A conversation with Cara Leopold about the differences between life in Paris and life in provincial France, plus how it feels to live abroad away from your home country.
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Ending Transcript (The last part of the episode)
That was Cara Leopold from leo-listening.com. Thanks again to Cara.
I’m curious to read your comments and responses to this conversation in light of the things I said in the introduction.
I would like to say again – if you have ANY questions about behaviour, customs or culture in the UK which you don’t understand or find frustrating – please write them in the comment section. I would be glad to try and answer your questions both in the comment section and potentially in a whole podcast episode.
Actually, I have done episodes about culture shock in the UK before, because I think, to be honest, I’ve probably heard all the comments, complaints, grumbles, gripes, questions and criticisms before – and so I have dealt with a lot of that stuff in previous episodes, but nevertheless I am very curious to see if I have any listeners who have experienced British culture shock. Ask me your questions and I will try my best to explain my country and my culture. This is my job, to an extent! So go ahead.
By the way, the specific episodes I did in the past about culture shock in England are episodes 192 and 193 – entitled “Culture Shock London” (focusing mainly on life in the capital city actually) and to give you an idea of the things I talked about in those episodes, here’s a little list. This is a list of some of the most common questions and complaints I have heard from foreign visitors in my country.
Questions / Complaints I have heard about London/The UK
Why do you have two separate taps in the bathroom rather than one single mixer tap? (This question has haunted me for many years actually)
Why don’t you have electrical sockets in the bathroom? I want to dry my hair with my hair dryer or use my hair straighteners but there’s no plug in the bathroom. How do British people manage this? How do you live like this??
Why is your food so plain and unhealthy?
Why is your weather quite miserable?
Why do you drive on the left? It’s like you do everything differently here.
Your trains are often late, delayed, overcrowded and too expensive. Why is this?
Why are there so many foreigners in London? I haven’t met a “real English person” yet.
Why are the houses and flats in London so old and draughty, with windows that don’t keep out the cold and yet the rent is so expensive?
Why don’t people talk to each other on the Underground, it’s like everyone’s ashamed or something, and it’s really hard to make friends with people. English people are so reserved. It’s like they’re impossible to make friends with.
Why don’t people carry umbrellas all the time, even when it’s raining?
The internet is too slow here.
You just don’t make any effort to speak other languages here. It’s just ENGLISH, and that’s it. Also, people don’t make any effort to help me when I’m trying my best to talk to them in their language.
Why oh why do the pubs close at 11PM!?? I’m just getting ready to go out at 11!
Why do you eat dinner so early?
Why do English people go to the pub after work and just drink and drink and drink, standing up, without eating. It’s not very civilised.
Cigarettes are ridiculously expensive.
When English people do the washing up (the dishes), they use too much soap and then don’t rinse the soap off when they’ve finished. That’s like leaving chemicals all over your plates.
Why do you have carpet everywhere – even in the toilet sometimes, that seems unhygienic.
Why don’t you take your shoes off when you enter a house? That’s like bringing the dirt from the street into your home!
The British have a weird sense of humour. “What is this? British humour?”
If those are some of the complaints or questions in your head, then you might want to listen to episodes 192 and 193 to hear my full responses.
But also, feel free to write new questions or indeed any responses you have in the comment section.
That’s pretty much it for this episode.
Cara’s chat with a Spanish friend attempting to adapt to life in the USA
Some reminders
New LEP Premium content is coming soon – I keep saying this, but I just want to reassure you. If you want to unlock all the premium episodes and also help me pay the rent, go to www.teacherluke.co.uk/premiuminfo
Download my app to get the entire episode archive on your phone, including loads of bonus content and access to LEP Premium episodes – search for Luke’s English Podcast App in the app store – you can do it right now! It’s completely free!
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This episode of Luke’s English Podcast is sponsored by Luke’s English Podcast Premium. Premium LEPlanders, did you know that in the LEP App, as well as the category for premium audio episodes, there’s a category called Pronunciation Videos? Did you know that? There are currently 13 pronunciation videos in there with drills for you to repeat after me with annotations on the screen, plus a new video which I created and uploaded just the other day – a set of pronunciation drills for present perfect simple and continuous. I just thought I would let you know. I’m also working on a new premium audio series which is coming soon, so keep checking the premium category in your LEP App and also on my website. If you’d like to become a premium listener, then go to www.teacherluke.co.uk/premiuminfo
Introduction Transcript
Hello listeners, how are you today? I hope you’re basically doing alright.
Sometimes I get messages from people who say things like this:
“Luke, when you talk on the podcast, are you talking at your normal speed, because I can understand everything you say” and “Can you speak at your normal speaking speed on the podcast please? Because we want to hear natural, fast speech – like the way native speakers usually speak.”
OK then. Actually, I think I do speak at my normal speed on this podcast more or less, most of the time, but as I’ve said before it’s probably easier for you to understand me when I’m talking on my own than when I’m talking to a guest. My conversations with guests tend to speed up. As you may have noticed.
But if you are one of those listeners who is looking for English listening at a fast, natural speed, then this kind of episode (that’s this one, that you’re listening to right now) is for you, because the conversation I’m presenting this time goes at a really rapid pace.
My guest and I got quite carried away during this conversation, which does happen when I speak to guests. We didn’t see the time passing and we covered a lot of different little topics with some bits of humour thrown in and we weren’t simplifying our English throughout. It’s just like when you’re talking to your friends in your native language I expect.
Basically, listeners – are you up for another English listening challenge? If the answer is “yes” then, great. Here you are. Here is this episode.
But it might be difficult, so brace yourself. It depends on your level of English of course. Maybe you’ll have no problem understanding this at all. But I think for some people, it might be a challenge.
Nevertheless, I’m not going to explain all the main points you are going to hear in advance, like I do sometimes at the start of episodes – that kind of explaining can be very helpful, but I’m not doing it this time, mainly because I want to keep the episode length under control – I don’t want it to end up being tooooo long. In fact, I’m going to stop this introduction in a moment and just let you listen to the conversation in full without loads of support from me. You’ll be alright. You’ll be fine.
My guest this time is Kate Billington, who you haven’t heard on this podcast before – so another new voice for you to get to know.
Kate does a lot of different things – she speaks multiple languages. British English is her mother tongue but she also speaks Chinese, French, Spanish too I believe. She is an English teacher like me. She makes cakes at a professional level (unlike me – I’m not great at making cakes but I’m very good at eating them) But Kate is a pro. I mean she is a professionally-qualified cake maker. She has a particular set of skills as you will hear – and watch out for some descriptions of some classic British cake recipes. Kate is a stand-up comedian (yes, another one), and she is interested in lots of other things too, as you will hear.
Kate and I really enjoyed this conversation. I hope you do too and that you just get really involved in listening to us and that you don’t see the time passing. If you do lose track of what we’re talking about at any point, which is quite possible, maybe use your podcasting app to skip back a bit and listen again.
If it is difficult, all I can do now is just encourage you to complete the episode from start to finish, even if you don’t get 100% of what we’re saying. It’s important when learning a language to persevere. It’s worth it. Anyway, if you simply enjoy the atmosphere and the things we say, hopefully that will make things much more pleasant for you.
Remember you don’t have to listen to the whole thing in one go. If you need to stop at any point, your podcast app will remember where you were and you can just carry on again later, which is one of the great things about podcasts.
The icing on the cake
Juuuust before we start, I feel I should explain one idiom in English which comes up near the beginning. “The icing on the cake”
I was thinking of calling this episode “The Icing on the Cake with Kate Billingon” but then I thought “no, people don’t know what that means”. But I want to explain it anyway because it does come up and you’re here to learn English, right?
If you say that something is “the icing on the cake” it means that it is something extra that is added to an already good situation, which makes it even better.
You have a situation which is already good, and then you add a little extra something to make that situation even better.
“The episode was good – but that joke that Kate told at the end was the icing on the cake”.
This is an idiom in English of course. It’s not only used to refer to cakes.
Icing is a sugary frosting which is added as a thin layer on top of a cake. So, the icing on top of a cake is an extra little layer of yummy sweet stuff which is added, making it even better. A cake is already amazing, right? Well, adding icing on top makes it even more amazing.
For exmaple: “It was incredible seeing Neil Young doing a concert in Hyde Park but Paul McCartney arriving on stage at the end of the show was the icing on the cake.”
This idiom comes up at the start. Watch out for it.
OK, I’m going to stop this introduction now. So let’s meet Kate Billington for the first time on Luke’s English Podcast, and here we go…
Ending Transcript
So, that was Kate Billington in an epically long conversation. Thanks again to Kate.
Hello you! You made it until the end. Nice one. How was that for you? I hope you enjoyed it as much as we did.
If this episode was a cake, what kind of cake would it be?
Maybe a long fruit cake – rich, quite heavy, fruity, made in the run up to Christmas, very British and best enjoyed with copious amounts of brandy.
Or maybe you found it more like a Victoria sponge cake – light, fluffy, sweet and moreish.
Or perhaps a battenburg cake – it looks like one solid whole, but when you get into it you realise that it’s made up of different sections.
Anyway, thank you for listening all the way up to this point.
Let us know any thoughts or reactions you have by writing something in the comment section on the website.
How was this episode for you?
Did you learn anything from it?
Do you have any specific questions about vocab that came up?
Do you have any thoughts that you’d like to share?
Do you have any thoughts in your head, generally? (I hope so)
Check out the page for this episode on my website where you will see things like transcriptions for my introduction and this ending bit, plus pictures of most of the cake types and pastry types that we talked about → Victoria sponge, fruit cake, Battenberg cake (aka window cake) plus some lovely French things like croissants, pain au chocolate and more.
Kate Billington on Instagram
Check out Kate’s Instagram to see lots of lovely pictures of lovely delicious cakes that she has made – yum yum yum and indeed, yum.
Also you can check out Comedy Croissant on Instagram & Facebook, especially if you are in the Paris area and you’d like to come to one of the shows when they eventually come back. And as I record this ending bit France is again under strict lockdown measures, which means the comedy shows are not happening for the foreseeable future, but when they’re back, which they will be one day, you’ll know about it if you follow Comedy Croissant on Facebook.
LEP App users – There is a little outtake in the app (extra audio – just in case you didn’t get enough from this episode) – tap the gift icon while listening to the episode and you’ll hear a couple of bonus minutes of Kate and me talking about some blue bookends that I have in my pod-room. Bookends are things you put on the end of shelves to stop the books falling off. Usually they are rectangular in shape, but also L shaped – because part of the bookend has to go under the books. My blue bookends, which you might have seen in my videos, look like the Tardis from the TV show Doctor Who. The Tardis looks like a blue telephone box. Doctor Who fans will know. If you’d like to hear us talking about my Tardis-shaped bookends and whether I am a proper Whovian (Doctor Who fan) or not, then find the gift icon for this episode in the LEP app and tap it!
The bookends in my pod-room which caught Kate’s eye. The bookends look like The Tardis. Listen to the bonus audio in the app to find out more.
Posh, or not posh? Gap yah, etc…
Another thing is, if you are wondering about posh people – how to know if someone is posh, what a posh accent sounds like, and that whole “Gap Yah” thing, then go to the episode archive and find the “Posh or not posh” episodes – 581, 582 and 584. They should explain everything relating to poshness and how posh people speak.
Thank you again to Kate for this episode. Thanks Kate.
Dear listener, I will speak to you again soon on the podcast in either a free episode or a premium one (I’m working on more content for you), and yes the next part of the WISBOLEP competition is on it’s way. I am working on that too.
Thank you for choosing to listen to my podcast.
If you are feeling up for it you could leave a nice review for LEP on iTunes – it helps the podcast appear in those recommended lists and things. Like and subscribe and leave a comment if you’re listening on YouTube. Consider donating to support the podcast by clicking a donate button on my website. Download the Luke’s English Podcast app from the app store and consider becoming a premium lepster by going to www.teacherluke.co.uk/premiuminfo
And finally, please remember to be excellent to each other, stay safe, stay healthy, stay positive.
Traditional English fruit cakeThe Christmas version of an English fruit cake – probably “fed” with brandy and left in the cupboard for weeks.Victoria Sponge CakeBattenberg Cake (a.k.a “Window cake”) https://www.bbc.co.uk/food/recipes/battenburg_cake_60878
French Viennoiserie
“All butter” CroissantPain au chocolat (also known as a chocolatine in some parts of the country) 😋
A conversation with English-teaching stand-up comedian Elspeth Graty, which covers lots of different topics including Elspeth’s background in England, teaching English, cultural differences, “French-bashing”, old-fashioned telephones and The Tellytubbies. Enjoy!
This podcast is made possible thanks to donations from lovely listeners (click a yellow PayPal button on the website if you’re feeling generous) and also the premium subscription, which costs, per month, slightly less than a pack of 80 Yorkshire Gold Teabags from Sainsbury’s. So if you would like to make sure I never run out of tea, then consider signing up.
There are now well over 100 audio and video episodes in the premium archive and you can access them all, plus new ones that are coming. That’s what you get when you become a premium lepster. To get all the information, including how it works and exactly how wonderfully reasonable the prices are – go to www.teacherluke.co.uk/premiuminfo
Introduction Transcript
Hello listeners,
How are you today? Doing alright all things considered? I do hope you’re managing to keep calm and carry on during this weird and difficult period of history that we are all experiencing.
Shall we start the episode? OK.
Here’s the second in a series of interviews I’ve been doing lately featuring people I’ve been meaning to talk to on the podcast for quite a while (quite a while — is that a short time or a long time? Quick answer: It means a long time.)
I just wanted to record natural conversations with some new guests so you can hear their voices, their stories, their thoughts so you can notice bits of language and practise your English listening as usual.
The first of these recent interviews was with Marie Connolly from Australia, which was the last episode of course. I hope you all enjoyed it.
This conversation is with a friend of mine called Elspeth who is from England.
Elspeth is an English teacher and she also does stand-up comedy in the evenings, which is how we met each other. Yep, she’s another English-teaching comedian friend of mine.
Explaining this episode’s title
The title of this episode is “Chasing the Tangent Train with Elspeth”.
The title is just a metaphor – please don’t expect a conversation about train travel!
It’s just a metaphor to explain the fact that this conversation is full of tangents and I hope you can keep up with it. In fact, it’s mainly tangents.
What is “a tangent”? Long term listeners should know this, but plenty of people won’t know so let me explain.
In a conversation, a tangent is when the topic changes to something quite different and seemingly not related to the main point of that conversation.
It’s when you digress from the main point, go away from the main point or get sidetracked.
“To go off on a tangent”
There are lots of tangents in this conversation. So, for the title of the episode, I was trying to think of a way to describe the experience that you will have of just following the changes in direction in a conversation and seeing where it goes.
I ended up with “chasing the train”, which is not actually an expression you will find in the dictionary – I made it up.
Let’s imagine, then, that this conversation is a train and it’s going down the tracks and every now and then it switches to new tracks and continues for a while, then it switches to another new track and then does it again, and again and so on. Can you keep up with the train? I think you get the idea.
My overall aim for this interview was mainly to get to know Elspeth in more depth and to capture an authentic conversation to help you learn English. That is the destination for this train journey. But as I said, the topics move around a bit, which is totally normal in a conversation. Just ask David Crystal, he wrote a book all about it and he’s a professor and definitely knows what he’s talking about.
What I’m getting at is that this might be hard for you to follow – depending on your level of English.
So you’ll have to focus.
Nevertheless, I can help you keep up with this if I let you know what the main changes will be in advance.
So I’m now going to give you a quick overview of the main changes in topic in this chat.
The main points in this conversation are, thus: (these aren’t spoilers)
We talk about
Where Elspeth comes from originally, and how her family moved around parts of England
Being the daughter of a vicar (that’s her, not me obviously) A vicar is a priest in the Anglican church – the church of England. The cliche of the typical English vicar is that they wear black with a little white collar, they’re often softly-spoken grey haired men with glasses who ride bicycles around their parish and love drinking tea, eating cake and generally worshipping god.
Our accents, which are not strongly affected by the region where we grew up (we actually come from the same general area in England)
Having harvest festivals at church when we were children
Then there’s a big, random tangent → Remembering the old dial telephones we had in our houses when we were children. Remember them? You had to put your finger in and turn numbers around a dial, and it went went kkkkkkkkk. You don’t remember? That must be because you’re young, or you’re old and you’ve lost your memory.
Services you could get on the old analogue telephones, like the operator (a person who you could speak to and who would deal with your telephone-related enquiries) and the talking clock (a recorded voice that was constantly telling the time and you could call a number and listen to it)
Coventry Cathedral in Coventry, which was almost destroyed during World War 2 but was rebuilt and is now definitely worth a visit if you’re in the city
Elspeth’s life in France, her French, and whether or not she feels French or English after living here for quite a long time
Some of the cultural differences between England and France that frustrate us a bit, like the usual things – being punctual, walking down the street and in particular, queueing – standing in line to wait for things in public
Teaching English to young engineers, and the challenges that French students have when learning English
Some of Elspeth’s experiences of learning French
How Elspeth can behave slightly differently in English and in French, especially when doing stand-up comedy in the two languages
Elspeth’s thoughts on her own clothing choices and fashion sense, and how people react to it, especially the Nike Air Max trainers that she wears
Teaching English online using Zoom – and what that is like
Doing stand-up (going on stage and telling people jokes and stories to make them laugh) and Elspeth’s favourite and least favourite things about doing that Where her inspiration for comedy material comes from and “flow activities” or being in a “flow state”
If there is a connection between stand-up and English teaching
A little story about The Tellytubbies that Elspeth uses in her English lessons, which makes the students laugh (The Tellytubbies is a children’s TV show) The story involves The Tellytubbies, William Shakespeare, the county of Warwickshire in England and April Fool’s Day. Basically, the county council of Warwickshire played an April fool’s trick on the people of Warwickshire, and it involved The Tellytubbies and Shakespeare, and people didn’t like it.
Why English people get into rages – like road rage, or trolly rage in the supermarket
The concept of French-bashing (criticising or making fun of the French and French culture) and why Parisians seem to complain about each other’s behaviour quite a lot (Parisians are people living in Paris)
How people’s behaviour in public in Paris compares to behaviour in the UK and in Tokyo
Things we love about France – because there’s a lot to love about this country too
Finally, a bit at the end where we both conclude that Paul Taylor is basically a cake – a delicious British cake.
Actually, reading out that list – it doesn’t seem like there are that many tangents, but there are tangents ok? What I’ve just given you there is the main flow of the conversation.
Right. Now that you have an overview of the track layout, let’s get this train rolling.
Let’s just get started. Here is my conversation with Elspeth, and here we go.
Luke’s fuddy-duddy slippers (a Christmas present from a couple of years ago)
Ending Transcript
Right, so that was my conversation with Elspeth. I enjoyed it a lot, especially because we have quite a lot in common, not least because we are from the same neck of the woods (a local area where someone lives).
How did you get on? Did you manage to follow it ok? Well, you must have done, because you made it. You’ve caught up with the train. You can have a rest now. Well done for keeping up.
I expect you’re getting out your phone now. If that’s what you’re doing, open up Instagram on your phone and check out Elspeth’s page, which is @elslostinfrance which I now realise would have been the perfect name for this episode, right?
I could do a lot of rambling on now, about all sorts of things, like what’s been going on and the WISBOLEP competition (which is now closed by the way – no more entries please. The deadline has passed, unless maybe you’re in a part of the world where it is still the 15th October – in which case, you have until midnight).
I’ve received loads of entries and let me tell you – it is going to be difficult to choose just one winner. There are so many really interesting recordings and stories of how people learned English and all kids of other things. It will be hard to pick just one person. Also I’m now wondering how I’m going to manage the whole thing. I’ve had nearly 90 entries. I don’t know why I didn’t expect to get so many. Each entry is about two minutes long and so – 180 minutes, even without my comments (and I really want to make even very short comments).
Shall I play them all on the podcast? That’s a lot, isn’t it?
I think the best way to do it might be to make a YouTube video of all the audio (if that makes sense) and then I can add time stamps for each person, which will make it much easier for everyone to find each recording.
In any case, I will find a way to manage this. It could take a while though, so be patient.
I do want to re-state that it has been amazing listening to all the recording (I’ve had brief listens to most of the recordings sent). There are some awesome people in my audience. I just want to give a shout out to anyone who sent in a recording. Well done for plucking up the courage to do that. The competition is going to be a bit of a celebration of my audience from around the world.
Not much more to add here, except the usual mention of LEP Premium which you can find out more about by going to www.teacherluke.co.uk/premiuminfo I’ve been getting some very positive feedback about it. There are now over 100 episodes of LEPP now in audio and video form. Check it out to see what you’ve been missing.
I’ll be back again soon with another episode, perhaps one in which I just ramble on about all the stuff that I’ve been meaning to say on the podcast for a while, a few listener emails, some songs perhaps and more…
Let me say thank you again to Elspeth for her contribution to this episode. Thank you Elspeth.
Everyone: Hang in there. Keep your chin up.
Hey, do you want some anti-covid funk music to cheer you up? (Yeah)
OK. This is something that I recorded this morning. I probably should have been doing some work but after dropping off my daughter at school I suddenly felt compelled to play some bass, and one thing led to another and I ended up recording a little 2-minute funk groove. The drums are from a youtuber called Dimitri Fantini (link on the episode page). I needed a 90bpm 16-beat funk groove and he delivered. Credit to Dimitri for the drum track. I’ve added bass using my Mexican-made Fender P-Bass, some rhythm guitar with my Fender Stratocaster (also made in Mexico) as well as some string sounds which are from my Yamaha P-45 electric piano.
I called the track Funk in the Kitchen, because it’s supposed to make you dance in your kitchen, or indeed in any other location.
Brace yourselves – music is coming… In 5, 4, 3, 2, 1, let the funk commence…
Marie Connolly is an Australian stand-up comedian and TEFL teacher who has written a book of short stories about times when men (from various countries) have flirted with her. In this episode Marie shares some of those stories, tells us about English men vs French men vs Australian men and much more.
[DOWNLOAD]
Transcripts & Vocabulary Notes for this episode (promos, introduction, ending)⤵
LEP Premium Promo
Before we start – a quick mention about LEP Premium. Premium LEPsters, I just want to let you know that P24 is now finished and uploaded. It is an epic series – homophones, jokes, building your vocabulary (which is so important) and also working on your pronunciation. I’ve also uploaded P25 which contains pronunciation drills for the previous free episode (LEP682) which was all about English accents. I said I’d do a pronunciation episode for that, and I’ve done it. You can practise saying the sentences with my normal accent, and also with several regional accents too. The aim being to strengthen both your listening skills and your speaking skills.
WISBOLEP Competition
Second thing – the WISBOLEP competition deadline is 15 October. Is that clear? Originally I said 31 October but the date has changed! The deadline is now the 15 October 2020. If you don’t know what the competition is, check out episode 681.
But this is episode 683, and I’m keen to get started, so let’s go…
Introduction
Hello and welcome back to LEP. It’s new episode time again!
This is an episode with a guest. So you’re going to be listening to another authentic conversation at natural speed in English which can be difficult to follow but is good training for your English.
Before going any further, let me explain the title of this episode. “683. Feelgood Stories of Flirting with Marie Connolly”
Feelgood is an adjective (one word) which we use to describe anything that makes you feel good! For example we can say a feelgood film, feelgood food and or feelgood stories, which would be stories that will make you feel good.
Feelgood stories of flirtingFlirting means interacting with someone in a way that shows that you fancy them, find them attractive, and are probably interested in perhaps getting ‘romantically involved’ with them, let’s say. Synonyms include ‘chatting someone up’ , ‘hitting on someone’ or perhaps ‘trying to pick someone up’. A person can be a flirt, and the adjective is flirtatious.
Feelgood stories of flirting with Marie Connolly
And Marie Connolly is my guest in this episode.
Marie Connolly
Marie is a stand-up comedian, a ski-instructor, an English teacher and writer. Her latest book is full of short stories about flirting with the opposite sex.
Before we meet Marie, let me give you some context to help you understand this conversation, which can ultimately help you learn more English from it.
Marie is from Australia but she has lived in a few different countries. It’s a bit of a stereotype that Aussies like to travel away from Australia (this is called Going on Walkabout), but in this case it’s true. Marie has spent time in various places including Brisbane, Syndey, London, Liverpool, The French Alps and now Paris.
Marie was born in Australia but her dad was from Liverpool and her mum was from El Savlador in central America, which is quite an interesting combination.
For those of you who are interested in accents and pronunciation – Marie has a slight Australian accent because that’s where she grew up. It’s not super strong, but you should be able to notice it a bit.
Here are the main things you’re going to hear us talking about:
As you might expect we chat a bit about stand-up comedy, what it’s like dealing with tough moments on stage and reasons why it can be hard to do stand-up in front of audiences of non-native speakers.
I’m afraid to say that the infamous Russian Joke story makes yet another appearance, which is my fault because as you’ll hear, I’m the one who brings it up. I know, I know. I can’t believe I’m still talking about the Russian Joke, and some of you are now saying “Wait, what’s the Russian Joke?” Long-term listeners will know all about this. Clearly I have deep mental scars from this experience which still haven’t healed. Either that or I secretly love telling this story.
If you don’t know what I’m talking about, just keep listening because I am going to tell the story once more. Yes, I know.
Marie gives some thoughts on Liverpool where some of her cousins live, and her favourite English shops for buying clothes, which leads to some chat about Marks & Spencer – the quintessentially English clothing and food shop, which also has branches in Paris where you can buy proper tea. (not property, no – they don’t sell flats and houses, no I mean “proper tea” good quality tea)
….I’m now pausing for laughter…
Marie tells us about her time living and partying hard in London, and then her decision to move to France to work as a ski instructor at a ski resort in the Alps, while making trips to Paris to perform comedy gigs.
You’ll hear some details of Marie’s comedy shows in English and French in Paris.
At the moment she is doing her own one-woman show in English called “Sydney, London, Paris, Darling”. You can see it if you’re in town, COVID permitting of course. At the moment, in France, Theatres are still allowed to open and Marie’s show is in a theatre so it’s still on. If you’re in town why not come and check it out? She is very funny and has some great stories to share.
Then we move on to talk about the latest book that Marie has written, called “40 Frenchie Feelgood Flirts”. It contains 40 short stories. This is yet another book recommendation on the podcast. I think it could be a really good thing to read, if this is your cup of tea. Short stories are perfect for learners of English, because they’re short – do I need to say more?
It’s chick-lit, which means books primarily for women that usually include romantic themes.
The stories in Marie’s book are all cute anecdotes about times when men have flirted with her, hit on her, or chatted her up. There’s no explicit sexual stuff in Marie’s book. As Marie says it’s just innocent fun. So it’s less “40 Shades of Grey” and more “40 Shades of Hey, How are you doing?”
— I’m now pausing for more laughter and applause, thank you —
The rest of the episode is mainly Marie sharing some of her stories of flirty moments with men who she has encountered.
She also talks a bit about how French men are different to Australian or English men.
What do you think the differences might be? What do you think Marie is going to say about the way a French man will approach her, compared to an English or Australian man?
Hmmm, have I piqued your interest? I hope so. Listen on to find out the details.
VOCABULARY
Vocab hunters – Here is some language which you can simply notice as you listen. When you hear these things, take a mental note.
I know you are keen to get to the conversation, but bear with me. This will be useful for your English, and that’s what this is all about at the end of the day (and the beginning of the day, and the middle of the day, etc) Trust me, I am a professional.
I’m not explaining this all now, I’m just saying it so you can notice it yourself when it comes up naturally. If you don’t understand these phrases, don’t worry. I will explain it later in the episode. But you might be able to work it out from context as you listen.
*There is some swearing*
To backtrack – “You can’t backtrack” [this one comes up twice]
To stick in someone’s craw – “It stuck in my craw. It bothered me.”
To be over it – “Maybe I’m not over it”
Deep scars – “Maybe there are deep scars”
To wilt – “I wilted in front of them”
To be sick to your stomach – “I was sick to my stomach”
To be swallowed up – “Can I please be swallowed up?”
A halterneck top (an item of women’s clothing that is quite revealing) “I was wearing a halterneck top”
To snuggle under the duvet – “If I could have, I would have snuggled under the duvet and just stayed in bed for a year.”
______ by name, ______ by nature – “Alex Love, our mutual friend; lovely by name and lovely by nature.”
A coping strategy – “Every comedian has their own coping strategy”
To rectify – “Get back on stage as soon as possible and rectify”
Dainty / pastries – “I’m not used to French dainty pastries, I prefer the big fat Australian ones”
Self-soothing
To pay through the nose – “I will pay through the nose. I just want the best tea I can get.”
A hub / antipodeans – “It was a hub for antipodeans”
To be up shit creek (without a paddle) – “Because of Brexit I’m up shit creek.”
A snapshot of something – “It’s a snapshot of life in France”
To be hit on / to be picked up / to be complimented – “40 times I’ve been hit on, picked up or complimented by men”
Abs – “One was very white but he had super-fit abs”
White vs Pale (to describe a person)
Calf muscles
A sand castle
To blush – “He would blush and I would feel amazing.”
The contents (of a book) / to pique someone’s interest – “Can I read through the contents to pique people’s interest?”
To mime – “He started swimming with his hands. He was miming and I was laughing.”
A man bun – “He had long hair up in a man bun. I called him Mr Man bun.”
Chick-lit
Ok so try to notice those things, maybe try to guess what they mean and I’ll be explaining them on the other side of the conversation.
But mainly, I hope you just enjoy listening to this chat.
Now, get ready because things are going to speed up a bit, as we meet Marie Connolly…
Ending
Thank you again to Marie. After finishing the recording, we realised there were other stories we’d forgotten to tell, including the time Jerry Seinfeld turned up at one of our little comedy shows in Paris and performed in front of about 20 people including Marie and me, and how it was just a little bit awkward, but still amazing and quite surreal. Jerry Seinfeld at one of our shows? What are the odds? So Marie will have to come back for another episode in which we can describe that experience for you.
Just a reminder about Marie’s comedy show (if you’re in Paris) and her books (which you can get anywhere in both paperback and Kindle versions).
The One-Woman Comedy Show
“Sydney Paris London Darling” you need to check her Facebook page – Marie Connolly Comedy.
https://www.facebook.com/marieconnollycomedy/
Marie’s books, including “40 Frenchie Feelgood Flirts”
Marie’s page on Amazon where you can find her books. The main one we talked about is “40 Frenchie Feelgood Flirts”. She writes under the pseudonym Muddy Frank (read the titles of the books available)
Explaining the Vocabulary
Let’s go through that vocabulary again, from the beginning of the episode.
Did you notice any of the words and phrases I listed before? Did you get a sense of what they mean?
Let me go through them again, and I’m going to clarify them as quickly as possible. I’m not giving these phrases the full LEP Premium treatment (because I like to go into lots of detail in those episodes) I might put them into an upcoming episode of LEP Premium so I can make sure you learn the vocabulary properly and we can do the usual memory tests and pronunciation drills as well. But now, this is the sort of quick version. Let’s call it the 10 peso version.
The vocabulary is already listed above ⤴️
Still not sure about the meanings? Try using www.oxforddictionaries.com to check them out. Other online dictionaries are available.
And that is the end of this episode.
What’s coming up in the future? Who knows – nobody can predict the future, except weather forecasters.
As usual I have more episode ideas than time, but I do have a few interviews lined up, including some more friends you might not have heard on the podcast before, and some regular guests that you’re probably waiting to hear from too [yes episodes with Amber & Paul are in the pipeline, it’s just a bit tricky to find times when we are all free].
Basically – more conversations with guests are coming up as well as the usual episodes on my own on various topics. So, it’s going to be more of what you normally get with LEP!
Right, I will let you go now.
Thank you for listening.
Check the episode page on my website where you’ll find transcripts for 95% of what I’m saying in the introduction and ending parts of this episode, plus other things like a photo of Marie and me (oh Luke, a photo!?) plus the comment section and things like that. I often put other things on the website page for you to check out as well, including little YouTube videos relating to the episode or other bits and pieces.
I look forward to reading your comments on the website.
Follow me on Twitter @englishpodcast which is where I am also quite active.
Tweets by EnglishPodcast
Sign up to LEP Premium to access all the other episodes I make, all focused on helping you build your English in various ways. www.teacherluke.co.uk/premiuminfo
Have a good one. Be excellent to each other, and party on in your own sweet way.
Announcing a new LEP competition which everyone is welcome to enter, plus an anecdote about the first time I said a rude word in front of my parents. Send your competition entries to podcastcomp@gmail.com
LEP is brought to you by LEP Premium. This is how I pay for this podcast, along with donations from kind philanthropic listeners using the PAYPAL DONATE BUTTONS. LEP Premium though is my paid subscription service which includes loads of audio and video content to help develop your grammar, vocabulary and pronunciation. You can get episodes in the LEP App or online, with PDFs, tests and pronunciation drills. For all the information you need go to www.teacherluke.co.uk/premiuminfo
Notes & Transcriptions for #681
Hello everyone! In this episode I’m going to tell you about a new competition for LEP, which you can enter, and then I’m going to tell you a true story of something that happened to me when I was a child. In fact, the title of the story is “The First Time I Said F*ck”. I’m reluctant to blurt out the F word so early in the episode, but anyway, the story is about the first time I swore in front of my parents, and it’s a story I wrote for doing stand up comedy on stage, but I’m going to read it out on the podcast today.
But first, what about this new…
Competition
I’ve decided to launch a new competition and I’m going to tell you all about it in this episode.
I hope you feel welcome to take part. Everyone is invited to enter this competition, and that includes you, so I hope you consider taking part this time.
I mentioned this in the last episode and got a number of positive responses from people saying things like “I really hope you do the competition!” and so on.
Again, I want to say thanks to a listener called Vadim for prompting me to do this.
It’s been ages since the last competition (the last one concluded with episode 407 – the interview with Kristina from Russia) and I sort of wasn’t planning to do a new one, but then Vadim sent me this email and I just thought “OK, why not!?”
Here is Vadim’s message (with some error correction).
There are a few errors in here I’m afraid, Vadim. I’m going to correct those errors as I go along, hope you don’t mind.
New Competition?
Vadim
Hello, Luke!
I have an idea for new competition! It’s been awhile, since you have launched one.
I have an idea for a new competition. It’s been a while since you launched one.
So, an idea is very simple. It will be called WSIBOLEP, or Why Should I Be On Luke’s English Podcast [Actually, I’ll call it WISBOLEP – Why I should be on LEP].
So, the idea is very simple. It will be called WSIBOLEP
All you need, it’s just ask your listeners to record a little voice message, telling Why you MUST interview them on your Podcast.
All you need to do is just ask your listeners to record a little voice message saying why you must interview them on your podcast.
Because I believe that you have a lot of interesting people listening to you. Russian oligarchs, pornstars, ex-nazis hiding in Argentina, bobsleigh world champions, writers, celebrities, presidents, royal family members etc, etc.
And then your listeners will vote for the person who has a story that they want to listen to in more detail.
What do you think about it? I believe that it will be a good way to encourage people to do a bit of a practice and stop being a ninjas [being ninjas]. And those who don’t want to take part in this competition can just have a fun [just have fun], listening to exciting intriguing stories from all around the world.
Well, I actually think this is a fine idea and I’m curious to see what happens.
Let’s do another competition on LEP.
The prize this time – being interviewed in a full episode. I hope you consider that to be a prize!
WISBOLEP (Why I should be on LEP)
So let me summarise the plan for this competition.
You have to:
Record up to 2 minutes of audio explaining why you should be interviewed on LEP, then send it to me at podcastcomp@gmail.com (only)
Listeners will hear all of the clips and vote for the person they want to hear, then I’ll interview the winner.
Remember: You are talking to the listeners, not to me.
You can use a script, or no script, but I encourage you to not use a script, and instead make some notes and do some improvising too. If you do read from a script, make an effort to make it sound natural, rather than robotic.
Also, if you’re wondering how to record – it’s pretty easy these days. You could make a voice recording on your phone and send it to podcastcomp@gmail.com or you could use Quicktime on a Mac or the equivalent on a PC and then email it to podcastcomp@gmail.com or you could use SpeakPipe.com – just go to speakpipe, record a message, put your name on it, then send the link to podcastcomp@gmail.com
What am I going to say?
Now, you might be thinking, “what am I going to say?”
Well, first, remember that you’re trying to persuade the audience that you should be on the podcast, so think of some reasons you should be on, and not just because you really want to (although that’s ok too).
Basically, you’re saying “Hi listeners, Hi Luke. Thanks for this opportunity, and this is why I think I should be on LEP…”
Then you’d need to explain why you should be on LEP (obviously).
Remember, you have UP TO 2 minutes. This means that you don’t have to do 2 minutes. It could be 1 minute if you like, but no more than 2 minutes.
2 minutes is your maximum allotted time.
You might be thinking “Just two minutes?? That’s not very long.”
I’ve chosen 2 minutes because I need to keep this manageable! I have no idea how many people will send me entries to this competition, but since I’m going to be playing the audio recordings on the podcast, I need to limit how long they are, otherwise I’ll have too much audio. So, 2 minutes MAX, please. If your recording is over two minutes, it might not be entered into the competition.
Here are some ideas of why you should be on LEP.
Ideas
Maybe you have an interesting story to tell – either related to English, to the podcast, or to neither of these things! Do you have something interesting you could share with us? Some kind of story, perhaps related to you or someone else?
Maybe you want to talk about how you learn or have learned English, and give some advice.
Perhaps you’ve had some success with a particular technique that you could share with the listeners.
Perhaps you have experienced progress in some way, and you could share that.
Perhaps you discovered the podcast in a special way.
Perhaps the podcast has been a way for you to connect with other people.
Perhaps you met your partner because of LEP, or got a job because of LEP.
Maybe you have an interesting story or experience relating to English that you can share.
Perhaps you have a cross-cultural experience you could talk about.
Maybe you are involved in something interesting that you think people will want to know about.
Perhaps you are particularly funny, or have something to offer to the audience.
Or maybe you’re just up for a proper conversation with me, on the podcast!
And maybe you just have something original to say.
In any case, prepare two minutes – with or without a script – in which you convince the audience that you should be picked for a feature length episode of LEP.
Then record it and send it to me! And then maybe you will be on LEP.
This competition is open to everyone. Anyone and everyone can take part, regardless of your level of English.
This is Why I Should Be On LEP – WISBOLEP
I expect the rules this time might limit the number of participants, because some people will be too shy. But I still hope that people send me recordings!
I expect there will be fewer entries than before, but hopefully I’ll still get some people!
So, if you have something to offer the audience, get in touch and try to persuade everyone to pick you for LEP!!
In terms of level of English, as I said – there are no rules at all.
You can have a low level, you can have a high level.
It’s not about who has the best English.
It’s more about who would be the most interesting and engaging guest, not just because of their level of English.
DEADLINE
15 October. That’s your last chance. Midnight on 15 October 2020. [Previously the date was 31 October, but I have changed it]
As I said, I’ll probably get fewer people sending me recordings this time, but we’ll see – I often underestimate this kind of thing.
Last time I had over 100 recordings which was great, but obviously that was a ton of preparation work for me – downloading all the recordings, preparing them, balancing out the sound levels of each one, making them into podcast episodes, dealing with the voting and counting etc. Quite a lot of work as you can imagine! I don’t mind of course, I liked hearing from everyone, but it messed with my workflow quite a lot!
But do send me your recording, especially if you have something interesting to say to the audience.
When I’ve received all the recordings, I’ll edit them together, play them on the podcast and let you vote for the one you want.
Then I’ll arrange an interview with that person, and Bob’s your uncle.
So there you go! That is the new competition – WISBOLEP – Why I Should Be On LEP.
2 minutes max
Persuade the audience to choose you for a full-length interview
I hope you take part even if you’re not completely sure.
Go to the page for this episode on my website to read the rules and the details again if you like. Teacherluke.co.uk then click EPISODES and this is episode 681.
Feel free to ask questions in the comment section.
———
Premium LEPsters, I just wanted to remind you that P24 is drawing to a close. We’ve been through my massive list of homophones and expanded your vocab a bit in the process, now there are just two episodes left and they’re the ones that feature the jokes (not just crap ones made up by me). So P24 parts 11 and 12 are in the pipeline and will be coming to your Premium subscription soon.
To get the premium episodes, download the LEP App on your phone to listen to the episodes, or listen online. For all the info you need, go to www.teacherluke.co.uk/premiuminfo
My dad has written a book and it’s all about the wildlife you can find in an urban English park. He’s on the podcast to tell us all about it, and there are some collective nouns for animals too, plus some bonus stand up comedy at the end.
Hello listeners, this is a reminder about LEP Premium, which is my other podcast service. With episodes of LEP Premium I focus specifically on language, helping you understand, remember and pronounce target vocab and grammar. I’m currently still deep into premium series 24 which is about homophones, but also you can access an archive of over 80 episodes now both audio and video, all about teaching you the kind of English that I speak, and there are plenty of stupid improvisations and jokes and things too. Get started by going to www.teacherluke.co.uk/premiuminfo
Introduction Transcript
Welcome back to Luke’s English Podcast – this award-winning podcast for learners of English. Yes, the podcast has won a few awards over the years, but not lately. The last few years have been quiet, on the award front. If you see any competitions for best podcast for learners of English, or something, let me know!
Speaking of competitions, I’ve been thinking of launching another listener competition, and I’m wondering what you think. The competition would involve you recording yourself speaking and sending it into the podcast, then people would vote for their favourite and that person would then get interviewed in a full episode of the podcast. This idea was sent to me some time ago by a listener called Vadim. What do you think? I haven’t fully decided to do it yet, so let me know what you think of this new competition idea from Vadim.
But anyway, what about this episode then?
Park Life – A Year in the Wildlife of an Urban Park
As promised, this episode features my dad, which should be good news for all the Rick Thompson fans out there. As you might know we sometimes call my dad Rickipedia because he knows so much stuff about so many things, although it might be unreliable from time to time.
People often say that my dad should start his own podcast, as his episodes are so popular. He still hasn’t created a podcast of his own, but I am glad to say that he has written a book.
The book is called “Park Life – A year in the Wildlife of an Urban Park”
The book is available for you to read. You can find it on Amazon.com and also Bookdepository.com (free shipping).
In this episode I’m going to talk to my dad about the book he’s written including a broader discussion of urban parks in the UK – green public spaces which perform an increasingly important role in UK life.
We start by talking about the book, what it’s about, how he was inspired to write it and what style it’s written in. Then we move on to describe some of the wildlife you can find in a local English urban park. Then we discuss some history of urban parks and the health benefits of spending time in green spaces.
Also there are some collective nouns for different animals, including things like “a murder of crows” and “an unkindness of ravens”. Keep listening to hear some more.
I hope you enjoy the conversation. I’ll chat with you a bit afterwards, but now, here is Rick Thompson talking about his new book.
—–
Ending Transcript
Thanks again to Dad for being on the podcast today. Once again, check Amazon or BookDepository for Rick Thompson Park Life to pick up a copy of my dad’s book for yourself.
In fact the book has already picked up a 5 star rating on Amazon from someone called Princesslizzykins
I have no idea who she is, but this is her review.
5.0 out of 5 stars
A wonderful read.
Reviewed in the United Kingdom on 5 September 2020
What a beautifully and thoughtfully written book.
A super balance of content between wildlife and local history, with some lovely poetic references thrown in, this book shows how anyone can escape the haste of urban life and take a moment to look at and love the world around them.
I live in Warwick, so have the added benefit of knowing the localities mentioned, but would recommend this to absolutely anyone that has an urban park near them and enjoys a damn good read.
Thumbs up for Dad. Nice one.
We’re not done here yet, I have some more things to do in this episode.
First of all, you heard me mention the stand up comedy gig that I had on Sunday and I did the gig and it went fine. I recorded it so I’ll play a few minutes of that at the end of the episode.
But first, let me go through some more collective nouns for animals. This is a really interesting and curious aspect of English – the way we use different words to collectivise different animals.
You heard us mention some there, and I’ve included them in this list too. So here is a list of common collective nouns for animals.
As promised earlier, here are a few minutes from my stand up set on Sunday evening. There was one LEPster in the audience by the way, who had come because he’d seen the gig advertised on my facebook page https://www.facebook.com/lukecomedian So, shout out to that LEPster!
Anyway, this was my first gig since Christmas, but it was great to be back on stage again and I should be doing more gigs this year, lockdown permitting.
So this is me on stage at the New York Comedy Night in Paris last Sunday. Thanks for listening and speak to you again soon. Bye…
Hello LEPsters in LEPland, how are you doing today?
I hope you’re all doing well out there in all corners of podcastland, wherever you are, whatever you find yourself doing at this particular moment. You’ve chosen to press play on this podcast episode and I thank you for that. Welcome to the podcast. My name is Luke and I’m an English teacher from London and this is my podcast for learners of English, like you I expect!
Here I am again at my desk in the podcastle, preparing a new free episode for you all.
I’ve taken a little break from the mammoth Premium series I’ve been doing this week about homophones and jokes. Premium lepsters will know that I’ve uploaded 8 parts of series 24 now, and there are still 3 or 4 parts to go! If you haven’t checked them out yet, do so. In the LEP App, in the categories section, you’ll find Premium and also Pronunciation Videos. That’s where you go to get the premium content on your phone. On a computer, go to www.teacherluke.co.uk/premium to get all the premium content there. And for more information and how to sign up go to www.teacherluke.co.uk/premiuminfo
But this is free episode 678 and in this one you’re going to listen to a conversation with a guest who hasn’t been on this podcast for over 10 years. Today I am talking to my friend Howard Roach who first appeared in episode 5, about Joaquin Phoenix, and then he made at least one more appearance in episode 11 (Men vs Women) and then that was it, for nearly 11 years!
I know Howard from our days teaching together at the London school of English. But he’s back again now to talk about something completely different that he’s been doing since he stopped teaching 7 years ago.
Howard now works in the vintage furniture trade in London. He gets hold of pieces of vintage furniture, then sells them on to customers, perhaps restoring the furniture in the process.
This is a business he set up 8 years ago when he decided to transition from being a teacher to being a furniture dealer.
Howard’s business is called Vintique London and this is what it says on their website.
RETRO, VINTAGE AND MID CENTURY FURNITURE WAREHOUSE LONDON
Based in Peckham, South East London, Vintique London, is an eclectic treasure trove of retro, mid century, vintage and designer furniture and interior accessories.
What started out as a hobby collecting iconic vintage and retro pieces soon turned into a startup business in 2012. Since then we haven’t looked back.
So I’m going to talk to Howard about the vintage furniture trade in London, what kind of stuff he sells, how he buys, sells and restores interesting and cool items of furniture and if he has any stories about particular purchases or sales that he’s made in the past.
As I mentioned before, Howard also used to be an English teacher, working with me at the London School of English with other guests from this podcast that you might have listened to in the past. So there are also a few tales of teaching from back in the old days in London.
Vocabulary
Let’s have a quick look at some vocab to begin with. Here’s some stuff that might come up and stuff that is relevant to the topic of buying and selling furniture.
Furniture (uncountable noun)
a furniture / furnitures some furniture
Pieces of furniture
Items of furniture
Vintage = typical of a period in the past and of high quality “Vintage furniture”
Retro = using styles or fashions from the recent past “We specialise in selling retro and vintage pieces”
Mid-Century = from the middle of the last century – 50s, 60s “Most of our items are mid-century in style”
Turn of the century = the beginning of the last century, early 1900s “It is also possible to find pieces from the turn of the century”
Antiques / Antique = old and valuable, an old and valuable item – think darker more ornate pieces “and occasional antiques”
Darkwood furniture = furniture made from darker woods, like mahogany “and other types of darkwood furniture”
Second hand = Previously owned by someone else – “All items are used or second hand, but have been fully restored to their original quality”
Used = Same
Car-boot sale = an event where people load up their car with stuff from their home or loft and drive to a field, then open the boot and sell the contents to people. It can be a way to pick up antiques. “I first started going to car-boot sales and markets where you can find some real bargains”
Auction = an event when things are sold by bidding. An item is presented and the bidding begins at a certain amount, and people in the audience can raise their bids until the item is sold to the highest bidder. It’s like Ebay, but in real life. “I’ve bought a few things at auctions. You can learn a lot from the other dealers”
Restored = if an item is restored it means it might be fixed, or certain parts might have been replaced but it’s back to its original look and original quality. “A fully restored mid-century vintage chest of drawers”
Quid (30 quid) = “quid” means pounds “Just 75 quid for you mate”
Items of furniture
Chest of drawers = a large wide item with drawers
Bookcase = an item with space for storing books
Sideboard = a low, long piece which is supposed to go against a wall and contains some drawers and some cabinet space. You could put a TV on it.
Highboard = like a sideboard but it goes higher against the wall with perhaps a glass cabinet
Cabinet (just two doors)
Record cabinet = space for a record player and records
Dining chairs = chairs for sitting at a table
Armchairs = chairs for relaxing in the living room
So let’s get started. As I said earlier, before we get onto the whole topic of Howard’s furniture business, there is some chat about our time as teachers in London with about 15 minutes of stories and reminiscing about teaching and then we get onto the furniture (not literally). We don’t actually climb onto the furniture at any point in the episode.
When we get onto the furniture we are not also literally getting onto the furniture, conducting the interview balanced on chairs and tables.
But anyway, for the first time in over 10 years, let’s welcome back Howard Roach onto Luke’s English Podcast.
Ending
Ooh a 10% discount for all LEPsters. The website address again:
I’ve come back from my holiday so it’s time to ramble on about some holiday stories, holiday vocabulary, podcast stats and other bits and pieces including an appearance by my daughter.
Talking to writer and comedian James Harris about life as a writer, going to Oxford Uni, being an international Brit and learning German, French and Chinese as an adult.
Hello folks and welcome to the podcast. I hope you are doing fine on this particular day. This episode features a conversation, recorded a couple of weeks ago now, with a comedian and writer from the UK about various things, as you’ll see. Your task is to follow along and see what you can pick up and what bits of language learning wisdom you can glean from this conversation.
I don’t really know James that well. I’ve only actually met him once in fact.
He’s a comedian and a writer, he speaks several languages and his twitter feed is good value. He tweets about politics, learning languages, the issues of the day, comedy and various other things. We share a mutual friend – that’s Dharmander Singh from Birmingham, who I used to be in a band with and who is now a stand up comedian in Berlin. The time I met James was in Berlin when I was there on holiday, and I did some stand up on the same show as him.
So why have I invited him on the podcast? Well, it’s mainly because of Twitter. As I said his Twitter feed is interesting. He takes a moderate and balanced view of things, and his interests are pretty wide-ranging, including the fact that he’s very international. He’s married to a Chinese girl, he’s lived abroad, he used to work as a tour guide in several countries, he used to be an English teacher like me, he speaks very good German and French, he’s working on his Chinese, he works as a translator and he’s generally an articulate and interesting guy and so I just thought that he could be worth talking on the podcast.
The language learning thing is obviously very appropriate and I’m always interested in finding out as much as possible about how someone has learned a second language to a very decent level in adulthood, and that is something that we talk about for at least 50% of this conversation. The first half of our chat is basically me getting to know James properly, talking about his work, his studies, his experiences of going to Oxford University, why he chose to move to Germany, being married to a Chinese girl. Then we get into the details of how he learned German mainly, but also French and now how he’s working on his Chinese.
No need to say much more except that I hope you manage to follow the conversation clearly all the way through. Let me know how it was for you and I will speak to you again on the other side of this conversation, probably with some background music going over the top.
Long thread about languages (1/24): One of the most frequent ambitions I've seen for people during the lockdown is to learn a foreign language. I'm something of an exception, an Anglophone person who's managed to do this as an adult, and I have some thoughts on the matter.
Thank you to James for being on the podcast today. Look him up online to read some of his stuff, follow him on social media and help him out by keeping him fuelled up on coffee.
Follow James on Twitter @JamesHarrisNow Writing, Mini Screenplays https://shoeleatherexpress.org/ BUY A COFFEE FOR JAMES HARRIS https://t.co/8AAQ6P33wJ?amp=1
So, how are you listeners?
Did you pick up any useful nuggets from that conversation? I think there was some pretty good advice there especially the stuff about reading and noting down certain words, being a bit rigorous about your studying and believing that you can do it, really helps.
Hello and welcome to Luke’s English Podcast. This episode is number 669 and it’s called How To Learn English.
That’s quite a bold title but this really is a lot of what I have to say about learning English. If you really want to learn this language, this is my advice.
I’ve been teaching for about 20 years, podcasting for over 11 years now and I keep finding out more about learning a language through teaching it, getting feedback from listeners and also through my experiences of trying to learn French.
This episode is a distillation of many of my thoughts and advice on how to learn English. It’s not going to cover absolutely every aspect of it, because language learning is a huge subject that encompasses so many different things and you could talk about it all day, but I have decided to talk about learning English, breaking it down into the 4 skills, and giving you as much advice as I can in this single podcast episode. I hope you enjoy it and find it useful.
For those of you who are not so familiar with me and my work. My name is Luke Thompson, I think I am the 4th most famous Luke Thompson in the world. I’m an English teacher, a podcaster, a comedian, a husband and a dad. I am from England but these days I live in France. My podcast is free and is downloaded all over the world. I also have a premium subscription in which I focus specifically on improving your vocab, grammar and pronunciation. To find out more about that go to teacherluke.co.uk/premiuminfo
I expect you want to learn English, right? That’s the main reason you’re listening to this I expect. You want to learn English.
Well, good news! It’s definitely possible. You can learn English and you will if you put in the time and the effort. It’s important to remember that.
What do I mean by “learn English”, though? I mean that you can learn to speak English fluently, clearly and with confidence, expressing yourself with shades of meaning, adapting your English for the situation both in speaking and in writing, knowing and being able to use a wide variety of vocabulary and accurate grammar and ultimately being yourself in the language and developing beneficial relationships with others based on effective communication. Yes, you can. Where there’s a will, there’s a way.
That’s it, just a positive and encouraging message at the start. It’s important to always remember that making progress in your learning is a realistic prospect and will happen when you put in the time and effort, and more good news: the more you enjoy it, the easier it is.
I hope this podcast helps you to enjoy getting English into your life on a regular basis, which is a key part of learning the language effectively.
But what else should you be doing in order to improve your English overall?
In this episode I’d like to talk in some detail about learning English and how you can do it.
This episode is a sort of “come to Jesus moment”, which I feel I should do regularly, just to remind everyone listening that there is a method or approach at work here and that it’s not just you listening to people talking.
A “come to Jesus moment” in the world of business is when someone does a passionate speech or event in which fundamental priorities and/or beliefs are reassessed, or reaffirmed. It’s like when Jesus gathers his disciples around him in order to reaffirm their belief in what he’s preaching or to say some deep stuff which strengthens their faith.
This is a come to Jesus moment for me.
Not that I’m comparing myself to Jesus. No, not at all. Not even a little bit, and anyway that’s not for me to say, that’s for other people to point out isn’t it, not me. Anyway…
I’ve said it before and I’ll say it again. There is a method to the madness.
In my podcast episodes, I’m always teaching you, using my particular set of professional skills, but rather than presenting it all as a lesson I usually try to present it more like a radio show or a comedy show even.
So, amidst the episodes about music, comedy, interviews and so on, I thought it would be worth restating the core values of LEP, which I seem to do about once every 6 months or so.
I’m going to give loads of advice here, and this is all based on what I’ve learned from:
Teaching for about 20 years
Meeting thousands of learners of English, some of them successful, some of them not, working directly with them as their teacher and listening to them talk about their studying habits and experiences
The academic studies I’ve done, especially the DELTA which involved extensive reading and writing on various aspects of how people learn and teach English
Doing my podcast and getting testimonies over the years from many listeners who told me about how they’ve used it to improve their English
There’s also my own personal experience of working on my French
Anyway, the plan is to talk about learning English with a focus on the 4 skills: listening, speaking, reading and writing.
I have talked about these points quite a few times before on this podcast, and have given tons of specific advice about working on your English, including in episodes like 174 (and others)
So I will probably repeat myself a bit. But I still get asked to talk about “how to learn English” very regularly and I think it’s important for me to talk about learning English on this podcast on a regular basis. Obviously, that is what this podcast is about, first and foremost, even though a lot of the time in my episodes you’ll hear me and my guests talking about all sorts of other things.
Learning English is the main aim of this podcast
Essentially the thinking is that you should listen to natural conversation on a variety of topics and it’s simply listening to things in English (not just listening to things about English) that’s going to help you learn this language, especially if you enjoy the content.
I’ll probably talk about this again in a bit, but let’s say that ultimately the plan with the free episodes is to help you listen to English regularly, for longer periods of time, long term. The more, the better. If the content is enjoyable, that should just make it easier for you to achieve that. In fact, if you’re really into what you’re listening to, you don’t really even notice the time passing.
Then there’s the premium content, which is an effort to push your learning beyond the gains you get from all the exposure and input you get from just listening. The premium content is designed to let you get the benefit of my experience and teaching skills in order to cut out a lot of work that you would otherwise have to do yourself, so I can essentially take you by the hand and lead you through some intensive practice to work on your English more directly.
So that’s my content, but let’s talk now about learning English as a whole then.
Learning English is a holistic thing. It encompasses many aspects and skills that are connected as a whole.
There are receptive skills like listening and reading, productive skills like speaking and writing, language systems like grammar, spelling, vocabulary and phonology, social and psychological factors that come into play when we use language when interacting with others, then there are other factors that come into play like identity issues, body language, culture, literature, pragmatics and all sorts of other things. It’s hard to know where to start when talking about it.
You need to learn it to the point where you don’t even think about it any more.
The more you talk and think about it, the more it starts to sound like the force from Star Wars.
Stretch out with your feelings.
Do or do not, there is no try.
Do not think, feel.
Let go, let the English flow through you.
I am your father (oh wait)
It’s about learning how to do something which goes right to the core of who you are in fact.
It’s a holistic thing. It incorporates many aspects as part of a whole process and so it’s quite tricky to know where to start.
Let’s put it like this. Language goes in, and language comes out. (I told you it sounds like The Force)
Language is within you and language is without you. It flows through you. It binds the galaxy together.
There are receptive skills (this is how language goes in)
And there are productive skills (this is how language goes out)
There’s the written language
And there’s the spoken language
This is our system.
Think of it like a table with two categories on the horizontal axis and two on the vertical axis, so it’s like a grid with 4 squares in it.
On the horizontal access we have receptive and productive skills.
On the vertical we have written and spoken English.
Within the table we have 4 skills – the 4 squares.
So in the box marked “written” and “receptive” we have reading.
Below that in the “spoken” and “receptive” categoriy we have listening.
On the right in the “written” and “productive” side we have writing.
And then in the “spoken” and “productive” side we have speaking.
Those are your four skills. Reading, writing, listening and speaking.
The 4 skills are connected in various ways.
Reading and writing deal with the written word of course.
Reading helps you to write. It helps you to see how the language is built, how words are spelled and how sentences, paragraphs and texts are put together with grammar and textual conventions.
Listening and speaking deal with the spoken word.
Listening helps you to learn how English actually sounds, how words join together in sentences or longer utterances, it helps you get familiar with the speed, rhythm, flow and intonation of the language. It helps you get used to natural pronunciation which in turn helps you produce English in the same way.
Words exist in visual form, and in spoken form.
But reading and listening are connected too because they’re both receptive skills. They provide us with input which is the essential foundation of language learning.
And speaking and writing are connected because they’re productive skills.
These are the skills you need to use when using language for various purposes. This is where you are more active in the sense that you are constructing language and putting it down visually in the form of writing, or using your body to produce it orally.
Let’s talk about those receptive skills and input.
The reading thing there is something we’ll come back to in the section about reading.
This is the academic who is always mentioned in this context, when talking about how to learn English these days. Krashen was one in a long line of linguists who came up with theories about how language is learned and should be taught.
Arguably, we still don’t really know how people learn languages, but various academics over the years have put forward different hypotheses to explain it and these have been the backbone of our understanding of language learning that has informed the way we all learn and teach languages over the years.
Krashen though is the one that people often talk about today, including all the many YouTubers who regularly post videos about the best ways to learn, the only ways to learn, the secrets of learning and all that sort of thing. Krashen is usually brought up because his ideas fit in quite nicely to a model of language learning for today. I mean, it involves a lot of consumption of content in English – plenty of listening and reading and that sort of content is in plentiful supply online, like for example episodes of Luke’s English Podcast.
In his input hypothesis in which he makes the case for the importance of comprehensible input for language learning, he states that in fact the only way we can successfully increase our underlying linguistic competence. This is our system of linguistic knowledge or let’s say that “language instinct” that you have, which even subconsciously gives us a sense of when language is right or wrong. I suppose it could be active in that you know a certain grammar rule and can see when it’s been broken, or passive in that you just feel that something is right or wrong but can’t necessarily explain it.
I would say the passive knowledge is the vital one because ultimately you just want to be able to feel that language is right or wrong without thinking about it.
But that being said, your active knowledge can be really useful when doing things like avoiding common errors as a result of your first language, or consciously pushing yourself to create language which is normal.
Anyway, Krashen says the only way to increase your linguistic competence is through comprehensible input, meaning reading and listening to things that we mostly understand and that with the context of what you do understand, you are able to work out the bits that you don’t know. This is how we acquire new languages.
So basically, we learn a language when we understand it. So, naturally, according to Krashen, the receptive skills come first.
I think this makes a lot of sense to me. I think it’s bound to be true that we learn language by listening to it and reading it. But what about those moments when you have to speak or write, what about learning the grammar and all the rest of it?
Krashen would say that we learn the grammar, vocabulary and pronunciation of a language by listening to it or reading it, and that it’s a natural process and part of how we decode language through comprehensible input.
So, don’t worry about grammar rules and all the rest of it, just listen and do your best to keep up and work out what’s going on, and do it regularly.
Again, I am sure this is true but I also think it’s worth studying the language a bit too, breaking it down a bit, seeing how it works, actively trying to learn more vocabulary, checking up on the rules of grammar and doing some controlled practice. Working on your pronunciation by copying and training your mouth and brain to cooperate with each other, like the way we practise certain movements in sport or musical parts on an instrument.
I do believe that controlled practice and conscious learning like that must also be beneficial because I’ve seen it happen. Doing some active studying can be like a fast track of English learning. It can cut out a lot of time by helping you realise certain things about the language quickly, and I think if you then notice it again while listening and reading that only reinforces what you’ve learned.
Of course, you shouldn’t get blinded by grammar or pronunciation rules and so on, to the point that you can’t see the wood for the trees.
Try not to get hung up on grammar, because it can make you process language in an unnatural and contrived way. It can get stuck in your head and block you a bit. Instead, try to notice patterns and incorporate them into your use of English. Try to see grammar study as a way of confirming things you’ve already noticed, or a way of consulting with a reference book as you also just absorb English more naturally. If you only study English with the grammar, it’s going to be a weird abstract process for learning the language. It’s better to focus on consuming English in the form of messages which you are trying to understand, and then perhaps check your grammar later to straighten things out.
The premium subscription is where I help you with that sort of thing, hopefully combining with the free content to give you all the stuff you need to attack English from several angles.
How can you learn this language if you haven’t heard it and read it a lot?
Read and listen to things that are slightly above your level, so you can understand 60-80%. You need to be able to understand that much for your brain to work out the remaining 20-40% that you don’t know. Meaningful context is vital.
Basically, listen x5 and read x5.
It’s largely a question of finding the right stuff to listen to.
There’s this podcast of course. Others are available.
Watch TV and films with and without subtitles.
Hopefully you’ll find content that you actually want to listen to, not just for studying English. So if you do get addicted to a Netflix series and you can’t wait to find out what happens next, that’s good! That means you will get more comprehensible input and you will be much more focused and involved in it, which is great for your English. Or maybe you want to hear another stupid and funny conversation with my friends just because it makes you laugh and you feel some sort of connection to it. All of that is great because it will help you listen more, listen longer and listen long term.
Reading
This one is also a pleasure to talk about because it’s a pleasure to do and there are lots of great things to read.
Let’s hear from Krashen again as he is the master of the whole input model.
This is again from Wikipedia, which I think is fine usually for the basics like this.
Extensive reading, free reading, book flood, or reading for pleasure is a way of language learning, including foreign language learning, through large amounts of reading. As well as facilitating acquisition of vocabulary, it is believed to increase motivation through positive affective benefits. It is believed that extensive reading is an important factor in education. Proponents such as Stephen Krashen (1989) claim that reading alone will increase encounters with unknown words, bringing learning opportunities by inferencing. The learner’s encounters with unknown words in specific contexts will allow the learner to infer and thus learn those words’ meanings.
Of course that system is disputed because this is the academic arena we’re dealing with and people are always putting forward ideas, defending them, disputing them and so on. It’s how we move forwards and learn about this stuff.
So this is extensive reading which is different to the sort of intensive reading you do in English lessons, where you spend ages on just one page of text, break it down into tiny chunks, understanding every single morsel. With extensive reading it’s all about just getting as much English into your head as you can by reading as much as you can, and you focus on reading enjoyable things, especially stories and you don’t stop too much to analyse the language or even check words, you just keep trying to follow what you’re reading. The more involved in it you are, the better.
Again, this point about input is that it feeds your instinct for the language. You get a subconscious sense of what is right or wrong, which comes in very handy for when you’re doing those nasty sentence transformations and use of English tasks in a Cambridge exam like CAE. What you really want in those situations is to know exactly which preposition or auxiliary verb is missing, or to be able to manipulate sentences in a variety of forms. I reckon it helps to do a bit of language practice as well, with a few controlled exercises but the idea is that it should all go in naturally giving you this sense of language competence.
It’s important though to choose texts which are not too difficult for you. You need to be able to understand enough to be able to get a grip on the rest of the language.
So which books do you choose?
We’ve talked about the importance of choosing stuff that’s interesting to you, that reflects the type of English you might need.
Genre isn’t an issue. People assume you need to read or listen to the news but as we’ve already established they don’t really talk like normal people on the news, and they also write in a certain “newsy” style. Funnily enough it might be more useful to read the tabloid papers as they write in a more conversational style, but I think it’s worthwhile looking beyond the news.
Basically, read whatever you want.
Even comic books or graphic novels as they’re known for adults.
Graphic novels can be brilliant because they support your understanding with the images and often the English is in the form of speech so you learn really directly how to apply that stuff to real life. I love graphic novels in French. It’s my favourite way to work on the language.
You could consider the current bestsellers. If other people like the books then why shouldn’t you? Look in the fiction and non-fiction categories.
Or try graded readers, which are an excellent and underused resource. I really recommend them if you’re not a strong reader. They’re previously published books, and often some of the great classics and modern classics in English, but they’re republished with English that is graded for certain levels. The number of words is reduced, it’s truncated and essentially it’s a way to increase the percentage you do understand, and decrease the amount you don’t understand, getting to that 80/20 spot where you can maximise your language learning.
There are lots of titles to choose from and various publishers. Check these ones out
But your English may well be good enough now to have a go at a book for native speakers. So go for it. You have loads of options. Just make sure you enjoy reading on a regular basis.
I would also add that it’s important to choose texts which are written in modern style and perhaps about an area that you are particularly interested in. Perhaps think of it like this – what is the kind of English you want printed on the back of your head (on the inside)? Odd question, but I mean, what is your target English. Perhaps it’s the involving and descriptive storytelling of fiction, or it’s the matter-of-fact world of non-fiction. I reckon non-fiction is probably better because it reflects the kind of English you are more likely to be writing, especially if it’s things like academic work or reports at work, because they’re all about presenting you with information, data, commenting on what’s going on, describing how to do things and that’s probably the sort of thing you’ll need to use English for, especially in writing.
This might be a bit dry but it will really show you loads of examples of emails with full explanations, so you can read and learn.
David Crystal
The Story of English in 100 Words
Anything by David Crystal is fantastic, but this non-fiction book will teach you the entire story of the English language through 100 words and there are some great words in there like
Loaf, Street, Riddle, Arse, Jail, Wicked, Matrix and Skunk, to name but a few.
So you’re bound to learn tons from that.
Biography
Le Freak: An Upside Down Story of Family, Disco and Destiny By Nile Rodgers
Fiction
The War of the Worlds by HG Wells
The writing is a bit old fashioned. I have to be honest, but it’s mostly modern in style and I think it’s worth it because the story is amazing and it’s not too long. It’s wonderfully descriptive and much better than any movie version could be. Definitely one of my favourite books of all time.
Productive skills / output
This is where we get to the more nebulous world of productive skills. It’s like an alien land where monsters roam, a bit like war of the worlds maybe.
OK I’m exaggerating here but I mean that productive skills are a bit harder to pin down because even more psychological and social factors come into play. You have the public aspect of it, the fact that you’re trying to manipulate the language and get your ideas across in the right way, being coherent and cohesive and in the right style with the right level of politeness with the correct conventional replies and requests and on and on it goes!
Again, I’m making it sound tricky, but I mean that you are involved so much more because you’re making the language and actually using it. This is exciting because you get to express yourself which is the most wonderful and gratifying thing you can do in another language, and when it slides out quite fluidly and you’re not too blocked by who knows what, then it’s all gravy. But sometimes it just doesn’t seem to work out that way and you get mixed up and it doesn’t come out right at all. There’s a sense of performance in productive skills, and a sense that you have to be aware of the right way to conduct yourself, and to be able to utter things in English instantly, following what the other person is saying, it’s all done in a sort of unconscious blur and thinking about grammar in that situation is a killer.
So it’s about getting a level of ease, a level of comfort, a platform from which you can bob and weave your way through the conversation, finding other ways to say things and switching correctly between tenses and situations. I think you get what I mean.
So how do you work on these things?
Ease – a voice, fluency
Control – grammar, vocab, pronunciation
Range – a wide range of language for a wide range of things
Coherence – does it all make sense? Can people follow you easily?
Cohesion – particularly in writing, how does the whole text make sense as a whole?
Social factors – knowing how to put things and how to manage relationships through language
Again, the idea is that this language is just built into you from all that exposure and input.
I would say that there’s a great deal of other stuff you can do to improve your productive skills beyond reading and listening a lot, of course.
In both writing and speaking the first thing to remember is you need to engage in it as much as possible. Real writing and real speaking.
Ultimately this means trying to use language to communicate a message in some way and that’s what you should be focusing on. Meaningful interactions, especially ones in which you have something to offer or something to gain, such as negotiations or even information gap situations in which you’re telling someone something they don’t know. Also social interactions involving being polite or building relations with people. Ultimately, doing it for real is the best workshop in which you can work, rolling with the punches and trying to keep track of what you’re learning.
This is why people learn English best when they’re forced to do it because of their surroundings. They learn by being a waiter in London for a year or working in an office with native speakers, or being plunged into a foreign university for a year, or moving to a new country and having to cope with all the challenges that brings and in a second language. I suppose this is immersion, but it;s more than that. I recommend actually conversing with people to just practise. It’s the 5 Ps.
It’s like going to the gym. Fluency is like physical fitness in your mind and also in your body because you’re using your mouth, your breathing and your head and hands to communicate too.
It applies to writing too. You can observe the way other people write their emails and kind of copy their style, you have to really think about what you’re saying and doubtless you will end up writing emails with requests, with information, with questions and with complaints and so on, so you will have to learn on the job. Being thrown in at the deep end, or if you just have to use English at work it could either be a big stress for you or a huge opportunity to just go for it.
Anyway, let’s talk about specific productive skills – writing and reading, and how to work on them.
Let’s say you’re not actually in a situation where you can talk to people or have correspondence with people, or have to write things which other people will ultimately have to read. Unless you find a tutor on italki for example then that person could be your practice point for speaking and writing, giving you feedback as you go. But let’s say for the purposes of this episode, it’s just you and the English language, facing each other off in a kind of wild west fashion.
How can you practise on your own?
Writing
Obviously you need to write. But what are you going to write and who is going to read it?
Firstly – just write, write regularly, write meaningfully and write with a reader in mind, even if nobody reads it. This is important because it will help you get used to simply putting your ideas into words. It’s a creative process and also a mechanical process to an extent. Building sentences is a sort of art or a craft. You have to practise it in order to get some level of comfort with it. Let’s imagine there’s a muscle in your head (this is not scientific at all) which, if you never exercise it, will be quite weak and underdeveloped. But if you exercise that muscle regularly it will be strong, reactive and quick. I expect there is a part of the brain responsible for creating written language, and a sub-section for creating written English. Keep that part of your brain fresh by writing English as much as you can. That’s as scientific as I can get here.
So, here are some things you could write
What to write
Anything
A diary
Email an imaginary person (spooky?) or yourself (think outside the box here ok?)
Academic writing – text types
Emails – email types and conventions
Reports – same!
Formal and informal letters – same!
Applications – same same!
Basically – Whatever you have to write, you should try to find some samples of these texts and aim to copy them. Copy the style, the arrangement, the language they use and reproduce it yourself. Texts that you write will invariably be very practical so it’s about reporting information and asking questions. Look at the sample texts and copy them.
It helps if you have a specific workbook. I recommend Email English by Paul Emmerson. It’s a simple workbook that helps you work on almost all those things and I’m not even sponsored by Macmillan or anything, it’s genuinely a great book.
They also have downloadable email writing tasks on the Macmillan website or here
Ideally you’ll have a teacher to proofread your work, correct you and give you feedback.
If this isn’t possible, it’s still a good idea to write.
Other ideas
A diary (just describe things that happened, or make it more personal and really explore your thoughts and feelings. If the words don’t come, just use basic words. If you feel unable to express yourself perfectly, express yourself imperfectly but try to express yourself.
Writing is not just sentences, it’s paragraphs and pages. The thing you are writing will define how you write it. This means – conventions of certain texts, formality level of the language.
Specific exam tasks → IELTS, FCE, CAE, CPE, BEC higher and vantage
These will often push you to learn the conventions of different types of text, so it could be a good idea to take a Cambridge exam if you want to work on your writing.
Vocabulary Notes
You might write some notes on vocab and I would recommend here that you take a more extensive approach to doing this. Don’t just have one word per line. I want to see one word or phrase at the top of the page, and then loads of text underneath full of examples and your own examples with the language. You can then come back and cover up some of the words and try to remember. Alternatively you can use my PDFs with the notes and memory tests if you’re a premium subscriber. Little plug there for my other podcast.
But making more extensive vocabulary notes with plenty of examples means that not only are you recording vocabulary, you’re practising using it in writing too.
Speaking
I mentioned italki before and you can find tutors, teachers and conversation partners there for regular practice and I do recommend doing that.
Otherwise, let’s look at some ways you can work on your speaking other than in actual spoken practice with others. Developing your speaking on your own.
This is quite a tricky thing to do because normally speaking is an instantly interactive form of communication. It also involves a lot of listening and then being able to produce English instantly and without hesitating too much.
It’s also quite physical as it involves using your mouth to produce words and sentences in the right way.
And of course there are all those cultural things to think about too.
But really speaking should just be your attempt to find your own voice in English, with fluency and with a specific tone. Of course it comes through a lot of practice, of having conversations in which you’re not really thinking about what you’re saying on a grammatical level but it’s pouring out of you due to necessity and not being able to really think a lot. Doing that regularly helps your brain map out the extent of the English you have and increase it, keeping it sort of fresh. That’s not scientific but more a metaphor of what I think speaking can do. It activates something in you that you have to maintain and keep active or those parts of the brain go dull.
So practice x5
But with who?
The fact is, it just helps to talk to other people and that’s the best and most basic advice I can give. Outside of that, you have to manipulate your surroundings and use your imagination to practise speaking on your own.
Talking on your own (and even in your head)
This might sound a bit odd, but it’s a surprisingly effective way to activate English that is in your head. You essentially talk to yourself, out loud, in English, describing what’s going on, what you’re doing, what you’re thinking about, say it all in English. Alternatively you can just do it in your own head and just think the sentences. This also keeps that system of language production in your head fresh.
Listen and repeat
You can use certain audio and play a bit, pause, repeat what you heard, rewind, repeat again and keep going until you’ve got it, and then check the transcript or subtitles to see if you’re correct, check any new words and carry on. Always find ways to vocalise the things you are learning and that means saying them out loud even to yourself.
You can also practise different speaking scenarios.
Preparing for a Cambridge exam you can find past papers with speaking part preparation and practise. Find out what’s required in the different parts, watch videos of people taking the speaking part on YouTube, practise answering common questions about yourself, practise speaking on a topic for a minute or two, practise discussing your opinion on the issues of the day. Those are all specific speaking skills that you can practise on your own. I particularly recommend listen and repeat, especially when you have to take quite a long utterance in English, hold it in your head and repeat it like it’s one word? It’s like going to the gym in English. It involves a lot of things: Understanding the clip, identifying the words and grammar, being able to remember it all, being able to produce it in a similar way. That’s a whole punch of different kinds of practice. And if you repeat the sentence straight away, and again, you might notice certain little errors you’re making and correct them. So repeat over and over again, a bit like practising boxing combinations in the ring before the big fight.
In reality, the 4 skills are often mashed up together and you find you are doing things like listening and speaking at the same time, while also taking notes, looking at visuals and so on. It all gets very messy when language is actually applied to real communication in the real world.
A little note about pronunciation and a sort of disclaimer.
The disclaimer
I think there are probably plenty of other things I have not mentioned in this episode, such as not talking about specific memory techniques (done that) or specific features of pronunciation (done that) or exactly how to read a book to learn English (done) or plenty of other things probably. To be honest this is just a podcast episode that I wanted to make about the 4 skills and it expanded into an episode all about learning English as a holistic process.
Anyway, the note about pronunciation
It is worth learning the phonemic script
It is worth getting the sounds app on your phone
It is worth doing drills and practising different features
It’s worth getting a book called Ship or Sheep or other books of that nature.
It’s worth remembering that if you have an accent when you speak that is fine and it’s part of who you are, the main thing is that you speak clearly, not which regional accent you have. Clarity is the thing to achieve. Also, it’s extremely difficult to “lose” your accent in English. Hardly anyone does it. But you can still be fine with your accent. English is quite open like that. Everyone’s welcome.
But there you have it. That was quite a comprehensive look at how I think learning English is best when you combine two things: comprehensible input, and a clever studying routine.
I think it can work wonders for your English.
And that’s what I try to do with this podcast. Give you all the input in the free episodes and then do some more focused studying in the premium content. Hopefully, together those two channels can boost your English to the max.
Thanks for listening.
To sign up to lep premium go to https://www.teacherluke.co.uk/premiuminfo for all the details.
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