Category Archives: Video

428. British Comedy: Limmy’s Show (Part 2) Dee Dee goes to Yoker

Analysis of another sketch from Limmy’s Show. Listen to informal English spoken in a Glasgow accent, and understand it.

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Introduction

Hello and welcome back to this podcast, this ongoing project which aims to help you to improve your English by presenting you with listening content which is not just useful for practising your English listening skills, vocabulary and pronunciation but also useful for broadening your horizons just a little bit by presenting you with content you might not have otherwise discovered.

This is part 2 of a 2 part episode about British Comedy. This time I’m talking to you about one of my favourite TV shows, called Limmy’s Show – a series of bizarre and amusing sketches written and performed by Brian Limond aka Limmy, who comes from Glasgow in Scotland.

In the last episode we listened to a few sketches on YouTube featuring Limmy’s character Mr Mulvaney, the businessman who seems convinced that the police are on his tail for committing some petty shoplifting. We heard some English spoken with a Glaswegian accent and picked up a few words and expressions along the way.

This time we’re going to continue with another of Limmy’s sketches which you can find on YouTube. Whereas the Mr Mulvaney sketches featured fairly formal sounding spoken English in a Glasgow accent, the sketch in this episode features a character who speaks in a more informal way and with an accent and speech pattern that I expect you will find even stronger and more difficult to understand, which is precisely why I’ve chosen to analyse it here on the podcast. In my effort to push your English into new areas, I’m choosing to focus on some speech that you might not have been exposed to before in order to close the linguistic and cultural gaps that might exist between you and this TV comedy, which won a Scottish BAFTA twice.

The sketch we’re going to listen to now is called “Dee Dee – Yoker” which involves a character called Dee Dee who takes a bus trip to a town called Yoker.

Sketch: Dee Dee goes to Yoker (video below)

The Dee Dee sketches are possibly the best thing about Limmy’s Show. Dee Dee is basically an unemployed guy who never really leaves the house and is lost in his own world.

The sketches featuring Dee Dee are funny, but they’re perhaps closer to pathos than comedy.

Pathos is the quality in a film or play that makes people feel sadness or pity. Sometimes comedy can become pathos when it is not just funny, but also quite sad or pitiful. For example, Charlie Chaplin’s films are full of comedy, but what makes them extra special is the pathos – those moments where you feel pity for Chaplin’s character, who is basically a poverty-stricken tramp.

It’s a similar case with Dee Dee. His sketches make me laugh, but they are also terribly sad because Dee Dee is isolated, quite disturbed and unable to fully operate in society.

He basically never goes out, he spends all his time on his own at home, watching the TV and sleeping. It’s a bit sad really, because his state of mind is pretty messed up and he’s losing touch with reality. I don’t know if you know how that feels.

Imagine you’ve come down with the flu and you’re off work, sick, just staying in the house on the sofa for a long period, like a week or two. You don’t see anyone. You hardly do anything, you’re just getting over your flu, sitting on the sofa or sleeping the whole time. It starts to mess with your head a bit. The days drag on, morning drifts into the afternoon, which drifts into the evening and you haven’t left the house or even had a shower and got dressed, you’re just wrapped up in your blanket from your bed all day. Your mind starts to go a bit weird and you’re living in a daydream while everyone outside in the real world is going out working and living their lives. You’re just indoors all the time, slowly drifting away from reality.

That’s what DeeDee is all about, but I’m not sure why he’s in this situation. I think he’s just an unemployed stoner – someone who smokes too much weed or something. So, it might be about the condition of someone who smokes too much weed and as a result has lost the motivation to leave the house, get a job or sort his life out.

Every sketch with Dee Dee is like a glimpse into his spaced out mind as he completely over analyses quite trivial details in his every day life, like things he’s seen on TV or stuff that happens in his kitchen. In each episode, these trivial details become blown up into hugely significant events because of his paranoia and delusion.

In this one Dee Dee actually goes outside, in order to pick up his giro (unemployment welfare check) but takes a risk and takes an opportunity to get a free ride on a bus going to a place he’s never been before and it becomes a big adventure, even though in reality it’s not much of an adventure and most of the drama is in his own head.

With this one I’m going to read it out in my voice first so that you can understand the story, then we’ll hear the original version with Dee Dee from Glasgow.

Again, I’ve no idea what you’ll think of this, but at the least it’s just a fun little story.

https://www.youtube.com/watch?v=jfectchNtQM

Adapted transcript (written in ‘English English’)

[So, I was walking along the street the other day to pick up my welfare check. And I passed by a couple of buses at the side of the road. Everybody’s crowding off the front and into the one behind. Old folk’ were all like, “This is ridiculous. Never used to be like this with the city buses.” I was like all like, “I see. We’ve got ourselves a breakdown.” I check to see where they’re all heading. ‘Yoker’. And I just pissed myself laughing.]

Dee Dee: “Haa~!”

[Because Yoker’s one of these places I only know from the front of a bus. I’ve never been there. Don’t know what it’s like. Just this crazy fairytale land that sounds like kinda an egg yolk. So I was watching everybody getting on, trying to show their tickets to the driver. But he wasn’t having it. Just waving them on, all like, ‘Alright I know where you all came from. I can see the other bus, what do you think I am, stupid?’ And I see the opportunity for a free ride, and a little voice in my head says, “Dee dee, I know you’ve got to get your welfare check, but that money’s always going to be there. But this, on the other hand, is a once in a lifetime opportunity. Go for it”. So I was all like…”]

Dee Dee: “Fuck it”.

[And I joined the queue. As soon as I do, the driver starts checking people’s tickets. I was all like, “Pffft, forget it”. But I just got completely caught up in the slipstream, rushing towards the moment of truth at a hundred miles an hour. Heart pounding. Pulse racing.]

Dee Dee: “I…..uh…..”

Driver: “Go ahead mate.”

Dee Dee: “Thanks, dude.”

[I did it.

So there I was on the top deck of the bus. I had a bird’s eye view. Whizzing by the unemployment office, all like – Ta ta, welfare check, maybe some other day, hmm? Because I’m on the bus. To Yoker. Couldn’t believe what I was hearing in my head. Seriously. This was actually happening! But then I thought, hold on. Don’t get too excited. There could be someone looking at the back of your head right now thinking, “Hey, who’s he? He’s not from Yoker. He’s got no business being on this bus. Let’s beat him up!” I turned round to see if anyone was looking.

Nobody. Got away with it. I totally got away with it. So I loosened up, and started chatting. ‘Thought I’d get a little bit of local knowledge before I got there.

Dee Dee: “So is this ‘bus for Yoker, right?”

Yoker Passenger: “Yep”

Dee Dee: “I’ve just moved there. Is it a nice place?”

Yoker Passenger: “Yes, it’s a wonderful place. I’ve lived there all my life. Yoker born and bred.”

Dee Dee: “So you’ve never once wondered what Yoker’s like? Mind boggling…”

[Half an hour later I start seeing the signs. Yoker newsagents. Yoker post office. Yoker F.C. Yoker everything. They even had a barber that rhymed with Yoker. “Hair by Les Porter”. What are the chances of that?]

Dee Dee: “Hey, listen. Wouldn’t it be, like, totally crazy if his name used to be Smith, or something, and he just changed it to fit in?”.

Yoker Passenger: “What?”

[Gets to the terminus. Everybody starts crowding off. I decided to ask the driver for a favor.]

Dee Dee: “Driver, when do you leave?”

Driver: “5 minutes.”

Dee Dee: “I fell asleep and missed my stop. Would it be possible for you to print me out a ticket while I go out and catch a smoke real quick? Thanks.”

[And I put my first step on to Yoker soil. I was in Yoker. I thought this day would never come. Is it really this easy? Is it really this easy to get the things you want in life? You just need to hold out for it? All of a sudden I just had the urge to be all like, “Listen, I’m not from Yoker, I’ve got no business being here”. I was like, “Calm down, Dee Dee. That’s no laughing matter. They’ll tear you to shreds. Now, you’ve got five minutes. Where do you want to go? What do you want to do… in Yoker? …I knew exactly what.

I had to. I had to find out. I couldn’t leave without finding out what this is all about. Bus was a million miles away. I thought, “Dee Dee, you are truly on the outer reaches here, dude. Middle of nowhere.” And I went into the great unknown with a fucking ding; to ask the one big question on everybody’s lips.]

Dee Dee: “Les Porter?”

Les Porter: “Yes?”

Dee Dee: “Has your name always rhymed with Yoker, or did it used to like, be like Smith or something or-?”

[And then I thought, “Dee Dee, you’ve just blown your cover. Big time. ‘Fuck you doing, dude? Go. Go!” Got out of there before they started throwing their scissors at me like Ninja stars. Before Big Les scalped me and stuck my head on the wall. Ten seconds to get to that bus man, that’s your lifelife! What does it start doing? It starts moving. I was like that, “No way, bro!” I felt like giving up. “Hey, I’m not from Yoker, I’ve got no business being in Yoker”. Let them finish me off like a pack of crazy wolves. But I just kept running for my life like I had Leatherface on my tail. I get to the bus but he wouldn’t let us in. I was all like, “Set up! ‘Whole thing’s a set up. Those people that were on that front bus? Actors. Actors! ‘Every single one of them, actors.” Door opens and I bolt upstairs. Right under the seat. Didn’t dare poke my head up for the next half hour in case they were going by in a minibus. Eager to feast on me like a group of crazy zombie pirates.

Picked a moment. Up the road. Up the stairs. In the house. Lock. Lock. Lock. Scary, dude. Scary.

Original transcript (in Glaswegian English)

[Fucking, heading to the brew, heading to get my giro. And I pass this couple of buses at the side of the road. Everybody’s piling off the front and into the one behind. Old folk’ like that, “This is ridiculous. Never used to be like this with the corporation buses.” I was like that, “I see. We’ve got ourselves a breakdown.” I check to see where they’re all heading. ‘Yoker’. And I just pissed myself laughing.]

Dee Dee: “Haa~!”

[Because Yoker’s one of these places I only know from the front of a bus. I’ve never been there. Don’t know what it’s like. Just this pure, mad fabled land that sounds like
a pure, mad egg yolk. So I was watching everybody getting on, trying to show their tickets to the driver. But he wasn’t having it. Just waving them on like that, ‘Alright I know what you’s came from. I can see the bus, what do you think I am, daft?’. And a wee voice in my head says, “Dee dee, I know you’ve got to get your giro, but the brew’s always going to be there. But this, on the other hand, is a once in a lifetime opportunity. Go for it”. So I just went like that…”]

Dee Dee: “Fuck it”.

[And I joined the queue. As soon as I do, the driver starts checking people’s tickets. I was like that, “Oh here, forget it”. But I just got pure caught up in the slipstream, belting towards the moment of truth at a hundred mile an hour. Heart pounding. Pulse racing.]

Dee Dee: “What it is is-”

Driver: “On you go, mate.”

Dee Dee: “Cheers.”

[I did it.

So there I was. Bird’s eye view. Whizzing by the brew like that. Ta ta giro, maybe some other day, eh? Because I’m on the bus. To Yoker. Couldn’t believe what I was hearing
in my head, man. Seriously. This was actually happening! But then I thought, hold on. Don’t get too excited. There could be someone looking at the back of your nut right now thinking, “Here, who’s he? He’s not from Yoker. He’s got no business being on this bus. Get his head kicked, man.” I turned round to see if anyone was looking.

Nobody. Got away with it. Just pure got away with the lot of it. So I loosened up, and started chatting. ‘Thought I’d get a wee bit of local knowledge before I got there.

Dee Dee: “So is this ‘bus for Yoker, aye?”

Yoker Passenger: “Aye”

Dee Dee: “I’ve just moved there. Is it any good?”

Yoker Passenger: “Aye, it’s a lovely place. I’ve lived there all my life. Yoker born and bred.”

Dee Dee: “So you’ve never once wondered what Yoker’s like? Mind boggling…”

[Half an hour later I start seeing the signs. Yoker newsagents. Yoker post office. Yoker F.C. Yoker everything. They even had a barber that rhymed with Yoker. “Hair by Les Porter”. What are the chances of that?]

Dee Dee: “Here y’ ‘are. What’s the betting his name used to be Smith, or something, and he just changed it to fit in?”.

Yoker Passenger: “What?”

[Gets to the terminus. Everybody starts piling off. I hit the driver with my charms.]

Dee Dee: “Driver, when do you leave?”

Driver: “5 minutes.”

Dee Dee: “I conked out and missed my stop. Any chance you could print us out a ticket so I can nip off for a fag? Cheers.”

[And I put my first step on to Yoker soil. I was in Yoker. I thought this day would never come. Is it really this easy? Is it really this easy to get the things you want in life? You just need to hold out for it? All of a sudden I just had the urge to go like that, “Here, I’m not from Yoker, I’ve got no business being here”. I was like, “Calm it, Dee Dee. That’s no laughing matter. They’ll tear you to shreds. Now, you’ve got five minutes. Where do you want to go? What do you want to do… in Yoker? …I knew exactly what.

I had to. I had to find out. I couldn’t leave without finding out what this is all about. Bus was a million miles away. I thought, “Dee Dee, you are truly on the outer reaches here, man. Middle of nowhere.” And I went into the great unknown with a fucking ding; to ask the one big question on everybody’s lips.]

Dee Dee: “Les Porter?”

Les Porter: “Aye?”

Dee Dee: “Has your name always rhymed with Yoker, or did it used to like, be like Smith or something or-?”

[And then I thought, “Dee Dee, you’ve just blown your cover. Big time. ‘Fuck you playing at, man? Go. Go!” Got out of there before they started chucking their scissors at us like Ninja stars. Before Big Les scalped us and stuck my head on the wall. Ten seconds to get to that bus man, that’s your lifelife! What does it start doing? It starts moving. I was like that, “No, man!” I felt like giving up. “Here, I’m not from Yoker, I’ve got no business being in Yoker”. Let them finish me off like a pack of mad wolves. But I just kept running for my life like I had Leatherface on my tail. I get to the bus but he wouldn’t let us in. I was like that, “Set up! ‘Whole thing’s a set up. Them that were on that front bus? Actors. Actors! ‘Lot of them, actors.” Door opens and I bolt upstairs. Right under the seat. Didn’t dare poke my head up for the next half hour in case they were going by in a minibus. Gasping to feast on me like a shower of mad zombie pirates.

Picked a moment. Up the road. Up the stairs. In the house. Lock. Lock. Lock. Scary, man. Scary.

But the best day of my life.]

Here’s a version with subtitles in ‘English English’

If you can’t see the subtitles, you can switch them on using the little button at the bottom of the video – the one that looks like a little white box with some dots and lines in it.

Nae Clue (No clue)

How I would say it (English RP version)

Do you ever get the feeling that you don’t really know what you’re doing, in general? Has anybody ever asked you, “What did you do that for?” and you’re like “I don’t know”. Have you ever worn something that you thought looked good, and everyone else thought looked crap? Have you ever said yes to something, to which you should have said no? Something you really didn’t want to do. You were asked the question and you thought “No, no way” but out came “Yeah, alright, why not?” In fact, do you ever get the feeling that from the day you’re born until the day you die, you haven’t got a clue what you’re doing? Do you? Yes, well, join the club.

Limmy Version (Glasgow dialect)

Do you ever get the feeling that you don’t really know whit yer dain, in general? Has anbody ever asked you, ‘whit did ye dae that for?’ And yer like that ‘a dunno.’ Have you ever worn something that you thought looked good, and everyone else thought looked crap? Have you ever said aye to something, to which you should’ve said naw? Someting you really didny wantae dae. You were asked the question and you thought ‘naw no way’ but oot came ‘aye awright, why not.’ In fact do you ever get the feeling that from the day you’re born till the day you die, you hivny got a clue whit yer dain? Dae ye? Aye well here, join the club.

427. British Comedy: Limmy’s Show (Part 1) Mr Mulvaney

An episode analysing more British comedy, this time focusing on a couple of sketches from Limmy’s Show, an award-winning TV comedy produced by BBC Scotland. See below for transcriptions, notes and videos.

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Introduction

I was vaguely planning to go through a sort of history of British comedy in chronological order, over a series of episodes, but I just feel like doing an episode today about a series called Limmy’s Show because I’ve been enjoying it recently.

In this episode you’ll get

  • Listening (obviously) but this one’s going to be a little tricky because you’ll be listening to a couple of sketches that might be hard to understand for various reasons.
  • Culture. Since this is comedy, there’s a lot of unspoken meaning which you might not notice. Humour is well-known for being one of the most difficult things to pick up on in another language, which is precisely why it’s a good idea for me to go through some comedy with you on the podcast. Of course, you might not get it. You might not find it funny. That’s fine. What I find enjoyable might leave you completely cold. That could be a question of taste, but it could be a question of cultural context. In fact, in my experience of being a teacher, I’ve noticed many cases of my students just not getting comedy when it’s shown to them. Even stuff that’s considered by the majority of people to be funny, just doesn’t work with learners of English. It’s not until you get to a proficient level of English that you start to notice the unspoken humour or subtlety of a piece of comedy in English. This is because it requires really advanced English skills to notice the nuances that make something amusing, but also because of the difference in mindset or cultural context. You simply might not find it funny just because of cultural conventions. This is why some people disparagingly refer to “British comedy” as being weird, unfunny, very surreal or conceptual. It’s not really that intellectual, it’s just subtle and I think we have a broad scope for comedy. Anyway, I’m not going to get bogged down in trying to explain British comedy, it’s better to just show it to you and try to help you understand it as best I can. But the point I was trying to make is that I want to try and close the gap between what I understand and enjoy about a comedy sketch, and what you might understand and enjoy about it. So, hopefully I can bridge a cultural gap as well as a linguistic gap by doing this sort of episode.
  • Vocabulary – there’s is some good, meaty vocab in the sketches we’re going to hear, from several different registers. You’ll hear some slightly formal spoken English from an executive level business man talking to the police, and some informal English with slang, spoken in a dialect. There will be vocabulary.
  • Accent – the sketches we’re going to study are all set in the Glasgow area of Scotland, so you’ll be hearing some English spoken with Glasgow accents – some quite mild and some really strong.
  • Amusement. Who knows, as well as all this English practice, you might also simply enjoy the sketches! I hope so.

What is Limmy’s Show?

Limmy’s Show is a sketch show which was broadcast on the BBC in Scotland a few years ago. A lot of the sketches from the show are on YouTube and in fact that’s where I’ve seen all of it.

Limmy’s Show is written and directed by a guy from Glasgow called Brian Limond. I think he got his show after getting quite well known from doing a podcast and some YouTube videos. He also did performances at the Edinburgh Festival. Basically, he got a sort of cult following on the internet and that led to him getting his own TV sketch show on BBC Scotland. The thing is, his show was never broadcast in England, only on TV in Scotland, which is a pity for the English because it’s a really good show.

Buy Limmy’s Show on DVD here

I guess that the Scottishness is a large part of the appeal of the show. I think it has a lot to do with it. All the characters in the sketches are Scottish and speak mostly with Glaswegian accents, and the scenes all take place in and around Glasgow.

The sketches feature different characters, mostly played by Limmy. He plays a range of characters from different social backgrounds.

The sketches are often quite surreal, bizarre or dark. Often they feature characters with weird behaviour, or Limmy talking directly to the camera about an aspect of life that he’s noticed. Some sketches just make me think, or just confuse me a bit – but in a good way.
Sometimes they’re laugh out loud funny, sometimes just amusing and sometimes just a bit curious in the way they present quite odd observations about everyday life. Some sketches are a bit disturbing, and others are even a bit sad. All in all, Limmy’s Show is original and refreshingly unconventional, as well as being funny.

It’s worth mentioning again the significance of the accents you’ll hear in Limmy’s Show. As I said, they’re all Scottish, specifically Glaswegian. Some of the characters speak with very heavy Glaswegian accents, and I think that’s part of the appeal to be honest. You don’t often hear those accents on TV. Sometimes they’re difficult to understand if you don’t come from there. Even people from the UK, like people from London struggle to understand the show sometimes, especially when certain characters are talking. There are loads of comments on YouTube from foreigners around the world, including native English speakers in America, saying that they can’t understand anything. Some people on YouTube request transcriptions because they can’t understand the sketches and you can see that other people have written out full transcriptions to the sketches in the comment section on YouTube, and there are loads of other comments from people saying “Oh, thanks so much, I never could have understood this without the transcript!”

So, you get the idea that this is going to be some proper Glaswegian English that you’re going to hear.
For me, that’s one of the reasons I like it so much. I love the accent. It’s awesome. I love hearing the particularities of the way these characters pronounce words and phrase their sentences. In a way it becomes more expressive and characterful, to the extent that the accent and speech pattern is a large part of what makes the sketches so fascinating and enjoyable.

So, let’s enjoy listening to Glaswegian English here.

I’ve got a few sketches I want to deal with, from a couple of characters. I’d like to go through loads of these sketches but I can’t do them all. So, I’ve picked out just a couple of ones that I like and that feature slightly different accents and characters, showing a bit of diversity in the way they speak.

Mr Mulvaney

We’ll start with a sketch featuring a character called Mr Mulvaney, who is an executive level business man from Glasgow.

Here’s how we’re going to do it.

  • I’ll just play the sketch to you first without a lot of explanation.
  • Simply listen and try to follow what’s going on. If you don’t find it funny, then no bother.
  • Just try to work out what’s going on. I’ll give you a little bit of detail at the start.
  • Afterwards I’ll explain what happened and talk about why I think it’s funny.
  • Then I’ll go through it in more detail, pausing after each bit, explaining vocabulary, accent differences and repeating what he says.
  • You can find the videos on my site if you want to watch them again.
  • So that’s the process.

Mr Mulvaney – Creme Egg

The scene
Mr Mulvaney is sitting in his modern looking office. He’s the director of the company. It looks very corporate. He’s in a suit and has grey hair. The company logo shows that this is the Mulvaney Group – it must be a large corporation. Mulvaney looks serious. His office building is open plan, with glass partitions between each section, so Mulvaney is alone in his room but he can see outside into the rest of the floor through the glass walls.

He calls his secretary to order a taxi for later. It’s all businesslike and serious. Then he sees a couple of police in uniform enter the building and talk to someone on reception. At this point, Mr Mulvaney panics!

https://www.youtube.com/watch?v=5lwno2IRStc

A summary of the whole sketch

An executive business man overreacts when he sees the police in his office building and assumes they have come to question him about a crime he has committed. It looks like he’s committed a very serious crime, like a murder, and he frantically tries to work out his story by having an imaginary conversation with the police. On his own he practises telling his story as convincingly as possible, even adding authentic sounding questions from the police. It turns out that he hasn’t done anything very serious. He’s just stolen a chocolate bar from a shop, but he’s acting as if it’s a capital offense. In the end we realise that the police aren’t even looking for him and we don’t really know why he’s doing the things he’s doing. He could in fact be suffering from obsessive compulsive disorder.

What I find funny about it this sketch

  • The fact that he’s a high-powered business man who is involved in petty theft is sort of funny because of the contrast between his high status and the low status nature of the crime.
  • There’s a contrast between the serious way he is acting and the pettiness of the crimes he’s committed.
  • Comedy sometimes comes from the reveal of something previously hidden. These scenes reveal something about his personality and what he’s done – he’s the managing director of the company, a very serious role, but his life is on the edge of spinning out of control, like in some kind of thriller.
  • The performance. Limmy’s performance is really funny. He switches between different attitudes quickly: calm controlled businesslike manner, the panic and fear of being caught by the police, him getting a grip on himself, playing the part of the police officer very convincingly, him acting all indignant and shocked when the police suggest that he might have committed the crime, protesting his innocence, the relief of getting away with it, the determination to stop this kind of crazy behaviour and make sure it never happens again.
  • Playing with TV conventions. This is the sort of thing we have seen many times in TV shows, books and films. There are loads of thrillers in which someone in a high status position has committed a crime and when the police come to ask questions they act cooperative and yet completely innocent, while silently panicking on the inside. Every other murder mystery has a character like that in it. This time it’s played for laughs because the crime is not serious at all – it’s just a stolen chocolate bar or something.

Mr Mulvaney – In The Car

https://www.youtube.com/watch?v=uxUJVCYP11o

Mr Mulvaney – Fire Alarm

https://www.youtube.com/watch?v=hKo6sw_NH8w

Part 2 coming soon…

With analysis of a completely different sketch by Limmy.

Other episodes about British comedy from the archive

 

408. Catching Up With Amber & Paul #4 (+ videos)

Amber & Paul are back on the podcast and we do the usual catching-up session and go off on a few tangents about Amber’s play, Paul’s showbiz life, marshmallows, microphones, tea & coffee, accents and more. There are videos for the intro and outro of this episode (below).

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INTRODUCTION

This episode sees the return of pod PALs Amber Minogue and Paul Taylor, which means that The Talkative Trio are reunited on the podcast once more.

Time was pretty tight for this conversation because Paul was working to a very strict schedule on the day it was recorded, which was yesterday in my flat.

As you’ll hear, Paul arrives a little bit late because he was having lunch with some TV industry people and then he has to leave before the end of the recording to be interviewed on the radio, because he’s so hot right now in the world of showbiz.

Amber has also been very busy recently doing various things including writing and rehearsing a play, so it’s been hard to get the three of us in a room together all at the same time.

As a result this episode was arranged at the last-minute and the conversation was completely unplanned. All I wanted to do was to catch up with the two of them and ask the usual question: What have you been doing?

You’ll hear that things carry on quite rapidly and there are plenty of the usual tangents – those moments when the topic suddenly goes off in a different direction.

It might be hard to follow, so to help you keep up, here’s a basic summary of the main things that we talk about. You’ll find these notes written on the page for this episode, including some words that you might hear in the conversation but not know. You might want to check these notes to see words that you might have missed, to check their spelling etc.

  • First of all Amber tells me about the play for children that she’s been working on with our friend James Simpson.
  • Paul then arrives, you hear the buzzer buzzing and he comes in carrying a bag containing a new iPhone 7, still in its box, which he collected from the shop earlier in the day. It’s a present which all his friends bought for him a few months ago for his 30th birthday, organised by his girlfriend. We all chipped in some money and got him a new phone.
  • Amber tells us some more things about her play, including how it contains a few slapstick moments, meaning some funny scenes of fairly violent physical comedy involving a first-aid box and some marshmallows. Apparently at one point in the play James hits Amber over the head with the first aid box. By the way, a first-aid box is a box that contains basic medical supplies for administering first-aid, that’s why it’s called a first-aid box. It contains, things like plasters, bandages, antiseptic, tiny scissors, and maybe some other little medical things that you don’t understand etc.
  • Also in the play they also fight over a marshmallow, which Amber wants to dip into her tea.
  • This leads us to talk about dipping things into cups of tea, like marshmallows and biscuits, which then causes us to talk about what you put in your tea when you’ve run out of milk, which actually happened to Paul the other day. His solution was to use whipped cream as a substitute.
  • That leads me to ask the question of whether you really can put cream in tea, and we agree that you can definitely put cream in coffee, especially a particular type of coffee which is served with whipped cream on top, which in France is called café Viennois – which I think translates as a Viennese coffee – or a coffee from Vienna.
  • That causes me to ask what they call a Viennese coffee in Vienna, speculating that they might just call it a coffee, which leads to a similar question about the French phrase “creme anglais”, which translates literally as “English cream” – but in the UK we just call it “custard”.
    I then ask Paul and Amber to explain to you my audience what custard is, and Paul suggests that instead of us explaining it at great length, you could just ‘google’ it.
  • I remind Amber & Paul that it is necessary to explain some words sometimes, like the word ‘custard’, because this is Luke’s English Podcast and it’s probably a good idea to explain words sometimes.
  • This prompts Amber to comment on the way that I seem to choose to explain words quite randomly in my episodes – like when I recently spent quite a lot of time explaining the word ‘flea’ in a recent conversation I had with my Dad on the podcast.
  • We then go back to food and talk about typical English puddings which can be served with custard, including crumble, sticky toffee pudding and the oddly named ‘spotted dick’.
    I refer to spotted dick as a dessert, which causes Amber to comment that this is the wrong choice of word and that I should say that it’s a “pudding” not a “dessert”.
  • This brings up the slightly confusing and long-running debate about the correct choice of words to describe certain things in Britain, especially in relation to the dinner table. This all relates to British rules of etiquette and language in polite society, perhaps relating to French vocabulary we sometimes use in English. We don’t talk about this very clearly and it might be a bit confusing for you, and really the whole subject of the rules of British etiquette and social class deserves an episode of it’s own.
  • Nevertheless, in order to clear it up a bit, here’s a quote from a book called “Watching the English” by Kate Fox. Kate Fox is a social commentator who writes about social behaviour in England, and “Watching the English” is a good book that explains many things about English life. This is what Kate has to say about the words “pudding” and “dessert” in English. By the way, both these words are used to refer generally to sweet food which is served after the main course. You have the starter, then main course, then the pudding/dessert. Your choice of the word ‘pudding’ or ‘dessert’ seems to depend on your level of class, and apparently according to upper-class culture the word “dessert” is vulgar. Kate Fox: ‘The upper-middle and upper classes insist that the sweet course at the end of the meal is called the ‘pudding’ – never the ‘sweet’, or ‘afters’, or ‘dessert’, all of which are déclassé and unacceptable’ (Fox, 2005, p79). So, according to upper-class etiquette, pudding is the correct term for the sweet course that comes at the end of the meal. Fine. Amber seems to think this is because the word “dessert” is of French origin, but I’m not sure. By the way, in some places (e.g. France and Japan) pudding is a specific kind of dish. For example in Japan ‘pudding’ is a sort of caramel or custard creme dish. In the UK it just means the sweet course at the end of the meal and can include all kinds of things, like cakes, pies, ice-cream, trifle, Eton mess, bread and butter pudding or even jelly. “What’s for pudding?” for example.
  • I try to explain all of this, but I can’t manage it, instead saying “This is tangent city” when I realise that we keep going off on mad tangents and it’s probably quite confusing for the audience – that’s you.
  • Our talk of pudding then causes us to start talking about Pudong, an area in Shanghai, and specifically the Pudong River in Shanghai. Paul tells us a bit about that and then there are a couple of references to the slightly rude sounding English words ‘poo’ and ‘dong’ before things settle down a bit and we start talking about Paul’s recent showbiz news, including how he is going to be interviewed on a radio station called “Oui FM” later in the afternoon, so we go from poo to wee in just a few sentences.
  • At one point Paul nearly uses quite a clever word – ‘concise’ but then doesn’t use it, preferring instead to choose a more simple way of putting things “using the least words possible” (which means to be concise).
  • We talk about responses to Paul’s recent videos including a few YouTube comments & some criticism he received from a serious person in an email (the criticism was in the email, not the person – you can’t put a person in an email).
  • Things get quite geeky when I then start talking about cameras and microphones and the challenges of capturing good audio when you’re recording videos.
  • There’s some talk of different types of microphone, including boom mics, lapel mics, dynamic mics and shotgun mics but then Amber decides it’s all getting a bit too geeky and we move onto something else.
  • We make plans to hang out again on Thursday on the set of Paul’s TV show while they’re doing some filming, and we decide to record a podcast while we’re there.
  • Following on from my recent episodes about accents, I ask Paul & Amber what their accents are, and what they think my Dad’s accent is, and Amber declares her love for my Dad.
  • Then Paul has to go for his radio interview on “Oui FM” and leaves, and Amber & I carry on and talk a bit more about her play before having a massive conversation about Christmas which will probably be uploaded in a forthcoming episode.

So, I hope that helps you understand what you are about to hear from the Tangential Trio. But, now, without any further explaining – here is that conversation as it actually happened!

JINGLE + CONVERSATION

‘OUTRO’

Amber and I started talking about Christmas there and we went on to talk about it for ages – like over an hour of chat about Christmas shopping, games, food, family traditions and everything else relating to the festive time of year. That conversation will continue in the next episode, maybe the episode after.

We talked a little bit about Paul’s English in that conversation.

People sometimes say “Paul’s accent/English is influenced by his French”.
It isn’t. Certainly not his accent anyway.

That’s one of the interesting things about Paul. When he speaks French there is pretty much no trace of an English accent in his speech, and when he speaks English there is no trace of a French accent.

Other announcements

LEP Moscow Get-Together
Hey Luke!
Well, the very first LEP Moscow GET-TOGETHER has just happened! The first of it’s kind, it seems to be a historical :) event in Russia! Everything went great, it was awesome to chat in ENGLISH with like-minded people!!! Personally I felt as if I had known all of the participants for ages – open, nice and smiley friends! I hope somebody else could feel a similar thing.
First, we got to know each other, which was the main achievement! It was interesting to know when and how everyone had found LEP one day, which episodes were our favourite ones, which experiences in English language learning we had (useful Internet resources, grammar books, pronunciation etc.)
A couple of pics and a short audio message from us to you are attached.
Thanks again and again for that announcement and actually for everything you do!!!
We hope to provide more listeners with a chance to meet and speak regularly and one more way to let them know is to “friend” your group on FB with ours https://www.facebook.com/groups/734996946664425/ and VK https://vk.com/clubnu1 .
Have a nice Monday, Jedi-Podmaster!
Dmitry

Here are those Moscow LEPsters saying hello!

Transcript Collaboration
~ well done everyone!
Thank you especially this month to Antonio for managing everything.
There is an email now for the Orion team. Just write a comment on the page for the transcript collaboration and Antonio will let you know what to do.
Make sure you read the rules.
Transcript collaboration page: https://teacherluke.co.uk/episodes-with-transcripts/transcripts/ 

Daniel Goodson – My Fluent Podcast
A LEPster podcast in which you can join Daniel in his quest to become better and better at English.
Daniel interviewed one of the managers of the Transcript Collaboration – Piotr from Poland
http://www.myfluentpodcast.com/e20-interview-with-piotr-from-poland-transcribing-transcript-collaboration/

Zdenek’s English Podcast
Also, on the subject of LEPster podcasts – Zdenek Lukas continues to do his show, called Zdenek’s English Podcast. Recently he’s been doing episodes about his experiences studying for the DELTA (Diploma in English Language Teaching for Adults) which is a seriously challenging postgraduate qualification in English teaching, which involves not only a lot of writing about linguistics and teaching methodologies, but also plenty of assessed teaching sessions too. It’s a difficult course with many challenges and many things to learn. You can listen to Zdenek talking about it on his podcast in some recent episodes.
Get it here https://audioboom.com/channel/zdeneks-english-podcast

Join the mailing list for direct access to the page for every episode, and for any other content I put up, including videos that I might start doing with my new camera soon.

That’s it! Cheers!

VIDEOS

Here’s one of Paul’s “What the F*ck France?” videos. This one’s about how it’s difficult to learn French.

LEP VIDEOS

Here are a couple of bonus videos of me recording the introduction to this episode, and a failed attempt at recording the outro too (I forgot to press ‘record’ on my audio device!)

They’re in black & white because I think it looks cool. The gorilla ↴ is pink, ok! 

Thanks for watching. I’m just experimenting with videos at the moment, but if you like them, I might do more.

The Russian Joke appeared in US TV show Parks & Recreation – watch until the end

https://www.youtube.com/watch?v=VxQ_ywY-luE

Music credits

Jazzy xylophone tune & piano tune by BenSound – www.bensound.com

Other music by me, or by my brother James Thompson.

370. In Conversation with Rob Ager from Liverpool (PART 1: Life in Liverpool / Interest in Film Analysis)

Today on the podcast I’m talking to Rob Ager from Liverpool, who is probably best known for his film analysis videos on YouTube in which he discusses classic Hollywood thrillers, sci-fi and action movies in quite astonishing levels of detail, often focusing on deep psychological and political themes and hidden messages that most viewers probably wouldn’t even notice. His videos are carefully constructed documentaries, made for educational purposes and all of them feature a voice-over commentary by Rob in which he analyses the film and gives his observations.

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Click here to visit Rob Ager’s website collatedlearning.com

I think I first came across Rob’s work on YouTube about 5 or 6 years ago. Sometimes I start watching YouTube and I get sucked into a kind of YouTube worm hole. That’s where you start watching one video, and that leads you to watch another one and then another one and eventually you find yourself watching something really fascinating and unexpected and that you wouldn’t normally have come across. I think that’s what happened with Rob’s videos. I think I first came across a short documentary he made about a horror movie called The Thing by John Carpenter, which is one of my favourite films. It’s really scary, tense and well directed, and it has a terrifying monster in it. Also it has a complicated story line which creates an eerie sense of paranoia that invites the viewer to speculate on who is or who isn’t a monster. It was really interesting to listen to Rob talking about The Thing in so much detail and it made me think about the movie in ways that I hadn’t considered before.

Then after that I kept noticing other videos by Rob and I would always watch them with interest. He has videos about The Matrix, Star Wars, The Shining, Alien and more.

Sometimes I find his comments to be a bit too specific, like he is perhaps over-analysing the films, but then again I think this is what’s great about movies – that everyone can interpret them in any way they want – and that a film might mean one thing to you, but mean a completely different thing to someone else. Even the director of the film might have a very specific message in the movie, that most of us don’t even notice. I think most modern film makers understand these ideas and they often leave their movies open to interpretation. Think, for example about the ending of Inception starring Leonardo DiCaprio – what does it really mean? We’re supposed to imagine and discuss our own interpretations of it, and I think it’s one of the strengths of the film and one of the reasons it is so popular. Everyone can leave the movie with their own theory on what it was about and what had happened at the end. Rob Ager takes this principle – that there are multiple readings of a movie – and really runs with it in his documentaries, suggesting that many of these great films that we love could in fact be about political events in the real world, our deep desires and psychological motivations or even about hidden power structures.

Another interesting thing for me is that Rob comes from Liverpool. He’s a scouser (that’s the word for people who come from Liverpool) and he speaks with a scouse accent, which really reminds me of the people I used to meet, talk to and work with when I lived in Liverpool years ago. The Liverpool accent is really distinctive, and I always want to feature different British accents on this podcast, so on this one you’ve got the chance to get used to listening to a scouse accent, or Liverpool accent.

Also, I think Liverpool is a fascinating city and not enough people know about it. Most people know The Beatles or Liverpool and Everton football clubs, but there’s more to Liverpool than that. I’m hoping that Rob will tell me a few things about what it’s really like to live and grow up in this important English city.

His website – CollativeLearning.com reveals all sorts of interesting things – like that fact that Rob is a filmmaker himself and he is very prolific with his analysis videos. He has loads of documentaries which you can download from the website. What becomes clear after reading and watching his work is that Rob is a very observant and articulate person with a great interest in film, but he is also knowledgeable about a wide range of academic theories and he incorporates ideas from psychology, sociology and philosophy in his film analysis. All of that reminds me a lot of the things I read and wrote about while doing my Media & Cultural Studies degree at university in Liverpool. What’s also notable about Rob though is that he has received no formal academic education or training in all of these subjects – he’s completely self-educated.

I’ve never spoken to Rob before, and I’m recording this introduction before our interview, which is due to start in just a few moments. I’ve got no idea how the conversation will go or what directions our conversation will take but I really hope it’s an insightful and engaging listening experience and that Rob and I get on with each other. I suggest that you listen out for differences between my standard Southern British RP accent and Rob’s accent, and let’s see what kind of vocabulary emerges from our talk.

Alright, it’s time to speak to Rob now. So, here we go.

*Conversations starts (after I remembered to press ‘record’ on my device)*

Links & Videos

Rob’s website http://www.collativelearning.com

Some interesting videos from Rob’s YouTube channel

https://www.youtube.com/watch?v=hcxLFZdZPw0

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342. Paul’s “La Bise” Video Success / Audition Story (with Amber & Paul)

In this episode I’m joined by podcast pals Amber & Paul and we talk about Paul’s hit youtube video about French kissing habits, his newfound success as a stand-up (he’s the hottest kid in town), some online abuse he’s had and then an anecdote about an audition that we attended recently, which involved a surprising misunderstanding about accents. There’s also a brief language focus on using relative clauses with ‘which’ to extend your sentences when speaking. Enjoy!

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Image: c/o Robert Hoehn French Fried TV

Transcript for the intro and outro to this episode

Intro

Hello, welcome back to the podcast. This is episode 342. First of all I’d like to say thanks if you’ve recently left comments on my website, written positive reviews on iTunes or especially if you’ve sent a donation to the podcast. I appreciate all of those things very very much indeed and I hope that you feel like you’ve invested in this podcast, even in a small way. Every little helps. So thank you very much.

In this episode I’m joined again by podcast pals Amber and Paul

If you are a brand new listener and you don’t know them then here are the basics: Essentially, they’re both from the south-east of England, I know them from the stand-up comedy scene here in Paris and they both have super-powers, yes that’s right – super-powers.

Amber is a voice-over artist, actress and tour guide. She has a little 2-year-old son called Hugo (who has featured on the podcast before, making dinosaur noises in episode 297), and Amber’s super power is that she has loveliest voice in the world. Her voice is so lovely it could melt the heart of even the toughest person – like anyone at all. Even Vladimir Putin or Batman would be reduced to a little puppy when listening to Amber’s voice, right listeners? If Amber’s voice was on Darth Vader’s iPod and he listened to her talking, he would immediately give up his devotion to the dark side and turn into an ewok or something. That’s Amber.

Paul used to work for Apple – the company, not the fruit. It would be weird if he worked for an Apple. Anyway, last year he took the brave decision to quit his job in order to focus on becoming a full-time stand-up comedian, performing both in English and in French. Paul has a weekly one-man show called #franglais which he performs every week and he also performs a two-man comedy show with me every Thursday, and that one’s called “Sorry, we’re English”. He has his own podcast, called “Becoming a Comedian”, which you can find at paultaylorcomedy.com. Paul’s super-power is his infectious laugh, which causes podcast listeners to randomly split their sides in different countries around the world, which is nice. I imagine if he had to do battle with Darth Vader, he’d just laugh in his face and Vader would turn into Jar-Jar Binks or something.

The conversation you’re going to hear in this episode was recorded the other day when we were sitting upstairs on my little terrace enjoying some sunshine. We recorded about 3 episodes-worth of stuff that day. Two in the sunshine and one indoors because after a few hours it went cloudy and then started raining, which is typical for April in this part of the world. You already heard the first part of that conversation in episode 341.

Click here to check out a list of other episodes featuring Amber & Paul

But in this conversation Amber and I talk to Paul about recent success in his stand-up career, there’s a surprise phone call from Robert Hoehn, we talk about some online abuse Paul’s received, and then Paul and I tell Amber about an audition we had for a TV show recently, which involved a bit of a misunderstanding about our British accents.

One thing I just want to let you know right now is that I’m aware that this conversation is quite quick and you might not get absolutely every single word that we say, but that’s fine because as we know, listening to native speakers at natural speed is a valuable thing for you to do even if it’s difficult to understand every little thing. Just try to fill in the blanks, tolerate the stuff you don’t understand, read between the lines and keep going. Listening several times will help, but the main thing is to relax and just enjoy spending 45 minutes in the sunshine with us.

Where were we?

Where were we in the conversation at the end of the last episode?

There was a bit of a cliffhanger of sorts. Paul was about to tell us what happened in January, and it’s something about his progress as a comedian. Let’s get an update on how it’s all going.

A bit of language analysis – Paul’s long sentence – using ‘which’

In just a moment I’m going to start playing our conversation to you and it’ll carry on from where it ended last time.

The first you’re going to hear is me saying to Paul, “Give us an update on what happened in January” and then you’ll hear Paul speaking pretty quickly, and producing perhaps the longest sentence in the history of humanity. Actually, long sentences with lots of additional clauses are pretty common in spoken English, especially in spontaneous talking. In writing I think it’s best to keep your sentences short and clear but in speaking we often find ways to extend our sentences to include new thoughts and to keep the rhythm going, particularly with words like ‘and’ or ‘but’ (simple ways) but also with relative pronouns, particularly ‘which’, which we add to nouns and even whole clauses in order to extend sentences (like I just did there – did you notice?) Check out the way Paul uses ‘which’ to extend his sentences and add ideas, adding fluency to his speech.

Here’s the first sentence you’ll hear from Paul in this episode:
“Yeah, I think the last time we spoke, I don’t know if we talked about it but I was gearing up for the start of my own show, which was like an hour, my first hour-long solo show, which was starting on January 9th and I was excited (and) nervous because I’d never been on-stage for an hour (and) it was going to be cool, whatever, and then during the month of December, Robert Hoehn, who has been on the podcast previously, he runs an English comedy night and he’s, I guess, seen me do comedy for the last three years and he suggested to me that I make a video out of one of my sketches which I’d been doing on stage, which was around the French, their kissing and saying hello and it’s called La Bise, in France.”

Wow. There are a few examples of ‘which’ in there and also a ‘who’, after he mentions Robert Hoehn, who has been on the podcast previously. Also, there’s the phrase “gearing up for” which means “getting ready for”. OK. Now I’ll let you listen to that sentence in full, spoken by Paul.

One question: How many times does he say “which” and what’s the most common word that comes after it?

*Paul’s long sentence*

Answers:
He says ‘which’ four times and it’s most commonly followed by ‘was’ (3 times) and once it’s followed by ‘had been doing’.

This is often how we add information to stories. I mentioned this language point in the photo competition episode too. That’s episode 327. In Paul’s sentence, “which was” comes after a noun every time, but sometimes it comes after a clause. Question: What is the noun or clause that is followed by ‘which’ in these examples?

“He suggested that I make a video of one of my sketches which I’d been doing on stage which was around the French way of saying hello”.

Answer: Both times it’s ‘one of my sketches’

and “So, we sat on the terrace and just talked for about 2 hours, which was nice”.

Answer: it’s the whole clause ‘we sat on the terrace and just talked for about 2 hours’.

So, there was a little bit of language analysis. But that’s enough of that. I will now let you listen to the rest of the conversation properly, and enjoy another chat with podcast pals Amber & Paul, and by the way, just to let you know in advance – there is a little bit of swearing in this conversation.

*conversation starts*

Watch Paul’s Video about “La Bise”

A France24 TV news report about Paul

Outro – Transcript

We will be back, speaking more ‘crapola’ soon, because we’ll be playing the interactive lying game and that should be the next episode of this podcast.

What’s crapola? It’s just another way of saying ‘crap’ or ‘nonsense’. Crap is poo by the way. Crap is a swear word but it’s not as bad as ‘shit’. Crapola is not such a common word – it’s a variation on the word ‘crap’ and it means ‘nonsense’ or ‘stupid talking’.

Accents

Now, at the end there you heard us talking about accents. That was a slightly heated conversation and since this is my podcast I’d like to try and clarify what I was trying to say.

So, first of all we went for the audition and it was nice, but one of the producers said, “Can you speak with less of a British accent?” and we asked, “You mean you want us to use an American accent?” and she said “Not American, just less British. You know, like the way they speak in New York, because they don’t have an American accent in New York” and we were a bit stunned that doesn’t mean anything. So, first of all I think it’s not possible to have no accent. Everyone has an accent, but you might feel like your accent is the normal, standard position for the language and that every other version is an accent. Even accents which are considered to be the neutral forms are still an accent. So it doesn’t make sense to say that you don’t have an accent or that the people of a particular place don’t have an accent. If they pronounce words, using certain sounds, that’s an accent. Some accents are considered the standard forms, and in the UK and in the USA there are, broadly speaking, two standard accents. There’s Received Pronunciation in the UK, which is generally how I speak (although I have inflections from the midlands and the South East, reflecting the places where I grew up) and in the USA there’s an accent called Standard American, which is a kind of regionless accent. So maybe what the girl meant to say was, can you speak with a standard American accent, or a more trans-Atlantic accent? But then she realised that it could be taken as a bit rude, because it’s like she suggested that there was something wrong with our British accents or something. She didn’t mean any offence of course.

Another thing I often read online is the sentence, “There’s no such thing as a British accent”, which is a bit misleading. Generally people write that in response to comments on Youtube or Reddit or something when an American person has said something like “OMG I love the British accent”, or equally “OH my god the British accent sucks” or something. Then someone gets pissed off and writes a response, like “there’s no such thing as a British accent!” But that’s a bit stupid too. If an accent comes from a part of Britain, it’s a British accent. Obviously British accents exist, but the point is there is not just one British accent – there are many accents from different regions and it’s a bit short-sighted to just imagine there is only one “British accent” when in fact it’s so much more diverse than that, and I suppose that comment “There’s no such thing as a British accent” is the British person’s way of expressing annoyance or frustration over the lack of awareness of the diversity of British accents.

In the UK today we are very sensitive to accents, as Amber mentioned in the conversation. There are many many variations on the way people speak, and those variations indicate things like regional origin and social status. We shouldn’t judge people by their accents, but we do. We also are very affectionate about accents and generally very positive about regional accent variations. We love the diversity of accents in our country and generally it is considered inappropriate and snobbish to laugh at an accent or to suggest that there’s something wrong with speaking in a different way. Being snobbish about regional accents is now quite unfashionable in the UK. Regional accents are generally celebrated these days – and when you watch TV, including the BBC news, you’ll hear lots of different accents being spoken by presenters from around the country, because TV viewers appreciate the regional flavours of the different accents.

So, I suppose part of our surprise at the girl at the audition was just about her lack of awareness of accent variation, but also the slightly clumsy way she talked about the whole subject, suggesting that people in New York had no accent, or that our British way of speaking was just a regional variation of an accent that has its neutral base in Manhattan. But, I understand that identifying regional accents can be very hard when you’re not native to that language, so we didn’t take offence at the girl and it was fine, but we did find it amusing and interesting from a linguistic point of view. So, that’s that.

I must do more episodes about different regional accents on this podcast. There is just so much content to cover and it’s really important that you get a sense of the different accent variations. I have dealt with accents before a bit, but there’s so much more to do on that subject. We’ve only really scratched the surface.

Listen to Adam & Joe talking about British and American actors doing different accents, particularly Ray Winstone (UK – London) pretending to be an American in the film Fool’s Gold. 😂

https://www.youtube.com/watch?v=CIxQFUV_AcA

And this one about Leonardo DiCaprio’s Irish accent and how Hollywood helps actors perform in different accents.

Oh, and remember Tracy Goodwin the American voice coach from Episode 20 of Luke’s English Podcast? Here are Adam & Joe talking about that…

Using Apps to listen to this podcast

This is turning into another longish episode. It happens so easily, but you heard Paul earlier talking about the ‘pause’ button. I wonder if you use that, because as I’ve said before – you don’t have to listen to these episodes in one go, you can pause and listen to the rest later. If you’re using podcasting software like an app on your phone, it will remember where you were when you paused, even if you close the app or switch off your phone or computer.

Here are some recommended apps: There’s the standard Apple Podcasts app, which is fine. I use PocketCasts which is available on iPhone and android. You can also get it on your computer. There’s Acast which is good. Also, try the Audioboom app. All of them let you listen via an internet connection (wifi or data) and the also let you download episodes onto your phone so you can listen when you’re not online. All those apps will save your position in an episode so you can listen, pause, listen again, pause, come back later and listen to more etc.

You can still just download the files from the website and put them on your mp3 player – just check if there’s a folder in your player for podcasts because if you use that folder the mp3 player will probably save your position, just like the smartphone apps do.

Thanks for listening – speak to you soon, bye!

 

313. British Comedy: Tim Vine (Part 1) + LEP Photo Competition

In this episode we’re going to listen to some stand-up comedy by a popular British comedian called Tim Vine, which should be pretty challenging because he tells lots of puns and fast jokes.

But before that, I just want to tell you about a new competition that I’m launching today for listeners to this podcast. This is the Luke’s English Podcast photo competition. See below for all the details, to download this episode and to watch a video of Tim Vine.

[DOWNLOAD] [LISTEN TO PART 2]
The LEP Photo Competition
It’s been a great year for Luke’s English Podcast with loads of new episodes. All kinds of things have happened this year and I’ve talked about a lot of them on the podcast. I’ve had lots of responses from you my listeners and the podcast is still going from strength to strength in terms of audience numbers.

One of the things that’s made it great for me is that I have such awesome listeners all over the planet. It’s great for me to imagine people listening to my podcast in different situations, in different places all over the world. But I’d like to do more than imagine those situations, I’d love to actually see them. I think it would be really cool if you, the listeners of this podcast, could all share photos of your surroundings while listening to LEP.

Maybe you’re on a bus or train, maybe in your car, maybe just walking around, maybe you’re at home with your pets or a cup of tea, maybe you’re climbing a mountain, maybe you’re on the international space station orbiting the earth or something.

Whoever you are, wherever you are, whatever you’re doing – send me your photos. I want you to take a photo that shows the situation you’re in while you listen. Now, you might think “Nah, you don’t want to see a picture of my surroundings…” Yes, I do! Even if you think it’s boring – I want to see it. If you’re on the bus, take a pic of the bus or your view from the window. If you’re walking along a street, take a pic of the street so we can see what it looks like. If you’re on an alien spaceship listening to this from outside the earth’s atmosphere, send me a photo of the spaceship or your view of earth from a distance. Just take a picture of what you can see while you’re listening.

There’s just one rule – the photo has to contain something that shows you’re listening – so include in the photo the LEP logo or some headphones or a screen with the logo on it or some other indication that you’re listening. You don’t have to include a picture of yourself, but you can if you want to. It’s up to you. The main thing is – I want you to show us something that you can see in your surroundings while you listen to LEP and your photo should contain something that proves you’re listening. So if you’re taking a photo of the street, or the view from your hike in the mountains, make sure there’s a headphone in the photo or the LEP logo or even you listening. Yes, just a headphone in the photo is enough for me.

Send your photos by email to podcastcomp@gmail.com. Closing date for photos is Friday 15 January at midnight London time.

When I’ve collected all the photos, I’ll put them all up on the website and you all the LEPsters can vote for their favourite. Then I’ll pick 3 winners. The top winner will get an LEP mug plus another gift of their choice (another mug, a t-shirt or a bag). The two runners up will get LEP mugs. 

OK, so start taking some photos to show us what it’s like where you are while you’re listening to the podcast. Feel free to get creative! Just make sure you insert something in the photo to show that you’re listening. I want it to be a real picture, not a faked one. OK!

Mailing list
From messages I receive it seems that some of my listeners just can’t wait for me to upload new  episodes and they keep going to my page to see if there’s new content there. You should join the mailing list and then you’ll get an email whenever I post a new episode on the website. On my website near the top on the right there’s a field that says “Subscribe by email” just enter your email address there and click confirm.

Top 10 countries this week (number of ‘plays’ in the last 7 days)

Russia 12254
Japan 10443
China 10428
Spain 7434
United Kingdom 6175
Germany 5588
Poland 4740
United States 4570
Italy 4068
South Korea 3038

Do you want your country to go up in the list? Tell your friends!

British Comedy: Tim Vine
Tim Vine is a British stand up comedian who is famous for doing lots of one-liners. He’s one of the UK’s favourite stand-up comedians. His jokes are all clean and family friendly with no rude language or explicit content. He’s a self-deprecating cheeky chappie who makes everyone laugh. The thing that makes Tim Vine different to other comedians is that he always does a succession of one line jokes in his performances. It’s just joke after joke after joke and often they don’t relate to each other at all, it’s just a relentless and rapid stream of unrelated gags and puns.  British audiences love him, but I wonder what you’ll think of his comedy.

I think to an extent, his comedy is quite challenging for non-native speakers of English. By that I mean that he’s the sort of guy that, if you’re a learner of English, you’ll be watching TV with a group of native English speakers, and Tim Vine will come on TV, and all the native speakers (let’s say youre with an English family or some English friends) all of them will suddenly say, “Oh, I love Tim Vine, he’s soooo funny, you’ve got to check this out, you’ll love this, all his jokes are so clever – they’re all based on double meanings and word play, you’ll love it.” You then watch his set, and he tells joke after joke after joke, the audience on TV is loving it, the other people in the room are all laughing, but to you he’s just saying lots of really quick little sentences without pronouncing the words properly, and he’s acting like a total amateur, and he looks all shy and apologetic on stage, and you think – I can’t believe these English people find this guy so funny, what’s wrong with everyone. Or, what’s wrong with me?

There’s nothing wrong with anyone of course, it’s just a language and culture gap that might stop you from enjoying his jokes, and it’s a big pity because there is a lot of joy and pleasure to be gained from watching Tim Vine do comedy.

So, in this episode I’m going to do something a bit ambitious – I’m going to try to help you understand and enjoy one of Tim Vine’s comedy performances. We’re going to listen to about 10 minutes of Tim Vine’s act, and then I’ll break it down and help you understand exactly what he’s saying and why the audience is laughing. If you laugh at his jokes too – fantastic, that’s wonderful. If laughter happens, then success has been achieved. If laughter doesn’t happen – no problem, we’ll still have success because I will explain the language and you’ll learn some really natural English.

I expect that while we listen to Tim Vine some of you will start thinking – this just isn’t funny. Well, let me just say – Tim Vine definitely is funny and many many people agree with that. In fact, I think that  The only reason someone won’t find him funny is because they just don’t get the jokes. He’s not offensive, he’s not rude, he’s a lovely man who just wants to make people laugh. There’s no other reason for not liking him other than the fact that you don’t understand his jokes.

A few facts to prove my point: Tim Vine is the holder of the Guiness World Record for most jokes told in an hour. He told 499 jokes. The criteria for the record is that the jokes received a laugh from the audience. So, 499 jokes got laughs in one hour. That’s over 8 jokes a minute.

He has won the “Joke of the Year” award twice. That’s the prize for the best joke at the Edinburgh Fringe Festival.

My Mum and Dad are both huge fans of Tim. They went to see one of his live shows, and absolutely loved it. And, you should know that my parents have exceptional taste in most things.

Now, if those three things don’t convince you that Tim Vine is funny, then I don’t know what will.

Alright, so now we have agreed that Tim Vine is definitely funny, and that if you don’t find him funny then it’s almost certainly because of the language and cultural gap – let’s listen to Tim telling some jokes and then we’ll work on closing that linguistic and cultural gap. Hopefully the result will be that your understanding of English will be significantly raised in the process, even if it requires a bit of work. In fact, this could be the perfect test – teach – test model for learning English.

I’m not saying that you’re not going to understand any of this – I’m sure many of you will get a lot of the jokes without any problem, but honestly I think that if you’re not proficient at English you’ll struggle to get them. And watch out – don’t assume you’ve understood the joke because you understand the words. There’s always a double meaning.

So, let’s go.

Let’s now listen to the first 3 minutes of Tim Vine’s stand up routine from a show called One Night Stand, which is a popular stand-up comedy show on a British TV channel called Dave.

Stop listening after Tim’s song called “It’s easy”.

Then go back through the jokes one by one. If you already got these jokes, then sorry if I’m telling things you already know.

Cultural point: Tim knows, and the audience knows, that the jokes are pretty stupid and crap. On their own they have pretty much no value. But when the jokes come one by one, relentlessly, so fast they build into a rhythm. You don’t get a chance to think about how silly they are, you just laugh at the pun and the next one comes along immediately. That  part of the enjoyment – and if you don’t understand them, or if you think about the individual jokes too much, that can kill the fun. So, analysing the jokes like this is probably the best way to KILL the humour, but anyway…

Now, you should watch the whole video on the page for this episode. You should do that so you can actually see Tim performing the jokes, including the expressions on his face and everything.

That’s it! Remember – don’t give up even if it’s difficult.

And, remember, the force will be with you, always…

Tim Vine – One Night Stand

The video is no longer available – it was removed from YouTube. :(

Tim Vine’s jokes – explained

A listener called Viviane sent me a list of all the jokes in this episode, with explanations. Here they are.

1. Let’s hear it for my internal organs,
let’s hear it for = invite the audience to applaud
Tim plays his body as you hear the sound of an organ. “organ” has two meanings – something in your body (e.g. your liver or kidneys) and a musical instrument.

2. This bloke said to me: “I’m gonna dress up as a small island off the coast of Italy.”
I said: “Don’t be so silly. (Don’t be Sicilly.)”

3. I think a parachute jump is the scariest thing that I have ever, ever… refused to do.
(You expect him to say “that I’ve ever, ever done.”)
Actually I once did the parachute jump. They got you attached to the instructor, and you jumped out of it together. So in this airplane, they attached me to this bloke, and we jumped out, and it was really frightening, because half way down, he asked me “how long have you been an instructor?”

4. But we’ve all heard the theory that people look like their pets. Well tonight I’m going to test this theory out. You, sir, have you got a llama(秘鲁 骆马)?
The suggestion is that the person looks like a llama.
Just so you know, whoever sitting there I always say “have you got a llama?”, I just got lucky tonight.

5. I went to Sooty’s barbecue, and had a Sweep steak.
hand puppet bear, Sweep is Sooty’s best friend. He’s a dog.
a sweepstake = a sort of bet in which you can win all the money
The suggestion is that Tim ate Sooty’s best friend. This joke isn’t very good because the situation doesn’t make sense. Why would he have a sweepsteak at a barbecue?

6. I met the man who invented the window sills, what a ledge! (what a ledge/legend)
A window sill is a type of ledge.
“What a ledge!” is a way to say that you think someone is brilliant, or a legend.

7. This antique dealer came up to me. He said, What do you think of the Chinese Dynasty? I said, it was very badly dubbed.(配音)
Dynasty: a famous American TV show during the 1980s.
This is because most of the Chinesr movies, for example, kungfu movies from the 80s were always very badly dubbed, so the movement of the person’s mouth and the voice you’ll hear would be completely out of synchronization.

8. I said, I would open a shop in Saudi Arabia. He said, Dubai? (Do you buy?) I said, yeah, and sell!

9. My grandfather was a very controversial artist, he designed the lion in Trafalgar Square. It doesn’t sound very cutting edge, but at the time, it really put the cat amongst the pigeons.
Cutting edge: innovative
Put the cat amongst the pigeons: totally upset the situation.
Trafalgar Square is famous for having lots of pigeons.

10. Someone said to this New Zealand bloke, I’m going to a Swidish furniture shop. He said, Does it look like I care?(IKEA)
“I care” and “IKEA” sound quite similar in a Kiwi accent.

11. I’m going to buy some furniture polish (comes in an aerosal can).
He said, “Pledge?”
I said, “I will give you my word.”
pledge: a brand name. It also means  = to promise

12. You probably think this was all very well, but when do we get to sing with you Tim? The answer is now.
I might be totally deaf, I never thought I’d hear myself say that! (“I never thought I’d hear myself say that” means “I’m surprised that I’m saying that” but it also means that he’s surprised to actually hear himself saying it because he might be deaf.

~It’s easy.~ (It sounds like the introduction to the song, but then you realize that that’s the song. Songs typically will lay down a theme, the introduction will probably be about 4 bars long)

13. This song is called Subtraction, take it away! (What you say in a performance before a song, Let’s start the song!) Hit the music please!
“subtraction” is also the act of subtracting numbers in maths, or ‘taking things away’.

14. ~It’s easy~
Blimey that was hard work, wasn’t it? (so, it wasn’t actually easy)

15. Bnag! That’s bang out of order.
“That’s bang out of order” is what you say when someone is behaving in an unacceptable way.
He’s also talking about the word “BNAG” which is the word “BANG” but with the letters in the wrong order.

16. I don’t know why I put myself through this. (Tim has taken a piece of cardboard, and put his head through the hole.)
To put yourself through something = force yourself to have a difficult experience
He is also literally putting himself through a piece of cardboard.

17. Hello, My name is Bruce Willis, and I was in a diehard film, I shoot people and people shoot back at me. Yes, I am BruceWillis, I was in The Sixth Sense, I am a film star. I’m Bruce Willis. Sorry, I think I might give you the wrong impression.
To give someone the wrong impression = to make someone think the wrong thing about you.
Also “to do an impression” means to copy the voice of someone.
In this joke he has copied Bruce Willis, but with the wrong voice. He’s given us the wrong impression.

18. So I went to the binocular shop. I’ll tell you what, they saw me coming.(“They saw him coming” = They gave him a bad price, they ripped him off – but they literally saw him coming because of the binoculars)

19. Of course, binoculars is plural, and the singular is — telescope!

20. But I love language.
Does every sentence have to contain a vegetable?
I said, “Not nece-celery.”
“Necessarily” can sound like it contains the word “celery”, which is a vegetable.

21. And then there is the word “mortar” 石灰/迫击炮. Mortar has two different meanings, as I discovered when the house I bought exploded.
Mortar = the stuff that attaches the bricks to each other. “bricks and mortar”
Mortar also means a kind of weapon which launches a grenade into the air.

22. So I went down to the local pub.
“Do you like the local jokes?”
“Yeah, me too. They are right up my street.”

affirmative: It’s right up my street. = It’s my kind of thing.
Negative: It’s not my cup of tea.

23. I walked in, there was a very drunk man slumped in a chair. He looked at me and said what do you do for a living? I said, comedian. He said, “I admire anyone who can stand up…”(leave it hanging)

We expect him to say that he admires anyone who can stand up and try and make people laugh, but this man is drunk and he just admires anyone who can just stand up.

24.I said, “I bet you can’t name a single subject I don’t have a joke about.”
You said, “Beavers.”
I said, “Damn” (Dam = a house made by a beaver on a river)

25. I did a gig the other day, and it went very badly. Yeah cheers. And I walked out of stage, and all I could hear was one person clapping. And then I remembered, I was wearing flip-flops 人字拖.

26. I did a gig the night before to a whole bunch of reindeers, and I slayed them!

In comedy, when you make the audience laugh, you can say you kill/slay/smash the audience.
A slay is also a kind of large sled or vehicle that a reindeer would pull, like the kind of thing that Santa uses. So “slay” has two meanings.

27. But you know, the first job I’ve ever had was playing the back part of a pantomime Wasp, and I thought I was the bee’s knees.
the bee’s knees = fantastic
He also thought he was literally the bee’s knees (because he was wearing the back part of a wasp costume, and wasps look like bees)

28. Do you know the other day I got lost in the jungle. Luckily I had a compass 罗盘/圆规 with me, so I was able to draw a perfect circle with a pencil.
“compass” has two meanings – a device for navigation, and a device for drawing perfect circles.

29. A small blue garden bird made of mahogony! It’d be great if I had a related joke, wouldn’t it? (wooden tit)
Tit is the most common kind of garden bird in the UK. (Look at the tits!)

30. ~Waiting can sometimes be lots of fun~ (Every time you expect him to sing, he doesn’t.)
~But not always~

31. Do you know I have a friend who always takes the mickey out of me for having a “pay as you go” phone, who’s always go like “~You’ve got a pay as you go phone~” So eventually I took out a contract, and had him killed.

In the UK, you’ve got two kinds of phone contract: pay as you go (lower status people who don’t have much money), and monthly contract (don’t need to top up your credit)
take out a contract: to ask an assassin to kill sb.

32. So I said to this bloke: “Me and some friends were just talking about you.”
He said, “You disgust (discussed) me.”
I said, “Yes we did.”

33. He said, “Next time you are asleep I’m going to wake you up!”
I said, “That’s disturbing.”
disturbing his sleep, but also disturbing in an emotional way meaning worrying.

34. (visual joke) I’ve nearly finished filling in my CV, it’s got a little bit there.
fill in a CV = complete your CV
fill in = fill something with colour

35. I think my worst invention was this rubber band wind chime 风铃. All right, pipe down.

36. Ladies and gentlemen, I will leave you with this. (meaning “I will say this and then I will leave”. But as he said that, he had his hand on the microphone stand) Because I’ll be honest with you, it doesn’t belong to me, I don’t bring it with me.

37. I was standing on the beach, I walked into the wave holding a tub of Taramasalata ( a kind of dip), and a man said, “What are you doing?” I said, “I’m taking a dip in the sea.”
take a dip: take a short swim
a dip also means a sort of sauce

38. I was steering a yacht with my stomach muscles — ab sailing!
abseiling means climbing down a mountain backwards via a rope

39. This farmer came up to me and said, “I got 68 sheep, can you round them up for me?” I said, “Sure, 70.”
to round up some sheep = to collect all the sheep together into a group
to round up a number = to raise or lower the number to the nearest round number. E.g. 4.9 – round it up to 5

40. But I’m going to be honest with you, ladies and gentlemen, I don’t think I’m going to do this job for much longer. (the audience goes “aahhhh” in sympathy and disappointment) Not enough of you and too long a pause. But what concerns me is that one day, I’ll wind up an old man… and he’ll attack me.

I’ll wind up an old man = I’ll end up being an old man
I’ll wind up an old man = I’ll make an old man angry

 

304. Film Club: Back To The Future (Part 1)

Hello listeners, welcome to Luke’s Film Club, this is one of those episodes of Luke’s English podcast in which we focus on a classic moment from the movies. This one is an episode about Back to the Future, which is one of my all time favourite films and I’m not alone because it’s one of the most popular films of the last few decades, all over the world. It’s a really entertaining and fun film, which also contains some sub-texts related to the complexities of time travel as well as a few visions of the future. Also, in the film’s sequel, the main characters Marty McFly and Doc Brown end up travelling into the future – and to what date? October 21, 2015. That’s today (when recording this). So it seems to be the perfect moment to do an episode of Luke’s Film Club, devoted to this modern classic. This is basically international Back to the Future day, and there’s only one! So, this has to be the day on which I record this episode.

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In this episode I’m going to talk about these things:

  1. When I first saw it and what it means to me
  2. The plot of the film (quite a challenge actually)
  3. Themes of the film and lessons we can learn from the story
  4. Some bits of info or things you might not have known about the film
  5. The films predictions of 2015 – how many are correct?
  6. How does the DeLorean time machine work?
  7. Is time travel possible?
  8. What about paradoxes created by the film’s time travelling story?

Ironically, time will definitely be a factor in this episode, because it will be hard to squeeze all of that into an hour. Let’s see what happens. It’s probably going to be another 2 part episode or something. But Back To The Future is a great film isn’t it? Come on, it’s great. It’s really popular all over the world, it’s really fun and interesting. Let’s talk about Back to The Future, however long it takes.

UPDATE: In part 1 of this episode I only talked about points 1 and 2 in the agenda above. The plot of Back To The Future 1-3 is pretty complicated and takes some time to describe! The rest is covered in the next episode.

SPOILER ALERT!
I’m going to mention some parts of the plot in this film. So, if you haven’t seen it before then I will probably give away some of the surprises in the story. I’m assuming that the vast majority of you have seen this film. It’s one of the most popular films of the last few decades, but I’m sure some of you haven’t seen it. Just be aware that I will probably reveal some fairly big plot details in this episode, so you might want to watch the film before listening to this episode.

Saying that though, I think it’s quite hard to truly spoil the film, just because there are many things about it that make it exciting. I’ve seen it (and the sequels) lots of times, and I enjoy it more and more every time, even though I know exactly what’s going to happen next. It’s so well-directed that it’s always exciting. But anyway – watch out, there are spoilers ahead.

I’ve been trying so hard for ages to find a way to properly cover the subject of this film in a podcast. It’s very hard! There’s so much to say! The storyline of the film is pretty complex, and the themes of time-travel, family, future technologies and controlling your destiny are really big things that deserve a lot of attention. So, I’m not sure I can squeeze it into just 1 hour of chat. This may end up being two episodes – but you don’t mind do you? Why would you mind? This could be a 5 minute video on YouTube, like “The 5 best moments from Back to the Future” but I want to go into more depth, and get sidetracked by themes of technology and time travel, so it will just take as long as it needs. In fact it’s a bit ironic that I’m talking about time limitations when this is a film about time travel, and the complexities which surround it. Essentially, I’m going to focus on the subject first, and if that means it’s a long episode, then so be it. In fact, since this is a podcast you have some control over time and you can skip forwards in the episode, backwards in the episode or simply freeze time completely by pressing the pause button, and then start it again later. You’re in control of time, essentially. I’ll just focus on making the content and you can choose how to listen to it. :)

Also, there are other films/books I could have talked about: HG Wells: The Time Machine, The Terminator, Looper, Bill & Ted’s Excellent Adventure, Interstellar. But, this one is all about BTTF! So let’s go.

1. When did I first see it and why do I like it?
– As a kid, with my Dad.
– I was 8 years old, my brother 10.
– We saw lots of really great films in the Ealing cinema around this time, including Return of the Jedi, Indiana Jones & The Temple of Doom, Flight of the Navigator, Back to the Future, The Goonies, E.T. and more…
– I actually managed to understand what was going on, and I found it incredibly fun and exciting.
– Cereal box, with the picture. I remember staring at it.
– Since then I’ve seen it on video and on TV countless times, and every time I watched it I understood more of the subtleties and intricacies of the complex plot, and also just enjoyed the pure fun of the franchise.

2. What’s the plot of the film (this could be complicated and long – and SPOILERS!)
Marty is an average yet pretty cool teenager, struggling slightly to make the transition to adulthood. Essentially he cares about his parents, his girlfriend Jennifer, playing guitar in his band, skateboarding, and his friend Doctor Emmet Brown, an eccentric and ambitious physicist. Marty’s parents are sweet, but his Father in particular is a bit of a loser. He has no leadership skills and he still gets picked on by the school bully, who hangs around the house because he still has a crush on Marty’s Mum, Lorraine. Marty’s Dad still gets bullied by Biff, who is a total jerk. Marty hates Biff with a passion but there’s not much he can do about him. Seeing his Dad all weak, even though Marty’s mum obviously loves him, is quite painful for Marty and you get the impression that family life isn’t very happy for Marty. Perhaps this is why he has trouble concentrating at school, and perhaps it’s also why Marty cares more about playing the guitar in a band, or hanging around with his weird scientist friend Doc Brown than he does doing his studies. Marty also has a really awesome girlfriend called Jennifer, and the two of them are very sweet together. Jennifer knows that Marty is a really cool guy with a lot of potential, and I guess this is why she loves him. We know that Marty feels pretty bad about his family situation.

Marty is friends with the local mad scientist, Doctor Emmet Brown, and associating with Doc Brown is going to propel Marty on an incredible adventure through time.
Doc Brown is the classic eccentric scientist. He has bug eyes, crazy Einstein hair, and lots of inventions and madcap ideas.
Marty also has a weak point – being called chicken. He absolutely can’t stand being called chicken (coward) and this will be important later on.
One day, Marty gets a message from Doc Brown to meet him in the car park near the mall. He has something amazing to show him.
Marty turns up on his skateboard and the Doc reveals his latest invention. Inspired by HG Wells, he has created a time machine. The cool thing about it is that it is housed inside a DeLorean sports car. DeLorean was a car manufacturer that is completely stuck in the 80s. They went out of business before the decade was over, but their car is immortalised in this film. One has to admit, it does have a certain UFO futuristic look that suits its use as a time travelling device. The key component in the device is the flux capacitor, which Doc Brown thought of during a dream. I don’t know how it works, but that’s the main thing.
The way the time machine works is that you programme the precise date you’d like to travel to, and the accelerate the car to 88 mph, at which point you’re transported through time. He demonstrates it with his pet dog, Einstein.
Amazing – it actually works!
Doc arranges for Marty to film him presenting the time machine on home video, but at this point some very angry Iranian terrorists turn up in a VW camper van. Apparently Doc Brown stole some nuclear plutonium from them, which he used to power the flux capacitor and they want it back. They seemingly shoot Doc Brown dead in the car park, which is shocking because we’ve grown to like this character very much in the short time he’s been on-screen, and then they go after Marty, who escapes in the DeLorean time machine. There’s a short chase around the car park, during which a date is accidentally added into the machine – 30 years previous. October 26 1955. During Marty’s escape from the terrorists, the DeLorean gets up to 88mph and Marty is whipped away, back to the past of 1955, where he finds himself driving though an open field – this is the location of the mall car park. The mall hasn’t been built yet! Marty crashes into a barn and the drama is over.
What happens next is that Marty explores Hill Valley in 1955, and gets caught up in the lives of his young parents, which interferes with the space time continuum, threatening to change the future, his normal life, forever. He then has to try and make sure his parents fall in love, like before, ensuring that his existence is secured in the future. As well as that, Marty plans to find a way to save the life of his best friend Doc Brown, who was shot to death by terrorists back in 1985.
Essentially, what happens with the parents is that instead of his Mum meeting and falling in love with his Dad, Marty interrupts that meeting, and weirdly his Mum falls for him instead. This is so weird, and yet a very compelling plot device!
In 1955 Marty has to deal with a few challenges.
Everything is different because it’s the past, and he’s a fish out of water.
His Mum has a big crush on him and he has to try and avoid her.
His Mum and Dad haven’t met as they should have, and so he has to engineer their relationship from nothing, against all odds.
He has to try and avoid the town bully – Biff, who is interested in Marty’s Mum too, and is also out to get him.
As well as this he has a couple of run-ins with Mr Strickland, who amusingly is exactly the same as he is in 1985. He doesn’t appear to have aged at all.

Marty, cleverly, manages to track down the only man who can help him – the younger version of Doc Brown. He convinces him that his story is true, and introduces him to the DeLorean and the flux capacitor. One of the cool things about this is that by introducing the Doc to his own invention, Marty ensures that the flux capacitor gets invented in the first place.

The two hatch a plan to get the parents back together to stop Marty from disappearing from existence, and also work out a way to utilise the power of a lightning strike to get the DeLorean up to 88 so Marty can go back to the future. The cool thing here is that Marty knows exactly when lightning will strike the clock tower in Hill Valley Square, because it is a famous event from local history.

We see Marty attempting to get his parents back together, which fails most of the time. The bully Biff gets involved and there’s a dramatic scene in which the cowardly George decides to stand up to him, winning Mary’s affections and securing Marty’s future.

In the process, Marty manages to invent rock and roll music by playing some Chuck Berry during the school prom.

Marty is also desperate to tell Doc that in 1985 he’ll be killed by Libyan terrorists, but Doc refuses to listen, saying that it’s very dangerous to know anything about your own future. He’s worried that the knowledge will haunt him, or that it will create some kind of time paradox. Nevertheless Marty writes him a note warning him of the shooting. Doc cuts it into pieces, refusing to read it. This is alarming because we know that Doc’s going to get shot in the future. It’s not dealt with any further.

There’s yet more drama as Marty and the Doc attempt to hook up a cable to the clock tower, to make sure they harness the electrical power from the lightning strike. At the last moment, the Doc manages to connect the cables, allowing Marty to get the DeLorean to 88, and he goes back to the future!

Back in 1985, things are a little different, in fact they seem to be a lot better. Since things went a little different;y in 1955, and George stood up to Biff – George is a different man. Much more confident and successful, and Biff is now far more subservient to him. The family is richer, the parents’ marriage is better, and Marty looks in the garage to discover his dream car, waiting for him. Jennifer is also there. She’s the same of course, because she was already perfect, and they kiss. At that moment, Doc Brown suddenly turns up in the DeLorean, saying that both Marty and Jennifer have to come with him on a matter of urgency, as it involves their children in the future! They all get into the DeLorean, ready to take it up to 88 and travel into the future. Marty says “Doc, don’t we need more road to get up to 88?” and the Doc says, “Marty, where we’re going, we don’t need roads” and the car takes off into the air! It’s a flying car! They then race off into the sky and disappear into the future!

Wow, what a rip-roaring and exciting ride. For me, it’s an almost perfect film and always keeps me entertained. I love the complexities of the story, the dramatic set pieces, the eccentric and cartoonish performances by all the actors and the fun the film has by playing around with the differences in culture between 1955 and 1985. There are lots of self referential jokes and small details to notice, including little similarities and consequences between the two time periods.

Back to the Future Part 2
This is when things get complicated!

Doc Brown knows that Marty’s son, who looks just like Marty but is a total loser, is going to get caught up in a robbery and will get arrested and thrown in jail. Doc decides to form a plan in which Marty will pretend to be his son, and will prevent his involvement in the robbery, making everything all right. Essentially, they prevent the crime and during this early scene we see Hill Valley in the future. In one of many similar scenes from the previous film, Marty wanders around the town square and we see how different everything is. Cars look futuristic, droids do basic service jobs, there’s a holographic animated advertisement for a Jaws sequel, people have self drying clothes, shoes with automatic laces, and clothes which automatically adjust their size to fit the person they’re wearing. Also, crucially, kids now ride ‘hover boards’ which are like skateboards except that they hover a few inches about the ground, somehow.

Marty manages to replace his son and say no to “Griff” – played by the same actor who plays “Biff” in the previous film. But in the process, Marty gets into a fight with Griff who is the 2015 town bully, complete with physical implants, an advanced hoverboard and a really bad attitude.

Marty gets away from Griff, and gets back to the Doc. We learn that Marty, while in the futuristic version of Hill Valley has picked up a Sports Almanac (a summary of sports results of the last 60 years), which he plans to use as a way to get rich. When Doc Brown discovers this he gets furious with Marty, demanding that Marty throw away the almanac because it’s far too dangerous to mess with the space time continuum. The results could be catastrophic. What they don’t realise is that the old Biff from episode 1 has overheard their conversation, has realised that Doc Brown has invented a time machine. Biff steals the almanac from the bin, and plans to somehow use the time machine to go back to 1955 to give the almanac to the young Biff, so he can make money from gambling.

Meanwhile, the police have picked up the young Jennifer, who had been turned unconscious by Doc to protect her and left in a doorway. They identify her using her fingerprint (which is the same, despite being young) and decide to take her home. Doc realises this could be disastrous – if young Jennifer meets old Jennifer, it could create a paradox in time which could unravel the very fabric of the space time continuum, destroying the whole universe in the process, which is generally a bad thing. The follow the police back to the McFly household in order to prevent young Jennifer meeting her older self.

We see the older McFly household. They’re a bunch of misfits and losers again! The children are stupid and foolish, and something has gone wrong with Marty. It seems that at some point in his later youth, he was involved in a car accident which injured his hand. As a result he wasn’t able to pursue his dream career – that of a rock guitarist. So, he’s ended up in a dead end job which he hates, and which he gets fired from. What a disaster.

The car accident is pretty important – it happens a bit later, after the events of BTTF1. Marty is driving his cool new pickup truck with Jennifer, when he gets challenged to a race by the local bully (a bit like Biff). Marty declines, and the bully says “What’s the matter McFly, chicken?” We know from countless other occasions that Marty can’t stand being called a coward, and he loses his judgement, taking on the drag race challenge, but he crashes, and injures his hand. He’ll never be a guitarist, and he’ll end up in a job he hates, and the future will be unhappy.

Marty realises that he has to avoid the car crash which seems bound to happen sometime later in 1985.

Doc worries that they are having too much impact on the future and that this is going to create a paradox of some kind… The car crash scenario that jeopardises the future is left open at the moment, and is resolved at the end of episode 3 (I think).

Little do they realise that while they’re at Marty’s future house, old Biff has broken into the DeLorean and travelled back in time to give the sports almanac to his younger self. Biff, exhausted by his efforts struggles to get out of the car, breaking his walking stick in the process. A part of the stick is left in the car, which later will show to Doc Brown & Marty that Biff stole the car.

So, Doc Brown delivers Marty back to the past in 1985, but everything is horribly different! It turns out that because of the book, Biff has become the richest and most powerful man in Hill Valley. In fact, his influence extends all the way into Marty’s family life as Biff is now married to Marty’s mother, and Marty is forced to live under Biff’s roof. Biff is a hugely powerful bad guy now. It turns out also, that he may have had Marty’s father killed. This is terrible. Under Biff’s influence, Hill Valley has become a lawless wasteland with crime everywhere.

Marty goes to get Doc Brown’s help, and he explains what has happened.

When Biff went back in time to give the Almanac to young Biff, he created a completely new version of time, in which Biff is rich and influential, and Hill Valley is a hell hole. What Marty needs to do is prevent that from ever happening, in order to ensure that the normal version of the present is created, not this twisted version.

I could go into more detail about different theories of time at this point but it’s a bit too confusing.

In a simple way, I guess there are two versions.
The first version says there’s just one universe with one time narrative. Big events can significantly change the course of history, and when it does, all the other possible versions of history just get erased from existence, with one version of time remaining. For example, when Biff gives the sports almanac to his younger self this causes a whole new branch of time to happen, in which everything is terrible, and I guess the other version of time just gets erased from existence. Or when Marty goes back and changes the past so that his parents grow up happy and successful, that erases the less happy version of events. There’s a paradox here though, which is that if the other version of history disappeared, then surely our version Marty would disappear too. If Biff changed the past, so that the events of BTTF1 never happened, then our Marty would surely cease to exist and in fact BTTF1 would never have happened. But that’s not the case – in the film we have many different versions of history, and Marty & Doc travel from one of those versions across to other versions. There are in fact 3 versions of 1985. The first one (a bit crap – George is a loser, Lorraine is an alcoholic) the second one (everything’s great) the third one (Biff is in charge and it’s absolutely terrible). Marty from version 1 appears in all versions.

So I suppose BTTF proposes some sort of multi-universe theory, which is the idea that whenever anything happens, different versions of history branch off from that moment, creating another parallel universe. For example, when Biff gets the sports almanac, a new parallel universe is created.

But isn’t it possible by that logic that at any moment there are so many possibilities, that there’s a parallel universe being created in which each possible event happened, with all its consequences after it? And that would mean that an infinite number of parallel universes are being created with every passing of time, basically creating infinite possibilities across infinite parallel versions of reality? Why is it that just a big event like a kiss, or a sports almanac coming into your possession changes time? If it’s a small change does time just carry on? Too complex? Probably. Don’t worry if that’s not clear – that’s the point.

Back to the Future goes for the more simplistic version, stating that basically there’s just one or two planes of existence, and big significant events can cause them to happen, influencing the future. Having access to all the sports results is one of these big events. Again, this is the genius of the film – it manages to skate around these big problematic questions while dipping into the science at certain moments to give enough depth to the story while keeping the energy, entertainment up.

So Marty and the Doc go back to 1955 with their flying DeLorean in order to stop Biff getting the almanac.

We see really cool scenes in which Marty runs around in Hill Valley 1955 at the same time (by coincidence) that he was there in BTTF1, trying to save his parents’ marriage. We see scenes from BTTF1 but from different angles. Marty has to save his other self, without them meeting. It’s really brilliant.

There are lots of situation in which history repeats itself.

So, in the end, Marty manages to prevent Biff getting the Sports Almanac, saving the future again. Marty burns the almanac, and Doc Brown turns up again (we’re still in 1955) to collect Marty and deliver him safely in 1985. It’ll be the good version of 1985 because as we saw, Marty in BTTF1 was successful and managed to save his future, and Doc managed to send him back with the lightning strike.

But, as Doc is about to pick him up, the DeLorean gets struck by lightning from the storm and this causes the time machine to malfunction, sending Doc accidentally to an unknown place and time. Wow! Great Scott! Where did he go? Is Marty stuck in 1955?

Immediately, a postman arrives with a letter for Marty. Apparently the letter has been held at the post office since 1885 with strict instructions for it to be delivered to Marty at this precise moment.

It’s a letter from Doc. He’s stuck in 1885, when Hill Valley was a cowboy town.

Marty realises the only person who can help him save the Doc is the Doc himself – the 1955 Doc who just risked life and limb sending Marty back to the future in a lightning powered DeLorean.

Marty runs to find Doc in the town square, and he even sees himself go back to the future. Doc is standing there, exhausted and delighted. Then, our Marty taps him on the shoulder. Doc turns round and promptly passes out “But, I just sent you back to the future? What are you doing here” – unable to comprehend that Marty is now back again and needs his help.

Back to the Future 3
After Doc has woken up and worked out what’s going on, he decides the only thing he can do is to send Marty back to 1885 in order to save him. But where’s the DeLorean? Both versions just disappeared – one to 1985 and the other to 1885. How come there are two DeLoreans? How is this possible? You can multiply things by travelling in time? Anyway…

The fact is, 1885 Doc has left the DeLorean in an abandoned mine, and has given Marty and 1955 Doc instructions on how to find it. They do that, and send Marty back.

To make a long story very slightly less long, Marty goes back to 1885, finds Doc and they attempt to create a plan for how to get them both back. The problem is, the DeLorean is damaged. It’s run out of fuel and there’s no petrol in 1885! They decide they can get a locomotive train to travel at 88mph, so the train is going to push the DeLorean up to 88 and then the DeLorean will travel back to 1985, and the train will crash.

Things get complicated though, because Doc Brown ends up falling head over heels in love with a woman called Delores. She ends up getting tangled in the time travel attempt, and Doc saves her life but stays in the past, as Marty goes back to 1985.

There, the DeLorean is finally destroyed, ironically as it appears on the train tracks that still exist in the same spot in 1985. It’s destroyed by an oncoming train. Boom. End of DeLorean – this happens after the original trip to 1955, so the DeLorean has been erased (I guess for the moment).

Marty finds Jennifer and they’re reunited. Then, finally, Doc dramatically arrives at the end with Delores. This time he’s created a time machine made from a train, using steam technology to power a flux capacitor. It’s not clear how he does this, but with all the knowledge he’s gained, he managed to do it, creating a sort of steam-punk time machine. He and Delores then travel off together, with their two children named Jules and Verne.

It’s a happy ending. But there’s still one loose end. Marty has to make sure that he doesn’t have that car accident. He needs to prevent that unhappy future in which he injures his hand and his dreams of being a guitarist go up in smoke, and he’s forced into a soul destroying job he hates.

Marty and Jennifer drive away in Marty’s cool truck. They stop at a junction. The bully pulls up beside them and challenges Marty to a drag race. Marty declines, and the bully calls him “chicken” but this time Marty has the strength of character to resist the challenge and in fact the bully is the one who crashes.

Marty and Jennifer’s future is secured, and they all lived happily ever after.

End of Part 1 …
back-to-the-future-time-circuit-board

292. California Road Trip (Part 5) Scientology / Meeting a Bear in Yosemite / The Trek Gone Wrong! 

Hi listeners, I hope all’s well. Here’s part 5 in this series which I’m doing about my California road trip. In this episode I’m hoping to talk about these things: The Church of Scientology, Yosemite National Park and our slightly dramatic adventure there, more British and American English, and if time I’ll talk to you about San Francisco, where among other things I met and interviewed AJ Hoge. So let’s get started. [In fact I only managed to talk about Scientology and the Yosemite experience – British & American English, and AJ Hoge will be in the next episode].

[DOWNLOAD]
Small Donate ButtonPeriscope Live Broadcast
While recording this I’m also doing a live-stream on Periscope. You might be thinking – oh, I wish I’d known about that, I would have watched it! You can watch the videos of the live feed here: (and there’s about 45 minutes of extra stuff in the videos that you don’t hear on the podcast)


The Road Trip Continues… 11 August
Prepare to drive to Yosemite – we go to CVS and stock up on water and other supplies, program the SatNav (GPS) to take us via Bakersfield and Fresno, then up Highway 41 into Yosemite, where we have managed to book a spot in a camping ground. We’re both really looking forward to being in the fresh air in the mountains.

Before leaving we stop for breakfast in a recommended cafe where they do awesome pancakes with whipped cream, maple syrup and free refills of coffee. We park the car and walk up the street and then suddenly come across a huge imposing blue building. It’s massive and weirdly painted bright blue. It’s the headquarters of the Church of Scientology. At this point I’d like to talk a little bit about Scientology, which I consider to be a fascinating and (here’s that word again) mysterious aspect of California life.

What’s the Church of Scientology?
Here’s a recording I made at that moment.
Play the first recording.

It’s a religion, and quite a controversial one. Some people call it a cult. Some of its members are famous celebrities like Tom Cruise and John Travolta. Apparently the church has a lot of influence in Hollywood, and lots of people think it’s really weird and secretive. There are even suggestions that the church has been involved in criminal activity, threats – again these are just allegations, but it’s pretty mysterious and fascinating, like something from a mystery novel.

I recently saw a really interesting documentary about Scientology, called “Going Clear” in which lots of ex-members (people who decided to leave) of the church explain what it’s really like, and they don’t say very positive things. In fact the documentary seems to suggest that it’s a power-hungry cult which takes money from its members and threatens them with retribution if they try to leave. There are also suggestions that the church committed crimes like burglary, theft and intimidation in order to avoid having to pay a huge tax bill to the US government. Bold claims indeed. What’s really going on in this blue building?

A brief history of Scientology
This time I’m going to paraphrase a summary of Scientology that I’ve found on the “For Dummies” website. “For Dummies” is a series of books that help to explain various complex subjects in simple terms. You might know the series – they have distinctive yellow covers. It’s a really good series and they have books on almost every subject. A quick look at the For Dummies series on Audible shows titles like… (read some titles).

Recently I’ve been listening to the audiobook version of “British History for Dummies”, and it’s really good and yes I got that from Audible. You can get it too if you want – just click an audible button on my site or go to www.audibletrial.com/teacherluke and sign up for a trial and you can get a free audiobook. You could choose one of the “For Dummies…” books. Just search Audible for “For Dummies” and you can see all the books available.

Anyway, For Dummies also have a website with clear and fairly brief summaries. So, let’s check out the summary for Scientology. You can check the link here: http://www.dummies.com/how-to/content/what-is-scientology.html
So, what I’m about to say is based on information in that summary, but also what I learned from the Scientology pamphlets I’ve read and what I learned from several documentaries I’ve seen.

The church was set up in 1953 by a writer called L. Ron Hubbard. Hubbard was already fairly successful as a writer of both science fiction stories, and then self-help books. His most successful self-help book explored the relationship between body and mind, and he called it Dianetics. This book became the basis of the religion he then set up called Scientology. Some critics say that Diabetics is just quackery (not proper science or psychiatry) he only set this up as a religion because it was a tax-dodge. In the USA religions don’t have to pay tax, so Hubbard is criticised for having a cynical reason for making his religion in the first place – so that he could make money, or worse – that he was just power-hungry. Whatever the reason, Scientology was set up as a religion in the USA.

Hubbard is loved by the Scientologists, but viewed with a lot more suspicion by many non-members of the church. For example, the French government, who considered him to be a fraudster and tried to convict him of customs violations in the 1970s. “Britain, Greece, Spain, Portugal, and Venezuela all closed their ports to his fleet in the 70s. At one point, a court in Australia revoked the church’s status as a religion.” (Wikipedia page https://en.wikipedia.org/wiki/L._Ron_Hubbard#Life_in_hiding) These are all reasons why he went into hiding in 1970. To go into hiding means to leave the place where you live and go to a place where nobody can find you. He was the leader of the church right up until he died in 1986.

What do Scientologists do?
You can walk into a Scientology centre in many cities in the world now, and have a counselling session. In fact you might be invited in for one. When I used to live in London I used to walk past the Scientology centre in central London and they would sometimes as me if I wanted a stress-test. I always said no because I felt it was just a way for them to get me into the centre. I imagined it would be like this:
“Hi, are you feeling a bit stressed today? Would you like a free stress test?”
and then you go in and they check you out and tell you that you’re feeling all stressed out and that stress is really harmful and that they have all the solutions to how to combat stress and live a more effective life – and it’s Scientology. “Here’s a leaflet” or “Would you like to sign up to a course?” and then you’re in.

Sounds okay doesn’t it? I expect it is helpful at the beginning, for many people. It’s just not for me.

A counselling session at the church is called an audit. Essentially, this is a bit like a psychotherapy session. You’re invited to share deeply personal things in order to free yourself from emotional burdens. It sounds a bit like Freudian psychoanalysis doesn’t it? In fact Scientology completely rejects psychoanalysis. Apparently, Scientology is the only way. During these auditing sessions you are hooked up to a machine which is called an E-meter. According to scientology this can measure your thoughts, well – it’s not just as simple as ‘thoughts’ – apparently it’s related to immortal spirits from space which inhabit our bodies and prevent us from living a healthy and happy life. Auditing allows us to set these spirits free, which makes us feel better. Critics say the e-meter just measures electromagnetic energy in your hands and is no more revealing about your mind than a crude lie detector test. But, according to Scientology if an e-meter is used by a Scientology minster then it really works. Freeing yourself from levels of emotional burden in these auditing sessions is called going clear, and there are different stages of clarity. In order to achieve those levels of clarity you need to do more and more audits, share more and more personal problems, and also contribute more and more things to the church. This costs quite a lot of money as courses of auditing are not cheap, and all of this goes to the church, and also all the private and personal things you’ve said in auditing sessions are recorded and kept by the church. The aim is to free yourself of all your emotional burdens and achieve a state of perfect clarity. Apparently the church of Scientology is very rich as they have purchased some incredible pieces of real estate around the world, such as this massive building in Los Angeles. It’s not clear exactly how much power they have. Some say they exert some influence in Hollywood’s entertainment industry.

What do Scientologists believe?
Scientologists believe that people are in fact just receptacles for immortal spirits which came down to earth many years ago. The church doesn’t like it if these spirits are called aliens. Because, it sounds bad if you believe in aliens. It sounds a bit mad doesn’t it. So let’s not call them aliens. Apparently, these immortal ‘spirits’ live within us. They’re trapped inside us, and they can only be freed by going through auditing sessions, until you get to the top of level of clarity when I guess the aliens, sorry spirits go somewhere else. I’m not sure of the details of what happens to the spirits, or if we are the spirits, or what they look like.

OK, fair enough I suppose! We’re all entitled to our beliefs. What’s so controversial about them?
Here’s what’s written on the page from Scientology for Dummies, by Scott Barnes: http://www.dummies.com/how-to/content/what-is-scientology.html

Scientology is one of the most controversial religious movements of our time. Many people reduce their world view to nothing more than a cult that brainwashes its members and then fleeces (cons) them by charging outrageous fees for some auditing classes. Critics lambast the church for its rejection of established psychiatry, and many people take issue with the church’s “Celebrity Centres,” which are facilities that are technically open to the public but primarily serve the most famous Scientologists in the arts, sports, and government (think Tom Cruise, Isaac Hayes, and Nancy Cartwright).

Reports from some who have left the Church of Scientology are even more incriminating and include stories of church members being held for years against their wills at “rehabilitation camps” for violating certain policies, or sending members to go through the trash of the church’s critics and former members to find material to blackmail them into silence. In 1979, several Scientology members were convicted for participating in the largest theft of government documents in U.S. history. Scientologists have also been accused of tampering with witnesses in court cases and even murder.

In response to these claims, Scientologists state that their religion is genuine and that the movement has been distorted, and that they are being persecuted.

Among the criticisms are: Scientology preys upon people who want to make it in Hollywood by suggesting that they can help, then they force them to stay in the church with the suggestion that they can harm their careers due to their extensive connections in the business, they illegally resisted an investigation into their accounts by the IRS (the US tax office), they bully their members and they blackmail high-profile members like Tom Cruise and John Travolta into staying in the church – remember the church has recordings of all those extensive and deeply personal auditing sessions. These are all allegations and criticisms which have been made against the church – not necessarily my thoughts. I haven’t decided what I think of them yet and I’m just curious.

Is it possible that all of this sinister stuff is going in within these imposing blue buildings that we saw? I wonder…

Play the second recording.

I decided I’d try and talk to someone. I felt a bit excited and a bit nervous because I know the church can be a bit touchy about people doing recordings or making documentaries about them, which I guess is understandable. Anyway, I decided that I wanted to talk to someone so I went over to some of the people in uniform who were walking around the building. I spoke to a woman who was very nice and normal, of course. I told her I was making a holiday diary, and that I had just come across the building and wanted to interview someone about it. She took me into the building and I spoke to someone in reception. I made a recording afterwards.

Play the third recording.

What do you think about Scientology?
The woman I spoke to seemed very happy and proud to be working at the organisation. The place looked very smart and clean. Many members of the church say that it has helped them a lot. But what about all these allegations? Tell me what you think? Is the church a cult? Is it a force for good? Is there a church of Scientology in your country? What do you think?

Yosemite National Park
Yosemite is a huge national park, and probably one of the most stunning parks in the world. Most of the tourism there is centred on Yosemite Valley, which is full of meadows, a river and pine trees, and some accommodation and camping grounds. Around the valley you have incredible granite rock formations including stunning mountains. There are granite rock faces like El Capitan, Half Dome, Sentinel Dome and so on, also some of the highest waterfalls in the world. The whole thing combines to be a stunning place to spend time camping, cycling, hiking or rock climbing and it is visited by about 5 million people per year. There are a few roads that go round the central part of the park surrounding the valley. 95% of the park is wilderness and hardly any people go there except experienced hikers, climbers and campers. You might know Yosemite from the Apple Mac operating system. At the time I’m recording this podcast, the most recent OS for mac is Yosemite (I believe the next one is called El Capitan – also a rock face in Yosemite National Park). So if you have a Mac with Yosemite, you’ve probably seem desktop images of the place. It’s absolutely stunning. Being there is a bit like being inside your own Apple Mac, but obviously much much better than that because nothing can compare to seeing it with your own eyes.

We drove out of LA and the through back end of the Hollywood hills. Handsome countryside with a highway which is great for driving. But the land soon becomes flat boring farmland. The driving is fun in the Camaro, which comes into its own on the open highway (which is rarely open because of all the cars). I realise that I’ve hardly put my for down the whole time. Most of the driving in LA has been slow cruising or edging forwards in traffic.
I floor the Camaro with some space ahead and it reveals masses of hidden power, roaring and leaping forwards with yet more revs all the time. It seems to have about 9 gears and they’re all RAAAAA!
We eat up the highway and eventually arrive in Fresno after about 4 hours. Fresno, aka Mall-land. It seems to be one giant shopping mall. I guess we’re in the commercial district but there is just open mall after open mall. We pick one with a Wholefoods and get sushi, which is not that great. Wholefoods is like Mecca to us. London has a few, Paris none.
What’s great about Wholefoods?
They’re normal in USA but this one isn’t that great, or maybe the expectation was too high.
It’s freezing inside and boiling outside.
We wander around mall-land looking for supplies.
Then the drive to Yosemite in the mid/late afternoon. A couple of hours.
The landscape gets more and more interesting as we climb up and up the winding highway. Wonderful driving and lovely smell of pine cones and pine trees. We drive with the windows open and the sun on our faces through the trees.
Eventually we’re in Yosemite and we glimpse views of stunning granite formations but keep going. We go into a tunnel and on the other side (tunnel view) the whole valley opens out on the left side. It’s my Mac desktop but we’re actually there. Can’t see properly from the Camaro. Terrible visibility.
After an hour of driving in a daze we arrive at our campsite.
Describe the tents.
Friendly atmosphere. Our tent is situated pretty well.
There are strict regulations about bears.

Black Bears in Yosemite
This is bear country and they are all around the park. They come out at night to go on missions into the valley to get food.
Apparently they have over 2x the sense of smell of a bloodhound, are very intelligent and more curious and confident than dogs, they have huge claws and padded hairy feet which make them silent. You must not keep any food or scented products in the tent or car. Everything has to be in the bear boxes which are very sturdy, made of metal and bolted to the ground. Apparently if you leave food out and then turn your back, they can appear and start feeding. Apparently at night, all the black bears head down into the valley under the cover of darkness. Slightly scary.
Naturally it’s pretty exciting to be sleeping in a basic hut with just a curtain separating us in bed and the bears which I imagine to be wandering around our tents at night.
I don’t have to imagine much because that night a bear has a go at the bear box just next to our tent. I hear it trying to open the box before moving on to try another one and another one. I later hear two people walking past talking about the bear they’ve seen. I was frozen solid in bed the whole time.
Apparently if you come across one you should shout at it angrily to try and scare it away.
I wonder what I would shout at it.
What should you say to a bear? What’s the appropriate thing?
I wouldn’t want to be too rude but at the same time it would be necessary to talk in rather strong terms.
I suppose indirect language wouldn’t work.
You have to be direct and clear, yet reasonable.
I’m joking of course. I think I would just scream at it and swear and say any old nonsense.
I imagine some of you would be a bit cooler.
Not me – I’m from the UK. We killed all our bears years ago, and made them fight dogs and other cruel things.
I imagine that any bear meeting me and hearing my London accent would not be that friendly.
So, no need to be cool. Freaking out and panicking is the order of the day here.
The place has a lovely summer camp, hippie Boy Scout feel to it, although it’s a bit crowded and there are lots of kids. It would be nice to have the place to ourselves of course but that’s impossible.
Dinner in the Yosemite Lodge down the road. Modest canteen food. Bought some tourist stuff like a cap and some playing cards.
Then bed after making sure all food and smelly stuff is in the reinforced box, then draw the canvas curtains – definitely not reinforced. Tie them with a good knot. Will it make a difference?
Of course bears won’t be interested in us, but apparently they’re really curious. We’re wearing mosquito repellent coil things. They’re quite interesting and smelly. Maybe a bear will find it interesting.
I would. “Oh what’s that on your wrist” – would the bear equivalent of that be “roar! Let me poke my head into your tent and bite your arm off, or just maul you a bit (because that’s what large dangerous animals do, they maul you).
Slept pretty well in the open air, despite these thoughts in my head and an actual bear or two outside the tent. Had to go to the loo in the night. I did so, noisily, checking the toilet quickly for any bears that might be in there hanging out or whatever. I did my business and had to look over the top of the door before leaving the cubicle, just to make sure there wasn’t a huge bear waiting for me. But it’s all fine.

12 August 
Breakfast in the canteen and then a day in the park.
Stayed on the valley floor on bikes. Packed lunches. Wanted to hike but closed. Apparently there was a fire up there.
Amazing seeing the granite up there. Gave me the desire to climb, but that’s not an option without climbing buddies, and my wife hasn’t really done it before. Bikes are a bit awkward – beach cruiser type things. Mountain bikes would have been better. Still, it’s very peaceful and incredibly fresh. Sunshine and cycling are quite tiring so we end up chilling by the river.
I’m a bit worried about tomorrow. What can we do that’s fun and takes advantage of the proper rugged landscape without being too challenging?

That night I drive us back up to Tunnel Point to see the sunset. We end up staying to look up at the stars, lying on our backs. It’s immensely beautiful as there is hardly any light pollution, so the stars are all revealed in their glory. Millions and millions of tiny points of light. Our galaxy the milky way is so rich that it appears to be like a mist across the sky, but in fact it’s a dense collection of many many stars. We see constellations like Orion’s belt and the plough. Driving back through the valley my wife sleeps in the passenger seat and I stop the car again to lie on the bonnet and look up at the stars some more, but I get totally freaked out by the total darkness around me! We sleep soundly that night, ready for a pretty early start in the morning.

13 August
Early start.
Big breakfast.
Coach trip up to Granite Point. Driver very amusing. 26 years and he has perfected his routine. Full of jokes and dry humour and the story of Yosemite. (What’s the story)
Native Americans.
Granite Point.
Panoramic views and start hike.
Some concern over the preparedness, but in fact we’re well prepared. Our shoes are not climbing shoes, but I think some of that is just marketing, and anyway some of the more recent climbing shoes don’t have ankle protection. 8 miles of hike, mostly downhill. Some uphill bits. Some tricky steps. Should take 4-6 hours.
We do the first 3-4 miles without problem except my wife rolls her heel slightly on a rock. As she’s walking she steps on a small rock, and her heel flexes a bit to the right as her foot slips slightly. I worry for a moment if she’s sprained it but she says she’s fine and carries on.
Amazing views.
Stop at Nevada falls, dip our feet in the pools of cold water, chill out and eat sandwiches.
Time to leave and my wife’s ankle has ceased up completely.
Very painful to walk on and we face 5 miles of downhill trekking. Should take a couple of hours normally but it takes us about half and hour to do about half a mile. She’s holding my hand and using me as a crutch. We have to stop. We’re stuck.
Lots of people stop to ask if we’re ok. People are amazingly nice.
Two women called Jenny and Susan stop. Apparently they’ve just done a training course in safety and first aid.

They take our situation seriously and give us water and food, and then call search and rescue for us. I feel bad for not having done this earlier. Anyway, search and rescue take a full description of the injury and say they’ve sent a ranger up to meet us. Suddenly we’re in a kind of emergency rescue situation with the authorities involved. My wife in particular is gutted and embarrassed. They tell us not to move. We wait for about an hour and then the ranger arrives. Apparently he was on the trail already but he made good time to get to us. I’ve bound my wife’s leg in a bandage given to us J and S. The ranger has crutches and more supplies of water and food. He also has material to give the foot support with a splint.

According to him we should climb back up and then down another way. We realise this is going to take us hours and hours of slow and painful movement for my wife. She’s really pissed off and sorry. So am I.

We walk back the way we’ve come, up to the waterfalls again and it’s slow going. Poor wife has to struggle with crutches or one crutch and my shoulder. Very slow. A 2-3 hour trek looks set to take 5-6 hours. That’s a long time for my wife to hobble along a rocky trail up and downhill on crutches with one ankle in pain and unable to take her weight.
But she’s brave and determined. Every time Josh or I asks if she wants to take a break she says “non!”
She’s determined to get down the trail to the bottom, as quickly as possible.

Describe the trail and the things we saw.
Peregrine Falcons nesting above us.
We talk to Josh and he tells us various things:
There are about 5 fatalities from accidents per year.
That sounds like a lot, as if it’s a really dangerous place, but when you consider that about 5 million people visit every year it’s only 1 in a million who die. Imagine London with its 7 million residents. How many deaths are there in London per year? A lot more. So which is the more dangerous – trekking in Yosemite or cycling to work in London?
Nevertheless, there have been some pretty gruesome accidents, usually as a result of stupid tourists who have no sense of safety or no respect for the nature of the park.
Apparently one of the most common forms of death by accident is from people falling over the waterfalls and falling hundreds of feet to their death on the rocks below.
Apparently they jump around on the huge boulders at the edge of the waterfalls with their cameras and selfie sticks, edging forward trying to get the perfect photo or selfie and they edge forward a little too far and suddenly they’re over the edge.

What happens when a tourist falls off one of the highest waterfalls in the world and lands on granite rocks?
Apparently the rangers have nicknamed it the human water balloon. You can imagine what that looks like to the other trekkers and tourists who witness it happening.

Josh tells us other tales of tourists who are unprepared for the wilderness of Yosemite, even though there are numerous warnings written all over the park.

People who attempt to scale the half dome – a huge granite dome thousands of feet above the valley floor with a sheer vertical drop on one side. It takes at least 12 hours to climb up. Most do it over several days. It’s a proper climb for experienced people and it ends with a long ascent up the dome at a 45 degree angle. To get up there you have to hold onto steel cables which have been bolted into the rock, and use crude wooden blocks also bolted to the granite. Some people lose their grip and down they go. Others lose their cool and panic, with the same result. They fall all the way down to the bottom.
The search and rescue Rangers are called up to the mountainside every day. Sometimes it’s necessary to do helicopter rescues.
According to Josh, this year a woman fell from the half dome but didn’t fall to her death. Instead her shirt got caught on a sharp bit of rock and she hung there for two hours before being rescued.

Earlier that day, Josh had to rescue a guy who had fallen out of a tree. Apparently he was climbing the tree, messing around and he fell out and landed badly on a rock. His ribs broke and pierced his lungs. Josh thinks he probably didn’t make it.

This puts things in perspective somewhat. But still, the crutches and the assisted descent are definitely necessary and we count our lucky stars that it’s not worse. Josh tells us that we’re well prepared with water, food and a torch. Yesterday he rescued a Chinese couple who had tried to climb the half dome without knowing what they were doing. It’s at least a 12 hour climb, often more. They’d started after lunch and were quite high up, coming back down when they realised they would never get to the bottom before sunset and then they’d be stranded in total darkness on the trail. Not fun spending a night out there without food or shelter, especially when you know there are bears around, even 9 foot long mountain lions, although they are rare.
Josh heard the couple screaming for help on the trail, and assisted them to the bottom.
Again, 5 million people enter the park every year. Not all of them know what they’re doing.

We continue to make very slow progress down the trail. My wife is in a lot of discomfort, but mainly she’s frustrated at not being able to go faster. Each step is a mini challenge because of the crutches – she has to place them carefully, and then place her foot carefully too, making sure she doesn’t have to put her weight on the bad ankle.
On the plus side, we get to walk with a ranger and we get the sunset on the trail, with magnificent views of the half dome and other domes in the valley. Again, this all seems so familiar to me because of a computer game – this time it’s Red Dead Redemption, which is set over 100 years ago, and you’re basically a cowboy gunslinger in the wild west. The landscape is very faithfully reproduced in the game, and there is a mountainous area with bears which is really similar to the landscape in Yosemite.

As the sun stretches through the trees onto the trail we are basically alone at this point as it gets to about 8pm. We should have been back 3 hours ago but we still have a long way to go. In this quiet I keep expecting to see a bear cross the path in front of us. Everything seems so still and peaceful that I’m sure any moment now we’re going to come across a bear.
Anyway, the main challenge is to get down the mountain, never mind bears and lions. It’s very rocky, there are lots of steps and boulders and so on. It goes on and on forever until eventually we’re walking in the total darkness with torches on our heads.
I carry my wife for some sections, and it’s a chance to go much faster.

Eventually, after ages and ages, we finally get to the end of the trail at a huge water tank, which is like some massive UFO looming out of the darkness. From there we’re all picked up by a local police officer in his 4×4, which is absolutely huge, like many of the cars. It’s giant, with massive tyres. My wife sits in the cab with the police officer. Between them there is a gun rack with several massive semi-automatic rifles, a shotgun and a few handguns. A typical American cop car! Not only is it a tremendous relief to be off the trail and back in civilisation, but we get a ride in what feels like a tank! The police officer drives us through the forests in the closed area of the park, back to where our car is parked at Yosemite Lodge. We stop at the police station and Josh goes in to get us some food. It’s 11 o’clock and we haven’t eaten since the sandwiches at the waterfall. Josh comes out with two US Army meal rations. These are field packs for soldiers and they contain everything for a full meal including macaroni cheese, tea, coffee, a fruit desert, bread, salt, pepper, butter and the whole things heats themselves up without needing fire. Bonus!

In the end, we are completely knackered and go straight to bed, exhausted after I carefully inspect my wife’s ankle. Thankfully it’s not too swollen or discoloured. In fact, I think she escaped bad injury and her ankle will be fine if she rests it. The next 36 hours will be pretty inactive, with a long sleep and then a fairly long car journey so she can rest it.

End of Part 5! Part 6 coming soon…
Granite Point View

An Experimental Live Video Podcast on Periscope

Periscope

Periscope

Hi listeners,

It’s been a little while since I recorded an episode of Luke’s English Podcast. I’ve been really busy – mainly because of my wedding. I’m now fully married! I’ll be recording a podcast episode about weddings soon. In the meantime, here’s some extra content – my first live video broadcast via Periscope.

Have you heard about Periscope? It’s a smartphone app which is becoming really popular at the moment. All around the world, right now, people are broadcasting live videos of themselves on this app. Lots of people are talking about it, and it is the latest form of social networking and self-publishing. You can download the app from the Periscope website here at www.periscope.tv You can find me on Periscope by searching for @EnglishPodcast. You can also watch Periscope videos from a computer here https://watchonperiscope.com/users/englishpodcast/6862923

Basically, the app works like this:
– You download the app from www.periscope.tv or the App Store (Apple) or Play Store (Android) onto your phone.
– You can sign-in with Twitter, or create a new profile.
– You can then watch live broadcasts from people anywhere in the world. You can check a world map which shows where people are currently broadcasting, then watch their broadcasts.
– It’s possible to send people text messages and communicate with them directly during the recording.
– Periscope broadcasts (scopes) can be re-played up to 24 hours after the live broadcast.
– It’s also possible for users to save their videos on their phones, and then upload them to YouTube for permanent publishing.

I think this could be a really cool way for me to communicate with LEPsters all around the world, so recently I did my first experimental Periscope broadcast, from the SpacePod(TM) where I record episodes of Luke’s English Podcast. I didn’t really tell anyone that I was going to start – I just published a quick Facebook status and a Tweet, and then 15 minutes later I started broadcasting my live video. 25 people joined my first Periscope live broadcast. Yes, just 25 people – it was an exclusive moment! Most of those people were LEPsters, but some of them had never heard of me or my podcast. They were just random viewers who just discovered me and started watching. I have now uploaded the video onto YouTube and you can see it below.

Some details before you watch:
– The frame rate is pretty low. This means the video quality is not great. I think this is because my internet connection, even using WiFi is not great. I hope this will improve in the future.
– During the live broadcast my viewers were sending me text messages, and they were visible on the screen during the broadcast. Unfortunately, those text messages don’t appear on the saved video uploaded to YouTube :(
– Also, during the recording, viewers can create little heart symbols when they like something – the hearts float up the right side of the screen. Again, these are not visible in the YouTube version, unfortunately.
– What do I talk about in the video? I give a quick tour of the SkyPod (or SpacePod or StarPod or PodShip or whatever you want to call the room where I record the podcast), and also I give a quick tour of my website. Watch the whole video to witness some never before seen details of what it looks like when I record my podcast.

Here’s the video (and sorry for the long text, as usual). Enjoy! (despite the poor frame rate)
Luke
p.s. Expect more audio podcasts soon…

Luke’s TV Appearance on France 24

If you were watching France24’s English channel yesterday evening, you might have heard a familiar voice during their debate at 19.10 CET.

The subject of the broadcast was the upcoming UK general election. The guests were journalists and specialists in European politics, and me too! They wanted another English voice on the programme, and perhaps someone who could provide a more light-hearted angle – who better than Luke from Luke’s English Podcast?

You can see the videos of the debate by clicking the links below.

VIDEO OF PART TWO – CLICK HERE
VIDEO OF PART ONE – CLICK HERE
Luke France 24