Tag Archives: comedy

313. British Comedy: Tim Vine (Part 1) + LEP Photo Competition

In this episode we’re going to listen to some stand-up comedy by a popular British comedian called Tim Vine, which should be pretty challenging because he tells lots of puns and fast jokes.

But before that, I just want to tell you about a new competition that I’m launching today for listeners to this podcast. This is the Luke’s English Podcast photo competition. See below for all the details, to download this episode and to watch a video of Tim Vine.

[DOWNLOAD] [LISTEN TO PART 2]
The LEP Photo Competition
It’s been a great year for Luke’s English Podcast with loads of new episodes. All kinds of things have happened this year and I’ve talked about a lot of them on the podcast. I’ve had lots of responses from you my listeners and the podcast is still going from strength to strength in terms of audience numbers.

One of the things that’s made it great for me is that I have such awesome listeners all over the planet. It’s great for me to imagine people listening to my podcast in different situations, in different places all over the world. But I’d like to do more than imagine those situations, I’d love to actually see them. I think it would be really cool if you, the listeners of this podcast, could all share photos of your surroundings while listening to LEP.

Maybe you’re on a bus or train, maybe in your car, maybe just walking around, maybe you’re at home with your pets or a cup of tea, maybe you’re climbing a mountain, maybe you’re on the international space station orbiting the earth or something.

Whoever you are, wherever you are, whatever you’re doing – send me your photos. I want you to take a photo that shows the situation you’re in while you listen. Now, you might think “Nah, you don’t want to see a picture of my surroundings…” Yes, I do! Even if you think it’s boring – I want to see it. If you’re on the bus, take a pic of the bus or your view from the window. If you’re walking along a street, take a pic of the street so we can see what it looks like. If you’re on an alien spaceship listening to this from outside the earth’s atmosphere, send me a photo of the spaceship or your view of earth from a distance. Just take a picture of what you can see while you’re listening.

There’s just one rule – the photo has to contain something that shows you’re listening – so include in the photo the LEP logo or some headphones or a screen with the logo on it or some other indication that you’re listening. You don’t have to include a picture of yourself, but you can if you want to. It’s up to you. The main thing is – I want you to show us something that you can see in your surroundings while you listen to LEP and your photo should contain something that proves you’re listening. So if you’re taking a photo of the street, or the view from your hike in the mountains, make sure there’s a headphone in the photo or the LEP logo or even you listening. Yes, just a headphone in the photo is enough for me.

Send your photos by email to podcastcomp@gmail.com. Closing date for photos is Friday 15 January at midnight London time.

When I’ve collected all the photos, I’ll put them all up on the website and you all the LEPsters can vote for their favourite. Then I’ll pick 3 winners. The top winner will get an LEP mug plus another gift of their choice (another mug, a t-shirt or a bag). The two runners up will get LEP mugs. 

OK, so start taking some photos to show us what it’s like where you are while you’re listening to the podcast. Feel free to get creative! Just make sure you insert something in the photo to show that you’re listening. I want it to be a real picture, not a faked one. OK!

Mailing list
From messages I receive it seems that some of my listeners just can’t wait for me to upload new  episodes and they keep going to my page to see if there’s new content there. You should join the mailing list and then you’ll get an email whenever I post a new episode on the website. On my website near the top on the right there’s a field that says “Subscribe by email” just enter your email address there and click confirm.

Top 10 countries this week (number of ‘plays’ in the last 7 days)

Russia 12254
Japan 10443
China 10428
Spain 7434
United Kingdom 6175
Germany 5588
Poland 4740
United States 4570
Italy 4068
South Korea 3038

Do you want your country to go up in the list? Tell your friends!

British Comedy: Tim Vine
Tim Vine is a British stand up comedian who is famous for doing lots of one-liners. He’s one of the UK’s favourite stand-up comedians. His jokes are all clean and family friendly with no rude language or explicit content. He’s a self-deprecating cheeky chappie who makes everyone laugh. The thing that makes Tim Vine different to other comedians is that he always does a succession of one line jokes in his performances. It’s just joke after joke after joke and often they don’t relate to each other at all, it’s just a relentless and rapid stream of unrelated gags and puns.  British audiences love him, but I wonder what you’ll think of his comedy.

I think to an extent, his comedy is quite challenging for non-native speakers of English. By that I mean that he’s the sort of guy that, if you’re a learner of English, you’ll be watching TV with a group of native English speakers, and Tim Vine will come on TV, and all the native speakers (let’s say youre with an English family or some English friends) all of them will suddenly say, “Oh, I love Tim Vine, he’s soooo funny, you’ve got to check this out, you’ll love this, all his jokes are so clever – they’re all based on double meanings and word play, you’ll love it.” You then watch his set, and he tells joke after joke after joke, the audience on TV is loving it, the other people in the room are all laughing, but to you he’s just saying lots of really quick little sentences without pronouncing the words properly, and he’s acting like a total amateur, and he looks all shy and apologetic on stage, and you think – I can’t believe these English people find this guy so funny, what’s wrong with everyone. Or, what’s wrong with me?

There’s nothing wrong with anyone of course, it’s just a language and culture gap that might stop you from enjoying his jokes, and it’s a big pity because there is a lot of joy and pleasure to be gained from watching Tim Vine do comedy.

So, in this episode I’m going to do something a bit ambitious – I’m going to try to help you understand and enjoy one of Tim Vine’s comedy performances. We’re going to listen to about 10 minutes of Tim Vine’s act, and then I’ll break it down and help you understand exactly what he’s saying and why the audience is laughing. If you laugh at his jokes too – fantastic, that’s wonderful. If laughter happens, then success has been achieved. If laughter doesn’t happen – no problem, we’ll still have success because I will explain the language and you’ll learn some really natural English.

I expect that while we listen to Tim Vine some of you will start thinking – this just isn’t funny. Well, let me just say – Tim Vine definitely is funny and many many people agree with that. In fact, I think that  The only reason someone won’t find him funny is because they just don’t get the jokes. He’s not offensive, he’s not rude, he’s a lovely man who just wants to make people laugh. There’s no other reason for not liking him other than the fact that you don’t understand his jokes.

A few facts to prove my point: Tim Vine is the holder of the Guiness World Record for most jokes told in an hour. He told 499 jokes. The criteria for the record is that the jokes received a laugh from the audience. So, 499 jokes got laughs in one hour. That’s over 8 jokes a minute.

He has won the “Joke of the Year” award twice. That’s the prize for the best joke at the Edinburgh Fringe Festival.

My Mum and Dad are both huge fans of Tim. They went to see one of his live shows, and absolutely loved it. And, you should know that my parents have exceptional taste in most things.

Now, if those three things don’t convince you that Tim Vine is funny, then I don’t know what will.

Alright, so now we have agreed that Tim Vine is definitely funny, and that if you don’t find him funny then it’s almost certainly because of the language and cultural gap – let’s listen to Tim telling some jokes and then we’ll work on closing that linguistic and cultural gap. Hopefully the result will be that your understanding of English will be significantly raised in the process, even if it requires a bit of work. In fact, this could be the perfect test – teach – test model for learning English.

I’m not saying that you’re not going to understand any of this – I’m sure many of you will get a lot of the jokes without any problem, but honestly I think that if you’re not proficient at English you’ll struggle to get them. And watch out – don’t assume you’ve understood the joke because you understand the words. There’s always a double meaning.

So, let’s go.

Let’s now listen to the first 3 minutes of Tim Vine’s stand up routine from a show called One Night Stand, which is a popular stand-up comedy show on a British TV channel called Dave.

Stop listening after Tim’s song called “It’s easy”.

Then go back through the jokes one by one. If you already got these jokes, then sorry if I’m telling things you already know.

Cultural point: Tim knows, and the audience knows, that the jokes are pretty stupid and crap. On their own they have pretty much no value. But when the jokes come one by one, relentlessly, so fast they build into a rhythm. You don’t get a chance to think about how silly they are, you just laugh at the pun and the next one comes along immediately. That  part of the enjoyment – and if you don’t understand them, or if you think about the individual jokes too much, that can kill the fun. So, analysing the jokes like this is probably the best way to KILL the humour, but anyway…

Now, you should watch the whole video on the page for this episode. You should do that so you can actually see Tim performing the jokes, including the expressions on his face and everything.

That’s it! Remember – don’t give up even if it’s difficult.

And, remember, the force will be with you, always…

Tim Vine – One Night Stand

The video is no longer available – it was removed from YouTube. :(

Tim Vine’s jokes – explained

A listener called Viviane sent me a list of all the jokes in this episode, with explanations. Here they are.

1. Let’s hear it for my internal organs,
let’s hear it for = invite the audience to applaud
Tim plays his body as you hear the sound of an organ. “organ” has two meanings – something in your body (e.g. your liver or kidneys) and a musical instrument.

2. This bloke said to me: “I’m gonna dress up as a small island off the coast of Italy.”
I said: “Don’t be so silly. (Don’t be Sicilly.)”

3. I think a parachute jump is the scariest thing that I have ever, ever… refused to do.
(You expect him to say “that I’ve ever, ever done.”)
Actually I once did the parachute jump. They got you attached to the instructor, and you jumped out of it together. So in this airplane, they attached me to this bloke, and we jumped out, and it was really frightening, because half way down, he asked me “how long have you been an instructor?”

4. But we’ve all heard the theory that people look like their pets. Well tonight I’m going to test this theory out. You, sir, have you got a llama(秘鲁 骆马)?
The suggestion is that the person looks like a llama.
Just so you know, whoever sitting there I always say “have you got a llama?”, I just got lucky tonight.

5. I went to Sooty’s barbecue, and had a Sweep steak.
hand puppet bear, Sweep is Sooty’s best friend. He’s a dog.
a sweepstake = a sort of bet in which you can win all the money
The suggestion is that Tim ate Sooty’s best friend. This joke isn’t very good because the situation doesn’t make sense. Why would he have a sweepsteak at a barbecue?

6. I met the man who invented the window sills, what a ledge! (what a ledge/legend)
A window sill is a type of ledge.
“What a ledge!” is a way to say that you think someone is brilliant, or a legend.

7. This antique dealer came up to me. He said, What do you think of the Chinese Dynasty? I said, it was very badly dubbed.(配音)
Dynasty: a famous American TV show during the 1980s.
This is because most of the Chinesr movies, for example, kungfu movies from the 80s were always very badly dubbed, so the movement of the person’s mouth and the voice you’ll hear would be completely out of synchronization.

8. I said, I would open a shop in Saudi Arabia. He said, Dubai? (Do you buy?) I said, yeah, and sell!

9. My grandfather was a very controversial artist, he designed the lion in Trafalgar Square. It doesn’t sound very cutting edge, but at the time, it really put the cat amongst the pigeons.
Cutting edge: innovative
Put the cat amongst the pigeons: totally upset the situation.
Trafalgar Square is famous for having lots of pigeons.

10. Someone said to this New Zealand bloke, I’m going to a Swidish furniture shop. He said, Does it look like I care?(IKEA)
“I care” and “IKEA” sound quite similar in a Kiwi accent.

11. I’m going to buy some furniture polish (comes in an aerosal can).
He said, “Pledge?”
I said, “I will give you my word.”
pledge: a brand name. It also means  = to promise

12. You probably think this was all very well, but when do we get to sing with you Tim? The answer is now.
I might be totally deaf, I never thought I’d hear myself say that! (“I never thought I’d hear myself say that” means “I’m surprised that I’m saying that” but it also means that he’s surprised to actually hear himself saying it because he might be deaf.

~It’s easy.~ (It sounds like the introduction to the song, but then you realize that that’s the song. Songs typically will lay down a theme, the introduction will probably be about 4 bars long)

13. This song is called Subtraction, take it away! (What you say in a performance before a song, Let’s start the song!) Hit the music please!
“subtraction” is also the act of subtracting numbers in maths, or ‘taking things away’.

14. ~It’s easy~
Blimey that was hard work, wasn’t it? (so, it wasn’t actually easy)

15. Bnag! That’s bang out of order.
“That’s bang out of order” is what you say when someone is behaving in an unacceptable way.
He’s also talking about the word “BNAG” which is the word “BANG” but with the letters in the wrong order.

16. I don’t know why I put myself through this. (Tim has taken a piece of cardboard, and put his head through the hole.)
To put yourself through something = force yourself to have a difficult experience
He is also literally putting himself through a piece of cardboard.

17. Hello, My name is Bruce Willis, and I was in a diehard film, I shoot people and people shoot back at me. Yes, I am BruceWillis, I was in The Sixth Sense, I am a film star. I’m Bruce Willis. Sorry, I think I might give you the wrong impression.
To give someone the wrong impression = to make someone think the wrong thing about you.
Also “to do an impression” means to copy the voice of someone.
In this joke he has copied Bruce Willis, but with the wrong voice. He’s given us the wrong impression.

18. So I went to the binocular shop. I’ll tell you what, they saw me coming.(“They saw him coming” = They gave him a bad price, they ripped him off – but they literally saw him coming because of the binoculars)

19. Of course, binoculars is plural, and the singular is — telescope!

20. But I love language.
Does every sentence have to contain a vegetable?
I said, “Not nece-celery.”
“Necessarily” can sound like it contains the word “celery”, which is a vegetable.

21. And then there is the word “mortar” 石灰/迫击炮. Mortar has two different meanings, as I discovered when the house I bought exploded.
Mortar = the stuff that attaches the bricks to each other. “bricks and mortar”
Mortar also means a kind of weapon which launches a grenade into the air.

22. So I went down to the local pub.
“Do you like the local jokes?”
“Yeah, me too. They are right up my street.”

affirmative: It’s right up my street. = It’s my kind of thing.
Negative: It’s not my cup of tea.

23. I walked in, there was a very drunk man slumped in a chair. He looked at me and said what do you do for a living? I said, comedian. He said, “I admire anyone who can stand up…”(leave it hanging)

We expect him to say that he admires anyone who can stand up and try and make people laugh, but this man is drunk and he just admires anyone who can just stand up.

24.I said, “I bet you can’t name a single subject I don’t have a joke about.”
You said, “Beavers.”
I said, “Damn” (Dam = a house made by a beaver on a river)

25. I did a gig the other day, and it went very badly. Yeah cheers. And I walked out of stage, and all I could hear was one person clapping. And then I remembered, I was wearing flip-flops 人字拖.

26. I did a gig the night before to a whole bunch of reindeers, and I slayed them!

In comedy, when you make the audience laugh, you can say you kill/slay/smash the audience.
A slay is also a kind of large sled or vehicle that a reindeer would pull, like the kind of thing that Santa uses. So “slay” has two meanings.

27. But you know, the first job I’ve ever had was playing the back part of a pantomime Wasp, and I thought I was the bee’s knees.
the bee’s knees = fantastic
He also thought he was literally the bee’s knees (because he was wearing the back part of a wasp costume, and wasps look like bees)

28. Do you know the other day I got lost in the jungle. Luckily I had a compass 罗盘/圆规 with me, so I was able to draw a perfect circle with a pencil.
“compass” has two meanings – a device for navigation, and a device for drawing perfect circles.

29. A small blue garden bird made of mahogony! It’d be great if I had a related joke, wouldn’t it? (wooden tit)
Tit is the most common kind of garden bird in the UK. (Look at the tits!)

30. ~Waiting can sometimes be lots of fun~ (Every time you expect him to sing, he doesn’t.)
~But not always~

31. Do you know I have a friend who always takes the mickey out of me for having a “pay as you go” phone, who’s always go like “~You’ve got a pay as you go phone~” So eventually I took out a contract, and had him killed.

In the UK, you’ve got two kinds of phone contract: pay as you go (lower status people who don’t have much money), and monthly contract (don’t need to top up your credit)
take out a contract: to ask an assassin to kill sb.

32. So I said to this bloke: “Me and some friends were just talking about you.”
He said, “You disgust (discussed) me.”
I said, “Yes we did.”

33. He said, “Next time you are asleep I’m going to wake you up!”
I said, “That’s disturbing.”
disturbing his sleep, but also disturbing in an emotional way meaning worrying.

34. (visual joke) I’ve nearly finished filling in my CV, it’s got a little bit there.
fill in a CV = complete your CV
fill in = fill something with colour

35. I think my worst invention was this rubber band wind chime 风铃. All right, pipe down.

36. Ladies and gentlemen, I will leave you with this. (meaning “I will say this and then I will leave”. But as he said that, he had his hand on the microphone stand) Because I’ll be honest with you, it doesn’t belong to me, I don’t bring it with me.

37. I was standing on the beach, I walked into the wave holding a tub of Taramasalata ( a kind of dip), and a man said, “What are you doing?” I said, “I’m taking a dip in the sea.”
take a dip: take a short swim
a dip also means a sort of sauce

38. I was steering a yacht with my stomach muscles — ab sailing!
abseiling means climbing down a mountain backwards via a rope

39. This farmer came up to me and said, “I got 68 sheep, can you round them up for me?” I said, “Sure, 70.”
to round up some sheep = to collect all the sheep together into a group
to round up a number = to raise or lower the number to the nearest round number. E.g. 4.9 – round it up to 5

40. But I’m going to be honest with you, ladies and gentlemen, I don’t think I’m going to do this job for much longer. (the audience goes “aahhhh” in sympathy and disappointment) Not enough of you and too long a pause. But what concerns me is that one day, I’ll wind up an old man… and he’ll attack me.

I’ll wind up an old man = I’ll end up being an old man
I’ll wind up an old man = I’ll make an old man angry

 

301. David Cameron & The Pig / Bad Gig Story / Who is Ronnie Pickering? (A rambling episode)

In this episode I’m going to have a bit of a ramble about some stuff that’s in the news at the moment and a few other things that have come into my brain. I’m not going to teach you anything specific in this one, no language anyway – just some bits and pieces about modern day British life. So generally I’m just going to keep you company for a while and talk to you one to one for the duration of the episode. Just you and me, and perhaps a bus load of commuters.

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Download “The In Sound from Way Out” by Beastie Boys on iTunes, here.
Here’s a made-up agenda for the episode:

1. The UK political situation, and trending news relating to it – this is less boring than you might expect because it seems from recent reports that our Prime Minister David Cameron once had sex with a dead pig. Seriously. (Did PM David Cameron really have sex with a pig? What’s all this about Jeremy Corbyn? What’s going on?)
2. “Sorry, we’re English”
3. Tell a story or anecdote about something.
4. Who is Ronnie Pickering?

In the next episode:
5. A trip to the dentist in Paris.
6. Star Wars Episode VII: The Force Awakens – I can hardly contain my excitement, but I am attempting to avoid the hype.
7. OPP: The Adam Buxton Podcast
8. In my headphones recently: The Juan MacLean “A Simple Design”, The Who: “Who Are You?”, Erland Oye: “Lies become part of who you are”, DJ Krush & Ronny Jordan: “Bad Brothers”, Leyla McCalla: “Heart of Gold”. (Plus, the intro song: “Groove Holmes” by Beastie Boys)
9. Jingle news: Possible new jingle in the pipeline
10. Jarvis Cocker
11. That’s probably it, isn’t it?
301b
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296. Learning Comedy is like Learning a Language

This episode features a conversation with my friend Paul Taylor, who you already know from previous episodes of LEP. Paul is back from the Edinburgh fringe, where he was performing for the whole of August in a comedy show, and a couple of days ago he came over to the flat for a cup of tea and a bit of a chat. We started talking about the Edinburgh fringe and how it went for him. It was his first time and I think he found it very challenging because the audiences were hard to please, apparently they had some tough shows where nobody laughed, and he realised that the standard of stand-up comedy in the UK is much higher than he expected, but it was a learning experience. Then we ended up talking about the similarity between learning how to do stand-up comedy and learning a language. During the conversation I quickly decided to record our thoughts so that I could make it into an episode of my podcast. We wrote down a few brief ideas and then went upstairs to start recording. You can now listen to that conversation here in full. Also, listen to the end to hear some funny out-takes from this episode.

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The conversation is a little bit rambling, but that is a good thing
It’s a slightly disorganised chat because we didn’t plan fully in advance, but that for me is a strength because it means that you can listen to some authentic English conversation, meaning that it is natural – not scripted. This is English conversation as it happens in the real world. We’re not acting out a dialogue, and this is exactly the sort of conversation that you should try to follow, because ultimately it’s better for your English. It might be harder to hear and understand everything we say, but that’s not a bad thing. It’s good to get used to following a conversation in which you don’t understand or hear every single word.

Conclusions about Language Learning
During our slightly rambling conversation, we do come to some very good conclusions about language learning, which are written below. So, pay attention to the conversation because I think it does contain some good advice. As ever, please add your thoughts to our conversation by leaving a comment below. What do you think about our conclusions for learning a language? Can you add and ideas of your own?

Also, listen carefully in this episode because I will share some of my experiences of learning French, which is something people have been asking me about recently. You’ll see I’m a bit shy about this subject, but I’ll let you listen to the episode to find out why.

Can You Copy The Way I Speak? – Send Me Your Recordings!
In this episode Paul and I ask you to send me recordings of you copying the way I speak. So, please send me about 1 minute of audio of you doing an impression of me.
You can download my jingle here: Download LEP Jingle

Send your 1 minute (or less) impression of Luke from Luke’s English Podcast here: podcastcomp@gmail.com
I can’t wait to hear you copy my voice and my typical introductions.

Also, if you listen all the way until the end of the episode, you’ll hear some fun extra content that I added. So, our conversation lasts about 1 hour, and then you’ll hear some fun extra stuff afterwards.

If you would like to write a transcript for this episode, using a google document, just click this link. Google document for “Learning Comedy is like Learning a Language”. That’s it for my introduction, now here is our conversation.

*Episode begins – Notes below*

Conclusions about Learning Languages & Learning Comedy

  • It’s not what you know, it’s what you can do. You can know lots of vocabulary, you can know methods of learning – but you actually have to do it.
  • Surround yourself with people who are better than you.
  • Throw yourself in at the deep end.
  • Accept that you might have to be a slightly different person.
    E.g. as a comedy performer you might need to exaggerate aspects of your person, or play a role.
    When speaking English, it’s normal that you might feel like a different person with a different personality. Own the person you are in another language.
  • Learn from failure and don’t be afraid to fail.
    Failure is not the problem. How you react to failure is more important. Don’t let failures bring you down. Learn from them. Embrace failure and don’t let the fear of failure hold you back.
  • Don’t take it too personally!
    Be ready to take criticism, and try to look for critical feedback. It will help you to be better.
  • Cheat and cut corners!
    In comedy it helps to arrange the situation to your advantage. For example, prepare some responses for audience interaction – these can make the audience think you’re better than you are.
    Similarly in English, focus on having good pronunciation and people will think your English is great, even if your vocabulary or grammar are not perfect. If your voice sounds pretty good on the surface, this will impress people more than perfect accuracy or range of vocabulary.
  • Be confident, or at least be determined to fake it.
  • But remember to be yourself.

Paul & Luke
public-speaking

285. Ten More Fixed Expressions (with Paul Taylor)

It’s been about one month since I last uploaded an episode of the podcast, but now LEP is back! Where have I been? Well, I got married (expect a podcast about that soon) and took some time off after that, and then I had lots of work commitments, comedy commitments and honeymoon-organising commitments and I didn’t have enough time to record an episode, but of course I’ve been waiting for an opportunity to speak into the microphone, and that opportunity came today. So here it is.

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Introduction
Paul Taylor is with me for this one and we’re going to do another round of our vocabulary game, just like we did in episode 283.
That episode was called “Ten Fixed Expressions” but that now seems to be quite a dull title. Certainly, we did teach 10 expressions but the title seems a bit boring don’t you think? I’m wondering what to call this episode and I still can’t decide as I’m writing this. I always think that titles of my episodes should describe what is in each episode, and should also be fun and interesting enough to catch your attention. In this case Paul and I teach you ten expressions again, but we also have a chat about our recent news, and get very sidetracked by a negative review on TripAdvisor of one of our recent comedy shows.

The main aim of the episode is to play the vocabulary game and let you understand the meaning of ten English expressions but it also is a chance for us to mess around a bit and talk about other things if we feel like it, especially if it is entertaining or interesting for you.

So, should I call this episode “Another Ten Natural Expressions” or “Ten More Natural Expressions” or “Ten Natural Expressions (Part 2)”? Maybe “Vocabulary Game with Paul Taylor (#2)” is a better title? I can’t decide. I’ll choose the title when I’ve finished writing this and editing the episode together, and whatever title you see at the top of this page is the one I finally went for. I suppose you’ll probably be thinking – “Luke, the title doesn’t really matter. It’s the content that counts.” That’s true of course, but I do think the title is quite important for attracting new listeners to the podcast, and because it helps you to identify the main content of the episode. Let me know what you think about the title of this episode by leaving a comment below.

In This Episode
Anyway, regardless of my indecisiveness about the episode title, here’s what you can expect in this episode.

1. Hi Paul, hi Luke, etc. :)

2. Conditions are almost exactly the same as in the recoding of episode 283. It’s boiling hot. I’m with Paul Taylor. We’re sitting in the shade, mostly, except for my leg which is in direct sunlight again. We’re going to play a vocabulary guessing game like last time we did this (episode 283).

3. What’s new Paul? He’s been doing more comedy gigs. We got a bad review for one of our comedy shows, and we talk about it a little bit. The wording of the review bothers us a bit (also the fact that it’s so negative of course). Here’s a picture of the review (below). What do you think of the description? Ignore the lack of a full-stop at the end of the second sentence. Is the comment slightly ambiguous? What does it really mean? Look at the review and then choose option a) or b).
Screen Shot 2015-08-03 at 15.20.45
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One thing’s for sure, this person did NOT enjoy our show! You can’t please all the people all the time, and bad reviews are just a part of putting on comedy shows. So, never mind!

Anyway, in our conversation we use the negative review as a chance to talk about the importance of being dedicated, motivated and positive as a way of pushing through a barrier of resistance that you might experience if you want to really achieve something in life, like becoming a really funny comedian or learning another language to an advanced level.

4. The Ten Fixed Expressions & Vocabulary Guessing Game
The rules of this game are the same as last time. I’ll explain an expression to Paul and he has to guess which one I’m talking about. Listen to my explanations – can you guess the expressions before Paul does?

Here are the ten expressions I explain in the episode. Listen to the episode to get definitions and examples, or just google them for online definitions.

1 all’s well that ends well
2 an eye for an eye (and a tooth for a tooth)
3 and Bob’s your uncle
4 and pigs will fly!
5 that’s another kettle of fish
6 as cheap as chips
7 to ask for trouble
8 to be away with the fairies
9 to be back to square one
10 to be all ears

That’s it!

Listen all the way to the end of the episode to hear some out-takes of my introduction to this episode. What are out-takes? They’re the mistakes that are edited out of the final version of a film, song recording, or in this case a podcast episode. Sometimes it takes me a few attempts to get the introduction right. I might do nearly 10 failed introductions before I finally get it right and continue with the rest of the recording. They’re not normally intended for publication, but sometimes they’re pretty funny so I shared them with you at the end of this episode.

Don’t forget to leave your comments below this episode! Thanks for being awesome listeners and LEPsters and all that. You’re the best. Look forward to more episodes coming soon…

Luke ;)
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tenmoreexpressions

266. Telling Jokes in English (Part 3)

This is the third and final episode in this series on jokes. In this one we’re going to consider the psychology of puns, hear an old tape recording of my brother and me telling jokes when we were children, and you’ll also get lots more gags and their explanations.
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[DOWNLOAD] [PART 1] [PART 2]
The Psychology of Puns
Why do we tell jokes? Is it all just fun, or is there something deeper and more psychological going on here? Let’s listen to a clip.
This is a clip from Tim Vine’s DVD ‘So I Said To This Bloke’ about the psychology of puns. Tim Vine (winner of the joke of the year) talks to a psychologist called Ingrid Collins about why we like puns.
Three questions:
1. Why do we tell puns? (two reasons)
2. What’s the condition she mentioned?
3. Why did the audience laugh a couple of times?

Answers
1. For two reasons. One is for the sheer joy of surprise, silliness and the joy of showing up our language in all its light and shade. Secondly, people use puns because they want to avoid talking about more serious things – emotional issues, fear of intimacy etc.
2. The condition is called paronomasia and a person who suffers from this is a paronomasiac.
3. The audience laughs a couple of times because, of course, Tim Vine makes a couple of jokes. The first one is a joke about the word paronomasiac. Para (like parachute) mosaic (a pattern) – he says; “A paronomsiac – as opposed to someone who like parachutes and strange patterns, a paranomosaic.” This is a made up word, and a pun which he came up with on the spot. The psychologist is not impressed, and just says “yes” – in fact we sense that the psychologist is probably judging him and maybe considers him to have paronomasia. Also: “Black beauty – he’s a dark horse”

Round 2 – yet more bad jokes!
11. What do you call a Saudi Arabian dairy farmer?
A milk sheik

12. Why can’t ants go to church?
Because they’re in sects.

13. Man walks into a bar with a piece of tarmac under one arm and says…
I’ll have a drink please and another one for the road.

14. Two fish in a tank, and one of them said…
How do you drive this thing?

15. Why did the scarecrow win the nobel prize?
He was outstanding in his field.

16. A policeman was standing by the side of a road watching traffic. He saw a bus drive past full of penguins, so he stopped it.
“Why is your bus full of penguins?” he asked the driver. “I found them all by the side of the road, they must have escaped” said the driver. “Well take them to the zoo!” said the policeman. “All right” said the driver, and drove off.
A couple of hours later the policeman saw the bus again, it was still full of penguins and now they were all eating ice-creams. He stopped the bus again and said to the driver – “I thought I told you to take them to the zoo?”
The driver said “I did take them to the zoo, and now we’re going to the swimming pool”.

17. Why don’t cannibals eat clowns?
Because they taste funny.

18. A man walking down the streets sees another man with a very big dog. One man says to the other, “Does your dog bite”, the man replies “No my dog doesn’t” The man pats the dog on the head and it bites his hand off. The man says “I thought you said your dog didn’t bite” and the other man says “Yes. Thats not my dog”.

19. Why do Marxists like to drink fruit infusions?
Because all proper tea is theft!

20. What’s ET short for?
Because he’s got little legs.

My Brother and me telling jokes when we were kids
Here’s an old recording from when I was about 6 years old of my bro and me telling jokes. The jokes are listed below. I was a bit young to be able to tell the jokes properly, and I found it hilarious to get the jokes wrong. Nothing has changed really…


Here are the jokes from the recording
Knock knock
Who’s there?
Doctor
Doctor Who?
That’s right!

Why did the fly fly?
Because the spider spider (because the spider spied her)

Doctor doctor I feel like a pack of cards
Sit down and I’ll deal with you later

Knock knock
Who’s there?
Cows go
Cows go who?
Cows go moo not who!

What did the cat do when it got to the motorway?
Meeeeooow!

– get your (py)jamas on

Louis CK talks about a joke written by his daughter
The point is that he loves his daughter’s joke because it is unexpected, and because he can imagine the situation. It’s a funny situation with no explanatory punchline. Normally this kind of joke has a contrived opening because it is leading to a punchline with a double meaning. His daughter’s joke just has a contrived setup, but no punchline, which is actually more surprising and therefore more satisfying! I’ll let Louis explain it.


Who didn’t let the gorilla into the ballet?
Just the people who were in charge of that decision.
(this is a sort of anti-joke made up by a child who doesn’t really understand the rules of jokes, which makes it funny to Louis)
For more jokes written by kids, click here.

Round 3
21. Did you hear about the ice-cream man? He was found dead in his ice-cream van, covered in chocolate sauce and pieces of hazelnut.
The police said that he had topped himself.

22. What lies on the bottom of the ocean and shakes?
A nervous wreck.

23. Q – what did the grape say when the elephant trod on it?
A – Nothing, it just gave a little wine.

24. A man walks into a bar and is about to order a drink when he notices Van Gogh in the corner. He calls over, “Hey, Van Gogh! Want a drink?” and Van Gogh replies, “No thanks. I’ve got one ‘ere.”

25. There were two cows in a field. One said “moo”, the other one said “I was going to say that!”

26. Patient : “Doctor I keep hearing “The green, green grass of home” in my head. Doctor : “That’s called the Tom Jones Syndrome”
Patient : “Is it common ?”
Doctor : “It’s not unusual”

27. Two aerials met on a roof, fell in love and got married. The ceremony was rubbish but the reception was brilliant.

28. A horse walks in to a bar. The bartender says: “Why the long face?”

29. A bear walks into bar. He goes up to the barman and says “Can I have a pint of beer and … … … and a packet of crisps?”.
The barman says, “yes… but why the big paws?

30. A Buddhist monk walks up to a hot dog vendor and says “Make me one with everything.”
Jokes3PODPIC

251. Welcome to LEP / 16 Things You Should Know about LEP

The podcast has been nominated in the Macmillan Dictionary Award and the voting is now open here http://www.macmillandictionary.com/love-english-awards/voting-blog-2014.html

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When I get nominated for this competition, I usually have quite a lot of new visitors to the site by people who are checking out the podcast for the first time. So, let me take this opportunity to say hello to any new visitors and to give you an idea of what LEP is all about.

In this episode I’m going to tell you 16 things you need to know about LEP. After listening to this, you should have a better idea of what this podcast is all about!

16 Things You Should Know about Luke’s English Podcast
1. I’m a teacher from London, living in Paris, with about 14 years of experience and both a CELTA and DELTA qualification. I’ve lived in Japan too, and I have experience of teaching adults and children at all levels of English, for general, business or more specific purposes. Students I’ve had in the past include Brazilian world cup winners, Scandinavian heads of state, top business executives and even a porn star. I now teach at The British Council and at a top university in Paris.

2. I started LEP in 2009 after taking a course in podcasting with The Consultants E. At the time I just felt like I wanted to have my own radio show, and I discovered ways of creating podcasts on my new Apple Mac laptop, and realised I could publish them myself on iTunes, and then get the word out using social networking. I started to get really busy producing episodes of the podcast. The aim was always to mix up teaching with general entertainment. I wanted to produce episodes that were instructive but also fun to listen to for their own sake.

3. I’m also a stand-up comedian, and I do try to use those skills in my episodes too, from time to time! I do stand-up comedy regularly in Paris, in English. This may not be obvious from this episode, as I’m not adding any jokes to it! From time to time I share some videos of my comedy on this website, and some of my listeners have come to see me perform my comedy live, which is great!

4. The podcast now has over 250 episodes, and I have a really loyal following. In fact, my listeners have lots of names – the LEPpers (yes, LEP stands for Luke’s English Podcast), LEPsters, LEPaholics, LEP Ninjas, PLEPS (people of Luke’s English Podcast) and so on.

5. Some of my listeners have created podcasts of their own, after being inspired to do so by listening to LEP.

6. There are various types of episode that you can expect on the podcast. Some are about specific aspects of English, for example – episodes about idioms, grammar points, pronunciation, vocabulary, and slang. In some episodes I try to keep my listeners locked-in and entertained by making up improvised stories off the top of my head. In some episodes I feature interviews and conversations with friends, family and special guests. Some episodes involve me just talking directly to my audience about whatever comes into my head. Some episodes are about films, music or popular culture, and some episodes deal with specific aspects of British culture and lifestyle. So the podcast covers a broad range of topics. Ultimately, I love the freedom of being able to talk about anything I like! The main thing is that it creates engaging content that encourages learners of English to do more and more listening!

Here’s a quick list of some of the more popular episodes of this podcast:
1. Introduction – this is the first episode I did back in April 2009 and it outlines my basic approach to LEP.
28. Interview with a Native Speaker: The Weather – this one follows on from a vocabulary episode about British weather and features an authentic interview with a teenager called Chris, and his odd views about foreigners in the UK
29. Mystery Story / Narrative Tenses – this is one of the most visited of my episodes. It teaches you narrative tenses (past simple, past continuous, past perfect) via a short mystery story that features several of the UK’s most beloved popular culture icons. The story is continued in the next episode.
71. The Ice-Cream Episode – an unplanned rant on topics such as: Amazon Kindles, robots & technology in Hollywood films and why we should put down the weapons and pick up an ice-cream instead, man.
83. How to Swear in British English – an indispensable guide to all the rudest words in British English. It’s extremely offensive, but extremely useful.
100. Going to the Pub – the guide to everything you need to know before you step into a pub in the UK.
118. Sick In Japan – the true story of how I ended up sick in a Japanese hospital. It contains loads of medical and health related vocabulary, culture shock and a story which is engaging from start to finish!
125. The Pink Gorilla Story – one of the most popular ever, this is just an improvised story that regularly makes people laugh out loud, and which I really should convert into a one-man-show stage play!
140. Ghost Stories – just some scary true stories to keep you awake at night
167. Memory, Mnemonics and Learning English – revolutionise your learning techniques with these powerful memory devices.
174. How to Learn English with Luke’s English Podcast – this is your guide to improving your English using my podcast.
176. Grammar: Verb Tense Review – this is a very complete guide to all the main tenses in English
192. Culture Shock: Life in London – this episode deals with many of those strange aspects of the English lifestyle that foreigners find so hard to understand.
208. Travelling in Indonesia – one of many episodes about travelling experiences, this one has quite a dramatic beginning.

There are plenty more episodes which are popular with listeners, in fact everyone seems to have a different favourite. But that’s just a selection of some of the most visited pages on my website.

7. Yes, my episodes are quite long, but I always explain it like this: Firstly, all my favourite podcasts are long, and I think that it’s quite normal for podcasts to be about an hour long. Radio shows also tend to be at least an hour long too, so why not my podcast? It’s better for my listeners if they listen for an extended period. Why should listening only last 15 minutes? I can’t achieve very much in just 10-15 minutes, and I want my episodes to have some depth and rigour to them. Also, listeners can just pause the episode when they’ve had enough, and come back to it later!

8. I have a transcript collaboration project on my website, which allows listeners to transcribe sections of episodes and build a whole library of transcripts for other LEPsters to use. This is good for the transcribers because it is a big challenge and a good way to improve their English, and it’s good for the other listeners because we have an ever-growing library of transcripts which they can use to help them understand episodes. The collaboration is hosted on my website and is done using google documents.

9. I have won this award three times before and that is completely thanks to my devoted audience, who every year come out in force to vote for me. I hope to repeat the success this year, but I am up against stiff competition! Whatever the result, I’m just happy to have been nominated again.

10. The podcast has had 3 million listens in just over a year, since moving to a new audio host (audioboom.com) which is amazing!

11. I also have some videos on YouTube and they are pretty hot as well! My channel has had about 2.5 million views in total, but I haven’t uploaded anything for a while. The popular videos are ones I did in 2009 and feature me interviewing members of the public in the centre of London. There’s also a video called “16 Ways to Say I Like It”, which you may have seen too.

12. I launch competitions of my own from time to time, for listeners to take part in. The last one was called “Your English Podcast” and I invited listeners to send me short recordings of them doing their own versions of LEP. I received lots of entries and votes and the winner was interviewed on the podcast as a prize.

13. These days I record episodes of my podcast in a room at the top of my apartment, where I have great views of the rooftops of Paris from the windows. I call it the “SpacePod” or “SkyPod” and it’s the podcast HQ!

14. I have another podcast, called A Phrasal Verb a Day. It’s on iTunes and on my website. That is made up of short episodes devoted to individual phrasal verbs. I give definitions, examples and explanations. It’s a great way to pick up more of those tricky items of vocabulary – phrasal verbs. My goal was to record one a day in 2014. I didn’t reach my goal, but I haven’t given up and I still add episodes to the series when I can.

15. I love playing the drums, guitar, bass and ukulele (but not at the same time) and occasionally at the end of podcast episodes I play a song on the ukulele – but you have to listen all the way to the end of the episode to hear it.

16. I put my heart, soul, time, energy, humour, money and love into making episodes of LEP. It’s become quite a big thing in my life after having done it now for nearly 6 years. I enjoy a close and warm relationship with my listeners, I always welcome new additions to the LEP family, and in the future I plan to build my service more and more until I can perhaps do this for a living somehow. The future’s bright and I hope that many more people will join me on this journey to create authentic, entertaining and interesting content that helps you not only to improve your English but to enjoy yourself while doing it. So, I invite you to start listening today and like thousands of others get addicted to LEP – it’s good for your English!

If you haven’t already done it, I invite you to vote for LEP by clicking here. Thank you for your continuing support!
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246. Funny Flight Stories

Listen to some stand-up comedy and true stories about flying experiences, learn some vocabulary and consider what makes these comedy routines funny. [Download]

Small Donate ButtonIntroduction
This episode features a few humourous accounts of people’s experiences on aeroplanes. Why have I chosen this topic? Well, why not? There’s no Christmas connection or anything, it’s just an episode I’ve been thinking about for ages and I finally got around to doing it. Actually, the main reason is so I can play you some stand up comedy, which hopefully you will both learn from and enjoy.  I always want to play you some stand up comedy – because it’s brilliant and I want to share it with you! The subject of flying is something that is pretty universal, so I thought there was a good chance you’d be able to relate to it. Also, comedians all seem to have material based on flying. it’s a really common topic for stand-up, precisely because it’s universal but also because it’s a pretty bizarre experience in some ways!

Please be aware that there is some rude language in this episode.

Let’s listen to some stories of people flying.
Almost all of these are comedy routines by stand up comedians.
One of them is an inspirational story, which has some laughs in it.

3 things I wonder:

  • If you get the details of the stories
  • If you find them funny
  • If you know all the vocabulary

To understand the subtleties I’ll give you a quick summary of each story before you listen. Then you’ll know the main events, leaving you to focus on the funny details.
To deal with the humour, I will explain what I find funny about each sketch. Obviously, humour is totally subjective – it depends on the person and there is no universal form of humour. However, I also find that humour is one of the last things that you can pick up when you’re learning a language. Learners tend not to find the same things funny as native speakers – perhaps because they don’t get the cultural reference points, or because you can’t understand it well enough to get all the jokes immediately. Instant comprehension of all the subtle shifts in tone and meaning is very important for finding something funny. Most of the funny aspects of these routines are not obvious jokes. It’s far more subtle than that. So, let’s see if you can pick up on those subtle things and see the humour in each bit. I’ll give you my assessment of “what I think is funny” after each bit.

So, you’ll get summaries for general understanding, and some commentary on the humour as well.

There’s also vocabulary, which I don’t think will be such a problem but we will see. I’ll explain some items of vocabulary that appear.

And as if that’s not enough already, there are scripts of every stand up routine that you hear in this episode. You can check them out on the webpage and use them to understand every single word if that’s what you fancy doing.

So, I would like to know which is your favourite story or routine in this episode. you’re going to hear 5 stories/routines. Please vote for your favourite using the poll on the page for this episode.

In no particular order you will hear these things:

  • Louis CK – The Time I Thought I Would Die
  • Eddie Izzard – Biscuits On A Plane
  • Jerry Seinfeld – At the Airport
  • Ric Elias – 3 Things I Learned When My Plane Crashed

Louis CK’s Story
Summary

  1. Louis talks about a time when he was scared for his life. He thought he was going to die. It’s a true story.
  2. He was flying from Indianapolis to New York and there was a delay because of a technical problem with the plane. The fuel guage was broken.
  3. The pilot decided to fly even though he didn’t know how much fuel was in the plane.
  4. Louis just assumed that the pilot knew what he was doing. He unquestionably put his trust in the pilot. Why do we do this?
  5. Louis expresses some concern about the rather relaxed approach to safety which the pilot is taking.
  6. The plane is still delayed because of bad weather at their destination.
  7. The pilot informs the passengers that he is going to lie to the tower, telling them they’re going to Philadelphia, even though they’re going to go to new York.The plan is to say they’re going to Philadelphia, and then at the last minute, ask for permission to land in New York. He thinks the weather is not so bad there.
  8. Again, Louis expresses concern about the attitude of the pilot and he wonders why the pilot is sharing this information with him.
  9. Louis and the other passengers basically accept the situation because, perhaps stupidly, they have faith in the pilot and the whole situation.
  10. The weather during the flight is terrible. There was a big storm.
  11. He managed to listen to the conversation between the plane and the tower in new York.
  12. The tower didn’t allow the plane to land in New York because of bad weather.
  13. They could have run out of fuel and fallen out of the sky at any moment.
  14. suddenly the tower in NY announced that the airport was closed due to bad weather.
  15. The pilot panicked and requested urgent permission to land.
  16. The tower guy allowed him to land, but he was quite annoyed.
  17. The pilot immediately went in for landing.
  18. It was an extremely stressful and dangerous landing in low visibility.
  19. The pilot and all the passengers were extremely emotional at the end.
  20. Even the taxi drivers at the airport were surprised by the dramatic landing of the plane.

Louis CK – When I Thought I Was Going to Die (From the album “Word – Live at Carnegie Hall”)

Buy “Word – Live at Carnegie Hall” by Lous CK here https://www.louisck.net/purchase/word-live-at-carnegie-hall

I’ll tell you this story about one time that I thought I was going to die. I think it’s the only time where I thought “why wouldn’t this be when I die?”

I was on a plane. I’ve been on a lot of planes in a lot of shitty weather and stuff, but this shit was fucked up.

I was in Indianapolis on a plane, waiting to take off, and we’re sitting there and the pilot comes on, and he says “Hi folks, erm, the fuel gauge is broken so we’re waiting for maintenance.”

So, we wait, about 20 minutes. Then he comes back on,

“Folks the fuel gauge is still broken, but we’re going to go anyway. We don’t know how much fuel we have, but we feel confident that it will be okay so we’re going to go.”

And I’m thinking, okay, well, he’s a pilot, I’m sure he’s going by some manual that says, you know, ”(if) the fuel gauge breaks, call maintenance. If they’re not there in 20 minutes, fuck it. Fuel gauges are overrated, just go, you’re fine. Just top it off and remember what happened.”

So then we still don’t take off and the guy comes back on, “err folks we have another problem, LaGuardia Airport in New York won’t give us clearance to take off because the weather’s been bad there intermittently, so we’re going to wait for that.”

So we wait 20 minutes. Then he comes back on, “Folks, LaGuardia still hasn’t given us clearance, but we’re going to go anyway. We’re looking at the radar, we think the weather will be fine. So what we’re going to do is say that our destination is Philadelphia, we’ll get clearance to go there. Halfway to Philadelphia we’ll switch courses to LaGuardia airport and we’ll be probably there in a few minutes.”

I swear to god he said this.

First of all, I’m pretty sure you’re supposed to be honest with the dude in the tower. Does the tower have to go “Really? You’re going to… come on! Tell me where you’re going!”

And why is he telling us this shit? Am I going to have to corroborate this lie if we get pulled over by the sky police at some point in the flight? “Oh no we’re totally going to Philly, I’ve got a brother there and err, we’ve got a thing in Philly”

But I’m still fine with it because we’re travellers on the plane, like “yeah, I’ve got a thing, fuck it, I’m immortal, just go please. Yes, go into marginal weather, with shoddy equipment, secretly. I totally support this plan.”

So, we take off. We get above where we are right now, and it’s just a black motherfucker of a cloud. It’s just like The Wizard of Oz. It’s just there are trees throwing apples at us, it’s crazy. It’s just horrible, and we’re “GUGGGGGUGUGUGU” the whole flight, and we’re making these circles, and me and the guy next to me are both listening to the tower. You know how you can plug into your seat sometimes and you can listen to the tower talk to the airplanes, and we keep hearing our guy trying to get clearance to land, from LaGuardia.

PILOT: “Ah; this is Delta 288 requesting clearance to land.”

TOWER: “Ah, that’s a negative 288. Low visibility.”

A few minutes go by.

PILOT: “Ah, this is 288. We would really like clearance to land.”

TOWER: “Yeah, that’s a negative 288.”

Like he was getting annoyed. And meanwhile, we’re just circling, and burning this vague amount of fuel. We could just stop being an airplane at any second.

And then we hear this. This is all true. The LeGuardia guy comes on and says,

“This is LaGuardia airport to all area airplanes, we are closed for the night, zero visibility, not safe for landing, please divert to Philadelphia, Pennsylvania or Boston.”

And then we hear our guy.

“This is Delta 288, we need to land now! We have no fuel! We have no fuel we have to land right now!”

Interesting.

Then there’s a pause, and then we hear this.

“Well, then, clear to land then 288”

That’s how he said it, like “Dude… (sighs) No-one can see okay? But, just, I … (sighs) I guess all the dumb decisions you made today have made this a good one. Just take a shot, I’m going home. Just fuckin’, turn the lights off after you crash, I don’t give a shit frankly. By the way you’re not supposed to be here you fucking liar you said you were going to Philly.”

So as soon as we get clearance, we just “nyaaaaaaa”, like we start bulleting, “nyaaaaaaa…” We’re either flying desperately towards the ground or falling. I don’t know that there’s a difference.

We come out of the clouds and there’s the fucking earth, right fucking there! It’s right there! That’s what low visibility means. We come out of the clouds and “Oh fuck it’s right there oh jesus!”

And the plane just “nyaaaaaa…” And you can feel the plane go “Oh fuck, I can’t do that, what are you nuts?” We go “brrrrrrr” and veer over the highway, and I swear to god I saw people in their cars go “what the fuuuck?”

And we hit the runway like sideways, like “kapoof!” And the pilot comes back on, all true I swear to god, he’s totally out of breath, he’s like (heavy breathing & shaky voice) “welcome to LaGuardia airport, New York City, (crying) you may turn on your cellphones now and you may call your loved ones.”

He said that. He said “You may call your loved ones” and everybody on the plane was crying and rocking back and forth just sobbing, calling their husbands and their wives. I’m divorced, what am I (going to say) “Hi remember you hate me? Well I almost died.”

And I got in a cab, and the cab driver goes “that was a very bad landing.” I was like, “How did you know that was me?”

“That’s the only plane that landed in 4 hours. We all watched, the drivers, we said ‘they are going to die’”

What I think is funny about this

It’s always a bit of a bad idea to try and explain humour, because it usually kills all the comedy, but what the hell, let’s do it anyway.

Firstly, there aren’t really any jokes in this bit. It’s just the way Louis tells the story, adding some descriptions, some sarcasm, some attitude and drama. That’s it really. The first big laugh comes from the line “fuck it”. As if a manual for a pilot would say “If the fuel guage doesn’t work, fuck it. Just go.” Of course a manual wouldn’t write that. Instead, this indicates the negligent attitude of the pilot who is flauting the safety regulations. This is what is going through the pilot’s head, and is clearly a huge act of negligence.

There’s something funny about copying the voice of a pilot, especially when he’s acting rather irresponsibly. We all hear those pilot’s announcements. This is the guy who we are all trusting our lives to. He usually sounds quite relaxed. Pilots have a certain kind of voice, thankfully. If they sounded different it could be worrying. Anyway, copying his voice is quite amusing.

“I think you’re supposed to be honest with the dude in the tower”. This is a really funny line. It’s understating the formal protocol the pilots must follow. Being honest with the ‘dude’ in the tower is a fundamental responsibility of the pilot. The choice of the word ‘dude’ is also funny because we’re talking in informal terms about normally formal things. This highlights the careless attitude of the pilot.

“Why is he telling us this shit? Do we have to corroborate his story?” True – why was he telling them? The character of the pilot is like a shitty friend who expects you to lie for him.

Everyone on the flight just accepts everything that’s happening. This is a really good observation. We put our trust in people in authority positions very easily. We consider ourselves immortal when we’re not responsible for our own safety. It’s the same in taxis. We never put on our seatbelts in the backs of taxis. Why not?

Louis is just a great storyteller. He brings the story alive with certain detailed descriptions to elicit fear, surprise and so on. He knows just how much detail should be given in the correct places. The humourous bits are delivered with excellent timing. They’re not obvious jokes. He’s a master. He makes it look easy. This is not easy.

Then we have the irritated conversation between the pilot and the tower. The pilot is a total dick and the tower is getting annoyed with him. You don’t expect a pilot to behave like that.

Then the dramatic moment when Louis hears the pilot panicking, which he describes as “interesting”, clearly understating how alarming it must have felt to hear that.

The tower is so pissed off, and this is expressed with the line “Well, clear to land then” which is delivered with so much frustrated despondency by Louis, as if the guy in the tower is a tired parent who has run out of patience with his child. This kind of frustration in a conversation is usually over something like homework or another petty disagreement. In this case people’s lives are involved. Louis’ performance is great. He adds loads of attitude into the conversation between the pilot and the tower. Again, the pilot is a dick, who has everyone’s lives in his hands.

Louis even gives a voice to the plane which has a personality of its own, complaining that the pilot is pushing it too hard – “Dude, I can’t do that!” Expressing how low to the ground they were he mentions people in their cars who he could actually see mouthing the words “What the fuck?” which must have been very scary!

This is just a dramatic and engaging story, which seems to be true, told in a way which highlights the general irony of being at the mercy of a pilot making bad decisions.

By demonstrating that the pilot is emotional and out of breath after the landing, Louis allows us to imagine what we couldn’t see in the cockpit of the plane: the pilot had a really hard time landing the plane and is seriously traumatised. For some reason, letting the audience imagine something for themselves is quite funny. Also, Louis’ impression of the emotional pilot is just quite amusing.

The choice of phrase “You may call your loved ones” also emphasises the emotional nature of the landing. Louis considers calling his ex-wife, who hates him, which clearly would be a pointless move. This highlights Louis’ sense of alienation, and the fact that nobody really cares about him. Louis is like a classical comedy character – lonely, sad, alienated. We also get another character – that of the taxi driver who we learn justwatched the plane land, fully expecting everyone on board to die.

That’s it. Again, explaining it does NO JUSTICE to the quality of Louis’ work. Generally, I find that it helps if you care about the story you’re listening to. If you’re emotionally invested in it, it’s more engaging and therefore funnier. If you believe it’s true for example, it’s likely to be funnier. I expect that’s why Louis often says “I swear this is true”. Please listen to the routine again. Please care about it – you’ll find it more enjoyable and rewarding.

In case you were in any doubt about the comic value of that routine, Louis CK is widely considered to be perhaps the funniest stand-up working on the scene at the moment. He is a celebrated comedian. Anyone who knows anything about comedy knows that he’s great. If you were doubting if he really is that funny, well, I would say yes he is. In the end of course, humour is subjective – but it may help you find it funny if you know that many others do too.

Eddie Izzard – Biscuits on a Plane
Here’s my basic version of Eddie’s routine about eating biscuits on a plane. Again, I’m doing this so you can understand the main point, and then compare this description with Eddie’s version. It may allow you to notice the humourous aspects of it.

  1. Eddie describes a flight from Cork in the Republic of Ireland to Belfast in Northern Ireland. It’s not a long flight, and so the plane is really small. In fact there were only about 6 people on board.
  2. He walked across the runway to the tiny plane, carrying his bags. It felt like he was in the Beatles.
  3. The pilot was waiting by the plane, which reminded him of going on holiday with his Dad when he was a kid.
  4. He describes a few things which felt odd about being on such a small plane. The pilot was right there in front of them, and yet he still did the formal announcement like on bigger flights.
  5. He talks about the fact there was no co-pilot, but that the pilot had brought coffee and biscuits to share with everyone.
  6. He talks about the safety considerations of flying, including the idea of ‘bird strike’ which is when birds can go through the jet engine of a plane, causing an accident, although Eddie doesn’t agree with the term bird strike, because the birds aren’t choosing to strike the engine, but rather they are being sucked into the engine against their will.
  7. The pilot on the tiny plane gave the safety announcements, but people don’t usually listen to the safety announcements, so perhaps the staff should make it sound like there’s going to be an accident just to make sure people listen properly.
  8. Eddie makes fun of the life jacket and other safety procedures.
  9. Eddie describes the fact that the in-flight refreshments were some coffee and biscuits shared by the pilot. He notices that the pilot has a secret stash of chocolate biscuits and jammy dodgers, which he doesn’t share with the other passengers. He gets into an argument with the pilot over why he deserves to be given chocolate biscuits. This ends in the pilot crashing the plane into a mountain in order to win the argument.
  10. Eddie dies at the end of the story.

Eddie Izzard – Biscuits on a Plane
Download “Glorious” by Eddie Izzard in iTunes here https://itunes.apple.com/us/movie/eddie-izzard-glorious/id334208655

I had to do a flight last year on a tour which as from Cork to Belfast. There were only 6 passengers, and someone turned up and said “Well, we’re not going to put you on the 747 because that would be laughable, so we’ve got a Volkswagon Beetle with wings for you.

We had our bags, we didn’t give them to anyone, we just walked with them. Obviously I didn’t walk like this, that was comedy, I was walking like this, because that’s a better mime position, otherwise you just think I’m walking, but that’s with bags you see, in case you ever need it, you know in Nigeria and… They’re very big in mime in … anyway…

So yes I was walking along with the bags and going through. It’s a very small airport, you just go through a wooden door and someone goes “beep” “Oh there’s a problem there, I’d better check”.

And walking across the runway to get to the plane. If you ever do that, walking with your bags across a runway to an aeroplane you feel like The Beatles with squirrels going “Aahhhh”

We got there and the pilot was right by the plane. It was just like going on holiday with your Dad. He was going “Come on! Come on! Come on you don’t need that! Right!”

“That’s my bag! Bloody hell”

“Come on get in we’re going to miss the clouds, come on!”

So we get in and he was taxiing over to the runway, “Come on heads down put your head down I can’t see! Come on!”

And he was right there. We were sitting right here. I could touch him on the shoulder, just like in the car with your Dad. He was doing… even though you could turn around and talk to us he was still doing “This is your pilot speaking. Welcome to flight 1 from here to there. We’re going to be flying at a height of 10 feet, going up to a height of 12.5 feet if we see anything big. Your co-pilot today is a thermos of coffee.”

I thought there was a rule in flying that you have to have two pilots in case one goes “Oh for fuck’s sake” (and collapses) and the other one goes “I’ll take over!” Dun-da-de-dun-da-daa “I’ve got one of my own!”

People in the back “I’ve got one!”

We had a thermos of coffee that was going to fly us home.

And he’s there and doing the stuff and we’re getting into flying and, they have a word in airports, the industry, the airways industry have a thing called bird-strike, bird-strike it’s called. It’s when a flock of birds, just flying along “oh what a wonderful day, the sun’s…” splat! They go straight through a jet engine! It’s called bird-strike and it’s a misnomer, it’s not true because the birds aren’t striking, it’s an ‘engine-suck’. It’s an ‘engine-making-bird-soup-melange’ you know?

These birds aren’t going, “Who’s for bird strike eh? Johnny Human’s got these big metal buggers and they piss me off! I vote we go for bird strike! Alfie, Ginger, Stevie, Feathers, Stephens, Big Beak O’Reilly, Jimmy The Penguin, are you with me? Oh you’re a penguin so you stay here. Come on let’s do bird strike! Dun-da-de-dun-da-daa Faster faster! 747!” SPLAT

And just before they go through, do they go “look there’s Rod Stewart in first class” splat.

We don’t know.

But umm, they do the safety announcements there. My guy on my plane was going, “the safety instructions… the safety instructions are here, next to me. If you see me go through this door then please follow me quickly.”

If you’ve been in a big aeroplane recently, no-one is listening. It’s a problem I believe because noone’s listening to the security announcements, you know the safety things, because everyone’s going “yeah yeah, there there there lights, flash flash … and death”

Umm, it’s a kind of “yeah alright, you know, huuu”

But the pilots have been told to sort of, you know, pick up the importance of these speeches, and there going “please do listen to the safety… please do because we’ve changed things around now, so yeah you don’t know what we’re doing. We’re putting the lifejacket on back to front. Some of the safety exits are false now, they’re not true at all. Listen very carefully because I’ve got a bad feeling about this flight. I don’t think we’re going to make it.”

After that announcement everyone’s going “Show me! Show me! Show me everything! Private showing – show me again, that’s good, now I’m putting it on now, fuck it I’m putting it on now!”

Let’s all have a cup of coffee thanks. And they have these lifejackets, and they, you pull it and pffffff and you’ve got a little pipe here for top up. I don’t know about you but I don’t want top up. I want stays up. Top up implies hole in, implies having to (blows heavily) I want fucking stays up no hole in the first place thank you very much! Bloody top up? No, it’s all a bit, sort of, ‘tea and crumpets with the vicar’ “top up” you know. You crash in the atlantic, bobbing around, going “oh you survived as well… care for a top up? You couldn’t top me up could you? No I didn’t need it I’m just trying to break the ice. Hey float over here float over here. Look: two pipes – pan pipes! Doo doo doo doo doo.”

It’s 2000 miles to Europe, 1000 miles to America, you’ve got your whistle “Peeeeee” The little light going “beep beep” And after a while a pilot fish comes up and goes “Eh Eh! That’s my gag! WHat weird people” And there’s Noah shooting around in a speedboat going “Nurrrrrr-  If anyone’s got big ears you can get in and sit on the side. Photos for the Bible”

So I was in my aeroplane in my small aeroplane and the guy’s there, and we have drinks and light refreshments, when we get above the clouds, and coffee comes back from the thermos, and you go ooh, cheers, ta mate and that goes back, and he had this wicker basket with biscuits in, digestive, you know not terribly interesting. So I take the best ones, and it goes back to the guy at the back who goes “all these are crap”. You know when you’re not hungry but you get offered a biscuit, you want better than that, you know. “I didn’t want anything, but err, what have you got? Ohh”

So I’m nibbling my biscuits and drinking my coffee and I notice out of the corner of my eye the pilot reaches under his jacket and pulls out chocolate biscuits and in a flash I realise he’s hidden them there and taken them out of the wicker basket and hidden them underneath, and I knew that because that’s what I would have done. You know when you’ve got friends round, “Do you want some biscuits, I’ll just go and get you some biscuits and you’re in the kitchen and you go “Oh, I’ll just have one” Someone comes over, “Do you want a hand?” “Oh no no no. Just letting this mouse run over my hands here” [This is a VISUAL JOKE]

So the pilot’s there eating chocolate biscuits and I’m there going “Heeeeey, chocolate biscuits? Eh! Digestive! Crap, biscuit.”

He’s going “Get off! (I’m the) pilot! You know, stress! Chocolate biscuit! What the hell?”

And I’m going “No! Customer! Customer’s always right. Digestive crap biscuits?”

“Fuck off! Five years training for this! Hard time! Chocolate biscuits. Perks of the trade.”

“I don’t agree…”

“Fuckin’…” Naaaaaaaaaa (He starts flying towards the ground)

“Hold on hold on!”

Naaaaaaaaa

“What were you saying about chocolate biscuits?”

“No, fine! HAve the chocolate biscuits! I don’t care I don’t care!”

Nyaaaaaaaa (he steadies the plane) “…chocolate biscuits”

20 minutes later, reaches in and pulls out jammy dodgers!

“Jammy dodgers?!”

NAAAAAAAA (he flies at the ground again)

BOOM!

And we hit a mountain, and I died.

So that was the end of that plane flight, and err… and that is also the end of the show, so thank you very much for being here. Good night.

What’s Funny About This? (In my opinion)

Really, it’s all about Eddie and his idiosyncratic style. It’s a cute story, with some observational comedy around the subject of flying, but really it’s Eddie’s unique postmodern approach which makes it special for me.

The way he talks is amusing to me.

He bends reality. It’s surreal.

He deconstructs the whole performance – doing mime jokes and generally being self-conscious.

You know, I think with Eddie, either you get it or you don’t and no amount of explaining will change your mind. He’s a bit like Marmite.

Some specific things from the routine:

“We’ve got a Volkswagon Beetle with wings for you” – an image to describe the crappy little plane.

The visual mime joke about the way he walks. This is just a joke about how miming an action has to be quite specific because different mimes suggest different things. You have to watch the video.

You go through the wooden door and someone goes ‘beep’. The security is so basic that it’s just a person saying ‘beep’, not a security system.

The comparison between the pilot and his Dad, which highlights how small and cosy the flight was, while also having nostalgiac comedy value. Sometimes comedians will get lots of laugh from inciting the audience to just remember something from the past – like old mobile phones described in detail or in this case those memories of going on holiday with your parents. Comedians often do this – describe shared past memories in detail and the audience gets a pleasant nostalgic thrill from it.

The other thing is just making observations, with a specific attitude. This is the basis of a whole form of stand up comedy – observational humour. Lots of comics do this. Just observe or notice specific details about commonly experienced things, and express them with an attitude (usually questioning the strangeness of these small details we all experience). Jerry Seinfeld is the master of this. Eddie Izzard does it a lot, and in this routine he does quite a lot of this – talking about the safety routines on planes, the lifejacket and so on. We can all relate to this. Also, the juxtaposition of these familiar things in such a small plane.

Questioning the logic behind the term ‘bird strike’ and renaming it ‘engine suck’, and then voicing the thoughts of birds who team up to take down aeroplanes. For some reason they are portrayed like brave young WW2 era British pilots, like in the battle of Britain.

Then there’s the whole scene with the pilot and his secret supply of biscuits. I don’t really know why this is funny – I can’t explain it. I just enjoy Eddie’s account of arguing with the pilot and the reasons why they should or shouldn’t be allowed to share the chocolate biscuits.

Then the cheeky ending in which he dies, which is a playful deconstruction of first person story archetypes. Of course it’s impossible for him to have died at the end of the story. In the video I love the cheeky look on Eddie’s face at this point.

I just love Eddie.

Did I mention that I met him and had dinner with him earlier this year? Just saying…

Jerry Seinfeld – Airplane Flights
This is a famous comedy routine by one of the most well-known comedians in the world, but I shouldn’t build it up because it could end up being an anti-climax. Don’t expect too much, just try to follow what he’s saying. Basically, Jerry talks about various aspects of airports and flying, zoning in on some of the more ridiculous or pointless aspects of that experience. Observational comedy. Here are the observations. For me, it’s all about Jerry’s delivery, timing and choice of words.

Jerry’s Observations

  1. Jerry sarcastically points out that the people who work in airport security are quite incompetent and unmotivated, and probably not very bright. He wonders why the staff are so bored and lazy, using sarcasm.
  2. He describes the fact that the woman you typically see at security is quite fat and her trousers are stretched almost to breaking point. This would be quite cruel if it wasn’t so well worded. Jerry has a reputation for being a clean comic, but if you look more closely he is actually quite aggressively anti-social. He holds the whole world in contempt, which is hugely enjoyable because let’s face it – we hate queueing up in the airport and having to listen to the safety announcement. He’s just voicing the thoughts we all have in our heads in those situations. “What’s with these people? I mean, really?”
  3. He suggests that the x-ray machine is useless because it’s impossible to identify any objects, and the guy looking at the screen is unable to identify any bombs or weapons or anything.
  4. He wonders why the taps (or faucets) in airports have those special ‘on-off’ buttons. Why don’t they have normal taps? Don’t they trust us to use normal taps?
  5. He wonders why sandwiches are sooo expensive in airports.
  6. He wonders why the pilot tells us everything he’s going to do, and in a self-satisfied voice. We don’t need to know really. All we care about is that we get to our destination.
  7. He observes that the safety announcement is patronising – as if we need to be told how to open that old fashioned belt buckle. Of course he doesn’t mention this is explained to us for legal reasons, instead focusing on the fact that it’s just odd and annoying the way we are patronised so much in these situations.
  8. He notices that the stewardesses are very vague when pointing out the emergency exits during the safety announcement. The arm movements are always pretty vague aren’t they? It also looks like some sort of musical number in a Broadway production.
  9. He mentions that everything on the plane is tiny, even the language they use to diminish problems during the flight.
  10. He points out the idiosyncrasies of the aeroplane toilet, particularly the presence of a hole for razor disposal. Who is shaving on these flights?



Jerry Seinfeld – Airplane Flights

But I love to travel. I love it whether it’s a car or whether it’s a plane.

I like to get out there, I like to keep it moving.

I love airports. Feel safe in the airports thanks to the high caliber individuals

we have working at X-ray security.

How ’bout this crack squad of savvy motivated personnel?

The way you wanna setup your airport’s security, is you want the short, heavy set women at the front with the skin tight uniform.

That’s your first line of defense.

You want those pants so tight the flap in front of the zipper has pulled itself open, you can see the metal tangs hanging on for dear life.

Then you put the bag on the conveyor belt. It goes through the little luggage car wash.

Then you have the other genius, down at the other end, looking at the little X-ray TV screen.

This Eistein has chosen to stand in front of X-rays 14 hours a day as his profession.

Looking in that thing…

I have looked in that TV screen. I cannot make out one object.

He’s standing there… “What is that? A hairdryer with a scope on it?”

“That looks ok. Keep it moving.”

“Some sort of bowling ball candle? Yeah, I got no problem with that, just…”

“You know, we don’t wanna hold up the line.”

So, I go to the bathroom in the airport.

What is the story on the sinks in airport bathrooms that they will not give us a twist-it-on twist-it-off, human-style faucet?

Is that too risky for the general population?

Too dangerous? We gotta install the one-handed, spring-loaded, pain-in-the-ass Alcatraz-style faucet.

You know, those ones you gotta go: “Hey, boy I got a little water there”

“Hey I got a couple of drops.”

What is it they think we would do with a faucet?

Turn them all on full, run out into the parking lot,

laughing, pushing each other into the bushes?

“Come on, the water’s on, let’s go!”

“I turned it on full blast.”

“You idiot! We’re businessmen, we’re gonna miss our plane.”

“Who cares! Water!”

That’s how they think we’re gonna act.

Do the people that work in these little shops in the airport have any idea what the prices are every place else in the world?

“Yeah, $14 a tuna sandwich. We think that’s fair.”

Then you get on the plane. The pilot of course always has to come on the PA system.

This guy is so excited about being a pilot, he can’t even stand himself.

“Well, I’m gonna take it up to about 20,000.”

“Then I’m gonna make a left by Pittsburg.”

“Then I’m gonna make a right by Chicago.”

“And then I’m gonna bring it down to 15,000.”

He’s giving the whole route, all his moves.

We’re in the back going: “Yeah, fine.”

“You know, just do whatever the hell you gotta do. I don’t know.”

“Just end-up where it says on the ticket, really.”

Do I bother him with what I’m doing?

Knocking on the cockpit door: “I’m having the peanuts now.”

“Yeah, that’s what we’re doing back here.”

“I thought I’d keep you posted.”

“I’m not gonna have them all now, I’m just gonna have a few.”

“I don’t wanna finish it because it’s such a big bag.”

Then the stewardesses have to come out.

They have to do their little emergency equipment show.

You know, that thing they do. One of them reads it, the other one acts it out.

“Hey, we have seatbelts and oxygen masks.”

“Things for you to use.”

They show you how to use the seatbelt, in case you haven’t been in a car since 1965.

“Oh, you lift up on the buckle! Oh!”

“I was trying to break the metal apart.”

“I thought that’s how it works.”

“I was gonna try and tear the fabric part of the belt.”

“I thought if I could just get it started…”

Then they’re always pointing out the emergency exits,

always with that very vague point though, isn’t it?

“Where the hell would these places be?”, would you say.

The plane’s at a 90 degrees angle, your hair is on fire,

you’re looking for this.

How you think you’re gonna do there?

She’s thinking: “I’m getting out before you’re getting out.”

“You’re dead, you’re dead, I’m gone.”

Then they always have to close that first class curtain, too.

They always give you that little look.

“Maybe if you had worked a little harder… I wouldn’t have to do this.”

It’s all a tiny world on the airplane, isn’t it?

There’s always that little tiny table there, tiny computer,

little cramped seats, tiny food, tiny utensils,

tiny liquor bottles, tiny bathroom, tiny sink, tiny mirror, tiny faucet.

So, there’s a small problem, there’s gonna be a slight delay,

we’re gonna be a little late.

I always go in the airplane’s bathroom, even if I don’t have to go,

I gotta go in there.

It’s nice. It’s like your own little apartment on the plane, isn’t it?

You go in there, lock the door, the light comes on after second.

It’s like a little surprise party.

But I’m always impressed with the amount of equipment that they have in that place.

I mean it’s little, but they got tissues, towels, closets, compartments,

tiny slot for used razor blades. They always have that.

Who is shaving on the plane?

And shaving so much they’re using up razor blades?

Is this what’s happening?

What? Is the wolf man flying in there, for Christ’s sakes?

Who could shave that much?

What’s funny about this?

Well, it’s the wording, the timing, the delivery, the world-weary attitude, the fact that I know exactly what he means, and all the observations he points out.

I simply suggest that you listen again, and read the transcript and buy “I’m Telling You For The Last Time” on CD or DVD. It’s a masterclass in observational comedy.

The stuff about the staff is sarcastic. He describes them as ‘high-calibre’, ‘Einstein’ and ‘geniuses’ when in fact they’re quite the opposite. My favourite line is “Look at this crack squad of savvy motivated personnel.” A crack squad is a specialised team, like a team of excellent soldiers. The best of the best. ‘Savvy’ means that they have expert knowledge. ‘Motivated’ you know, and ‘personnel’ is a professional word to refer to members of staff. He’s describing them like a highly skilled team of experts. Obviously, they appear to be lazy, unmotivated and unambitious.

The bit about the x-ray machine always cracks me up. He describes the thoughts of the ‘Einstein’ who has chosen to sit in front of an x-ray machine for 14 hours a day. The guy is looking into the screen, completely misidentifying dangerous items – “What is that? A hairdryer with a scope on it?” – This is clearly some kind of gun.

“That looks ok. Keep it moving.”

“Some sort of bowling ball candle? Yeah, I got no problem with that, just…” – This is obviously a bomb.

But he lets all of them through.

Voicing the decision making process of the people who priced the sandwiches always amuses me. “14 dollars a tuna sandwich? Yeah we think that’s fair.” It’s clearly unfair, and  ‘it’s funny because it’s true!’

I love the bit where he voices the smug pilot explaining the route,

This guy is so excited about being a pilot, he can’t even stand himself.

“Well, I’m gonna take it up to about 20,000.”

“Then I’m gonna make a left by Pittsburg.”

“Then I’m gonna make a right by Chicago.”

“And then I’m gonna bring it down to 15,000.”

He’s giving the whole route, all his moves.

We’re in the back going: “Yeah, fine.”

“You know, just do whatever the hell you gotta do. I don’t know.”

“Just end-up where it says on the ticket, really.”

Do I bother him with what I’m doing?

Knocking on the cockpit door: “I’m having the peanuts now.”

I love that bit about “I’m having the peanuts now”

 

It goes on.

To be honest, it’s just a class act, it really is. I hope you enjoy it. That’s the point, it’s for your enjoyment. Sometimes it’s worth remembering that you should just go with this kind of comedy. Don’t try too hard to understand it on a deep level or anything. Just enjoy the delivery, the choice of words, the to and fro with the audience, the rhythm of the comedian telling jokes and constructing stories and the audience coming back with laughter at regular intervals. It’s very pleasant and pleasing to me. I can’t imagine something better to listen to as a way of improving your English, except just any episode of LEP of course ;)

Ric Elias – 3 Things I Learned When My Plane Crashed

This is not a stand-up routine, it’s just an awesome true story and we love engaging true stories on LEP don’t we? I thought it would be a good way to end this episode of the podcast.

This is an account of someone who was on board US Airways Flight 1549 which had to crash land in the Hudson River after a bird strike during take-off from LaGuardia airport in 2009. The pilot was a real hero as he managed to land in the Hudson River with no loss of life.

Here the storyteller reflects on what it is like to face your death, and what he learned from that. It’s worth remembering that we shouldn’t take anything for granted!

Ric Elias – 3 Things I Learned When My Plane Crashed

[ted id=1130 lang=en]

Imagine a big explosion as you climb through 3,000 ft. Imagine a plane full of smoke. Imagine an engine going clack, clack, clack, clack, clack, clack, clack. It sounds scary. Well I had a unique seat that day. I was sitting in 1D. I was the only one who could talk to the flight attendants. So I looked at them right away, and they said, “No problem. We probably hit some birds.” The pilot had already turned the plane around, and we weren’t that far. You could see Manhattan. Two minutes later, three things happened at the same time. The pilot lines up the plane with the Hudson River. That’s usually not the route. (Laughter)He turns off the engines. Now imagine being in a plane with no sound. And then he says three words –the most unemotional three words I’ve ever heard. He says, “Brace for impact.” I didn’t have to talk to the flight attendant anymore. (Laughter) I could see in her eyes, it was terror. Life was over.

1:22
Now I want to share with you three things I learned about myself that day. I learned that it all changes in an instant. We have this bucket list, we have these things we want to do in life, and I thought about all the people I wanted to reach out to that I didn’t, all the fences I wanted to mend, all the experiences I wanted to have and I never did. As I thought about that later on, I came up with a saying, which is, “I collect bad wines.” Because if the wine is ready and the person is there, I’m opening it. I no longer want to postpone anything in life. And that urgency, that purpose, has really changed my life.

2:02
The second thing I learned that day — and this is as we clear the George Washington Bridge, which was by not a lot — I thought about, wow, I really feel one real regret. I’ve lived a good life. In my own humanity and mistakes, I’ve tried to get better at everything I tried. But in my humanity, I also allow my ego to get in. And I regretted the time I wasted on things that did not matter with people that matter. And I thought about my relationship with my wife, with my friends, with people. And after, as I reflected on that, I decided to eliminate negative energy from my life. It’s not perfect, but it’s a lot better. I’ve not had a fight with my wife in two years. It feels great. I no longer try to be right; I choose to be happy.

2:52
The third thing I learned — and this is as your mental clock starts going, “15, 14, 13.” You can see the water coming. I’m saying, “Please blow up.” I don’t want this thing to break in 20 pieces like you’ve seen in those documentaries. And as we’re coming down, I had a sense of, wow, dying is not scary. It’s almost like we’ve been preparing for it our whole lives. But it was very sad. I didn’t want to go; I love my life. And that sadness really framed in one thought, which is, I only wish for one thing. I only wish I could see my kids grow up. About a month later, I was at a performance by my daughter — first-grader, not much artistic talent … … yet. (Laughter) And I’m bawling, I’m crying, like a little kid. And it made all the sense in the world to me. I realized at that point, by connecting those two dots, that the only thing that matters in my life is being a great dad. Above all, above all, the only goal I have in life is to be a good dad.

4:06
I was given the gift of a miracle, of not dying that day. I was given another gift, which was to be able to see into the future and come back and live differently. I challenge you guys that are flying today, imagine the same thing happens on your plane — and please don’t — but imagine, and how would you change?What would you get done that you’re waiting to get done because you think you’ll be here forever? How would you change your relationships and the negative energy in them? And more than anything, are you being the best parent you can?

4:40
Thank you.

4:42
(Applause)

He described the crash landing as a miracle, but was it really?

What do you think?

[socialpoll id=”2240609″]
flightstories

225. Film Club: “Taken”

This episode is all about the film “Taken” starring Liam Neeson as an ex-CIA agent who uses his ‘particular set of skills’ to save his daughter who is kidnapped while on a trip to Paris. Right-click here to download.

Small Donate ButtonYou might remember hearing me talking about this film in a recent episode of the podcast with my friend Corneliu. Remember that? Well, I’m a little bit obsessed by this film, and I talk about it in my stand-up shows, so I’ve decided to devote this episode just to this subject: The film Taken, starring Liam Neeson.

For ages on LEP I’ve been talking about doing episodes about films. I’ve done some movie themed episodes before, but this is the first episode in what I hope will become a series devoted to some classic moments from cinema history. (What Luke, another series – how many series have you started now? – accents, slang, British Comedy, Your English Podcast)
I’ve decided to call the series “Luke’s Film Club” or LFC. (Not Liverpool Football Club)
I could easily have called it “Luke’s Classic Movie Moments” but my brother thought that sounded too American, which put me off slightly. I quite like “Luke’s Classic Movie Moments” or LCMM, for short, so that is the other name of this series.
So, welcome to “Luke’s Film Club” or LFC, which is also known as Luke’s Classic Movie Moments, or LCMM.

taken-filmIn each episode in this series we’re going to look at a classic moment from the movies, and in this one I’ve decided to focus on “Taken” (2008) starring Liam Neeson. Director: Pierre Morel
Writers: Luc Besson, Robert Mark Kamen.

Plot synopsis: A retired CIA agent travels across Europe and relies on his old skills to save his estranged daughter, who has been kidnapped while on a trip to Paris.

Score on IMDB: 7.9/10
Score on Rotten Tomatoes: 58%

This is not one of the greatest works of cinema history. It’s certainly not Citizen Kane or The Godfather or anything. To be honest, it’s a slightly trashy exploitation thriller which pushsd emotional buttons in order to keep you engaged throughout. It has revived the career of Liam Neeson, who is a great actor with a lot of screen presence and gravity. I think Liam Neeson is one of the greatest actors of his generation. Perhaps his most famous role is from Schindler’s List, but he’s been in plenty of other movies and has worked with some of Hollywood’s top talent, including George Lucas, Ridley Scott and Christpher Nolan. Since making Taken, Neeson has become somewhat typecast as this kind of brooding, revenge obsessed middle aged man. He’s made several sequels (Taken 3 is coming soon) and a couple of other similar films since this one.

Now, why have I chosen to bang on about Taken for a whole episode. Well, if you’ve seen the film, you’ll probably agree that it was a wild ride – it’s a thrilling film, but when you think about it, it’s quite ridiculous, and has some very questionable ethics and undertones of racism. But for some reason we’re all expected to leave our brains at the door, and not think about that stuff too much. It pushes some rather strong emotional buttons, and that makes you ignore the dodgy politics and subtext of the film.

I expect a lot of you have seen it because it was a big hit around the world, but many of you won’t have seen it. If you haven’t seen it then don’t worry – I’ll explain the plot and other details you need to know. I should say “Spoiler alert” at this moment – which is something you say before you give away the details of the plot before people have seen it. Don’t worry though, because in my opinion it’s impossible for me to spoil this film. Honestly, it can’t be spoiled. If you’ve seen the trailer for the film you’ll know exactly what happens, and it’s still enjoyable. In fact, the title of the film tells you all you need to know: “Taken” – his daughter is taken (kidnapped) and he does everything he can to get her back. That’s it. It’s a ride, with very few surprises along the way. It does exactly what it says on the tin.
“It does exactly what it says on the tin”

So in this episode we’re going to hear a classic moment from this film, and then I’m going to give you my viewpoint on the film as a whole, and then we’ll go back to analyse some of the language in the classic scene.

You might be thinking: Luke, you’re thinking about it too much. Don’t over-analyse it. Well, I find it hard to leave my brain at the door when I see films and I don’t think I should. Why should I stop thinking when I see a film? No, I like to analyse and intellectualise films, and I LOVE to intellectualise trashy movies like this one. One of my favourite things is to sit around with friends and just take the piss out of a film while watching it. I studied films at university and I learned that any film can be analysed as a text and that everyone is free to take their own interpretation of a movie. I also love talking about films and popular culture in my stand-up routines and I find that they’re a great source of comedy.

So let’s deal with Taken.

1. The classic moment: “I will find you, and I will kill you.”

2. Taken: My point of view (it’s a rant really)

3. Intonation & Sentence stress from the classic scene. (plus some versions in different accents)

The Classic Moment -“I will find you, and I will kill you”
Liam Neeson is a retired CIA agent. While his daughter is on holiday in Paris she is kidnapped. He manages to speak to one of them on his mobile phone. This is his only opportunity to speak to the kidnappers and then save his daughter.

The speech

I don’t know who you are. I don’t know what you want. If you are looking for ransom, I can tell you I don’t have money. But what I do have are a very particular set of skills, skills I have acquired over a very long career. Skills that make me a nightmare for people like you. If you let my daughter go now, that’ll be the end of it. I will not look for you, I will not pursue you. But if you don’t, I will look for you, I will find you, and I will kill you.

[after a long pause] Good luck.

Taken Kill Map

Here’s a review of “Taken” from my favourite film review podcast Mark Kermode & Simon Mayo’s Film Review.

202. British Comedy: Monty Python & The Holy Grail

[The Constitutional Peasants Scene] Here’s another episode about Monty Python’s Flying Circus, and in this one we’re going to be covering some very interesting topics, such as medieval history, old myths legends & folklore, the British monarchy, marxism and radical politics. In terms of language we’re going to look at some old fashioned formal poetic language, some political vocabulary and also some intonation and sentence stress, and we’ll be doing all of that while understanding and hopefully enjoying a funny scene from a classic British comedy film. So, you really are getting everything in this episode (well, maybe not everything but you know what I mean). A lot of this is transcribed at teacherluke.co.uk. If you find this episode on the website you’ll also see a video, a script for that video and more information. So let’s get started. Right-click here to download this episode.

Small Donate Button
Last time I did an episode about Monty Python we had a look at a sketch from the TV show. There are many more sketches which I hope to come back to in the future, but in this episode I’m going to focus on a scene from their first feature film, which is called “Monty Python & The Holy Grail”.

As a reminder: Do consider purchasing MP DVDs, CDs, audio & video downloads and even tickets to see live a live broadcast of their stage show. Details here: http://www.montypythonlive.com

Please remember – this is not a blog post, but an audio podcast episode. To get the full explanations and detail of this episode, you should listen to the whole podcast episode!

Monty Python & The Holy Grail
When was it made, who directed it, and all that stuff?
In 1975. It was written by all the Monty Python team but was directed by Terry Gilliam and Terry Jones. The two Terries were quite controlling & ambitious and decided they wanted to be in charge of the film, and in fact, during the production I think they agreed that the film could be directed by anyone called ‘Terry’, as an effort to keep control of the film.

What’s it about?
It’s about King Arthur’s search for the Holy Grail. It’s set in the 10th century – the middle ages, or ‘dark ages’, a time of mystery and legend! King Arthur is a legendary King of Britain. The legend of Arthur dates back to the 5th & 6th centuries and the story of Arthur has been told many times since. Historians disagree about whether Arthur really existed or not. In the stories, Arthur is said to be the magical leader who defended Britain against real and supernatural enemies. He carried a magical sword called Excalibur, which was given to him by a mysterious spirit known as The Lady of the Lake. The Lady of the Lake is an important figure in the Arthurian legend – she’s a kind of magical woman who got her powers from the wizard Merlin. She’s a bit like Galadriel in the Lord of the Rings stories. In Arthur’s story, This lady emerges from a lake, holding Excalibur and then presents it to Arthur, and in so doing chooses him as the rightful leader of the Britons. It’s hardly a democratic way to choose the executive commander of Britain, but that’s how things were done back in the 5th century!

The Grail in this story is another aspect of Arthurian legend. Apparently, this grail once carried the blood of Jesus, and was sent by Joseph to Britain where it would be protected. Perhaps this is true, perhaps this is just a myth, but the grail is still a potent symbol in British folklore, either as a connection to Jesus, or as a magical cup which can give magical powers to whoever drinks from it (it’s the same cup in the Indiana Jones movie “Indiana Jones and The Last Crusade”)

What happens in the film?
Arthur is sent on a mission by God to find the Holy Grail.
He travels around Britain, visiting castles and collecting a group of knights to help him on his quest.
It’s just an excuse to visit lots of old castles and film a bunch of medieval themed sketches.
Most of it was filmed in Scotland, and the scenery is absolutely beautiful.
It was filmed on a budget of just $400,000, which is tiny in comparison to today’s standards. The Hangover 3, for example, had a budget of $103 million!
The film was financed partly by rock stars Pink Floyd, Led Zeppelin and Elton John.
It’s now considered one of the funniest British comedy films of all time, and in 2005 it was used by Eric Idle as the basis for the Monty Python musical “Spamalot” which you can see in theatres in London and around the world.
There are a few classic sketches in the film, and I’d like to play one of them for you.

“Constitutional Peasants” – King Arthur Has an Argument with Some Left-Wing Peasants
Arthur is travelling the land, trying to recruit knights to join him on his quest. He visits lots of castles. In this scene, he is approaching a castle, and meets some peasants working on the land. The peasants appear to just be collecting mud & filth from the floor in a field. They’re disgusting & dirty, and yet surprisingly articulate in the language of politics (which is part of the joke). King Arthur decides to ask them for information about the owner of the castle. The peasants don’t give him any useful information. Instead he gets into an argument with one of the peasants about the constitution, monarchy, democratic government and the oppression of the masses in an absolute monarchy.

Constitutional Peasants – Video (you’ll find a script below)

What’s So Funny About This?
One of the funny things about this scene is the anachronism (I mean, the fact that different time periods are mixed up). The king is from the medieval period, but the peasants are basically modern working class people. So it mixes up people from different time periods. The scene also mixes two different speech registers and two different political ideologies as the characters represent different political systems, and we see them argue. It’s unexpected because peasants in the middle ages were unaware of Marxist ideology, and certainly wouldn’t have been intelligent or educated enough to criticise the system in such an articulate way. Arthur speaks in a poetic & medieval way, and represents the system of absolute monarchy which was in place at the time. The peasant speaks like a modern left-wing radical using ideas founded by Karl Marx in the 19th century.

It’s also a joke about conventions of movies or stories set in medieval times in which peasants are always presented as old, dirty and inarticulate servants of the king. When these peasants speak like Marxists from the modern era, it’s quite a surprising & amusing shock.

I realise that now I’ve explained this scene, you probably won’t find it that funny, because explaining humour takes all the immediate fun out of it, but so be it. If you get the humour, good for you! The main thing is: We’re learning English aren’t we, so let’s focus on understanding the scene before trying to see the funny side. This scene is very rich in vocabulary, in either a poetic medieval register, or the language of left-wing politics. Listen to it once to see if you understand it all, and then I’ll explain it all to you afterwards. If you find any of it funny, then that’s a bonus as far as I’m concerned. :)

Vocabulary & Explanations
So, in a nutshell, King Arthur wants to know who lives in the castle, and he asks a couple of peasants, but they don’t help him. Instead he gets involved in an irritating argument about the exploitation of the working classes in this medieval monarchy.

Concepts
There are a few concepts which we need to study in order to fully appreciate this scene. Let’s look at some of those concepts before listening to the scene again. These concepts relate to different constitutional frameworks – I mean, different ways in which a country can be run. We’re talking about political systems like ‘absolute monarchy’, ‘democracy’, ‘Marxism’ and ‘anarchism’.

Absolute Monarchy – in this case a king (monarch) is not elected, but gets their supreme power by divine provenance. This means that the monarch has a special agreement with god. God has chosen the monarch to be the leader of these people. Usually, this is tied to old mythical stories which involve some supernatural intervention in which the king is chosen by god. In the case of King Arthur this was when he was given a holy sword (Excalibur) by a magical & mythical woman called The Lady of the Lake. The story goes that this lady is a kind of supernatural & mythical spirit who holds magical and religious authority. In the story she walks out of a lake and presents Arthur with his magical sword, which signifies that he is the divine ruler of Britain. Most monarchies justify their existence by suggesting they have some kind of special connection to god. In this sketch, Arthur believes he is the rightful ruler of the Britons because of his divine right given by god.

Democracy – in this case, the people give executive power (decision making power) to a representative by voting for him/her. The people give this leader a ‘mandate’ – which means a responsibility to run the country. It’s the government by the people, of the people and for the people. Churchill said that democracy is not perfect, but it’s better than the alternatives. In the UK today we have a democratic monarchy, which is basically a democracy (we vote for MPs in elections) but with a monarch as head of state with almost no executive power. The Queen has very minor powers, and she doesn’t exercise them. It’s like there is an understanding between parliament and the monarchy that the monarch just lets parliament run the country. The monarch doesn’t interfere. That’s the way our country works. Some people are concerned that Prince Charles might decide to exercise his power if/when he becomes king, which could cause a constitutional crisis, but that’s another story for another time.

Marxism – this isn’t really a constitutional system, but an political ideology, or a way of understanding the way in which most industrial/post-industrial capitalist systems work. Karl Marx was a German born philosopher, economist, sociologist and historian who basically stated that the ruling classes manage to maintain control of the system by owning the means of production, and that the working classes are therefore dominated and repressed. The only way in which true equality can exist is if the people own their own land, their own factories and the means of producing goods. His ideas formed the basis of many left-wing political models including communism, and also form the basis of many criticisms of the capitalist system in general. In the UK, we sometimes associate Marxist ideologies with certain types of people. Although their views may be valid, I think most ordinary people find Marxists to be a bit extreme and even boring – banging on about politics and the class system all the time, while not necessarily doing anything about it.

Anarchism – this is the idea that there should be no leaders at all, and in fact no formalised system of government or state at all. Instead, local communities should be run by free and open groups with no leader. The idea is, that formalised governments, or power structures are essentially corrupting – that when power is given to one or several representatives, elected or not, that this ultimately will corrupt them and that this leads to inequality. So, anarchists argue that there should be no system at all, and that people should be free to govern themselves in a completely open way – without adopting any kind of political ideology or dogma. For me, in principle this sounds great, but on a practical level it sounds chaotic, confusing and impractical. Ultimately, it would be great to remove the corrupting power of government, but are we ready for it? We’d need an intelligent and activated population. Education is key. The problem, to an extent, is that many people don’t really care about these issues and instead just find political discussion boring, therefore making it very hard for true anarchy to take effect. A bit like Marxism, many people find anarchists to be either boring, confusing or somehow threatening to normal life.

Vocabulary
OK, so we’ve looked at some ideological concepts at the heart of this sketch, but we’re not finished because there’s plenty of language to deal with too. It’s complex isn’t it!? You see – British comedy is intelligent and deep, particularly Monty Python. It’s not just weird.

Here’s some vocabulary that you should know in order to understand this sketch further. Remember that Arthur speaks in old fashioned language, and Dennis the peasant speaks like a modern man with radical political opinions. Listen to the episode to hear all the bold words defined.

What knight lives in that castle over there?
– a knight is (in the Middle Ages) a man who served his sovereign or lord as a mounted soldier in armour. In this context it means a leader.
you automatically treat me like an inferior

exploiting the workers!
– exploiting means to benefit unfairly from the work of (someone), typically by overworking or underpaying them: “women are exploited in the workplace”.

hanging on to outdated imperialist dogma which perpetuates the economic and social differences in our society
-dogma = a principle or set of principles laid down by an authority as incontrovertibly true: the dogmas of faith | [ mass noun ] : “the rejection of political dogma”.

Dennis, there’s some lovely filth down here.

I didn’t know we had a king. I thought we were an autonomous collective.
– autonomous = • having the freedom to act independently: “school governors are legally autonomous”.

You’re fooling yourself. We’re living in a dictatorship: a self-perpetuating autocracy in which the working classes–
– an autocracy = a system of government by one person with absolute power.

Oh, there you go bringing class into it again.

Please! Please, good people. I am in haste. Who lives in that castle?

Dennis: I told you. We’re an anarcho-syndicalist commune. We take it in turns to act as a sort of executive officer for the week,…
Arthur: Yes.
Dennis: …but all the decisions of that officer have to be ratified at a special bi-weekly meeting…
Arthur: Yes, I see.
Dennis: …by a simple majority in the case of purely internal affairs,…
Arthur: Be quiet!
Dennis: …but by a two-thirds majority in the case of more major–
– ratify = sign or give formal consent to (a treaty, contract, or agreement), making it officially valid. “both countries were due to ratify the treaty by the end of the year”.
– a simple majority = this candidate receives more votes than anyone else (but it doesn’t have to be more than 50% of all votes cast) e.g. if Obama, Bush & Clinton are in an election and Clinton gets 40% and Obama & Bush get 30% each, Clinton gets a simple majority. She just gets more votes than the others.
– a two-thirds majority = at least 66% of all the votes
– an absolute majority = at least 51% of all votes

Woman: Well, how did you become King, then?
Arthur: The Lady of the Lake,… [angels sing] …her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water signifying by Divine Providence that I, Arthur, was to carry Excalibur. [singing stops] That is why I am your king!
– samite = a rich silk fabric interwoven with gold and silver threads, used for dressmaking and decoration in the Middle Ages.

Dennis: Listen. Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.

I mean, if I went round saying I was an emperor just because some moistened bint had lobbed a scimitar at me, they’d put me away!

Dennis: Oh! Come and see the violence inherent in the system! Help! Help! I’m being repressed!
Arthur: Bloody peasant!
Dennis: Oh, what a give-away. Did you hear that? Did you hear that, eh? That’s what I’m on about. Did you see him repressing me? You saw it, didn’t you?

What I love about this is that it’s a well written script, with different types of English and it manages to mock both the idea of a medieval monarchy, and also the irritating verbosity of political radicals. Monty Python are making fun of history & taking the piss out of everyone, while at the same time celebrating the language. Complex language, delivered at speed by colourful characters is at the heart of the humour in this sketch.

Intonation & Sentence Stress
I really enjoy the performances in this scene – particularly Michael Palin who plays Dennis the peasant. The lines are delivered with quite exaggerated and characterful intonation and sentence stress. To highlight this, I’m going to read the script of this scene, just to make it a bit clearer. You could listen to the original version again in order to, hopefully, appreciate it a bit more.

Constitutional Peasants – Script
Arthur: Old woman!
Dennis: Man!
Arthur: Man. Sorry. What knight lives in that castle over there?
Dennis: I’m thirty-seven.
Arthur: I– what?
Dennis: I’m thirty-seven. I’m not old.
Arthur: Well, I can’t just call you ‘Man’.
Dennis: Well, you could say ‘Dennis’.
Arthur: Well, I didn’t know you were called ‘Dennis’.
Dennis: Well, you didn’t bother to find out, did you?
Arthur: I did say ‘sorry’ about the ‘old woman’, but from the behind you looked–
Dennis: What I object to is that you automatically treat me like an inferior!
Arthur: Well, I am King!
Dennis: Oh, King, eh, very nice. And how do you get that, eh? By exploiting the workers! By hanging on to outdated imperialist dogma which perpetuates the economic and social differences in our society. If there’s ever going to be any progress with the–
Woman: Dennis, there’s some lovely filth down here. Oh! How d’you do?
Arthur: How do you do, good lady? I am Arthur, King of the Britons. Whose castle is that?
Woman: King of the who?
Arthur: The Britons.
Woman: Who are the Britons?
Arthur: Well, we all are. We are all Britons, and I am your king.
Woman: I didn’t know we had a king. I thought we were an autonomous collective.
Dennis: You’re fooling yourself. We’re living in a dictatorship: a self-perpetuating autocracy in which the working classes–
Woman: Oh, there you go bringing class into it again.
Dennis: That’s what it’s all about. If only people were aware of–
Arthur: Please! Please, good people. I am in haste. Who lives in that castle?
Woman: No one lives there.
Arthur: Then who is your lord?
Woman: We don’t have a lord.
Arthur: What?
Dennis: I told you. We’re an anarcho-syndicalist commune. We take it in turns to act as a sort of executive officer for the week,…
Arthur: Yes.
Dennis: …but all the decisions of that officer have to be ratified at a special bi-weekly meeting…
Arthur: Yes, I see.
Dennis: …by a simple majority in the case of purely internal affairs,…
Arthur: Be quiet!
Dennis: …but by a two-thirds majority in the case of more major–
Arthur: Be quiet! I order you to be quiet!
Woman: Order, eh? Who does he think he is? Heh.
Arthur: I am your king!
Woman: Well, I didn’t vote for you.
Arthur: You don’t vote for kings.
Woman: Well, how did you become King, then?
Arthur: The Lady of the Lake,… [angels sing] …her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water signifying by Divine Providence that I, Arthur, was to carry Excalibur. [singing stops] That is why I am your king!
Dennis: Listen. Strange women lying in ponds distributing swords is no basis for a system of government. Supreme executive power derives from a mandate from the masses, not from some farcical aquatic ceremony.
Arthur: Be quiet!
Dennis: Well, but you can’t expect to wield supreme executive power just ’cause some watery tart threw a sword at you!
Arthur: Shut up!
Dennis: I mean, if I went round saying I was an emperor just because some moistened bint had lobbed a scimitar at me, they’d put me away!
Arthur: Shut up, will you? Shut up!
Dennis: Ah, now we see the violence inherent in the system.
Arthur: Shut up!
Dennis: Oh! Come and see the violence inherent in the system! Help! Help! I’m being repressed!
Arthur: Bloody peasant!
Dennis: Oh, what a give-away. Did you hear that? Did you hear that, eh? That’s what I’m on about. Did you see him repressing me? You saw it, didn’t you?