Category Archives: Entertainment

343. The Interactive Lying Game (with Amber & Paul) / Descriptive Adjectives with T / Three is a Magic Number

In this episode I’m joined by podcast pals Amber & Paul and we’re playing the Lying Game again, but this is a special version because this is The Interactive Lying Game. I know it’s exciting. Try to control yourself. Details below.

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WHAT DO YOU THINK? Click the box below to jump to the polls and cast your votes.

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Just in case you don’t know what the lying game is (and that’s the lying game not the lion game), let me bring you up to speed.

So, where shall I start? Well, this is the universe, ok? In that universe there’s a tiny little galaxy, and in that tiny galaxy there’s an even tinier solar system with this little sun, and spinning around it there are some little bits of dust called planets. We’re on one of them. It’s called earth. Ok, got it? On earth there’s this thing called the internet, and that’s basically used for watching cat videos, sharing selfies, and listening to this podcast and for security services to spy on people’s internet usage to see exactly which cats are being watched, what is contained in those selfies and what kind of stuff is being talked about on this podcast. That’s pretty much all you need to know I think, regarding context. So there you go, do you feel up to speed now?

Oh yes, the lying game.

The Lying Game is a speaking game which I play in my English classes sometimes, because you know, I’m an English teacher – do I need to explain that too? No? OK, I’ll just get on with it. So, I also play the lying game on the podcast sometimes when I’m joined by Amber & Paul.

Here are the rules of the game

1. Someone makes a statement about themselves – it can be anything really, but usually it’s a statement about something they did in the past. The statement can either be true or a lie.
2. The other competitors then have to decide if they think it’s true or a lie, but before doing that they ask loads of questions in order to investigate the statement. The speaker has to respond.
3. The aim for the other competitors is to work out if the statement is true or not. The aim for the speaker is to try and fool the others.
4. After loads of questions have been asked, the competitors say if they think the statement is true or a lie, and justify their decisions.
5. The speaker then reveals if it’s true or not. Everyone goes crazy!
6. Any competitors who guess correctly get one point. The speaker gets a point for any wrong answers. So, when three people play, the speaker can get a maximum of 2 points per round, and the competitors can get a maximum of 1 point. Everyone gets a turn at being the speaker.

That might sound unnecessarily complicated but to keep it simple – all you have to do is just listen to the game, and try to guess if we’re lying or telling the truth. You can make your judgements by completing a simple poll on the page for this episode – and no you don’t need to give your email address or anything like that, it’s all open and free :)

The scores so far

To be honest, I can’t really work out the scores so far! The main thing is that I think Amber is the reigning champion so far because she’s probably the cleverest member of the team. I’m in second place because I’m ok at the game but my weakness seems to be that I can’t lie and I’m too gullible and trusting because I always believe that people are telling the truth, so I lose points sometimes because of that. Paul is in 3rd place and he always loses these games because he tries to be too tactical, and he always focuses on using strategies just to prevent Amber from winning, and those strategies always backfire in his face and he ends up coming third almost every time. He should just trust his instincts like a Jedi.

So, let’s see if Paul can finally win a game!

The Interactive Lying Game – The Rules

Here are the rules for this version:
In episode 318 Paul suggested that we do an interactive version of this game in which listeners send in their questions in response to our statements.
So we told you our statements, and then the LEP listeners wrote lots of questions on the page for episode 318.
In this episode we’re going to ask each other those questions.
You have to listen carefully and decide if we are telling the truth or telling lies.
Check out the page for this episode and you’ll find interactive polls where you can choose TRUE or LIE for each person. Please vote for each one.
Then, the next time we get together we’ll count all your votes. The winning person is the one who has fooled the most people.
So, it’s quite simple really – just listen to this episode and then go to the page on the website and vote using the online polls.
Then, later on we’ll reveal the truth, we’ll count the scores, and find out the winner!

THE STATEMENTS AGAIN

So, do you remember the statements from Amber, Paul and me?
Here’s a reminder:

Amber: I helped in the making of the film “Something’s Got To Give”
Luke: I accidentally knocked down a wall in a friend’s house in Japan
Paul: I used to get bullied by Guy Berryman, the bass player from Coldplay

What do you reckon, are they the honest truth or just a tissue of lies? Would you like to find out more? Are you ready to become a kind of psychological detective?

Yes, you are? Right then, without any further ado, let’s find out more as we listen to the podcast pals, aka The Truthful Trio or should that be the Treacherous Three. One thing’s for sure – it’s time for triple trouble, with Amber, Paul and me… Here we go…


*Jingles*
*The Interactive Lying Game Begins*


QUESTIONS FOR AMBER

Antonio
Amber: Who asked you for help? Were you an employee or it was a school exercise?

Mollie
Amber, how did you help in the making of the film ” Somethings Got To Give” ?

Anonymous • 4 months ago
Amber: Why did you help?

Krizzztofer • 3 months ago
Amber: Why aren’t you on the staff list on imdb.com ? (I love you BTW!) :-)
To listeners – please use the Donate button sometimes! Luke really deserves it! He does an incredible job. You don’t need to spend 100 pounds, but think about it – if everyone can give just 1 or 2 pounds…???
It’s not fair to get everything for free. Just think how much money we spend everyday for stupid things like smoking (I mean some of us, I gave up ;-). I If you send just 1pound – you invest in Luke and… in yourself! If you listen to this podcast – you really invest in yourself!

Hiroshi • 3 months ago
Amber:  Is your help reflected in the film? If so, how did you feel when you saw the film?
Do you think you can work as filmmaker?
Do you want to be an actress?

Lê Vũ QC • 4 months ago
To Amber:
1. How did you help? Were you in the movie?
2. Did you get paid? If yes, how much?
3. Could you name some of the members of the cast and tell us what the movie was about?
I hope my questions will get picked :) I enjoy you guys’ conversations tremendously.
QC.

Mariam • 4 months ago
To Amber:How did you get asked to participate in that? When and where was that? How were you chosen? How did you feel about it? What did you do? Can you describe how the filming went or at least the thing you were involved in?
Looking forward to hearing from you :)

Yaron • 4 months ago
The questions for Amber are: How did you help in making this movie (What was your role? did you direct it :) ? )… It is very difficult to ask more questions, since the question are really depend on how this help was given…..  Were you familiar with one the film production members (the script writer / editor /other)?

Mark (@nicknamemark) • 4 months ago
Amber: have you ever got in touch with the executive caster/core actor?

Antonio • 4 months ago
Amber: who asked you for help for this movie?

-e- • 4 months ago
Amber: Your style and your voice are as beautiful as Marilyn’s appearance was… but now I don’t believe you ;)
So, no questions but I have to say, enjoyable episode again! Thanks
-e-


QUESTIONS FOR LUKE

Antonio
Luke: how did you do it?

Mollie
Q1 : Luke , what was your friend’s name ? Is it he or she ? Is he or she Japanese ?

Anonymous • 4 months ago
Luke: What was reaction of your friend when you did it?

Krizzztofer • 3 months ago
First of all – this Lying Game series is a masterpiece!
Luke: How much did you drink? :-) (How much had you drunk?)

Hiroshi • 3 months ago
Luke: I accidentally knocked down a wall
Was that wall made out of paper or something like that? Usually you can’t knock down a wall.
Were you injured?
Were you dancing in the room? How you can knock down a wall? Kicked?

Lê Vũ QC • 4 months ago
To Luke:
1. What kind of house was that? Was it old or new, traditional or modern? Was the wall made of wood or concrete?
2. What was the relationship between you and that friend? Do you guys still keep in touch?
3. How did she/he react?

Mariam • 4 months ago
To Luke: Why were you in your friend’s house? Was it a traditional Japanese house with paper walls? (can you describe the house)? How did that happen? What was your freind’s reaction? Did you pay for the charges of fixing it? I can go on but I think it’s enough ;)

Yaron
This interactive version is a good idea Paul – well done!
Luke: I have no question for you. I’m sure that you are telling the truth :) …. just kidding… my questions to you are: What was the wall was made of (bricks, autoclaved aerated concrete, paper, Other)? How did it happen? Did you do it with bare hands or with some tool (like hammer for example)?

Mark (@nicknamemark) • 4 months ago
Luke: what about your location specifically in Japan? Does your friend’s city have many wooden houses?

Antonio
Luke: How did you put down the wall?

-E-
Luke: I think you are way too well-behaved a guy to knock anything down :) but maybe you did it….
Luke Thompson
Even though I slapped a teacher on the back of the head?
-E-
Yep, good question!
Nowadays students are allowed to do nearly everything as you know but if a teacher slightly touches a student, he or she gets into trouble…
So maybe you Luke are “the roof of all evil ” ! Your slapping has been the example for later generations… ;)
Anyway, Season’s Greetings
-e-
Luke Thompson
“The roof of all evil” I like it!
But it’s the *root of all evil.
I prefer being the roof though.


QUESTIONS FOR PAUL

Hiroshi • 3 months ago
Paul: I used to get bullied by Guy Berryman, the bass player from Coldplay.
You were misunderstanding his name as Guy Bullyman when you were young, right?

Hitoshi • 3 months ago
Paul: I used to get bullied by Guy Berryman, the bass player from Coldplay.
How old were you?
How did he bully you?
Could you manage to stop it?
Do you want to see him now?
What would you say and do if you saw him?

Antonio
Paul, what Job did you have at this time?

Mollie
Q2 : Paul , when did you get bullied by Guy Berryman ?

Anonymous
Paul : Where were you educated? how old were you? Did Guy Berryman know his bandmates at that time?

Krizzztofer • 3 months ago
Paul: How old are you? (it seems you are too young, Guy is 38:) )

Lê Vũ QC • 4 months ago
To Paul:
1. When did that happen and what did you do when that happened?
2. Do you still know Berryman or are you just strangers now?
3. Why did he bully you? Was it because he was just an asshole or something?

Mariam • 4 months ago
To Paul: When and where was that? How old were you (both)? Was he in the band yet around that time? How did he bully you (what did he say or do)? How did you react?

-e-
Paul: Who the hell could have bullied you? .. It definitely can’t be true!

Yaron
The questions for Paul are: What was your age at the time? How many times did he bully you? Where did it happen? Why did he bully you? Can you think why he did it to you?

Mark (@nicknamemark) • 4 months ago
Paul: How old were you when you were bullied? If this happened in school, would you like to give us the school name?

Antonio
Paul: What was your job at this time?

David Beckham’s greasy curtains

Go Greased Lightning!


WHAT DO YOU THINK? DO THE POLL AND ADD YOUR COMMENTS

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AMBER, PAUL & LUKE – THE PODPALS – NICKNAMES & ACRONYMS

Amber, Paul & Luke – We Need an Acronym or Nickname (don’t we?)
It’s always lots of fun when they’re on the podcast and according to comments it looks like you, the listeners, agree. In fact, people seem to feel that Amber, Paul and I form quite a successful podcasting team, so naturally we need a nickname or an acronym for the three of us.

You heard us mention a couple of ideas for acronyms or nicknames in the previous episode, but we didn’t decide on one.

So, I want you the listeners to help me choose a good acronym or nickname for us.

Here are some suggestions:

Acronyms
PAL (pal = friend, mate)
APL (apple?)
PLA! (?)
LPA! (?)

Feel free to create another acronym perhaps featuring the letters of our first names and surnames too.
A for Amber
P for Paul
L for Luke
M for Minogue
T for Taylor
T for Thompson
So, that’s – A P L M T T
Players of Scrabble will notice that there’s just one vowel in there and 5 consonants, two of which are T, which makes it quite hard to form a word – so good luck with that!

Superhero team names, like The Fantastic Four (The + adjective + word for three things)
Here are the ingredients:
Words for “three things”
Three
Trio – a group of three people, like three singers
Triptych – a set of three works of art, like three paintings that go together
Triangle – a geometric shape with three corners and three sides
Tripod – a stand with three legs, e.g. a camera tripod
Tricycle – like a bicycle but with three wheels
Triforce (for Legend of Zelda fans) – The Triforce (トライフォース, Toraifōsu ?) is the golden triangle, made from three other golden triangles arranged together. It comes from Nintendo’s Legend of Zelda series of video games. Referred to as “The Golden Power” in ancient Hyrulian literature, it is an omnipotent sacred relic, representing the essence of the Golden Goddesses who created the realm of Hyrule. The triforce as a symbol also appears in Japanese history as a icon representing an old Japanese family, I think.
Trident – a brand of chewing gum, but also a three-pronged spear carried by Poseidon the god of the sea and also Britannia the female personification of Great Britain. Both Poseidon and Britannia carry tridents. Trident is also the name of the UK’s nuclear weapons system, based in Scotland.
Team – you know what that means.

Adjectives beginning with T (these ones don’t really go with ‘Three’)
Terrific – great, or big, very good
Triumphant – victorious, having won in battle
talkative – talk a lot
Tantalizing – having or exhibiting something that provokes or arouses expectation, interest, or desire, especially that which remains unobtainable or beyond one’s reach
tangential – tending to go off on tangents, the tendency to get diverted (quite appropriate)
tasteful – having good taste
talented – having talent
tactical – having tactics or strategy
tasty – delicious

Adjectives beginning with Tr (these ones go nicely with ‘trio’)
trustworthy – you can trust us
tranquil – peaceful, calm or silent
transcribed – our words have been transcribed perhaps as part of the transcript collaboration
trendsetting – to be one who sets trends or creates trends, the state of being a trendsetter
truthful – honest, telling the truth
trivial – not important
trilateral – involving three sides or groups, like a trilateral trade agreement between three nations, or a trilateral decision
transcendent – higher or better than other things, rising to a new level, perhaps surpassing normal states and into a higher plane
tremendous – a large amount, or very good
tragicomical – both sad and funny at the same time

Adjectives beginning with TH (these ones go nicely with ‘Three’)
thorough – detailed and careful, going through something in great detail and covering it fully and carefully
thoughtful – thinking a lot, particularly about others
therapeutic – bringing therapy
thrilling – exciting
thunderous – very loud, like thunder
thickheaded – stupid

Also
Triple Trouble
The 3 Musketeers
The Podpals
? something else ?

OK, THERE’S NO NICKNAME POLL – Just add your suggestions in the comment section please :)

But here are a few ideas:

Triple Trouble
The Podpals
The t_____________ trio
The t_____________ three
The t_____________ team


Song: Three is a Magic Number by Bob Dorough

Chords & lyrics https://tabs.ultimate-guitar.com/b/bob_dorough/three_is_a_magic_number_crd_1761209id_21082015date.htm
343PIC

342. Paul’s “La Bise” Video Success / Audition Story (with Amber & Paul)

In this episode I’m joined by podcast pals Amber & Paul and we talk about Paul’s hit youtube video about French kissing habits, his newfound success as a stand-up (he’s the hottest kid in town), some online abuse he’s had and then an anecdote about an audition that we attended recently, which involved a surprising misunderstanding about accents. There’s also a brief language focus on using relative clauses with ‘which’ to extend your sentences when speaking. Enjoy!

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Image: c/o Robert Hoehn French Fried TV

Transcript for the intro and outro to this episode

Intro

Hello, welcome back to the podcast. This is episode 342. First of all I’d like to say thanks if you’ve recently left comments on my website, written positive reviews on iTunes or especially if you’ve sent a donation to the podcast. I appreciate all of those things very very much indeed and I hope that you feel like you’ve invested in this podcast, even in a small way. Every little helps. So thank you very much.

In this episode I’m joined again by podcast pals Amber and Paul

If you are a brand new listener and you don’t know them then here are the basics: Essentially, they’re both from the south-east of England, I know them from the stand-up comedy scene here in Paris and they both have super-powers, yes that’s right – super-powers.

Amber is a voice-over artist, actress and tour guide. She has a little 2-year-old son called Hugo (who has featured on the podcast before, making dinosaur noises in episode 297), and Amber’s super power is that she has loveliest voice in the world. Her voice is so lovely it could melt the heart of even the toughest person – like anyone at all. Even Vladimir Putin or Batman would be reduced to a little puppy when listening to Amber’s voice, right listeners? If Amber’s voice was on Darth Vader’s iPod and he listened to her talking, he would immediately give up his devotion to the dark side and turn into an ewok or something. That’s Amber.

Paul used to work for Apple – the company, not the fruit. It would be weird if he worked for an Apple. Anyway, last year he took the brave decision to quit his job in order to focus on becoming a full-time stand-up comedian, performing both in English and in French. Paul has a weekly one-man show called #franglais which he performs every week and he also performs a two-man comedy show with me every Thursday, and that one’s called “Sorry, we’re English”. He has his own podcast, called “Becoming a Comedian”, which you can find at paultaylorcomedy.com. Paul’s super-power is his infectious laugh, which causes podcast listeners to randomly split their sides in different countries around the world, which is nice. I imagine if he had to do battle with Darth Vader, he’d just laugh in his face and Vader would turn into Jar-Jar Binks or something.

The conversation you’re going to hear in this episode was recorded the other day when we were sitting upstairs on my little terrace enjoying some sunshine. We recorded about 3 episodes-worth of stuff that day. Two in the sunshine and one indoors because after a few hours it went cloudy and then started raining, which is typical for April in this part of the world. You already heard the first part of that conversation in episode 341.

Click here to check out a list of other episodes featuring Amber & Paul

But in this conversation Amber and I talk to Paul about recent success in his stand-up career, there’s a surprise phone call from Robert Hoehn, we talk about some online abuse Paul’s received, and then Paul and I tell Amber about an audition we had for a TV show recently, which involved a bit of a misunderstanding about our British accents.

One thing I just want to let you know right now is that I’m aware that this conversation is quite quick and you might not get absolutely every single word that we say, but that’s fine because as we know, listening to native speakers at natural speed is a valuable thing for you to do even if it’s difficult to understand every little thing. Just try to fill in the blanks, tolerate the stuff you don’t understand, read between the lines and keep going. Listening several times will help, but the main thing is to relax and just enjoy spending 45 minutes in the sunshine with us.

Where were we?

Where were we in the conversation at the end of the last episode?

There was a bit of a cliffhanger of sorts. Paul was about to tell us what happened in January, and it’s something about his progress as a comedian. Let’s get an update on how it’s all going.

A bit of language analysis – Paul’s long sentence – using ‘which’

In just a moment I’m going to start playing our conversation to you and it’ll carry on from where it ended last time.

The first you’re going to hear is me saying to Paul, “Give us an update on what happened in January” and then you’ll hear Paul speaking pretty quickly, and producing perhaps the longest sentence in the history of humanity. Actually, long sentences with lots of additional clauses are pretty common in spoken English, especially in spontaneous talking. In writing I think it’s best to keep your sentences short and clear but in speaking we often find ways to extend our sentences to include new thoughts and to keep the rhythm going, particularly with words like ‘and’ or ‘but’ (simple ways) but also with relative pronouns, particularly ‘which’, which we add to nouns and even whole clauses in order to extend sentences (like I just did there – did you notice?) Check out the way Paul uses ‘which’ to extend his sentences and add ideas, adding fluency to his speech.

Here’s the first sentence you’ll hear from Paul in this episode:
“Yeah, I think the last time we spoke, I don’t know if we talked about it but I was gearing up for the start of my own show, which was like an hour, my first hour-long solo show, which was starting on January 9th and I was excited (and) nervous because I’d never been on-stage for an hour (and) it was going to be cool, whatever, and then during the month of December, Robert Hoehn, who has been on the podcast previously, he runs an English comedy night and he’s, I guess, seen me do comedy for the last three years and he suggested to me that I make a video out of one of my sketches which I’d been doing on stage, which was around the French, their kissing and saying hello and it’s called La Bise, in France.”

Wow. There are a few examples of ‘which’ in there and also a ‘who’, after he mentions Robert Hoehn, who has been on the podcast previously. Also, there’s the phrase “gearing up for” which means “getting ready for”. OK. Now I’ll let you listen to that sentence in full, spoken by Paul.

One question: How many times does he say “which” and what’s the most common word that comes after it?

*Paul’s long sentence*

Answers:
He says ‘which’ four times and it’s most commonly followed by ‘was’ (3 times) and once it’s followed by ‘had been doing’.

This is often how we add information to stories. I mentioned this language point in the photo competition episode too. That’s episode 327. In Paul’s sentence, “which was” comes after a noun every time, but sometimes it comes after a clause. Question: What is the noun or clause that is followed by ‘which’ in these examples?

“He suggested that I make a video of one of my sketches which I’d been doing on stage which was around the French way of saying hello”.

Answer: Both times it’s ‘one of my sketches’

and “So, we sat on the terrace and just talked for about 2 hours, which was nice”.

Answer: it’s the whole clause ‘we sat on the terrace and just talked for about 2 hours’.

So, there was a little bit of language analysis. But that’s enough of that. I will now let you listen to the rest of the conversation properly, and enjoy another chat with podcast pals Amber & Paul, and by the way, just to let you know in advance – there is a little bit of swearing in this conversation.

*conversation starts*

Watch Paul’s Video about “La Bise”

A France24 TV news report about Paul

Outro – Transcript

We will be back, speaking more ‘crapola’ soon, because we’ll be playing the interactive lying game and that should be the next episode of this podcast.

What’s crapola? It’s just another way of saying ‘crap’ or ‘nonsense’. Crap is poo by the way. Crap is a swear word but it’s not as bad as ‘shit’. Crapola is not such a common word – it’s a variation on the word ‘crap’ and it means ‘nonsense’ or ‘stupid talking’.

Accents

Now, at the end there you heard us talking about accents. That was a slightly heated conversation and since this is my podcast I’d like to try and clarify what I was trying to say.

So, first of all we went for the audition and it was nice, but one of the producers said, “Can you speak with less of a British accent?” and we asked, “You mean you want us to use an American accent?” and she said “Not American, just less British. You know, like the way they speak in New York, because they don’t have an American accent in New York” and we were a bit stunned that doesn’t mean anything. So, first of all I think it’s not possible to have no accent. Everyone has an accent, but you might feel like your accent is the normal, standard position for the language and that every other version is an accent. Even accents which are considered to be the neutral forms are still an accent. So it doesn’t make sense to say that you don’t have an accent or that the people of a particular place don’t have an accent. If they pronounce words, using certain sounds, that’s an accent. Some accents are considered the standard forms, and in the UK and in the USA there are, broadly speaking, two standard accents. There’s Received Pronunciation in the UK, which is generally how I speak (although I have inflections from the midlands and the South East, reflecting the places where I grew up) and in the USA there’s an accent called Standard American, which is a kind of regionless accent. So maybe what the girl meant to say was, can you speak with a standard American accent, or a more trans-Atlantic accent? But then she realised that it could be taken as a bit rude, because it’s like she suggested that there was something wrong with our British accents or something. She didn’t mean any offence of course.

Another thing I often read online is the sentence, “There’s no such thing as a British accent”, which is a bit misleading. Generally people write that in response to comments on Youtube or Reddit or something when an American person has said something like “OMG I love the British accent”, or equally “OH my god the British accent sucks” or something. Then someone gets pissed off and writes a response, like “there’s no such thing as a British accent!” But that’s a bit stupid too. If an accent comes from a part of Britain, it’s a British accent. Obviously British accents exist, but the point is there is not just one British accent – there are many accents from different regions and it’s a bit short-sighted to just imagine there is only one “British accent” when in fact it’s so much more diverse than that, and I suppose that comment “There’s no such thing as a British accent” is the British person’s way of expressing annoyance or frustration over the lack of awareness of the diversity of British accents.

In the UK today we are very sensitive to accents, as Amber mentioned in the conversation. There are many many variations on the way people speak, and those variations indicate things like regional origin and social status. We shouldn’t judge people by their accents, but we do. We also are very affectionate about accents and generally very positive about regional accent variations. We love the diversity of accents in our country and generally it is considered inappropriate and snobbish to laugh at an accent or to suggest that there’s something wrong with speaking in a different way. Being snobbish about regional accents is now quite unfashionable in the UK. Regional accents are generally celebrated these days – and when you watch TV, including the BBC news, you’ll hear lots of different accents being spoken by presenters from around the country, because TV viewers appreciate the regional flavours of the different accents.

So, I suppose part of our surprise at the girl at the audition was just about her lack of awareness of accent variation, but also the slightly clumsy way she talked about the whole subject, suggesting that people in New York had no accent, or that our British way of speaking was just a regional variation of an accent that has its neutral base in Manhattan. But, I understand that identifying regional accents can be very hard when you’re not native to that language, so we didn’t take offence at the girl and it was fine, but we did find it amusing and interesting from a linguistic point of view. So, that’s that.

I must do more episodes about different regional accents on this podcast. There is just so much content to cover and it’s really important that you get a sense of the different accent variations. I have dealt with accents before a bit, but there’s so much more to do on that subject. We’ve only really scratched the surface.

Listen to Adam & Joe talking about British and American actors doing different accents, particularly Ray Winstone (UK – London) pretending to be an American in the film Fool’s Gold. 😂

https://www.youtube.com/watch?v=CIxQFUV_AcA

And this one about Leonardo DiCaprio’s Irish accent and how Hollywood helps actors perform in different accents.

Oh, and remember Tracy Goodwin the American voice coach from Episode 20 of Luke’s English Podcast? Here are Adam & Joe talking about that…

Using Apps to listen to this podcast

This is turning into another longish episode. It happens so easily, but you heard Paul earlier talking about the ‘pause’ button. I wonder if you use that, because as I’ve said before – you don’t have to listen to these episodes in one go, you can pause and listen to the rest later. If you’re using podcasting software like an app on your phone, it will remember where you were when you paused, even if you close the app or switch off your phone or computer.

Here are some recommended apps: There’s the standard Apple Podcasts app, which is fine. I use PocketCasts which is available on iPhone and android. You can also get it on your computer. There’s Acast which is good. Also, try the Audioboom app. All of them let you listen via an internet connection (wifi or data) and the also let you download episodes onto your phone so you can listen when you’re not online. All those apps will save your position in an episode so you can listen, pause, listen again, pause, come back later and listen to more etc.

You can still just download the files from the website and put them on your mp3 player – just check if there’s a folder in your player for podcasts because if you use that folder the mp3 player will probably save your position, just like the smartphone apps do.

Thanks for listening – speak to you soon, bye!

 

338. A Murder Mystery Detective Story (Part 1 of 2) Text Adventure

In this episode I’m going to read through an interactive text-based adventure story. The story takes place in Victorian-era London (19th century) and we’ll play the part of an expert detective who, like Sherlock Holmes, tries to solve a complex murder mystery. Follow me as I read through the story and attempt to solve the crime in the process. Can you understand the evidence and make the right decisions to solve the case? You can read the text-based adventure story and play the game yourself at http://textadventures.co.uk. The game is afoot!

Small Donate Button[DOWNLOAD] [PLAY ‘VICTORIAN DETECTIVE’ by PETER CARLSON on TEXTADVENTURES.CO.UK]

Hello, welcome back to LEP

This is a podcast for people learning English. My main aim in these episodes is to provide you with content that will help you to learn English through listening. Sometimes I teach you directly, and sometimes I just provide you with things that I think will engage your attention, keep you listening and as a result push your English to new levels.

This is one of those episodes in which I take you through a story

Sometimes when I do this I just improvise the stories while recording. At other times I read stories that I’ve written or which I know well. In this case I’m going to read through a story that I don’t know. I have no idea where the story is going and I don’t know the outcome. So, you and I will discover the story at the same time.

What’s the story we’re going to read?

It’s one of those text-based adventures. What’s a text-based adventure? Essentially these are “choose your own adventure” games that allow you to follow a story and make certain choices along the way. Your choices affect the direction of the story. Each choice you make has a consequence, and sometimes stories like these can have more than one outcome.

I’m playing this story online and I found it on a website called http://textadventures.co.uk

This is a site that presents lots of different text adventures. They’re created by users of the site, they’re all free and they’re very inventive and of good quality. There are mystery stories, horror stories, detective stories, sci-fi stories, and even stories based on real life situations. I really recommend that you visit this site because there are loads of free text adventures that you can play, and I think they are a fantastic way of improving your English.

How do text adventures work?

You read through a story, and at certain points you are given options. Choose an option and the story will go in a different direction. Sometimes you can click parts of the text to get more information that will help you make the right choice. Keep going through the story until the conclusion. This particular site is good just because of the high level of quality. The stories I’ve seen have been intelligently written. Clearly the writers of these stories have put a lot of time and enthusiasm into these stories. They’re rewarding and fun. For your English they could be great because firstly you’ll do lots of reading and that’s just great on its own, but also because it’s all text you can copy+paste any words you don’t know into an online dictionary and get definitions, or add the words to your word lists or flashcard apps or whatever. The main thing is, these stories are fun and engaging and that should make it easier and more rewarding to read, and the more you read the better – just like listening – the more you listen, the better and the more you read the better too.

In this episode I’ve chosen to do a murder mystery adventure story called simply “Victorian Detective”

This is because it ties in quite neatly with the theme of the last episode and because I love Victorian-era London, and of course this makes us think of Sherlock Holmes. In fact, this story is heavily influenced by Sherlock – the old Sherlock, not the new ones. Yes, we love Sherlock Holmes on this podcast, so let’s imagine we’re a Sherlock-style detective and go through the story together.

Your aim in this one is to simply follow the story, and think with me about choices that I have to make

As we progress through the story, we’ll have to think like a detective, make certain choices based on deductive reasoning and then attempt to solve the mystery at the heart of the story.

I hope to be able to complete this in one episode, but I don’t want it to go on forever, so I might divide it into two separate parts.

Now, I imagine that it might be a bit tricky to follow the story and understand everything

I expect this is going to be a little bit complex. I’d say this – if you don’t understand and you feel lost, here’s a strategy: First, keep listening. I always say this of course, but I think it’s good advice. Good learners of English are able to tolerate some level of confusion and keep going. In the end, if you have the patience and motivation to keep going, you might find it confusing in the short-term but in the long-term your English will benefit from it. To an extent, learning English is a bit like being a detective. Even when things are complex and don’t make any sense, you have to keep going, keep thinking and keep investigating, based on limited information. Keep going, don’t give up and you’ll find that things will eventually become clearer over time, as you slowly start to piece together things like grammatical rules, vocab that you don’t understand and so on. This is true for detective stories as well. There is always a period in the middle of a mystery story where all the events are strange and confusing, but everything comes together in the end. Sherlock Holmes solves the case, and explains how it happened. If you persevere, it will be clearer later.

Also, since I’m playing this detective story online – you can do it too – click here to play “Victorian Detective by Peter Carlson”

I strongly recommend that you find this text game and spend some time playing it. That way you can check words you don’t know, actually read the text that I’m reading to you and that will make this episode even more useful for your English. You could even choose to go through the text adventure with me while I’m playing it. Listen to the episode and follow the adventure at the same time. Or, just listen now and then play the game yourself later. If you’re inventive you can find lots of cool ways of improving your English with this episode.

The website again: http://textadventures.co.uk and this story is called “Victorian Detective”. In fact, the full title of the story is “Victorian Detective: The Shakespearean Bomber”  by Peter Carlson. All credit goes to Peter Carlson for writing this game. He’s done an excellent job, and again I urge you to visit the website where you can read this story, and many others. And by the way, I don’t work for text adventures.co.uk or anything – I just think it’s a great website and I want to credit them and Peter Carlson for the story that I’m essentially reading out in this episode.

So, let’s begin

Here is the link to the Victorian Detective story by Peter Carlson http://play.textadventures.co.uk/Play.aspx?id=w207ce4zekubenmwgss5pa

*STORY BEGINS*

To be continued in part 2!

Please leave your thoughts, comments and questions below.

vic murder

333. More Misheard Lyrics ♬

OK, the last misheard lyrics episode was pretty popular and I’ve had several shouts of “more!” from the LEP community, so here we go again!  What’s this all about? Well, first of all it’s a sequel to a previous episode of LEP. That’s #281 “Misheard Lyrics” so you could listen to that before you listen to this. Basically, this episode is all about those moments when you mishear song lyrics.

[DOWNLOAD]
You might listen to lyrics in songs and for one reason or another completely misunderstand what they’re saying. The most famous example is probably “Purple Haze” by Jimi Hendrix, which actually sounds like “Kiss this guy” when in fact he’s singing “Excuse me while I kiss the sky” although Hendrix knew that it sounded ambiguous and he would sometimes sing “Excuse me while I kiss this guy” just to mess with people’s heads.

These misheard lyrics could be due to the way the singers don’t fully pronounce the words, or just the result of connected speech which makes it sound like the singers are singing something else. Or it could just be that I’m looking for weird lyrics when in fact they’re not there, because I enjoy it when it sounds like singers are singing something else.

Everyone experiences it, including native speakers. So if you do mishear song lyrics don’t worry – you’re not alone. Misheard song lyrics is a common phenomenon and misheard lyrics have their own name – mondegreens.

For me, mondegreens or misheard lyrics are  lots of fun because they bring new meanings to a song, often ones which are entirely at odds with the intended message of the song writer. It’s fun to let your imagination run wild and just picture what those misheard  lyrics really  mean.

And if you don’t mishear song lyrics – if you hear them correctly, then that’s great too! It just means your listening is really good.

So let’s go through another list of misheard lyrics! I’m going to play you some song extracts and then we’ll just have fun speculating about what the singer is really singing, and what they actually mean. If you can’t hear the misheard versions, then that’s fine – but you might need to suspend your disbelief a little bit, just for fun.

I will aim to clarify the real lyrics being sung, and you can find all the song and artist titles  of these tunes on the page for this episode.

P.s. There might be some rude content in this episode! Just letting you know…

Themes: Animals, food, people, random stuff.

Animals
Pat Benatar – Hit Me With Your Best Shot
“Hit me with your pet shark, why don’t you hit me with your pet shark?”
Maybe I don’t want to hit you with my pet shark! What kind of freak are you? First of all, not only is that potentially hazardous to you, but it’s almost certainly going to be fatal to the shark, and I really don’t want to kill my shark just to please you. I mean, I like having a pet shark – it’s a f*cking pet shark for pete’s sake. It’s awesome. So, no, I will not hit you with my pet shark. – And Pat says, “well, you’re just not cool man – I don’t want to hang with a dude who isn’t even prepared to hit me with his pet fish, even if it is a shark. You know, I’m from Hollywood man and there we all hit each other with our pets man, its not big deal. I thought you liked to party – but it turns out you just care about your shark – it’s not even a proper shark man. It’s not a tiger shark or a great white, it’s just some crummy mud shark or a dogfish or something.” And you say, yeah, fair enough Pat, it’s no big deal. Now, do you want a cup of tea? Let’s have a cup of tea and then I’ll hit you with my pet shark. And she says “Now you’re talking! I think I love you” etc.

– real lyric = “hit me with your best shot”

Daft Punk – Get Lucky
“We rub a Mexican monkey” (2m30)
Are you sure it’s legal to rub a mexican monkey? And should you be writing a song about it?
It was certailny a big hit this song about the abuse of an American primate. Everyone really got behind it in the summer of 2014 didn’t they. Every party around the world people are partying and dancing – “yeah! We rub a mexican monkey too!”
Meanwhile, one Mexican monkey is either feeling very happy, or he’s feeling exploited.
This poor mexican monkey, just went to the USA for a chance of a better life, and he fell in with the wrong crowd and some of them are hitting each other with their pets and stuff like that, and then a group of them start playing around with him and rubbing him inappropriately and stuff.

real lyric = “We’re up all night to get lucky”

Alanis Morrisette – You Oughta Know
“It’s not fair to remind me of the cross eyed bear that you gave to me”
You know in arguments you bring up stuff that happened in the past, especially good things that you’ve done, because you think that’s going to win you some points in the argument. For example, if you did something special – like gave your girlfriend a cross eyed bear, it’s going to be hard for her to win the argument, unless she claims that it’s unfair to mention it. That is an argument stopper – because you can’t argue with the gift of a cross eyed bear!

real lyric = “it’s not fair, to remind me, of the cross I bear that you gave to me”

Bob Dylan – Blowing in the Wind
“These ants are my friends”
Ok Bob, random!
(the answer my friend)

David Bowie – Sound and Vision
“Don’t you wonder sometimes, about salmon fishing?”
Occasionally yes David, I do wonder about Salmon fishing. I wonder how they manage to catch so many salmon and yet there are still plenty to go around. Do they just keep the salmon in a big lake and pull them out with a net? How much movement do they get? How much stuff do they put in the water to make the salmon big? Are they using bears? Do the salmon still get to jump up rivers like they don’t know how rivers work?

real lyric = “Don’t you wonder some times, about sound and vision.”

Food
Destiny’s Child – Bootylicious
“I don’t think you’re ready for fish jelly”
No, I’m not ready for fish jelly. It sounds disgusting.

real lyric = “I don’t think you’re ready for this jelly” (no idea what that’s about)

Rolling Stones – Beast of Burden
“I’ll never leave (be) your pizza burning”
How romantic.

real lyric = “I’ll never be your beast of burden”

Paul Young – Every Time You Go Away
“Every time you go away you take a piece of meat with you”
Quite a resourceful move. Whenever you leave the house, put some ham or beef in your pocket so you don’t go hungry. Never mind about fruit or veg or bread or one of the other food groups. Just a piece of meat is all you need to snack on.

(me, not meat)

People
Johnny Nash “I Can See Clearly Now”
“I can see clearly now Lorraine has gone”
Yes, she has been standing right in front of us for too long now.

real lyric = “I can see clearly now the rain has gone”

Shakira – Underneath Your Clothes
“There’s the man I chose, there’s my tellytubbie”
Which tellytubbie is it that she’s in love with? Tinky winky? La la? Dipsy wipsy? Po? Po – that’s it, that’s his name? All the others have double name and he’s just called Po. I mean, what the fuck? Also, what the hell do they have on their heads? One of them has a coat hanger on his head. Is that the scariest kids show ever? It’s like some dystopian post-apocalyptic world in which people have become biomechanical mutants fused with television screens, and they have to go inside regularly to escape the radiation from the sun. And Shakira is in love with one of them?
I’m not sure he’s technically a man.

real lyrics = there’s my territory

Foo Fighters – Hero
“There goes my hero, he’s odd and hairy”
Fair enough. Many of my heroes are odd and hairy. Nothing wrong with being odd and hairy. Jesus was odd and hairy, so was John Lennon, and Bob Marley and Obi Wan Kenobi and Chewbacca and sasquatch and many of the other people I look up to. In fact, Dave Grohl is rather odd and hairy too. Nothing wrong with that lyric.

real lyric = he’s ordinary

The Weather Girls – It’s Raining Men
“Israeli Men! Halleluia!”
Wow, they really love Israeli men! I wonder what’s so great about Isreali men? They’re hard working, they’re good with money, they have a sense of humour. What’s not to like about Israeli men! I totally get it!

(It’s raining men)

Olivia Newton John – Grease Melody
“You’d better shave Bob, ‘cos I need a man”
This may be one of my favourite misheard lyrics. She really needs a man, so you’d better prepare Bob! Get Bob ready – shave him, grease him up, because she needs a man!

(You’d better shape up)

Metallica – The God That Failed
“Held back by Jimmy Nail, on the garden rail”
Another favourite. I just love the idea that British actor and singer Jimmy Nail is holding you back, on the garden rail too, and that Metallica wrote a song about it. Why is Jimmy Nail holding you back, and in the garden? Maybe there’s been a family argument at a barbecue, and maybe you got into an argument with your brother in law. Perhaps resentment has been boiling over for some time, and you really don’t like the way he talks to your wife or your sister or whatever, and at the barbecue he got drunk and started insulting the family, and you just got furious because you’d had a few too many drinks too and you were ready to punch his teeth down his throat, but Jimmy Nail was there and he’s a reasonable man. He held you back against the garden rail and talked you out of it, in that nice soft Geordie accent he’s got. “Nah man, it’s not worth it man. Leave it man, you just gonna make your life more difficult man. Not now anyway. Wait until later when the kids are asleep man”

(The healing hand held back by the deepened nail. Follow the god that failed.)

Rude Stuff
Moody Blues – Question
“Learn as we grow old the secret of assholes”
Maybe when we are older and wiser we will finally understand the secret of arseholes – why they smell so much, why they itch sometimes and all the other secrets that they contain.

(the secret of our souls)

White Stripes – Blue Orchid
“You got an erection”
***By the way, I’ve just realised that Jack and Meg were a couple, and not brother and sister.***
It sounds like an argument. Jack White seems jealous. Maybe he’s questioning whether you fancy his sister, because he’s quite protective of his sister. You were at band practice and she was on the drums and she’s… well, she’s quite jiggly when she’s on the drums. She’s quite generous, as a drummer and as a woman… if you know what I mean… I mean, she’s got big tits ok? So, you fancy her and you’re at band practice and she’s all jiggly and you’ve had a beer and you’re feeling a bit excited, and Jack says – “Hey man you wanna play bass” and you really do want to play bass and he knows it, but you’re like “No man I think I’ll just stay sitting here on the sofa for a while I don’t really want to play bass right now” and he looks at his sister Meg and then back to you and says “What the fuck dude? We need a bass player – you play bass. You were saying yesterday how much you can’t wait to play bass and now you’re just sitting there the whole time just watching. DO you want to play bass or what?” And you look at Meg for a moment and back to him, “No man, it’s fine I’ll play bass later, I just, I’ll just stay sitting here for a few minutes and then I’ll play bass ok?” Jack seems pissed off but they carry on playing, and Meg keeps playing and she looks at you sometimes and kind of smiles and you definite;y can’t stand up now because she smiled at you and she knows and you know, and Jack knows what’s going on… and then after the band practice, after Meg has left and you and Jack are in the pub, Jack says “Dude, what the fuck man? Why didn’t you play bass earlier – you just stayed in your seat staring at Meg. It’s was so… awkward.” and you’re like, “Whatever man, I just wasn’t feeling it” and he was like, “You just stayed sitting on that sofa the whole time, and you kept looking at Meg while she was playing drums.” and then his eyes widen like he’s realised something, and he says “YOU GOT AN ERECTION! YOU GOT AN ERECTION DIDN’T YOU! I KNEW IT YOU BASTARD! YOU FANCY MY SISTER! Right, you’re out of the band.”
I’m sure that’s what happened.

(Real lyrics = you got a reaction)

Nirvana – Lithium
“I’m so horny, that’s ok my willy’s good”
Sometimes it’s difficult when you’re turned on, like int eh last situation in which you got an erection at the White Stripes band practice and Jack White chucked you out of the band.
But sometimes when you’re with a girl and you’re feeling really horny, it can get embarrassing. If you know you’re going to get it on – sometimes as a man you start to worry about performing, about the performance. you think – I hope I’m able to do this right and it’s not going to be embarrassing. I hope I don’t have any problems in the trouser department. But then you think “That’s ok, my willy’s good!” If your willy is good, it’s probably a relief to realise that. Apparently that was the situation with Kurt Cobain. I’ve always related to him, in so many ways…

Smoking Weed
Fleetwood Mac – You Can Go Your Own Way
“You can grow your own weed”
While technically you can grow your own weed, you probably shouldn’t, because it’s illegal, and it’s hard to get good results – you need the right seed varieties, plenty of sunlight and all that… But generally, don’t do drugs kids, ok?
(You can go your own way)

Beatles – I Wanna Hold your Hand
“I get high”
The whole Beatles meet Bob Dylan and he introduces them to “tea” story.
(I can’t hide)

Random Stuff

Dido – White Flag
“I won’t poke my eyes out and surrender”
No, please don’t do that. It’s absolutely unnecessary. Nobody is asking you to do that.
(I won’t put my hands up and surrender)

N-SYCH – It’s Gonna be Me
“It’s gonna be May”
So, when’s the wedding going to be?
So, when’s the beginning of spring this year?
So, what’s month is it going to be after April this year? “It’s gonna be May” – oh, so the same as usual then?
(It’s gonna be me)

Kings of Leon – Sex on Fire
“Wooo hooo dyslexics on fire”
Oh my god – put them out quick! Who set fire to the dyslexics! Why would you do that? Just because they have trouble spelling, it doesn’t mean… No of course you shouldn’t set fire to anyone! Even dyslexic people!
(real lyrics = “this sex is on fire”)

Def Leperd – Pour some sugar on me
“Living like a lover with a red iPhone”
How did they have iPhones back in the 80s. And why does having a red one make you a lover?
(real – Livin’ like a lover with a radar phone) ??

Macy Gray – Try
“I wore goggles when you are not here”
Quite a thing to admit – that when you’re not around I wore googles. Why? Why are you doing that Macy? Is it a fetish or something? To be honest, it wasn’t that clear to me that you’ve been wearing googles when I’m not around. Sure, I did notice those marks around your head and eyes, like lines in your skin that, now that I think of it, look a lot like the outline of a pair of googles, I just always thought you were just weird looking. That’s all it was. I thought that you just had a weird face.
(My world crumbles when you are not here)
misheard4

330. Let’s Play… Grand Theft Auto 5 (and learn some English while doing it)

Hi listeners – this is a multitasking episode in which I record a podcast while doing something else at the same time. In this case I’m playing the classic computer game “Grand Theft Auto 5”. Listen to hear some general discussion of the game, descriptions of what’s happening while playing and some other bits and pieces. Transcripts & Vocabulary Extracts Available. Enjoy :)

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Introduction – Men can’t multitask, really?

Here’s another episode in which I talk to you and teach you some English while doing something else at the same time. It’s another multitasking episode. Last time I did this I was cooking dinner while recording the podcast. I’ve done others before in which I was either driving or just walking around somewhere and talking to you at the same time. I’m doing this again today because I hope it will be an interesting episode of the podcast, but also as some sort of ongoing mission to prove that men are in fact able to multitask, unlike the fairly commonly-held view that we actually are not able to do several things at the same time.

I do think men can multi-task, despite the fact that people often say that we can’t. Of course we’re capable of doing two things at the same time. Just think, for example, of David Beckham who must be an expert at multitasking, because not only does he have to play football really well, but he has to look handsome while he’s doing it! Or consider Liam Neeson in the film “Taken” who has to punch people’s teeth down their throat with the edge of his hand, and be a good father at the same time. So, it’s clearly possible.

To be honest, I think that this myth of men not being able to multitask probably comes from the fact that there is one situation in which we definitely can’t do it, and that’s when we try to complete a task while also listening to a wife or girlfriend.

Because when your wife is talking to you, you have to stop everything and focus! We can’t multitask in that situation because if you’re not concentrating and you miss something then it will come back to you later, when she remembers and you forget and then you’re in trouble!

So, “men can’t mulitask” and “men don’t listen” are closely linked to each other I think. It’s not that we can’t multitask, it’s just that listening to you is already a kind of multitasking – because not only do we have to understand what you’re saying, we also have to identify important bits of information which might get dropped into the conversation – clues about what you want for your birthday, indications about how you feel about certain people, basically – anything that could go into the “I told you” category. The “I told you” category is obviously a category of information that your wife or girlfriend has told you, but for which you have absolutely no memory. It could be, for example, like this:
“I’m going to the football tonight babe, ok?”
“But it’s our half anniversary tonight”
“What?”
“It’s our half anniversary”
“Half anniversary for which day? When we met or, when we…?!
“Babe! I told you!”

Now, this might be followed by “You never listen to me”.

For example,
“It’s our half anniversary of six months since our previous anniversary – I told you!”
“Umm, no you didn’t.”
“Yes, I did – you never listen to me!”

“…Sorry, what did you say? I wasn’t listening…”

So, it’s important to listen to your partner to prevent this kind of thing. Which is why women think men can’t multitask. We just can’t listen to you, and do something else at the same time.

For example, you’re doing the shopping, trying to buy the right food so you can prove that you’re able to buy the right food.
Your girlfriend calls you, and you answer the phone because you love her.
She then starts talking to you about nothing in particular.
Stop shopping. Just stop.
Stop what you’re doing.
Put that grapefruit down and listen.
This might seem like a meaningless conversation.
She might just be calling you because she’s finished work and she likes to call you as she’s walking to the bus stop.
She might be speaking to you while buying some bread in the bakery, or even while speaking to a colleague in the street.
But you still have to concentrate on every word she says, or you might miss fluffy the cat’s birthday or something and then you’ll be in trouble.
Because if you continue shopping, and try to make fresh fruit choices while talking to her – either you’ll miss something vital or you’ll seem distant and not fully involved in the conversation and she’ll say “What are you doing?” and you’ll have to say, “I’m buying some grapefruits – you know the pink ones you like” and she’ll say “Can’t you do that and listen to me too?”
NO. Actually.
No I can’t.
And now men can’t multitask.
David Beckham can’t buy fruit and talk to Victoria about the kids at the same time. Neither can Messi or Ronaldo or any of those other over-paid multitaskers.

Even RAF fighter pilots who are the best multitaskers in the world, are probably standing in supermarkets right now not doing anything, on the phone to their wives, because they love them.

So anyway, maybe men can multitask, maybe they can’t. Maybe we’ll find out in this episode.

This could be a series, perhaps called the multitasking series

Last time I cooked a chicken dinner and taught you some words for cooking. That was quite popular and I had a few comments from listeners about it, and even a couple of suggestions for other episodes I could do. For example I had a message from Ethan Lee from South Korea who said on Twitter, “I enjoyed the cooking episode a lot. Why don’t u try another thing like house cleaning? Looking fwd to it! Cheers!”

OK, so now I’m getting requests to do the housework on Twitter as well as at home. Only kidding…

That would be great Ethan because I’d be able to teach you all the language we use for cleaning, like “rub, wipe, rinse” etc – but the only problem is, I’d actually have to do some cleaning, and… I hate doing the housework, but then again maybe that could be a really good way of getting things done – just making mundane acts of housework into episodes of my podcast. There are so many possibilities for new episodes! Luke does the ironing while talking about clothes and fabrics (while trying not to burn the clothes – my wife told me to say that), Luke cleans the windows while teaching you some phrases about glass. Luke builds some IKEA furniture while teaching you some of the most commonly used swear words in the most authentic way possible. So many ideas…

Well, this time, rather than doing the housework, or doing something else useful, I’m playing a game on my new PLayStation 3. I’m going to play Grand Theft Auto 5, and while I’m playing I’m going to just describe everything I’m doing in the game, and also just ramble on about the whole GTA phenomenon (and it is a phenomenon – the series has made over 220 million dollars worldwide, which is quite a lot of money – I think it’s officially a lot of money), and anything else that occurs to me during the episode.

So, in terms of language teaching in this episode

I’ll just see what comes up while I’m playing – you know, I’m just going to kick back and see what happens (really cool English teacher character – yeah, we’ve got no agenda today, so close your book – let’s just stick on GTA5 and see what language stuff happens… yeah, chill out, no homework today – just a DVD…) but I will aim to explain and highlight certain expressions in English as I talk to you.

I expect the language that you’re going to hear in this one will fall into these categories

– General vocabulary for playing a game, with verbs such as ‘start up’, ‘plug in’, ‘unplug’ and so on
– Phrases for describing what is happening, so that means vocabulary of movement, phrases for navigating around the city, travelling, describing dramatic action, accidents, violence, explosions, shootings, murder – just the usual things that happen in a normal game of GTA5
– Exclamations of surprise, shock, anger, tension (yes, there may be some swearing)
– Ways of describing the gaming experience, such as the emotions and feelings you experience while doing it
– Ways of commenting on the game as a cultural phenomenon – so, some fancy language for discussing how games fit into society, and the usual arguments about violent computer games like this

I have done a full episode on computer games before in which I go through a history of gaming and discuss some of the issues around the subject. Click here to check that out.

The microphone should pic up some background noise while I’m doing this, which I hope should provide some context.

So, let’s go!

Things to say

– Explain the point of the game for people who have never played it.
What type of game is it?
What’s the objective?
What’s the story?
What do you actually do?
How does it work?

– It’s many things – a kind of pulp gangster movie, a sandbox game, a collection of mini-games, an online playground, a very controversial franchise and a work of social satire

– The history of the GTA franchise
It’s a British game!
Originally created by DMA Design – a games company based in Edinburgh Scotland!
DMA created Lemmings and some other games like Uniracers and Body Harvest before creating GTA for the PC and PlayStation consoles. DMA was bought by Rockstar Games – another British company based in London. Later Rockstar games was bought by Take-Two games, based in NYC. So, GTA is a British/American production. The games have all been developed by British game developers, and marketed by American companies.
GTA – 1997
GTA London 1999
GTA 2 1999
DMA became Rockstar North when it was acquired by London company Rockstar Games
GTA 3 2001
GTA – Vice City 2002
GTA – San Andreas 2004
Various GTA games for handheld franchises
GTA 4 2008
GTA 5 2013

– Controversy
According to The Guinness World Records 2008 and 2009 Gamer’s Edition, it is the most controversial video game series in history, with over 4,000 articles published about it, which include accusations of glamorising violence, corrupting gamers, and connection to real life crimes.

– The violence in the game. Is it ok? Or is there something wrong with this?

– The satirical elements of the game

– Some fun things to do while playing
* escaping from the cops
* causing total mayhem
* blowing things up
* driving through the hills
* stealing different vehicles
* skydiving
* going up Mount Chiliad
* diving in the sea
* setting challenges for your friends
* starting a gang war

– How it feels to play it for an extended period of time

– What might happen with the GTA franchise in the future (combining this with google maps, Oculous Rift, social networking, bitcoins – we could have a fully immersive, virtual reality earth in which we go round doing whatever we want, with no consequence – a world that has its own currency, but which has almost no boundaries)
gta5

Extracts with Vocabulary For This Episode (Thanks to Jack from the comment section)

They are read out by professional actors.
So why not instead of reading your next book; choose to kick back put your headphones on and let some professional actor read the story to you.
……so essentially it’s a free audio book for you.
Now lets get down to this new episode and here we go !
The microphone sound might be a bit different today because I’m using a different arrangement.
…….unlike the commonly held view that we are actually not able to do several things at the same time.
…..not only does he have to play football really well…..
Or consider liam neeson in the film taken who has to punch people’s teeth down their throat with the edge of his hand and also be a good father at the same time.
Myth
……important bits of information which might get subtly dropped into the conversation……
You are doing the shopping…..
Put that grapefruit down and listen.
If you try to make fresh fruit choices…..
Vital
I’m buying some grapefruits.
Over-paid multitaskers
Even a couple of suggestions for other eoisodes that I could do.
Housework
Rub
Wipe
Rinse
Just making mundane acts of housework into episodes of my podcast….
Iron
Luke builds some IKEA furniture while teaching you some commonly used swear words.
It might be the best game ever created.
The GTA phenomenon
It’s one of the biggest entertainment franchises in the world.
I’ll kind of give you a running commentary…
I’m going to kick back and see what happens.
We’ve got no agenda in the lesson today so close your books let’s just stick on GTA 5 and see what kind of language stuff happens. Chill out no home work today.
……exclamations of surprise or shock or anger…….
I might just spontaneously come out with some swearing.
Pedestrians
I have the microphone resting on the coffee table in front of me and I also have my laptop on the table too so when I type on the laptop you can hear the vibrations coming through the microphone.
The microphone should pick up some background noise while I’m doing this.
……if I tap the table or bump into something (I hope) that that doesn’t disturb you much.
I do hope that the background noise should provide some context to what’s going on in the game as I play it.
I just don’t have the facility to record this.
……stick it in your computer…..
Get a video camera and point it at the TV.
Just make sure my TV is turned on.
OK! Get a grip Luke! Stop dropping the microphone.
I’ve just started up my PlayStation
I’m now going to hit the x button on my gamepad.
That’s just a sound in the background for one of the kind of idents for rockstar games.
To skip through something
Or you have had some experience with this game.
Large open world sand box game.
Usually you start out as low-level crook.
Each one has its own narrative.
Heists
Shoot your way out of the bank
Extravagant way.
……you load up GTA 5
…..follow different missions as part if the narrative of the game.
Ex-gangster
Ex-mafia
Family man
Witness protection
He’s going through therapy
Dragged back into the criminal underworld.
Ghetto
Repossess vehicles
Repo man
He joins up with Michael.
Franklin learns the ropes from Michael.
He’s completely unpredictable.
For 10 years Trevor has thought that Michael is dead.
Trevor lives in the sticks. (Country side)
Trailor park.
Extortion
And to work out what’s going on
I’m not sure how far into the game I’m.
He lives in a nice big mansion in the foothills of Hollywood.
A replica of Hollywood
Based on Los Angeles
You get the downtown areas of los Angeles you get upmarket areas of Beverly hills.
Districts
…….names of celebrities engraved in the ground.
Wilderness
A living breathing city
…..going about their general business.
……all sorts of people just milling around…..
I’ve just got into Michael’s car.
I’m going to switch off the radio so that there is less distraction…..
You can hear general street noises, the engine as it’s driving along.
The sun is just going down.
The level of light changes
Woops! I just crashed into a BMW.
I’m in the middle of setting up a mission.
Trying not to crash into too many people.
I’m going to create some mayhem…..
You can hear the tyres screeching
The skidding sounds of the tyres
I just ran into a pedestrian
Commit some kind of crime.
…. shooting someone from within the car.
Lawsuits
Arguments about this game.
You might have strong feelings about that.
It is horribly violent
The game is very tongue-in-cheek.
Disposability of modern American culture.
Satire
I’m a law-abiding citizen in the real world.
It doesn’t mean we are sick and twisted.
Creative and wholesome
To create music
Grow crops
There are games that are all nice and fluffy…..
Wholesome values
Blow up cars
Drive your motorbike off the bridge.
I’ve dealt with the ethical stuff.
Simulation
The brain is designed with many different sorts of electrical frame works.
It basically operates like a human would operate.
When does AI cease to be an object and when does it start to become a person in its own right….
Interesting philosophical situation
The violence is so colourful; disgusting.
Having very up close and personal fights with the enemy.
Comical
I happen to driving at the moment some dodgy car.
An estate car
Boot
Hatchback
Attract the attention of the police
The police will start to follow you…..
Some police will be searching for you
Helicopters with machine guns
Swat teams with guys wearing armour….
Military
Jeeps
Armed tanks to come and get you down.
If you bump into a police car; they will then chase you down and hunt you down and kill you.
Traffic violations
Over the top
Gun friendly states in the USA
Over reacting
They will be driving after you
Drive after you shooting you with machine guns.
I’m fed up with this family car
I just shot him down in cold blood. That was mean and violent.
I’ll shoot the police car
I’ll go on a rampage
I’m going to shoot up some cars here.
I just shot up a car
They have knocked the bloody door off ! (You are not supposed to knock the bloody doors off of a Jaaaaag. Stupid traffic!)
The Jaguar has been ripped off by an ambulance.
Drive up into the hills
They will now aggressively hunt me down.
They are pretty full on!
They set up police road blocks for you
They put down stingers down on the ground
If you drive over the stingers then the tires on your cars will burst and it will be much harder to drive away.
I’ve just driven off a cliff; luckily I’ve landed on my wheels.
I’ve got helicopter in the sky which is also following me.
To escape from the police
I’m going to get shot.
Driving across the grass in the hills.
The police can’t follow me – They stick to the roads.
The police have lost me.
I’m going to lose the police.
I’m over the top of this hill; the landscape.
It’s a very misty morning
Haze
Silhouettes of the mountains
Stunts
I’m crashing my car down the mountain.
The dynamics in the are amazing.
Physics
The damage mechanics are amazing.
Collisions
The car gets dented.
The windows smash
The doors can fall off
The bumpers can fall off
That is messed up
Could you give me a lift home? I don’t want to walk home on my own.
She is just staying off Signora road
You can pick up people in taxis
Across the hills
It’s pretty weird and humorous.
Social satire
Narsicisst
It’s basically a big piss-take on modern consumer culture
American consumerism
Celebrity culture.
She didn’t seemed to be bothered.
It is a modern phenomenon in popular culture.
Give you a little account to the history of Grand Theft Auto.
DMA designed lemmings.
Unicycle
Original forerunner to the 3D version of Grand Theft Auto.
Police chase videos.
Quite dramatic chases as you see from above.
Sick humour
….. young people feel disenfranchised and powerful and they seek to express themselves by using guns…..
It’s very convenient to point the finger at computer games……
Although saying that maybe there are some individuals who are not very stable…..
Cathartic experience.
Afterwards you feel exhilarated
It put you in London in 1969
They really have their finger on the pulse of modern culture.
We are going to skip through some radio stations
Reggie music station
Cycle through music stations.
Soul music
Rock music
Punk music
RnB gangsta music
Country music and rockabilly
Hip Hop
Turn the volume down on the TV so that it doesn’t disturb us too much.
…….they brought out GTA 2.
……. they had a very ambitious approach to GTA 3.
They really wanted to push it into overdrive.
Some GTA games were brought out for the hand held franchise.
And in 2008 GTA 4 came out which was like another big step because it became a lot more nuanced.
It’s a sprawling gaming world.
……which include accusations of glamorizing violence…..
I don’t like when people give me the finger.
I’m going to have to go closer in order to gun this guy down…..
I’ve got three stars on me; I think it’s time to run away from the police
…. You have got to escape by driving into the tunnel.
I’ve a rocket launcher in my arsenal. In my arsenal.
Arsenal ( collection of weapons)
Police have set up a road block for me.
I got shot in the back by a cop…..
Shit! I have been talking for an hour and twenty seven minutes! That is insane! I had no idea that it had gone on for this long.
I have got the rocket launcher. I’ve pulled it out of my arsenal.
The car that was behind me ran me over.
Heinous acts of ultra violence on the streets of Los Santos.
I’m going to equip my machine gun.
Let’s wait for the cavalry to arrive.
I’m going to drive away as quick as possible.
They chase after you and they try to shoot out your tires.
I’ve crashed into the wall
The front part of my car has fallen off
I’m determined to do it even though I have got only 3 tyres.
There’s a swarm of police on my tail.
You can hear the scraping sound. (Wheel arch hitting the ground)
Mountain lions
I’m going to make a run for it.
I’ve hot wired the car.
I’m driving through the winding country roads…….
Just did a huge jump off the mountain.
Train tracks
I’m going to use the map to find the nearest train tracks.
I can drive the train track into the tunnel………
The car is in terrible condition. It has rolled down the mountain several times.
I need to drive over this hill and then I’ll be able to access train tracks.
A big lump of my car just fell off.
Can you hear some dramatic music?
Just at the mouth of the tunnel I’m going to get out.
I’m now on foot.
I’m going to go out by being run down by a moving train.
I got run over by the train – I think that is a fitting end to this podcast.
I have just walked out of the hospital. Apparently they managed to fix me up.

Thanks Jack!

324. David Bowie (Part 2)

Hello, welcome to Luke’s English Podcast, which is a  podcast for learners of English around the world. This is part 2 of a special episode about English musician David Bowie who died just a few days ago on 10 January 2016. The aim of this episode is to talk about David Bowie’s significance as an artist, to consider some of the themes of his work and to look at why so many people had such a strong emotional attachment to him. Hopefully after listening to this episode you’ll be better able to have conversations about David Bowie, but also about art and culture in general. You can find almost everything I’m saying transcribed on the page for this episode – see below.

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In part 1 I talked about Bowie’s career up until about the year 1975. So let’s carry on in just a moment, but before that I just want to say that since I recorded this episode I’ve realised that there are lots of other things didn’t mention. For example, I could have talked more about his first wife Angie and his second wife Iman. They say that behind every great man there’s a great woman. If that’s true then Bowie must have had two great women in his life – and probably quite a lot of average ones as well I expect… Anyway, joking aside, I’m sure they had big parts to play in his life, and I hope they’re alright. It’s hard for us to lose an artist we love, but I can’t imagine what it’s like for his close family who must have cared about him in so many other ways.

Anyway, let’s get back into this episode and I’ll carry on from where I stopped last time in the mid-70s.

Part 2

It’s hard to explain everything that happened in the 1970s! It was a whirlwind of different things, and incredible music. Everything moved so fast for Bowie during that period, and he was really ahead of everyone else in terms of fashion. Bowie was very ahead of his time.

Around this time he starred in a film called The Man Who Fell To Earth, directed by Nicholas Roeg. In it he plays the character of an alien who lands on earth and attempts to make sense of the place. He was perfect for the part and it is still a mesmerizing performance. He was a great actor. IN the film he’s very thin and his otherworldliness and his vulnerability were perfect for the part of an alien, alone on earth.

If you’ve seen the film “Under the Skin” with Scarlett Johannson, I think it borrowed a lot from “The Man Who Fell To Earth”.


Why was he so thin? Drugs and his excessive lifestyle.
It’s amazing that he survived that period.
You can see him in quite a dark place in the documentary film about him called “Cracked Actor”.
This is partly due to the ravages of his rock and roll lifestyle – touring, performing and being a celebrity can have a weird effect on a person, but add drugs into the mix and things can get seriously out of control.
Bowie took a lot of cocaine in the 70s. http://ultimateclassicrock.com/david-bowie-cocaine/
He did this mainly to help him work, but also because it was fun of course (in the beginning). I think cocaine can give you lots of energy which allows you to keep working much more intensively and for longer periods than people who are not using it, but it comes with a price of course – to your wallet, but to your mental and physical condition. Apparently it is incredibly habit-forming and very difficult to break away from. Ultimately, if you continue to use it then eventually it will use you. “Sometimes you eat the bar, and sometimes the bar eats you.” I don’t know where that quote comes from, but I guess it means that “you might use drugs, but eventually the drugs will use you.” And I don’t know what drugs will use you for… it’s probably best not to let drugs use you or dictate your life. They’ll take you to bad places.

Paranoia, weird eating habits, alcohol, obsessions.
He was incredibly thin and seemed to be quite out of his mind during that period.
Check out some of his interviews and TV appearances, and photos of him at the Grammy Awards with John Lennon and Yoko Ono in 1975. He looks almost like a skeleton.
Grammy Awards in 1975 - from left to right: Bowie, Art Garfunkel, Paul Simon, Yoko Ono, John Lennon

He later described this period as horrible. Imagine being so far out of your mind and yet so lost within yourself that all your demons are made real and are talking to you in persuasive, frightening and seductive voices. Apparently Bowie was so disturbed and paranoid that he could only bear to eat certain foods. Apparently he lived for quite a while just drinking milk and eating green peppers, while snorting cocaine all the time and drinking alcohol. It’s amazing that he survived.

I think his problems at that time were not just drug related, but also identity related. Apparently he had let the Ziggy Stardust persona take over his real life. He wasn’t sure where Ziggy or Aladdin Sane ended and David Bowie began. The lines became blurred. Reality and performance were all messed up, and he lost a sense of who he really was. He must have nearly lost his grip on reality for a while. Again, he was the astronaut spinning into deep space.

Nevertheless, despite the craziness in his personal life at the time, he continued to make some of the best music of his career and it’s all there for us to listen to, like great albums such as Young Americans and Station to Station. Always such fantastic music and well written songs. That’s the bedrock of all of it – he wrote very good songs. He combined appealing and popular music which also contained some very complex and avant-garde elements, like a crazy freeform piano solo here, some very unorthodox string arrangements, some totally distinctive chord changes, and some incredibly versatile singing. Some people say Bowie couldn’t sing, but it’s not true. He had quite a narrow sounding voice, but he used it in a lot of different ways and could sing low or very high. Sometimes he would sing in a kind of cockney accent, and sometimes he’d use a posher, deeper and more distinguished voice.

The Berlin Period
My Dad didn’t have any records by Bowie from 1975 until 1983, so I missed the whole Berlin period, and I still haven’t really explored it, which is, on one hand terrible because how can I be a fan without really knowing those records, but also great because I’m going to explore all those albums now. My uncle sent me 3 CDs not long ago – Low, Lodger and Heroes. I’m going to feast on those LPs. He’s always been good that way, my uncle Nic. Never been on the podcast, but he’s a huge music lover and a massive fan of Bowie. When I was 16 Nic made me a tape. It had Jimi Hendrix, Neil Young, David Bowie and The Clash on it. What an education. My uncle saw Bowie perform live 3 times. At one of those performances it was 1975 or 1976 and he was right at the front of the audience. He actually saw Bowie performing as the Thin White Duke, just a few metres away. It must have been incredible. I’ve been chatting a bit with Nic, and my brother who is also a big fan. Here are some of the things that my Uncle said to me via text just yesterday.

Nic: I feel really very sad about it, more than I can imagine for someone I never actually knew. Except of course I did in a way. Such a soundtrack through my adult life. The highlight for me was being near the front at Wembley Pool for the Thin White Duke, maybe the best concert we ever went to. The greatest artist of my generation.

Saw him three times but The Duke was the best, mainly also because we saw him swept away in the back of a huge black limousine after the gig, this little white genius in the back of this huge black car.

Luke: I’m about to do a podcast about Bowie, but I really don’t know where to start.

Nic: What you have to say is that part of his genius was the utter unpredictable nature. Each successive album was unique and different, you never knew what to expect. But it was always different and fascinating.

Good luck with the podcast I’m sure you’ll manage it but don’t worry if you can’t. Such a huge subject.

Luke Thompson: I’ll do what I can! Didn’t someone once say that art is never finished, it’s just abandoned? I’m not saying my podcast is art or anything, but I think you know what I mean.

Nic: I do. I think you and David would’ve got on really well!

Luke: Oh man, what a thought!

My bro sent me a little voice message. Here it is.
(James’ audio message)

Anyway, back to the Berlin period. I think what happened is that Bowie decided to get out of LA in order to escape all the drugs and madness. He moved to Berlin with Iggy Pop. I think they believed that there would be no drugs in Berlin, but they were wrong – apparently there was lots of heroin. I don’t think Bowie used heroin. Good – that’s the real killer and must be avoided at all costs. His friend Iggy Pop (real name James Osterberg) was a heroin addict, so I think he may have succumbed to it there, I’m not sure. But for Bowie, Berlin was a chance to start piecing his life together again and work on new projects. He also split from his wife Angie during this period. (Yes, during all the madness of the previous few years he had married and had a child, now called Duncan Jones – he’s a filmmaker who did a really great science fiction film called Moon, which is quite reminiscent of Bowie’s song Space Oddity).

Anyway, Berlin was Bowie’s attempt to begin again, and although it must have been a difficult and troubling time for him, it was also an extremely creative period, again. Some say it’s the peak of his career, but David Bowie had so many different peaks. Just pick one.

Berlin and the art scene there influenced him a lot. His records from that period were a collaboration with Brian Eno, and they have a totally different feel to the Thin White Duke period. They’re stark, sparse, quite low-fi, quite gritty, depressing yet with an air of grounded optimism and a sense of rebirth. It’s amazing how he managed to change and find new creativity with each step. I think artists are always struggling to find that inspiration to be creative. You can’t always manufacture the creative urge, it just comes to you and you have to try and put it into music or paint or whatever you’re using. I’m amazed at how Bowie managed to follow his creative muse so consistently and regularly. He was really in touch with something – a creative channel, that most of us don’t have access to. It makes us think that Bowie knew things that the rest of us don’t know. I don’t really understand that, but it’s true of all great artists I think – that they have direct access to something that we don’t, and they are able to put it into their art and then we can have access to it too. I feel like that about The Beatles too.

Song: Ashes to Ashes.
This was made just after the Berlin period and it’s his way of saying goodbye to the 70s. The song is incredible, especially when performed live. It has a really cool funk groove, but it also has some really weird and original chord changes and melodies. For me the lyrics are about him looking at his recent past and putting it behind him. It’s about letting the past be the past and moving on. I really can’t do justice in words to how poignant this song feels for me whenever I listen to it. It just grabs my feelings and throws them around all over the place. I don’t want to sound pretentious, that’s genuinely what the song does to me. I care about it in personal ways that I can’t go into now. I love the strength in the song. That you can move on and change and that you are not defined by your past. That’s incredibly brave and positive.

My Dad had another album – Let’s Dance, released in 1983. Perhaps Bowie’s biggest commercial hit. Produced by Nile Rogers.
On the cover Bowie was dressed as a boxer and is throwing a punch. There are also some diagrams for dance steps. I like the analogy of boxing and music. Dancing can be like fighting, when you dance on your own that is. It can be like sparring with your demons, if you like.
Bowie was still in a suit in this period and had bleached blonde hair. He still looked super cool as always.
The production on the album is absolutely massive. It sounds incredible.
The vinyl was in much better condition.
Maybe my Dad listened to it less (I think having kids and a job took up most of his time) or maybe the technology had improved since then, and vinyl records were just better made.
“Let’s Dance” blew my socks off completely. Still does.
“China Girl” also sounded incredible. The musicianship was so tight. It was produced like an up-front commercial dance album. Apparently Bowie didn’t like it that much. I think it just didn’t match his artistic vision, but I love it – because I love the work of Nile Rogers (think tracks like “Good Times” by Chic or “He’s the greatest dancer” by Sister Sledge, and many other records).
My Dad told me that he thought China girl was a song about heroin. That was really intriguing to me. “How could those romantic lyrics be about drugs?” and also, I was interested to know if Bowie had used heroin, because I know how dangerous that drug is – just watch the film Trainspotting and you’ll know.
It turns out the song was written by Iggy Pop. That explains it. Iggy was the heroin addict.
Listening to it, there’s a lot of pain and despair in the lyrics. Bowie screams in pain, including the line “It’s in the whites of my eyes!” to describe the depth of Iggy’s drug addiction. That’s scary, but it’s a pop song.
In fact, the raw upbeat power of the song overwhelms the dark sentiment of the lyrics. Maybe that’s why Bowie wasn’t so keen on it.

Since listening to that album as a teenager (and throughout my life) I’ve learned that by 1983 Bowie had managed to get clean and had left his drug habit behind. That was always really impressive to me. He always managed to maintain such distinction and class, even when he must have been feeling so terrible sometimes. He really kept it together, but there must have been some pretty dark and difficult times. I respect him for having the strength of mind to stop. Lesser people would have been destroyed by the lifestyle he had. Apparently, to help him stay clean, Bowie had a tattoo on his leg of the serenity prayer, which is the common name for a prayer authored by the American theologian Reinhold Niebuhr (1892–1971). It has been adopted by Alcoholics Anonymous and other twelve-step programs. The best-known form is:

God, grant me the serenity to accept the things I cannot change,
The courage to change the things I can,
And the wisdom to know the difference.

Which means I think – he wanted to remember that he could never go back to using drugs. I think some addicts slip back into using when they think they have the power to stop again, but they have to remember that their drug addiction is something they can’t change. If you believe you can control the addiction, you’re wrong. But you can control yourself by choosing to stay clean.

It’s something like that. But to me it’s impressive that he tattooed that onto his leg. He was really committed and strong-minded.

The 80s were a slightly mixed period artistically for Bowie. I think he probably got his personal life together but his art suffered a bit. Fair enough. I think he deserved to have some happiness and stability for a while and so what if some of his work in the late 80s wasn’t that great.

I remember seeing him again in about 1986 or 1987 when as a family we went to the cinema to watch a film called Labyrinth. David Bowie played the bad guy in the film – called Jareth The Goblin King. Basically it’s a kind of dark fairy tale about a girl who goes on adventure into a maze in order to rescue her baby brother who has been kidnapped by the goblin king. Bowie’s performance is pretty hilarious. He’s dressed up in a very camp outfit with big hair and tights. He sings a couple of songs. I remember being a bit disturbed by the film but I didn’t know why. Watching it back more recently I think I realised what it was – it’s Bowie’s tight trousers. They were… well… a bit too tight. I mean, you could see everything. The film was supposed to be scary and there were a few monsters in it, but really the most frightening monsters were on display under David’s tight pants. If you don’t know what I’m getting at, watch the film and you might see what I mean. I’m not the only one to have made that observation by the way. Apparently it was intentional too. The director wanted to create a villain who was attractive yet dangerous – like a rock star.

Bowie came back again in the 90s with another creative period. He reinvented himself as a kind of godfather of British rock music. He wore an awesome jacket with a union jack on it, and collaborated with drum and bass artists like Goldie.

For me the rest of his career is interesting but not quite as great as his earlier work, in terms of music. But he did lots of TV interviews and live performances and many of them are on YouTube. I like to think of his later period as his interview period, but of course he was involved in loads of other projects. There are plenty of things I’m not mentioning here just because it would be impossible to cover everything. One thing he did was use the internet to share his music, right from the beginning, before most other artists or companies used the internet for publishing. He really had his finger on the pulse. He was always ahead of his time.

His TV interviews on YouTube are great. He was always really interesting to listen to. He was very thoughtful, intelligent and articulate, and funny. He was really witty and had a fantastic sense of humour. That’s perhaps one of the most attractive things about him. He never ever took himself too seriously. He took the art really seriously, but never himself. His attitude was so refreshing. No ego.

He had a characteristic voice and way of speaking. It’s fun to do impressions of him and many comedians have done that over the years. My favourite impressions of Bowie are done by Hugh Cornwell on a TV show called Stella Street, and by Adam & Joe who are both Bowie obsessives, particularly Adam Buxton. They do great Bowie impressions. Check out the page for this episode to see those Bowie impressions and to listen to a long documentary that Adam did about Bowie. It’s brilliant.

Bowie released a few albums during the 2000s that were well received by critics, including Heathen and Reality.

Then he went quiet for a while after having a heart attack. He sort of disappeared from the media, except to help promote his son’s film “Moon”.

Then, more recently he came back with The Next Day, and just a week before his death his final album called Blackstar.

What’s interesting about this last couple of albums is that he seemes to be singing about his career as a whole, revisiting some of the themes, places and images that he created earlier.

What none of us predicted is that his latest album Blackstar is about his mortality. Listening to it now, immediately after his death, the songs and videos take on a much deeper significance. The album is very poignant and moving, and is full of puzzles and enigmas that seem to express his experience of coming to terms with his own death, and then dying, leaving us with a completed body of work. It is the perfect ending to his career.

Just over a week ago Bowie released his new album on his birthday.
Lots of people were talking about it, and Bowie fans were excited as usual to get some more music to explore.
We were all celebrating his return and wishing him a happy birthday.
So when we heard about his death, it came as a painful shock.
It was so unexpected, because we had no warning. We had no idea he was sick. He’d kept it secret.

It might seem like a small thing, but a new album of music from an artist you love can make a difference to your life in subtle ways.
A week before he died, early on a dark Monday morning while eating my corn flakes, I had watched the video to his song Blackstar. I found it to be really strange and quite frightening, yet with an appealing and catching song in the middle of it.
Just like much of Bowie’s best work, it’s both avant-garde and poppy. It’s not easy listening, it’s quite dark and moody, but I like that. Music shouldn’t always be safe. It should be challenging sometimes.
Anyway, the video disturbed me a bit. It was full of nightmarish visions, and seemed to be symbolic of something but I couldn’t put my finger on what it was.
I went to work that day and put it to the back of my mind, deciding to just come back and listen to the whole album at some point later.
Then a week passed and last Sunday evening came around. I couldn’t sleep.
I just couldn’t get to sleep.
That doesn’t always happen to me. Usually I get to sleep quite easily. I love sleeping.
This was one of those nights when I couldn’t rest. My mind was just wide awake and it was racing in lots of different directions at the same time. I ind it very frustrating and annoying, especially if I have work the next day. I just want to sleep but my mind seems to be connected to something and won’t switch off. (perhaps I should have listened to my own sleep episode – or tried the relaxation techniques, but I couldn’t focus)
It was disturbing to be still awake at 4am, just lying there in the darkness, with the stars in the sky outside, just staring into space even though my eyes were closed.

Eventually I dropped off and got a couple of hours of sleep, but I was feeling pretty delicate on Monday morning. You know how it is if you haven’t slept.
I had corn flakes again like normal. I have to get up extra early on Mondays in order to teach. My wife was still sleeping peacefully. Lucky her!
I got to school in the rain.
I was holding it together, getting my lessons prepared and someone came in the room and just said to me “David Bowie’s dead”.
Immediately I just said “WHAT???”
In fact, the news spread around the teachers’ room pretty fast. Usually people are busy getting their lessons planned but everyone just stopped.
It’s hard to comprehend that someone is just not in the world any more.
There’s a period where you can’t come to terms with it.
I felt a bit empty or something.
Then I had to go and teach.
During the classes that morning, when I wasn’t interacting with my students, like when I was getting the CD prepared, or when I turned away from them to write on the board, it came back to me quite quickly, and I got surprisingly emotional and had to try to get control of myself!
Fair enough I hadn’t slept much so I was feeling a bit weird anyway.
But I’m still quite surprised at how moved I was.
It was so unexpected.
It’s like David Bowie himself had punched me in the stomach.
Apparently he used to train as a boxer to keep fit.
Well, apparently he was still pretty fit because laid a combination of punches on me that morning that I didn’t expect.
In those moments when I wasn’t occupied by something else I couldn’t help thinking of the times when David Bowie’s music was in my life. They were all key moments for me somehow. Like being in the car with my Dad, discovering new feelings as a teenager in the corner of the living room, dancing in a nightclub somewhere with girls, doing Bowie impressions with my best friends, singing a Bowie song to try and seduce my girlfriend (it worked – the song? “The Prettiest Star”).
They all struck me, but I wasn’t the only one of course. Millions of people around the world were feeling pretty much the same things as me at that moment.

And later on I thought about that scary video that I’d seen exactly a week before and it made a lot more sense to me.
Bowie knew what he was doing. He new he was sick with cancer and he knew that he was going to die, but he didn’t tell the public. We had no idea. So he decided, probably very quickly, to make this music and throw into it all his feelings and experiences when confronted with his own mortality. Apparently he had 6 heart attacks in the year before his death, while recording the album, but he kept fighting to finish the album. Wow.

Apparently he was very close to the edge during the period when the album was due to be released. But he managed to time it somehow so that he would die a week after his birthday and the release of the album.

Even his death was a flawlessly judged artistic act.

Imagine my sleepless night, the frustration of not sleeping, the weird thoughts and fears that passed through my head in that condition. It was weird but what must it be like to be lying in bed, not waiting for dawn to come, but waiting for the end to arrive? What would you be thinking and feeling? I think Bowie has done a great job of expressing that in this music. It’s scary I know, but it’s powerful, and it’s not just morbid and depressing. There are moments where I feel he’s exstatically happy, looking back on some of the victories and joy he had in his life.

Also, the music is good. It’s got some bubbly electronic sounds and some jazz/funk drumming, and some soulful elements and sweeping string arrangements and saxophone.

But what’s mind-blowing is that Bowie used his death as a way of delivering his art to us. That punch in the stomach is a great way to get someone’s attention. Now he has everyone’s attention and we’re all listening. It’s the perfect exit! He really left with a bang.

Now what we have is a complete body of work with a distinct beginning and end, which makes it all the more powerful. I’m sure that all his best music will stand the test of time. In 100-200 years, if we’re all still here, I think Bowie will still be considered one of the most influential and significant artists of this age.

For me personally, I hope there will be many more moments coming in the future that I can share with David Bowie and his music, like the ones I had in the past.

The man may be gone, but the artist remains – preserved in the music, in the images and in our memories.

Thank you David Bowie.

Here are lots of David Bowie Links and Videos.
Just take your pick and dive in.

Space Oddity studio version with lyrics

Space Oddity live on TV in 1969
https://www.youtube.com/watch?v=dFhKM8AW1Js

Ziggy Stardust sings Starman on BBC Top of the Pops in 1972

David Bowie announces the end of Ziggy Stardust on stage
https://www.youtube.com/watch?v=_-G1Uy0OkCw

Aladdin Sane

Bowie interviewed by Dick Cavett in 1974, clearly under the influence of cocaine

Thin White Duke
https://www.youtube.com/watch?v=Shnrnqx_wsY

https://www.youtube.com/watch?v=G4_0bVgIRjg

Bowie in Berlin
Guardian article http://www.theguardian.com/music/2016/jan/13/david-bowie-berlin-years-heroes-just-a-gigolo

Fascinating interview from 1979

Bowie in 1983 criticises MTV for not playing black music

Bowie talks about acting and touring in 1983
https://www.youtube.com/watch?v=DqiTgApODBk

Nile Rogers describes meeting David Bowie

Bowie – “The Interview Years”

Bowie & Comedy – Ricky Gervais described meeting Bowie

Phil Cornwell on Stella Street (skip to 5:00 for the David Bowie impression)
https://www.youtube.com/watch?v=oIot-vgqJBA

Documentaries

https://www.youtube.com/watch?v=gRiTngOAQps

Adam Buxton’s Audio Bowie Documentary
This is my favourite Bowie tribute.
https://archive.org/details/AdamBuxtonOnDavidBowie31stMarch2013
YouTube version here but with the songs removed
https://www.youtube.com/watch?v=mpCrIZamdQE&spfreload=10

The new tracks – Blackstar (the creepy video I watched on Monday morning while eating corn flakes) and Lazarus

Adam & Joe talk about Bowie and do some impressions
If you watch just one of the videos in this list, please watch this one. Adam & Joe obviously love Bowie very much, and their impressions and improvisations are a lot of fun.

323. David Bowie (Part 1)

This episode is all about the life and work of David Bowie, the English musician who died just a couple of days ago. In the episode you’ll hear me talk about the cultural significance of Bowie as an artist, why he is such a legend of British music, and what his music means to me personally. I hope you can use this episode as a way to learn more about British culture. Almost 100% of the episode is transcribed below.

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David Bowie was an English singer, songwriter, record producer, painter and actor. He was a figure in popular music for over five decades, and was considered by people around the world as a cultural innovator, particularly for his work in the 1970s. I am a big David Bowie fan, and in this podcast my aim is to explain to you the appeal and significance of David Bowie as a cultural icon. I’ve had a few messages from listeners over the last couple of days asking me to talk about this subject, and I am very happy to be able to do that on my podcast.

This subject is significant to me personally, and I expect to many of you too, but also it’s a very significant to British culture in general, and I think it’s important to teach you about British culture or English language culture on Luke’s English Podcast, as well as to teach you the language itself, because ultimately, it’s all part of the same thing. The language exists within the culture, or perhaps the culture exists within the language – they are intertwined together in complex ways. So, to learn the language like a native I think it helps to know about the culture of that language too, so you can start thinking in the same way that native users of that language think too. Also, if you ever talk to native speakers of English you need to know the cultural references. For example, at the moment and no doubt for a long time afterwards, people will be talking about David Bowie, his music, his art and its significance. Would you be able to hold down a conversation about Bowie? Hopefully this episode will help you do that.

David Bowie changed our culture, not just in Britain but also around the world. How did he do it? What did he do that was so significant? Why is his death such a big deal? What was his appeal? What do most people know about David Bowie? What did he do during his life? What were the messages he communicated through his art? Why will he be considered one of the greatest artists of our time?

There are so many questions to answer. I don’t have the answers to all of them. Some questions will go unanswered. But there are always more questions than answers, aren’t there?

I think the world still doesn’t fully understand what Bowie was doing or what it was all about – or at least we can’t easily put it into words, but those people who value his work certainly feel a powerful emotional connection to David Bowie and his work. He was an artist, and I suppose part of the work of an artist is to express ideas and feelings in other ways – not using words alone, but using anything else as a way of conveying a message or feeling. David Bowie definitely did that. Not only was he a musician, but he was an artist, maybe one of the greatest artists of our time, and he used everything he could in order to communicate with us – music primarily, but also video, theatre, mime, the internet (he was an early adopter), the media and even his own body, his fame, his image and ultimately his identity itself. He even used his own death as a way of communicating his art to the world.

David Bowie’s whole life turned out to be a work of art itself, and as an artist he used his life to tell a captivating, mysterious and complex story.

Here are the main questions I’m going to try and talk about
Who is* David Bowie? (*was ?)
Why is he significant?
Why is Bowie significant to me personally?

I have to say that this is a really difficult episode for me to do because there’s just so much to cover, and I want to do justice to the subject. I don’t think I can say everything I want to say about Bowie in this episode. I would love you to just listen to his music with an open mind. Listen to the beats, the grooves, the moods and let your imagination do the rest. he was also a great speaker in interviews – he was articulate, charming and very funny too. I’m not going to play you any interview footage or any of his music (except perhaps for a couple of seconds per song) on this podcast. But what I have done is collect some videos and other links for you on the page for this episode and I strongly recommend that you check them out. There are other documentaries, interviews, podcast episodes and music that are really really great and will give you loads more perspective on the subject. So go to the page for this episode and just dive in. Please do watch and listen to Bowie in his own words, and in the words of other people who have talked about him too.

I’ve been a fan of Bowie almost all my life. I grew up with his music and it has been with me at various important emotional moments for me.

When did I first hear Bowie’s music?
In the car as a child.
Night time.
Space Oddity.
The song is fascinating – it tells the story of an astronaut on a space mission. He goes out alone into space and loses touch with the earth. The astronaut is afraid, and it is scary – the idea of being so alone, drifting into the void of space, but also it is full of the wonder of the universe – seeing the earth from a distance, and wondering what it’s all about. The song is deep – as deep as the film 2001 A Space Odyssey, which was a direct influence on Bowie.
Looking back on it now, that car was like a spaceship floating through the dark with my Dad at the controls, the lights of suburban London street lamps passing overhead.
The song is like a metaphor for his career somehow.
The astronaut is Bowie the artist, and the spaceship is his work – the different characters he portrayed and inhabited, the multimedia structure around him that he built during his career – like a cocoon, which he has now departed.
Now, after his death, we have just the cocoon, the spacecraft. His life’s work is left with us.
I’m not sure what I’m saying here. And I’m sounding a bit pretentious I expect.
What I mean is that the image of a man in spaceship travelling through space is a bit like a metaphor for the work of the artist going on a journey. I can’t explain it. IN fact, I don’t quite understand it fully. It’s just beyond my understanding, just out of reach, somewhere in space.
That’s space oddity.

Then, later, at other times in my life, I had other moments with David Bowie’s music.
I gave a Bowie album to my Dad for his birthday in 1987. I remember the front cover of the album. I was 10. Bowie was Blue. It felt important that I was giving the record to my Dad. I think my Mum bought it, and I gave it to him.

Then when I was a teenager I started exploring my parents record collection. I discovered a lot of old music, but it was new to me. In our house the record player and the vinyl records were in the corner of the living room. I remember spending quite a lot of time in that corner, with the headphones on, exploring the music while my family were doing other things.

There was an album called “Changes – One Bowie”, which was a greatest hits compilation. I think it was released in the mid 70s and it had songs from his whole career up to that point. It was music from his psychedelic period, his hippy-in-a-dress period, the Ziggy Stardust period and the thin white duke period. These are all different incarnations of Bowie’s rock star identity.

The album cover to “ChangesOneBowie” – the compilation LP that I found in my parents’ record collection.

There was a photo of Bowie on the front of the album – it was a black and white pic and he looked like a Hollywood star from the classic Hollywood period of the 1930s or 40s. I couldn’t quite date the photo. Normally I’m good at predicting the period in which the picture was taken, or predicting when a record was recorded by listening to it, but this photograph just looked completely timeless. I couldn’t work out when it was taken.

The photo could come from any time and that was pretty fascinating. Also, he just seemed so cool and handsome and I thought – how could I be like him? How can I take some of that style and confidence and attractiveness and apply it to my own life. He seemed to be above everything, but not in a bad way – not in an arrogant way. I thought, how could any girl resist this guy? And that was very exciting for me – because I definitely fancied girls but I just wasn’t confident enough. I had no clue about how to talk to girls, let alone get them to fancy me. What Bowie showed me about that is that you shouldn’t fake it – just be confident, express yourself, let your natural style come out and don’t show any fear and you’ll attract girls. In fact, what was really attractive about Bowie is that he didn’t do things for egotistical reasons – the guy in the photo was distant – he wasn’t looking at the camera, he wasn’t begging for your attention, he was looking off into the middle distance somewhere. His mind was elsewhere. He was occupied by his work and by big ideas. I think Bowie’s enthusiasm and commitment to his work made him as attractive as his looks. But it was his looks too. He was the complete package.

I asked my Mum what she thought of Bowie and she said she just found him weird and a bit creepy. I was a bit disappointed, but I was still convinced that Bowie was the essence of coolness. What I saw in that picture was a lot of what is appealing about Bowie. His good looks and cool style, but also his class, his elegance, mystery and weirdness.
Let me describe the album cover.
You see his face and shoulders. He’s looking to our left, into the distance. It’s a black and white photo. His hair is quite short and is combed back with a slight parting on the side. His finger is resting on his bottom lip as if he’s thinking of something.
After a while I noticed that his eyes were different. The pupil of his left eye in the photo is dilated wide, but the other pupil is normal. I wondered if that was an effect added to the photo, to perhaps hint at the fact that he was high on something. It wasn’t obvious, but it was fascinating. Later I learned that Bowie had 2 different eyes – it looked like they had different colours, and the pupil of one was always larger than the pupil of the other. Apparently he had an accident or a fight over a girl when he was fourteen and got punched. The punch caused damage to a muscle in his eye, and since then one of the eyes always looked different to the other. It was another part of Bowie’s allure – there was just something different about his face.

In the photo he’s thin and has ridiculously high cheekbones and chiseled features, like a Hollywood movie star from the 1940s.
He had classical good looks, but there was something else about him – the lines on his face, the shape of his nose – there was something otherworldly and alien about him, like he might have come from outer space.

Also he has femininity in his features, and I think there’s nothing wrong with being in touch with your feminine side.
His ambiguous gender wasn’t the main thing I liked about him, but for many other teenagers throughout the years – teenagers who struggled with their gender identity, David Bowie was someone who gave them self-esteem and confidence. He showed that if you felt confused about your gender, that it was nothing to be ashamed of and that it didn’t matter, and that you could be whoever you wanted to be, and do it with pride. As a rock star, David Bowie was a huge ego boost to so many fans, and for many reasons. For me Bowie was just cool, confident and he made really great music. His confidence and his style commanded respect.
I grew up a bit when I looked at that album cover.

Then I listened to the record. I took the vinyl out of the sleeve and put it on the record player, with the headphones on. My parents had an old pair of 70s headphones. They were really good quality ones.

The first track was called Changes, released in 1971. There was a scratch on the record and it used to jump quite a lot during the introduction to the song. For years, I only heard the scratched version. The song would skip from the intro to the first verse, and then to the chorus quite quickly. It still sounded good to my ears.

It had a piano riff, chunky sounding drums and a good baseline. It sounded amazing in the headphones. Bowie sang words like
I watch the ripples change their size
But never leave the stream
Of warm impermanence and
So the days float through my eyes
But still the days seem the same
And these children that you spit on
As they try to change their worlds
Are immune to your consultations
They’re quite aware of what they’re going through
Changes

As a 15 or 16-year-old I was quite aware that I was going through changes of my own and at the time I was feeling for the first time that I was actually having more complicated feelings than just “I want to play football” or “Star Wars is cool”. Listening to this song, even though I didn’t completely understand the lyrics, I felt that I was suddenly part of something much larger and deeper, and it felt really cool. What it meant to me at the time was that we go through changes in our lives and we don’t always know why, but they’re significant and meaningful and we should be prepared for them, and others should let us change and we shouldn’t try to hold each other back or tell each other what to do – that we should have respect for each other’s complex worlds. I didn’t really understand it all, but it meant a lot – I just felt it.

Also, as I learned more about David Bowie’s music I knew that he was something of a changeling himself. He went through many image changes during his career, especially in the 70s, and that was and still is fascinating to me. How could someone become all these different people – and still hang onto himself? What was identity all about?

Here’s a ‘brief’ history of David Bowie.
South London in 1947. His real name was David Jones. Another performer had the name Davy Jones so he changed his name. He tried a few others, including Tom Jones and David Cassidy, before sticking with David Bowie. Good judgement. He chose Bowie because it was the name of an American knife and he liked the symbolism of that. The knife.
Grew up in postwar UK – the same generation as the Beatles and so many other great artists of his generation.
The main theme of his childhood seems to be – boredom and dullness. Living in suburbia was dull and everything looked the same. It seems to me, looking back on that period in the 1950s that life was in black and white. Just boring and quiet. The older generation just wanted peace and quiet after the hell of world war 2.
Like his peers he got hooked on American rock and roll and R&B but also plenty of other forms of music. This new music which he heard on the radio must have brought some colour into his life.
America was the place that seemed to be really exciting and interesting.
He got involved in the London music scene but never really found his style or confidence.
There was a boom in youth culture associated with music and fashion. This was the mid-late sixties.
Drugs and psychedelia were involved, amphetamines for energy and probably LSD for its mind expanding qualities.

Bowie recorded Space Oddity and it was released and became a hit, eventually, particularly as it coincided with the NASA moon landing in 1969. Some people thought of Space Oddity as a novelty song – just a funny story about an astronaut going into space. But it was deeper, more meaningful than that. Space Oddity is now a timeless classic that is not just about an astronaut. It’s an existential comment about the human condition. But it’s also a great little pop song that you can hum along to and which gets stuck in your head.

Despite some success with that song he still felt unsure of himself as a performer, and searched for ways to bring new dimensions and confidence to his performance art.

He started taking risks with his performances and was influenced by avant-garde artists and various forms of theatre, like clowning, mime and Japanese kabuki. He brought those influences into his rock and roll shows.
He collaborated with a guitarist called Mick Ronson who perhaps deserves more recognition than he gets. He’s the one who played those amazing riffs on a lot of Bowie’s glam rock classics like Rebel Rebel and Ziggy Stardust.

Bowie also came out as gay/bisexual during that period, but it’s not clear to all of us if he really was gay or if it was all part of some kind of provocative and experimental performance both on and off stage.

Nevertheless, he attracted devoted and passionate fans who loved his daring style and his outrageous performances. Being a David Bowie fan was a statement of liberty and freedom. He made it ok, and maybe even cool, to be androgynous.

Also, his music at the time just kicked arse. His band made really raunchy and catchy glam rock. It was heavy, fast, funky, romantic and glamorous. The confidence and mystery that he exuded on stage was like a gift to his fans, who were empowered by having him as a role model.

He first became really huge as a star when he created the character of Ziggy Stardust in around 1972.
Up until that point Bowie had not really found his feet as a performer. Apparently, when performing as himself he felt shy. It’s hard to imagine, but apparently it’s true. He didn’t really enjoy performing as David Bowie, because he just felt a bit awkward.

So he invented a character, and played him during the performances.
Ziggy Stardust was just a character – like a character in a movie or a play, and Bowie was the actor.
People still refer to Bowie as Ziggy, like it was his nickname. It wasn’t a nickname for Bowie, it was an alter-ego. Ziggy disappeared in the mid 70s.

Becoming Ziggy allowed Bowie to really let go of himself and become a rock god, and his performances as Ziggy were really extravagant, involving big costume changes, make up and all sorts of rude and lewd acts on stage.

Apparently Bowie was Ziggy not only on stage, but also off the stage, in public appearances, interviews and so on.
So, David Bowie was really an actor playing the part of an outrageous rock star. That’s interesting for me because Bowie’s acting performance was not just confined to the stage, it bled out into every aspect of his public life. His fame was his medium. He used that medium, fame, very well, to convey his art to us, even with his death.

It’s as Ziggy Stardust that Bowie became really well-known all over the UK and then in the USA, where he was embraced as a big star by the rock music scene.

Apparently Bowie’s main influences for Ziggy Stardust were on one hand NY based musicians Lou Reed & Iggy Pop, but also mime artists, Japanese kabuki theatre performers. Bowie loved the way Lou Reed managed to combine avant-garde art with pop and rock music. He loved the outrageousness and energy of Iggy Pop and the mystery and magic of the kabuki theatre tradition. All of it combined to create something extraordinary in Ziggy Stardust. These incredibly theatrical live shows, with stomping fast rock music and avant-garde lyrics. He released an album called Ziggy Stardust and the Spiders from Mars. It’s now a classic.

Part of Bowie’s genius was always that he could take very weird and abstract art and bring it to a wide audience via good old-fashioned rock and roll, and pop music. That’s the genius of pop. A pop song is so short, and so simple. Just 3 minutes with a couple of verses, a chorus and a bridge section. Played on the radio for mass appeal, full of catchy melodies and instant appeal. Bowie, like all the other great pop stars, used this medium to deliver some very powerful and clever ideas. Bowie’s pop songs were not just disposable trash. They had deep hidden meanings that are hard to comprehend, but which really stand up under scrutiny. He wasn’t just lucky either, like some artists who make one or maybe two hit records in their career. Bowie had hit songs throughout his career, and his greatest hits albums that you can buy now stretch over 2 or sometimes 3 CD collections. He knew what he was doing and his music is pure pop art.

He was a mainstream pop act, but he was also a radical avant gardist. Using pop to deliver abstract ideas right into people’s every day lives. Usually abstract art is to be found in galleries, and let’s face it, not enough ‘ordinary’ people see it. Through his records and videos and other projects, Bowie brought that stuff right to hearts and minds of a massive audience. IN that way, he’s way more of a successful artist than so many others. People would play his songs on the radio. He appeared on Top of the Pops on BBC1 – a very mainstream show, and he brought into the homes of normal people some of the craziest and most over the top concept art, simultaneously fascinating and frightening the nation. He sang a song called “Star Man” on BBC TV, dressed in a bright green costume, with his hair dyed bright red. Starman seems to be about an alien who wants to come to earth but is frightened of how the humans will receive him. It seemed to many that Bowie was the alien.

What did Ziggy Stardust look like?

I remember watching a movie about a Ziggy Stardust live concert, with my brother…

Ziggy was Bowie’s way to celebrate rock and roll, and comment on all its conventions. Again, he knew what he was doing. He wasn’t just aiming to get as many fans as possible. He wanted his fans to really think about what was going on in the live show, in music and in life in general. He really encouraged his audience to use their own intelligence and to interpret his work in their own way. I feel a great amount of respect from the artist when I listen to the music and watch his performances. I don’t feel like he’s patronising me or being arrogant. I just feel like he’s doing the performance, but that some part of him is completely conscious of what he’s doing objectively and that he has no ego.

Apparently, according to the things I’ve heard and read about him, Bowie was a really nice and down to earth person. In interviews he was always very intelligent, articulate, sweet and funny. Apparently he was also quite a private man. The characters he played in his songs are really different to the character of the artist himself.

Bowie made a few albums using the Ziggy Stardust persona, and toured America, and moved there I think. He recorded a couple of albums as Ziggy, but the character did change bit by bit, with a slightly different look emerging over time. He released a couple of albums with the Ziggy Stardust persona I believe. These are absolute bona fide rock classics. I’m talking about albums like Diamond Dogs.

I think by the mid 70s his life was moving extremely quickly and that’s evident in his music and his image. He went through so many different changes during that period and produced some wildly inventive yet accessible music. Eventually he killed off Ziggy (you can see video footage of him announcing it during a live concert – the audience seem devastated! He says, this is our last live concert, ever – and you hear gasps from people in the audience.
But he didn’t quit of course, he just came back with a new image, a new character.
Aladdin Sane.
He looked a bit like Ziggy, but he was darker and even more mysterious.

Then within just a year or two, Bowie changed again. Ziggy Stardust, then Aladdin Sane, and then a character was eventually called The Thin White Duke. He wore sharp suits and had his hair combed back. He used to walk around with a cane, and sometimes wore a hat. He was extremely debonair and suave looking, yet very thin and bony. Again, his combination of handsomeness, androgyny and alien weirdness gave him an allure and a charisma like nobody else.

At that time he was influenced by the soul and funk musicians of New York in the mid seventies. I can’t really explain all the influences and details of his different clothing choices. Essentially, he had his own style – and it influenced a lot of fashion that followed him. I think he had a huge influence on the styles of the 1980s. A lot of what musicians and fashion designers did the 1980s, Bowie had already done in the 70s. Bowie basically created the 1980s.

I think the Thin White Duke is my favourite Bowie period, although I love all of his changes. He was called that because he was thin (due to his lifestyle), he was white! (obviously – but this was more evident because of the fact that he had started playing soul and funk music, which were associated with a black audience – so compared to many of the black artists in his band and black people in his audiences he looked really white. And he was very pale anyway during that period, so I think he was pretty much the whitest dude on the planet, but playing what was considered to be black music.

And the music is the main thing I like about Bowie during this period. I generally love funk and soul music from the 70s, regardless of who is playing it – whether they’re black or white doesn’t matter much to me, in fact I prefer to have my music in with the full colour spectrum please – black, white, and everything in between – purple, brown, yellow, green, pink – if it’s a colour, I want it in my music! No black and white music please. So, Bowie’s funk period is really great. My favourite album from that time is Young Americans. It’s got tracks like “Young Americans” and “Fame” on it – deeply groovy, tough and yet smooth soulful dance tracks. He collaborated with John Lennon on Fame. Imagine that! A funky dance classic, with John Lennon of the Beatles.

END OF PART 1


CLICK HERE FOR PART 2

Here are lots of David Bowie Links and Videos.
Just take your pick and dive in.

Space Oddity studio version with lyrics

Space Oddity live on TV in 1969
https://www.youtube.com/watch?v=dFhKM8AW1Js

Ziggy Stardust sings Starman on BBC Top of the Pops in 1972

David Bowie announces the end of Ziggy Stardust on stage
https://www.youtube.com/watch?v=_-G1Uy0OkCw

Aladdin Sane

Bowie interviewed by Dick Cavett in 1974, clearly under the influence of cocaine

Thin White Duke
https://www.youtube.com/watch?v=Shnrnqx_wsY

https://www.youtube.com/watch?v=G4_0bVgIRjg

Bowie in Berlin
Guardian article http://www.theguardian.com/music/2016/jan/13/david-bowie-berlin-years-heroes-just-a-gigolo

Fascinating interview from 1979

Bowie in 1983 criticises MTV for not playing black music

Bowie talks about acting and touring in 1983
https://www.youtube.com/watch?v=DqiTgApODBk

Nile Rogers describes meeting David Bowie

Bowie – “The Interview Years”

Bowie & Comedy – Ricky Gervais described meeting Bowie

Phil Cornwell on Stella Street (skip to 5:00 for the David Bowie impression)
https://www.youtube.com/watch?v=oIot-vgqJBA

Documentaries

https://www.youtube.com/watch?v=gRiTngOAQps

Adam Buxton’s Audio Bowie Documentary
This is my favourite Bowie tribute.
https://archive.org/details/AdamBuxtonOnDavidBowie31stMarch2013
YouTube version here but with the songs removed
https://www.youtube.com/watch?v=mpCrIZamdQE&spfreload=10

The new tracks – Blackstar (the creepy video I watched on Monday morning while eating corn flakes) and Lazarus

Adam & Joe talk about Bowie and do some impressions
If you watch just one of the videos in this list, please watch this one. Adam & Joe obviously love Bowie very much, and their impressions and improvisations are a lot of fun.

321. Star Wars Episode VII: The Force Awakens – SPOILER REVIEW

Welcome back to Luke’s English Podcast. Happy New Year. This is an episode of Luke’s Film Club, and this time I’m joined by my brother James as we talk about the new Star Wars film in full detail including our thoughts, theories, favourite bits and memorable characters. This episode is full of SPOILERS, so be warned if you haven’t already seen the film.

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Welcome back to LEP. Happy New Year! Did you have a good holiday? Did you have a nice Christmas?

Let me tell you about the social English New Year routine, including all the typical questions we ask each other on our first day back at work in the new year. “Hi, Happy New Year” etc… (Listen to the episode for all the details of this bit).

I was back in the UK with my family. We started at my parents’ house, then a few days in London, then in Bristol with my cousin Oli. I managed to record a few conversations with my family members, which will be uploaded in podcast episodes over the next few weeks.

The first one is this episode which is a conversation with my brother James who you already know from previous episodes of the podcast. We decided to do an episode of Luke’s Film Club about the new Star Wars film in order to discuss it in proper depth, including some spoilers. I’ve seen Star Wars a couple of times since it was released a few weeks ago, and so has James. So, in this episode we talk all about the film in full detail including our thoughts, theories, favourite bits and memorable characters. This episode is full of SPOILERS, so be warned if you haven’t already seen the film.

Also, this is an extremely geeky episode as you’ll hear my brother and me talk at some length about Star Wars. I don’t think there’s anything wrong with being a geek really, because ultimately – what’s wrong with being interested and enthusiastic about specialist subjects? As long as it doesn’t take over your life in an unhealthy way, then I think it’s ok – so I invite you to embrace your geekiness in this episode, along with us.

I understand that you may be sick of Star Wars by now as the media have been going crazy about it for the last month or so. If that’s the case, don’t worry – other new episodes about different things will arrive on teacherluke.co.uk very soon. But for now, I feel I had to cover this topic in more detail just because it’s so close to my heart (because I’m Luke Skywalker) and I know that many of you my listeners are interested in this too, not to mention the fact that this may be the biggest movie event in history so far. So, here it is… Luke’s Film Club: Star Wars Episode VII: The Force Awakens, with special guest James Thompson.

Before we get properly started, you might be interested to know that the audiobook version of The Force Awakens is now available on Audible.com. It’s the official audiobook novelisation of the film, it’s 10 hours long you get loads of extra detail, scenes and storyline that you don’t see in the film. SO, if you’re a fan of Star Wars, why not download and listen to it? And, remember you can get it free as part of a 30 day trial with Audible – the world’s top provider of audiobooks. To get started, just go to teacherluke.co.uk/audible and sign up to  a 30 day trial, download any audiobook and if you don’t like it just cancel and keep the audiobook. The offer really is out of this world. Alright then, let’s get started with this new episode of the podcast.star-wars-the-force-awakens

320. A Christmas Carol by Charles Dickens

It’s Christmas! So in this episode I’m going to read you a classic Christmas story – A Christmas Carol by Charles Dickens. You can read the story as well as listen because the whole thing is included on the page for this episode.

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Welcome to this special Christmas edition of Luke’s English podcast. I’m feeling very Christmassy here. All my shopping has been done and I’m looking forward to getting together with my family tomorrow. I’m just here with a lovely warm fire, and I’ve managed to find the time to tell you a story in this episode.

But first I’d just like to say Merry Christmas to all of you around the world. I hope you’re spending a pleasant time full of yuletide cheer and festive spirit, even if Christmas isn’t something you celebrate. I usually like to do a special Christmas themed episode of Luke’s English Podcast at this time of year. In the past I’ve done other Christmas episodes and you can check them out if you haven’t already done that.

78. Christmas – It’s all about Family

158. A Cup of Tea with Paul Taylor (Part 1)

159. A Cup of Tea with Paul Taylor (Part 2)

160. The A to Z of Christmas

245. Merry Christmas! (+ Other News) + Video!

What are you doing for Christmas this year? Are you doing anything special? As usual I’m going back to my parents’ place for a few days. They live in Warwick, which is in the midlands not far from Stratford Upon Avon, where Shakespeare was born. I expect we’ll be doing the usual Christmas things: eating loads of food, playing lots of games and giving each other presents. I might record a few podcasts with my family too, if we get a break from all the festivities at any time.

In this episode we’re going to eat a nice big slice of Christmas podcast cake, in the form of a classic story by Charles Dickens – “A Christmas Carol”. It’s a story that many people know and is firmly associated with the general sentiment of Christmas in modern Britain, and other parts of the world no doubt – the idea that Christmas is a time of generosity, of stopping your work and focusing on the important things in life, like your family. I’m going to read you a version of this story, which you can find reproduced on the page for this episode if you’d like to read with me. In fact, this episode is almost 100% transcribed.

I found this version on a website called Family Christmas Online. Just go to familychristmasonline.com to find more Christmas themed stuff. Credit should go to Theresa Race Hoffman who edited this version for public readings. http://familychristmasonline.com/stories_other/a_christmas_carol/a_christmas_carol.htm

It’s a reduced version and I’ve also modified it slightly to make some of the language more up-to-date but generally the style is quite similar to the original which was written by Charles Dickens in 1843.

Before I read the story to you, here’s a preface about how A Christmas Carol Made Charles Dickens One of England’s Best-Loved Writers

Preface

Sometime in 1843, Dickens decided to publish a quality Christmas book that would reach people in two ways:
It would use a very original story to plead for compassion for the poor, and
It would be affordable, bringing quality literature in a well-made book to a wide audience.

Dickens’ publisher didn’t believe in the project, so Dickens ended up financing the book himself. He spent money on a quality leather binding and on many quality illustrations, several of which were hand-tinted, an expensive process. As a result, the first printing of A Christmas Carol made very little money, but it rapidly became Dickens’ most popular work. The book was soon reprinted and was adapted for the stage. In later years Dickens often read a shortened version of the story aloud. A Christmas Carol has never faded from popularity since. IN fact there have been a few different film versions of the story, including A Muppets Christmas Carol, starring Michael Caine – which is acually a touching and beautiful telling of the story.

How A Christmas Carol Helped Change the Way We Think About Christmas

By the time A Christmas Carol was published, Christmas in Britain had disintegrated into an excuse for a week of year-end partying. Not only had Christ become absent from English Christmases, but so had compassion, a virtue that Dickens believed that the poor greatly needed, especially at the onset of cold weather each year. A Christmas Carol helped the English, and eventually the people of many countries, gain a new appreciation for Christmas and for the plight of the poor. Perhaps the greatest change was the growing importance of family Christmas celebrations in a culture where the wealthy had often sent their children to the nursery early on Christmas so they could better enjoy their dances and parties. As an example, author Tim Hallinan* claims that December sales of toys rose dramatically in the decades following A Christmas Carol’s publication. Today, many people in the world tend to think of Victorian England as a time and place where Christmas was “done right.” But without the influence of Dickens and this story, such hearty celebrations of good will may never have occurred.

Preface to A Christmas Carol, by Charles Dickens

I have endeavoured in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it. Their faithful Friend and Servant, C.D.
December, 1843.

So, let’s begin the story. Here it is. A Christmas Carol, by Charles Dickens.

PART 1 – Marley’s Ghost

MARLEY was dead: to begin with. Old Marley was as dead as a door-nail. This must be understood, or this story will mean nothing to anybody. So, we start with the fact that Scrooge’s business partner Marley had snuffed it, he was pushing up the daisies, he was an ex-partner, he’d carked it. He was a goner. He was dead. Scrooge now carried on the moneylending business alone.

He never painted out Old Marley’s name on the door of the office, even though his old partner was – definitely – dead. The company was known as Scrooge and Marley. Sometimes people called Scrooge Scrooge, and sometimes they called him Marley, but he answered to both names. It was all the same to him.

Oh! Scrooge was a selfish old git! He was as cold as a freezing winter night, and he didn’t thaw one degree at Christmas. He hated Christmas and everything it stood for. No ‘season of goodwill’ – for him it was just another excuse to grumble and moan, and stay at home counting his money.

One dark Christmas Eve, old Scrooge sat busy in his counting-house. It was biting, foggy weather.

Scrooge had a very small fire in his office. But next door in his clerk’s office the poor fire was even smaller and barely warm. His poor clerk, called Bob Cratchit had worked for Scrooge for years, and yet had never received a pay rise. Scrooge always paid him the minimum wage.

“Merry Christmas, uncle!” said Scrooge’s nephew Fred coming into the room.

“Bah!” said Scrooge, “Humbug!”

“Christmas a humbug, uncle?” he said. “You don’t mean that do you?”

“If I could work my will,” said Scrooge indignantly, “every idiot who goes about with ‘Merry Christmas’ on his lips, should be boiled with his own pudding, and buried with a stake of holly through his heart!”

The nephew answered, “Don’t be angry, uncle. Come to our place for Christmas tomorrow.”

“Bah, humbug! Christmas! Don’t talk to me about Christmas. It’s all just a big jumped up shopping spree invented by the Americans. The whole thing is just invented to get your money out of your pocket! Well, not mine – I’m keeping mine. You do Christmas your way, and I’ll do it my way. Here on my own, just like every other day, thanks very much!”

“Suit yourself Uncle, but we’ll miss you this year, again” said Scrooge’s nephew. “Merry Christmas, uncle!”

“Good afternoon!” said Scrooge.

His nephew even stopped to wish “Merry Christmas” to the clerk.

The poor, cold clerk, Bob Cratchit, managed a thin smile and a weak “merry Christmas” in return as Scrooge’s nephew left.

As he left, Fred let two other people in. They entered and bowed to Scrooge.

“Mr. Scrooge, or Mr. Marley?” said one of the gentlemen.

“Mr. Marley,” Scrooge replied, “died seven years ago, this very night.”

“Oh, sorry for your loss” said one of the men.

“What do you want?” snapped Scrooge.

“Mr. Scrooge,” said the gentleman, “It looks like it’s going to be an especially freezing winter this year. A few of us are going to buy some meat and drink for the Poor, and some blankets to keep them warm this Christmas. What would you like to give?”

“Nothing,” said Scrooge. “If they’ve got no money they can borrow it, or failing that go to the debtors’ prisons.”

“Many would rather die.”

“If they would rather die,” said Scrooge, “they had better do it, and decrease the surplus population. Good afternoon, gentlemen!”

Scrooge went back to his work.

Meanwhile the fog and darkness and biting cold thickened. Some carol singers walked by Scrooge’s office. One cold young boy stooped down at Scrooge’s keyhole to sing a Christmas carol:

“God bless you, merry gentleman!
May nothing you dismay!”

As soon as he heard it Scrooge jumped up so that the singer fled in terror, leaving the keyhole to the fog.

At length the hour of shutting up arrived. Scrooge nodded to the clerk Mr Cratchit, who instantly snuffed his candle out, and put on his hat.

“You’ll want all day off tomorrow, I suppose?” said Scrooge.

“Yes please Mr Scrooge. It is only once a year after all”

“A poor excuse for picking a man’s pocket every twenty-fifth of December!” said Scrooge. “No day off for you. I expect you to be here extra early next morning.”

Scrooge went home to his gloomy house. The yard was dark and the fog and frost hung about the place.

Now, the knocker on his door was very large and ordinary. But tonight it looked like – Marley’s face.

Marley’s face. The eyes were wide open, and its grayish colour made it horrible in the half light.

As Scrooge looked, it became a knocker again. He did look carefully, but the knocker was still a knocker.

“Load of old nonsense!” said Scrooge to himself.

He closed his door and double-locked himself in. He walked through his rooms to see that all was right and sat by the fire.

“Humbug!” he said. “Stupid Christmas. I’ll be glad when it’s all over and people start acting normally again.”

And then he heard it – a clanking noise, from the cellar, as if some person were dragging a heavy chain.

Scrooge tried to ignore it, and opened his paper.

Then he heard the sound again. The noise of heavy chains being dragged, and a faint sound of moaning.

Scrooge suddenly sat upright in his chair. The noise was real, and it was getting louder.

Suddenly the cellar-door flew open with a booming sound, and then he heard the noise coming up the stairs; then straight towards his door.

Quickly it came on through the heavy door, and passed into the room before his eyes.

It was Marley, back from the dead. The chain Marley pulled was long, and made of cash-boxes, keys, padlocks, and purses. His body was transparent; so that Scrooge could see the two buttons on his coat hanging on the door behind.

“What do you want with me?” said Scrooge. “Who are you?”

“In life I was your partner, Jacob Marley.”

“Humbug, I tell you! humbug!”

At this the spirit raised a frightful cry, and shook its chain. Scrooge fell upon his knees.

Asked the Ghost, “Do you believe in me or not?”

“I do,” said Scrooge. “I do! But why do spirits walk the earth, and why do they come to me?”

“It is required of every man,” the Ghost returned, “that the spirit within him should walk abroad among his fellow men; and if that spirit does not go forth in life, it is condemned to do so after death!”

“You are chained,” said Scrooge, trembling. “Tell me why?”

“I wear the chain I forged in life and by the very work I did, with you,” replied the Ghost. “I made it link by link, and yard by yard; and of my own free will I wore it.” Scrooge trembled more and more.

“Do you know,” pursued the Ghost, “your chain was as heavy as this, seven Christmas Eves ago? You have made it longer, since then.”

“But you were always a good man of business, Jacob,” faltered Scrooge.

“Business!” cried the Ghost, wringing its hands again. “Mankind was my business. Greed was my business! I spent my life on this earth obsessing over money and mistreating the poor and wretched to fill my pocket. Old Scrooge,  I am  condemned to walk the earth for eternity never to find rest or peace.”

“I am here to-night to warn you,” pursued the Ghost. You will be haunted by Three Spirits.”

“I—I think I’d rather not,” said Scrooge.

“They will come to teach you a lesson. Expect the first to-morrow,” said the Ghost, “when the bell tolls One.”

“Expect the second on the next night at the same hour. The third upon the next night at the last stroke of Twelve.”

When it had said these words, the spectre floated out upon the bleak, dark night.

The air was filled with moaning phantoms, and every one of them wore chains like Marley’s Ghost. They faded away. Scrooge closed the window, and examined the door by which the Ghost had entered. It was still as he had double-locked, with his own hands. He tried to say “Humbug!” but stopped. And he went straight to bed and fell asleep upon the instant.

PART 2 – The First of the Three Spirits

WHEN Scrooge awoke, it was dark. The chimes of a neighbouring church struck the hour, with a single deep, melancholy note.

Light flashed up in the room, and the curtains of his bed were drawn aside by a hand. And Scrooge found himself face to face with the unearthly visitor who drew them, right in front of his face.

It was a strange figure—like a child, or an old man. Its white hair hung about its neck and down its back, and yet the face had not a wrinkle in it. Its legs and feet were bare. It wore a white tunic with a shining belt. It held a branch of fresh green holly in its hand; and had its dress trimmed with summer flowers

“Are you the Spirit whose coming was foretold to me?” asked Scrooge.

The voice was soft and gentle. “I am the Ghost of Christmas Past.”

“Long Past?” inquired Scrooge.

“No. Your past.”

It put out its strong hand and clasped him gently by the arm.

“Rise! and walk with me!”

They passed through the wall, and stood upon an open country road. Now it was a clear, cold, winter day, with snow upon the ground.

“Good Heavens!” said Scrooge. “I was a boy in this place!” He wiped away a tear and begged the Ghost to lead him.

“You recollect the way?” inquired the Spirit.

“Remember it!” cried Scrooge. “I could walk it blindfolded.”

They walked along the road, Scrooge recognizing every gate and tree; until a little town appeared in the distance. Some shaggy ponies trotted towards them with boys upon their backs. All these boys shouted to each other merrily. Scrooge knew and named them every one. “These are but shadows of the things that have been,” said the Ghost. “They do not see us.”

But why was he filled with gladness when he heard them tell each other Merry Christmas, as they parted! What was Merry Christmas to Scrooge? What good had it ever done to him?

“The school is not quite deserted,” said the Ghost. “A lonely child, neglected by his friends, is there still.”

Scrooge said he knew it. And he cried.

They soon approached a large house, its windows broken, and the many rooms cold, and bare of food.

They went, the Ghost and Scrooge, to the back of the house, and a room with desks. At one of these a lonely boy was reading near a feeble fire; and Scrooge sat down, beside his poor forgotten self as he used to be. He said “Poor boy!” and cried again.

“I wish,” Scrooge muttered, after drying his eyes with his cuff: “but it’s too late now.”

“What is the matter?” asked the Spirit.

“Nothing,” said Scrooge. “Nothing. There was a boy singing a Christmas Carol at my door last night. I should have given him something: that’s all.”

The Ghost smiled thoughtfully, and waved its hand: saying as it did so, “Let us see another Christmas!”

And there he was, alone again, when all the other boys had gone home for the holidays.

The door opened; and a little girl came darting in, and put her arms about his neck.

“I have come to bring you home, dear brother!” said the child. “We’re to be together all the Christmas long, and have the merriest time in all the world.”

“Your sister,” said the Ghost. “Always a delicate creature. But she had a large heart!”

“So she had,” cried Scrooge. “You’re right, Spirit!”

“She died a woman,” said the Ghost, “and had, I think, one child – your nephew”

Scrooge answered sadly, “Yes.”

All at once they were in a busy city. Here too it was Christmas time again; but it was evening, and the streets were lighted up.

The Ghost stopped at a warehouse door, and asked Scrooge if he knew it.

“Know it!” said Scrooge. “I was apprenticed here!”

At sight of an old gentleman, behind a high desk, Scrooge cried in great excitement:

“Why, bless his heart; it’s Fezziwig alive again! My old boss!”

Scrooge’s former self, now a young man, came in, beside his fellow apprentice.

Old Fezziwig laid down his pen, and looked up at the clock. He rubbed his hands and called out in a rich voice:

“No more work to-night, my boys!” said Fezziwig. “Christmas Eve, Dick. Christmas, Ebenezer! Clear away, lads!”

It was done in a minute. The floor was swept, the lamps were trimmed, fuel was heaped upon the fire; and the warehouse became a snug, warm, and bright ball-room.

In came a fiddler with a music-book. In came Mrs. Fezziwig, and the three Miss Fezziwigs,. In came all the young men and women employed in the business, the housemaid, the baker, the cook, the milkman. Away they all went, twenty couples at once!

There were dances, and games, and there was cake, and Roast Beef, and mince-pies, and plenty of ale.

During all this time, Scrooge had acted like a man out of his wits. He enjoyed everything. Now that he remembered the Ghost, he became conscious that it was looking full upon him.

“A small matter,” said the Ghost, “to make these silly folks so full of gratitude.”

“Small!” echoed Scrooge. “It isn’t that, Spirit. He has the power to make our work a pleasure or a toil. The happiness he gives, is quite as great as if it cost a fortune.”

He stopped.

“What is the matter?” asked the Ghost.

“Nothing particular,” said Scrooge.

“Something, I think?” the Ghost insisted.

“No,” said Scrooge, “No. I should like to be able to say a word or two to my clerk just now. That’s all.”

Scrooge and the Ghost again stood in the open air.

“My time grows short,” observed the Spirit. “Quick!”

Again Scrooge saw himself. He was older now. He was not alone, but sat by a pretty young girl: in her eyes there were tears.

“It matters little to you,” she said, softly. “Another idol has taken my place. It is the love of money. Good-bye. May you be happy in the life you have chosen!”

“Spirit!” cried Scrooge, “show me no more! I cannot bear it! Leave me! Take me back. Haunt me no longer!”

He was conscious of being exhausted, and of being in his own bedroom. He had barely time to reel to bed, before he sank into a heavy sleep.

PART 3 – The Second of the Three Spirits

Scrooge waited again.

Now, when the Bell struck One, he saw a ghostly light coming from the next room. He shuffled to the door.

A strange voice called him by his name, and bade him enter.

The room was hung with holly and mistletoe, and a mighty blaze went roaring up the chimney. Heaped up like a throne were geese, pies, plum-puddings, chestnuts, oranges, pears, cakes, and punch. Upon this food couch, there sat a jolly Giant, who held a glowing torch high up, to shed its light on Scrooge.

“Come in!” exclaimed the Ghost, “and know me better, man!” Scrooge entered timidly, and hung his head.

“I am the Ghost of Christmas Present,” said the Spirit. “Look upon me!”

Scrooge reverently did so. It was clothed in a green robe, bordered with white fur. Its feet were bare; and on its head it wore a holly wreath, set here and there with shining icicles.

“You have never seen the like of me before!” exclaimed the Spirit.

“Spirit,” said Scrooge, “conduct me where you will. I went forth last night and I learnt a lesson which is working now. To-night, if you have anything to teach me, let me profit by it.”

“Touch my robe!”

Feast, fire, room all vanished instantly and they stood in the city streets on a snowy Christmas morning.

The sky was gloomy, and yet was there an air of cheerfulness like a summer day.

Soon the steeples called the people to church, and away they came, flocking through the streets in their best clothes, and with their happiest faces.

The good Spirit led him straight to Scrooge’s clerk’s, holding on to his robe; and at the door the Spirit smiled, and stopped to bless Bob Cratchit’s dwelling. Think of that! Bob had but fifteen shillings a-week himself; and yet the Ghost of Christmas Present blessed his little house!

Then up rose Mrs. Cratchit, dressed poorly in a worn dress.

“What has ever got your precious father then?” said Mrs. Cratchit to the little Cratchits. “And your brother, Tiny Tim.”

In came Bob, the father, in his threadbare clothes; and Tiny Tim upon his shoulder. Sadly, Tiny Tim held a little crutch!

“And how did little Tim behave?” asked Mrs. Cratchit.

“As good as gold,” said Bob. “He told me, that he hoped the people saw him in the church, because he was a cripple, and it might be pleasant to them to remember upon Christmas Day, who made lame beggars walk, and blind men see.”

At last the dishes were set on, and grace was said. Bob said he didn’t believe there ever was such a goose cooked. Mrs. Cratchit brought in the pudding, like a speckled cannon-ball, blazing with brandy, and with Christmas holly stuck into the top. A wonderful pudding!

Bob proposed a toast:

“A Merry Christmas to us all, my dears. God bless us!”

“God bless us every one!” said Tiny Tim, the last of all.

He sat very close to his father’s side upon his little stool. Bob held his withered little hand in his, as if he loved the child, and wished to keep him by his side, and dreaded that he might be taken from him.

“Spirit,” said Scrooge, with an interest he had never felt before, “tell me if Tiny Tim will live.”

“I see a vacant seat,” replied the Ghost, “in the corner, and a crutch without an owner, carefully preserved. If these shadows remain unaltered by the Future, the child will die.”

“No, no,” said Scrooge. “Oh, no, kind Spirit! say he will be spared.”

“If these shadows remain unaltered by the Future, he will die this year,” repeated the Ghost. “What then? If he is going to die, he had better do it, and decrease the surplus population.”

Scrooge hung his head, ashamed to hear his own words.

“Man,” said the Ghost, “will you decide what men shall live, what men shall die? It may be, that in the sight of Heaven, you are more worthless and less fit to live than millions like this poor man’s child!”

But now Scrooge heard his own name.

“Mr. Scrooge!” toasted Bob; “I’ll give you Mr. Scrooge, the Founder of the Feast!”

“The Founder of the Feast indeed!” cried Mrs. Cratchit, reddening.

“My dear,” was Bob’s mild answer, “Christmas Day.”

“I’ll drink to his health, for your sake and the Day’s,” said Mrs. Cratchit, “Long life to him! A merry Christmas and a happy new year!”

The children drank the toast after her, but they didn’t care for it. Scrooge was the Ogre of the family. The mention of his name cast a dark shadow on the party.

By-and-bye they had a song from Tiny Tim, who had a sweet little voice, and sang it very well indeed.

They were not a handsome family; they were not well dressed. But, they were happy, grateful, pleased with one another, and contented with the time. Scrooge watched them, and especially on Tiny Tim, until the last.

And now, they traveled through coal miners’ homes, past ships on the dark sea. And everywhere they went, no matter how poor, every person hummed a Christmas tune, or had a Christmas thought. And every person, good or bad, had a kind word for another on that day.

Scrooge heard a hearty laugh and recognised it as his own nephew’s. He found himself in a bright, gleaming room, with the Spirit standing smiling by his side.

“Ha, ha!” laughed Scrooge’s nephew. “He said that Christmas was a humbug, as I live! He believed it too!”

“More shame for him, Fred!” said Scrooge’s niece, indignantly.

“He’s a comical old fellow,” said Scrooge’s nephew, “and not so pleasant as he might be. However, his offences carry their own punishment, and I am sorry for him. Who suffers by his ill temper! Himself, always.”

They had some music and played at games; for it is good to be children sometimes, and never better than at Christmas.

They all played and sang, and so did Scrooge, singing quite loud. He begged like a boy to be allowed to stay until the guests departed. But this the Spirit said could not be done.

Much they saw, and far they went, and everywhere the Spirit went he left his blessing. It was a long night, and Scrooge noticed that the Ghost grew older, and he noticed that its hair was grey.

“Are spirits’ lives so short?” asked Scrooge.

“My life upon this globe, is very brief,” replied the Ghost. “It ends to-night at midnight. Listen! The time is drawing near.”

The bell struck twelve. And the Spirit disappeared. As the last stroke ceased to vibrate, he remembered the prediction of old Jacob Marley, and lifting up his eyes, beheld a solemn Phantom, draped and hooded, coming, like a mist along the ground, towards him.

PART 4 – The Last of the Spirits

THE Phantom approached, in a deep black garment, which left nothing of it visible save one boney hand.

“I am in the presence of the Ghost of Christmas Yet To Come?” said Scrooge. “You are about to show me shadows of the things that will happen. Is that so, Spirit?”

Scrooge’s legs trembled beneath him.

“Ghost of the Future!” he exclaimed, “I fear you more than any spectre I have seen. But I know your purpose is to do me good, and I am prepared to bear you company, and do it with a thankful heart. Will you not speak to me?”

It gave him no reply. The hand was pointed straight ahead.

“Lead on!” said Scrooge. “Lead on! The night is precious time to me, I know. Lead on, Spirit!”

The Phantom moved away.

They were in the heart of the city; amongst the merchants; who hurried up and down, and chinked the money in their pockets, as Scrooge had seen them often.

The Spirit stopped beside one little knot of business men, pointing to them, Scrooge advanced to listen to their talk.

“No,” said a great fat man with a monstrous chin, “I don’t know much about it. I only know he’s dead.”

“When did he die?” inquired another.

“Last night, I believe.”

“What has he done with his money?”

“I haven’t heard,” said the man with the large chin, yawning. “It’s likely to be a very cheap funeral, for I don’t know of anybody to go to it.”

“I don’t mind going if a lunch is provided,” laughed one gentleman.

Scrooge knew the men, and looked towards the Spirit for an explanation.

Scrooge fancied that the Unseen Eyes of the ghost were looking at him closely. It made him shudder, and feel very cold.

They went into a dirty part of town where the shops and houses reeked with filth and misery.

There was a shop where greasy junk was bought. Scrooge and the Phantom came into this shop of Old Joe’s, just as two women and a man carried in bundles, laughing.

The man produced his plunder first. A pencil-case and a brooch were all. Old Joe added up his prices, upon the wall.

“I know those things,” Scrooge said. “They are just like mine – and they are worth much more than this man is paying!”

“Who’s next?” said Joe.

Mrs. Dilber was next. Sheets and towels, two old-fashioned silver teaspoons, a pair of sugar-tongs, and a few boots. Her account was stated on the wall in the same manner. “I paid two shillings ten for teaspoons just like those,” Scrooge objected.

“And now undo my bundle, Joe,” said the next woman.

Joe dragged out a large and heavy roll of some dark stuff, the same fabric and color as Scrooge’s bed curtains..

“Bed-curtains!” said Joe. “You don’t mean to say you took ’em down, rings and all, with him lying there dead?”

“Yes I do,” replied the woman. “Why not?”

“His blankets too?” asked Joe.

“Whose else’s do you think?” replied the woman. “And that’s the best shirt he had, and a fine one too. They’d have wasted it, if it hadn’t been for me. Putting it on him to be buried in,” she laughed. “But I took it off again.”

Scrooge looked at a shirt just like his own shirt and listened in horror.

“Ha, ha!” laughed the same woman, when old Joe paid the three out. “This is the end of it, you see! He frightened every one away from him when he was alive, to profit us when he was dead!”

“Spirit!” said Scrooge, shuddering from head to foot. “I see, I see. The case of this unhappy man might be my own. – Merciful Heaven, what is this!”

He recoiled in terror, for the scene had changed, and now he almost touched a bed: a bare, uncurtained bed: on which, beneath a ragged sheet, there lay the body of this man.

He lay, in the dark empty house, with no one to tell his story or mourn his death. “Spirit!” Scrooge said, “this is a fearful place. Let us go!”

The Ghost conducted him to poor Bob Cratchit’s house; and found the mother and the children seated round the fire.

Very quiet. The little Cratchits were as still as statues in one corner, with Peter, who had a book before him. The mother and her daughters were sewing. But surely they were very quiet!

The mother laid her work upon the table, and put her hand up to her face. “ It must be past your father’s time,” she said .

Peter said, shutting up his book. “But I think he has walked a little slower than he used, these few last evenings, mother.”

At last she said, “He used to walk with Tiny Tim upon his shoulder, very fast indeed. But he was very light to carry, and his father loved him so. Ah – there is your father at the door!”

She hurried out to meet him. Bob broke down all at once and cried. He couldn’t help it.

They drew about the fire, and talked. Bob told them of the extraordinary kindness of Mr. Scrooge’s nephew, whom he had scarcely seen but once. “‘I am heartily sorry for it, Mr. Cratchit,’ Fred had said, ‘and sorry for your good wife.’ I am sure we shall none of us forget poor Tiny Tim—shall we?”

“Never, father!” cried they all.

“Spectre,” said Scrooge, “tell me what man that was whom we saw lying dead?”

The Ghost of Christmas Yet To Come did not answer, but led him straight on, until they reached an iron gate.

A churchyard. Here, then; the wretched man whose name he had now to learn, lay underneath the ground

“Answer me one question,” said Scrooge. “Are these the shadows of the things that Will be, or are they shadows of things that May be, only?” The Spirit stood among the graves, and pointed down to one. Scrooge followed the finger, and read upon the stone of the grave his own name, EBENEZER SCROOGE.

The finger pointed from the grave to him, and back again.

“No, Spirit! Oh no, no!”

The finger still was there.

“Spirit!” he cried, tightly clutching at its robe, “hear me! I am not the man I was. Why show me this, if I am past all hope!”

For the first time the hand appeared to shake.

“Good Spirit,” he pursued, “I will honour Christmas in my heart, and try to keep it all the year. I will live in the Past, the Present, and the Future. The Spirits of all Three shall strive within me. I will not shut out the lessons that they teach. Oh, tell me I can sponge away the writing on this stone!”

In his agony, he caught the spectral hand. The Phantom’s hood and dress shrunk, collapsed, and dwindled down into a bedpost.

PART 5 – The End of it

YES! and the bedpost was his own. The bed was his own, the room was his own. Best and happiest of all, the Time before him was his own, to make amends in!

“I will live in the Past, the Present, and the Future!” Scrooge repeated, as he scrambled out of bed. “The Spirits of all Three shall strive within me. Oh Jacob Marley! Heaven, and the Christmas Time be praised for this! I say it on my knees, old Jacob; on my knees!”

His face was wet with tears.

“They are not torn down,” cried Scrooge, folding one of his bed-curtains in his arms, “they are not torn down, rings and all. They are here—I am here—the shadows of the things that would have been, may be dispelled. They will be. I know they will!”

“I don’t know what to do!” cried Scrooge, laughing and crying in the same breath. “I am as light as a feather, I am as happy as an angel, I am as merry as a schoolboy. I am as giddy as a drunken man. A merry Christmas to everybody! A happy New Year to all the world.”

He had frisked into the sitting-room, and was now standing there.

“There’s the door, by which the Ghost of Jacob Marley entered!” cried Scrooge, starting off again, and going round the fireplace. “There’s the corner where the Ghost of Christmas Present, sat! There’s the window where I saw the wandering Spirits! It’s all right, it’s all true, it all happened. Ha ha ha!”

Really, for a man who had been out of practice for so many years, it was a splendid laugh.

“I don’t know what day of the month it is!” said Scrooge. “I don’t know how long I’ve been among the Spirits. I don’t know anything. Never mind. I don’t care!”

The churches began ringing out louder and clearer than he had ever heard. Clash, clang, hammer; ding, dong, bell. What a glorious, glorious sound!

Running to the window, he opened it, and put out his head. No fog, no mist; clear, bright, cold. Golden sunlight; Heavenly sky; sweet fresh air; merry bells. What a glorious Glorious day!

“What’s to-day!” cried Scrooge, calling downward to a boy in Sunday clothes.

“EH?” returned the boy.

“What’s to-day, my fine fellow?” said Scrooge.

“To-day!” replied the boy. “Why, it’s CHRISTMAS DAY sir.”

“It’s Christmas Day!” said Scrooge to himself. “I haven’t missed it. The Spirits have done it all in one night. They can do anything they like. Of course they can. Of course they can. Hello, my fine fellow!”

“Hello!” returned the boy.

“Do you know the poultry shop, in the next street, at the corner?” Scrooge inquired.

“I certainly do,” replied the lad.

“An intelligent boy!” said Scrooge. “A remarkable boy! Do you know whether they’ve sold the prize Turkey that was hanging up there?—Not the little prize Turkey: the big one?”

“What, the one as big as me?” returned the boy.

“What a delightful boy!” said Scrooge. “Yes, yes!”

“It’s hanging there now,” replied the boy.

“Is it?” said Scrooge. “Go and buy it.”

“What!” exclaimed the boy.

“I am in earnest,” said Scrooge. “Go and tell ’em to bring it here, that I may give them the direction where to take it. Come back with the man, and I’ll give you a shilling. Come back with him in less than five minutes and I’ll give you half-a-crown!”

The boy was off like a shot.

“I’ll send it to Bob Cratchit’s!” whispered Scrooge, rubbing his hands, and splitting with a laugh. “He sha’n’t know who sends it. It’s twice the size of Tiny Tim!”

He wrote the address somehow, and went down-stairs to open the street door, ready for the coming of the poulterer’s man. As he stood there, waiting his arrival, the knocker caught his eye.

“I shall love it, as long as I live!” cried Scrooge, patting it with his hand. “It’s a wonderful knocker!— Here’s the Turkey! Hello again! Merry Christmas!”

It was a Turkey!

“Why, it’s impossible to carry that to Camden Town,” said Scrooge. “You must have a cab.”

The chuckle with which he said this, and the chuckle with which he paid for the Turkey, and the chuckle with which he paid for the cab, and the chuckle with which he paid the boy, were only to be exceeded by the chuckle with which he sat down breathless in his chair again, and chuckled till he cried.

He dressed himself up “all in his best,” and at last got out into the streets. The people were by this time pouring forth, as he had seen them with the Ghost of Christmas Present; and Scrooge regarded every one with a delighted smile. Three or four good-humoured fellows said, “Good morning, sir! A merry Christmas to you!” And Scrooge said often afterwards, that of all the happy sounds he had ever heard, those were the happiest in his ears.

He had not gone far, when coming on towards him he beheld the gentleman, who had walked into his counting-house the day before. It sent a pang across his heart to think how this old gentleman would look upon him when they met; but he knew what path lay straight before him, and he took it.

“My dear sir,” said Scrooge, quickening his pace, and taking the old gentleman by both his hands. “How do you do? I hope you succeeded yesterday. It was very kind of you. A merry Christmas to you, sir! Allow me to ask your pardon. And will you have the goodness to allow me to give you” —here Scrooge whispered in his ear.

“Goodnss me!” cried the gentleman, as if his breath were taken away. “My dear Mr. Scrooge, are you serious?”

“If you please,” said Scrooge. “Not a farthing less. A great many back-payments are included in it, I assure you. Will you do me that favour?”

“My dear sir,” said the other, shaking hands with him. “I don’t know what to say—”

“Don’t say anything, please,” retorted Scrooge. “Will you come and see me?”

“I will!” cried the old gentleman. And it was clear he meant to do it.

“Thank you,” said Scrooge. “I am much obliged to you. I thank you fifty times and god bless you!”

He went to church, and walked about the streets, and watched the people hurrying to and fro, and patted children on the head, and found that everything could give him pleasure. He had never dreamed that anything could give him so much happiness. In the afternoon he turned his steps towards his nephew’s house.

He passed the door a dozen times, before he had the courage to go up and knock. But he made a dash, and did it:

“Is your master at home, my dear?” said Scrooge to the girl.

“Yes, sir.”

“Where is he, my love?” said Scrooge.

“He’s in the dining-room, sir, along with mistress. I’ll show you up-stairs, if you please.”

“He knows me,” said Scrooge, with his hand already on the dining-room lock. “I’ll go in here myself, my dear.”

“Fred!” said Scrooge. “Why bless my soul!” cried Fred, “who’s that?”

“It’s I. Your uncle Scrooge. I have come to dinner. Will you let me in, Fred?”

Let him in? It is a mercy he didn’t shake his arm off. He was at home in five minutes. Nothing could be heartier. Wonderful party, wonderful games, won-der-ful happiness!

But he was early at the office next morning. If he could only be there first, and catch Bob Cratchit coming late! That was the thing he had set his heart upon.

And he did it; yes, he did! The clock struck nine. No Bob. A quarter past. No Bob. He was full eighteen minutes and a half behind his time. Scrooge sat with his door wide open, that he might see him come into the Tank.

His hat was off, before he opened the door. He was on his stool in a jiffy; driving away with his pen, as if he were trying to overtake nine o’clock.

“Hello!” growled Scrooge, in his accustomed voice, as near as he could feign it. “What do you mean by coming here at this time of day?”

“I am very sorry, sir,” said Bob. “I am behind my time.”

“You are?” repeated Scrooge. “Yes. I think you are. Step this way, sir, if you please.”

“It’s only once a year, sir,” pleaded Bob, appearing from the Tank. “It shall not be repeated. I was making rather merry yesterday, sir. Ive got a bit of a hangover to be honest, but I’m good for work I promise.”

“Now, I’ll tell you what, my friend,” said Scrooge, “I am not going to stand this sort of thing any longer. And therefore,” he continued, “and therefore I am about to raise your salary!”

Bob trembled. He had a momentary idea of knocking Scrooge down, holding him, and calling to the people in the hospital for help and a strait-jacket.

“A merry Christmas, Bob!” said Scrooge, with an earnestness that could not be mistaken, as he clapped him on the back. “A merrier Christmas, Bob, my good fellow, than I have given you, for many a year! I’ll raise your salary, and endeavour to assist your struggling family, and we will discuss your affairs this very afternoon, Bob! Make up the fires, and buy another coal-scuttle before you dot another i, Bob Cratchit!”

Scrooge was better than his word. He did it all, and infinitely more; and to Tiny Tim, who did NOT die, he was a second father. He became as good a friend, as good a master, and as good a man, as the good old city knew, or any other good old city, town, or borough, in the good old world. Some people laughed to see the alteration in him, but he let them laugh. His own heart laughed: and that was quite enough for him.

He had no further meetings with Spirits ever afterwards; and it was always said of him, that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God bless Us, Every One!

christmas

318. The Lying Game 2: The Rematch (Part 2) with Amber & Paul

Welcome back to The Lying Game 2: The Rematch (Part 2). In this episode you can hear Amber, Paul and me continue our competitive game. Who’s going to win this time? Will it be Paul, finally? Listen to find out what happens, and for details of the next version of the lying game which will be interactive.

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Spoiler alert! The scores and results of the games in this episode are displayed below!

Current scores
Luke – 1 / 0 /
Paul – 0 / 2 /
Amber – 1 / 0 /

Amber: I have recurring dreams about fish in distress

Score
Luke – 1 / 0 / 1
Paul – 0 / 2 / 0
Amber – 1 / 0 / 1

Tie break round:
Luke: I have a large scar on my knee.
Paul: I once nearly stabbed myself in the eye with a kitchen knife.
Amber: I went for a job interview as a lapdancer.

Final scores
Luke – 1 / 0 / 1 / 1 / 0 / 0 Total = 3
Paul – 0 / 2 / 0 / 0 / 1 / 0 Total = 3
Amber – 1 / 0 / 1 / 1 / 1 / 2 Total = 6

Amber wins again!

Next Lying Game – The Interactive Version

Listen to Luke, Paul and Amber say statements.
You have to ask the questions.
So, read the statements below and think of some questions.
Write your questions in the comments section of this episode.
When we record again we’ll ask your questions.
Then, eventually, you can vote on whether you think the statements are true or lies.

Luke: I accidentally knocked down a wall in a friend’s house in Japan.
Paul: I used to get bullied by Guy Berryman, the bass player from Coldplay.
Amber: I helped in the making of the film “Something’s Got To Give”.

Write your questions in the comments section for the next episode of The Lying Game!