Category Archives: Learning

475. Holiday Diary (Part 2) Modern Art: Is it amazing, or is it rubbish?

Talking about some modern art which I saw while visiting several galleries in Los Angeles. Includes descriptions of different movements in modern art, details about some famous artists and their work, some thoughts about whether modern art is really amazing, or maybe just a load of pretentious rubbish! (Spoiler alert: it depends)


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Notes & Transcriptions for this Episode

Hi everyone, here’s part two of my holiday diary and in this one I’m going to continue describing things I saw and did on my recent holiday in the USA. The plan is not just to describe our trip but also to use it as a springboard to talk about some other subjects in a bit of depth, and in this episode that includes things like modern art (describing some different types of art from the modern period and giving my thoughts on some art work that we saw in a couple of galleries) astronomy and astrology, flat-earth conspiracy theories and probably some other things too, depending on how long this takes! It looks like this is going to be a series of episodes with what I hope will be an interesting variety of topics beyond just me talking about my holiday.

I’m recording this on the same day as I uploaded the last one. So I’m already seeing some messages coming in from people on Twitter and FB and stuff (in response to part 1), so thanks a lot for your kind messages saying congratulations for the fact that we’re going to have a baby.

Ok, let’s carry on!

Just to recap
We went to USA to have a blow-out before the arrival of our baby in December. A final trip just the two of us. Los Angeles via Montreal, then the canyons and Navajo Nation, then back to LA and home again.

Modern Art

Downtown Los Angeles
Tried to go to an art gallery called The Broad. This is a flashy-looking new art gallery. We went to see an interesting installation by Japanese artist Yayoi Kusama, but there was a huge queue outside – probably attracted by the installation, which is proving really popular. Apparently it’s called “Infinity Mirrored Room — The Souls of Millions of Light Years Away” which is…

“a mirror-lined chamber housing a dazzling and seemingly endless LED light display. This experiential artwork has extremely limited capacity, accommodating one visitor at a time for about a minute” The Broad website.

https://www.thebroad.org/art/exhibitions/yayoi-kusama-infinity-mirrored-room

An installation = a work of art constructed within a space in a gallery.

We ended up in The Museum of Contemporary Art LA, just down the road from the broad.

Also went to LACMA (Los Angeles County Museum of Art) at one point during the trip.

Artists whose work we saw

We saw work by some celebrated artists from several important movements in modern art.

Including:

Pablo Picasso (Spanish, Cubism, surrealism – mainly in the first half of the 20th century and middle of the 20th century)
Jackson Pollock (American, Abstract expressionism – late 1940s)
Rothko (American of Russian Jewish descent, Abstract expressionism, 50s and 60s)
Franz Kline (American, Abstract expressionism, 50s and 60s)
Roy Lichtenstein (American, Pop art, abstract expressionism, 60s)
Andy Warhol (American, Pop art, most well-known stuff is from the 60s)

And lots of others too.

Movements in Modern Art

Here’s a timeline of art movements in history from www.dummies.com

http://www.dummies.com/education/art-appreciation/art-history-timeline/

I’m describing art movements from the early part of the 19th century.

Contemporary art = art being made now
Modern art = art from the modern era – late 19th Century and through the 20th century. Arguably we are now in the post-modern era
Cubism (n) = an art movement in which artists went away from realistic representations of things and instead used geometric shapes, different kinds of perspective, lines, as if objects could be viewed from a number of different points of view all at the same time. Things exist in a kind of prism of perspective and the way you or the artist looks at something, changes its form.
Surrealism (n) = an art movement in which objects or ideas are presented in a strange way, as if in some kind of dream or perhaps representations of the subconscious mind
Abstract (adj) = this concept refers to things that aren’t real or tangible, but which exist in the world of the mind or outside reality as we usually see it (e.g. not just illustrating a bowl of fruit)
Expressionism (n) = representing feelings or emotions rather than objects or things
Abstract expressionism (n) = the name of the post WW2 art movement that combined the freedom of expression from expressionism and the use of abstract forms
Pop art (n) = the name of another art movement, this one involved techniques, methods and styles from popular culture like product design, comic book style or photos of celebrities.

What do you think of contempary art, or modern art?

You might think:
“It’s just a bunch of colours or shapes!”

“Anyone could do that!”

“It’s just a load of pretentious nonsense!”

Very common reactions. I think like that too, quite often, especially if I think it’s not very good art.

What makes art good or bad?

You just know it when you see it. If it really doesn’t move you, please you or interest you, you might say it’s bad art, because ultimately it’s in the eye of the beholder – but not completely, because you also have to invest a bit of time and effort into it and also it helps to understand how the work fits into the overall history of art. You have to have some respect for it in order to start appreciating it as work, and ultimately then it can start to enrich your life in some way, but I think art is quite pretentious, which many people have a problem with.

What does pretentious mean Luke?

Something is pretentious (spell it) when it’s trying to seem important, clever or sophisticated, but it isn’t really.

E.g. talking about a work of art like it is the grandest, most important, most emotionally resonating work of genius in human history, and it’s just a blank piece of paper, or a picture of a willy or something.

I think it’s more than just a willy, it’s a statement about… blah blah blah…

So you might think modern art is rubbish.

Or maybe you’re a fan and you think “I love the way the artist plays with different forms and colours. It’s incredibly liberating and fascinating to experience it. I find it inspiring, moving and fascinating.”

It’s quite difficult to talk about art without sounding pretentious, to be honest.

I have mixed feelings about it. Only the really good stuff tends to move me. I mean, it’s rare that it works on me. But I do enjoy the experience of going around a good gallery, looking at work which has stood the test of time.

I also like talking about it. I like the way modern art or abstract art is so open. You feel like you’re interacting with it, but I always need to talk about it. It’s a chance to be totally open-minded and to try and put it into words.

But it’s not something I’m thinking about all the time.

I’m more moved by music (most kinds), acting, films, TV, books, photography (with real stuff in them – like people’s faces or moments in time captured) but when it’s right modern art can be great. Also it works as decoration, but it’s something you can also look closely at and let your mind wander. (wander like go for a walk, but also wonder meaning think about things, but “let your mind wander” is the right expression”.

Expressionism or abstract expressionism – what’s it all about?

This is just me having a stab at describing abstract art.

It seems to me that it’s about creating abstract spaces with no rules at all.

It’s a system with no external reference points (unlike films) it’s just a series of shapes or forms arranged in space which are designed to create certain emotions or feelings in you at a kind of elemental level, or gut level, or sensory level.

Sometimes thinking about it is what you’re not supposed to do, you just have to experience it. It can be something as simple as how it feels to experience these colours and shapes arranged in a certain way.

It could be the way the colours blend together, or certain forms stand out, or the basic gut reaction you have when looking at the canvas.

It’s supposed to be moving at a very natural level, just the interactions of forms in a physical space.

When you realise that it can be liberating and you feel like you’re entering into a conversation with the artist which is free from the constraints of language.

That’s the idea, but to be honest I often find myself getting absolutely nothing from it.

Art vs the art of nature (pretentious, moi?)

OK, so this is where I’m going to get really pretentious and talk about rocks like they’re works of art, but what are you going to do, sue me?

Some of these work of art were or are created in a way that seems to allow the hand of nature to guide the artist somehow, like Pollock who would often drip paint onto the canvas – he wouldn’t always touch the canvas with his brush, but would somehow involve an element of chance or nature in the way the paint splashed as it fell, combining his own judgement and an element of chaos in terms of how the paint ended up falling on the canvas.

The result is like looking inside the emotional space of the artist and you can feel his experience somehow in a way that you can’t put into words – at the moments of rage, passion, serenity or terror, or just the sense that he was experiencing a lack of control in his life or he was subject to emotions or experiences that he didn’t necessarily have a grip on, and yet experienced in the form of emotion. That sounds really pretentious, I know. But when you look at his work, you can choose to say “this is just bollocks” or you can decide that the guy clearly was very serious about what he was doing so there must be something in it. What was he looking for? Something to do with the balance of colours, the texture created by the many drops of paint and the overall sensory effect it creates.

It’s like entering a mood, and with Pollock that mood isn’t entirely happy.

I have the same feeling with Rothko. He managed to paint these pieces that look like just large blocks of colour, but as you stand in front of them and absorb them, the colours seem to blend slightly and become luminous or darker and you get this sense of depth or space and it fills you with a certain emotion. Often it’s a sadness, wistfulness or even a slight sense of stimulation. It defies description, it’s more of a gut feeling.

And by the way, looking at the real thing is far better than looking at a print or poster version in a frame on the wall of your house.

The real thing is a certain size, presented in certain conditions, proper lighting, you’re seeing the actual strokes of his brush or some sense of how he did it, you see the texture of the finished thing, which is important too.

Going back to Pollock – he would work on these big canvases on the floor and would start from scratch letting the painting develop as he added more and more layers but other artists took a different approach like Franz Klein who would plan his abstract work on a small-scale, just sketching it by hand, before recreating the sketch on massive canvases. What was a few scratched lines on a piece of paper becomes a huge striking piece of work. The effect is a bold mix of broad straight lines that combine in haphazard fashion. We kept thinking his paintings looked like close up images of plane crashes done in black and white, like the vague sense that it looked like a WW1 biplane had crashed. That’s not what they were of course, they were just lines, but the point is that the work has this dynamic urgency. They’re violent, bold and stark. Our brains just interpreted them as somehow like a plane crash.

Those are abstract expressionists.

There are lots of loads of other kinds of art, like pop art (Andy Warhol) which sort of consumed aspects of consumer culture with the idea that art could be mass-produced and that every day consumer objects could be works of art too if presented in that way, and I think we’re still experiencing the influence of that today with things like t-shirts with cool designs on them or the fact that we consume logos and brands as a form of art – on t-shirts, even on posters to decorate our homes. Pop art was also a comment on consumer culture – for example Andy Warhol’s famous work with lots of virtually identical screen prints of movie stars with different coloured backgrounds, or just a tin of Campbell’s tomato soup. It’s like examining everyday branded objects as works of art.

I don’t really understand it all, but it is fun to go to an art gallery, drink a load of coffee and then just stare at this stuff and see what it makes you think about and feel.

Anyone can do art, but to do it well is actually really difficult.

It’s not just a bunch of colours on a canvas, it is backed up by intention, technique and a general appreciation of the aesthetics of shape, colour and texture.

So, we saw some modern art, and it was pretty cool.

But honestly, the art we saw just could not be compared to the truly stunning works of nature that we saw later on in our trip in places like The Grand Canyon – objects and environments that had been formed by natural processes over millions of years.

It seems to me that from the point of view of the observer, the exact same forces are at work.

When you look at art or when you look at a mountain or a rock formation you get the instant emotional and intellectual reaction of seeing these incredible shapes, colours and textures, and you experience the wonder of imagining exactly how they were created and the story that they tell.

I must say I was blown away by the geology we saw on this trip, which I’ll describe in more detail later. It was so stunning that at times I was lost for words and it all resonated with us so much that it was quite hard to come to terms with it.

You might think – oh come on it’s just big rocks. And it is just big rocks of course, but I think we all find these things impressive and I’m just trying to capture that feeling in words.

So, I know this sounds pretentious or something, but literally every day we would arrive at a different location to be greeted by ever more impressive natural spectacles. After spending time in each place, doing some walking, getting quite hot in the sunshine, we would be quite exhausted at the end of each day and we’d have this stunned by stimulated feeling during dinner – trying to comprehend what we’d just seen. We also couldn’t sleep during the night. It was like our brains couldn’t rest until we’d somehow compartmentalized the things we’d seen.

The Grand Canyon is the biggest thing I’ve ever seen. It’s so big it makes you feel so insignificant, like a blink in the eye of history.

In some parts of these national parks you’re looking at geological formations that go back something like 500 million years.

And they’re so big that you feel completely dwarfed by them.

This was far more impressive than the modern art we saw, and it made the modern art just look like primitive cave paintings by humans trying to get a grip on the power of basic shapes and colours.

Basically, what I’m trying to say is that nature is the most powerful artist out there.

And I say nature, because the whole story of nature is in these rocks.

The whole thing has been created by different natural forces over hundreds of millions of years.

It makes total sense that water, over such a long period, could erode the rock into these unbelievable shapes. That ice would break up the rock, forming bizarre shapes, that what was once a crack in the ground could become a huge open canyon with a river at the bottom.

So, nature is what formed these things, simply through the presence of certain elements on earth and the actions of the laws of physics.

Pretty mind-blowing stuff. But the modern art was a good way to get into the mindset of appreciating the aesthetics of things.

Let me know your thoughts on modern art. Is it amazing, or is it rubbish? Leave your comments below.

…and thanks for listening.

Luke

Want to see some examples of the art I described in this episode? Click the links below.

Yayoi Kusama’s Infinity Mirrored Room

Pablo Picasso (Cubist period)
Salvador Dali (Surrealism)
Jackson Pollock
Mark Rothko 
Franz Kline
Roy Lichtenstein
Andy Warhol

The Broad - we couldn't get in because of queues, but it looks cool

The Broad – we couldn’t get in because of queues, but it looks cool.

Andy Warhol - Marilyn Monroe screen prints from Pixabay.com https://pixabay.com/en/marilyn-monroe-andy-warhol-art-1318440/

Andy Warhol – Marilyn Monroe screen prints from Pixabay.com https://pixabay.com/en/marilyn-monroe-andy-warhol-art-1318440/

Why does the UK have so many accents? (Recorded February 2017)

This episode was originally recorded in February 2017 and is being uploaded in August 2017. In this episode I’m going to answer several questions from listeners about accents, including how regional accents occur in the UK and why there are so many accents there. Video available.


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I’m not sick, I’m English, and it was winter. ;)

uk accents

Introduction / Transcript

There is a very wide variety of accents in the UK (not to mention the accents you find in other English-speaking countries like Ireland, Canada, the USA, South Africa, Australia, New Zealand and more. English is a hugely diverse language and in my experience foreign learners of English don’t usually know a lot about the different accents – particularly all the regional varieties in the UK, and they often just find it difficult to understand them, and as a result learners of English can’t enjoy the great variety of sounds in English and the sheer diversity of character and personality you get from the different varieties of English, and therefore it’s worth talking about on the podcast.

This is such a big subject that to do it justice would require me to write a whole book about it. Instead I just do episodes about accents fairly regularly in an effort to cover as much of the topic as possible. For example, I recently did some episodes about British accents that you hear in the Lord of the Rings films, which gave me a chance to talk about the different associations we have with different accents in the UK and how those associations were used to provide some colour and character to the movie versions of Tolkein’s Lord of the Rings stories. I also did episodes about the accents you might hear in Glasgow and I spoke to Korean Billy about regional dialects and accents too.

Since uploading those episodes I’ve noticed a few comments from listeners wondering why there are so many accents in the UK, so I’ve prepared this episode which I hope will help you understand that a bit more.

The plan, in this episode (or episodes) is to talk about these things

  • Why there are so many accents in the UK
  • How our accents develop as part of a natural psychological process
  • What this means for learners of English and teachers of English

Also, we’ll listen to someone speaking in a Liverpool accent and I’ll help you understand it

So, this episode is about the way people speak, but it’s also about history, psychology, how to learn English, what my friends sound like, and how to understand a football player from Liverpool.

How are all those things connected? Listen on and you’ll find out!

Why do we have so many accents in the UK? (Communication Accommodation Theory)

One of the things I said in those episodes about LOTR was that there is a really wide variety of accents in the UK, and that your accent reveals lots of things about you such as where in the country you’re from and what social background you come from.

Remember, when I say “Accent” this means simply the way that you pronounce the words you’re using.

If you remember, one of the things I mentioned in one of those episodes was a quote from George Bernard Shaw, which said “It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him”, George Bernard Shaw.

This gives the impression that we all hate each other of course, and I don’t agree. The point which is made by this quote is that we all have prejudices about each other’s accent and this is an expression of the class system probably. That middle class people probably look down on people with strong regional accents and resent people who speak with very posh accents and so on…

Here’s a comment from Nick in response to those episodes.

Nick 2 hours ago – [These bits in brackets are Luke’s comments]
What a complicated life there in the UK… Everybody resents each other because of their accents… [we don’t resent each other really, but we do judge each other a bit – we also love each others accents too] Wow I never thought that accents in the UK had such an important role in people’s lives. [Yes, they’re very important indicators of our identity – but they’re also a source of great fun, joy, amusement and celebration] Luke, thanks for this episode. You opened up the UK in a new way for me. Even though I knew about different accents in the UK (and from your podcast too) I somehow didn’t realize the deep meaning of accents in English life.
But I don’t really understand how it happened that you have so many accents in quite a small area. I can understand that different levels of society may have different words in their vocabulary, but why they should have SUCH different accents especially when they live in one city or region… maybe it was people’s desire to make something with the language, or at least with pronunciation in order to be somehow unique from others. Like different groups of people or subcultures dress in different clothes or different nations have their own folk costumes.

This is a really good question and there are so many interesting aspects to the answer. I’m now going to try and deal with that question.

Why do we have so many accents in the UK?

It could be explained by “Communication Accommodation Theory” or CAT for short.

Collins dictionary: “Accommodation” – countable noun
Accommodation is a kind of agreement between different people which enables them to exist together without trouble. (not a written agreement, but a social or psychological tendency to come closer to each other and form communities based on shared behaviour)

Communication Accommodation Theory suggests that the way we communicate is an expression of our desire or natural tendency to become part of a social group.

https://en.wikipedia.org/wiki/Communication_accommodation_theory (Wikipedia)

E.g. When I was living in Japan I picked up a lot of the body language because I wanted to fit in, basically. I didn’t even realise I was doing it.

That’s non-verbal communication, but we’re talking about verbal communication.

Also, it’s not just limited to individuals. Imagine whole communities of people, over many many generations being affected by this process.

https://scottthornbury.wordpress.com/2013/01/06/a-is-for-accommodation/ (Thornbury)

This could explain

  • Why there are so many different accents associated with different regions in the UK
    For example, why people in Liverpool speak differently to people in Manchester, or why the ‘cockney’ dialect came about (more on this kind of thing in a bit)
  • Why we naturally change the way we speak depending on the people around us
  • Why speaking to a diverse range of people is very good for your accent
  • Why native English speakers sometimes change the way they speak when talking to foreigners – e.g. when travelling or meeting a foreign person.

The tendency is to unconsciously adapt.

I’m going to try and deal with all these things, but not quite in that order!

Why native speakers sometimes adapt their language when talking to foreigners

According to Scott Thornbury (a well-known teacher and author of teaching materials and a bit of a legend in the world of English teaching) there are two versions – ‘caretaker talk’ and ‘foreigner talk’.

“This is especially obvious in the way we talk to children and non-native speakers, [using] forms of talk called ‘caretaker talk’ and ‘foreigner talk’, respectively. Both varieties are characterized by considerable simplification, although there are significant differences. Caretaker talk is often pitched higher and is slower than talk used with adults, but, while simpler, is nearly always grammatically well-formed. Foreigner talk, on the other hand, tolerates greater use of non-grammatical, pidgin-like forms, as in ‘me wait you here’, or ‘you like drink much, no?’”

I’ve seen this happening to some English teachers. They adapt their speech to the students, speaking this weird form of English that’s easy for foreigners to understand but might not be helping them learn.

It’s really difficult to judge it correctly as a teacher. How much do you grade your language, and how do you do it? It’s important to speak correctly – meaning in the sort of full English that you normally would use and in the same way that most native speakers talk to each other, while making sure it’s comprehensible. If you’re too ‘natural’ your students won’t understand you. But if you simplify your English too much, you end up doing this ‘foreigner talk’ which is just not a good model of the language.

I guess this is part of being a good teacher; knowing how to strike the balance between being comprehensible and yet also realistic and natural.

I always try to keep these things in mind when I speak. It’s probably why my voice becomes more and more like standard RP, which I think is just generally accepted to be clearest version of the language, and that’s how I was brought up to speak by my parents. That’s not to say other versions of the language aren’t correct of course, and as I’ve said many times before I love the different accents.

Do I accommodate when I talk to native speakers with different accents?

Yes I do – a bit – I mean, only to accents that are a part of me. I have a few slightly different accents in me and my speech slides in slightly different directions depending on who I am with. They’re not radical changes because I’m still being myself, but my speech does change a little bit. When I’m back in Birmingham my speech becomes a bit more Brummie. When I’m in London it does the same. Only a little bit of course. This is totally normal.

It’s also why it’s important to speak to other people on this podcast because it’s in the interaction with others that language really becomes most alive and natural. When I’m talking to you on my own I speak in my neutral voice, but when I’m in conversation with others you might hear my voice changing slightly. You might not notice to be honest because it’s a pretty mild change. Perhaps it doesn’t happen that much because I am still aware that I’m being listened to by my audience.

For example, when I spoke to Rob Ager from Liverpool about movies last year, my accent didn’t change that much. But maybe if I’d spent the weekend in Liverpool, just hanging out and talking, my accent might have changed a little bit.

When I lived in Japan I spent a lot of time working with people from Australia and apparently I picked up some of that accent – particularly the rising intonation pattern (my friends at home commented on it when I returned to England). So, the conclusion – I do accommodate a bit, but usually to an accent that I have personal history with, and only if I’m exposed to it for fairly long periods of time and when I’m feeling self-conscious it happens less.

Certainly when I’m back in Birmingham my accent changes a bit, because that’s where I spent a lot time when I was younger.

Cat’s question: What are Paul and Amber’s accents?
Amber & I are pretty similar. It’s just RP. Paul speaks RP too but with a bit more local influence. He’s from Kent so he speaks with some traces of a Kentish accent – e.g. glottal stops. “Native speaker” “Excited” Maybe some “th” sounds sound a bit like “d” or “v” sounds.

Some people seem to think that his voice is influenced by French. It isn’t.

That kind of influence would only happen if French was Paul’s first language, and he’d learned English as a second language in adulthood.

That’s not the case – in fact to an extent he learned both languages while growing up. He’s certainly native level in English, and he probably is native level in French too. He certainly sounds it. So, because he’s got, basically, two native level languages, they exist independently in his head and therefore don’t influence each other much in terms of accent. Every now and then it influences his vocabulary but he instantly recognises it and self-corrects. You might have heard him do it on the podcast sometimes.

Paul speaks very clearly, which is evident in the way people always tell him that they can understand what he’s saying. His English accent is influenced more by where he grew up in the south-east of England and by the wide variety of people he’s spoken to in his life. He spent many years travelling with Apple, studying and living in different parts of the UK. RP again is probably the default setting for someone like Paul, when trying to speak clearly, but those glottal stops and some dropped consonant sounds reveal that his most formative time for English was in Canterbury, and he is also not the sort of person to listen to a lot of BBC Radio 4.

Paul is also a natural mimic. He’s able to hold different accents in his head at the same time and switch between them. He’s something of a chameleon in that way. Put him in with a bunch of Scottish people for a long time and he’d probably emerge with traces of that accent I expect. Anyway, when he’s with Amber and me his accent is pretty much like ours but with traces of his Kentish background, which is why he says “Native speaker” like that.

So, that’s a bit about ‘accommodation theory’ in relation to my friends and me.

What about Nick’s original question about the diversity of accents in the UK? I’m going to talk more specifically about that in a moment.

But first let’s check out a funny example of a professional footballer from Liverpool who moved to France to play for Olympique de Marseille football club.

Now this is an example of an English person accommodating to French people around him, and we see that this is certainly not happening to Paul Taylor

Joey Barton’s weird French accent

An example of Communication Accommodation Theory in action.

Who is Joey Barton? What was the situation? (Barton is from Liverpool and usually has a Liverpool accent but in this video he is speaking to a room full of French journalists and so he unconsciously accommodates his English so it sounds French. It’s funny.)

Joey Barton speaking with this weird French voice

He was heavily criticised for this – a lot of people mocked him and called him stupid.

He’s definitely not stupid. Maybe he wasn’t aware of the different ways he could have changed his voice – e.g. speaking with RP probably just wasn’t something that would occur to him. This lad is a scouser through and through. He’s not going to start speaking RP – he’s going to accommodate to the French instead.

The reason he’s doing it, as explained by accommodation theory, is to make it easier for the French journalists to understand him. His Scouse accent is difficult for the French to understand. He was just trying to be intelligible and he ended up accommodating to their speech.

Also he did it to win social approval. I imagine being the only English guy there, in front of all those French journalists, with the pressure of playing for this big club and not speaking French, he wanted to win their approval.

This probably happens in Football quite a lot because of the emphasis on teamwork. I expect during training and while bantering with other players and staff, Barton had to very quickly adapt his speech to be part of the team. I imagine speaking Scouse English more clearly wouldn’t help the French.

(Joey Barton talks about the French accent incident)

It’s not just speech – it’s also non-verbal communication. Barton does a couple of typically French things, including the kind of ‘sigh’ or blowing of air through the lips which is really common (among French people).

According to research we are naturally wired to copy the speech and behavioural patterns of the people we’re talking to. It’s a natural, neurological process that humans engage in when they want to communicate, be understood and be accepted by others.

Significance for Learning English

For learning English this suggests some of the most important ways to improve your English pronunciation and your English in general are to

a) actually communicate with people in real conversations about real things

b) have the desire to understand others and really be understood by others

c) have the desire to share things (info) with the people you’re communicating with

d) have the desire to be socially accepted by the people you’re talking to.

So, spend time talking naturally with English speakers because you want to! Or at least, practise communicating in English not just because you think it’s important for your career or for your English, but because you are genuinely interested in sharing ideas, finding out about people and the world, and broadening the scope of your identity. The more motivated you are by these things, the more you’re opening yourself up to the natural neurological conditions for language learning.

Got it? Talking to different people with good English and who come from diverse origins about things you are interested in, really helps your English and your accent in particular!

Being engaged in genuine communication because you care about sharing ideas is going to help your brain in a natural process of language learning.

Other work helps too – like studying the phonemic chart, analysing the physical ways we pronounce different sounds, how speech is connected and all that stuff, and doing plenty and plenty of mechanical, physical practice. It’s important too, but certainly this theory suggests that our brains are wired to adapt our speech patterns in the right conditions as part of a social process.

But also, it may be vital for you to learn how to accommodate yourself to the English of the people you’re talking to. This from Scott Thornbury:

So, what are the implications for language teaching? In the interests both of intelligibility and establishing ‘comity’, Joey Barton’s adaptive accent strategy may be the way to go. For learners of English, whose interlocutors may not themselves be native speakers, this may mean learning to adapt to other non-native speaker accents. As Jenkins (2007: 238) argues, ‘in international communication, the ability to accommodate to interlocutors with other first languages than one’s own… is a far more important skill than the ability to imitate the English of a native speaker.’

So, when you’re chatting to other non-native speakers in English, how should you make yourself more intelligible in order to establish good relations? Do you suddenly start sounding like Luke Thompson, or do you accommodate to their way of speaking, following the rule of accommodation theory?

What do you think? Feel free to either agree with accommodation theory here, or disagree with it, but do give a good reason why.

But why are there so many accents in the UK?

It’s a really complex question which probably needs to be answered by someone with a PhD on the subject, but here’s my answer!

It’s probably a big mix of geography, culture, politics, history and human nature.

Tribalism

Perhaps it’s because we’re a small nation with quite a high population.

Geography

We’re an island (a group of islands actually) so that creates a clear land border – meaning that we’re a bit more ‘penned in’ than some other cultures.

The class system

RP was the standardised version, but ordinary folk spoke in their own way and weren’t expected to speak RP because they knew their place. They could never break away from that. We never had a revolution proclaiming everyone as equal, so working people didn’t take on the standard form of English.

Irregular spelling & pronunciation

The irregular relationship between the written word (spelling) and the spoken version means that the spoken version is perhaps more open to interpretation than others. Our written language is not phonetic, therefore the pronunciation is not tied down. There’s no solid rule book on how to pronounce English. There’s the phonetic chart, but that is based on RP and that’s where the class system comes into it. RP is associated with a certain class of people and then identity politics come into play.

Perhaps the multicultural ‘mongrel’ nature of the Brits has something to do with it. We’re a mongrel nation. Maybe the diversity of accents is the result of this patchwork or melting pot of different people and languages. E.g. Celtic, Nordic, Germanic, Norman French, Gallic French, Latin, Irish Celtic, Scots Celtic, Commonwealth nations like Jamaica, India & Pakistan – especially Jamaica which has had a massive influence the way young people in London speak, and now media, like American and Australian English that we hear on a daily basis.

Our islands have been visited, invaded, populated and influenced by migrating people and their voices for many many years. This goes deep into the past and continues to this day, even though the official version of history will suggest that we have one unbroken family line (The Royal Family that we all learn about in school). There’s a lot more diversity than this narrative would suggest. This could result in a wide variety of influences, creating diversity which is not obvious just by looking at people.

It’s also interesting to me that the narrative of the ‘unbroken line of history’ which we get from the monarchy, is also aligned with a certain way of speaking – this old-fashioned RP which is the standard form. Underneath that standard form, or next to it, there is a lot more variety and diversity.

There was a long period before the emergence of the single unifying monarchy in which the country was essentially split up into different, independent areas, ruled by competing monarchs. Tribalism was seriously important. Think: Game of Thrones. Community, loyalty, rejection of others – these were vitally important principles. It was the breeding ground for different local versions of a language. It must be the same in many other countries.

This relates to aspects of the accommodation theory.

Convergence is when people pull together in a community and naturally speak in the same way to express this shared identity. At the same time there is divergence – pulling away from other communities which could be rivals or whatever. If you’re part of one community you’ll speak like them and you won’t speak like the others. Either you’re in one or the other.

This could account for why people in Liverpool and Manchester speak differently even though the two cities are pretty close. Just look at the football fans to see how much of a rivalry there is between the two cities.

I expect a number of other factors have come together to cause the UK to have this wide diversity. But perhaps we’re just a lot more aware of the diversity because the place is really connected. It’s a pretty small island and we’re all squeezed in together with a clear natural border of the sea, and the industrial revolution happened there bringing the train – mass transport which suddenly brought everyone much closer together, making us a lot more aware of our different versions of English. I imagine if you examined other countries you would find similar differences in accent. The USA, for example, has definite differences, and it’s quite a young country in comparison. So, I expect many countries have similar diversity in accent and dialect. Perhaps we’re just a lot more aware of it in the UK.

We also have the class system which has added another dividing line – another factor which pushes communities together (convergence) or pushes them apart (divergence). Perhaps working class communities held onto their accents as a way of expressing their sense of local identity as a contrast to the less region-specific upper classes, who seemed to be less fixed geographically. E.g. The Royal Family has its own geography, which moves between international borders and not just across domestic community borders. I mean, Prince Phillip for example was born in Greece. The Queen’s ancestors were German. Despite the fact that they are the figureheads for the UK, they are not really fixed to local areas within the country.

This also would apply to the nobility – the proper upper classes, who probably owned land that perhaps their families hadn’t lived on for centuries. I expect one area of England for example was ruled by one family for a period, then another family became the rulers – either by conquest, trade, marriage etc. The ruling class probably were quite mobile. The people who lived and worked on the land, were of that land for generations.

So, working class people have stronger regional accents than upper class people. It’s absolutely nothing to do with so-called “lazy pronunciation”. It’s more to do with identity – strengthening local communities by having their own version of the language. Power, identity and economics.

No governing body to standardise English

Powerful people through their influence have guided the narrative that RP is the standard form – this also happens to be the English that the educated, wealthy class use.

So, that’s my fairly long and rambling answer, Nick.

We’re not finished with accents though. I’ve just talked about how C.A.T. might explain why we have so many accents in the UK, and also what the theory can tell us about things like my accent, the accents of my friends and also how you can work on your accent too. I still plan to spend some more time focusing on specific accents and playing around.

Now, I would like to ask all of you a few questions

  • How many different accents can you identify in your country?
  • Are accents in your country related to geography?
  • Is there a standard accent? Is that accent associated with a particular region?
  • What attitudes do people have about accents where you come from?
  • In English, which accent do you prefer? If you don’t know a region, can you think of an individual person whose accent you like? Feel free to say Amber Minogue of course.
  • If you’ve been shipwrecked and you get washed up on a remote island populated by a local tribe of native people who seem to use English as their main language and yet look like they might be hostile, or hungry, or both, what’s the best way to get into their good books? Speak like me, or speak like them? Or get back in the sea and swim?

[Website content] Luke’s Criminal Past (ZEP Episode 185)

Learn some crime-related idioms and find out some things about Luke’s back-story that may or may not be true. This is an episode of Zdenek’s English Podcast, originally posted by Zdenek on 4 August. Download available below.

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On 30 July I dropped in on the LEP meetup in London and spent an hour or two chatting to Zdenek Lukas, the English teacher from Czech Republic who is also the man behind Zdenek’s English Podcast.

Zdenek almost always has his voice recorder with him, and this was no exception. We ended up recording an episode of his podcast standing outside the pub together.

If you follow Zdenek’s podcast, you might have already heard it. In any case, I’m presenting it to you here as some extra website content that you might enjoy.

Crime Idioms

In this episode, Zdenek had prepared some crime-related idioms and decided to try and simulate some exchanges with me in order to use the idioms and present them to you. Can you notice the idioms? Do you know what they mean, and how to use them?

By the way, most of the time I was exaggerating, making up stories or playing along with Zdenek’s examples. I’m not really a murderer!

Thanks for listening. Watch out for more website content coming soon.

Luke

472. Andy Johnson at The London School (Part 2) Why Andy runs marathons

Talking to Andy about why he runs marathons, including vocabulary relating to doing exercise, health, fitness, technique, injuries and medical care.

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Intro Transcript

Here’s the next part of my conversation with Andy Johnson, recorded at The London School of English a few days ago.

Andy is an English teacher, a father of 2 kids, and also a regular runner. He’s done at least one marathon and a few half marathons, and I thought since many of you listening to this podcast will also be runners (in fact some people will be running right now while listening to this) that it might be interesting to hear Andy talking about his reasons for running, the way he does it, the benefits, the difficulties and all the rest of it. So here’s a conversation about running.

If you’re not into running I would still recommend that you listen to this. You might be surprised at how personal it gets when Andy explains his reasons for training for the London marathon 10 years ago. It turns out that running has special significance for Andy and that running the London marathon was a key moment in his life as it marked a significant milestone for him – and running acts as a regular reminder of a particularly difficult experience Andy had when he was younger.

So, this episode is about running, but it’s also about much more than that. I’d like to thank Andy again for taking part in another episode of the podcast and for sharing so much of his story.

Vocab hunters: Watch out for vocabulary relating to doing exercise, health, fitness, technique, injuries and medical care.

So, without further ado you can now listen to our conversation about running.


Outtro Transcript

I just want to thank Andy again for coming on the podcast and telling us about his story. It was a very interesting conversation and I think the closest we’ve come to having tears on the podcast – it was a moving story but no tears this time! I wonder if you held it together out there in podcast land, or did you start welling up at any moment?

Don’t forget that Andy would like you to take his survey about self-directed learning. You can find a link to that on the page for this episode. Andy just wants to know about how you learn English on your own, outside of the classroom environment, and that includes how you use LEP to help with your English.

TAKE ANDY’S SURVEY ABOUT LEARNING

Click the link, the questionnaire will take a couple of minutes and you’ll help Andy with research for his next IATEFL conference talk.

That’s it for this episode. Watch out for some website-only content coming soon. Subscribe to the mailing list to get informed when that is released.

I hope you are continuing to have a good August, if indeed it is August as you listen to this. I’m still on holiday, relaxing and having a lovely time, I hope – I’m actually recording this before I went on holiday, so this is a very weird time situation. Which tense should I be using here, because I’m actually recording right now, in the past, but as I’m talking it’s the future, so my present is your past and your present is my future, so that’s the present past perfect future continuous or something. I am will have been being having a great time and I will have been had been hoped that you will be being having a wonderful time too, in the future.

Thanks for listening to this episode and I’ll speak to you again soon. Bye!

471. Andy Johnson at The London School (Part 1) Lego, Self-directed learning, accents

Talking to Andy about stepping on Lego, Andy’s job, self-directed language learning, accent, and British/American English.

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Intro Transcript

Today on the podcast I’m talking to Andy Johnson my friend and former colleague from the London School of English, who also looks a bit like Moby if you remember.

Andy has been on this podcast 4 or 5 times before so if you’re a regular listener you’ll know his voice already.

Andy is an English teacher, a marathon runner and a father of two children – in fact his second son was born very recently.

In this conversation you will hear us talking about:

  • The pain of stepping on Lego
  • Recording the podcast in what used to be the boss’s office at The London School of English
  • Developments in Andy’s job and his career
  • Andy’s next conference talk about self-directed learning
  • Where Andy comes from and his accent, including the ways we both say certain words like “Bath, grass, laugh, podcast, ask and after.”
  • The time when my Dad visited The London School of English
  • British and American people speaking English

This is part one of a two part conversation.

Without any further ado, here is part 1.


Andy’s survey

At the next IATEFL conference Andy is planning on doing a presentation about self-directed learning. You heard him talking about it in this episode.

Andy would like some help from you in preparing for the talk. He needs to do some research and he’d like to ask you a few questions about your English learning, particularly how you use this podcast, my website and any other resources for learning English.

He’s created a quick questionnaire and you can find it on the page for this episode. Click the link, answer the questions and you’ll help Andy a lot in his next presentation.

CLICK HERE TO TAKE ANDY’S SURVEY

It basically asks how useful LEP / teacherluke.co.uk and other sites are for learning English and how you find these sites. Andy also asks whether you pay for – or would pay for – additional language tuition. He’s trying to investigate why people are choosing LEP over traditional language courses (if indeed they are).

Stay tuned for the next episode, coming soon, in which you will hear Andy talk about his very personal reasons for training to run the London marathon – and I have to say that the conversation was much more surprising than I had expected and was also quite moving for a few reasons, so check that one out when it arrives.

Don’t forget to join the mailing list so that you’ll get email notifications whenever new episodes are uploaded over the coming days and weeks, and don’t forget to watch out for some website-only content coming soon too.

Thanks for listening and have a great morning, afternoon, evening, night or day whichever part of the world you’re in and whatever you’re up to.

Bye!
Andy and Luke

470. Understanding the Liverpool Accent

Helping you to understand and appreciate the Liverpool accent and Scouse English, featuring clips of comedy a short history of Liverpool and interviews with famous footballers, actors and musicians.


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Transcript – Introduction

Hello listeners – how are you doing? In the last episode we listened to some comedy routines by Scouse comedian John Bishop and I said we’d take a closer look at the Liverpool accent, break it down, listen to some more samples and also learn some typical words you might hear being used in Liverpool. So that’s the plan in this episode. All about the Liverpool accent.

There’s nowhere in the UK quite like Liverpool. You probably know it as where The Beatles came from, or because of the football clubs LFC and EFC. Perhaps some of you have visited it or studied there are students, because it’s a big university town.

I lived there for 4 years as a student.

My feelings when I moved there:
It’s definitely in the north! Up north.
First time I lived in the north, and there is a north/south divide in the UK
Climate is different
People are different to the people anywhere else – they’re cheeky, chatty, tough, humourous, a bit tricky sometimes, proud and also quite sentimental and sensitive about the city.

The place has a particular history that isn’t shared by other towns in England. Its cultural mix is different to the rest of the country. The accent in particular is very distinctive, and it’s confined to just the local Liverpool area – a relatively small space when you consider the accent diversity in other larger countries where the same accent may be heard for many miles, like for example in Texas. In England our accents are very specific and very local. Travel 30 minutes by car from Liverpool to neighbouring Manchester and the accent is very different and this is largely because of the history of Liverpool as an international port and the rich diversity of influences.

This is a corner of the country with a strong character and a recognisable accent to go along with it.

Scousers, or people from Liverpool are instantly recognisable by their accent. The sound of a Liverpool accent instantly conjures up certain images, certain cliches, certain reference points and a certain history which is unique to that part of the country.

In this episode the plan is to investigate the Liverpool accent, and to some extent the dialect, listen to some samples, find out some of the pronunciation features, and consider a little bit of Liverpool’s history and culture. We’ll listen to a few different people speaking in a Liverpool accent and I’ll help you to understand it all, and I’m sure you’ll pick up some nice vocabulary on the way – and not just local slang words but words that everybody in the country uses but which the Scousers might just pronounce in their own way.

The aim is to broaden your horizons, broaden your exposure to different accents and to help you get a full appreciation of English in all its forms.

The Milk Advert on TV

Let’s start with an advert that used to be on the TV and which millions of British people watched many times – The famous milk advert.This is what the whole nation (of my generation) might think of as a sample of Scouse English. Many of us heard it lots of times growing up and a lot of us even learned it. I used to be able to recite it word for word when I was a kid.

Picture two children from Liverpool who have been playing football in the garden. They come into the house to get something refreshing to drink from the fridge (or should that be “fridge”). One asks for lemonade, the other one chooses to drink milk because it’s “what Ian Rush drinks”.

Ian Rush was a famous footballer in the 80s. He played for Liverpool for years and scored many goals for them. He was Welsh. By the way, you should also know that there is a place in England called “Accrington” (north of Manchester) and their football team (Accrington Stanley) aren’t very good – so Accrington Stanley is a reference for an unknown football team that nobody wants to play for.

Audio sample 1 – The Milk Advert

Lee Mack making fun of the Scouse accent

Features of the Liverpool Accent

Let’s now take a closer look at the Liverpool accent, considering some of the main features that make Scouse English different to the kind of RP that I speak. Then we’ll listen to some more samples of Scouse speech and you can see if you understand them.

 

Consonant sounds

  • /k/ can become /x/ like in “loch” “Accrington Stanley” “milk” “Lee Mack”
  • /r/ sounds – alveolar tap “accrington stanley” “I’m afraid I’m not from round here” “alright”
  • /t/ can sound like /s/ “butter” “I’m going to go into town later, do you want something” “Come on then mate, let’s start. Come ed, Let’s get started.”
  • /g/ is pronounced not just with the /ŋ/ but all the way to a /g/ sound “sing” “singer” “Ere mate are you a singer? You gonna sing us a song?”
  • And yet sometimes it’s completely dropped like in “Eh mate what are you doing?” – “what are yew dewin? What are youse doing coming over here like that?” “Milk, that’s disgusting”
  • /h/ sounds are often dropped “That has never happened to be honest”
  • /d/ sounds instead of /th/ sounds – “They do though don’t they though?”

Vowel sounds

  • /ɜː/ like “bird” becomes [ɛː] like “air” – “work”, “first”, “bird” “Are you always the first one to get to work in the morning”
  • /a:/ sounds in the south are like /æ/ in the north (normal in the north generally) “bath” “grass” “laugh”
  • But sometimes it goes wider like aaaa in “card” or “pokemon cards”
  • /ʊ/ in book sounds like /u:/ “book” (but not every time – sometimes they say it like me, and words like ‘took’ and ‘look’ are often pronounced. I don’t know why it’s “book”)
  • /-er/ sounds at the ends of words normally pronounced with schwa sound are pronounced with an /e/ sound “computer” “teacher” “fitter” “singer”
  • /ʌ/ becomes like /ʊ/ or /ɒ/ “but erm… shut up” “shut up will ya”
  • “Errrm“
  • /eə/ sometimes becomes /ɜː/ – “hair” “over there”

All those features are interesting, but there’s a good chance that all just went over your head. Really the best way to get used to hearing scouse English is just to listen to some people using it.

Audio Sample 2 – Jamie Carragher “Butchers” the English Language

Just listen and tell me these things:

  • Who is he?
  • What’s he talking about? (general subject)

https://www.youtube.com/watch?v=nDaTTVR2JXY

Audio sample 3 – Stephen Gerrard, former England captain

  • What is he looking forward to?
  • Is he worried about the regime change with Fabio Cappello (known for being a discipinarian)
  • Does he have a message of hope for England fans?
  • What would it mean to David Beckham to achieve 100 caps?

https://www.youtube.com/watch?v=6cph2TnHW4Y

Audio Sample 4 – Wayne Gerrard – a spoof of Scouse footballers by Paul Whitehouse

Wayne Gerrard (spoof)

Language:

  • Just get my head down
  • Let my feet do the talking
  • Very pleased for the fans
  • Very pleased for the manager
  • One game at a time
  • Keep my head down
  • Let my football do the talking

A short history of Liverpool

Liverpool is in the north west of England. It’s a port town on the river Mersey, just where the north coast of Wales meets the west coast of England.

Liverpool started as a small trading port probably in the 13th or 14th centuries.
By the 17th and 18th centuries it was the primary port for trade with Ireland. There was lots of trade with Ireland, and also ships coming from Norway and Sweden or other scandinavian countries.

The industrial revolution, globalisation and Britain’s colonialism meant that Liverpool became a hugely important port for British ships heading to the Americas in the 19th century.
As a result by the mid 19th century, Liverpool was a hugely important city for trading with the new world.

The population of the city grew quickly with amazing diversity – everyone from around the world was there, including large numbers of Irish and Welsh workers, scandinavian sailors but also Chinese workers, Caribbean workers associated with the slave trade.

Liverpool was one of the most important and most impressive cities in the world at this time.
It was sometimes called the New York of Europe, and you can see evidence of that in some of the buildings – parts of the city resemble some of the style of New York buildings, especially in the old part of town and by the docks.

The diverse history is still evident in the cultural make-up of the city. There is still a large Chinese community and also many families of Caribbean origin in parts of Liverpool.
The biggest influences though were the Welsh and certainly the Irish communities who moved in for the manual work that was available there in the 19th century. Liverpool is heavily influenced by the Irish, and it was described as the capital of Ireland just because so many Irish people lived there.

All of these influences can be heard in the Liverpool accent – some Irish, some features of Welsh (which is a totally different language to English) and also some scandinavian influences and many others that make Liverpool so different. That’s also combined with the local Lancashire accent too. All of it combines to create this particularly rich and vibrant form of English.
The city was very rich and very important during the industrial revolution, but conditions for many people were appalling – living squeezed into dirty and dangeous slums.

Gradually Britain’s position as the global industrial imperial power started slipping, and the two world wars sped up that process. Many young men were killed in World War 1, and between the two wars Liverpool was partly redesigned with many residential areas being built around the outskirts of the city, and lots of the people who previously lived in the slums being relocated there. This changed the nature of the city, with large outlying residential areas with row upon row of terraced houses.

World War 2 was devastating to Liverpool as it was the target of bombing raids by the Luftwaffe. Like many cities in the UK, Liverpool got pounded by bombs night after night and lots of buildings were destroyed, and they stayed destroyed for many years.

When the Beatles were growing up in Liverpool in the 1950s it was common for children to play in bombsites – in the remains of buildings destroyed by bombs, and even when I was living there in the 1990s I saw lots of empty spaces in residential streets where buildings used to exist but still hadn’t been replaced since the war.

With the end of the industrial revolution, Liverpool’s importance slipped and basically since WW2 Liverpool has been a rather tough place to live, with various social problems, unemployment, poverty, and perhaps the sense that the city has been somewhat ignored or forgotten by the country which used to rely on it so much.

These days the city is known for The Beatles, the football clubs and players, some cultural things such as the vibrant art scene and just the scouse people themselves who are known for their humour and their unique character.

Here’s a female voice – Jennifer Ellison, an actress from Liverpool.

Audio sample 5 – Jennifer Ellison “Mum of the Year Awards 2013”

Vocabulary

Here are some bits of the dialect or just typical sounding words.

To be honest, you hear most of these things in many parts of the country, but listen out for how scousers would say these things.

  • ‘Me’ not ‘my’ – “You’ve broken all me biccies!”
  • ‘You’ (plural) – ‘youse’ “Youse are all a bunch of bleedin eejits”
  • Adding “me” at the end of a sentence starting with ‘I’. “I’m dead hungry, me.”
  • Mate – “Alright mate, are you a student?”
  • “Sound” – “He’s alright isn’t he, him? Yeah, he’s sound.”
  • “Boss” – That’s boss that. Have you played FIFA. It’s boss.”
  • “made up”
  • “Eeeerm”
  • “Eh!”
  • “Alright?”
  • “Laa”
  • “Ta-raa”
  • “See ye later”
  • “Come ed”
  • “Go ed” “g’wed”
  • “Alright! Calm daaaawn!” (cliche)
  • “Bevvies”
  • “Nice one son”
  • “Gutted”
  • “Scran”
  • “bevvie”
  • “Bacon barm” – “two bacon barms please”
  • “brekkie”
  • “Chocka block”
  • “Like” – “I was like, walking down the Scotty road and I seen these two like students.”

Lots of people in the UK got to know Scouse very well from watching Brookside, a soap opera that started in the 80s. It was about middle class and working class life in Liverpool and it often showed scenes of social problems including frequent arguments between the main characters. This helped to build the stereotype that Scousers are argumentative and prone to social problems.

Audio sample 6 – Brookside argument

Summary

  • 3 people – Barry, Barry’s mum and Billy
  • Barry wants his money
  • But the account is £500 short
  • Because his Mum lent it to someone else (Billy)
  • So, let’s cut out the middle man, give us the money
  • He hasn’t got it – he needed it to pay the mortgage and the car
  • Barry gets angry with Billy saying “you’ve got it made here”
  • Barry is angry with Billy because he’s borrowing money from his Mum
  • “I’m going to have to go back to the car fella, tell him I can’t have the car”
  • You’ve screwed up our Christmas!
  • Then he pushes him.

Cliche

This cliche of argumentative Scousers was summed up in a series of sketches on a comedy TV show called Harry Enfield’s TV Programme.

This cemented the stereotype of Scousers as:

  • Argumentative & violent – often fighting and infighting
  • From large families with lots of brothers
  • Always wearing shellsuits
  • Unemployed – around the house all day
  • With mustaches and curly permed hair

Audio sample 7 – Harry Enfield – The Scousers (the cliched view)

https://www.youtube.com/watch?v=6k2YEc6dozA

Language:

  • Alright, calm down calm down.
  • Are you telling me to calm down?
  • Alright you two, break it up!
  • What’s going on here eh?
  • Friggin
  • Do you have to make such a friggin fuss about it?
  • Just keep out of it Barry.
  • Are you telling me to keep out of it?

The Beatles

The Beatles are also famously from Liverpool, but nobody seems to really speak like them any more. The accent has become more nazal and harsher. The Beatles spoke in this kind of “Beatle voice” which you don’t hear so much any more.

You can hear the scouse in their voices though if you listen carefully.

Audio sample 8 – Beatles

 

Audio Sample 9 – Local documentary on YouTube

Mini doc https://www.youtube.com/watch?v=yIcPTpWq5jY

469. British Comedy: John Bishop

Helping you to understand a comedian with a Liverpool accent – learn vocabulary, culture and accents in English.


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London LEPsters MeetUp

There’s going to be a meetup of some London-based LEPsters this coming Sunday 30th July at 7pm at the Fitzroy Tavern on Charlotte Street. It’s just north of Soho and to the west of Tottenham Court Road. There should also be a Facebook link soon.

The Fitzroy Tavern
6 Charlotte St, Fitzrovia, London W1T 2LY, UK
Sunday 30th July 7pm Fitzroy Tavern on Charlotte Street.

Zdenek Lukas of Zdenek’s English podcast will be there with any other London-based LEPsters that choose to come out. The plan is to have conversation, a beer or two and perhaps play some board games, because Zdenek is bringing some board games too. So head on down to practise your English, meet some like-minded people in a cool part of central London.

Episode Notes & Transcripts

Introduction

Hello dear listeners, welcome to the podcast. This is one of those episodes in which I go through some British comedy and help you to understand it. We will cover some vocabulary and also some cultural stuff too.

This is also chance to for you to listen to some Scouse English – the kind of English you might hear in Liverpool.

Scouse – that means from Liverpool. A Scouser is a person from Liverpool, and in that area people speak with a Scouse accent. In fact you find that accent in many parts of Merseyside – which means, Liverpool and its surrounding areas.

I’m going to tell you briefly about a popular stand up comedian from Merseyside (the Liverpool area) called John Bishop, who is often on the TV and on stage across the UK. I think he’s probably one of the most famous scousers in the UK these days. We’re going to listen to one or two of his routines which you can find on YouTube, we’ll understand them and notice some features of his Liverpool accent.

By the end of this episode I expect that you’ll have broadened your vocabulary, you’ll have become more familiar with the way people speak English in Liverpool and you’ll have learned some cultural details about family life in the UK. Also, you’re going to be introduced to the comedy of John Bishop, who you might enjoy. There are various John Bishop videos on YouTube and you can can buy his comedy DVDs which are very popular in the UK. If you like what you hear in this episode, you could get one of those DVDs and use it for both learning English and for your own general amusement.

John Bishop – some info on him

To cut a long story short, he was born in Liverpool and has lived in the Merseyside area for most of his life.

Where is Liverpool? Why is it called Merseyside?

People in Liverpool – amongst other things they are known for having a particular accent which people say is a kind of mix between Irish, Welsh (a lot of Irish and Welsh workers moved into the city during it’s time as a major industrial port in the 19th century), Lancashire and even Scandinavian influences. The accent is instantly recognisable to anyone in the UK.

So, John Bishop was born in Liverpool and has lived in the area for most of his life.

In his 20s he had what seems to have been a fairly boring and ordinary career selling pharmaceuticals. By the age of 30 he was married and had a baby son but he wasn’t particularly happy. He ended up getting separated from his wife and they were going to get divorced. He started doing stand-up during this period because he says it stopped him staying at home on his own in the evenings and drinking. It got him out of the house. The thing is, he found that he was good at it and eventually he quit his job to do stand-up full-time. Basically stand-up saved him and it rescued his marriage too – because one day his wife (who was divorcing him at the time) happened to see him on stage during a show and she went up to him afterwards and said “that was the man I fell in love with years ago” and they got back together. Since then his stand-up comedy career has taken off, and how he’s one of the most popular and well-known comedians in the UK. He’s often on the TV and his stand-up comedy DVDs are very popular.

Now he’s got quite a big family with 3 kids – all of them boys. In his comedy he talks a lot about family life and being a father – the typical frustrations, difficulties and experiences that many parents go through.

He’s definitely a mainstream comedian. I mean, his routines are not political, they’re not particularly challenging or controversial. They’re not super intellectual. It’s just straight forward observational comedy and storytelling. He’s not my #1 favourite, but I just love stand-up and I definitely enjoy his work even if he’s not my absolute favourite. But he is very successful. I think his appeal is that he’s an ordinary guy and his stories and routines are very relatable – people enjoy them because they can relate to them.

Scousers have a reputation in the UK for a few things – one of them is for being funny. This maybe a cliché or a stereotype, but I do think it’s quite true, having lived in Liverpool for 4 years. I met lots of Scousers who were very funny – just characters with stories to tell and who had the gift of the gab and good comic timing.

John Bishop is a good example of that. Partly it’s to do with the Liverpool accent which has so much character and I think helps the delivery of his routines. He tells endearing stories in a relaxed way. He wears a suit and tie so he’s well-presented. He is quite handsome and charming, but in an average kind of way. He’s like the ‘boy next door’ kind of guy. Just a normal bloke. His delivery is quite casual and easy-going, he keeps it pretty short and simple with pauses in the right places which is always a good approach to storytelling.

His attitude on stage is quite dry or deadpan (Wikipedia defines “dry” or “deadpan” like this: Deadpan or dry humor/wit describes the deliberate display of a lack of or no emotion, commonly as a form of comedic delivery to contrast with the ridiculousness of the subject matter. The delivery is meant to be blunt, sarcastic or apparently unintentional).

~

Usually his stories allow us to see that his life is actually quite frustrating and ridiculous – just like normal life is for everyone from time to time. Watching observational comedy like this makes you feel good because you totally understand what he’s going through because in fact your life is quite frustrating and ridiculous too. So it’s therapeutic – that’s what’s great about comedy. It lets you laugh at life and realise that you’re not alone and that we all experience these frustrating things.

Let’s listen to John Bishop, with his Liverpool accent, telling a couple of stories of family life from some of the videos on YouTube and let’s pick up some English in the process.

I’m going to play the first clip to you in just a moment.

As you listen, I wonder what you will be thinking. We’ve done this before, listening to English with different regional accents. You might feel that you can’t understand him completely – I think he speaks pretty clearly, delivering stories in a slow but punctuated way, but the accent might be hard for you to understand. You might think “Oh his accent is too strong”. I wouldn’t be at all surprised. But remember, English is a very diverse language. You might not want to speak like John Bishop (or maybe you do I don’t know) but you certainly should try to understand him. English comes in many different forms – many different accents – and even if you’re not familiar with those accents, they are normal and perfectly valid forms of the language which everyone can not only understand but appreciate.

It would be a pity for you to only understand one standard form of English. It would mean your English was limited. Anyone with a decent sense of English should be exposed to different accents. David Crystal said it, we all know it’s true. So let’s listen to some Scouse English. And please, do not think “Oh god his English is bad”. That’s not fair and it’s simply not true. I understand all of it, so do his audiences. British people do not struggle to understand him at all, quite the opposite – he’s very understandable and relatable. He draws in very large crowds of people to his shows all across the country. All those people understand and enjoy the things he says. His Liverpool accent is a very important part of his charm. If it’s hard to understand him I think it would be wise to consider that maybe you’re just not familiar with his accent, and that you just need to broaden your exposure to English a bit, and that this is a chance for you to do that.

Anyway, maybe you won’t have trouble understanding him at all and you’ll just enjoy listening to his story. Let’s see.

Video

Here’s John talking about going on holiday with teenage kids (I wonder what teenagers are like in your country.)
You’re going to hear him say that he had a massive tour one year and he was away from home a lot so he wanted to spend some quality time with his kids – in a kind of nostalgic way – like he imagines it used to be when he was a kid – go somewhere in the countryside where there’s no internet so he can spend some quality time with his teenage sons, spending a sort of idyllic Christmas and New Year’s Eve sitting around the fireplace playing board games, like it was in the good old days. But, his kids are modern British teenage boys who are addicted to the internet – so that might make things difficult…

You’ll also hear a few sound effects from the video, which you can see on the page for this episode.

 

Holidays with the kids (video 1)

https://www.youtube.com/watch?v=HMHYtGPpyko

White trainers, growing up, puberty, hormones and getting your head kicked in by your own son. (video 2)

John Bishop gets a new fridge and takes his old one to the dump (video 3)

https://www.youtube.com/watch?v=N9yAJKcIVxk

Language Learned

Here is some of the vocabulary you could learn from this episode.

Going on holiday with the kids (video 1)
Scouse
Scouser
Nostalgic
Quality time
Idyllic christmas
Sitting around a log fire playing board games
Teenagers
Addicted to the internet
Sound effects
A reconstruction
A cottage
It’s on the border between Scotland, england and Narnia
Internet, it’s Berwick son, we haven’t even got ceefax
We turned up at the cottage
In the middle of nowhere
Youse three, go in the living room, put the telly on
Looking at the past through rose-tinted glasses
In the middle of nowhere

White trainers (video 2)
You don’t realise how much of a cock you are
They do your (bleedin) head in don’t they?
Going through puberty
You have a week off school for half term (holiday)
You do P.E. (physical education)
You walk into the showers all self-conscious
Some kid walks in with a beard and bollocks by his knees!
Your voice breaks and that’s when you don’t get control over your voice
The hormones just come flying in and you’ve got no control over them
It’s the funniest thing on the planet bar none
I’m not asking you, I’m telling you!
Get up them (those) stairs and take them off.
Make me
It’s like the little lion is taking on the big line and all the other lions are running around going “it’s kicking off here!”
We’re stood toe to toe
I can take you!
There’s a chance he can take me here.
Thinking you’re going to get your head kicked in with your shoes

Taking the fridge to the dump (video 3)
The fridge
The freezer
The dump
To get rid of some stuff
It’s health and safety gone mad
It’s political correctness gone mad
A silver fridge that’s the size of a bungalow
A bungalow
That hasn’t half changed our lives (that has changed our lives a lot)
Put it next to the sink
I’m saving meself (myself) a yard of walking
We had a spare fridge
I turned up at the dump
There’s a fella there with a yellow vest and a clipboard
He’s done an NVQ in clipboard management
You can’t just dump a fridge now
You’ll have to phone us up
Then we come and get it
Who do I ring?
The phone in his hut rang
A hut
I’m outside dickhead!

467. A Boiling-Hot Evening Ramble / Comments & Questions

Rambling (in my sweltering hot flat) about the benefits of playing football, giving encouragement to a shy new listener, some prepositions with transport, comparing formal and informal styles and commenting on the risks of using humour in emails.

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Notes & Transcriptions Below

It’s evening and it’s boiling hot!

sunset episode 467

I played football for the first time in 5 years

  • Aching muscles
  • Team work
  • Psychology of the game / tactics
  • Scoring goals, tackling, making saves as a keeper
  • Social side
  • Endorphins (not dolphins)
  • Effects of exercise on the body and mind (less stress, less anxiety, less frustration – clear head, positive feeling, lighter feeling etc)

Teaching

Intensive courses

Are there any LEPsters in Germany who are up for a meetup?

There are rumours of a LEPsters meeting somewhere there. If you’re in Germany – let us know!

Messages and Comments from Listeners

Encouraging Laurentiu
Adam
Hi Luke
I just have done one of the best or the worst things in my life – only time will tell.
I have just visited one of my colleagues in Romania, during a business trip. His name is Laurentiu. I have never seen such a shy person who completely has no trust in his English skills – except myself years ago.
One could ignore this if English was not a must in our international company. But without English he will lose the chance for communication among colleagues, professional development, promotion etc. What is funnier is that probably 30% of the words in our language are almost the same (based on Latin origin).
I gave him homework for the next 30 days. I have copied for him about 50 of your podcasts. I hope he will hear at least one per day traveling to the plant and back home. He spends 2 hours daily on the bus.
I think everybody deserves a chance, like I got several times. I was thinking that you could give some courage to Laurentiu. If it isn’t me, he might believe you.
Thank you Luke
Regards Adam
p.s.
I still measure time in Lukes ;-). Today about 4.5 Lukes to get home.

Luke’s Comments to Laurentiu
Laurentiu – if you’re listening. Hello! I know how you feel, because of my experiences with French.

How can you persuade someone to change their mind? How can we change your mind Laurentiu?

I hate it when people go on at me and put pressure on me.

I’m sure Laurentiu knows the reasons why he should learn English.

I think, what do I need to hear to get me to do more French?

Here are some ideas:

  • It’s loads of fun. The more you do it the better it is.
  • You can do it in your own way! It’s totally up to you. Anything and everything you do with
  • English is good. It’s all good man! Don’t worry about the best way to start, just start even if it’s not perfect. Listen, read, speak. Make mistakes. It’s fun. You WILL make progress.
  • Just do a little bit per day. Just 10 minutes of reading or listening. Try 10 mins of a podcast per day. If you don’t like it, just stop after 10 minutes. If it’s not too bad, keep going for a bit.
  • Just try to understand what’s being said and relax.
  • That’s it – no pressure, just take it step by step and start with a little bit.

Adam continues…

Hi Luke,

I am just finishing my business trip to Romania (no vacation just a job in many plants in different places in Europe). Last week I was trying to convert Laurentiu to English – let’s wait and see how it works.

I have a feeling that I have successful infected my other Romanian colleague – Cristian with LEPoholism.

I hope you are not angry if I try to cure myself with the In Our Time podcast?

Please if you could encourage Laurentiu and he could hear this, it would be great (see my previous podcast comment).

Can you imagine being so afraid to say more than 3 words and then you jump to your comfort zone – to your language. He is like this ;-(.
I know the following story. 17 years ago a young well educated guy went to an interview to get a good job in a big American food company. He got, like other candidates a case study – a real problem and he gave quite an interesting solution to it. Finally he qualified for the next round. Everything went well until the check of the English language. The guy wisely said: I have learned German in one year, so for sure I will learn English, but at the moment I cannot say anything longer than “my name is …” . The manager seemed to understand, so he tried to encourage the guy. The discussion was like this: “please say anything” and the answer was like this – “no, no, not now, but I will learn for sure.” Eventually the guy was so convincing that the manager could not give the job to him.
I hope Luke you will not ask who the guy, was.
Thank you in advance.
Regards
Adam

More Things to say to Laurentiu

  • Don’t be shy, give it a try.
  • The worst thing you can do is to say nothing and do nothing.
  • If you’re worried about making mistakes – the biggest mistake is to do nothing.
  • Don’t do it later. Do it now. Right now! Even if you’re on your own, speak some English to yourself. Don’t put it off until later. Later doesn’t exist in language learning, there is only now. Speak English now, you must.
  • Do or do not, there is no try.
  • Stretch out with your feelings. Use the force.
  • Feel the English! Breathe, relax. Let the English flow through you.
  • Worried about looking stupid? Don’t worry too much. Sorry, but nobody really cares that much. Nobody is judging you as much as you are judging yourself. So give yourself a break.
  • Every day millions of people are experiencing exactly the same feeling as you, in exactly the same situation. Do you think you’re different?
  • Anyone can learn English, the only thing stopping you, is you.
  • You feel like an idiot when you speak another language and you don’t want to look like an idiot who can’t express yourself and who can’t make the right sounds, but nobody will think that you’re an idiot. They’ll actually be impressed that you’re making an effort. They’ll find it charming and nice. And if someone judges you, it means they’re a loser who’s not worth worrying about.
  • When you speak English it feels like you’re not in control. But not being in control is the most fun thing ever. People love not being in control. Drinking, going crazy to music, going on a rollercoaster at Disneyland or something. You’re not in control then and it’s fun. Enjoy the feeling of danger and excitement in taking a risk with English. (and anyway, it’s not that risky, what’s the worst that’s going to happen? YOu’re going to break your tongue? Injure your chin?)
  • Take it one step at a time. You don’t have to be brilliant at the start. Be crap at the start, it’s fine! Anyway, I’m sure you’re not that crap.
  • Just improvise. Make it up as you go along. Nobody has a clue what they’re doing anyway.
  • You’ll be fine.
  • Everyone has to be a beginner when you begin, that’s why it’s called being a beginner. But when you don’t even begin, you’re nothing – just a monkey spinning through space – there is no name for you if you do nothing. You’re a zero. So open your mouth and say something and you’ll automatically be upgraded from ‘nothing’ to ‘beginner’. Immediate level up!
  • My French is terrible and I often feel awful about it – I know how you feel! But I promise you, when I do open my mouth and say a few things I feel much better than before I started speaking. And when I don’t say anything because I feel shy, I regret it. The only cure for this situation is to just speak the language.

Jilmani’s 15 Day Challenge
If you’re part of the challenge, I hope you’re managing to keep up with it and that you’re discovering or rediscovering some episodes from the archives.

On “30. The Mystery Continues” (15 Day Challenge)
Naomi – Episode 30 The Mystery Continues (Click here to listen)
Thank you Jilmani for day 2.
I love this story. It’s amazing and funny both the story and Luke’s narration!
In the term of grammar I often get confused between ‘jumped in a cab’ ‘jumped on a bus’
‘on the train’ etc. Does it depend on the vehicles? How do I know which preposition to use?

Luke:
Carrick Cameron once told me this: if you can stand up it’s ‘on’, if you can’t stand up it’s ‘in’.
Test it out on different modes of transport. All of them.
Car, taxi, horse, bike, motorbike, canoe, helicopter, plane, spitfire, tank, camel, skateboard, train, boat, dinghy, hovercraft, UFO. [Listen for the answers]

Formal vs Informal
Salwa El Zallawi
Brilliant! I like the idea of dedicating the whole episode to one specific delexical verb. I love learning phrasal verbs and expressions. Learning these will help us end the intermediate plateau. Looking forward to more episode on other verbs, ( go , put, keep….).
But we shouldn’t use them in formal speech and formal writing, should we ?
I don’t know. I know that I shouldn’t use phrasal verbs in formal e-mails. But again, articles in newspapers today are taking more and more of an informal tone. The line between formal and informal English is not clear for me, and is a bit confusing.
Thank you, Luke, for this wonderful episode.

Luke
Salwa – you’re right.
Don’t use them in really formal writing like impersonal emails & letters, academic writing.
But they do appear in newspaper articles that use a neutral tone and sometimes in financial reports that use quite a lot of idiomatic language, including phrasal verbs – like “shot up” and “picked up” etc.

Formality in writing. It depends on the situation. It’s also true of speaking.

Let’s look at writing first.

People seem to think phrasal verbs might be these very informal and therefore disrespectful language or something. Not so. Phrasal verbs are very common in neutral speech and writing, including in professional contexts, in newspaper articles including stories about financial reports and so on. You see them all the time in those contexts.

To be honest the vast majority of the English you’ll use will be neutral in tone.

There are 3 forms, I would say. 1. Formal 2. Neutral 3. Informal

Formal language – primarily an impersonal form. E.g. university essays and assignments, professional correspondence in which you have to use lots of distance because of the respect that you’re attempting to show in a business relationship. You use it when you’re communicating on behalf of the company with people you don’t know and you want to add that impersonal distance to show respect, high levels of politeness and so on. It can also make you sound incredibly old fashioned and distant, like a bad guy from a science fiction movie, or Dracula.

Informal language – much more personal. This is like the way you would speak to a friend or a family member. It can sound friendly, but very out of place and rudely familiar in the wrong situation. Imagine writing to the Queen. “Hi Liz, what’s up? How are you handling this heatwave? It’s a nightmare isn’t it! I’m totally boiling here in my flat – no aircon because my landlord’s an idiot. WTF right? Bet you’re keeping cool tho cos you’ve got so many fans! LOL!” On one hand it’s really friendly and relaxed, but on the other hand it shows no respect if you aren’t personal friends with that person because it’s too close – there isn’t enough distance.

Neutral language – somewhere in the middle. In fact, you can get formal/neutral and informal/neutral. It’s a bit personal and friendly sounding, but not to the extent that you seem overly familiar. The vast majority of language that we use every day is neutral. It can be a bit more formal, e.g. using no contractions, probably using the bigger latin words, certain polite constructions.

Examples
Are these formal, neutral or informal situations? Let’s play around a bit. (Listen for the answers)

  • Darth Vader and Emperor Palpatine are visiting your office and you’re writing a welcoming letter to be presented to them on arrival.
  • A letter from the RMC about the annual expenditure and building costs (which I have to pay for).
  • You are writing to a manufacturing company (maybe a weapons manufacturer) requesting information about a new product range.
  • You are a marketing manager writing an internal email to a member of the accounts department to ask for some sales data. You know this person because you sometimes have meetings with them and you have had lunch together a few times.
  • You’re writing to your best friend because you want to remind them to water the plants in your flat when you go away.
  • You’re writing to your wife to suggest that you have pizza for dinner this evening.

With phrasal verbs, I’d say – it’s a fairly reliable rule that the more formal you get, the less you use them.
There’s usually a formal equivalent – probably a latin origin word.
E.g.
Phrasal verb – more formal equivalent
Call off – cancel
Put off – postpone
Carry out – execute
Get across – communicate
Hold up – delay
Pick up – collect
Get off – alight
Turn down – refuse

Phrasal verbs are less formal than their ‘latin’ equivalents, but you will find them in language including some financial reports, professional emails and so on.
If you’re being really formal, avoid them. If you’re being just neutral, you will probably want to use some.
If you’re being informal, you’ll use them a lot.
That’s the best I can say right now without writing a whole book on the subject. Keep your eyes peeled when you’re reading or hearing different types of English.

Cat in reply to Salwa
I have the same confusion here, Salwa. I have to write tons of emails each day, to people from different countries, using English, of course. The question I’m always asking myself is — how formal and how informal can I get without confusing the other side… Often I have to check myself before I wreck myself; and at times failing badly, I fear…
The other day I wrote to a lady in UK with the name “Clare” — she wanted to double check on something — and I wrote to her “Hi Clare! I see, there is a need for some Clare-fication here. ;)” Now I’m a bit worried, maybe I shouldn’t have written such things…. What do you think?

Then, on the same day, I was desperately trying to invite some students to one event we were organising for the said Clare. And I wrote to our students:
“Come and build a bridge
to the University of Cambridge!”
(she was from Cambridge). I don’t know how it sounds for native speakers… But sometimes it’s fun to have a bit of fun at work. :))

Using Humour in Emails
It’s fun – but beware of making jokes in emails it almost never works.
If you’re lucky, and Clare is 100% lovely, she will find it charming.
But what are the chances she is 100% lovely?
There’s a big risk that she will think it’s pretty cheesy.
Humour is very hard to pull off unless you’re being self-deprecating (and I don’t recommend that too much either, especially in emails).
Beware of making jokes with people’s names. They might just get a bit triggered by that and won’t see the funny side.
I feel a bit awkward here because I have said that humour is everywhere in British culture, but remember that we go for self-deprecating humour a lot – understatement, putting ourselves down a little bit. If you do wacky puns on someone’s name, they might just think you’re the annoying office joker.
But maybe not! Brits love a pun, and Catherine you are very charming and I don’t know the relationship you have with Clare, so maybe she will like it and it will help you two bond more.
Thing is, how is she now supposed to respond? It’s hard for her to adopt the same tone. That’s why it’s potentially inappropriate.
Clare might think you’re a bit nuts, to be honest!
But I think you’re wise enough to know what you’re doing Cat, right?

The Cambridge University joke is better, because it’s not a joke about someone’s name. But, does she work at Cambridge University? If not, she might be thinking, “well, what do I have to do with Cambridge University, just because I’m from Cambridge?”
I’m teachersplaining now, and possibly making you feel bad, I don’t know. The jokes are sweet and nice but the danger is that they will backfire on you.
But if it was me, I would avoid that kind of thing in emails. Mainly because there’s no chance for you to react quickly to rescue the situation if she doesn’t like it or understand it, and email lacks all the subtlety of body language, facial expressions and intonation that you need to help make a joke like that.
I speak from experience as someone who has put my foot in it by making silly jokes which impressed nobody, and as someone who has found silly jokes to be slightly inappropriate, annoying and awkward.

That’s it for now! Thanks for listening.

Join the mailing list and watch out for some website-only content coming in the future.

Cheers,

Luke

466. Get this word into your life

Highlighting and clarifying vocabulary that you heard in episodes 464 and 465, with a focus on phrases and uses of the word get.


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The plan in this episode is to go through some of the language that you heard during the last two episodes.

If you listened to episodes 464 and 465 you will have heard me telling you to watch out for certain language that I would be explaining later.

Well, it is now ‘later’ – later has arrived. This is later. So let’s check out some of that language, shall we?

Check the page for this episode to see the words, phrases and some example sentences written for you to look at with your eyes and then remember with your brains (your brain – you’ve only got one, right?)

So, how much stuff did you notice? How many phrasal verbs, collocations and instances of ‘get’?

I’ve been through the episodes and have picked out some of that language that I thought was worth highlighting, and there was loads of it, tons of it, considerable amounts, too much for one episode. So in this one I’m just going to focus on the uses of get, which is one of the most common verbs in the English language. Let’s consider all the uses of ‘get’ which came up in the last two episodes.

GET the word ‘get’ into your life

Open a dictionary and look up this little word. You’ll see pages and pages of entries. Different meanings, grammatical functions, uses, phrasal verbs, fixed expressions and so on.

*actually read out loads of uses of get…*

You can’t underestimate the importance and usefulness of this little word. Native English speakers use get an awful lot. It’s one of the features of native level English.

Now, actually I should point out that it’s not just this one word on its own. That’s slightly misleading. Instead you realise that you’re not learning ‘get’ over and over again, you’re learning all the many different phrases in which it occurs. So, don’t focus on what ‘get’ really means – on its own it doesn’t mean that much, that’s why it’s a delexical verb. The meaning is to be found in the whole phrase – so that means you need to pay particular attention to how the word collocates with prepositions like ‘in’ or ‘on’ and auxiliary verbs like ‘have’ and also how these phrases affect the grammar of the sentence (e.g. if they’re followed by a gerund or an infinitive).

Sounds difficult? That’s because it is. In fact, I think ‘get’ is an example of exactly how English can be extremely tricky for learners of English.

Some aspects of English are easier than other aspects.

Some of the ‘easier’ things about our language are – there are not so many verb forms (e.g. with ‘go’ – to go, go, goes, going, went, gone, been) or verb endings (-ed, s or es) , no gender – so no need to change the gender of the adjective or pronoun and so on. Obviously I would say English was easy because it’s easy for me and I know that, admittedly, there are some tricky bits like some adjective and adverb morphology (with comparatives and superlatives – er, ier, est, iest), our irregular verbs and spelling are an irregular nightmare, we have lots of vocabulary with many synonyms, indirect language is hard to deal with, modal verbs are hard to get to grips with and there’s massive diversity in the way the language is spoken with many different accents around the world and so on, but compared to something like French or German there is less grammar to deal with, like the number of verb forms for example is quite limited.

I guess this is why it’s fairly common for people to get to a certain level of functional English (intermediate level) quite quickly but then get stuck at the intermediate plateau. Many people get to that level where they can basically say what they want to say and hold down a basic conversation but then that’s it, they stay there or they get stuck there because they hit a wall when it comes to the more complex stuff – the really nitty-gritty of native level English usage – the stuff that allows you to communicate shades of grey, subtlety, nuance and humour.

This is where English becomes particularly tough stuff. It’s the sheer diversity of little phrases which are created by combining certain ‘delexical verbs’ with prepositions, pronouns, gerunds and infinitives.

‘Delexical verbs’ are verbs which don’t carry much meaning on their own. Often they are little verbs. E.g. get, have, keep, put, take, make, give. They combine with other words in phrases. It’s the phrase as a whole that carries the specific meaning.

We end up with sentences like: “I’ve just got to get in on some of that action.” or “I just can’t get used to being out of the loop.” or “I’ve got to get round to getting you back for that thing that you did to me.”

“I’ve just got to get in on some of that action.”

to have got to do something = to have to do it, to need to do it

to get in on something = to become involved in something, take part in something from which you will benefit.

  1. Is the meaning obvious from the words? Not really. The only big word there is “action”. All the others are little ‘grammar words’. The whole thing is quite idiomatic.
  2. Is it easy to spot all the words being used when someone says it? Not really
  3. You might eventually understand it, but can you use and pronounce it quickly and confidently?

Jim: Do you want to get in on some of this action? *points to chips and salsa*

Pete: No thanks, I’m Good.

(from the Urban Dictionary – which isn’t always reliable by the way, there’s a lot of stupid, rude slang in there)

“I can’t get used to being out of the loop” = I’m in a really difficult position because I don’t know what’s going on and I haven’t known what’s going on for a while. This position is not getting easier for me.” e.g. you’ve got no internet connection and life just doesn’t seem normal.

“I’ve got to get round to getting you back for that thing that you did to me.”

to get round to doing something = to finally do something you should have done before

to get someone back for doing something = to get revenge on someone

This is where English gets really quite difficult. It’s a nightmare, I know.

A lot of these ‘bits of English’ with get are phrasal verbs, others are just fixed expressions. They are difficult, right? But what are you going to do? Ignore them? Pretend they don’t exist? Bad move. You’ll end up speaking an unnatural form of English. You’ll end up not really understanding what native speakers are talking about or getting at.

So, don’t underestimate the importance of little verbs like ‘get’ or ‘make’ or ‘put’. They’ve very common and this is the real English that is used all the time every day, but which is hard to learn because it’s probably quite different from your native language and because they’re not the ‘big heavy latin words’ that are more noticeable. These delexical words are like the ninjas of English. Yes, more ninjas on the podcast. I am obsessed with ninjas.

There are actually about 29 different uses or different phrases with ‘get’ in this episode. Maybe more.

That’s a lot, I know. Normally in lessons we don’t teach more than about 12 words at a time. There’s a good chance not every phrase will stick.

It can feel overwhelming. There are so many usages and phrases. It feels like you’ll never learn them all. But don’t worry about it all too much. It does take a while to pick up these difficult aspects of English but it’s not impossible. It helps if you stay positive.

Tips for dealing with all this tricky vocabulary

Here are some tips that I hope will help:

  1. Remember – it feels like there’s an infinite number of these little phrases. There isn’t. It’s a finite number. You can learn them all if you try. It is achievable. You can do it. Yes, you can.
  2. OK, so you might not learn them all, it’s quite difficult. But don’t worry, you don’t have to learn them all. Just learn some and the ones you do learn properly will stick with you forever as long as you keep noticing and using them. That’s better than just going “Oh to hell with it!” and learning nothing. Something is better than nothing, even if it is not everything. So, don’t worry if you don’t get all of these expressions. Just learn some now and get the others later.
  3. You could check a phrasal verbs dictionary like the Cambridge Dictionary of Phrasal Verbs to see the frequency of expressions, which might help you see which expressions are more common than others.
  4. When you’ve learned a phrase, or started learning some phrases. Listen out for them, watch out for them. You’ll find you start noticing them more and more. This will help you remember them a bit. The ones you notice a lot are the really useful ones worth remembering.
  5. Watch out for tricky little details such as whether the expression is followed by an -ing form or an infinitive form (with or without to) or if there are sneaky little prepositions, auxiliaries or pronouns. Don’t just learn the big solo verbs or words, train yourself to be on the lookout for vocabulary in phrases, or chunks. E.g. “to get used to doing something” or “be used to doing something” – both of those expressions with ‘used to’ have 4 parts, not just ‘used to’.
  6. Always study vocabulary with real examples, not just definitions. Beware of translating everything directly from or into your language, this might not work. English is a different language, remember.
  7. Try to use expressions with your own examples. Own the language. Personalise it. Use examples that mean something to you. This will help it stick in your mind, especially if your examples are visual or spatial – e.g. involving you in a particular space.
  8. Listen back to episodes 464 and 465 and focus on spotting the uses of ‘get’ either in phrasal verbs or other uses. You could play ‘vocab hunter’ if it makes you feel more excited.
  9. These phrases can be difficult to notice because of connected speech – the way certain sounds are cut, or even added in order to say the phrase quickly. All the words in the phrase run into each other and it ends up sounding like one word or even just a noise. E.g. “things might get a bit technical” (try it with and without the /t/ sounds)
  10. Check out my series called “A Phrasal Verb a Day”. It’s currently on hiatus, but there are about 130 phrasal verbs explained in individual episodes with their own examples. Each episode is just a few minutes long and there’s not much rambling. I just get straight to the point each time. It might help.

So, let’s carry on and look at the ways in which ‘get’ is used with some examples from episodes 464 and 465.

Uses of GET

Get on its own can mean a few things. See below for examples.

The list below is in order of frequency from episodes 464 and 465. The most frequent uses in those episodes are at the top of the list.

Get = receive (get a letter), obtain (get permission to do something), achieve (get a good result)

e.g. (to get an idea, to get the giggles, get the motivation to do something)

  • here’s a message I got not long ago
  • I do get quite a lot of messages like that
  • I get messages like this quite a lot
  • where I get the inspiration for episodes
  • getting the giggles
  • Zdenek got a teaching job off the back of his podcast
  • Get some inspiration to record something
  • get the right results
  • getting a sense of what works with learners of English
  • some things that I’m sure will be a hit seem to get a muted response
  • trying to get their approval
  • it’s great to get your feedback
  • you can’t get that lovely close sound with the laptop mic

Get = become (get + adjective)

e.g. get old, get hot, get dark, get famous, get bored

  • This might get a bit technical later on
  • which could get quite geeky
  • if you get too focused on controlling everything
  • I think she gets distracted at work
  • I have to get myself pumped up
  • That’s how a British person gets pumped up
  • Come on, let’s get pumped!
  • Let’s get pumped up!
  • things get a bit more fun in the second half of the episode
  • Ooh, suddenly this has got way more exciting, hasn’t it. Hasn’t it?

Get =  the auxiliary verb in passive forms (sometimes)
e.g. to get paid, to get downloaded, to get noticed, get caught, get arrested, get involved in something

  • if you get too focused on controlling everything you might stifle the conversation
  • I think she gets distracted at work
  • Let’s get pumped up!

Get = understand 

e.g. to get the message, get a joke, to get the idea

  • nobody gets the joke
  • you get the idea
  • Do you get what I’m trying to say?
  • I just don’t get it

have got = have (possessive)

  • I’ve got two Shure SM58s and a Shure SM7B
  • Send out a search team for Carlos. Sweep the area, we’ve got a missing LEPster. (actually he’s not missing, he got in touch)
  • Imagine you’re a presenter and you’ve got your own radio show

Watch out for:
*we don’t use it in the past (I had)
*auxiliary verbs in negatives and questions
(+) I have an idea / I have got an idea
(-) I don’t have an idea / I haven’t got an idea
(Q) Do you have any ideas? / Have you got any ideas?

Have got to = have to (obligation)

  • I’ve just got to get through this work
  • “I’ve got to concentrate!”

Watch out for:
*not in the past (I had to)
*negatives and questions
I have to do it / I have got to do it
I don’t have to do it / I haven’t got to do it
Do you have to do it? / Have you got to do it?

Get = reach/arrive at a place/stage

e.g. to get home, to get to work, to get to where you want to be

  • to get to where I need to be to start recording something about it

Get = manage to put something somewhere

e.g. to get it on the table, to get the ball in the hole

  • get it online, get those files online

 

Phrasal verbs and other expressions with get

To get through something = to finish something, to pass from the start to the finish

e.g. We need to get through the woods before the sun goes down.

Things got a little bit difficult in the middle of the marathon but I got through it.

  • try to get through the bits about how I make the podcast

To get your head around something = to understand it

  • I’ll explain the vocab later, which should help you to get your head around it all

To get round to doing something = to do something you have intended to do for a long time

  • I’m glad to have actually got round to doing it
  • I wonder if I’ll ever get round to making all those episodes

To get into something (literal) = to enter something (e.g. get into the car please sir) or change into a particular state (e.g. get into the right mood to do something)

  • I just try to get into the right frame of mind to record an episode

To get into something (idiomatic – ish) = become interested or involved in something

  • You might want to get into it too

To get back (to something) = to return to a place, or return to something you were doing before

e.g. “Get back! Get back! Get back to where you once belonged. Get back Jo Jo!”

  • Let’s get back to the topic of this episode

To get something across = to communicate something to someone, to make someone understand something

  • I have to come up with ideas and get them (my ideas) across to my audience
  • How to actually get the message across

To get on with someone = to have a good, friendly relationship with someone

  • Listen to people who know each other and get on well

To get rid of something = to throw something away, to discard it

  • Sometimes I have to get rid of what I recorded and start again

Other expressions and uses of ‘get’

To get going / to get started = to start

  • So let’s get going.
  • Let’s get started properly.

To get on with it = Start doing something that you should be doing.

e.g. Come on, stop wasting time! Get on with it!

  • Let’s get on with it.

To get down to business = to start talking about the subject which is to be discussed

  • Let’s get down to business.

To get something done = do it, finish it – ‘get’ is a causative verb here – either you do it or someone else does it

  • Control the podcast settings and get it published to iTunes
  • I need to get this finished by the end of the day
  • I need to get my teeth looked at

To get someone to do something = another causative verb – it means to make someone do something, to persuade someone to do something  – someone else does it (in USA they might say “have it done”

  • getting people to download it
  • How I get people to know about what I’m doing, how to get people to listen.

To get someone doing something = to put someone in a state, to make someone do something over and over

  • Here are just a few questions to get you thinking.

What’s the difference between ‘get someone to do something’ and ‘get someone doing something’?

The first one means persuade someone to do it, and it might only be once. (e.g. I got him to give me the money)

The second one means that you make someone do something over and over again, or put them in a state, not just do one single thing. (e.g. “now you’ve got me worrying” or “I really want to get you running every day”)

To get used to doing something = to become accustomed to doing something, to become familiar with something

  • I want you to get used to noticing different bits of language

To get the hang of doing something = like ‘get used to -ing’ but more informal, to learn how to do something

  • I want you to get the hang of noticing language

To get the most out of something = to achieve the most from something that is possible, to take advantage of something

  • I want you to be able to get the most out of these episodes
  • to get the most out of the people you’re listening to

Also: to make the most of something

To get in touch (with someone)  = to contact someone by phone, text, email etc

  • Get in touch

Also: keep in touch, stay in touch

To get it right/wrong = do something correctly or incorrectly

  • I’m sure I don’t get it right every time
  • I try to get it right

To get together = meet socially

  • Get people together
  • Get together with someone
  • If you get the right people together

Also – (n) a ‘get together’
Let’s have a get together at the weekend

to get something into your life

  • I’ve got to get you into my life
  • Get this word into your life

The Beatles – Got To Get you Into My Life (Lyrics) http://www.azlyrics.com/lyrics/beatles/gottogetyouintomylife.html

Background music from http://www.Jukedeck.com

 

463. News, Comments & Questions (A Rambling Episode)

Giving some news, responding to comments & questions, rambling about new shoes and getting lost in the jungle.


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