cop, Pulp Fiction. Any film noir like Chinatown or The Big Sleep.

Beverley Hills – this is a really rich town, which is undeniably beautiful and well kept with palm tree lined streets, lovely properties and very smart shopfronts and boutique stores but some parts of it are filled with unbelievably fake looking people with loads of plastic surgery. There are Kim Kardashian clones everywhere with butt implants that mean they can’t walk properly. The streets are full young guys in rented sportscars which self-consciously zoom between sets traffic lights. It’s quite ridiculous and fairly ugly really.

And yes, I did just mention Kim Kardashian.

I always thought I would never mention that family on this podcast because I don’t really like what they do. I mean, I think it’s a bit empty and I don’t know why they’re so popular but if I’m going to talk about celebrity culture in L.A. then how can I do it without mentioning the Kardashians (reluctantly).

Who’s Kim Kardashian?
She’s the daughter of a rich West Coast socialite, and a powerful lawyer. She’s famous for being famous. She’s like Paris Hilton basically. That’s how she first became known in the media, as a friend of Paris Hilton. What a claim to fame! “So what do you do Kim?” “I hang around with someone who doesn’t do anything”. Wow, that’s like being famous for doing even less than nothing! So she’s famous for being friends with someone who’s famous because she’s famous. That’s actually quite impressive. Well done! Maybe that’s the appeal. She makes it look easy. Then in 2003 I think she decided that in order to get even more famous that she would have to actually do something, so she released a sex tape. That’s basically a home made porno. Classy. In my opinion, that may be the quickest and least respectable way to make a name for yourself in Hollywood, but fair play to her – it worked. She then continued to sell off her private life in a reality show called Keeping Up With The Kardashians in which the viewer is invited to follow her and her sisters through their pampered and vacuous every day life.

An example of what happens in a show?
I just had a look on Wikipedia for some show summaries. Here’s what I found from a random entry in series 3 of the show. “Episode 22. Khloé faces pressure about her weight when she decides to do PETA’s “I’d Rather Go Naked Than Wear Fur” campaign. Kris and Kourtney confront Kim about her shopping addiction. Kim gets laser eye surgery after struggling to see herself in a mirror at a dance rehearsal. (I imagine that was a huge crisis – not being able to see herself) Bruce is anxious to talk to Kendall and Kylie about his colonoscopy.”
What’s a colonoscopy? That’s when a doctor inspects your colon by sticking a big camera up your bum. Ok, so you’ve got the general idea.

My problem with the Kardashians is that I don’t get it. I don’t get the appeal. I must be wrong because Kim is one of the most followed people on Twitter and it seems that everyone seems to love her. So, I must be wrong – so if you’re a Kardashian fan, let me know why. I’d love to know the appeal.

Is her reality show popular because we just like to look at the lives of the rich and famous? Is Kim Kardashian a role model? Apparently, for some people she is a woman who has taken careful control of her image and is now rich and successful as a result, like Beyonce or something. But, it helps when you start out rich in the first place, doesn’t it? And at least Beyonce can sing and dance. What can Kim Kardashian do? Well, she can take good selfies. She can use Instagram well. She can market herself well. I suppose that’s it isn’t it.

She married Kanye West, the rapper, which I imagine only happened because Kanye West is not allowed to marry himself. Yes, he loves himself, or that’s what people say anyway. Maybe Kim Kardashian fell in love with him just because she was so impressed by the size of his ego. Surely nobody’s ego is as big as mine, she thought – but then she met Kanye and couldn’t resist his charm, and by that I mean his media status. Good luck to them, I suppose. Maybe I’m being cynical and they just really love each other. Well, if that’s the case – good luck to them! I hope they stay together and prove me wrong, and everyone lives happily ever after.

What do you think? I’d love to know.

More American English & British English
These words are all related to food in some way.
UK word – USA word
Chips – Fries
Crisps – Chips
Biscuit – Cookie
Jelly – Jell-o
Jam – Jelly
Sweets – Candy
Treacle – Molasses
Candy Floss – Cotton Candy
Aubergine – Eggplant
Courgette – Zucchini

ukulele-soprano-debutant“Californication” Lyrics & Chords
http://www.tabs4ukulele.com/bands/red-hot-chili-peppers/californication.html#null

End of part 4. Part 5 coming soon…
Hotel California