Tag Archives: british

262. What is Britishness? (Part 2)

Welcome back to part 2 of this episode in which we are exploring the subject of Britishness. In this one we are looking at how the Brits define and understand their own national identity. [Download]
Image: Gene Bible http://www.genebible.co.uk
How do British People define “Britishness”?
When you ask the average British person to define “Britishness” I find that they always give certain ‘stock answers’ to this question too. As we know, it’s hard to truly define this concept, so you end up listing various associations, which don’t fully deal with the whole subject in a satisfyingly complete way.

Video
I found a video on YouTube called “What is Britishness?” by Rebecca Devaraj. It’s a short video exploring Britishness for her final-year university project.
It looks like she spent the morning in a local park, asking passers-by the question “What is Britishness?”
Listen to the audio. Can you guess which answer I think is the best?

Some vocab from the video
Having a stiff upper lip and getting on with things
Being accepting and just getting on with it
Bulldog – it has connotations with Churchill, and the advert… https://www.youtube.com/watch?v=wbz-IsEOCKo
Bad weather – torrents (torrents of rain) ***I’ve just realised that they said “tolerance” not torrents! Did you notice that?***
Progress
We get behind our sports teams
You just are British – that’s it really. If you’re British – you enter the mix.

The best comment?
For me it’s the guy (Professor Jeremy Black, author of “A Short History of Britain”) who says this:
“I would have thought that Britishness defines the characteristics of whoever are the citizens of Britain, whatever their origins at any one time. Ordinarily, we would argue that Britishness is linked to notions of liberty and freedom and in fact the very diversity that makes it difficult to define what Britishness means”.

Wikipedia Definition

Britishness is the state or quality of being British,[2][3] or of embodying British characteristics,[3] and is used to refer to that which binds and distinguishes the British people and forms the basis of their unity and identity,[4] or else to explain expressions of British culture—such as habits, behaviours or symbols—that have a common, familiar or iconic quality readily identifiable with the United Kingdom.[5] Dialogue about the legitimacy and authenticity of Britishness is intrinsically tied with power relations and politics;[6] in terms of nationhood and belonging, expressing or recognising one’s Britishness provokes a range of responses and attitudes, such as advocacy, indifference or rejection.[6] Macphee and Poddar state that although the designation of the two differing terms, Britishness and Englishness, is not simple as they are invariably conflated, they are both tied into the identity of the British Empire and nation, since these last two are altering considerably as Englishness and Britishness do too. Thus the slippage between the two words can be seen as a play between these changing dynamics.[7]

That’s interesting.

So, in summary that means it’s:
– Whatever distinguishes British people and culture from other nations, whatever is unique to the UK.
– It includes habits, behaviours, or symbols that are specific or familiar to the UK
– This conversation usually ends up with references to the power structure of the UK – politics and monarchy.
– Expressing Britishness provokes a range of feelings. For example, waving a British flag might cause people (in the UK) to go “Yey!” or “whatever” or “I find that offensive”.
– “Britishness” and “Englishness” are different things, but they are often used to mean the same thing – Britain from an international point of view, especially as an empire.

So, what’s the difference between Britain, and England? (and indeed Scotland, Wales, Northern Ireland)
Why would it be offensive to wave a British flag?
Generally in England it’s less offensive, but in Scotland, Wales or Northern Ireland you might meet people who put their countries before the union of the UK, and in fact feel that the UK was forced on them in some way.
What about waving an English flag?
In England, the UK flag is associated with unity, inclusion, multiculturalism and so on. The English flag on its own is more associated with English nationalism, which in turn is associated with empire building, colonialisation and also football hooligans. Generally, the English flag is displayed when there’s a football match, and the behaviour that goes along with that.

In terms of how Brits define Britishness… This Guardian Article Sums It Up Rather Well
http://www.theguardian.com/uk-news/guardianwitness-blog/2014/jun/09/scottish-independence-10-things-that-sum-up-britishness

What about the Scots, the Welsh & the Northern Irish?
I’m English, and British, so when I talk about Britishness, I’m also talking about Englishness to a certain extent, but Britain also includes Scotland, Wales and N.Ireland. Do they feel included in all this talk of Britishness?
Not necessarily. Some people in those countries feel strongly about independence and resent being ‘lumped in with England’. They believe their countries have unique identities too, which are not always represented when people talk about Britishness. Some would rather not be part of Britain at all, as we say recently in Scotland with the strong independence movement.
Personally, I think Britishness is quite a flexible term, and it does include Scottishness, Welshness and Northern Irishness, but I can understand they get pissed off that their culture is not always represented in this kind of discussion. Personally, I was born and raised in England, and so many of my British associations are also English. I’d like to get more Scottish, Welsh and Irish people on my podcast.
Also, it’s worth remembering that most people don’t feel all that strongly about it. I reckon most people just want to get on and don’t want too much fuss. I’m proud of that too – usually resentment between countries in the UK does not result in violence these days, although that’s not to say violence has not occurred in the past, particularly regarding terrorist attacks related to the troubles in Northern Ireland, which is a subject that deserves to be covered fully in a podcast in the future.

What I think / What I’m proud of
When my students were brainstorming their British associations, I did too. Here’s my list, of personal British associations (in no particular order).

Tolerance and acceptance (although there seems to be a
Freedom (although this is a growing movement against immigration and about taking back the country from unwelcome foreign visitors – that British identity is being lost due to too many foreigners, and the fact we’re run by the EU. Those are views held by a fairly marginal political party called UKIP, who are having a big effect on voting patterns and the political landscape in the UK)
Fairness -“It’s just not cricket” (but are we really fair?)
Pragmatism – getting things done
Humour
Resolve
Music
Comedy
Literature
The land itself
Cricket, Rugby (football too?)
The diverse accents
The NHS
Diversity & Acceptance of Diversity
Certain inventions
Sherlock Holmes & Dr Watson
Drinking Tea with milk, the proper way
Pretending to be proudly British!
Taking the piss
Pubs
Liverpool, Birmingham, London
A slight sense of guilt about Scotland, Wales, Ireland etc – but knowing that is also nonsense, but it’s there a bit.
Tolkein
Monty Python
Ali G
I could go on…

When I came back from Japan, I saw the UK with fairly fresh and objective eyes. I remember the greenness of the place, the relaxedness, the small mindedness. It was very Tolkienesque.

Some things I’m not proud of, like certain racist or small-minded people, poor public services, corruption and elitism, blind national pride, etc…

All in all, I hope that Brits, and English people too, remember that our countries are diverse places and that is what makes us strong.

Billy Bragg – England, Half English (Live)

Lyrics

My mother was half English and I’m half English too
I’m a great big bundle of culture, tied up in the red white and blue
I’m a fine example of your Essex man
And I’m well familiar with the Hindustan (This is an Indian English-language daily newspaper)
‘Cause my neighbors are half English and I’m half English too

My breakfast was half English and so am I, you know
I had a plate of Marmite soldiers, washed down with a cappuccino
And I have a veggie curry about once a week
The next day I fry it up as bubble and squeak
‘Cause my appetites, half English and I’m half English too

Dance with me to this very English melody
From morris dancing to Morrissey
All that stuff came from across the sea

Britannia, she’s half English, she speaks Latin at home
St. George was born in the Lebanon, how he got here I don’t know
And those three lions on your shirt
They never sprang from England’s dirt
Them lions are half English and I’m half English too

Le-li, umma le-li-ya, le-li Umma le-li-ya
Le-li, umma le-li-ya, bledi g’desh akh! Le-li-ya

Oh, my country, what a beautiful country you are.

The conclusion (of sorts)
Britishness, like any cultural identity, is always changing. These things never stay the same. There is always a sense that the culture is being lost. That’s just the sense of the present order slipping away and being replaced by the new one, at every moment of every minute – things are changing and nothing will stay the same. That brings some sense of fear and panic – the idea that we’re going to lose the good things we have.

People also need a clearly defined culture in order to feel secure, so they know where they are and they can trust the people around them. People tend to prefer the things they know and distrust things they don’t know. It’s quite easy to blame others for that frightening sense that things are changing for the worse.

I think this is why a lot of people have fear and hatred of immigrants and foreigners. They’re scared of the unknown agents of change who look and behave differently. I suppose it’s human nature, but it’s sad and unnecessary when it ends up in violence and suffering. Obviously, we shouldn’t tolerate certain behaviour.

Where am I going with this?

What I mean is – there is no such thing as true “Britishness” unless it is just a snapshot of what is happening right at this moment in Britain. What is going on? What are most people thinking and doing? It’s almost impossible to comprehend the subtlety of what Britishness really is at any moment, because it’s so complex. That’s why the question invites the standard mind-numbing responses, like “It’s The Queen, tea, strawberry jam, Monty Python, a game of cricket, 9 pints of lager and a fight outside the chip shop” – people just list things they associate with the UK because there’s no other way of explaining it. Just a bunch of associations.

Britishness is negotiated
Also, I believe that Britishness is not an absolute concept, it’s something which is negotiated. Everyone has their own version of Britishness, and in fact Britishness changes depending on who is in power, who’s got the money, the influence and the cultural capital. In the end, it doesn’t matter how much you say that Britishness is all about cricket, when hardly anyone plays cricket any more because there’s no money in it.

Britishness is a blanket term which is supposed to incorporate all the diverse elements of multiculturalism.
Britishness means diversity, inclusivity and a celebration of the success and positivity of multiculturalism. So, in that sense, Britishness is something which is supposed to unify us, provide us with a sense of pride and therefore duty and obligation to the country we belong to. We’re less likely to smash the system if we believe in it.

Britishness is a unifying force which just keeps everything together
After the 2005 terror attacks, the government were keen to reinforce national pride, to promote the British brand to its own people, in an effort to fight back against the destructive forces behind the attacks. The idea of a Britishness day was suggested, but it didn’t really go anywhere. What could that be? A day when we argue about what Britishness is? Also, it’s all a bit close to nationalism, and we don’t like that in the UK. Nobody wants to be associated with facism, so often people have a defensive attitude to national pride, usually along the lines of “I think it’s fine to be proud of Britain” or “I AM proud of Britain and there’s nothing wrong with that.” It’s usually that sort of thing.

What about all the bad things done in the name of Britain? Are you proud of them too?
Most people seem quite happy to pick and choose which aspects they are proud of. They usually will ignore the atrocities in our colonial past, proudly declaring their pride in English tea – despite the treatment of India during the colonial era.
I’m wary of being too proud of my country because I know that we’ve done some pretty bad things in the past. Also, I think national pride can be blinding, and ultimately quite destructive. It’s good to be proud of your roots, but there is a more important thing to remember – that there is a bigger picture – and that is that it’s stupid to think that one nationality is intrinsically better than others.

You can be whoever the hell you want to be
It doesn’t matter where you pay your taxes you can just define your own identity as you see fit. Just as long as you don’t go out of your way to hurt others, go ahead and be whatever you like. That’s the main thing. Just try to be a good person. The rest is just fluff.

LEPSTERS – What’s it all about?
Leave your comments, thoughts and opinions in the comments section, and practice your English!

Related Episodes
If you found this episode interesting, check out these ones too:
261. What is Britishness? (Part 1)
128. Luke’s Stand Up Comedy Show – Featuring jokes about British food, weather and our Royal family – Now fully transcribed
131. Rickipedia – Conversation with my Dad, in which we answer various questions from listeners, including some things about British culture.
British Slang (A-C)
British Slang (D-G)
British Slang (H-M)
British Slang (N-Z)
156. British Comedy: Ali G
172. British Comedy: Peter Cook & Dudley Moore
177. What Londoners Say vs What They Mean
192. Culture Shock: Life in London (Part 1)
192. Culture Shock: Life in London (Part 2)
195. British Comedy: Monty Python’s Flying Circus
199. The UK/USA Quiz
202. British Comedy: Monty Python & The Holy Grail
219. Scottish Independence – Key notions of national identity

251. Welcome to LEP / 16 Things You Should Know about LEP

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The podcast has been nominated in the Macmillan Dictionary Award and the voting is now open here http://www.macmillandictionary.com/love-english-awards/voting-blog-2014.html

[Download]
When I get nominated for this competition, I usually have quite a lot of new visitors to the site by people who are checking out the podcast for the first time. So, let me take this opportunity to say hello to any new visitors and to give you an idea of what LEP is all about.

In this episode I’m going to tell you 16 things you need to know about LEP. After listening to this, you should have a better idea of what this podcast is all about!

16 Things You Should Know about Luke’s English Podcast
1. I’m a teacher from London, living in Paris, with about 14 years of experience and both a CELTA and DELTA qualification. I’ve lived in Japan too, and I have experience of teaching adults and children at all levels of English, for general, business or more specific purposes. Students I’ve had in the past include Brazilian world cup winners, Scandinavian heads of state, top business executives and even a porn star. I now teach at The British Council and at a top university in Paris.

2. I started LEP in 2009 after taking a course in podcasting with The Consultants E. At the time I just felt like I wanted to have my own radio show, and I discovered ways of creating podcasts on my new Apple Mac laptop, and realised I could publish them myself on iTunes, and then get the word out using social networking. I started to get really busy producing episodes of the podcast. The aim was always to mix up teaching with general entertainment. I wanted to produce episodes that were instructive but also fun to listen to for their own sake.

3. I’m also a stand-up comedian, and I do try to use those skills in my episodes too, from time to time! I do stand-up comedy regularly in Paris, in English. This may not be obvious from this episode, as I’m not adding any jokes to it! From time to time I share some videos of my comedy on this website, and some of my listeners have come to see me perform my comedy live, which is great!

4. The podcast now has over 250 episodes, and I have a really loyal following. In fact, my listeners have lots of names – the LEPpers (yes, LEP stands for Luke’s English Podcast), LEPsters, LEPaholics, LEP Ninjas, PLEPS (people of Luke’s English Podcast) and so on.

5. Some of my listeners have created podcasts of their own, after being inspired to do so by listening to LEP.

6. There are various types of episode that you can expect on the podcast. Some are about specific aspects of English, for example – episodes about idioms, grammar points, pronunciation, vocabulary, and slang. In some episodes I try to keep my listeners locked-in and entertained by making up improvised stories off the top of my head. In some episodes I feature interviews and conversations with friends, family and special guests. Some episodes involve me just talking directly to my audience about whatever comes into my head. Some episodes are about films, music or popular culture, and some episodes deal with specific aspects of British culture and lifestyle. So the podcast covers a broad range of topics. Ultimately, I love the freedom of being able to talk about anything I like! The main thing is that it creates engaging content that encourages learners of English to do more and more listening!

Here’s a quick list of some of the more popular episodes of this podcast:
1. Introduction – this is the first episode I did back in April 2009 and it outlines my basic approach to LEP.
28. Interview with a Native Speaker: The Weather – this one follows on from a vocabulary episode about British weather and features an authentic interview with a teenager called Chris, and his odd views about foreigners in the UK
29. Mystery Story / Narrative Tenses – this is one of the most visited of my episodes. It teaches you narrative tenses (past simple, past continuous, past perfect) via a short mystery story that features several of the UK’s most beloved popular culture icons. The story is continued in the next episode.
71. The Ice-Cream Episode – an unplanned rant on topics such as: Amazon Kindles, robots & technology in Hollywood films and why we should put down the weapons and pick up an ice-cream instead, man.
83. How to Swear in British English – an indispensable guide to all the rudest words in British English. It’s extremely offensive, but extremely useful.
100. Going to the Pub – the guide to everything you need to know before you step into a pub in the UK.
118. Sick In Japan – the true story of how I ended up sick in a Japanese hospital. It contains loads of medical and health related vocabulary, culture shock and a story which is engaging from start to finish!
125. The Pink Gorilla Story – one of the most popular ever, this is just an improvised story that regularly makes people laugh out loud, and which I really should convert into a one-man-show stage play!
140. Ghost Stories – just some scary true stories to keep you awake at night
167. Memory, Mnemonics and Learning English – revolutionise your learning techniques with these powerful memory devices.
174. How to Learn English with Luke’s English Podcast – this is your guide to improving your English using my podcast.
176. Grammar: Verb Tense Review – this is a very complete guide to all the main tenses in English
192. Culture Shock: Life in London – this episode deals with many of those strange aspects of the English lifestyle that foreigners find so hard to understand.
208. Travelling in Indonesia – one of many episodes about travelling experiences, this one has quite a dramatic beginning.

There are plenty more episodes which are popular with listeners, in fact everyone seems to have a different favourite. But that’s just a selection of some of the most visited pages on my website.

7. Yes, my episodes are quite long, but I always explain it like this: Firstly, all my favourite podcasts are long, and I think that it’s quite normal for podcasts to be about an hour long. Radio shows also tend to be at least an hour long too, so why not my podcast? It’s better for my listeners if they listen for an extended period. Why should listening only last 15 minutes? I can’t achieve very much in just 10-15 minutes, and I want my episodes to have some depth and rigour to them. Also, listeners can just pause the episode when they’ve had enough, and come back to it later!

8. I have a transcript collaboration project on my website, which allows listeners to transcribe sections of episodes and build a whole library of transcripts for other LEPsters to use. This is good for the transcribers because it is a big challenge and a good way to improve their English, and it’s good for the other listeners because we have an ever-growing library of transcripts which they can use to help them understand episodes. The collaboration is hosted on my website and is done using google documents.

9. I have won this award three times before and that is completely thanks to my devoted audience, who every year come out in force to vote for me. I hope to repeat the success this year, but I am up against stiff competition! Whatever the result, I’m just happy to have been nominated again.

10. The podcast has had 3 million listens in just over a year, since moving to a new audio host (audioboom.com) which is amazing!

11. I also have some videos on YouTube and they are pretty hot as well! My channel has had about 2.5 million views in total, but I haven’t uploaded anything for a while. The popular videos are ones I did in 2009 and feature me interviewing members of the public in the centre of London. There’s also a video called “16 Ways to Say I Like It”, which you may have seen too.

12. I launch competitions of my own from time to time, for listeners to take part in. The last one was called “Your English Podcast” and I invited listeners to send me short recordings of them doing their own versions of LEP. I received lots of entries and votes and the winner was interviewed on the podcast as a prize.

13. These days I record episodes of my podcast in a room at the top of my apartment, where I have great views of the rooftops of Paris from the windows. I call it the “SpacePod” or “SkyPod” and it’s the podcast HQ!

14. I have another podcast, called A Phrasal Verb a Day. It’s on iTunes and on my website. That is made up of short episodes devoted to individual phrasal verbs. I give definitions, examples and explanations. It’s a great way to pick up more of those tricky items of vocabulary – phrasal verbs. My goal was to record one a day in 2014. I didn’t reach my goal, but I haven’t given up and I still add episodes to the series when I can.

15. I love playing the drums, guitar, bass and ukulele (but not at the same time) and occasionally at the end of podcast episodes I play a song on the ukulele – but you have to listen all the way to the end of the episode to hear it.

16. I put my heart, soul, time, energy, humour, money and love into making episodes of LEP. It’s become quite a big thing in my life after having done it now for nearly 6 years. I enjoy a close and warm relationship with my listeners, I always welcome new additions to the LEP family, and in the future I plan to build my service more and more until I can perhaps do this for a living somehow. The future’s bright and I hope that many more people will join me on this journey to create authentic, entertaining and interesting content that helps you not only to improve your English but to enjoy yourself while doing it. So, I invite you to start listening today and like thousands of others get addicted to LEP – it’s good for your English!

If you haven’t already done it, I invite you to vote for LEP by clicking here. Thank you for your continuing support!

242. 11 Idioms Only Brits Understand (really?)

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This is a slightly rambling and unprepared episode which I made up as I went along, and in the end I talked about a page I found on MatadorNetwork.com called “11 Idioms Only Brits Understand”. I don’t think that these are exclusively used by Brits, but nevertheless they are some pretty commonly used idioms, so I decided to talk to you about them in this episode. After that I ended up clicking on a few random YouTube videos, playing around with the cockney accent and listening to some music. Enjoy! [Download]

Here’s the page from The Matador Network “11 Idioms That Only Brits Understand” (the idioms are also printed below)

The Idioms
1. Pop one’s clogs

You don’t get much more British than this. To pop one’s clogs is a euphemism for dying or death.

Example: “No one knew he was about to pop his clogs.”

2. That went down a treat

If something goes down a treat, then it was thoroughly enjoyed.

Example: “That cake went down a treat.”

3. Take the mickey

Us Brits love to make fun of and tease each other and that’s exactly what ‘taking the mickey’ means. You can also say ‘take the mick.’

Example: “Stop taking the mickey out of your brother.”

More like this 8 lies you tell yourself when you move to London
4. Itchy feet

This refers to when you want to try or do something new, such as travelling.

Example: “After two years in the job she’s got itchy feet, so she’s going to spend three months in Australia.”

5. At a loose end

If you’re at a loose end, it means you’re bored or you have nothing to do.

Example: “He’s been at a loose end ever since he retired.”

6. Another string to your bow

This means to have another skill that can help you in life, particularly with employment.

Example: “I’m learning French so I’ll have another string to my bow.”

7. As the actress said to the bishop

This is the British equivalent of ‘that’s what she said.’ It highlights a sexual reference whether it was deliberate or not.

Example: “Blimey, that’s a big one — as the actress said to the bishop.”

8. Bob’s your uncle (and fanny’s your aunt)

This phrase means that something will be successful. It is the equivalent of ‘and there you go,’ or as the French say ‘et voilà!’ Adding the ‘and fanny’s your aunt’ makes you that much more British.

Example:

A: “Where’s the Queen Elizabeth Pub?”
B: “You go down the road, take the first left and Bob’s your uncle — there it is on the corner!”
9. Cheap as chips

We love a good bargain, and when we find one we can’t help but exclaim that it’s ‘as cheap as chips.’

Example: “Only a fiver for a ticket — cheap as chips mate!”

10. Look after the pennies and the pounds will look after themselves

This is one that our grandparents have told us our whole lives. If you take care not to waste small amounts of money, then it will accumulate into something more substantial.

11. Nosy parker

This is for all the nosy people of the world. A ‘nosy parker’ is someone who is extremely interested in other people’s lives.

Example: “Stop being such a nosy parker! They’re having a private conversation!”

Gritty Brit Flick

Top Gear Parody

[socialpoll id=”2235978″]

224. Pronunciation: Verb Tenses & Connected Speech

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This episode focuses on how sentences are pronounced quickly by native speakers. This is invaluable knowledge which will help you to take your listening and your pronunciation to the next level! Right-click here to download.

This is the episode I promised to record at the end of episode 176. In that episode I focused on the major verb tenses in English and I explained their meaning and uses. This episode is the sequel to that one, and it focuses specifically on the pronunciation of sentences containing a range of verb tenses.

You know when you hear a native speaker talking quite quickly? It sounds like all the words are joined together, or some of the words are being swallowed or something. It’s difficult to understand them, or to pick out every single word. Sometimes it’s hard to identify subtle differences between verb tenses. Well, just like in any language, English has features of connected speech which make it sound like whole sentences are just long words with all the sounds connected together. I want to help to demystify this for you. I want to help you to understand connected speech in English. It’ll help your listening comprehension, and it will improve your pronunciation too. So, let’s look at these features of fluent English pronunciation, focusing on sentences containing various verb tenses.

Here are the features of pronunciation I focus on in this episode
– Linking (consonant to consonant, consonant to vowel and vowel to vowel linking)
– Elision of sounds (some sounds are ‘elided’ or removed when consonants link together)
– Intrusive sounds (sometimes vowels are linked to other vowels with intrusive sounds like /j/ or /w/)
– Weak forms and ‘schwa’ sounds /ə/ (in unstressed syllables and unstressed words in sentences)
– Sentence stress (the rhythm of a sentence)

Here are the sentences I repeat in this episode
Listen carefully, and try to repeat them after me. Try to focus on the natural way I say the sentences, and try to notice the features of connected speech I’m highlighting. Don’t forget the meaning of the sentences. For an episode which deals with the meaning & use of these different tenses, click here to listen to episode 176.

Present simple
I teach English at a university, and I’m teaching first year students of law at the moment.

Present continuous
I’m from London, but at the moment I’m living in Paris.
I teach English at a university, and I’m teaching first year students of law at the moment.

Past simple
(for) I lived in West London for a long time.
(sequence of finished actions) My Dad was promoted and got a job in the midlands, so we moved there, and stayed for many years. I went to university in Liverpool and lived there for 4 years, and then I moved back to Warwickshire.

Past continuous
I’d finished uni and I was working in a pub, not really going anywhere.
It was while I was living in London that I came up with the idea of launching an amazing podcast for learners of English .
I was walking down the street and this guy came up to me and started talking, but I couldn’t understand him

Used to do vs.
Get used to doing – It used to be quite difficult, because I couldn’t speak the language but I’m getting used to it now.

Present perfect
I’ve been up the Eiffel Tower. I’ve visited Notre Dame. I’ve been to Shakespeare and Company. I’ve tried lots of delicious French wine, but I still haven’t done everything.
Today I’ve drunk a bit too much coffee so I’m pretty hyperactive. Normally I drink tea, but more recently I’ve been drinking coffee. I’ve had about 9,000 cups already today.

Present perfect continuous
I’ve been doing lots of comedy. I’ve been doing lots of gigs.
I’ve been working at the university.
I’ve been recording episodes of the podcast
I’ve hardly had time to sit down and just read my book in silence.

Past perfect
That’s when I decided to become an English teacher.
I’d finished uni and I was working in a pub, not really going anywhere.
When I first came here, I’d never visited Paris before, but my girlfriend had told me a lot about it, so I was kind of prepared.
Past perfect continuous As well as studying at university and college, I’d also been playing in lots of bands over the past few years, but it hadn’t really worked out, so I needed to think of something else to do.

Going to / present continuous
We’re going to visit New York next month – I might do a special report from New York – We’re going to stay in an AirBnB apartment that we’ve found – We’re planning the trip at the moment. – We’re flying there in the middle of April. It’s going to be good.

Future with will (not plans, but judgements, opinions, predictions)
Who knows, maybe the LEPPERS will one day rise up.
Hopefully it’ll last. Hopefully they’ll take me on again.
England will probably win.
We probably won’t win. I imagine it will be someone like Spain or Brazil.
1st Conditional
We probably won’t get to the final, but if we do it’ll be amazing.
Who knows what I’ll be doing
Hopefully I’ll still be recording episodes of LEP

Future perfect
Hopefully, I will have done many more episodes of LEP and perhaps I will have expanded my work online in some way.
Future perfect continuous (in a 1st Conditional structure, no less!)
If I’m still doing Luke’s English Podcast , I will have been doing LEP for 15 years.

Future perfect continuous passive!
I will have been being listened to for 10 years (!!!)

195. British Comedy: Monty Python’s Flying Circus

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The series about British Comedy continues with everything you need to know about Monty Python’s Flying Circus and an analysis of The (Dead) Parrot Sketch. Right-click here to download this episode.

And now for something completely different. It’s…Monty Python’s Flying Circus

Introduction
This episode is the next in the series about British Comedy. I had to do an episode about Python. They’re such an important, popular and celebrated part of our comedy history. They’re very well rated by lots of people. Some say they’re overrated. I don’t think so. I like almost all of their comedy. They’ve been very influential on popular culture in general, but more specifically on plenty of other comedians and TV shows in the UK and in USA too (e.g. The Simpsons and South Park probably wouldn’t exist without Python). Also, this year they are in the middle of a comeback, putting on stage performances of their greatest material live at the 02 Arena in London. Live performances will be broadcast in cinemas around the world too, so check out their website for more information if you want to see it. Personally, I’d like to see the reunion tour, but I’m quite happy watching their sketches and movies on TV and listening to the records on my mp3 player as I walk around. I’m really happy to share my love of Python with you. Some of you will already be aware of them, some of you won’t. I’ve already played you some of their stuff before, including the Four Yorkshiremen, The Argument Sketch, Swamp Castle and the Silly Election. So I’m sure already pretty familiar with them. Anyway, this episode should be your go-to guide for everything you need to know about Monty Python. You can use it to make sure you are fully clued up about this essential part of modern British culture.

I could go on and on about it for ages, talking about how special their comedy is to me personally (and plenty of other people) but instead I think it’s best to go straight to their comedy and let it speak for itself. I realise that by talking about it a lot, I’m just building it up and then you’ll find it anti-climactic.

So, after I’ve explained a few things about Python, we’re also going to spend some time listening to one of their sketches. I’ll explain things so that you understand it all fully, just like a native speaker – and a native speaker who gets all the jokes. Hopefully this will just be one single episode. I’ll try and keep it brief. In a way this is one of the hardest episodes of LEP I’ve ever done because it’s hard to get across in a simple way the appeal of Monty Python. Also, I can’t choose a sketch. I like them all too much. I also realise that you might not find it funny. Never mind. The main thing is that you learn some things about culture and some language and if you find it funny that’s a bonus. SO DON’T EXPECT TO FIND ANY OF THIS FUNNY, ALRIGHT? NO FUN IN THIS EPISODE!

Everything You Need To Know about Monty Python’s Flying Circus (and perhaps some things you don’t really need to know)
Remember, this is not a blog post, it’s just some text which accompanies this audio episode. So, to get the full information you should listen to the podcast.
Who are they?
Why are they called “Monty Python’s Flying Circus”
Where did they come from?
What did they do?
What was so special about it? Why do people like it so much?
The wild, crazy & anarchic approach.
The postmodern approach – breaking all the rules.
The performances.
The writing.
The originality (although this kind of thing had been started by The Goon Show, Spike Milligan & Peter Cook)
The animations.
The level of intelligence, combined with the readiness to be completely stupid too.
What effect has their work had on culture in general?
Is their comedy still funny or relevant today?
What does their comedy tell us about the British sense of humour?
What are some of the most famous Monty Python moments?

Sketches
Let’s listen to some sketches by Python. Below is a list of some of my favourite sketches by Monty Python. You can see most of them on their YouTube channel . I strongly suggest you buy their work too. Here’s a list on Amazon of pretty much everything you can purchase by Monty Python’s Flying Circus. My favourites are the movies “Monty Python & The Holy Grail”, “Life of Brian”, “Live at the Hollywood Bowl” and the audio recording of “Live at Drury Lane”. Don’t bother with the TV show unless you’re a hardcore fan. You could just get “The Best of Monty Python’s Flying Circus” if you want to see some of their sketches. Otherwise, just check out videos from their YouTube channel here.

I will probably come back to Python sketches in the future because there’s no way I can cover everything in this episode. I’ll be lucky to get through more than 2 sketches to be honest.

PLEASE DO NOT EXPECT TO FIND ANYTHING FUNNY.

The Parrot Sketch
I can’t really explain why this is ‘funny’ – in fact many people agree that it isn’t their funniest sketch, but it’s definitely the most famous one. Most people know some lines from it. Some people know every line and can recite the entire sketch from memory. Thatcher quoted it in a speech once. Let’s listen and find out what all the fuss is about.

Script for the Parrot Sketch
MR. PRALINE
John Cleese
SHOP OWNER
Michael Palin
The sketch:

A customer enters a pet shop.

Mr. Praline: ‘Ello, I wish to register a complaint.

(The owner does not respond.)

Mr. Praline: ‘Ello, Miss?

Owner: What do you mean “miss”?

Mr. Praline: (pause)I’m sorry, I have a cold. I wish to make a complaint!

Owner: We’re closin’ for lunch.

Mr. Praline: Never mind that, my lad. I wish to complain about this parrot what I purchased not half an hour ago from this very boutique.

Owner: Oh yes, the, uh, the Norwegian Blue…What’s,uh…What’s wrong with it?

Mr. Praline: I’ll tell you what’s wrong with it, my lad. ‘E’s dead, that’s what’s wrong with it!

Owner: No, no, ‘e’s uh,…he’s resting.

Mr. Praline: Look, matey, I know a dead parrot when I see one, and I’m looking at one right now.

Owner: No no he’s not dead, he’s, he’s restin’! Remarkable bird, the Norwegian Blue, idn’it, ay? Beautiful plumage!

Mr. Praline: The plumage don’t enter into it. It’s stone dead.

Owner: Nononono, no, no! ‘E’s resting!

Mr. Praline: All right then, if he’s restin’, I’ll wake him up! (shouting at the cage) ‘Ello, Mister Polly Parrot! I’ve got a lovely fresh cuttle fish for you if you show…

(owner hits the cage)

Owner: There, he moved!

Mr. Praline: No, he didn’t, that was you hitting the cage!

Owner: I never!!

Mr. Praline: Yes, you did!

Owner: I never, never did anything…

Mr. Praline: (yelling and hitting the cage repeatedly) ‘ELLO POLLY!!!!! Testing! Testing! Testing! Testing! This is your nine o’clock alarm call!

(Takes parrot out of the cage and thumps its head on the counter. Throws it up in the air and watches it plummet to the floor.)

Mr. Praline: Now that’s what I call a dead parrot.

Owner: No, no…..No, ‘e’s stunned!

Mr. Praline: STUNNED?!?

Owner: Yeah! You stunned him, just as he was wakin’ up! Norwegian Blues stun easily, major.

Mr. Praline: Um…now look…now look, mate, I’ve definitely ‘ad enough of this. That parrot is definitely deceased, and when I purchased it not ‘alf an hour ago, you assured me that its total lack of movement was due to it bein’ tired and shagged out following a prolonged squawk.

Owner: Well, he’s…he’s, ah…probably pining for the fjords.

Mr. Praline: PININ’ for the FJORDS?!?!?!? What kind of talk is that?, look, why did he fall flat on his back the moment I got ‘im home?

Owner: The Norwegian Blue prefers keepin’ on it’s back! Remarkable bird, id’nit, squire? Lovely plumage!

Mr. Praline: Look, I took the liberty of examining that parrot when I got it home, and I discovered the only reason that it had been sitting on its perch in the first place was that it had been NAILED there.

(pause)

Owner: Well, o’course it was nailed there! If I hadn’t nailed that bird down, it would have nuzzled up to those bars, bent ’em apart with its beak, and VOOM! Feeweeweewee!

Mr. Praline: “VOOM”?!? Mate, this bird wouldn’t “voom” if you put four million volts through it! ‘E’s bleedin’ demised!

Owner: No no! ‘E’s pining!

Mr. Praline: ‘E’s not pinin’! ‘E’s passed on! This parrot is no more! He has ceased to be! ‘E’s expired and gone to meet ‘is maker! ‘E’s a stiff! Bereft of life, ‘e rests in peace! If you hadn’t nailed ‘im to the perch ‘e’d be pushing up the daisies! ‘Is metabolic processes are now ‘istory! ‘E’s off the twig! ‘E’s kicked the bucket, ‘e’s shuffled off ‘is mortal coil, run down the curtain and joined the bleedin’ choir invisible!! THIS IS AN EX-PARROT!!

(pause)

Owner: Well, I’d better replace it, then. (he takes a quick peek behind the counter) Sorry squire, I’ve had a look ’round the back of the shop, and uh, we’re right out of parrots.

Mr. Praline: I see. I see, I get the picture.

Owner: (pause) I got a slug.

(pause)

Mr. Praline: Pray, does it talk?

Owner: Nnnnot really.

Mr. Praline: WELL IT’S HARDLY A BLOODY REPLACEMENT, IS IT?!!???!!?

Owner: N-no, I guess not. (gets ashamed, looks at his feet)

Mr. Praline: Well.

(pause)

Owner: (quietly) D’you…. d’you want to come back to my place?

Mr. Praline: (looks around) Yeah, all right, sure.

Alternate ending:

Mr. Praline: (sweet as sugar) Pray, does it talk?

Owner: Nnnnot really.

Mr. Praline: WELL IT’S HARDLY A BLOODY REPLACEMENT, IS IT?!!???!!?

The Dead Parrot Sketch (The Studio Version)

The Dead Parrot Sketch (Live version – funnier)

The Pythons Talk about The Dead Parrot Sketch

Margaret Thatcher does The Dead Parrot Sketch

Mick Jagger of The Rolling Stones talks about the Python reunion, saying they are… “a bunch of wrinkly old men trying to relive their youth. The best one died years ago. Maybe back in the 70s it was fantastic! But, you know, we’ve seen it all before!” Of course he is making fun of himself (the same things are true about the Stones) and yet also showing his respect for Monty Python. At the end of this sketch Mick agrees to perform The Dead Parrot Sketch in the next Rolling Stones concert.

Other Sketches That I like
Spam (This is the origin of the word spam on the internet. It’s completely farcical)
Witch Burning
The Peasants
What have the Romans ever done for us?
The Funniest Joke in the World
The Communists Quiz
The Philosopher’s Football Match
The Spanish Inquisition
The Ministry of Silly Walks
The songs!
The Lumberjack Song, The Philosopher Song, Always Look on the Bright Side of Life.
The Dirty Fork (The Restaurant Sketch)
Nudge Nudge Wink Wink
+ many more…

Terry Gilliam’s Animations

Famous American Comedians Talk About Why They Love Monty Python

Why do people like Monty Python so much? (Comments from YAHOO ANSWERS)
ORIGINAL QUESTION: Hysteria98: Why do people find Monty Python funny? The only reason I can think of why, is that its so ridiculous.
Best AnswerVoter’s Choice
It’s ridiculously funny and funnily ridiculous. It’s genius.
you have to look at it in the context of the time it was on TV for the first time- in the late 60s and early 70s nothing like it had ever been seen before- the sheer randomness was exciting as you never knew what was going to happen next. Remember there were only 2 TV channels in the UK back then, so Monty Python was hysterically fun and funny

Black Star Deceiver answered 4 years ago
Oh it’s unpredictable, so simple and yet sheer genius. The guys are legends.
Long Live the comedy of Monty Python!

Mike answered 4 years ago
Monty python has not dated at all, it was funny then and funny now, ridiculous situations are funny no matter what decade, for instance the guy who wrote the worlds funniest joke, it was so funny he died laughing at it, so the army used the joke and translated it to german to shout at the enemy, instead of shooting at them !

Alice answered 4 years ago
I can understand your question perfectly.
Its probably a generational thing.
I’ve noticed a lot of older friends of mine really love it but i just dont get where the “Funny” is…
It doesn’t even make me smile. I like comedy that examines people, their personalities and situations that they get into.

Alan Partridge
Father Ted
Peep Show

kaznaid answered 4 years ago
Sadly, I remember MP when it was first broadcast on BBC 1 in 1969. Actually, I didn’t find it very funny but I was only 12 years old.

I only started to laugh after I watched Life of Brian and Holy Grail. Some of it is very silly but, last week, I saw the Upper Class Twit Olympics on the BBC’s celebration of the programme, and I laughed so much I cried!!

So, it just shows that it obviously does not date … and it can grow on you although it did take 40 years!!!

Intrinsic Random Event answered 4 years ago
They are the Dali of comedy

legs answered 4 years ago
It was very much of its time – groundbreaking – much loved by many of my generation. I was studying for GCEs & my English teacher was a great fan as were most of his pupils. It was a must see for many of us after all we only had BBC1 & ITV, then BBC2 came along but not the multi-channel choice now available. I still laugh at the sketches & the films. I have a weird sense of humour maybe that explains why I like it!

Lexx answered 4 years ago
off the wall humour that pushes the boundaries with out resorting to sex and profanity ( well most of the time)
They pushed the limits of comedy which now has become the norm – but MP lead the way for many comedians that are amazing
Long live the Python!!

Rebecca answered 4 years ago
Because it is ridiculous. You have 2 types of people, those that find it funny because it is silly and those who cannot get past the silly to see the humor.
For example the attack rabbit “what is he going to do, nibble my bum?”

Mae answered 4 years ago
That’s the reason it’s so funny, it’s just insanely ridiculous. That kind of funny that makes your stomach hurt you’re laughing so much.

itsjustme answered 4 years ago
It was the late 60’s early 70’s and they were pushing the edge back then,therefor it was very funny.This is a funny scene and a catchy tune too.

Sniper answered 4 years ago
I didn’t think people found it funny at all o_O

MrMunchy420 answered 4 years ago
Because its just brilliant in general.
Ridiculous does have a lot to do with it :P

Abolyss answered 4 years ago
that is exactly why.

Its so ridiculous its funny.
Huh? It is funny!! And it’s so random.

knownout answered 4 years ago
I don’t . Its just stupidity

The Script for the Introduction to This Podcast (Which I didn’t use – because it’s too similar to the opening of Monty Python Live at Drury Lane, and I don’t want to steal their jokes!)
Radio voice… Welcome ladies and gentlemen to this special Royal Gala edition of Luke’s English Podcast. You join us here at the Royal Albert Hall, where this podcast is being recorded with a star studded audience, including her Royal Highness The Queen.
Among the other members of this celebrity audience, we can see… err… what’s his name… umm, that guy with the glasses on TV… also in the audience this evening, um, that woman, you know, the one in the TV commercials about that thing… just arriving now, it’s… um, you know that famous guy who is always in the newspapers…
And the atmosphere here at the Albert hall, with a royal audience, is electric, as the audience finally takes their seats to witness the recording of this extra special episode on British comedy legends, Monty Python’s Flying Circus. Unfortunately, none of the original pythons are present this evening, for legal reasons, but their spirit is very much with us… unless someone has just farted… Yes I think that’s it actually. And the lights now dim in the auditorium as Mr Luke Thompson of Solihull, takes the stage to begin the recording of this Royal podcast episode.
Good evening (cheering)
And I would especially like to welcome Her Royal Highness, it is indeed a great pleasure to have you here this evening. How’s it going? Sorry, I can’t hear you… I SAID HOW’S IT GOING LIZ??? Oh sorry…
Anyway, we are here today in order to pay tribute to the work of the comedy group known as Monty Python’s Flying Circus. (disappointment)
You did know that didn’t you?
You didn’t?
Wait, don’t leave… it’s interesting, I promise!
Wait…
Your majesty!
Everybody, this is going to be a really good podcast! Wait!
(Voice over) and as everybody leaves the auditorium, Luke has no choice but to continue the recording for our benefit…

Monty Python Live at Drury Lane

179. The Ramblings of an Exhausted Teacher

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Last night I couldn’t sleep, and so today my mind has turned into jelly. Let me tell you all about it.

[DOWNLOAD]

In this episode I talk to you, in a rambling way, about diverse topics such as:

Dwayne’s English Podcast
Being kidnapped by aliens from Mars
Exam fatigue
Trouble sleeping last night
English at 7.30AM!
The rotten contents of my brain!
Selling Luke’s English Podcast
Saying “Hello” to you
Having a conversation with you
“The best laid plans of mice & men”
The university course I’ve been teaching
Sleep (high-energy bit)
What are you doing?
On a bus
Signalling to another person that you’re a LEPer (secret codes)
Giving a wink to a stranger
On a train
Trains and lifts in movies (Bruce Willis)
My brain is on its last legs
THANK YOU! (Transcripts, donations, reviews)
A special hello to the NSA secret agents
Hello to Yannick
Twitter – it’s what you make of it
Whatever
Normally on Luke’s English Podcast
BBC meeting: Prioritising Luke’s English Podcast
This really is the end
Be nice to each other
;)

Lovely to talk to you,
Goodnight

Luke

Thanks for listening ;)

176. Grammar: Verb Tense Review

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This episode is all about grammar, specifically verb tenses such as: present simple, present continuous, present perfect simple, present perfect continuous, past perfect, past perfect continuous and different future forms. Part of this episode is transcribed, and part of it is spontaneous.

Download Episode
I’m going to go through lots of verb tenses in English. I’ll demonstrate them first, and then go through them with you, explaining their form, use and pronunciation.

It’s been a while since I did an episode on grammar, and so I thought I’d give you a really thorough look at different verb tenses. It’s a bit ambitious to try and cover lots of tenses in one episode, but I’ll try and keep it brief and practical.

This could be a really useful episode, which you could listen to again and again, in order to get the full value.

I don’t normally do many episodes on grammar, because let’s be honest, it’s pretty boring. Unless you’re a grammar geek, it can be pretty mind numbing stuff. In one ear and out the other. The trouble is, that in explaining the basics of grammar you end up using all kinds of complex and abstract language, which makes the whole thing more complex than it really is. For example, if you can’t use the present simple tense correctly, then you’re hardly able to understand the rules that underpin that tense.

We don’t learn a language by learning the rules first and then applying them. Instead we learn by trying to communicate a message in that language. In doing that we learn the limitations and possibilities. But, it does help to get an insight into the structures at work because you can identify areas where you’re making mistakes, or particular tenses that you’re not using.

So listen carefully while I’m talking here and try to notice the different tenses. That’s your task. Notice the different tenses I use, as I’m using them. Like, oh that’s present perfect, or that’s a 1st conditional structure, or that’s the future perfect continuous passive there, I love that one. Etc.

Then I’ll go through it all and explain it at the end. You can read this on my website.

So, let’s start. Listen closely as I tell you a few things about myself. Notice the tenses, and I’ll explain them afterwards. Eventually, the plan is for you to perhaps practise this by talking about yourself in a similar way, using the tenses as I do. Then you’ll be speaking more like a native. Some of this is written down, and some of it is improvised.

OK, it’s grammar time!

Spot the Tenses
m5e8d Hello. I’m Luke. I’m from London, but at the moment I’m living in Paris. I’ve been living here for just over a year. It’s great. I’m really enjoying it. You know that originally I’m from England. I was born in a town just outside London, and then I lived in West London for a long time. My Dad was promoted and got a job in the midlands, so we moved there, and stayed for many years. I went to university in Liverpool and lived there for 4 years, and then I moved back to Warwickshire. That’s when I decided to become an English teacher. I’d finished uni and I was working in a pub, not really going anywhere. As well as studying at university and college, I’d also been playing in lots of bands over the past few years, but it hadn’t really worked out, so I needed to think of something to do. I ended up deciding to become a TEFL teacher in 2001 and then I went to Japan and lived there for 2 years. That was an awesome time. had loads of really cool experiences and met loads of people, but I didn’t want to get stuck there, and I was keen to get back to my home country. I moved back to London and I worked there for a long time. It was while I was living in London that I came up with the idea to launch an amazing podcast for learners of English, that would save the world from the forces of evil. That’s when I created the now legendary Luke’s English Podcast, and a new cult of language learners was created. Who knows, maybe the LEPPERS will one day rise up and, just speak really fluently, and then give everyone free ice-cream sandwiches. It’s just a dream maybe, but who knows, it might just happen.

I moved to Paris in 2012. Living in Paris is pretty cool. It used to be quite difficult, because I couldn’t speak the language but I’m getting used to it now. When I first came here, I’d never visited Paris before, but my girlfriend had told me a lot about it, so I was kind of prepared. I’d also been to France quite a lot as a child on holiday. But when I first arrived it was quite hard because I didn’t speak much French. I took some French lessons at school when I was a kid but I don’t remember learning much. In fact most of the time those French lessons were a bit of a doss. So, when I first arrived I couldn’t really communicate, which was not very helpful. It was usually okay because I could get by, but I remember once I was walking down the street and this guy came up to me and started talking, but I couldn’t understand him, and he got angrier and angrier and started following me down the street. It was a bit scary and weird, and I wish I could have understood him and told him to piss off or whatever.

These days things are much easier, and Paris is an amazing place to live in. I’ve seen and done quite a lot of stuff here.

things I’ve done

– I’ve been up the Eiffel Tower. I’ve visited Notre Dame. I’ve been to Shakespeare and Company. I’ve tried lots of delicious French wine.

Things I’ve been doing

– I’ve been doing lots of comedy. I’ve been doing lots of gigs.

– I’ve been working at the university.

– I’ve been recording episodes of the podcast

-learning french

Today I’ve drunk a bit too much coffee so I’m pretty hyperactive. Normally I drink tea, but more recently I’ve been drinking coffee. I’ve had about 9,000 cups already today.

Work

– At the moment I’m working at the university

– I teach English, but I’m teaching at a university at the moment.

The future

– Hopefully it’ll last. Hopefully they’ll take me on again.

– I wonder what’s going to happen in the future.

going to / present continuous

– We’re going to visit New York next month

– I might do a special report from New York

– We’re going to stay in an AirBnB apartment that we’ve found

– We’re planning the trip at the moment.

– We’re flying there in the middle of April. It’s going to be good.

Will

– England will probably win.

– We probably won’t win. I imagine it will be someone like Spain or Brazil.

– It’s going to be a challenge.

– We probably won’t get to the final, but if we do it’ll be amazing.

5 years from now

– Who knows what I’ll be doing

– Hopefully I’ll still be recording episodes of LEP

– I might have had kids by then.

– I’ll probably have children. That’ll be…

– Hopefully, I will have done many more episodes of LEP and perhaps I will have expanded my work online in some way.

10 years from now

– If I’m still doing Luke’s English Podcast , I will have been doing LEP for 15 years.

– I will have been being listened to for 10 years (!!!)

The Tenses

Present simple
– I teach English, but I’m teaching at a university at the moment.

Present continuous
– I’m from London, but at the moment I’m living in Paris.
– At the moment I’m working at the university
– I teach English, but I’m teaching at a university at the moment.

Past simple
– (for) I lived in West London for a long time.
– (sequence of finished actions) My Dad was promoted and got a job in the midlands, so we moved there, and stayed for many years. I went to university in Liverpool and lived there for 4 years, and then I moved back to Warwickshire.

Past continuous
– I’d finished uni and I was working in a pub, not really going anywhere.
– It was while I was living in London that I came up with the idea to launch an amazing podcast for learners of English
– I was walking down the street and this guy came up to me and started talking, but I couldn’t understand him

Used to do vs. Get used to doing
– It used to be quite difficult, because I couldn’t speak the language but I’m getting used to it now.

Present perfect
– I’ve been up the Eiffel Tower. I’ve visited Notre Dame. I’ve been to Shakespeare and Company. I’ve tried lots of delicious French wine.
– Today I’ve drunk a bit too much coffee so I’m pretty hyperactive. Normally I drink tea, but more recently I’ve been drinking coffee. I’ve had about 9,000 cups already today.

Present perfect continuous
– I’ve been doing lots of comedy. I’ve been doing lots of gigs.
– I’ve been working at the university.
– I’ve been recording episodes of the podcast
– I’ve been living here for just over a year.

Past perfect
– That’s when I decided to become an English teacher. I’d finished uni and I was working in a pub, not really going anywhere.
– When I first came here, I’d never visited Paris before, but my girlfriend had told me a lot about it, so I was kind of prepared.

Past perfect continuous
As well as studying at university and college, I’d also been playing in lots of bands over the past few years, but it hadn’t really worked out, so I needed to think of something to do.

Modals to talk about the past
– I wish I could have understood him and told him to piss off or whatever

Going to / present continuous
– We’re going to visit New York next month
– I might do a special report from New York
– We’re going to stay in an AirBnB apartment that we’ve found
– We’re planning the trip at the moment.
– We’re flying there in the middle of April. It’s going to be good.

Future with will (not plans, but judgements, opinions, predictions)
– Who knows, maybe the LEPPERS will one day rise up.
– Hopefully it’ll last. Hopefully they’ll take me on again.
– England will probably win.
– We probably won’t win. I imagine it will be someone like Spain or Brazil.

1st Conditional
– We probably won’t get to the final, but if we do it’ll be amazing.

Future continuous
– Who knows what I’ll be doing
– Hopefully I’ll still be recording episodes of LEP

Future perfect
– Hopefully, I will have done many more episodes of LEP and perhaps I will have expanded my work online in some way.

Future perfect continuous (in a 1st Conditional structure, no less!)
– If I’m still doing Luke’s English Podcast , I will have been doing LEP for 15 years.

Future perfect continuous passive!
– I will have been being listened to for 10 years (!!!)

Modals for the future
– it might just happen.

Test Yourself

Complete the gaps in this text. Scroll up to see the answers.

Hello. I’m Luke. I’m from London, but at the moment I _______________________ (live) in Paris. I _______________________ (live) here for just over a year. It’s great. I’m really enjoying it. You know that originally I’m from England. I _______________________ (born) in a town just outside London, and then I _______________________ (live) in West London for a long time. My Dad _______________________ (promote) and got a job in the midlands, so we _______________________ (move) there, and _______________________ (stay) for many years. I _______________________ (go) to university in Liverpool and _______________________ (live) there for 4 years, and then I _______________________ (move) back to Warwickshire. That’s when I _______________________ (decide) to become an English teacher. I _______________________ (finish) uni and I (work) in a pub, not really going anywhere. As well as studying at university and college, I _______________________ (also play) in lots of bands over the past few years, but it hadn’t really worked out, so I _______________________ (need) to think of something to do. I _______________________ (end up) deciding to become a TEFL teacher in 2001 and then I _______________________ (go) to Japan and _______________________ (live) there for 2 years. That was an awesome time. I _______________________ (have) loads of really cool experiences and _______________________ (meet) loads of people, but I _______________________ (not want) to get stuck there, and I was keen to get back to my home country. I _______________________ (move) back to London and I _______________________ (work) there for a long time. It was while I _______________________ (live) in London that I _______________________ (come up with) the idea to launch an amazing podcast for learners of English, that would save the world from the forces of evil. That’s when I _______________________ (create) the now legendary Luke’s English Podcast, and a new cult of language learners was created. Who knows, maybe the LEPSTERS _______________________ (rise up one day) and, just speak really fluently, and then give everyone free ice-cream sandwiches. It’s just a dream maybe, but who knows, it might just happen.

I moved to Paris in 2012. Living in Paris is pretty cool. It _______________________ (be) quite difficult, because I couldn’t speak the language but I _______________________ (get used to) it now. When I first came here, I _______________________ (never visit) Paris before, but my girlfriend _______________________ (tell) me a lot about it, so I was kind of prepared. I _______________________ (also go) to France quite a lot as a child on holiday. But when I first _______________________ (arrive) it was quite hard because I _______________________ (not speak) much French. I _______________________ (take) some French lessons at school when I was a kid but I don’t remember learning much. In fact most of the time those French lessons were a bit of a doss. So, when I first arrived I couldn’t really communicate, which was not very helpful. It was usually okay because I could get by, but I remember once I _______________________ (walk) down the street and this guy _______________________ (come) up to me and _______________________ (start) talking, but I couldn’t understand him, and he _______________________ (get) angrier and angrier and _______________________ (start) following me down the street. It was a bit scary and weird, and I wish I could have understood him and told him to piss off or whatever.

These days things are much easier, and Paris is an amazing place to live in. I _______________________ (see and do) quite a lot of stuff here. I _______________________(go )up the Eiffel Tower. I _______________________ (visit) Notre Dame. I _______________________(go) to Shakespeare and Company the bookshop. I _______________________ (try) lots of delicious French wine. It’s great.

Check the top of the page for the answers.

173. The Curse of The Lambton Worm (Short Story)

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Listen to a disturbing story from English folklore about a horrendous and mysterious worm.

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Introduction
The Lambton Worm is a legend from the north east of England in the UK. The story takes place around the River Wear, in the town of Lambton and at Penshaw Hill which is between Durham and Sunderland in the north east of England. It is one of the area’s most famous pieces of folklore, having been adapted from written and oral tradition into pantomime and song formats, which are still performed to this day. I’m going to keep up that tradition here on Luke’s English Podcast by telling you my version of the story.

The tale is about a man called John Lambton, who was the heir to the Lambton Estate in County Durham, and his battle with a giant worm (dragon) that had been terrorising the local villages. As with most myths, details of the story change with each telling. I’m not from that part of England, but I love this story because I remember reading about it in a book of monsters that my brother used to have when we were kids. Remember before I told you about a ghost book that I used to own when I was a kid? Well, my brother had a similar book, from the same series, and it was all about monsters. I was fascinated by these books (Click this link to read some pages of those books!) So was my brother. I remember there was a picture of John Lambton fighting the worm, and a brief account of the story. It was fascinating, horrific and exciting for me as a kid, and the memory of the story has stayed with me. There’s just something about an old scary story that really excites me. I think this one must be a good one because it has endured for hundreds of years. It dates back to the time of the crusades, so about 1,000 years ago – medieval times. If a story survives that long, being told over and over again and being handed down through the generations, it must mean there must be something in it which interests people.

This is a local legend from country Durham and I expect it’s a strong part of their local culture. There’s an old folk song which tells the story, and it is still sung in old pubs by beer-drinking men with beards and acoustic guitars. I love those old folk songs. It’s proper traditional culture, as performed and told by real local people. I’m not from that part of the country, I’m from the midlands, and the south, but the story means something to me because of the connection I have with it from childhood. Also, I just think that you might like to hear it.

I’m going to tell you the story in my own way. It’s normal for folk tales like this to be changed by the storyteller, and there is no official version of the story – just a general outline. The details get adapted and improvised by each storyteller. So, I’m going to give you my version, which means that I will stick to the main elements of the story, but yes, as usual I will be improvising a lot of other details too. The challenge for me is to try and make it engaging, and entertaining and understandable for you. As well as practising your English, we can also consider what makes a good story. I think it’s about the passion of the storyteller, and the attention to certain details. Your challenge is to follow the story, and perhaps learn it well enough to be able to tell your friends, if you fancy that. Just remember to mention that the roots of this story are in the folklore of the county Durham area, in the North of England. It’s important to remember that this is a bit of local culture. If you’re from that area, and you’re listening to this – I hope you don’t mind my version of the story, and realise that, really, I love this story too and I’m just adapting it a little bit for the purpose of letting people practise their English listening.

Illustration by John Dickson Batten from More English Fairy Tales.

The Main Elements of the Story
Note that I use past tenses to tell my story (past simple, past perfect & past continuous) but below the story is presented using present tenses.
John Lambton is the heir to the Lambton Estate – so he’s a young member of the gentry. A landowner from a fairly rich and well known family in the area.
He’s a rebellious character.
He skips church and he skips school.
He doesn’t care. He just loves fishing. He disrespects his parents.
He skips church one Sunday, and goes fishing.
He meets an old man – an old hermit, who tells him that no good will come of skipping church. He ignores the old man, and yet it puts him in a bit of a bad mood.
He catches nothing all morning.
Then, as the church bells are ringing for the end of service, he gets a bite on his line.
It’s a powerful bite and he has to wrestle hard to bring in the catch. The water crashes around and gets deeply churned up. He fights hard and brings in his catch.
It’s a truly disgusting and horrifying catch.
It’s a slimy and wriggly black worm. It’s dripping slime, it’s writhing and snapping, and it stinks.
He brings it to rest on the soil. It sits there breathing, completely malevolent. It has 9 holes down the side of its mouth, and John can’t really make sense of its other features. It’s really weird, and makes him feel sick.
He pukes, quite hard. What the hell is this thing?
He takes another look at it, and it opens its eye. It’s yellow and red, and it seems to look right into his soul.
This is a life-changing moment, although he doesn’t realise it.
At that moment, the old man reappears, and says with some certainty that he senses the work of the devil, and that Lambton is now responsible for this worm.
Lambton can’t throw it back, so he quickly puts it in his basket, to carry it home.
On the way back, the basket is so heavy and the worm keeps thrashing around inside it, and hissing. Even when it’s still, the basket seems impossible to carry. It’s so heavy, but also, he feels miserable. The good mood he was in at the beginning of the day has been replaced by a very grim feeling of depression. It’s like he’s suddenly aware of all the time he has wasted, and how everything seems quite hopeless, including his family life.
He can’t take it any more, and feeling desperate, he chucks the worm into a nearby well. The worm struggles quite a lot, but down it goes. Lambton waits to hear the worm hit the bottom, and it does, after a pause, with a splash.
He quickly goes home.
Feeling guilty, and more aware of his responsibilities, he decides to join the army in order to fight in the crusades, as much out of guilt as duty to his family and the church.
He goes to Palestine to fight in the crusades. He’s away for 7 hard years in which he sees many things, makes many friends and sees many friends die in battle. He becomes a man.
Meanwhile, back at home, the worm is still alive in the well. The well becomes infected, and causes anyone who drinks from it to become violently ill, and die, with horrible symptoms.
The worm grows inside the well, and after it has reached a massive size, one moonlit night, it slides out from the well, and it’s massive. It wraps itself around the local Penshaw Hill – several times, and lies there waiting, warming itself in the morning sun. It’s a hideous and vicious creature. It has small legs, with claws on the end, which it uses to scrape and scratch the earth. It is incredibly long, and it slithers like a snake. It’s covered in smooth yet tough scales. Around its head it has a mane of rubbery spikes. The 9 holes that run along the side of its face, under its jaw, ooze a nasty black slime which burns the grass and sends an evil black smoke into the air. It coughs up the bones and remains of the bodies it has eaten, leaving this foul waste on the ground wherever it rests. Its eyes are yellow and deep, and malevolent. It has rows of razor sharp teeth like a shark’s except that they’re black and yellow, and his eyes, like that of a shark, roll back into its head when he takes a bite, leaving him looking white-eyed and blind during its moments of feeding frenzy.
It attacks a local farmer, squeezing him to death after he tries to fight it with his pitchfork. It then eats all his cattle, and his dead body, before returning to the hill.
It then terrorises the area, eating cattle and sheep, and wild animals.
The countryside becomes deathly silent, as it is all scared or killed by the worm. It’s a foul and sickening presence which seems to poison the earth wherever it goes.
Its confidence grows and it enters town.
The town mayor, as an attempt to distract it, empties all the milk supplies from the market into a trough in front of the town hall. The worm eats it all, and returns to the hill, where it sleeps.
The best men of the town get together a fighting force and arm themselves with the best weaponry they can find, and go to attack the worm, but it’s in vain as the worm is very strong and ruthless. Whenever anyone manages to slice the worm, the pieces, shuddering, just grow back together again. The worm seems indestructible.
For the next 7 years, the town gives the worm almost all of its supplies of milk in order to satisfy it. The worm grows bigger, and the town gets more and more exploited, until people are starving to death, and all life is sucked out of the place. When no milk is provided, the worm angrily attacks the residents, killing and eating men, women and children.
John Lambton returns from the crusades a scarred man, but a man nonetheless. He has learned how to fight, and he carries a sword and a suit of armour.
He sees the state of the town, and learns about the worm from his father.
He realises it is the same worm that he discarded all those years ago, and immediately realises that he is responsible for the curse and must fight the worm himself.
He visits a local wise woman for advice. She tells him that the worm has cursed him, his family and the town, and that only he can kill it.
She tells him to visit the blacksmith, and to have spikes and blades fitted to his armour, and that he must lure the worm into the river Wear before doing battle.
She also tells him that to lift the curse, after killing the worm, he must kill the next living thing that he sees.
Lambton gets his special suit of armour made, and arranges with his father that when he has killed the worm, he will blow a note on his hunting horn as a signal that he has won and that the father must release Lambton’s favourite hunting hound. The hound will run straight to him and Lambton will kill it, lifting the curse.
He heads towards the hill and finds the worm.
The worm recognises him and uncoils itself from the hill, hissing, puking black bile and generally being hideous.
Lambton realises how difficult this will be because this worm is really big and strong looking. The worm approaches and he backs away.
He walks backwards towards the river, the worm steadily moving nearer and nearer, flanking him. Lambton gets very tired just walking in the armour – which is extra-heavy because of the fittings.
Eventually, he enters the water, which is cold.
The worm slides down the bank and raises itself up to strike.
They fight and whenever the worm attempts to coil itself around Lambton, it gets sliced up on the blades and spikes.
Lambton is so tired that all he can do is just try not to be washed away by the current. He hacks at the worm and struggles to breath. The fumes from the worm are poisonous. Each time parts of the worm are hacked off, they are washed away, and eventually, just a section of the worm is left and Lambton hacks off its head. The pieces can’t join back together and the worm is no more.
Lambton blows a note on his horn, but his father is so happy to hear it that he forgets to release the hound and instead he runs to see John. Lambton sees him , and is dismayed. he can’t bring himself to kill his father, and so the go back to the house and he kills his hound.
The wise woman appears and tells him that despite killing the worm, he failed to lift the curse and that for 9 generations, the Lambtons will not die in their beds.
injured and sick, Lambton collapses.
That’s the end of the story.

What does this all mean? You tell me.

This curse seems to have held true for at least three generations, possibly helping to contribute to the popularity of the story.
1st generation: Robert Lambton, drowned at Newrig.
2nd: Sir William Lambton, a Colonel of Foot, killed at Marston Moor.
3rd: William Lambton, died in battle at Wakefield.
9th: Henry Lambton, died in his carriage crossing Lambton Bridge on 26 June 1761.
(General Lambton, Henry Lambton’s brother, is said to have kept a horse whip by his bedside to ward off violent assaults. He died in his bed at an old age.)

The Old Folk Song
Here is Tony Wilson singing the folk song in the local dialect
[youtube http://www.youtube.com/watch?v=XsO7SeCvgMw&w=500&h=375]
Song Lyrics
Here are the lyrics with some meanings added too. Remember, this is sung in an old dialect. Not many people actually speak in this dialect any more, although there is a distinct accent from that region.

One Sunda morn young Lambton went
A-fishing in the Wear;
An’ catched a fish upon he’s heuk	(=caught) (=his hook)
He thowt leuk’t vary queer.	(=thought looked very strange)
But whatt’n a kind ov fish it was	(=what kind of)
Young Lambton cudden’t tell-
He waddn’t fash te carry’d hyem,	(=could not be bothered to carry it home)
So he hoyed it doon a well	(=threw it down)

Chorus
Whisht! lads, haad yor gobs,	(=Be quiet, boys, shut your mouths)
An’ aa’ll tell ye aall an aaful story,	(=I’ll tell you all an awful)
Whisht! lads, haad yor gobs,
An’ Aa’ll tel ye ‘boot the worm.	(=about)

Noo Lambton felt inclined te gan	(=go)
An’ fight i’ foreign wars.
He joined a troop ov Knights that cared
For nowther woonds nor scars,	(=neither wounds)
An’ off he went te Palestine
Where queer things him befel,
An varry seun forgat aboot	(=very soon forgot about)
The queer worm i’ tha well.

But the worm got fat an’ grewed an’ grewed,
An’ grewed an aaful size;
He’d greet big teeth, a greet big gob,
An greet big goggly eyes.
An’ when at neets he craaled aboot	(=nights) (=crawled around)
Te pick up bits o’ news,
If he felt dry upon the road,
He’d milk a dozen coos.	(=cows)

This feorful worm would often feed	(=fearful)
On caalves an’ lambs an’ sheep,
An’ swally little bairns alive	(=swallow) (=children)
When they laid doon te sleep.
An when he’d eaten aall he cud	(=all he could)
An’ he had had he’s fill,
He craaled away an’ lapped he’s tail	(=wrapped)
Ten times roond Pensha Hill.

The news ov this myest aaful worm	(=most)
An’ his queer gannins on	(=goings-on)
Seun crossed the seas, gat te the ears	(=soon) (=got to)
Ov brave an’ bowld Sor John.
So hyem he cam an’ catched the beast,	(=home he came and caught)
An’ cut ‘im in twe haalves,	(=cut him in two-halves)
An’ that seun stopped hes eatin’ bairns
An’ sheep an’ lambs an’ caalves.

So noo ye knaa hoo aall the foaks	(=now you know how all the folk)
On byeth sides ov the Wear	(=both)
Lost lots o’ sheep an’ lots o’ sleep
An leeved i’ mortal feor.	(=And lived in mortal fear)
So let’s hev one te brave Sor John	(=let’s drink to brave Sir John)
That kept the bairns frae harm,	(=from)
Saved coos an’ calves by myekin’ haalves	(=making halves)
O’ the famis Lambton Worm.	(=famous)

172. British Comedy: Peter Cook & Dudley Moore

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Listen to two comedy sketches from the 1960s, learn some popular cultural history, pick up some vocabulary and hear some posh English accents.

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I highly recommend that you purchase this BBC DVD of The Best of Peter Cook & Dudley Moore. It’s really funny!

Introduction (with transcript)
Hello everyone, welcome to the podcast. In this episode we’re going to listen to a sketch from a comedy show called “Not only.. but also”, which was first broadcast on the BBC back in the sixties, when TV was in black and white and there were only 3 channels.

I’d love to tell you all about this show, and the people who made it. Peter Cook and Dudley Moore are basically the fathers of modern British TV comedy. I’d love to tell you all about how before Monty Python even existed, Peter Cook & Dudley Moore were doing surreal, satirical and anti-establishment comedy on BBC TV, and getting huge audience ratings, and inspiring generations of people. I’d also love to tell you more about the history of British comedy, because for some reason it’s very important to me. It’s one of my favourite subjects. It just feels significant, and I want to share it with you. Listening to these things is good for your English, but ultimately the reward is even greater than that – you can enjoy listening to something that’s a little bit special. But I also realise that you might not have the same level of slightly fanatical interest in the history of comedy, as I do. I could bang on about some comedians from the 1960s, but you might think “this is interesting Luke, but let’s just listen to some of their work shall we?” So, I’ve decided to just skip through all the stuff about the history of comedy and go straight to a couple of sketches, tell you about them, help you to understand them, and then later in this episode I’ll give you a little history lesson on Peter Cook and Dudley Moore, and their place in the history of pop culture, and then not only will you be able to enjoy their comedy, but you’ll learn more about British cultural history.

So, let’s focus on the sketch. I’m just going to explain the context for you and then you can listen to it, and see if you get what’s going on.

First sketch: Peter Cook & Dudley Moore “A bit of a chat” aka “The facts of life”
In this scene you’ll hear a father talking to his son about a slightly sensitive topic. The scene was written and filmed in the early sixties, probably 1964.

First, just listen (there is a script below, but try listening without it first)
Just listen to this and try and work out what is going on. Then I’ll explain things, and you can hear it again. There’s a script available for this sketch on my webpage.
As you listen you should try to work out what’s happening here. Why is this such a strange conversation? And why is the audience laughing? You might need to “read between the lines” which means look beyond what is just being said in order to discover the hidden meanings or suggestions at work.

How much of that did you understand? Did you get the humorous aspects of it? Let me explain the context, and the main points of the sketch.

*Sketch starts – “A Bit of a Chat”*
(See below for the script)

What happened?

Context
What do you know about Father/Son relationships in the UK in the 1950s & 60s?
They were more formal, especially among upper-class or upper-middle class families. Sons would call their father ‘sir’. They’d be very respectful, as if talking to someone of much higher status. They probably didn’t spend a lot of time together. These days, fathers and sons from normal middle-class families are quite close. They share quite a lot, and are able to talk quite openly about sensitive subjects like relationships or sex education. It might be embarrassing for the boy, but basically, the father feels quite comfortable doing it, and it’s normal and accepted. Back in the 50s or 60s, it wasn’t exactly the same. I suppose British men were less ‘in touch with their feelings’ and found it very awkward to discuss sensitive personal topics openly. Instead they may have dealt with them in the same formalised and distant way as they would talk about other topics. Also, we wonder how much most people really knew about sexual education in those days. Back in the 1950s or early 60s, before the era of sexual liberation, I think that a lot of people were completely in the dark about reproduction and all that kind of thing.
How about now? Are people more comfortable when talking about topics such as reproduction and sex?
Not completely, but certainly more so than 50 years ago.

The Class System & Boarding Schools
A little bit about the class system – particularly the upper class.
Nowardays, most people are middle class. In fact, many people believe that we don’t have a formalised class system these days. 50 years ago, the UK was more divided by class. Lower class (working class), middle class and upper class. Let’s look at traditional upper class culture. The upper class, or upper middle classes were considered to be:
Wealthy, educated, respectable and quite formal. Not liberated sexually, but bound by polite & formal social conventions. They would have been quite prudish about sex, finding it very embarrassing to talk about the subject. Many of the men would have been educated in exclusive, single sex boarding schools, which by all accounts would have been pretty cold, very formal and quite brutal. The boys never mixed with girls and grew up to be pretty clueless about sex. Kids and their parents didn’t spend a lot of time together, because of the boarding schools, and a father was more like a master than a friendly Dad.

Vocabulary
It seems that very posh people, from this period, often don’t really say exactly what they mean. They might make something sound more trivial than it actually is. For example “I had to give someone rather a ticking off” = means “I quite forcefully reprimanded someone for doing something wrong”
rugger – rugby
grubby – dirty / muddy
having a crafty smoke – secretly having a cigarette
give someone rather a ticking off – telling someone off
it’s a filthy habit – it’s a dirty habit
to cope with someone – to deal with someone
to get up to something – to do something (naughty)

Remember – it’s all about reading between the lines. What’s really going on? What really happened?

What does each line of dialogue really mean. E.g. the line about “there’s a cup of tea in here if you’d like one” means – come and sit down because I need to talk to you. The lad doesn’t want to, because, well, it’s probably awkward to talk to the old man, and this sounds like it could be serious.

Let’s listen to it again now, and consider each line, what is going on, and what is funny.

Second Listen

Questions
What does the Father want to talk about?
Why does the Father feel he has to talk about this?
What does the Father mean by “The opposite number?”
Why does the Father talk about sitting on a chair, etc?
Who is Uncle Bertie?
What is Uncle Bertie’s relationship with the boy’s mother?

A Bit Of A Chat (Script)
Roger, aged almost eighteen, arrives home from school, whistling: All Things Bright and Beautiful. His Father wants to have a bit of a chat with him about something. Just, a bit of a chat…
Father: Is that you, Roger?
Roger: Yes, father.
Father: There’s a cup of tea in here, boy, if you’d like one.
Roger: It’s very kind of you, sir, but I’ve just come in from rugger, and I’m a bit grubby. I think I ought to go and have a shower first, sir.
Father: Well pour me a cup, there’s a good chap, would you?
Roger: Certainly sir, yes, of course.
Father: Thank you. How was school today?
Roger: Oh, much as usual, thank you sir, but I caught someone having a crafty smoke behind the wooden building. I had to give him rather a ticking off — such a filthy habit, you know.
Father: It’s a filthy habit, Roger.
Roger: There we are, sir. Now, if you’ll excuse me.
Father: Roger.
Roger: Yes sir?
Father: Er — sit down. Roger, your mother and I were having a bit of a chat the other day, and she thought it might be a good idea if I was to have a bit of a chat with you.
Roger: Er… a bit of a chat, sir?
Father: A bit of a chat, yes, Roger, just…
Roger: Er…
Father: A bit of a chat.
Roger: What about, sir?
Father: Well, there’s nothing to be worried about, Roger, it’s just that, er, well, to be perfectly frank… how old are you?
Roger: Well, to be perfectly frank, sir, I’m coming up to eighteen.
Father: Coming up to eighteen…
Roger: Well, on the verge of…
Father: On the verge of eighteen… Yes, well, I thought it might be a good idea to have a bit of a chat now, because I remember, from my own experience, that it was when I was just, you know, coming up to eighteen…
Roger: On the verge…
Father: …on the verge of it, that I first began to take a serious interest in the – um – in the – er – opposite… the opposite… number. Now I don’t know, Roger, if you know anything about the method whereby you came to be brought about.
Roger: Well, sir, some of the boys at school say very filthy things about it, sir.
Father: This is what I was worried about, and this is why I thought I’d have a bit of a chat, and explain, absolutely frankly and openly, the method whereby you, and everybody in this world, came to be. Roger, in order for you to be brought about, it was necessary for your mother and I to do something. In particular, it was necessary for your mother… it was necessary for your mother – to sit on a chair. To sit on a chair which I had recently vacated, and which was still warm from my body. And then, something very mysterious, rather wonderful and beautiful happened. And sure enough, four years later you were born. There was nothing unhealthy about this, Roger, there’s nothing unnatural. It’s a beautiful thing in the right hands, and there’s no need to think less of your mother because of it. She had to do it – she did it – and here you are.
Roger: Well sir, it’s very kind of you to tell me. One thing, actually, slightly alarms me; um, I was sitting in this very chair yesterday sir, and I vacated it, and the cat sat on it while it was still warm. Should we have it destroyed?
Father: Its a lovely chair, Roger…
Roger: I mean the cat, sir.
Father: Destroy… oh, no Roger, you don’t understand. This thing of which I speak can only happen between two people who are married. And you’re not married.
Roger: Not yet, anyway sir.
Father: Not to the cat, in any case. Well, Roger, now that you have this knowledge about chairs and warmth, I hope – I hope you’ll use it wisely, and take no notice of your school friends, or what Uncle Bertie may say.
Roger: Dirty Uncle Bertie they call him.
Father: Dirty Uncle Bertie – and they’re right, Roger. Bertie’s a dirty, dirty man. He’s been living with us now for forty years, and it does seem a day too much… You know, if it hadn’t been for your mother, Roger, I don’t know where we would have been. She’s the only person who can really cope with Uncle Bertie, she’s the only one who can really deal with him. I don’t know if you realise this, Roger, but your mother even has to sleep in the same bed as Uncle Bertie, to prevent him getting up to anything in the night. If only there were more people like your mother, Roger.
Roger: Well, I’m very pleased that you’ve told me this, sir, because, as I say, I’m very glad I don’t have to believe all those filthy things that the boys at school say, and only yesterday, Uncle Bertie said to me…
Father: Take no notice of Uncle Bertie, Roger! He’s a sick, sick man, and we should feel sorry for him.
Roger: Well, I’ll try, sir… well.. thank you sir. Er – I wonder if I should take a cup of tea up to mother, while…
Father: I – er – I wouldn’t do that, Roger – she’s upstairs at the moment, coping with Uncle Bertie…
Roger: Poor Uncle Bertie…
Father: Poor Uncle Bertie…

And here’s the garden party sketch. It comes from another great BBC TV show called “The Fast Show”, which was Johnny Depp’s favourite British TV show.

The Psychiatrist Sketch (Script)

Braintree: Come in.
[Enter Roger.]
Hullo, Roger.
Roger: Hullo, Dr Braintree.
B: Hullo, come in.
R: I’m sorry I’m late.
B: That’s quite all right – how are you?
R: I’m very well, thank you.
B: Would you like to sit down, or would you prefer to lie.
R: Uhm, I’ll sit, thank you.
B: Right, well, sit down. Tell me, how are you in yourself?
R: I’m feeling just great.
B: Oh, this is terrific.
R: Yes, and it’s more than I expected from our sessions. You know, if anyone had told me that talking to psychiatrists could have help me at all, I would have laughed in their faces.
B: Yes.
R: But I can honestly say that our little chats together have really been of tremendous help to me.
B: I’m so glad, Roger: of course a lot of people are instinctively suspicious of psychiatry, but it can help at times.
R: Well, I really think it can, because you know, I’ve got so much self-confidence now. I’m much less self-conscious in the company of the opposite sex, whichI wasn’t, as you know.
B: Yes, yes, yes, yes. You’re less inhibited, are you?
R: [Suggestively] Oh yes, I should say so.
B: Good, this is terrific.
R: And the wonderful thing about it all is … well, I’m in love.
B: Well, this is wonderful news, Roger – you’re in love. – With a woman?
R: Yes.
B: So much the better – that’s terrific.
R: You know, it’s so wonderful to be in love – I can’t tell you the absolute joy I have. … this girl, this creature
[emotional]
, this goddess …
R: I mean, she’s
B: Yes …
R: She’s so, you know, it’s so right. Everything is so wonderful, you know.
B: Yes, yes – you really click together.
R: Yes. Oh, it’s so marvellous, but – the only trouble is that, apart from this wonderful light-hearted love I have, I seem to be saddled with this tremendous burning sense of guilt.
B: You have guilt as well as love: well, this is unfortunate, Roger. You know, sex is the most wonderful natural, healthy thing in the world. There’s no reason at all to have any guilt about it. I mean,why should you have guilt about sex?
R: Well, it’s not really as simple as that, you know – it’s rather difficult to explain. Uhm, I don’t reallyknow where to start. It’s rather difficult to explain. Uhm, I don’t really know where to start.
B: Well, begin at the beginning. That’s always the best place. What’s the girl’s name.
R: [Pause] Stephanie.
B: Stephanie. That’s a lovely name, isn’t it – well, my wife’s name in fact, isn’t it?
R: Yes, it’s Stephanie.
B: Yes, it’s Stephanie.
R: Yes, it’s Stephanie.
B: No, it’s Stephanie.
R: Yes, it’s Stephanie: it’s your wife.
B: Oh, you’re in love with my wife, Stephanie. Well, this is a perfectly understandable thing, Roger. She’s a very attractive woman – I married her myself. I don’t see why you should feel upset about that.
R: But she’s in love with me.
B: Well, this is again perfectly understandable, Roger. I mean, you’re a perfectly attractive human being, as I’ve told you over the last few weeks. There’s nothing repulsive about you, is there? There’s no reason why a highly sexed woman such as Stephanie shouldn’t fall in love with you. And I must explain to you, Roger, that I’m a very busy man: I have many, many patients to see – I see rather less of my wife perhaps than I should, and I think it’s very understandable she should seek some sort of companionship outside the marriage – I don’t think that’s unreasonable at all.
R: But she’s not seeking anything outside marriage – nor am I. We want to get married.
B: Well, this again is perfectly understandable. After all, you’re two young people in love and you want to express your feelings within the confines of a bourgeois society through marriage. I think it’s very appropriate.
R: The awful thing is, you see – I should feel so grateful to you for what you’ve done. And all I can feel is this burning jealousy – I can’t bear the thought of you touching her.
B: Well, of course, I understand this. One is tremendously possessive about someone one loves … it would be unhealthy not to have this jealous reaction, Roger.
R: But don’t you see – I hate you.
B: Of course you hate me, Roger.
R: I hate you for being so near her.
B: Yes, of course you hate me, Roger. You love to hate the one who loves the one you hate to love the one you hate. This is a very old rule, Roger – there’s nothing to feel ashamed about. It’s absolutely reasonable.
R: Don’t you understand – I want to kill you.
B: Of course you want to kill me. Because by killing me , Roger, you eradicate the one you hate. This is a perfectly natural reaction, Roger.
R: You’re so reasonable, aren’t you.
B: Yes, I am.
R: [Getting cross]
You understand it all so much …you are so logical.
[Gets up to strike him.]
B: Yes, I am – it’s my job.
R: I’m going to have to kill you
now
!
B: Ah – Roger – this is a little inconvenient, because I have another patient a six-thirty and then there’s someone else at seven after that. I wonder if you could make it some time next week.
[Standing over him.]
Could you make it early in the week, say?
R: [Pause – relax] When do you think?
B: How are you fixed on Wednesday morning? Say nine-thirty – would that be convenient?
R: Yes, that’s perfect.
B: Right, well, if you could pop along at nine-thirty and kill me then.
R: Once again, Doctor Braintree, I’m amazed, you know, really. I’m so grateful to you for showing me the way.
B: That’s what I’m here for, Roger.
R: Thank you very much. Thank you.
B: And with a bit of luck, this should be the last time you need to visit me

Comments
I think it’s pretty clear what’s funny about this. The psychiatrist has cured Roger and he feels so happy to be in love, but it turns out that Roger is in love with the Psychiatrist’s wife Stephanie. The psychiatrist doesn’t fly into a jealous rage – in fact he’s ridiculously logical and reasonable about it. This sketch allows us to imagine what the psychiatrist must be like at home – so reasonable all the time, he must be no fun at all. No passion, just plain dedication to his job; the rational understanding of psychology at the expense of natural human emotions and feelings, which is unnatural and ridiculous, as well as frustrating. It could be a wider statement about psychiatry, but let’s not analyse it too much. It’s just funny listening to the reactions, and the nicely written lines.

Vocabulary
There may be some words and expressions that you don’t know, or that could be useful to you. Let’s have a look:

terrific
our little chats together have really been of tremendous help to me
I’m much less self-conscious in the company of the opposite sex, which I wasn’t, as you know.
B: Yes, yes, yes, yes. You’re less inhibited, are you?
you really click together.
I seem to be saddled with this tremendous burning sense of guilt.
There’s nothing repulsive about you
There’s no reason why a highly-sexed woman such as Stephanie shouldn’t fall in love with you
You want to express your feelings within the confines of a bourgeois society through marriage.
I can’t bear the thought of you touching her.
Because by killing me , Roger, you eradicate the one you hate.
If you could pop along at nine-thirty and kill me then.

That’s it! Don’t forget to listen several times to get the full benefit!

Feel free to leave comments and questions below.

Thanks for listening,

Luke

171. A Cup of Tea with Daniel Burt (Part 2)

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[2/2] Here’s the second part of my conversation with Daniel Burt, who is a journalist, comedy writer and performer from Melbourne, Australia.

Download Episode
In this conversation we talk about these things:
Daniel’s move to London
Aussie pubs in Paris and London
Cliches about Australian people
Australian pronunciation
Typical Australian English phrases
The Australian character and national identity
Australian politicians
The future of Australia & Australia’s image of itself
Sport & competition
Interviewing Benedict Cumberbatch (Sherlock), Martin Freeman (The Hobbit), Matt Smith & David Tennant (Doctor Who)

To contribute a few minutes of transcription for this episode, click here to work on the google document:

If you have any questions, feel free to leave a comment.

All the best,
Luke

Daniel’s Video Showreel
[youtube http://www.youtube.com/watch?v=u9V3cKGvISU&w=500&h=281]

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Luke’s ENGLISH Podcast

Learn British English with Luke Thompson

Tag Archives: british

262. What is Britishness? (Part 2)

251. Welcome to LEP / 16 Things You Should Know about LEP

242. 11 Idioms Only Brits Understand (really?)

224. Pronunciation: Verb Tenses & Connected Speech

195. British Comedy: Monty Python’s Flying Circus

179. The Ramblings of an Exhausted Teacher

176. Grammar: Verb Tense Review

Test Yourself

173. The Curse of The Lambton Worm (Short Story)

172. British Comedy: Peter Cook & Dudley Moore

171. A Cup of Tea with Daniel Burt (Part 2)

Test Yourself

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